Low

Low

Track Listings

1. Low

2. Legions (In Hiding)

3. Hail Mary

4. Trail of Tears

5. Shades of War

6. P.C.

7. Dog Faced Gods

8. All I Could Bleed

9. Urotsukidoji [Instrumental]

10. Chasing Fear

11. Ride

12. Last Call

Tracks:

Don't Ask Me To Be Friends

Amazon.com

Yes, Teddy Thompson's parents are renowned folkies Richard and Linda Thompson. And, sure, he's spent the past few years touring the world with his good friend Rufus Wainwright, who recently wrote a song about their inimitable relationship called "Nobody's off the Hook." But it's Thompson's rich, twangy voice that deserves the spotlight. After turning out two thoroughly underappreciated albums of original material--it would be pushing it to even call them cult favorites--the lovelorn singer-songwriter takes on a dozen classic country tunes on Up Front and Down Low. It's a good fit, the bitter sentiments the inform his own work paired with the sterling melodies of Ernest Tubb's "Walking the Floor Over You" and Elvis Presley's "I'm Left, You're Right, She's Gone." Thompson gives each of the tunes a masterful makeover, polishing them up with an all-star cast of players that includes Iris DeMent, Tift Merritt, and Marc Ribot. Wainwright offers string his own "Down Low" into the mix without breaking the mood. It's the kind of stuff that could represent a breakthrough moment, as long as nobody gets distracted by the fact that he was born and raised in a Sufi commune. --Aidin Vaziri

Album Description

Teddy Thompson's self-produced Upfront & Down Low features his angelic voice in distinctive and heartfelt readings of beloved country classics: George Jones' "She Thinks I Still Care" Ernest Tubb's "Walking the Floor over You" and Merle Haggard's "My Friends Are Gonna Be) Strangers." It also includes Dolly Parton's bittersweet "My Blue Tears" and the Elvis Presley chesnut "I'm Left, You're Right, She's Gone."

Customer Reviews:

Teddy Thompson's Torch & Twang.......2007-07-24

One usually doesn't think of men as being classic torch singers, but with UP FRONT AND DOWN LOW, New York-based young Brit singer/songwritier Teddy Thompson makes a stunning claim to that style of heart-achey pop music. Backed with tasteful arrangements on classic country tunes and his one original, Thompson unleashes his clear, plaintive and often soaring tenor to astonishing effect - particularly on "Walking the Floor Over You", "My Heart Echoes", "She Thinks I Still Care", Dolly Partron's "My Blue Tears" and his own "Down Low". Thompson delivers terrific phrasing on all tracks, especially putting over the wonderfully sarcastic edge of "You Finally Said Something Good (When You Said Goodbye)", which opens with a jaunty string quartet cakewalk. That number and the witty "Let's Think About Living" are the most upbeat among the album's 12 listed and one hidden track, a sweet and mournful "Don't Ask Me to Be Friends". Listeners who enjoyed Thompson's contributions to the BROKEBACK MOUNTAIN soundtrack will be delighted to find that UP FRONT AND DOWN LOW continues his forary into classic country & western music and delivers one of 2007's best sung albums in the process. No doubt about it - Teddy Thompson is absolute torch and twang. Look out, k.d....

Fresh and innovative.......2007-07-22

This is the best (new) album I've heard in years. The arrangements are
great. It sure beats 99% of what's being released as country music-
even though this CD is in the "pop" section at the stores.

Teddy Thompson is my kind of singer-not trying to sound like anybody
else (even though there is a little, but less twangy, Dwight Yoakam
in a couple of the tracks). I hope he does some more of the older
country classics with a couple of his own songs thrown in.

I could only rate this album 5 stars, but would have rated it higher.

From a non-country fan... .......2007-07-19

I guess this is technically a country album, but he brings a very folk/alt vibe to these songs. The result is just beautiful. Really, from start to finish. The emotion carried in his voice is so very moving. Just so soulful and touching.
If country isn't your "thing" I still say there is a place in any alt-rock collection for this CD. Perfect for a night of missing that certain someone. Perfect for a night of drowning your sorrows. Perfect for that long trip you didn't want to make in the first place. Ah, it's just perfect.

No longer "just" the son of.............................2007-07-19

Richard and Linda Thompson. I first heard of Teddy Thompson on the Brokeback Mountain soundtrack and have purchased all of his CD's. This one is no disappointment. As a country music fan, I love this CD so far, after just 2 listens. Teddy hits all the right notes, metaphorically speaking, and uses just the right amount of great backup vocals and musicians. I am taking a road trip this weekend and can't wait to crank up the speakers and listen to this CD several times in about 6 hours.
Great work, Teddy!

He's too cool for the room (so join the cult).......2007-07-18

When last I considered Teddy Thomp'son, he was building his cult. A very elite cult, because 'Separate Ways seemed to be so special that you could say, well, a lot of people just didn't have ears good enough for it.

Except it wasn't "special." And it wasn't "too good." It was great writing and great music and a remarkable voice, start to finish, without a single dud. I don't know why only a few of my nearest and dearest flipped for it. Maybe because it was depressing, in a wonderfully funny way.

Like this line: "I wish when the phone rang/it wasn't always you."

Not exactly a universal sentiment, is it?

So let's call Teddy Thompson an acquired taste --- until the day one of his songs becomes an unlikely hit and tens of thousands rush back to fall in love with all the great music they so breezily rejected.

And what of the follow-up to "Separate Ways"?

It's no follow-up at all. "Upfront & Down Low" is country. Classic country, if you will: songs by George Jones, Dolly Parton, Merle Haggard, the Everly Brothers, Elvis. Thompson uses a standard backup band, but he adds a string section, courtesy of the arranger responsible for the strings on Nick Drake's CDs.

Sounds like a vanity project? Not in the least. Teddy Thompson --- who didn't hear music that wasn't country until he was 16 --- understands this music completely. And delivers it authentically. But that understates. What happens in "Upfront & Down low" is captured magic, the alchemy of great taste and a compelling voice.

I went to see Teddy Thompson preview this CD in a downtown club. It was one of those rare nights: a small room, no more than a hundred people in the audience, all of them very much on the singer's side. Two violinists, a cellist and a string bass player came onstage first, then a drummer and a slide guitarist, then Thompson. Hard to miss him --- he was wearing a white suit. "I'm from the corporate office of Willie Wonka," he explained.

Naturally he apologized for the tone of the songs: "These songs are depressing. That's what country music is about."

But the songs needed no apology. They were flawless, if not exactly fun, and the title song, which he wrote, just might be the best. That song was, of course, the most depressing. Funny. I can't get it out of my head.

Average customer rating:

"Many A Mile To Freedom" but a short click can get you the remaster W/a bonus!
Low Spark, high marks
Original Albums
one of the great things about 1971 was this album.
The Best of the Best

Low Spark of High Heeled Boys
Traffic
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

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John Barleycorn Must Die
Blind Faith
Shoot Out at the Fantasy Factory
Traffic
Layla and Other Assorted Love Songs

ASIN: B0000639A3
Release Date: 2002-03-19

Tracks:

Hidden Treasure
The Low Spark Of High-Heeled Boys
Light Up Or Leave Me Alone
Rock & Roll Stew
Many A Mile To Freedom
Rainmaker
Bonus Track - Rock & Roll Stew (Single Version)

Amazon.com

Despite not even charting in the band's native England, this album became a platinum-selling American hit on the basis of three enduring FM radio staples--the expansive, jazzy impressionism of the near-12 minute title track, and the more straightforward funk of the R&B charmers "Light Up or Leave Me Alone" and "Rock & Roll Stew." Those disparate tracks perfectly underscore Traffic's rich musical appeal and its restless, sometimes problematic creative and interpersonal relationships. With now thrice-departed Dave Mason out of the mix and percussionists Jim Gordon and Reebop Kwaku Baah participating in the studio for the first time, the band's innate musicality truly takes wing. Winwood's familiar vocal phrasings nearly take a backseat to his fluid, dramatic guitar work on "Rock & Roll Stew Roll" and "Many a Mile to Freedom," while the Tull-ish, folk-madrigal sensibilities of "Hidden Treasure" and "Rainmaker" are further punctuated by Chris Wood's deft flute and woodwind flourishes. Compared with the more organic John Barleycorn album, the contrast is all the more remarkable. While many contemporary bands were experimenting with various attempts at fusion, few achieved this collection's rock-jazz-folk-R&B range or level of often subtle sophistication. Digitally remastered, this edition also contains the six-minute-plus U.S. single version of "Rock & Roll Stew, Parts 1 & 2" as a bonus track. --Jerry McCulley

Customer Reviews:

"Many A Mile To Freedom" but a short click can get you the remaster W/a bonus!.......2007-07-21

As the author of the Jefferson Airplane book "Take Me To A Circus Tent" and a former radio disc-jockey, I am often asked to write and or discuss various music supplies and recordings from the 60's and 70's.

Released in February 1971, "The Low Spark of High Heeled Boys" would enthrall the listener for the duration of the forty-minute journey. It wasn't another record to play but one to study, digest, and rarely file away.

From the opening notes of the beautiful "Hidden Treasures" Traffic had captured our attention. As they commandeered the ride, nobody was looking to escape. The title track is twelve minutes but the message lasts forever. Remember the first time the lyrics hit you between the eyes without warning?

The percentage you're paying is too high priced
while you're living beyond all your means.

And the man in the suit has just bought a new car
from the profit he's made on your dreams.

"Rock And Roll Stew" changes the direction. The tune is upbeat and full of power and passion. With a great mix, you can enjoy Winwood's tremendously tasty guitar.

"Many A Mile To Freedom" isn't only track four of the recording but one of the most overlooked songs of the era. The lyrics are delivered with the skill of a master artisan and the music blends flawlessly. If your original vinyl copies had holes in the grooves, you were not alone!

"Light Up Or Leave Me Alone" is well constructed. The musicianship is clearly detected. Although Dave Mason wasn't part of the session, the band took anything but a defeatist attitude.

"Rainmaker" unfortunately is the finale. The lyrics and music seem to create majestic visions. Listen intently to understand how Chris Wood enhances the recording.

The remaster with the bonus track gives you the single version of "Rock And Roll Stew." Call it a midnight snack after a 5 Star meal.

Enjoy the music and be well,
Craig Fenton
Author of the Jefferson Airplane book "Take Me To A Circus Tent"

Low Spark, high marks.......2007-05-18

Always a pleasure to listen to. This is an album which ages gracefully, and the instrumentals are always a pleasure. Those guys really were wonderfully musical and extremely talented.

Original Albums.......2007-05-11

Ever order a "Best of..." or "Greatest Hits of..." album or set and found yourself totally bummed out. Some musicians seem to produce albums that are more like works of art that can be only viewed/heard in their entirety. In cutting them up and reeditting, they loose too much. There are a lot of examples and this album I believe is one of them. If you want "Traffic" as part of your classic rock music library, buy this album.

one of the great things about 1971 was this album........2007-04-10

1971 was a fine year in music, indeed. "sticky fingers," by the rolling stones, the fourth led zepplin album, rod stewart's "every picture tells a story," "who's next," by the who, gene clark's white light album, john prine's debut, the doors "LA woman," and this great album, traffic's "the low spark of high-heeled boys." folk-rock, prog-rock, prog-folk, this album is hard to categorize. there's some jazz fusion in here, too. in fact, several musical passages have a feeling that's similar to the textures employed by miles davis on his classic albums "in a silent way," and "bitches brew." the album starts off with the haunting enchantment of acoustic guitar and flute on "hidden treasure." it's a beautiful folk melody and sets much of the tone for what will follow. the title track is an epic prog-rock piece with surreal lyrics that starts with a saxophone intro and builds steam slowly, intently. piano chords and notes drop in on this track that very much resemble the miles davis work i mentioned. dreamy instrumental passages stretch out the landscape, making this a long, gorgeous song. great music. track 3, "light up or leave me alone," is a song with a funky beat and some hot guitar. it's followed by the bluesy rocker, "rock & roll stew." "many a mile to freedom," is a folk-rock anthem, sporting an outstanding percussion track, on which flute and some more great guitar drift. "rainmaker," has a hypnotic percussion track that the rest of the instruments ride on, as well. it's an entrancing song, and a great finish to a great album. a must have for all rock and roll collections.

The Best of the Best.......2007-01-11

This is the best "traffic jam" you'll ever encounter. Good old get-up-on-your-feet rock and roll. This could be one of the best albums of the early '70's. Excellent musicians, great music, well produced.

Average customer rating:

suffers from monotony
Alternative old-time music? Bluegrass with brains?
Not Your Father's Bluegrass
hauntingly beautiful
Shaken By A Low Sound

Shaken by a Low Sound
Crooked Still
Manufacturer: Signature Sounds Recordings
ProductGroup: Music
Binding: Audio CD

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Migrations
Hop High
The Duhks
She Waits for Night
Waterloo, Tennessee

ASIN: B000GCG60K
Release Date: 2006-08-22

Tracks:

Can't You Hear Me Callin'
Little Sadie
New Railroad
Oxford Town/Cumberland Gap
Lone Pilgram
Come On In My Kitchen
Ain't No Grave
Ecstasy
Mountain Jumper
Railroad Bill
Wind And Rain

Amazon.com

Like Nickel Creek and the Duhks (and Alison Krauss and Union Station before them), Crooked Still employ bluegrass elements as a springboard for an eclectic, expansive dynamic. Behind the sweetly ethereal and occasionally jazzy vocals of Aoife O' Donovan, the interplay of Gregory Liszt's banjo, Rushad Eggleston's cello (both bowed and flatpicked), and Corey DiMario's double bass gives the young New England band a sound that is closer to chamber-grass than hoedown. Though none of the material on this label debut is original, the transformations typically are, with the murder balladry of "Little Sadie" given a surprisingly sprightly reading, Bob Dylan's early "Oxford Town" taken at double-time speed, and Robert Johnson's "Come On in My Kitchen" sounding more meditative than bluesy. The band and veteran producer Lee Townsend enlist a number of guests for harmony and instrumental support, but it's plain that the drummerless quartet has the talent and musical vision to deliver on this album's considerable promise. --Don McLeese

Customer Reviews:

suffers from monotony.......2007-07-31

CS is an interesting mix of folk and roots inspired music, but it both lives and dies by mediocre song selection, monotonous vocals and limited (definitely NOT untalented, though) instrumentation. I admittedly enjoyed the first listen, but the sound wears a little thin afterwards. The vocals tend to be the same whispering stuff that AKrauss has been doing the last decade. Many folks will love this, but I keep wanting more from this band....more harmonies, more drive and more interesting songs.

Alternative old-time music? Bluegrass with brains?.......2007-07-28

What a good band. This cd has a well-balanced mix of lively and low-key, sad and soothing songs and tunes. For me, having cello in the mix gives the arrangements something fresh and soulful. "Shaken by a low sound" works both as a "listening cd" and as great background music.

Not Your Father's Bluegrass.......2007-07-23

My wife and I had never heard of Crooked Still when they opened for Chris Smither last fall at The Birchmere, in Alexandria, Virginia. So when someone at our table said that they were "a bluegrass band," we were a little disappointed, not really being bluegrass fans. Well, these four musicians are not your father's bluegrass band. (We got a hint of this even before they started to play, when, during set-up, Rushad Eggleston, their cellist, came out to tune his cello. Dressed in a flashy red-white-and-blue rodeo shirt, wearing a coonskin cap, and with a vaguely wild look in his eyes, Eggleston tuned his instument, tested the sound, and then, before returning backstage, gently kissed his cello before laying it in its stand.) From the first tune to the last, Crooked Still just blew us - and everyone else in the place - away. Imagine traditional "bluegrass" music rethought, infused with true passion and soul, and performed by a group of consummate young musicians with an authentic artistic sensibility, and you pretty much have Crooked Still. I cannot recommend this CD - or their first, "Hop High" - highly enough. If you're a fan of acoustic music, you should also seek out a live performance by these musicians. (Seeing firsthand the energy with which Rushad Eggleston plays his cello is, alone, worth the price of admission.)

hauntingly beautiful.......2007-05-14

my wife and i heard aoife o'donovan a couple of times when she was one of the singers with wayfaring strangers. when we were perusing the concert schedule at the somerville theatre my wife recognized her name as the vocalist for the band crooked still. we decided to give it a try but we weren't sure what to expect. within the first 10 seconds of the concert i was in love with the group. we travelled over to vermont later that month to hear them again and then travelled down to club passim in cambridge a couple of months later for a tuesday 10 o'clock at night concert to try out new material. we're going to see them again in july. i've bought four copies of each of their cd's, one copy for us and the others for friends. i am thinking of rewriting my will and leaving everything to aoife if she will sing at my funeral.

i really like wayfaring strangers and have lent my wayfaring strangers cd's to friends and relatives. hardly anyone cares for them as much as i do and i understand that it can take some getting used to. crooked still is not like that. it is so accessible that i think just about anyone would like it and some people will love it.

Shaken By A Low Sound .......2007-05-13

Great CD, I bought it after hearing then in concert!!

Average customer rating:

Promising
What an incredible debut EP!

Get to the River Before It Runs Too Low
Sea Wolf
Manufacturer: Dangerbird Records
ProductGroup: Music
Binding: Audio CD

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Trading Twilight for Daylight
The Reminder
Icky Thump
Writer's Block
Our Love to Admire

ASIN: B000OPOAGG
Release Date: 2007-05-08

Tracks:

You're A Wolf
The Garden You Planted
I Made A Resolution
Ses Monuments
I Don't Know If I'll Be Back This Time

Customer Reviews:

Promising.......2007-06-13

I just heard You're a Wolf on the radio. Wow, great song; catchy yet deep. Brings to mind Fastball & Toad the Wet Sprocket. Looking forward to hearing the rest.

What an incredible debut EP!.......2007-05-11

Alex Church, the lead singer and founder of Sea Wolf, was a founding member of my favorite band, Irving. His songwriting skills are amazing, and this EP, Get to the River Before It Runs Too Low, showcases his ability to write beautiful and engaging songs perfectly. My personal favorite is You're a Wolf, but every song he writes finds a way to burrow into my subconscious. While I lament the fact that he is no longer with Irving, I rejoice in the beauty that is Sea Wolf and am so thankful he is still bringing new songs into the world. I can't wait for the full album that will be released this year! In the meanwhile, I'm so excited to see Sea Wolf play live - they blew me away when I saw them play the noise pop festival.

Average customer rating:

A new sound - King Wilkie
A Class of Their Own!
... and 1/2 .... A genuine, relaxed, good-time vibe full of alluring radiance & emotional pathos

Low Country Suite
King Wilkie
Manufacturer: Zoe Records
ProductGroup: Music
Binding: Audio CD

General | Country | Styles | Music

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Fork in the Road

ASIN: B000PAU2VC
Release Date: 2007-06-26

Tracks:

The Raising Of The Patriarchs
Wrecking Ball
Millie's Song
Rockabye (Farewell Lonesome Dove)
Angeline
Savannah
Crazy Daisy
Stone & Steel
Oh My Love
Ms. Peabody
Captivator

Amazon.com

Though the uptempo "Wrecking Ball" shows that King Wilkie can function just fine as a straightforward bluegrass band, most of the music by the acoustic Virginia sextet draws more from classic rock and vintage country, and particularly from the influences where the two converge. The harmonies of "Millie's Song" recall those of the Everly Brothers, "Savannah" sounds like one of the Band's evocations of the American South, the singalong "Crazy Daisy" and the atmospheric insistence of "Stone & Steel" suggest the Byrds of the same era, and the honky-tonk shuffle of "Angeline" draws from the country side of the Rolling Stones. Yet bittersweet ballads such as "Rockabye (Farewell Lonesome Dove)" and "Captivator" are the sort of material that could fit just fine on country radio. From the chamber strings of "Oh My Love" to the ragtime whistle of "Ms. Peabody," this label debut showcases a band of impressive range, depth, and potential. --Don McLeese

Album Description

Even as they were named 2004's Emerging Artist of the Year by the International Bluegrass Music Association, the sound of King Wilkie was extending outward in directions that could no longer be comfortably contained under the bluegrass banner. The band spent the next two years touring non-stop, building a die-hard following and honing an idiosyncratic new sound. The result is the evocative, harrowing Low Country Suite - a dramatic push into uncharted sonic terrain. Produced by Jim Scott (Tom Petty, Dixie Chicks, Wilco), Low Country Suite draws on the pioneering spirit of Sweetheart of the Rodeo-era Byrds, Gram Parsons' solo LPs, and "Country Honk" Stones, while the album's gentler songs are equally informed by the stark, confessional folk of Nico, Nick Drake, and Leonard Cohen. Haunting yet strangely uplifting, Low Country Suite is the captivating sound of a band willing to leave precedent behind to create intoxicating new music from the jagged remains of yesterday.

Customer Reviews:

A new sound - King Wilkie.......2007-06-27

Do yourself a favor and buy/download/share this album. Best so far of 2007, and combines influences such as the beach boys, the byrds, stones, simon/garfunkel. But the voices here (both literal and lyrical) set them apart as their own. They aren't a bluegrass band, or a country band, or any other "kind" of band - they're just King Wilkie.

oh, and see them live in small venues while you still can.

thank me later

A Class of Their Own!.......2007-06-27

Excellent!
A little something for everyone!
Music to relax, dance, work, clean, drive, and play to!
I listen to it over and over again.
King Wilkie has earned another loyal fan!

... and 1/2 .... A genuine, relaxed, good-time vibe full of alluring radiance & emotional pathos .......2007-06-26

Playing Time - 42:48 -- From Charlottesville, Virginia, King Wilkie has a new contemporary Americana sound. Named for Father of Bluegrass Bill Monroe's favorite horse, the band's easy-going acoustic jaunt in this set is more of a canter than a gallop. Rather than high lonesome bluegrass, King Wilkie's "Low Country Suite" gives us a soothing folk-pop sound with rootsy feeling and earthy lilt. Striving for a more personal musical statement than traditional bluegrass afforded them, their approach has come to emphasize life experiences, their individual strengths and personal influences.

Initially formed in 2002 by Ted Pitney (guitar) and Reid Burgess (mandolin), these two graduates of Kenyon College in Ohio moved to Virginia to start a bluegrass band. The rest of the group includes Abe Spear (banjo), Drew Breakey (bass), Nick Reeb (fiddle), and John McDonald (guitar). In 2003, King Wilkie signed with Rebel Records. In 2004, they won IBMA's Emerging Artist of the Year Award. In 2005, their thoughtful melody-driven songs began marking an evolution of their musical makeover. The compositions on "Low Country Suite" are a number of pleasantly smooth movements that take us on a breezy jaunt through nostalgic, romantic or placid emotions. With some understated lap steel, organ, piano, harmonica or percussive embellishment in the mix, the set's result is one of mostly serene, laid-back imagery. "Angeline" is one of the more raucous offerings, with a hint of 1970s folk rock tonality. With its raw emotion and gritty realism, "Wrecking Ball" is a wild, thrilling ride with old-time spirit. "She's a wrecking ball coming through my wall so tall, like a house of straw these beautiful dreams will fall ....." The slow swing and bright lyricism of "Ms. Peabody" also provides some nice diversity to a mostly ethereal set mainly about "restlessness, coming of age, loss of innocence." The themes of absolution and liberation are clearly stated in "Captivator."

Produced by Jim Scott, an objective of "Low Country Suite" was to capture the band's own pioneering spirit in a manner reminiscent of the Byrds, Gram Parsons, Rolling Stones, Neil Young, or Bob Dylan. "King Wilkie creates their own genre of music -- a beautiful, true and honest sound," Scott once said. It's a lofty goal, and King Wilkie demonstrates both the aptitude and confidence to make a significant mark. The band now has the support of the reputable Rounder label, and I commend them for their flexibility, adaptability and relaxed sophistication. Thirty years from now, "Low Country Suite" may not be looked at as their defining work that established King Wilkie as an irresistible, clarion voice, but it certainly is a genuine, relaxed, good-time vibe full of alluring radiance and emotional pathos from their collective gut. (Joe Ross, staff writer, Bluegrass Now)

Average customer rating:

Easily a classic!
My Favorite Group of All-Time
one of the worst groups ever
It's like Butter Baby!
This album provides some of Hip Hops intelligent rhythms and fun lyrics.

The Low End Theory
A Tribe Called Quest
Manufacturer: Jive
ProductGroup: Music
Binding: Audio CD

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It Takes a Nation of Millions to Hold Us Back

ASIN: B0000004X7
Release Date: 1991-09-24

Tracks:

Excursions
Buggin' Out
Rap Promoter
Butter
Verses From The Abstract
Show Business
Vibes and Stuff
The Infamous Date Rape
Check The Rhime
Everything Is Fair
Jazz (We've Got)
Skypager
What?
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Amazon.com essential recording

De La Soul are remembered as the premier Native Tongues posse, those rappers who got low-key, self-consciously thoughtful, and jazzy in the face of gangsta's hardcore threats. But A Tribe Called Quest may have been even stronger, especially on their excellent second album, the bass-thumping, heavily jazz-sampled The Low End Theory. According to the opening "Excursions," rapper Q-Tip's old man says the disc's jazz-rap "reminded him of bebop," and Q calls himself "prominent like Shakespeare." But if Charlie Parker had ever written poetic couplets and backed them with funky-drummer and Ron Carter-on-bass grooves this irresistible, he might have been as big as the Bard and Brother James combined. --David Cantwell

Customer Reviews:

Easily a classic!.......2007-05-26

I recently bought this and I'm regretting not buying this earlier! You know, Tribe has, without a doubt, revolutionized rap. For a 1991 album, this doesnt sound very much like in its era, you could place this in any era and it would still feel fresh. The music is perfect, the lyrics are perfect, the flow is perfect, this album is timeless! Each song is filled with so much, and Q-Tip raps so well.

This is a must buy for any rap fan, just like Illmatic.

My Favorite Group of All-Time .......2007-02-14

Giving "The Low End-Theory" anything less than 4 stars is like scuffing at Michaelangelos "The Last Judgement" in the Sistine Chapel. I mean, I wonder if people actually got a hold of a chopped and screwed version of this masterwork. The only other reasonable explanation is the manufacturers messed up and placed a Vanilla Ice record inside the album cover. There is a reason why "The Low-End Theory" received the impossible to get 5 mics in the source. They released back to back to back classics in a span of 3-4 years, ranked #154 in Rolling Stones Greatest albums of all-time, ranked #32 in Spins greatest albums of the 1990's, received extreme critical acclaim from every major JAZZ critics poll, and is brought to the forefront as one of the greatest hip hop records ever in any hip hop discussion. Not bad for the worst group ever with foul lyrics and no roots in jazz.

So why the hell is A Tribe Called Quest so popular. In three words, "Beats, Rhymes, Life". This album is a consummate link between the jazz and hip hop generation showing that they originate from the same center, as displayed in the amazing "Excursions". It also displays the growth of a young and hungry Phife Dawg becoming a star lyricist rather than a sidekick in the shadows as exemplified in "Buggin' Out" and "Butter". "Show Business" is one of the greatest songs that attacks major labels which signs acts and crosses them over because they don't have respect for real hip hop. The videos for arguably the three greatest singles on any hip hop record, "Check The Rhime" "Jazz" and "Scenario" were so groundbreakingly fresh that their ideas are still being jacked by video makers todays. Who can forget Busta Rhymes breakthrough performance.

Overall, this album captures everything great about hip hop and what it used to be. I could quote lyrics on this album all day. I could rave about the creative use of sampling and chances Tribe took to risk ridicule or alienation. Tribe is popular because they were able to connect with their fanbase that so many bubblegum critics and so-called artists could never hold a candle to. So grab a Q-Tip and clean your ears out because "The Low-End Theory" is timeless music. As a poetic Q-Tip once said, "I love my young nation" - and it loves him back.

one of the worst groups ever.......2007-02-04

I love hip hop and I love jazz, but a tribe called quest has roots in neither. Just because you have some vibes and flutes in the music doesn't make it "jazz influenced". Their rapping (especially q-tip's) is extremely symmetrical, showing absolutely no relationship to jazz whatsoever. I mean, how many times can you rhyme "hip-hop" to "bebop"? This is one of the worst cd's I've ever bought. I'd rather recommend Aceyalone for capturing the true innovative spirit of jazz and using it in his hip hop. I just don't understand why a tribe called quest is so popular...perhaps the only interesting part of the album is hearing Ron Carter lay down some great bass lines, but it can't save this extremely lame cd. I've never heard a more boring hip hop album.

It's like Butter Baby!.......2006-11-14

Second classic in a row from the Tribe. Great fusion of Jazz, Rap and the great chemistry of Q-Tip and Phife Diggy.

Standout Tracks:
All of them.
Check it out!

This album provides some of Hip Hops intelligent rhythms and fun lyrics........2006-09-22

Got to love Q and Phife! I grew up hearing and watching them as well as our other forefathers of hip hop. One thing that makes an album good is the ability to be so complex that one can listen to it over and over and never get bored with the songs such as theirs. If you dig the Roots, Digital Planets, Black Eyed Peas, or any other hip-hop group that has the slightest tinge of jazz to it, you have "The Low End Theory" to thank. Ali Shaheed Muhammed fuses up-beat hip-hop with funky jazz, and must of felt real good when he was finished. But it's not like this album was simply influential and not essential, or that it's solely revolutionary in one sense and not able to stand on its own in others.

All through the album the beats are deep and the bass is funky without being overbearing. There are a few tracks that are less than superb, but the album is still great. "Buggin' Out," "Butter," "Rap Promoter," "Rhymes and Stuff," "Jazz," and "Scenario" are all perfect. All these tracks either have your heads nodding, hips shaking, and minds working. The way the music matches Q-tips rhymes flawlessly always astounds me and Phife's lyrics keep the beat going.

Q-Tip and Phife are two of the most skilled lyricists and MCs of all time, and their vocal contributions to Ali's beats do nothing but enhance them. This album stands out as their finest. For those who do not listen to hip hop, this would be an excellent choice for a "symbol" rap album. I know few who have failed to be satisfied, and most are mesmerized. As for rap fans, none should be allowed to call themselves a hip hop head if they do not already have this laying around your rack/desk/or shelf.

Average customer rating:

AWESOME!!
MacRae and Jones soar in this tragic R&H musical
Great Music
Response to David Pabian's review below
Gummed up an Original

Carousel (1956 Film Soundtrack)
Shirley Jones , Claramae Turner , Robert Rounseville , Cameron Mitchell , Barbara Ruick , Robert Rounseville , Richard Rodgers , Oscar Hammerstein II , and Gordon MacRae
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005A7XD
Release Date: 2001-03-13

Tracks:

Introduction - Gordon MacRae/William Le Massena
Main Title: The Carousel Waltz - 20th Century-Fox Orchestra/Alfred Newman
You're A Queer One, Julie Jordan - Barbara Ruick/Shirley Jones
When I Marry Mr. Snow - Barbara Ruick
If I Loved You - Shirley Jones/Gordon MacRae
June Is Bustin' Out All Over - Claramae Turner/Barbara Ruick
June Is Bustin' Out All Over Ballet - 20th Century-Fox Orchestra/Alfred Newman
Soliloquy - Gordon MacRae
Blow High, Blow Low - Cameron Mitchell
When The Children Are Asleep - Robert Rounseville/Barbara Ruick
A Real Nice Clambake - Barbara Ruick/Claramae Turner/Robert Rounseville/Cameron Mitchell
Stonecutters Cut In On Stone - Cameron Mitchell
What's The Use Of Wond'rin - Shirley Jones
You'll Never Walk Alone - Shirley Jones/Claramae Turner
Ballet - 20th Century-Fox Orchestra/Alfred Newman
If I Loved You (Reprise) - Gordon MacRae
You'll Never Walk Alone (Finale) - Shirley Jones
Carousel Waltz (LP Version) - 20th Century-Fox Orchestra/Alfred Newman

Amazon.com

Richard Rodgers always considered Carousel his favorite score, even though it didn't generate the number of popular hits of some of the other shows he produced with lyricist Oscar Hammerstein II. Their adaptation of the Ferenc Molnar play Liliom is marked by three especially sublime moments. "The Carousel Waltz," Rodgers's alternative to the traditional Broadway overture, serves as an orchestral backdrop to the opening scene and is one of the best miniatures ever written for the theater. "If I Loved You," which establishes the romance of carnival barker Billy Bigelow (Gordon MacRae, a late replacement for Frank Sinatra) and nice girl Julie Jordan (Shirley Jones), is a musical minidrama in which the pair's discussion of how they are not in love reveals just how much they are in love. "Soliloquy" is Billy's powerful solo that foreshadows the action to come in Act II. Add the inspirational anthem "You'll Never Walk Alone," and you have Rodgers and Hammerstein's most extraordinary, near-operatic score. On the soundtrack for the 1956 film, MacRae and Jones are in exceptional voice (following their success in 1955's Oklahoma) and the orchestra sounds glorious, but unfortunately some of the numbers were shortened, most notably "If I Loved You." Extensive production notes, an interview with Jones, and a synopsis are included. --David Horiuchi

Customer Reviews:

AWESOME!!.......2007-05-12

LOVE SOUND TRACTS FROM OLD MOVIES - SING ALONGS AND THE BEST ESPECIALLY WHEN YOU ARE TRAVELING AND CAN SING LOUD. IT IS A KEEPER

MacRae and Jones soar in this tragic R&H musical.......2007-02-11

This film adaptation of Carousel came shortly after the Oklahoma! film and reunited Gordon MacRae and Shirley Jones. Although the film was not well-received at the box office, the soundtrack shows MacRae, Jones and the superb cast performing their roles to their heart's content. Their performance helps bring out the pathos in this tragic R&H musical, which Rodgers himself considered his favourite of all his works.

MacRae shines vocally as Billy Bigelow, bringing an open-hearted musicality and sincerity to his stout-hearted portrayal. MacRae stands out in Billy's pivotal Soliloquy, which some reviewers have considered one of the finest vocal performances of the 20th century. He is well-partnered by Shirley Jones, who lends her tender voice and personality to her portrayal as Julie. Listen to the chemistry they exude during the pivotal If I Loved You duet, as if they're overcoming their shyness and drawing sustenance from each other with their love. The supporting cast also gives its all in performing their roles. Claramae Turner's hearty Nettie brims with sincerity, warmth and tenderness, and she leads a rousing rendition of June is Bustin' Out All Over and renders You'll Never Walk Alone touchingly. Barbara Ruick and Robert Rounseville are superb as Carrie and Mr. Snow, although I admit I would have liked a little more humour. I also admit I would have liked Cameron Mitchell as Jigger to sound more sinister, like Fisher Stevens did in the 1994 Broadway revival recording. But even as it is, everyone sings gloriously and is given sumptuous backing from Alfred Newman's superb arrangements and the 20th-Century Fox Orchestra, when it shines out in the ballets.

If I'm adding to the praise of these critic-proof performance, you'll wonder, why am I giving only 4 stars? Well, it's because the extra sound effects from the unreleased sequences tend to jar after a while. I know some of you are complaining that the dance sequences are plagued by extraneous sound effects and noise. I share the same feelings too and also wish that the producers had utilised the original studio pre-recordings for a sumptuous listening experience. However, let us at least be grateful that Didier Deutsch and his production team have made these unreleased sequences available on a soundtrack CD reissue. At least it's a step in the right direction before the entire canon of R&H film soundtracks (yes, including South Pacific and The Sound of Music) gets its due as deluxe 2-CD sets, complete with underscore.

However, don't let this gripe dissuade you from buying this soundtrack. It offers a complete musical experience that one could only dream of in the previous CD reissues of the soundtrack. And it demonstrates the element that Rodgers & Hammerstein were discovering in their musicals.

Great Music.......2007-01-04

Rogers and Hammerstein were in a different league when it came to writing musicals. Their music, lyrics and story are never alike. These two partners were exceptional and their music shows it. Carousel is a tragic story but also shows that human nature can rise above adversity. The music is wonderful and the characters believable. A great movie.

Response to David Pabian's review below.......2004-06-30

Response to David Pabian's review:

My review was not in error, as Mr. Pabian expects. The review was for the original CD release, not this expanded version. Amazon lifted it out of that spot and dropped it here, which of course makes it anachronistic. Why they did it without reading it is certainly an inept decision.

Gummed up an Original.......2003-06-10

This overblown "completeitis" has got to stop. The original soundtrack album Carousel Waltz is now relegated to Appendix status, and terrible sonics accompany dancers' footstomping in the "new" expanded musical sequences, taken directly from the soundtrack rather than from still-existing musical tracks. There was a reason soundtrack recordings were studio performances. The proportions were right, the timings were correct for an overall BALANCED listening experience. These gawdawful expanded editions, often with dialogue thrown in, completely throw off those balances. An argument might be made for expanded sequences appropriate to a CDs longer playing time than the standard L.P. 45min., but possibly only if those sequences are from their original studio-recorded, pre release-print mix -- which could have easily been done in this case. A quick word on one of the above reviews: This is not the first time the complete Carousel Waltz is heard in stereo. There were two previous CD remasterings of the original soundtrack whereon it was included. And the reprise of "If I loved You" was part of every soundtrack release, mono and stereo.

Average customer rating:

...for a place in America
Not just a one hit wonder
A great debut album!
Where it all started
a-ha, at their finest hour

Hunting High and Low
a-ha
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Scoundrel Days
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Singles 1984-2004
Analogue
Minor Earth Major Sky

ASIN: B000002L7Y
Release Date: 1990-10-25

Tracks:

Take On Me
Train Of Thought
Hunting High And Low
The Blue Sky
Living A Boy's Adventure Tale
The Sun Always Shines On T.V.
And You Tell Me
Love Is Reason
I Dream Myself Alive
Here I Stand And Face The Rain

Customer Reviews:

...for a place in America.......2007-07-05

You know how the story goes. Obscure European band labors in obscurity for years. Somehow, through sheer chance, has one track (which may or may not be typical of their work) hit it stateside and rocket up the charts. Make them megastars, a household name...until their one hit dies out and they never come close to striking gold again.

Yes, before Aqua, there was the strangely similar-sounding A-ha, and this was an otherwise perfectly ordinary album where their one shining star (which I always suspected became popular mainly due to the unbelievable range on the chorus part) came from.

Not much else to say. Typical, ordinary synthpop, what I'd call "waiting room music". The singer, despite his best efforts, has some trouble with the English language. I've heard a lot worse, but it's no surprise why A-ha never could find its niche here.

Not just a one hit wonder.......2007-05-21

a-ha is most known for "Take On Me", but that's not it. Hunting High and Low is a ten song half hour masterpiece. This is the way pop music should be done in the 80's, it's just as good as Frankie Goes To Hollywood's "Welcome To the Pleasuredome".

Take On ME had a breakthrough video, it's one of those that are probally labeled by _______ Thriller as one of the greatest breakthroughs. Train Of Thought is a song that belongs in the _______ future. A lot of the songs would be the music of the future, since it was released when the world was predicted would have flying cars and the other future ____ ala the Jetsons. There is a ballad song, a dark samba beat, some rock, and a ____load of electronic sounds, but dosen't totally make it sound cheesy. You will hear it at the best times you can. This is how pop in the 80's should sound, not that ________ Bangles or the horrid hair metal. In fact, the whole cd has so much _______ atmosphere, and it never sounds polished. IT's more like a totally _______ awesome space age enivronment.

IT's a bit of a shock to any _____head like Bjorn Everfrost (you call me a poser, you get the unfair comparisons too, you ___________. Calling Squash a metalhead? For shame!), but you shouldn't just forget about it. If this band would get more credit than they deserve, then I would be fine. This is one of the most underrated pop records ever. The 80's actually wasn't too bad. Just looked bad with some of the horrible ____.

9.0/10

A great debut album! .......2007-02-16

I bought the Trilogy of this, Scoundrel Days, and Stay On These Roads. So far I've only listened to Hunting High and Low and Scoundrel Days, and I'm very impressed!
I bought them because, as an artist, when I saw the music video for 'Take On Me', I just couldn't help but wanting to know more about this amazing band. This CD gave me exactly what I wanted: more fantastic music from a very talented trio!
The songs are very inspiring and sometimes a little sad, like the title track (which sounds a lot different than it does remixed on Headlines and Deadlines... I like that version better than the one on this. Oh well!) and 'Living a Boy's Adventure Tale', full of things that really make you think about life and what's surrounding you. The music in general, Magne and Pal's songwriting and instrumental skills, brings you out of this world! But then again, I do have a strong love for synthesizers and keyboards. Not to mention the angelic vocal talents of Morten! WOW! He could sing opera if he wanted to; he's that good.

Some great tracks besides the hits/singles: The Blue Sky, Living a Boy's Adventure Tale, Here I Stand and Face the Rain.

I'd definitely recommend this to anyone that wants to feel inspired and witness one of the greatest (and underappreciated) bands in history, and also to fellow artists and anyone who loves great synth music. Even 22 years later...

Where it all started.......2007-02-08

This is a great CD. Even back then they were ahead of their time. Great songs on this one. Made me love the band's music. I've been hooked for over 20 years!

a-ha, at their finest hour.......2006-08-27

introduced back in the phils. in '85, a-ha music such as "take on me", "love is reason" & "the sun always shine in tv" were the staples of new wave dance parties, such parties won't be complete without any a-ha music. but what appeals to me even back then was the diversity of their sound, ballads like hunting "high & low", and a personal fave, "living a boy's adventure tale" still linger on my mind after 20+ years. i've introduced my kid lately to the beatles & other class acts, and i wont mind my 4 year old daughter fall in love like i did with them especially with a debut like hunting high & low. their later materials like crying in the rain, living daylights & you are the one (which were single releases) were great stuff, but other songs from the respective albums won't much ring a bell. this is the best album they came out critically & commercially. 80's lives on forever!

Average customer rating:

This album has something for everyone!
Great driving music and fun to sing with
What's not to like?
wonderful harmonies and mellow sound
I'm moving on.........

Low Stars
Low Stars
Manufacturer: DAS Label
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music
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ASIN: B000NJJ4EQ
Release Date: 2007-02-15

Tracks:

Tell the Teacher
Child
Calling All Friends
Tracks in the Rain
Need a Friend
Can't Live Without Your Love
Just Around the Corner
Why Not Your Baby
Love, Love, Love
Sometimes It Rains
Mexico
Warmer Wind
L.A. Forever

Product Description

LOW STARS are: Chris Seefried, Dave Gibbs, Jeff Russo and Jude. Includes "Calling All Friends" from the ABC drama WHAT ABOUT BRIAN.

Customer Reviews:

This album has something for everyone!.......2007-07-28

I love this album! There is so much here--rock, country (Child), mariachi (Mexico), and even a little Floyd touch (check out Warmer Wind).
The harmonies are pleasing to the ear, and the musicianship is outstanding. Don't hesitate to purchase this gem.

Great driving music and fun to sing with.......2007-07-16

I picked up the Low Stars while grabbing coffee at Starbucks one day. I heard the song playing, liked it and bought the CD. At least half of the songs are really terrific and the others quite good. They remind me of other artists such as Darden Smith and Cecilio & Kapono whether it be instrumentally or vocally/harmonies. The songs that I initially considered good have really grown on me over time and this has become one of my favorite albums. I have purchased this for a friend who likes country music and another who has been in the music industry for many years producing, representing artists, writing songs, etc. I wouldn't be surprised if it becomes a favorite of both of them as well.

What's not to like?.......2007-07-06

Calling All Friends has been in rotation on my radio station for awhile now, so I figured I'd give the band a try.

I was glad I did, it was everything I expected and more. Beautiful melodic songs with harmonies and a few catchy hooks that I find myself humming unexpectedly. Definite replay value and there were no songs that I did not enjoy, but about 3-4 that are really standouts.

It will be interesting to watch this band progress and how it matures, will it keep the sound or will it morph into something else (like how Kenny Loggins changed as a solo act from Loggins & Messina)? While comparisons to the Eagles or CSN&Y (or even Loggins & Messina) are easy to make, I'd probably describe it to younger listeners as a cross between Train and something else -- maybe Counting Crows.

wonderful harmonies and mellow sound.......2007-06-08

If you're looking for grinding rock, skip this. If you're looking for a one-voice album, skip this. If you're looking for anything short of beautiful harmonizing and mellow, breath-relaxing musical compositions, skip this.

I saw this cd at Starbucks and kept passing it by. I thought, wrongly, that it was a country album by Texas singers. Erm. Cut off my legs and call me shorty--I was wrong! This cd reminds me of the Eagles more than anyone else, but without the rock vibes. It's in the harmonies, that similarity.

You'll love it!

I'm moving on................2007-06-01

Low Stars get 5 stars !!! This is a very smoothe, relaxing, soulful CD and nothing makes me calm down and mellow out as nicely as this does....The lyrics are at times very sad, like the guy who is moving on and leaving his girl behind, but there are happier, sexier, more wishful songs as well. It very much reminds me of "The Thorns" who put out a fabulous heavy-harmony CD a few years back.

I would not call this a "rock" album by any means but the instrumentals are incredible, the voice and harmonies superb, and it feels like you're listening to a bunch of classy guys....The entire CD speaks of excellence......You probably shouldn't miss this one....I'm glad I didn't !!

DEBUT ~ Nathan Gunn - "American Anthem" from Ragtime to Art Song / Kevin Murphy

Average customer rating:

okay
A promise about to be fulfilled
Amazing collection - amazing voice.
Amazing recordings
First Rate Singing!

DEBUT ~ Nathan Gunn - "American Anthem" from Ragtime to Art Song / Kevin Murphy
Nathan Gunn , and Kevin Murphy
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Just Before Sunrise
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ASIN: B00000IWW3
Release Date: 1999-05-18

Tracks:

Shenandoah
Brother Can You Spare A Dime?
Early In The Morning
The Lordly Hudson
At Howard Hawks' House
Holding Each Other
The Lass From The Low Countree
Recuerdo
Nocturne
Sure On This Shining Night
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Black Max (As Told By The De Kooning Boys)
Slugging A Vampire
Two Little Flowers
General William Booth Enters Into Heaven
The Lamb
I Wonder As I Wander
At The River
Long Time Ago
Lean Away
American Anthem

Customer Reviews:

okay.......2007-01-05

I heard wonderful things about this recording... but was a little disappointed. It is good, but nothing spectacular.

A promise about to be fulfilled.......2006-12-17

Not all of EMI's Debut seeries make it to the U.S., but since this one features an American singer, it did (as did the one featuring rising pianist Jonathan Biss). Nathan gunn is certainly well kn0wn now, after high-profile Met appearances in The Magic Flute and Harbison's An American Tragedy. The past few years have seen him mature, even though his voice will never be heroic. Gunn is very well suited to songs, although he makes a moving (and physically handsome) Billy Budd.

Her he sounds a little stiff, and he cannot carry off the numbers that re comic (Bolcom's Fur) or popular (Buddy, Can You Spare a Dime?), but his straightforward masculinity works extremely well in Gene Scheer's Holding Each Other, he has enough poetry for Barber's Sure on This Shining Night, and just enough savoir faire for Rorem's Early One Morning. The voice itself isn't intrinsically beautiful, which may in the end mean that Gunn falls behind young counterparts like Gerald Finley and Simon Keenlyside, both of whom he resembles. Even so, this is a nice debut, and one can say that gunn's promise is being fulfilled.

Amazing collection - amazing voice........2006-02-22

Nathan Gunn has chosen a collection of mostly obscure songs and has applied his remarkable baritone voice to music not usually in the operatic repetoire. What results is a CD of depth, some humor, and extraordinary listenability. It's nice to see one of my favorite opera stars branch out. Bravo!

Amazing recordings.......2006-01-02

I first listened to this recording at the recommendation of a voice teacher and I am eternally grateful. I strongly recommend this album. Nathan Gunn is an extremely talented singer. As a singer myself (also a baritone like Nathan Gunn) I find much in his voice to model.

Nathan Gunn has an extremely beautiful voice, superb technique and execution, and has a very natural sound. There is an old steriotype of opera as sounding forced or artificial, but Nathan Gunn does a great job of avoiding this. He does a great job of communicating the "story" of the song to the listener, and I frequently found myself taken to the world of the song. Listening to many of his songs are like opening a good book and Nathan Gunn takes you there.

Highly recommended.

First Rate Singing!.......2005-12-20

I only recently discovered Mr. Gunn, but after hearing this recording, it makes me wonder why his name has eluded me for so long. Simply put, Nathan Gunn sings like a god! His voice is pure, and hypnotically beautiful to listen to. Turn on this CD and you will be wrapped in the most luxurious blanket of sound--his phrasing is impeccable, and his dynamics are wonderfully varied without being affected. His recording of Barber's "Nocturne" is haunting. "Brother, Can You Spare a Dime" shows he isn't afraid of low notes, and the ending has some of the most spectacular high notes I've ever heard from a baritone. The Copland songs are also well done, as are the two John Jacob Niles selections. I wasn't familiar with Gene Scheer's songs prior to this CD, but they are all quite remarkable, though most especially "Lean Away" and "American Anthem." This is the best addition to my CD collection in a long time. I'm only saddened by the fact he doesn't have more recordings available. Mr. Gunn, I know you're busy with your opera schedule, but for those of us who can't make it to New York to see you in person, please record another CD!

Music Track:

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