Solid

Solid

Track Listings

1. Light My Light

2. Free from All Alarm

3. Sins of the Father

4. Sad Go Round

5. Corn Cob

6. Plea Sing, Plea Song

7. Snow Storm

8. Joker's Grave

9. Joker's Grave

Tracks:

Hit the Big Time
How Long
Fifteen Minutes
Hobart's Blues
Daze in May
Blue Tears
XXX Wife
One or the Other
Solid Ice
Blue Tears Reprise
Who Knows

Amazon.com

Since co-founding the Nighthawks in 1972, this singer-guitarist's compass has pointed steadily toward the blues, but like 2006's In a Natural State collaboration with the Cate Brothers, this disc veers into roadhouse rock, country, and even jazz. Although it ends with a suite of three soulful instrumentals, including the Wes Montgomery-influenced title track and Jimi Hendrix's rarely covered psychedelic funker "Who Knows," Thackery's concentrated as much on songwriting here as his bruising guitar tones. He trashes the cult of celebrity in "Hit the Big Time" and "Fifteen Minutes," dripping pure acid over riff-based grooves, and "Blue Tears" is melancholy honky-tonk, sold by Thackery's thin, quavering voice and faux-steel-guitar string-bending. The spoken blues "XXX Wife" plays marital collapse for laughs, but Thackery remains most articulate when he's picking. The shuffle "Hobart's Blues" is a stone Texas 12-bar guitar showcase, and the album's beautiful centerpiece is "Daze in May," a Tex-Mex reverie that glides on Thackery's mix of acoustic tones, with a sunny, mellow electric melody and volume swells that conjure clouds floating through a peaceful desert sky. --Ted Drozdowski

Customer Reviews:

Thackery at his best!.......2007-07-28

When I saw Jimmy Thackery perform two months ago with only 150 other lucky souls I was completely blown away. Had heard his CD's but nothing prepared me for the pure power and guitar virtuosity that he displayed that night. When I heard "Solid Ice" live , I told my friend it sounded like a cross between Pink Floyd and Jimi Hendrix....and I still think so.
I bought the CD at the show and it immediately became my current favorite. All but two of the songs are great, several are awesome! You can't go wrong with this if you are a fan of blues/rock guitar.

Vintage Jimmy Thackery.......2007-07-27

The best work that Jimmy has ever done. His playing is outstanding. I haven't been moved by music like this in a long time. I really enjoy the variety of music from slow blues to blues with a beat to country blues. Make no mistake this is not country and western. I dont get tired listening to it over and over. Phenominal CD

Best yet.......2007-07-24

Jimmy is my favorite live guitarist. I have seen no better. If you see him live you will wonder what the other guys were doing. His tone and technique are beyond compare. To date his recordings has stopped short of his greatness in live performance. This one still is a step short but has some fine material. When my borther and I (both long time fans) experienced Solid Ice for the first at a recent bluesfest it was stunning and got a standing ovation.

King of the Blues.......2007-07-23

Mr. Thackery has never really captured his live performance onto a tangible medium but this recording is an excellent reminder of why he should be experienced live. Songs choices are excellent and performance is outstanding. Should be experienced by mainstream audiences as well as blues enthusiests.

Solid Ice, my review from Barcelona.......2007-06-25

This is a great record and I say -this is- because in May 9, 2007 after hearing some times the 2006 LP "In The Natural State", that I just had bought, I remained very disappointed of the so limp work of Thackery and I wrote, right here, perhaps a too much furious criticism (see my review of this record).
Now this SOLID ICE in spite of having some theme, I would say, inadequate as the "Daze In May" and "Blue Tears" frankly poor and bored with Haitian-Caribbean air and out of the habitual environment of Thackery ( I do not understand in which he is thinking when he composes these themes), the remainder of the LP is frankly very good with Blues and Blues-Rock of high category with magnificient riffs and guitar solos, worthy of Thackery turning it in a real festival for all the fans of the guitar. The first four themes are, which better one, with air of rock-and-roll restrospective the first three, and when you listen the fourth, the mid-tempo "Hobart' s Blues" what a great theme, you begin to notice what good is the friend Jimmy when he tries, also I do special mention of the "XXX Wife" with some Jazz air, "One Or The Other" good Blues-Pop, "Solid Ice" wich gives title to the record, an instrumental relaxed Blues with Thackery's style, personal seal and great guitar, closing the record a very good cover, also instrumental, of the great theme "Who Knows" composed by Jimmy Hendrix and released in his marvellous Band Of Gypsys. This it's a very good record, I recommend it.

Average customer rating:

Guaranteed to kick your spleen up to your face!
Great CD!
well...
Brutal, however.....
sigh

Messengers
August Burns Red
Manufacturer: Solid State Records
ProductGroup: Music
Binding: Audio CD

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Death Metal | Hard Rock & Metal | Styles | Music

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ASIN: B000QFAF90
Release Date: 2007-06-19

Tracks:

The Truth Of a Liar
Up Against the Ropes
Back Burner
The Blinding Light
Composure
Vital Signs
The Eleventh Hour
The Balance
Black Sheep
An American Dream
Redemption

Customer Reviews:

Guaranteed to kick your spleen up to your face!.......2007-07-24

I must say, I have been a fan of these guys for quite some time now and I was really looking forward to their Sophomore album "Messengers". Usually, when you are highly anticipating something, you can easily be let down and this time, they actually surpassed my expectations and THEN some.

This album is non-stop brutal talent from start to finish! If you are looking for something to pop in your CD player when you are in that mood that you just want to get hyped over some good heavy, fast and talented metal, this is definitely the CD for you.

Trust me, I have thousands of albums, this one definitely resides in my top 3 of all time now. ABR is now definitely above a league of their own. When it comes to this style of metal/music, it has been getting redundant lately, like the phase out of a genre or a fad. They reinvented themselves and the genre.

I highly suggest buying this album to anyone that is into extremely talented metal/hardcore. Hell, even if you are just a drummer, get this and listen to what this guy can do!

Great CD!.......2007-07-24

These guys rock! August Burns Red second album is well done, though I still prefer their first album the most(so far anyways). As I Lay Dying fans will like this CD or vice versa.

well..........2007-07-18

Id be lying if i didnt say that thrill seeker was better in my opinion. I honestly liked the production a lot more on thier debut. Messengers has that high ended sound thats trendy for metalcore bands to use. I felt thats thrill seeker had a much more warmer tone thats i thought complimented their sound. Also I feel the over abundance of breakdowns on this album is a little unessesary. And as a lot of people have already said, pretty much all of them sound remarkebly the same and the overuse of the china makes it all too aparent. It seems to dumb down the album. Im not saying they shouldnt have breakdowns, im saying that they should be used more tastefully. Also as one guy mentioned, Every song does seem to be in the same key. But lets be honest here. so many metalcore bands do that and it bothers me. Its not all bad though. Theres definatley some maturity since TS. But the lack of diversity is what brought it down i think. And dont get me wrong. These guys are very talented. Especially for their age. And they can only grow from here. Id definatley like to see some improvement in the guitar area though. It goes without saying that the drums showcase in this band. I kinda get the feeling that the music could get a lot more complex if the guitars werent so rythmic. As for the vocals, definatly an improvement from their last vocalist. And as for whoever said that singing is emo. They need to shut up. since when did singing suddenly automatically become labeled as emo. Unless its that whiney 15 year old sounding barely able to stay on key singing, Than its not emo. Not everything has to be 'brutal' or 'sick' or whatever. get some variety damnit. by the way, this is my fathers profile or whatever im just using it.

Brutal, however............2007-07-12

Let's start with the positives. The production is terrific, everything sounds crystal clear. This is undoubtedly one of the heaviest albums I've heard to date. The technicality of the guitars and drums is very tight and solid.

Now to the not-so-good. I have to agree with a previous review that states that every single breakdown sounds the same. It's like they wrote 1 breakdown...then changed it by 1 note and used it 11 times. The china is way over used....it's like the drummer thinks he needs to signal to the audience when the breakdowns begin and end. "Well this is the breakdown so i HAVE to use my china..." I don't mean to bad mouth anybody, he's a very talented drummer, but lacks some variety when it comes to writing breakdown beats. I also have to agree with the fact that many of the guitar riffs utilize the same key in every song, resulting in many guitar parts sounding similar. Finally, while the new vocalist is an improvement over the last because of his good range, the vocal patterns can sound thrown together at times.

Overall, like I said...very brutal, but the songs truly lack a lot of individuality and distinction. Maybe that's what they were going for...? Maybe a lot of the hardcore fans do indeed have the "i don't care if it has variety, melody, or harmony, as long as it's heavy" attitude. To each his own I suppose.

sigh.......2007-07-12

ok i never got into their first cd.

this one however has a lot more technical riffs, its a lot cleaner and good production.

HOWEVER, the one thing why i dont like this cd. is the drummer. he's good but her does the same thing during EVERY breakdown. always use his china constantly. i didnt find one breakdown that didnt sound similar cuz their drummer.

and becasue of that, this cd is crappy

Average customer rating:

It's what you want on the road.
Ear-splitting goodness
i don't own this...
When Rap Was Cool
great introduction to beastie boys

Solid Gold Hits
Beastie Boys
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Licensed to Ill
Run-D.M.C. - Greatest Hits
Greatest Hitz
Check Your Head
Ill Communication

ASIN: B000BGR0SS
Release Date: 2005-11-08

Tracks:

So What'cha Want
Brass Monkey
Ch-Check It Out
No Sleep 'till Brooklyn
Hey Ladies
Pass The Mic
An Open Letter To NYC
Root Down
Shake Your Rump
Intergalactic
Sure Shot
Body Movin' (Fatboy Slim Remix)
Triple Trouble
Sabotage
Fight For Your Right

Amazon.com

In celebration of Beastie Boys' 24th anniversary, Capitol Records has decided to pay tribute to Michael "Mike D" Diamond, Adam "Adrock" Horovitz and Adam "MCA" Yauch-- known collectively as Beastie Boys, with the release of Solid Gold Hits. (No, the group is not breaking up.) The infomercial-worthy 15-track compendium distills the NYC trio's storied career into an ADD-friendly digest format: Covering the Boys' first platinum-mining expeditions with "No Sleep 'Til Brooklyn" and "Fight For Your Right" through west coast detours "Shake Your Rump," "So What'cha Want" and "Sabotage," up to last year's return to #1 with the million-plus-selling To The 5 Boroughs' "Ch-Check It Out," "An Open Letter To NYC" and "Triple Trouble" -and all points between.

Beastie Boys Photos

More from Beastie Boys

Paul's Boutique
Check Your Head
IIll Communication

Licensed to Ill
Awesome, I Shot That
DVD Video Anthology - Criterion Collection

Customer Reviews:

It's what you want on the road........2007-05-31

It's Capitol puttin' out the s*%t like Endless Summer for the California Kids bustin' their own in the early 60s. Well, This is decent for a Saturday or even Sunday drive. I think anything off of Paul's Boutique on a compilation makes you want to just ditch this shti and listen to that whole album.. but I think I just found out the same siht happens when you listen to like Pet Sounds or Rubber Soul or like you know what I mean .. the Beatsies are mackin'.......

Ear-splitting goodness.......2007-03-25

Every time you play this album, an angel gets its wings.

Okay, maybe not that. But your neighbors will probably tell you to turn it down. Hey, just tell them you've got a right to party.

i don't own this..........2006-11-08

..and what's the point? All of these songs (minus a few) are on the anthology, along with countless others. The Beastie Boys didn't put this out, their record label did. It's just way for corporate to make money. If you consider yourself a real Beastie Boys fan, that is you're interested in all the other music they made that wasn't put on radio, then don't buy this. If you occasionally heard them on the radio and Fight For Your Right is your favorite song, then go ahead. The Beastie Boys are much more than just their greatest hits. To fully appreciate them, you have to listen to an album all the way through.

When Rap Was Cool.......2006-08-21

If you're a Beastie Boys Fanatic, you will love this. It's got the best of the best. Who can't listen to "Hey Ladies" and "Intergalactic" over and over again? A great compilation for a road trip or your next retro party.

great introduction to beastie boys.......2006-03-03

if you are new to the beastie boys (like me) this is a great first album to get. it has all their best song and no filler. heres a song by song breakdown.
1. So What'cha Want - 4/5 - Great intro song, but not the best.
2. Brass Monkey - 5/5 - Amazing song, the best song from their debut album.
3. Ch-Check it Out - 5/5 - Best song on the album, although MCA's voice sounds shot compared to some of the earlier songs. Also, I think the Just Blaze Remix is better if you can find that.
4. No Sleep 'Til Brooklyn - 3/5 - not one of my favorites, but its still pretty good.
5. Hey Ladies - 5/5 - Great song, really shows off the genious of Paul's Boutique.
6. Pass The Mic - 3/5 - The worst song on the album, although it's ok.
7. An Open Letter to NYC - 4/5 - Great tribute to NYC, but like with Ch-Check it Out, MCA's voice isn't as good as in the older songs.
8. Root Down - 4/5 - Great song.
9. Shake Your Rump - 4/5 - Another one from Paul's Boutique, although not as good as Hey Ladies.
10. Intergalactic - 5/5 - The first Beastie Boys song I ever heard, back when it came out in 98, great song.
11. Sure Shot - 4/5 - Great song, the only rap song I've ever heard that successfully incorporates a flute.
12. Body Movin' (Fatboy Slim Remix) - 5/5 - Takes the original, which was an ok song, and turns it into something sublime.
13. Triple Trouble - 4/5 - Great song, but it has the same beat as Rapper's Delight by Sugarhill Gang.
14. Sabotage - 4/5 - Great song, more metal than rap.
15. Fight for your Right - 5/5 - How can you not love this song?

Average customer rating:

An Interesting Listen w/ Some Flaws
So good I'm not really going to attach words to it.
A good album, but not better than the TOCS or The Changing of Times.
Worth looking at, despite its flaws
READ MY REVIEW!! (If you haven't heard it yet)

Define the Great Line
Underoath
Manufacturer: Solid State Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Post Hardcore | Hardcore & Punk | Alternative Rock | Styles | Music

Christian Rock | Christian & Gospel | Styles | Music

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Pop Rock | Pop | Styles | Music
Similar Items:

They're Only Chasing Safety
The Changing of Times
The Question
A City by the Light Divided
Southern Weather

ASIN: B000FMGWDC
Release Date: 2006-06-20

Tracks:

In Regards To Myself
A Moment Suspended in Time
There Could Be Nothing After This
Ever So Inviting
Salmarnir
Returning Empty Handed
Casting Such A Thin Shadow
Moving For The Sake Of Motion
Writing On The Walls
Everyone Looks So Good From Here
To Whom It May Concern

Album Description

Underoath have single-handedly given hope to a genre ripe with rip-offs, carbon copies, and flavor of the week musical acts. "Define The Great Line" further establishes Underoath as one of the most important and influential bands in rock music today.

Also available: LIMITED EDITION VERSION featuring special 8-panel Digi-pak with booklet, exclusive artwork, and bonus DVD with behind the scenes, in the studio, and making of the album features.

Customer Reviews:

An Interesting Listen w/ Some Flaws.......2007-07-26

I think that there are some pros and cons to this album, but that as Underoath's fifth release, it was really a great effort and you can see the time that they put into making it.

This album, while some hail as great, is actually slightly flawed. It's a good metal album, don't get me wrong, but it sounds as if they were trying to stretch some of the melodic parts out to make the songs longer (five of the tracks are over four minutes compared to just one on their previous effort). The drum fills are amazing, and you can really hear the pounding energy of the guitars (something slightly lacking on the stellar They're Only Chasing Safety). But at points, though, Spencer Chamberlain's screams become forced-sounding, as if he's doing all he can to fill in his part in the swollen mass of drums, heavy guitars, and electronic fuzz. That's the number one flaw of this album: it sounds too forced, almost as if they thought they needed to make the album much longer than their compact-and-simple last album.

On the positives, what I like about this album is it's overall theme. The music is intended to create a dark, brooding feeling in the listener; that is quite clear. I like some of the guitar and drum work, especially on "Casting Such a Thin Shadow" which would have been better off as an instrumental rather than a four minute buildup into two minutes of lyrics. "Salmarnir" is another fantastic track, stopping the album's fast pace and forcing gloom over the rest of the album; Chris Dudley's keyboards really shine here. I somewhat enjoyed the spontaneous outbursts of energy that give the album that manic feeling that was present on the previous CD (especially at the end of "Writing On the Walls" and in the beginning of the album). The production really captures all of the instruments well, although I found that it begins to sound muddy and echoey if you really crank it up.

This CD definitely has a lot of music for just 46 minutes, and for the most part, its expansiveness works fine. But there are some flaws, and if you enjoyed the free-spirited simplicity of They're Only Chasing Safety you might be a bit disappointed. But give it a listen anyways.

So good I'm not really going to attach words to it........2007-06-17

This is the most powerful album I have heard in a while, unreal how good it is.

A good album, but not better than the TOCS or The Changing of Times........2007-06-10

First off, I'd like to say that I have listened to every album that Underoath has made, starting from Act of Depression to the new Define the Great Line. I understand that Dallas Taylor was once the vocalist and that Spencer took over after The Changing of Times.

Anyway, on to the review. I liked this album, I felt that it had some great drumming and riffs on guitar. The singing helped balance some of the songs with the screaming, and the overall album sounded good. I feel that this album had some flaws though:

1) The songs didn't really get a catchy feeling as the songs on "They're Only Chasing Safety", such as "Reinventing Your Exit", "A Boy Brushed Red...Living In Black And White".

2) Some of the songs on this album really felt like "fillers", or just too slow, such as "Salmarnir" and "Casting Such A Thin Shadow". I understand that "Salmarnir" was to add relief to the tension of the album, but the song was too long compared to "The Blue Note" from "They're Only Chasing Safety".

My final flaw that I'd like to go over more is this: this album didn't seem to communicate personally with the listener. The album "They're Only Chasing Safety" had lyrics that stood out, reached and grabbed you, telling you that you'd be okay. The songs gave inspiration and hope; I didn't get that feeling with the songs on Define the Great Line.

It seems that Spencer is trying to head into the direction of a more "hardcore" sound than the "semi-hardcore" sound of their album "They're Only Chasing Safety". Although I feel that it's okay for bands to change their sound sometimes, changing it too drastically may give an unpleasant surprise to solid fans/listeners.

Some songs on this album that I enjoyed listening to include:

A Moment Suspended in Time, Writing on the Walls, Moving for the Sake of Motion.

I think people hype "In Regards To Myself" too much, it's a good song, but nothing too great.

Overall, a solid, good album by Underoath...but it seems to be showing signs of the band heading in the wrong direction, a more hardcore, non-unique band like all the others; while the albums "They're Only Chasing Safety" and "The Changing of Times" seemed to communicate much more personally with the listener, and had more of a sense of "understanding your problems" in it. However, I still have faith in Underoath and feel that they will release another solid album after this.

My rating: 4/5, if it was out of 10 I would rate this album an 8.5/10.

Worth looking at, despite its flaws.......2007-04-12

Define the Great Line is a solid metalcore release that manages to, if not totally shatter the conventions of its genre, at least twist them to its own advantage. This is a polished album, with the production and songwriting putting it near the top of its genre--with an album like this, it's no surprise that Underoath is gaining a good amount of popularity in hardcore circles.

The album starts with a solid guitar riff and a deep scream from vocalist Spencer Chamberlain--"Wake up, wake up! My God! This is not a test..." Though it's not the best song on the album, lacking some of the momentum and flow other tracks achieve, this opening ("In Regards to Myself") sets the pace for the rest of the album. This isn't all good, unfortunately. The song, like the rest of the album, suffers from lyrics that are often vague and uninspiring. It's plain that the song is a call to let go of some addiction, but there really isn't anything particularly deep in the lyrics--"Pull yourself together, man" might make a rousing battle cry, but it's not quite the smart use of language I'd hope for in the lyrics, and the other lines aren't much better. Later songs in the album are downright incoherent in their ramblings. (True, difficult lyrics are acceptable sometimes, especially in songs that are extremely deep, but Underoath's lyrics, neither deep nor greatly original, have no excuse for their knottiness.) By the album's end, "To Whom It May Concern", the album has picked up its optimistic, Christian message, but by then it's a little late. The album's sound, full of beautiful instrumental sections and memorable melodies pushed next to heavy power-chord-filled riffs, is unmistakably emotional, but the lyrics hide the source of the emotions in nearly incomprehensible messes of words.

Nonetheless, there's a lot to like in this record. Underoath isn't afraid to put long instrumental sections in their album, and thanks to them, the album takes on an emotional atmosphere that mere power-chord-heavy riffs wouldn't by themselves produce. The melodies are catchy and sound far more interesting than the clean vox sections you'll find in many other metalcore releases. In fact, the sheer craftsmanship of the album is very impressive--overlapping guitars, keyboard, and vocals create a sophisticated, layered sound. Through all this, you get an album that, despite being nothing earth-shattering in originality or heart-rending in its emotions, is quite fascinating and even (at points) rather moving. Fans of metalcore or heavy music in general should give this a try.

READ MY REVIEW!! (If you haven't heard it yet).......2007-03-17

OK look, you've been seeing soooo many good reviews that this album is good, heavy, and so on..... but for me, this album is just OK. I mean, they showed most of the good songs that makes this album a blast! So when you already hear dthem all and got the album, you can't find any other songs that sounded like "In Regards To Myself", "Writing On The Walls", and "You're Ever SO Invited"! (except for "Everyone Looks So Good From Here" and "Returning Empty Handed").

1."In Regards To Myself" 10/10- A great song!!! It has the hype and the screaming! A good song to begin the album.

2."A Moment Suspended In Time" 9/10- A so-so song, the beginning wasn't as good as "Writing On The Walls" or "In Regards To Myself". The ending was kinda boring.

3."There Could Be Nothing After This" 8.5/10- Another so-so song. They barely show any guitar works, you hear different instruments that are in techno.

4."You're Ever So Invited" 9/10- Te beginning are always the same, it starts out with Spencer saying some things. Sometimes I'm wondering how Spencer makes his screaming vocals (don't include his death grunt, death grunts aren't consider as screaming, you people are idiots).Again, another so-so song.

5."Salmarmir" (THIS ISN'T EVEN A SONG)- What the hell is this? JUst soft, boring instruments and you hear some guy speaking Russian or a foreign language.

6."Returning Empty Handed" 10/10- IT'S ABOUT DAMN TIME THAT THERE'S A HEAVY SONG!!! The song started off as a good beginning with Spencer's death grunt and heavy guitar riffs. but I would prefer Underoath being more of post-hardcore and screamo than metal.

7."Casting Such A Thin Shadow" 9/10- The beginning and the first half of the middle were soft and just instruments. But you then hear Spencer's vocals. I love Spencer's vocals! (Thank God he did).

8."Moving For The Sake Of Motion" 10/10- Awesome drumming in the beginning and great vocals here too! One of my favorites!

9."Writing On The Walls" 10/10- A great song!!! Started with Aaron's soft singing and you then hear Spencer's screaming. Love the ending! Great song, never get tired of this song!

10."Everyone Looks So Good From Here" 10/10- A heavy song from them! Love it! JUST LOVE IT! I think "In Regards In Myself" and this song is what made people thinking that they're metal. Some people even think that they're death metal?! You people are so f**king stupid! Underoath is barely death metal, they're more of post-hardcore and screamo! Duh!

11."To Whom It May Concern" 6/10- I hated how Aaron sang here, but the best part of the song was when Spencer started screamiing (as always). Good way to end the album but kin of a useless song.

Well, that's all I gotta say about this album. Even though there are some good scores on most songs, it can get boring. Underoath isn't metal, they're christian rock, post-hardcore, and screamo. Just because a couple of their songs sound like metal, doesn't make them 100% metal! Same thing with Stone Sour!

Average customer rating:

do NOT buy the special edition!!!
The best release I have ever heard in my life
Genre-Blurring Alt/Metal/Emo
A work of art
Not bad, but not the greatest album

Define the Great Line (CD & DVD)
Underoath
Manufacturer: Solid State Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Post Hardcore | Hardcore & Punk | Alternative Rock | Styles | Music

Christian Rock | Christian & Gospel | Styles | Music

Christian Alternative | Christian & Gospel | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music
Similar Items:

They're Only Chasing Safety
Redeemer
A City by the Light Divided
The Changing of Times
They're Only Chasing Safety

ASIN: B000FMGWE6
Release Date: 2006-06-20

Tracks:

In Regards To Myself
A Moment Suspended In Time
There Could Be Nothing After This
Ever So Inviting
Salmarnir
Returning Empty Handed
Casting Such A Thin Shadow
Moving for the Sake of Motion
Writing On The Walls
Everyone Looks So Good From Here
To Whom It May Concern

Tracks:

Behind the Scenes studio footage for the recording process of Define The Great Line (DVD)
On Location footage in Death Valley for the making of Define The Great Line artwork (DVD)

Album Description

Underoath have single-handedly given hope to a genre ripe with rip-offs, carbon copies, and flavor of the week musical acts. "Define the Great Line" further establishes Underoath as one of the most important and influential bands in rock music today.

LIMITED EDITION includes special 8-panel digi-pak with booklet, exclusive artwork, and Bonus DVD with behind the scenes, in the studio, and making of the album features.

Customer Reviews:

do NOT buy the special edition!!!.......2007-07-04

Its a great cd! Don't get me wrong.
The dvd is a complete ripoff, though! The DVD contains brief (I mean brief!) overview of the photo shoot, some crappy home videos of the band in the studio with that annoying Killswitch guy, and a random (and long) video of some old man talking about UFOs. The DVD is a waste of money and only used as exuse for Tooth And Nail tack on an extra five bucks!
I think the special edition includes extended album art. But I found it to be fairly creepy. So...
Do yourself a favor and buy the regular cd. DONT BUY THE SPECIAL EDITION!

The best release I have ever heard in my life.......2007-06-06

This was probably one of the most unexpected releases that I have ever gotten my hands on. I was a casual fan of Underoath's old album "They're only chasing Safety" and when this cd came out I decided to get my hands on it. I first bought the regular edition.

As soon as I started listening, I could tell that I was in for a much heavier experience. The first track "In Regards To Myself" sets in brutally with mathcore-like guitar techniques very reminiscent of Norma Jean's "O God The Aftermath" ie. the dissonant chords and very progressive beats, the song then launches into a dark, yet melodic chorus. The disc then follows on with "A Moment Suspended In Time", a track that showcases Underoath's emo roots while keeping a metal edge to it. A very beautiful chorus where clean vocals and Spencer's screams alter in a very effective manner.
The disc then leads on with, in my opinion, the two worst tracks of the album ("Salmarnir though, cannot be judged as it is merely an interlude).

However, Underoath's power really kicks in after this interlude. Indeed, "Returning Empty Handed" kicks off in a dark, epic manner and then leads into some of the most challenging beats that Aaron has ever performed. All of this backed up by Tim's use of dissonant chords and Spencer's relentless screams. The song then slows down and finishes in a beautiful melodic ending while still keeping challenging beats going.
This then fades into the most epic track ever written by Underoath "Casting Such A Thin Shadow" where a dark instrumental intro filled with original melodies and guitar techniques sets the listener into a relaxed mood before the band strikes again with a brutal, yet melodic outro.
The next two tracks are typical Underoath tracks with extra heaviness and a greater mathhcore influence, two great tracks.

The disc then leads into the most brutal track written by Underoath "Everyone Looks So Good From Here", a track which is so heavy it could have been written by Norma Jean. Here Spencer delivers some of the best vocal performance in recent metal releases while Aaron is still giving up some of the most technical beats I have heard, an amazing track.

Lastly, Underoath finish up with one of their greatest, most epic tracks ever, where Aaron performs an irrgular beat where the hi-hat is played in a different timing. The clean vocals are very well performed in the start of this song. Then, the band kicks off into a brutal outro where the whole band delivers one of their best performances ever recorded; a great track to close this epic release.

Having the special edition only increases the beauty of the disc with its amazing artwork. However, the dvd was somewhat short and not really worth the extra money, however, the extra artwork saves the special edition.

All in all this is a cd that set a new standard for metalcore, emo-core and any other ambient metal band. The best release of 2006 by 100 miles!

Pierre Schifflers

Genre-Blurring Alt/Metal/Emo.......2007-03-09

This album was an interesting listen for me; a band which I first dismissed, but after listening a bit longer found quite interesting and unusual. Underoath play a style of alternative metal often referred to as "screamo", but on this album (I am unfamiliar with their earlier work) they exhibit a sense of experimentation an willingness to blur genre lines as well as an artistic and progressive bent. Elements of emo, metalcore, and the post-rock style of such bands as Isis or Mastodon are run through a blender on this album, and it actually sounds very original when reassembled by this band. The lyrical content and conceptual art style of the accompanying CD booklet are also very well done....supposedly this band is a Christian rock band, but if so, they are lyrically obtuse enough to avoid the "Jesus-is-my-pal" corniness of many of the other bands in that sub genre. Cool stuff, if you like unusual rock/metal music.

A work of art.......2007-03-09

One of the best albums of 2006. It's garnered enough praise from enough sources so I won't waste anyone's time with a lengthy review. Just wanted to say that this album is absolutely stellar.

Key tracks: In Regards to Myself, A Moment Suspended in Time, You're Ever So Inviting, Moving for the Sake of Motion, The Writing on the Walls

Not bad, but not the greatest album.......2007-03-02

I own this cd and I think the best song in the album is "In Regards To Myself Listen Listen", the first track, after that the other songs sound the same. Its harder than their past material, and I am not talking of "acts of depression" and "cries of the past" obviously. The pseudo break downs sound cool, but they get overdone, which make the songs sound very boring after awhile. I do not hate Underoath its just this CD, is really not as great as I imagined, and I think I am not the only one that thinks this about this cd. If you have ever heard of Norma Jean's most recent albums and Taking Back, this is how underoath sounds in this album. BAD!!! I just hope their next album, if there is going to be one, is way better than this one!

Average customer rating:

Amazing Listen
Sounds OK...
-thumbs up-
I don't get it...
Underoath: They're Only Chasing Safety

They're Only Chasing Safety
Underoath
Manufacturer: Solid State Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Emo | Hardcore & Punk | Alternative Rock | Styles | Music

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The Changing of Times
Define the Great Line (CD & DVD)
Define the Great Line
Let It Enfold You
The Question

ASIN: B00026WVC2
Release Date: 2004-06-15

Tracks:

Young and Aspiring
A Boy Brushed Red...Living in Black and White
The Impact of Reason
Reinventing Your Exit
The Blue Note
It's Dangerous Business Walking Out Your Front Door
Down, Set, Go
I Don't Feel Very Receptive Today
I'm Content With Losing
Some Will Seek Forgiveness, Others Escape

Album Description

Underoath's potential was truly tapped upon entering the studio with James Wisner (Dashboard Confessional, Further Seems Forever) to create their third studio release, "They're Only Chasing Safety," dropping June 15, 2004. The new vocals meld into what Underoath has been evolving to become for years: a cleaner, more direct heavy rock style avoiding any hardcore clichis they might have previously garnered. And with their innovative keyboard / electronic heavy base for the dynamic 10 song release, it's hard to imagine anyone penning Underoath with clichis at all. Still, fans of the previously metal-driven band may be in for a shock as catchy choruses and hooks dominate this release.

"If hardcore kids want to like us, that's awesome," McTague elaborates, "but we're not trying to impress them. And as far as kids saying we've sold out...kids like that just like to talk. They might be weirded out at first [by the new album], but hopefully it will catch on, but if not, who cares, you know?"

There's no doubt with infectious choruses on stand-out tracks like "Reinventing Your Exit," and "80's Song" along with the pure magnitude and passion of each track, that the songs will, in fact, catch on regardless of where the band's concerns lie. Still Underoath remains apathetic toward critics and will keep concentrating on what they know best: writing songs they like and playing shows relentlessly because that's what they love doing.

"Everyone is all about making things more marketable, receivable, accessible, and in turn have watered down everything from their faith to their struggles in life, and I think people need to start being real," McTague concludes. "Our goal is to write an album that changes music and impacts people in a huge way. I think we might start something with this record, but I think there is a lot more to uncover in the future...this is by far the closest we have ever come to that though."

Customer Reviews:

Amazing Listen.......2007-06-17

I had never heard of Underoath and wasn't familiar with the hardcore scene. I heard Underoath in an interview on MTV and thought their screaming-metal sound was interesting. I decided to buy this CD as well as Define the Great Line. I have been listening to it for six months and I'm absolutely blown away. I love the contrast between light and darkness (sort of like pieces of Heaven and Hell). This is perhaps best exhibited on "It's Dangerous Business Walking Out Your Front Door" which has big, swirling guitars over a screaming verse interspersed with an eerie choir section. It's the best song on the album. "Reinventing Your Exit" is another standout, fearturing easy singing mixed with this ferocious screaming hookline ("Right now we're just looking for the exit"). I like the manic intensity-you can practically feel the lead vocalist's rage as he roars "This is my panic/This is my call to arms". It's true: this is not metal. I listen mostly to metal but I still like this. Give it a shot. If you like what you hear, check out Define the Great Line (the latter is a much darker heavy metal album).

Sounds OK..........2007-03-02

The cd is good, but I get irritated with the song "boy brushed in red", tell me if I am wrong, but I think it sounds as if it is Taking Back Sunday. Thats way I am rating this CD 4 stars, the songs sound good. I would much rather recomend this CD, over Define the Great Line. This album is pretty well made and has nice pseodo break downs, nothing new in this time, but they sound good though!

-thumbs up-.......2007-02-22

This album isn't quite as screamy (for lack of a better word) as I'd like it to be, and it all kinda sounds alike, but it's pretty decent.

I don't get it..........2007-02-08

I don't get it. I don't understand what a lot of their lyrics are really about; maybe I'm just too old to get it. What I do get, however, is that this is a great CD. I bought this CD a few years ago after hearing "Reinventing Your Exit" on a Christian rock station. The first few times I heard the song, I hated it, but it grew on me. I listened to the whole CD and, at first, lamented my decision to buy it. I gave it a few more chances, and started to like it.

I think what makes it a difficult sell at first is all the odd breaks and synth fills. They don't seem to really fit at first, but once I got the overall idea of their music, those breaks and fills started to work.

Their drummer is probably the brightest point in the group. Not only does he sing most of the more melodic vocals, but his drum riffs and fills are aggressive, precise, and just plain brilliant. Even if you already have and like this CD, take the time to go back and just listen to the drums. There are certain drum fills that are likely just synth loops, but if you pay close attention to the drummer himself, you're likely to hear a few things you may have missed.

The lead singer (screamer may be a better term) has a young, brash, angry snarl that almost goes over the top at times, yet works very well as a counterpoint to the drummer's singing. The back and forth of the two singing styles helps to introduce two moods to most of their songs. The drummer's voice brings a bit of a melancholy, apologetic, almost sweet feeling to the songs. The lead singer's voice is full of anger and frustration. The two together give me an impression of someone who at first is sweet and forgiving, but after taking too much BS, finally lashes out.

A perfect example of their complementing each other is found on the song "It's Dangerous Business Walking Out Your Front Door". Some of the drummer's singing is eerie and has a dreamlike quality as though he is passively viewing himself "drowning in his sleep". The lead singer's voice offers a contrast to the drummer's in that we feel his panic and pain. Sadly, the snippet here on Amazon does that song no justice whatsoever.

The guitarists for the most part aren't flashy. They don't play leads, and don't riff all over the songs. They are however, very solid, and melodic, and their playing is perfect for the music.

About the only low point for me concerning this album is the track "Blue Note". I REALLY don't get that... doesn't feel like it fits the album, and is far too short in my opinion to be given it's own track listing. I suppose it was meant as sort of an intermission, as it appears near the middle of the CD, but if anything, that momentary pause from the meat and potatoes of the album takes away more than it adds.

Bottom line, if you want to hear something aggressive, yet musically creative and stylistically diverse, these guys are worth a listen. Just remember to give them a few chances before you give up on them. This album really does take some time to grow on you.

Underoath: They're Only Chasing Safety.......2007-01-22

Underoath Rules!!! The tracks on the Cd are amazing.

Ghost in the Shell Sac Solid State Society

Average customer rating:

Yo Yo Yoko!
Beautiful Music

Ghost in the Shell Sac Solid State Society
Japanimation
Manufacturer: Jvc Victor
ProductGroup: Music
Binding: Audio CD

Sound Effects | Miscellaneous | Styles | Music

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Ghost In The Shell - Solid State Society (Limited Edition)
Ghost in the Shell: Stand Alone Complex Vol. 3
Ghost in the Shell: Stand Alone Complex Vol. 2
Ghost in the Shell: Stand Alone Complex
23 Ji No Ongaku

ASIN: B000J3FF5S
Release Date: 2006-12-04

Tracks:

Player
Replica
Zero Signal
Solid State Society
Tempest
Born Stubborn
She Is
From Teh Roof Top - Somewhere Oin The Silence (Sniper's Theme)
Undivided
Blues In Teh Net
Human Step - Aramaki's Theme
Date Of Rebirth
Take A Little Hand
Remedium

Customer Reviews:

Yo Yo Yoko!.......2007-06-21

Total YK freak here. Have EVERY album. IF you're also a fan you know you can't go wrong with our favourite japanese composer.

This album has the usual mix from classical instrumental to screaming (in a good way!) female techno rock in multiple languages with incredible technology and immaculate production.

The following are the vocal tracks. I'll leave any comment on the instrumental pieces to someone with more 'music critic savvy' but to me as a layman they are just as beautiful and 'full' as any movie music anywhere. Aramaki's Theme and Remedium in particular are very 'big' and moving.

1. Player: Rock track with Origa vocals (you know that means incomprehensible) with a respectable english rap.

2. Replica: Techno rock with Ilaria Graziano on (?language) vocals. My favourite track on the album. Great beats and echoes.

7. She is: Gabriel Robin (some say GR is YK) vocals. A delicate whispery vocal with pumping beat. Bit like bjork.

8. From the rooftop, snipers theme: Fantastic english language pop song with Graziano on vocal again.
"motion with no sound
ice inside the fire
the stillness in the storm
silence hides the sniper
eagles come and go
to someplace much higher
and when the silence grows
can you hear it, sniper?"
Sweet! (Except for an annoying accoustic cymbals and drum piece at the beginning.)

12. Date of rebirth: Psycho techno rock again with Origa. Russian(?) except for the line 'it's a real illusion'!

13. Take a little hand: Gabriel Robin doing vocal, sounds like a multi-layered choir. Very cool, beautiful, chill piece with accoustic guitar and maybe a mandolin.

As the other reviewer has mentioned a lot of this album is in GITS SAC 2ndGIG. I had a hundred plays of the album on my pod before i saw the series. To hear this album when i wasn't expecting it was great!

Any YK fan, Jpop fan, anime music fan, movie music fan, and anyone who gets excited about discovering new and wonderful music should get this album now!

Beautiful Music.......2007-01-16

This soundtrack does not only contain music from the SAC movie but from the second season of the series as well, which was a pleasant surprise as I had wrongly assumed that the songs in question (such as "take a little hand") had been forgotten or left off of the SAC soundtracks for good.

A beautiful soundtrack, though I would advise waiting for it to be released state side before buying it.

I don't know how it matches up with the movie (as Bandai has unwisely decided to anger fans by not giving it a timely release, and banning the fan version that might have hyped it a lot more than their poor business decisions do), but if the music is anything to say, it should be a lovely movie.

Average customer rating:

needs less (or no) keyboard
If you're here, you're getting it..
The Physics of Fire - Best Metal Album in Recent Years
Song writing and vocals take a step backwards
Bringing it with fire!

The Physics of Fire
Becoming the Archetype
Manufacturer: Solid State Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Christian Rock | Christian & Gospel | Styles | Music

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Terminate Damnation
Messengers
The Fiancee
Saints
Pressure the Hinges

ASIN: B000OYC7IU
Release Date: 2007-05-08

Tracks:

Epoch Of War
Immolation
Autopsy
The Great Fall
Nocturne
The Monolith
Construct And Collapse
Endure
Fire Made Flesh
Second Death
The Balance Of Eternity

Customer Reviews:

needs less (or no) keyboard.......2007-07-12

the guitar is decently heavy and really good, but as soon as you start getting into it, they stop and play some retarted keyboard thing. the vocals are pretty good, except for the actual singing, which is totally out of place. i have nothing against actual singing in the choruses and such, but come on. that is just annoying. don't think i'm some loser who only likes metal because he thinks he's hardcore and listens to slipknot and stuff like a lot of posers do, but i cannot deal with the random whimpy keyboard in every single song. hey becoming the archetype, take all the keyboard stuff, put it one song, call that song a "ballad" and put it as the last song on the album and you would be one of my favorite bands. instead i barely listen to you guys. i gave this 4 stars because of the couple good songs on it and the guitar is really good, but i still wouldn't buy it. i would however, buy Autopsy, Epoch of War, and Construct and Collapse on iTunes and then buy their second album, which i loved. read my review of that album and don't send me hate mail, seeing as how i was the only one disappointed in this album.

If you're here, you're getting it.........2007-06-30

I really hate reviews... Music is subjective in itself, so to offer a review is not much more than talking to people that have similar interests... with that being said...

This is really good stuff, I mean really good. The production quality is excellent and the substance in this music must be heard to be appreciated. I didn't get to this place in music easily and can certainly understand people that don't "get" this style / sound, but if you do, you are in for a treat.

As the first song opens with a snobbish little hammered dulcimer bit that builds with some grove and then just flat out assaults the listener with technical, massive blasts that demand as much from your volume knob as can be tolerated.

This band breaks away from the norm and gets you to another place.

The Physics of Fire - Best Metal Album in Recent Years.......2007-05-21

Since their first release, "Terminate Damnation", Becoming the Archetype has by far become one of my favorite metal bands of all time. I listened to the first album so much that I know all of the lyrics to every song, and have never really looked at a lyrics cheat-sheet. So, needless to say, when BTA announced the new CD I was excited. All I could really see happening when the lineup change was announced was something good, especially after I listened to some of Aletheian's stuff (the band which Alex Kenis also plays with).

The first thing I can say is that this album is a lot different from the first. While the first seemed to sort of carry on in the same death-metalcore style previous trekked out by legendary band Living Sacrifice, this CD definately heads in a more progressive direction. All I can say is that the lineup change with adding Kenis in on lead guitar made them go where few (American) Christian metal bands have gone in recent years. While the last album was somewhat lacking in technically challenging lead guitar parts, The Physics of Fire is chock-full of guitar solos and licks that would make any lover of Steve Vai, Rusty Cooley, or John Petrucci cry.

I can also say that the mixing and production quality on the CD is a step up from the first. Terminate Damnation's mixing and whatnot, while excellent, was done in more of a style that suits metalcore bands such as As I Lay Dying and August Burns Red, while The Physics of Fire's mix and production reaks of Opeth and Scar Symmetry-esque dynamics.

Another thing to note about this album is something not seen very often - it's a concept album, which I believe adds greatly to the value and integrity of the music. Every single song on the CD intertwine with each other to tell an epic story, with 4 of the songs creating the 4 part "The Physics of Fire" Suite.

I'd also rate this album high on playability...This CD has dominated my mp3 player, my Winamp playlists, and my car stereo ever since i picked it up on release date.

Go out, get this album, and prepare for the horns to be upped instantly.

Song writing and vocals take a step backwards.......2007-05-20

I've just gotten this album after absolutely loving Terminate Damnation and I'm really struggling to listen to it to the end. The two changes in band members have really had an influence on this work, especially the leads.

What I really liked about the 1st album seems to have disappeared. The vocal variety has pretty much gone with Jason pretty much belting out an angry shout more akin to Hardcore/Metalcore bands. There are no low growls (like in "one man parade" and "elegy"), no high pitched shreaks like in the opening to Elegy and through it. His main vocal style remains unchanged but with fewer changes in pitch, less growls etc. Even the vocal mixing is different, lacking the richness and depth of Terminate Damnation. Vocals are now rather flat and one dimensional with little overlaying of low and high together.

I normally love clean vocals (the new Dark Tranquility album - fiction is brilliant with Mikael Stanne's vocals haunting beautiful) but Alex Kenis's vocals sound weak and fluffy, syrupy sweet. Please either find a strong singer or forget the clean vocals.

The production seems muddied compared to the crisp, clean production style of the last album. The symbols are not as crisp and sharp as TD with guitars sounding hollower and flat.

Alex Kenis tries hard with his leads but honestly, they all sound pretty much the same with too much fretboard gymnastics and little feeling. Far too much hammering and not enough pinching or plucking, no wa wa pedals, with the tone sounding too soft (to cover up the sounds of his hands moving on the strings?) and never changing. Compared to TD (Terminate Damnation) leads (No Fall Too Far- lovely use of wa wa pedal and great feeling, Ex Nihilo - fits the rhythmn perfectly but not long enough :-), Into Oblivion - the acoustic lead is a thing of beauty) nothing comes close to them on POF. Unimaginative and repetitive....repetitive....have a said that before?

I really miss the style of songwriting of TD. This new album just doesn't have the slower, heavier mix of the old one or the change of tempo's. POF is overall faster without the brilliance of TD, no outstanding track like Elegy. Nocturne is the instrumental on POF, which is nice with guitar and piano but not as well written or absorbing as "Night's Sorrow" or "Denouement" and more repetitive than them both.

I really was excited when I heard BTA had a new album out but I confess I was worried when I heard about the band changes. It happens all the time, band gets new members and sounds different. This road is well worn with BTA packing their bags and now making the journey of change, evolving into something i'm not sure I like.

Well cya fellas. When you find out that the grass isn't greener on the other side and you miss home, i'll be here waiting.

Bringing it with fire!.......2007-05-16

Fire is an apt way to describe this album, 'cause it smokes. Losing two members and adding one (Alex from Aletheian, and we know he can be technical) hasn't taken away from this groups sound at all, it's as heavy and as technical as ever. The album opens by easing you into it with a little instumental softness then the pummeling ensues at full force. The first song especially reminds me of something a Communic or Scar Symmetry might do at their heaviest and has a melodic death metal feel that the album never quite reaches again. If you liked the last one you should really dig into this and discover the greatness it holds. The one thing holding it back is falling into some metalcore boringness at times and the clean singer does not do a very good job. Other then that it is a sonic brain cleaning that brings the metal and the lyrics are very Biblically focused again. BTA is bringing the metal and showing that christians can be as loud and as technical as any band out there.

Average customer rating:

A ROCK SOLID COMPILATION FOR PAT TRAVERS FANS
Travers ROCKS!!!!!!!!
2 Disk Compilation of Polydor Material from Guitar Hero!

Rock Solid: Essential Collection
Pat Travers
Manufacturer: Repertoire
ProductGroup: Music
Binding: Audio CD

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Live! Go for What You Know
Crash and Burn
Makin' Magic
Double Live
Blues Tracks

ASIN: B0001HN5VI
Release Date: 2004-03-08

Tracks:

Makes No Difference
Hot Rod Lincoln
Magnolia
Makin' Magic
Rock'n'roll Susie
You Don't Love Me
Stevie
Statesboro Blues
Hooked on Music
Life in London
Gettin' Betta
It Ain't What It Seems
Lovin' You
Heat in the Street
Go All Night
Evie

Tracks:

Crash and Burn
Your Love Can't Be Right
Big Event
Snortin' Whiskey
New Age Music
My Life Is on the Line (I Just Wanna Live It That Way)
I Can Love You
I la la la Love You
I'd Rather See You Dead
Stand Up
I Gotta Fight
Killer
Louise
Women on the Edge of Love
In the Heat of the Night
Boom Boom (Out Go the Lights) [Live]

Album Details

This is a Compilation with Selections from Each of Pat Travers Nine Polydor Albums to Give an Impressive Picture of his Classic Rock Style. This Essential Double CD Distillation of the First Half of his Recording and Touring Career Includes all of Pat Travers Signature Songs Such as "Boom Boom (Out Goes the Lights)" and "Snortin' Whiskey, Drinkin' Cocaine" and is Packed with Informative Sleeve Notes and Evocative Pictures of Travers in Action.

Customer Reviews:

A ROCK SOLID COMPILATION FOR PAT TRAVERS FANS.......2005-04-16

This is a great collection of tracks from a great underrated guitarist from toronto canada{he now resides in Florida}. This two cd collection compiles his best tracks from all his polydor albums 1976-84 included are all the songs he is most known for such as stevie, life in london, crash and burn, snortin' whiskey and i la la la love you. It also includes his great covers of hot rod lincoln and statesboro blues also not to be missed is his beautiful cover of jj cale's magnolia. Some of the best music of the mid seventies and early eighties lives again through this collection.

Travers ROCKS!!!!!!!!.......2005-04-01

Man oh Man can this guy rip it up! Anyone familiar with Pat Travers knows exactly what I'm talking about. For the uninformed, this is a great place to start. CD Now would be wise to provide sound samples for these songs. After that, do pick up his "Live-Go For What You Know" and "Crash & Burn" discs. Which are both available here on CD Now and elsewhere.

This very extensive collection of 32 songs, digs deep from Pat's nine Polydor albums. The songs are in chronological order (always a plus in my book). Unlike the review above, I feel the song selection does a great job of representing Pat's tenure on Polydor Records (although I would have liked a few more songs from Heat In The Street and Radio Active and had this collection fully utilized the 80 minute capacity per disc, this could have been achieved).

The sound quality of this collection is simply awesome. They did a fine job of remastering these songs (unlike the Majestic Rock reissues of Pat's 1st 4 Polydor albums -of which Majestic has promised me that they are in the process of obtaining new DAT masters to re-manufacture these titles).

The packaging is also simply stunning! A tri-fold digi-pak and 16 page booklet loaded with pictures (many of which I have never seen before) and very informative linear notes.

Oh, and as I said before;
CD Now would be wise to provide sound samples for these songs.

2 Disk Compilation of Polydor Material from Guitar Hero!.......2004-04-18

"Rock Solid: The Essential Collection" is a 2 disk compilation of Pat Travers' material from his 9 Polydor albums. For the uninitiated Travers was a Canadian born guitar hero from the seventies. His blues influenced playing can be perhaps compared best with players such as Robin Trower or Frank Marino. Travers while not a shredder always provided tasteful seventies era soloing. During part of his career he utilized the power trio format for his band. Among the musicians who passed through Travers' bands during this period were second guitarist Pat Thrall and drummers Michael Shrieve, Tommy Aldridge and Nicko McBrain. Glenn Hughes from Deep Purple provides guest vocals on "Stevie" and Thin Lizzy guitarists Brian Robertson and Scott Gorham also make guest appearances along the way. While the set contains no previously unissued material is does contain most of his best material. It contains his best known cut a live cover of Little Walter's "Boom Boom Out Go The Lights" from his "Go For What You Know Live" album. It is unfortunate that the set does not contain more live material as Travers always seemed to be more energized in concert. It also contains the concert favorite "Snortin' Whiskey". Other standout cuts include "Makin' Magic", "Rock 'N' Roll Susie", "Life In London" and "Go All Night". Travers was not adverse to covering other people's material such Blind Willie McTell's "Statesboro Blues" and J.J Cale's "Magnolia". However, two of his best known covers, Albert King's "Born Under A Bad Sign" and Bob Marley's "Is This Love" were omitted for some strange reason. Since the disks do not utilize the full 80 minutes a few more tracks could have been added to the set. In addition, some of the material on the second disk does not hold up to the standards established on the first disk. The set might have been better served with less material from his last 3 albums from and more from his first 6. This is probably going to be the best summary of Pat Travers' career to be released and fans of gritty blues influenced seventies guitar playing will be overjoyed with this anthology. Those well-worn lps can now be replaced with this new remastered compilation of Travers' classic tracks!

Average customer rating:

one of the 80s finest musical hours
Remastered! (not)
Powerful
The Best Band Ever
Required listening

Solid Gold
Gang of Four
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD

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Entertainment
Entertainment!
Chairs Missing
Second Edition
Public Image

ASIN: B000024IMC
Release Date: 2004-05-03

Tracks:

Paralysed
What We All Want
Why Theory?
If I Could Keep It For Myself
Outside The Trains Don't Run On Time
Cheese Burger
The Republic
In The Ditch
A Hole In The Wallet
He'd Send In The Army
To Hell With Poverty
Capital (It Fails Us Now)
History's Bunk!
Cheese Burger (Live)
What We All Want (Live)

Customer Reviews:

one of the 80s finest musical hours.......2006-10-14

When I saw the Gang of Four perform live in the early 80s, bassist Dave Allen, a brilliant musician, was, sadly, gone, though in his place was a fairly decent replacement, Sara Lee. The Go4 were true post-punk progressives, who sought to elevate women rock musicians as the equals of men, at a time when this was still a novel concept. In fact, the Gang of Four's progressivism was partly the result of the earthshaking consequences of 1970s British punk, of which this band was definitely a part (their first recording - the Damaged Goods EP - was released in 1978, still the punk heyday). Their progressivism was also a result of their university education in philosophy, and specifically, in the neo-marxist critical theory of scholars like Walter Benjamin, Theodor Adorno, Max Horkheimer, Herbert Marcuse, and Antonio Gramsci, all of whose work informs the Gang's lyrical content and sensibilities. But these were also smart young men, loaded with talent, living in a world in which they felt alienated. Seeing them live was great! They rocked, and they connected with the audience, a large gathering of mostly Americans who were deeply in to them. And lead singer John King certainly had the funky white guy thing going on, as he was constantly in motion on stage, as guitarist Andy Gill riffed away, fearlessly and energetically.

Here, on Solid Gold, mixing punk, postpunk, funk, dance, and just a bit of free jazz, the Gang of Four wildly succeed in producing one of the 80s finest musical hours. The key to this record are probably the tight rhythms which the band produces. In fact, the bass lines here are anything but simple, whereas the guitar lines are effectively simple, and sharply rhythmic. Also, the band's messages are a bit less cryptic and thus a bit clearer than on Entertainment, which seemed so immersed in social theory (though, of course, this recording has a song called Why Theory?, about praxis, with the clever split of the vocals between King and Gill). The messages of song's like Capital (It Fails Us Now), History's Bunk!, and If I Could Keep It For Myself are pointedly clear, not to mention very insightful.

One other observation. This has some of this band's best, and best known, songs, including What We All Want (which they've recently re-recorded), In The Ditch, Outside The Trains Don't Run On Time, and To Hell With Poverty.

Remastered! (not).......2006-05-01

One of my all time favorite albums. I have listened to the newly remastered version of "Entertainment" side by side with my "Infinite Zero" version from the early 90's. Oooohhhhh! ...now there is so much more midrange... the treble doesn't bleed into white noise nearly as much... its louder too. So I'm ordering this one now and looking forward to the same improvement.

Review edit: I've since recieved this CD. WARNING: it is merely a reissue of the 1996 EMI(UK) release. Remasters have come a long way since then. It should not be promoted as such. I sent it back as I already have the 1995 Infinite Zero(US) release.

"Entertainment" is a genuine 2005 Remaster by Rhino, "Solid Gold" is not.

Powerful.......2006-04-10

Had the band never recorded a suitable follow-up to "Entertainment", they'd probably have left us wondering forever (as with Captain Beefheart) "How great would they have sounded if recorded with a fuller, more life-like sound rather than the dry clipped one they favored (on Entertainment)". Here we get a full sound, lots of bass, lots of everything.

The material's less intricate than on the preceeding LP, and the lyrics maybe a bit less sharp, but they still sound great (infused here by dub reggae, and PIL's bass-driven meanderings). It's must-hear and it rocks and swings hard. The bonus tracks here are quite worthwhile, and I think the live version of "What We All Want" is quietly massive.

The Best Band Ever.......2006-01-24

I feel bad for the guy who got this with Hard. Yes Hard sucks! I got this with Another Day/Another Dollar, which is awesome. Every song is brilliant except for "Why Theory?". Gang Of Four is usually the smartest band ever. One of the few that realize how the environment shapes our behavior. In this song however they say, "How We Think changes How We Act". A common sense belief, but completely wrong. I think we can all agree we many times think something and behave completely differently. To have a causal effect something must happen 100%
of the time. It doesn't. A more accurate statement is how we act changes how we think. Thought is unverbalized speech and not a tangible thing, It can not cause things. Enough philosophy though. This album is awesome. Much darker than Entertainment! musically, but also more varied. This one two punch is one of the best ever. Solid Golid is highly recommended with the brilliant Another Day/Another Dollar.

Required listening.......2005-05-08

Gang of Four's second album is a far more jagged affair then their classic debut "Entertainment". Solid Gold is a much more bass and drum oriented record with Andy Gill's static slashing hoving above. Solid Gold has held up as my favorite GOF album. With the addition of "Another Day Another Dollar" this is a must have - To Hell with Poverty is a classic dance club track from the mid-eighties and the live version of "What we all want" with it's 'in the face' bass brought to the front of the mix are fantastic. Just for clarification, Solid Gold and Another Day were the combo released first (by Rollins), then the mix of SG and Hard which I thought a bit confusing as it skipped "Songs of the Free" which was GOF's third album and quite a strong release (dave allen left and formed Shriekback with Barry Andrews (ex of XTC) and Sara Lee (League of Gentlemen with Robert Fripp) took over the bass duties -

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