Labyrinth

Labyrinth

Editorial Reviews
Product Description
Century Media debut from Italy's premiere melodic metal powerhouse. These guys have toured with the likes of Helloween, Primal Fear, Hammerfall & Nocturnal Rites. 2003.

Tracks:

Walsingham
Can she excuse my wrongs?
Ryght honorable: as I have bin most bounde unto your honor
Flow my tears
Have you seen the bright lily grow
Then in time passing on Mr. Johnson died
The Most High and Mighty Christianus the Fourth, King of Denmark
The lowest trees have tops
And accordinge as I desired ther cam a letter
Fine knacks for ladies
From thenc I went to the Landgrave of Hessen
Fantasy
Come, heavy sleep
Forlorn Hope Fancy
And from thence I had great desire to see Italy
Come again
Wilt thou unkind thus reave me
After my departure I caled to mynde our conference
Weep you no more, sad fountains
My Lord Willoughbys Welcome Home
Clear or cloudy
Men say that the Kinge of Spain is making gret preparation
In darkness let me dwell

Amazon.com

In choosing to cover the music of John Dowland (1563-1626), who is known as the "melancholy madrigalist" from his output of cheerful ditties like "Flow My Tears," Police bandleader Sting has entered into a whole new realm of austere eeriness. Originally inspired by the gift of a lute, the rock superstar and activist sings the songs, deliciously sweet and tender or spirited by turn, accompanying himself, with Edin Karamazov sitting on lute and archlute. For listeners accustomed to hearing material of this period interpreted by rigorously trained early music stylists, especially countertenors and the like, Sting's sometimes tight-jawed, chest-heavy vocals may seem amateurish. It's undeniable that in four-part harmonies, the singer, tightly overdubbed, comes across like a combination of the Swingle Singers and Queen (meaning Freddy Mercury and crew, NOT the first Elizabeth). But it's important to remember that music of this period was routinely heard as a casual diversion in private homes, even more often than at Court. It was considered a crucial social skill to be able to join in with an adequate degree of skill, but not everyone was able to negotiate the perilous melodic twists and turns typical of the era's music. With this in mind, the overall effect is of a candle-lit, postprandial entertainment in the home of an English gentleman. Muttered readings from Dowland's letters and brief snippets of sampled birdsong aside, it is a courageous effort, displaying heartfelt admiration for the composer and a considerable degree of earnest charm. --Christina Roden

Album Description

StingÂ's Songs From The Labyrinth is an album of 17th century music composed by John Dowland and performed on the lute, an ancient acoustic guitar. After being given a lute nearly two years ago as a gift, Sting became fascinated and immersed himself with the instrument and the history of lute music. Reminded of his almost 25 year long enthrallment with the works of John Dowland, the Elizabethan composer who wrote songs for the lute, Sting has recorded a new album of vocal and lute music. All songs were composed by Dowland in the 17th century, but have been given new life in these fresh new recordings by Sting. Sting not only sings all the songs (accompanied by leading lutenist Edin Karamasov, who appears on two Andreas Scholl albums), but also plays lute on two instrumental duets with Edin and reads short extracts from a fascinating autobiographical letter by Dowland. Sting has also written a brilliant account of the album's genesis, along with notes on the individual tracks, which serves as the CD booklet.

Customer Reviews:

great CD.......2007-07-23

As usual, this is a great STING's cd. Wonderful music and interpretation. Its amazin these songs were written on the 16 century.
I will completely recomend anyone this CD.

Very disappointing.......2007-07-19

As we all know, the music of John Dowland is lovely. When played by Paul Odette or Julian Bream it is exquisite. However, this production is almost depressing. Sting's gravelly voice finally grated on me and I probably won't play this again. The lute performance is mediocre also. The best song is that which they use to promote the album. Pass on this one.

*sigh*.......2007-07-16

I am a lutenist myself, who had experience as both a rock guitarist and a classically trained clarinetist before also picking up the lute. I have a great love for Dowland that comes from years of playing his songs myself as well as hearing great musicians (like Paul O'Dette) play them. And this CD makes me sad.

In a way, it doesn't surprise me that Sting would do this. For years now he's been trying to gain cred in the classical music world (I have a 1988 recording of him doing Stravinsky's A Soldier Tale that delighted me when I was 16 and musically ignorant, but now makes my eyes roll into the back of my head). What upsets me is he had to do something that's initimately important to me as a musician. The is problem is that when it comes this kind of music, as others have said, he IS an amatuer, and all his heavy-handed, juvenile earnesty and clumsy, misplaced intensity just drains out all the joy I would normally experience from these songs. Moreover, he's voice isn't merely "untrained" - it's *shot* from years of strain caused by bad "rock" vocal technique. It's just pitiful to listen to in such an exposed context. If you think this is how these songs ought to be intrepreted, you're sadly mistaken.

There are people who would call Sting a "pop genius, " laud him and hand him all sort of impressive looking awards and honors, but this is the music of a real genius, someone who knew not just how to write lyrics that hit home with his audience, but as how to compose songs with unparallel grace, form and sophistication in an idiosyncratic style that bridged convention and innovation. And Sting simply cannot do Dowland's music justice. He just doesn't have the chops or the insight. It's great he's supposedly "studied" this music and that he wrote lengthy, flowery liner notes, but did he really need to record this CD for any reason that his own self-satisfaction? It's far too obvious he hasn't done the same level of groundwork of countless Early Music musicians who don't do this a hobby or avocation from political causes or high-profile celebrity, but as their sole passion. Why couldn't he simply support those musicians, without trying to grab some spotlight for himself? Having a decent lutenist as a sidekick just isn't enough to pull him up from his amatuerly, self-important bog, either. Frankly, he just doesn't get it, and at this stage, I don't think he will.

Early music lovers don't need someone like Sting to bring this music to us - we've been doing just fine without him because we have so many other, really wonderful musicians around to keep this music alive. Someone else recommended Nigel Rogers and Paul O'Dette, and I would gladly recommend them over this celebrity-fuel nonsense as well. Yes these are both musicians with academic backgrounda, but that doesn't mean they are academic musicians - far from it. They just have to hold down teaching positions and do master classes because they don't have a pop career to play the bills. Musicially and professionally, they're what Early Music musicians ought to be - dedicated, educated, passionate and yet they don't have any need to take themselves this deathly seriously.

Elizabethan Music.......2007-07-12

This is the audio component of an hour long video made by Sting on the work of Elizabethan composer John Dowland. (The video does adds greatly to the value as it places the music against the background and age (16th C) for which it was written.) Sting's voice is light tenor and right for these poems set to music about everlasting human concerns that persist to our day. But you'll not see those wonderful lutes that accompany the words, so complex to play with a beauty of sound not heard today. Between his music Sting gives an excellent spoken commentary to complete an attractive presentation of esoteric classical music with a modern undertone.

Vibe shift.......2007-07-10

Why bother? Still would like to say i love the 'shift' it takes to get into this music and how i (and my home) feel when i've enter this rather rarified realm of listening.

Average customer rating:

A beautiful film score
Evocative, atmospheric... beautiful
Wow.....I am speechless
Intricate Simplicity
Beautiful and Melodious

Pan's Labyrinth

Manufacturer: Milan Records
ProductGroup: Music
Binding: Audio CD

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Pan's Labyrinth (New Line Two-Disc Platinum Series)
Babel
The Illusionist
300 Original Motion Picture Soundtrack
The Painted Veil

ASIN: B000JU8HII
Release Date: 2006-12-19

Tracks:

Long, Long Time Ago
The Labyrinth
Rose, Dragon
The Fairy and the Labyrinth
Three Trials
The Moribund Tree and the Toad
Guerrilleros
A Book of Blood
Mercedes Lullaby
The Refuge
Not Human
The River
A Tale
Deep Forest
Vals of the Mandrake
The Funeral
Mercedes
Pan and the Full Moon
Ofelia
A Princess
Pan's Labyrinth Lullaby

Amazon.com

Too many soundtracks feel interchangeable, and rare are the composers who really capture a movie's core. But Javier Navarrete has succeeded in his Oscar-nominated score for Guillermo del Toro's Pan's Labyrinth, a dark fantasy set in 1944 Spain. The first cue, "Long, Long Time Ago," sets the melancholy tone with piano and voice; the spectral piano pops up several more times, and the theme is more fully developed in "Mercedes Lullaby." But it's the second track, the aptly titled "The Labyrinth," that really gives the listener insight into the movie's tenebrous universe. While Navarrete can certainly do short, intimate pieces dotted with telling arrangements (like the few trumpet notes adding a subtle Spanish flavor to "Rose, Dragon"), he excels on the longer tracks, such as "Not Human," which goes through a succession of moods, each one increasingly scary, without ever going overboard into cheap, demonstrative effects. Navarrete has already had a long career as a film scorer in Spain, and this won't be the last American audiences hear from him. --Elisabeth Vincentelli

Product Description

Sountrack to director Guillermo del Toro's 2006 horror/fantasy film starring Ivana Baquero.

Customer Reviews:

A beautiful film score.......2007-07-26

PAN'S LABYRINTH is one of the best films I have seen in the past five years. The blending of fantasy with the ugliness of reality really captured my heart. One of the reasons was because of Javier Navarrete's gorgeous film score. The melody of the score is based on the lullaby that Mercedes sings to Ophelia when she has to move to a separate room away from her mother who is put on bed rest. The music flows effortlessly together. Javier's excellent compositions reminds me of John Williams and Hans Zimmer but more subtle and not so loud and bombastic during the intense scenes. I don't know if PAN'S LABYRINTH would have been as good if the director had gone with another composer. Javier's music really captured the essence of the film whether the scenes were treading in the brutal reality of the Spanish civil war or in the fantasy world of the faun. I hope that after the success of PAN'S LABYRINTH, the public will be hearing more from Javier Navarrete. His work in the Guillermo del Toro film is simply one of the best film scores I have heard in the past decade.

Evocative, atmospheric... beautiful.......2007-07-22

This is the best soundtrack I have heard in a very, very long time. The film itself is a perfect joining of image and music, and this CD perfectly captures one half of it--I can't watch the movie without noticing the music, and I can't listen to this CD without thinking of the movie. That's the way it should be.

Establishing a simple, repeated lullaby early on, Javier Navarrete's entire score builds on this tune, exporing deeper, darker, and ever more complex tunes with every track before returning to the simple melody at the end.

This CD includes musical cues not actually used in the film, although after repeated viewings of the film and listening to the soundtrack dozens of times, I'm hard-pressed to tell you which are which. The music--all of it--is so beautiful that the listener is almost immediately lost in the world it evokes. And even at nearly an hour and fourteen minutes, the music rarely repeats itself and never gets old.

An excellent companion piece for anyone who enjoyed the movie or anyone who loves beautiful music. Highly recommended.

Wow.....I am speechless.......2007-07-06

I hardly can find the words to describe this music. Beautiful. Haunting and absolutely stirring. That is just the tip of the iceberg. I found the film itself, in it's own way, a great film but the music is what gave the film its ability to communicate with the viewer. My only regret is that the CD is not necessarily a CD to take a nap too. There are a few tracks that seem to keep me awake, making them great in their own way. But the music of Pan's Labrynth is some of the best music ever written for a film. Full of beautiful lullabies, dark, haunting brass and strings, and majestic, sweeping and imagination-driving moments. A must own CD. An ABSOLUTE must.

Intricate Simplicity.......2007-06-12

The movie was great, even though it was in Spanish the soundtrack pulled everything together for me. The music is simplistic in its melodies yet conveys deep emotions. I love to listen to it to relax or just for something different. I think it is one of the best scores I have ever heard.

Beautiful and Melodious.......2007-06-09

Many use the word "haunting" to describe the music on this CD, and that is certainly true. It compliments the movie wonderfully and leaves quite the impression. I found my emotions on a rollercoaster, from soothed and comforted to pensive to apprehensive, as each composition played through. I thought it all masterfully composed and unlike anything I've heard. I give it a solid recommendation.

Labyrinth: From The Original Soundtrack Of The Jim Henson Film

Average customer rating:

It's Only Forever
Electronic but fantastikal
Great 80's music from a fun 80's movie
LABYRINTH IS NOT JUST FOR WOMEN
Why the rejected version of Dance Magic?

Labyrinth: From The Original Soundtrack Of The Jim Henson Film
David Bowie , and Trevor Jones
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Labyrinth
The NeverEnding Story
Best of Bowie
Das Letzte Einhorn (The Last Unicorn)
Return to Labyrinth Volume 1

ASIN: B000002U9L
Release Date: 2007-05-21

Tracks:

Opening Titles Including Underground - David Bowie
Into The Labyrinth - Trevor Jones
Magic Dance - David Bowie
Sarah - Trevor Jones
Chilly Down - David Bowie
Hallucination - Trevor Jones
As The World Falls Down - David Bowie
Goblin Battle - Trevor Jones
Within You - David Bowie
Thirteen O'Clock - Trevor Jones
Home At Last - Trevor Jones
Underground - David Bowie

Customer Reviews:

It's Only Forever.......2007-06-21

The first time I saw The Labyrinth I was 7 or 8, probably 1987/88 Rotterdan, on tv and it really blew me away. It has a fairytale quality, a beautiful world of make-believe, truly wonderful. Years later, 2006 I went to the local fantasy shop (which has unfortunately moved from Rotterdam to Delft), saw the special DVD box with special drawing cards inside and bought it then and there. In that very same year I also bought the soundtrack.

While the "Opening Title" transports you to The Labyrinth, "Into The Labyrinth" makes you want to walk inside and be lost forever.
"As the World falls down" and "Within You" are both beautiful and haunting, showing Jareth's desperation and (maybe) love for Sarah.
"The Gobling Battle" is a blast, "Home at last" makes one feels like it is a preparation for the BIG Party in "Underground".

Electronic but fantastikal.......2007-06-05

It has some moody pieces, but also some bright. I still think David Bowie would have made a good Vampire Lestat. He was an excellent Goblin King.

Great 80's music from a fun 80's movie.......2007-05-27

David Bowie's soundtrack from the movie is pretty much what you expect: if you've seen the movie Labyrinth, you've heard the soundtrack. As a longtime fan of the film and an unabashed child of the '80's, I still enjoy it. I only wish they'd included a lyrics sheet.

LABYRINTH IS NOT JUST FOR WOMEN.......2007-05-24

I have to disagree with the first reviewer of this film/soundtrack. This movie/soundtrack appeals to EVERYONE'S fantasies and imagination. The Soundtrack is amazing as is the movie. Entertaining to anyone wether it be male or female. David Bowie is amazing and proofs it in this soundtrack.

Why the rejected version of Dance Magic?.......2007-05-14

They used the rejected version of Dance Magic, wich can be seen as an extra in the DVD release. After hearing it, I can understand why they opted not to use it in the movie. It would have been nice if they'd added BOTH versions of the song on the disc, seeing as it has few songtracks & has both versions of Underground. To this day, aside from maybe 3 other songs he sang in the early 80s, this is the best music I've ever heard from David Bowie. (Does his face age at all? He looks just as young today.....)

The Journey & The Labyrinth: The Music of John Dowland (DVD & CD)

Average customer rating:

Surprisingly enjoyable....
The Journey & The Labyrinth
To buy or not to buy, that is the question
Enchanting, visually stunning
The Journey & The Labyrinth: ---A real Journey

The Journey & The Labyrinth: The Music of John Dowland (DVD & CD)

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Songs from the Labyrinth (Music by John Dowland)
In Perugia
My Funny Valentine: Sting at the Movies
The Police - Everyone Stares: The Police Inside Out
Fields of Gold: The Best of Sting 1984-1994

ASIN: B000MGBTHA
Release Date: 2007-02-13

Tracks:

Flow My Tears (Lachrimae)
The Lowest Trees Have Tops
Fantasy
Come Again
Have You Seen The Bright Lilly Grow
In Darkness Let Me Dwell
Hell Hound On My Trail
Message In A Bottle

Tracks:

'Come Again'
Project Origin
'Can She Excuse My Wrongs'
The Lute And The Labyrinth
'The Lowest Trees Have Tops'
'Flow My Tears'
Dowland's Exile
'Clear Or Cloudy'
Political Intrigue
'Have You Seen The Bright Lily Grow'
'Weep You No More Sad Foutain'
'Le Rossignol'
Religion
Sting And The Lute
'Come, Heavy Sleep'
'In Darkness Let Me dwell'
Choir Rehersal
'Fine Knacks For Ladies'
'Can She Excuse My Wrongs'

Amazon.com

Recorded at St. Luke's Cathedral in London, The Journey and the Labyrinth continues Sting and lute player Edin Karamazov's exploration of the music of John Dowland. The bulk of this material first appeared on 2006's Songs from the Labyrinth. Performed live and placed in a setting concurrent with the life of the 16th-century composer, the songs feel tied to their origins in profound ways. The grand room's ambiance is made apparent with the reverberating applause at the close of each selection. The closing two numbers show how this 400-year-old music has aspects very much in sync with relatively contemporary works. Both Robert Johnson's "Hellhound on My Trail" and Sting's own Police hit "Message in a Bottle" utilize crisply delineated melodies and spare but robust accompaniment. A DVD is included in the set, as well. Elegantly produced, it not only offers the live performance featured on the CD, but also provides Sting's own thoughtfully articulated connections to this still vibrantly romantic music. --David Greenberger

Album Description

On the heels of his acclaimed recording, Songs from the Labyrinth, Sting furthers his fascination with Elizabethan composer John Dowland (1563-1626) on The Journey and the Labyrinth: The Music of John Dowland. This new DVD/CD package includes an extended version of Sting's first-ever PBS special from Thirteen/WNET New York's Great Performances (airing February 26th, 2007), as well as a live bonus audio CD.

Sting recently released the striking CD Songs from the Labyrinth, which introduced audiences to his passion for Dowland. With an astounding thirteen weeks and counting as Billboard's #1 Traditional Classical album, the record, called "vivid and romantic" by the Wall Street Journal, has resonated with Sting and Dowland aficionados alike. The album also captured the top spot on the classical charts not only in the U.S. but also in England, Canada, France and Germany.

The Journey and the Labyrinth: The Music of John Dowland, directed and produced by the Emmy-award winning team Jim Gable and Ann Kim of Graying & Balding, Inc., delves deeper into Sting's relationship with the sixteenth-century figure, who has captivated generations with his songs composed primarily for lute, which Sting tackles along with esteemed lutenist Edin Karamazov. Filmed appropriately at Lake House, Sting's 16-century manor house in Wiltshire, and in the ancient gardens of Il Palagio, his home in Italy, the DVD also features the performers before a live audience at St. Luke's Church in London.

Interspersed between performances of such timeless Dowland songs such as "Can She Excuse My Wrongs," "Come Again," and "Flow My Tears," are discussions with musicologists David Pinto and Anthony Rooley of the composer's place in music history and his relevance today, plus recitations by Sting from Dowland's personal correspondence.

In a rare live appearance performing Dowland's music, Sting and Karamazov's concert at St. Luke's Church in London was also captured as a live audio recording and serves as the bonus CD included in the package. Featuring selections from Labyrinth, the CD also contains the consummate hit "Message in a Bottle" arranged for lute, as well as a rendition of the Robert Johnson blues classic, "Hell Hound."

More Sting

Fields of Gold

The Dream of the Blue Turtles

Songs from the Labyrinth

Customer Reviews:

Surprisingly enjoyable...........2007-05-21

I have been a Sting/Police fan since my youth, and I have to admit - I was very skeptical when I first heard about this latest venture from Sting. After hearing some of the tracks, the disc began to grow on me. The DVD is the highlight here. Beautifully photographed, and intelligently produced. The performances in and around Sting's Tuscan villa are breathtaking. The live performances are nice as well. Very little was known about this John Dowland man, but he seems to have been quite the character. I'm glad I added this to my collection.

The Journey & The Labyrinth.......2007-05-13

The album was just fantastic! Very different from Sting's usual music. He should do more of it.

To buy or not to buy, that is the question.......2007-04-24

When I was younger, I went on a wine-appreciation course. The first thing I was told was: "Don't let snobs dictate your taste to you: if you like chilled red wine with fish, *drink* chilled red wine with fish!"

Over the years, I have found this to be good advice, and not just about wine.

70 years ago, Andrés Segovia played the Bach Chaconne for the first time in Paris. He said "I could measure my success by the rage of the violinists." But the guitarists didn't care. Nowadays Bach on the guitar is commonplace.

50 years ago, lutenists criticised Julian Bream for playing their instrument like a guitar. He said "It's my job to blow the dust off these things."

It always miffs insiders when an outsider comes along and brings their speciality to a new audience, even though they may publicly applaud him for doing so: it will be a lucky outsider who doesn't get stick for not doing things the "correct" way.

So the Amazon (and other) reviewers of "Songs from the Labyrinth" fall (for the most part) into two camps: Early Music buffs, and Sting fans. As I joined the Lute Society in 1973, and reviewed Early Music for several years, I suppose I must be considered to fall more into the former category than the latter.

But, it seems to me that all the discussion of "authenticity", impassioned and learnèd though it may be, is irrelevant. The only important questions are: Has the performer made a serious attempt to understand what's going on in the music? and Does he bring something fresh to it?

In Sting's case, the answer is clearly Yes to both. And that said, the only other thing of importance is whether you like the result.

I do like it, and I'm glad to see I'm not alone, even among us old fogeys. And with music samples and now video samples available on-line, you don't have to play guessing games to know whether you will too.

The DVD
======

Over and above the value of the music, the DVD is very well put together. There are songs, lute music, anecdotes and historical discussions, all skilfully and entertainly intercut, and each complete in itself but not so long that the attention of the newcomer will start to wander. You can see Edin trying not to laugh when Tony Rooley and David Pinto almost get into an argument. And the whole thing is visually gorgeous. My favourite bit is where Sting fissions into four and sings a quartet with himself, sitting around a table.

By the way, there are a couple of "in" jokes that may go over the heads of those new to this music:

Sting ribs Edin about giving him the hard part in the anonymous lute duet "Le Rossignol"; in fact, the two parts are virtually identical, one being an echo of the other, merely four bars "out of phase".

More subtle is the somewhat unexpected appearance of "Hellhound on my Trail", which is of course by the noted blues singer Robert Johnson murdered in 1938 (but somehow copyright 1990, it says here). Another Robert Johnson, also a lutenist (and son of that John Johnson whose vacated position Dowland failed to secure at the court of Elizabeth I), was one of Dowland's colleagues at the court of James I. He was the composer of "Have You Seen the Bright Lily Grow", so the DVD contains works by two different Robert Johnsons.

Lutenists will be interested to note that Edin Karamazov plays (right hand) thumb under, although Dowland himself switched in mid-life from thumb-under to thumb-over -- presumably for what seemed to him to be good reasons. He is clearly a fine player with a great deal of facility, but I feel obliged to say that his Dowland Fantasy (P. 6, for those that are interested) seems to me a bit of a mess. Don't take my word for it; you already know Anthony Rooley, and his version is on Renaissance Fantasias. It's also on disc 8 of his mammoth 12-disc set, with his wife (the famous singer Emma Kirkby) and The Consort of Musicke: Dowland -- The Collected Works. Here are some more versions for comparison:

Christopher Wilson: Rosa
Julian Bream: Lute Music from the Royal Courts of Europe
Jakob Lindberg: Dowland -- Complete Solo Lute Music

Where to go from here
================

The person who spearheaded the revival of interest in Dowland, and the lute in general, was Julian Bream. No one ever breathed more life into this music, and if you're new to the lute, you can't go wrong with his recordings, many of which are still available.

On the other hand, if Sting is your thing, Bream's Dowland songs with Sir Peter Pears are unlikely to be. Nevertheless, you can hear them on Heavenly Love, Earthly Joy.

Of Bream's successors, one of his personal favourites certainly seems to be Nigel North: you can read Sir Julian's glowing tribute on Nigel's website. Only two volumes of Dowland's music by Nigel have so far appeared, though: (Vol. 1) & (Vol. 2).

The complete lute music is available from Jakob Lindberg (mentioned above) and from Paul O'Dette (Complete Lute Works -- also as individual discs), two of my personal favourite players. If you liked "Le Rossignol", you will certainly enjoy them together on English Lute Duets.

The acknowledged authority on Dowland in her day was the late Diana Poulton. She is the author of the standard biography (Faber & Faber, ISBN 0-520-04687-0), and also editor of the Collected Lute Music (Faber Music, ISBN 0-571-10024-4).

The Lute
======

Lute sales have quadrupled, says the Lute Society. If you're thinking "well, I can play the guitar: how hard can the lute be?", think again. By all means take it up, but it's a *very* different instrument!

The British and American Lute Societies can both be found on line.

And now my 1,000 words are up. Good hunting!

Enchanting, visually stunning.......2007-04-18

It seems at first like Sting really stretched on this one, but if you're a dedicated fan, you'll see that his career has been leading here all along. Think of "St. Agnes and the Burning Train" on his "Soul Cages" CD. The four-hundred-year-old music of John Dowland is haunting, and Sting brings it to vibrant life with reverence and enthusiasm. Listen, and you'll be drawn into an older world that at times feels surprisingly familiar, a world of love with all it's faces, melencholy, religious persecution, and career ambition. The DVD was filmed at Sting's personal residences, and if you love atmosphere, it's all here. I recommend the DVD over the CD alone, because the images of Sting singing in those beautiful surroundings help overcome the cultural difference for those who have never heard music like this before. Also, you'll get to hear "Message in a bottle," arranged for the lute on this one, recorded on the companion CD.

The Journey & The Labyrinth: ---A real Journey.......2007-04-10

this was an awesome work. The music was great, and the documentary...really interesting.

if you love music or you are an artist, this is inspirational and entertaining.

this project was a wonderful surprise!!

Average customer rating:

5 stars!
Their commercial breakthrough, but not their best
Dead Can Dance - Labyrinth look-over
Superb!
Multi-culturalism and Cross-culturalism

Into the Labyrinth
Dead Can Dance
Manufacturer: Wea International
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002MM8
Release Date: 1993-09-14

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How Fortunate The Man With None

Amazon.com

Their goth-sounding name and dour visual image aside, the prolific duo of Brendan Perry and Lisa Gerrard produce wildly eclectic but utterly unique music. Their painstakingly crafted albums encompass numerous arcane genres, from European classical music to ancient Celtic and Middle Eastern folk styles, often employing authentic antique instruments to achieve their ambitious, emotive soundscapes. The 1993 effort Into the Labyrinth found Dead Can Dance mixing their medieval leanings with more exotic Eastern influences on "Saldek" and "Yulunga," while exploring Celtic balladry on the traditional "The Wind That Shakes the Barley" and theatrical songcraft in their interpretation of Bertolt Brecht's "How Fortunate Is the Man with None." --Scott Schinder

Album Description

Out of print in the U.S.! Import pressing of this classic 1993 album from one of the 4AD label's most popular and influential bands. At the core of Dead Can Dance is guitarist Brendan Perry and vocalist Lisa Gerard, who created a body of work that remains invigorating and uniquely their own. Into The Labyrinth was the first DCD album to gain a major label release in the U.S and features the Alternative radio hit 'The Ubiquitous Mr. Lovegrove'. This was also the first album that Perry and Gerrard completed on their own without the aid of guest musicians. 11 tracks. 4AD.

Customer Reviews:

5 stars!.......2007-05-22

This is a great CD...go get it if you are into Dead Can Dance! This is their greatest album.

Their commercial breakthrough, but not their best.......2007-04-15

After an absence of three years which saw the release of a best of collection, Dead Can Dance achieved their commercial and U.S. breakthrough as well as yet another stylistic shift with this, their sixth studio album. Unlike previous albums which featured backing musicians, this one saw the DCD duo of Brendan Perry and Lisa Gerrard handling all the instruments and vocals themselves in their new private studio. While this mostly works, occasionally the synthesizers sound a bit thin and one wishes they had employed musicians playing actual instruments for certain passages.

Stylistically, DCD moved on from the medieval arrangements of their previous album, Aion, towards more middle eastern influences alternating with dreamy pop sounds. This album also marks an increasing estrangement of the duo's individual musical styles. Lisa's dramatic opener, Yulunga, sets the tone with her chilling multi-octave wordless singing over building percussion, followed by what was to become one of the unlikelier alternative radio hits, Brendan's The Ubiquitous Mr. Lovegrove, a bitter rebuke to an unfaithful lover delivered over a crisp background of tablas and period bagpipes. Lisa then startles longtime fans by delivering the next track, the Wind That Shakes the Barley, an actual traditional song with lyrics (as opposed to her usual wordless glossolalia). Brendan's song of dreamy nostalgia, The Carnival Is Over, was another minor hit thanks to its being featured as the theme of MTV's Real World, and is as close as the group had come so far to mainstream pop. Less successful is his third original song on the album, Tell Me About The Forest, which lyrically strays into preachiness and musically provides little interest. His closing piece on the album is an arrangement of Berthold Brecht's How Fortunate The Man Who Has None, which achieves a kind of gloomy dignity musically but strains to sustain interest throughout its full nine minute length.

The rest of the album is heavier on middle eastern and eastern European influences. Lisa's Ariadne is a brief but lovely piece featuring multitracked vocals over organ, while her even briefer Saldek sounds like it came straight from a National Geographic special on traditional Bulgarian music. The title track is a meandering and ultimately not very interesting set of passages of middle eastern styled singing and drumming with synthesizer; the similar Spider's Strategem features the same musical elements but actually comes together as a more interesting and compelling whole. The medieval a capella choral piece Emmeleia sounds like an outtake from Aion.

This album marked a watershed in several ways for the group, and for many fans was their initial introduction to DCD and hence defined their sense of the duo's musical identity, but I can't give it more than three stars. Though it features some terrific songs, much of it sounds like filler, and the stripped production pales in comparison to their best earlier work. To get a sense of what this duo is really capable of, find a copy of Within the Realm of a Dying Sun, Spleen and Ideal, The Serpent's Egg, or Aion.

Dead Can Dance - Labyrinth look-over.......2007-04-03

Jim morrison did not die - he sings with these guys

Superb!.......2006-10-22

Dead Can Dance "Into the Labyrinth." Beautiful, ethereal, trancendental, hypnotic, an absolutely classic!

Multi-culturalism and Cross-culturalism.......2006-10-15

The work of Dead Can Dance, Brendan Perry and Lisa Gerrard, might be best described as cross-cultural. Some songs sound like Celtic songs from the middle ages while others sound like Islamic chants from the desert countries. On "Into the Labyrinth", I found that The Ubiquitous Mr. Lovegrove; The Wind That Shakes the Barley; The Carnival is Over; Tell Me about the Forest; Ariadne; and HOw Fortunate the Man with None were my favorite 6 selections. Perry's voice has a dreamy quality that is hard to describe, kind of like Dean Martin does Lebanon. I certainly like the multicultural blending of musical traditions that Dead Can Dance offers.

Average customer rating:

Interstellar travel in your headphones.
Stargate Music Album
Not as good as the 1st Music release
one for the fans
Sweet

Best of Stargate SG.1

Manufacturer: Gnp Crescendo
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

Television Soundtracks | Soundtracks | Styles | Music

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Television Soundtracks | Soundtracks | Indie Music | Stores | Music
Similar Items:

Stargate SG-1 (1997 Television Series)
Stargate: Atlantis [TV Soundtrack]
Stargate
Stargate SG-1 - Season 9 Boxed Set (Thinpak)
Stargate SG-1 - Season 10

ASIN: B00005N8TS
Release Date: 2001-10-02

Tracks:

Stargate SG-1: Main Title
Suite From The Enemy Within
Suite From Cold Lazarus
Suite From Emancipation
Suite From Torment Of Tantalus
Suite From Thor's Hammer
Suite From The Nox
Suite From Hathor
Suite From Tin Man
Suite From Within The Serpent's Grasp
Stargate SG-1: End Credits

Customer Reviews:

Interstellar travel in your headphones........2007-05-31

Well, Stargate SG.1 has finally ended after 10 seasons, and this soundtrack CD covers only the first two. I think there's room for a new CD or two, and hopefully the Stargate SG.1 people will get around to creating one.

Anyway, I've listened to this CD once so far and I was very impressed. The music really is enjoyable on its own, and I found myself listening to the Cold Lazerus music twice before I continued throught the rest of the CD.

Finally, don't think there isn't much music on this CD because of the small nunber of tracks. Many of these tracks are six to ten minutes long.

Stargate Music Album.......2007-05-12

Great CD throughout. It's a shame the show is being cancelled after 10 years but this music helps to keep the memory on.

Not as good as the 1st Music release.......2004-10-24

The best of Stargate SG-1 is infact a 9 track compilation of the 1st 2 seasons of the TV show. It's really not the best of Stargate. I rather enjoyed the 1st release namely called Music of Stargate SG-1 and the actual movie music-score. However I still enjoyed the music from several episodes of the 2nd season, most notable being the music suite of Hathor.

A fan of the TV show should be pleasantly surprised by the suites in this CD. It won't disapoint.

one for the fans.......2004-05-07

This CD is really one for the fans. If you've not watched Stargate SG-1 before, then it will be very limited in its' appeal.
I personally enjoyed the CD, as I could relate the music back to the particular episodes in which they appeared. Some of the tracks are sweet and melodic, others are more ominious, so it doesn't come up short on variety.
The music sounds, for the most part, rather sythesised (which is why, if you are used to sprawling epic soundtracks from mainstram movies, I generally don't recommend this if you have never watched the show). Tracks are usually a mixture of synthesised sounds combined with more organic notes from traditional instruments, creating a very "sci fi" sound.
This is a great CD to work and study to as it provides great background music without being too intrusive.

Sweet.......2004-02-23

This is a great CD. Just listing to it makes me feel like I'm watching the show.

Average customer rating:

Flawed, but nice.
He's still got it...
Juno Reactor goes hollywood
Uh...huh
Uneven...

Labyrinth
Juno Reactor
Manufacturer: Metropolis Records
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

General | Techno | Dance & DJ | Styles | Music

Trance | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music
Similar Items:

Bible of Dreams
Furious Angels
B.P. Empire
Puppy
Risotto

ASIN: B00031TXCC
Release Date: 2004-10-26

Tracks:

Conquistador I
Conquistador II
Giant
Wardogs
Mona Lisa Overdrive
Zwara
Mutant Message
Angels and Men
Navras

Album Description

Since the release of "Shango" in 2000, Juno Reactor has been involved in many projects including the production of several tracks for "Matrix: Reloaded" and "Matrix: Revolutions", as well as a greatest hits comp, "Odyssey 1992-2002". "Labyrinth" has nine tracks, two of which are songs from the Matrix movies. It'll rule the dance floor with its trance style elements and hard hitting beats.

Customer Reviews:

Flawed, but nice........2007-01-05

I hate writing reviews. I feel like a review should include some high-brow philosophy that blows people's minds, becoming an art in itself. For me, I either like music or I don't. Simple as that. An album is either worth my money, or it isn't.

What makes this review even harder to write is Labyrinth borrows characteristics from many genres: Heavy metal, drum and bass, trance, ambient, tribal... It's hard to compare Labyrinth to anything. So here's a brief rundown:

Flaw: Angels and Men. The whole song. The vocals are interesting, the mood is interesting, but it sounds like a friggin' Blue Man Group tune. Lowes probably wants half its plumbing aisle back.

Flaw: Conquistador I. It's okay, but drags on forever. Clamp it down some.

Now, I can't be a legit reviewer if I don't point out what Labyrinth does right. Let's see...

Giant. The whole song. Brilliant as hell. Reminds me of the wonderful times I spent listening to Dieselboy's projectHUMAN, AND those angsty years of Stabbing Westward (it's the drums). It's even a bit soulful (the vocals), but not in a silly gospel way.

Navras. Yes, the song is too long, yes the song has iffy tribal marshmallows in its otherwise delicious cereal of music, but it's cool. I love the piano riff, and the "tribal bits" are good, but out of place--unless you look at it as the Juno Reactor "remix."

Conquistador II. Makes me want to start up Unreal Tournament and scrawl a legacy in bullets. Enough said.

Well, I think that about covers it. Four stars.

He's still got it..........2006-06-28

After all these years Juno Reactor is still able to bring something new to the trance plate and not repeat himself. Labyrinth is full of tribal beats, ethnic vocals and oddly enough - a touch of rock and drum & bass. Throw in the unmistakable Juno Reactor trance beats from time to time and you've got one damn good CD.

You'll notice this album has a much more cinematic and epic feel to it then previous albums... Ben Watkins truly is a master at what he does and continues to evolve and change.

Juno Reactor goes hollywood.......2006-02-18

Where Bible of Dreams was subtle and enjoyable, Labyrinth sounds much more like a movie soundtrack, which seems to be the goal. The old downtempo/trance style has turned into a aggressive sound designed as sci-fi action movie background music. While it seems a lot of people like this, I feel like Bible of Dreams was more inspired and original. The music is still enjoyable and polished, and the guitar work is great, but seems over-the-top at times and a bit "hollywood." Congratulations to JR for the work on the Matrix soundtrack, but I wasn't planning on a soundtrack disc when I bought this. Matrix itself was an excellent hard cyberpunk sci-fi theme taken to similar "hollywood" levels which made it more appealing to the masses.

I guess they've been moving in the direction for a while, as Shango still had some subtle trance elements of BoD but introduced songs like "Masters of the Universe" which had the hollywood soundtrack feel. So its probably just my fault for not really liking the direction that Juno has gone with this album. I'm still a fan and enjoy the disc.

Uh...huh.......2006-01-27

The style of Juno Reactor underwent a somewhat drastic change with "Bible of Dreams". Ambient techno gave way to full-on tributes to various forms of "organic" music, with a little techno at the ready. But here, in the latest addition to the Juno discography, the guys just don't seem to be trying as hard. Compared to "Bible" and "Shango", the efforts heard here seem rather cartoonish. Let's not ignore the fact that two of the songs on this disc were actually reused from their earlier work in the "Matrix" films. It's like when a guy digs up a really good essay he wrote a while ago, touches it up a little, and submits it for a separate assignment. I mean, the two songs in question are pretty good, but it's still a little weird. Let's also remember that this is the shortest Juno Reactor album I've ever come across. Four of the songs are less than six minutes long. Does that sound like Juno to you? Even if a song's bad, I can appreciate them for making it long. Generally, this album didn't sit as well with me as did the others.
Well, I guess I should start at the beginning.

1) Conquistador, Part 1 - 3/5. A quiet beginning. Some female voices sing a ballad or lullaby amongst a soft guitar tune. For the most part, it's pretty calm, but it gradually builds to a climax (albeit a climax that's only a little louder than the rest). In the last minute, some faint percussion pops up. It grows more and more intense, filling the listener with anticipation as to what's about to happen, before it suddenly takes us to...

2) Conquistador, Part 2 - 4/5. Like the "Nitrogen" duo in "Shango", I'm kinda lost on why the guys gave these songs the same name...although I can understand this better than "Nitrogen". I think they're trying to tell a story with these two. Despite the buildup at the end of "Part 1", the transition to this feels rather abrupt. It's got the Mexican, but say bye-bye to the ballad/lullaby; that's been replaced by dark, heavy, techno-ish rock (or rock-ish techno). They've also brought back the throat voice that's familiar to anyone who's listened to "Badimo", spouting some really crazy-sounding lyrics. Very crazy. You'll laugh. Then cry, 'cuz it's over so soon. Or cheer if you hated it.

3) Giant - 2/5. I can barely endure this piece of work. Or should we say, lack of work. I'm theorizing that Watkins and crew just got lazy and slapped this thing together simply to keep up their nine-song pattern. I don't mind repetition if there's a really good tune involved, and here...well, one out of two ain't bad. Oh, wait a sec, it is. There's a synth-like tune that kinda sounds like farting if you listen for it, and it goes on and on and on, before we get some lyric that sounds like "inside", although it's most likely not English. That's all; farting, "inside", farting, "inside", farting, "inside", all culminating in a big steaming pile of poop. Ick.

4) War Dogs - 3/5. Better. A throwback to the Middle Eastern style. To my knowledge, we've got men's chanting mixed in with woodwind, guitars, the usual synth wave, and craziness abound. The actual sound is hard to put into words, so it's better just to end it here. Not too hot about it nonetheless.

5) Mona Lisa Overdrive - 4/5. What you see here is a remix of the famous "highway chase" music from "The Matrix Reloaded". If you've already seen that movie, I won't bother describing the main tune for you. If you haven't...then you don't deserve the satisfaction! Anyway, they've added in some chanting, since that's what they do, and shortened the whole thing to four minutes and forty-five seconds. Now, this irks me; the original mix was over ten minutes long, and it ruled. What irks me even more is that this isn't as varied as the other version. It's got that great techno melody that any "Matrix" geek should recognize, but that's about it. It's like: percussion --> melody --> percussion --> melody --> chanting --> percussion --> et cetera. It doesn't even have an impressive end. By itself, it's still one of the better on this album, but I can never listen to it without thinking back to the highway chase.

6) Zwara - 3/5. I THINK this is supposed to have an Indian feel to it. It's really just techno coupled with Indian chanting, though, with a little rapping (!!!) midway through. Don't worry; it's Indian rapping (like that'll calm you down). Well, the tune's actually really cool, but what brings this song down is the end. At the approximate 4:45 mark, the chanting female gets a solo, and she really goes berserk. I don't know; maybe she's supposed to sound like she's having an orgasm, but either way, it's really off-putting. However, if you want to hear something REALLY ridiculous, wait until 5:35. The song just gets hilarious at that point. You'll wet your pants, either from laughing or freaking out.

7) Mutant Message - 4/5. "Greetings. We come in peace...NOT!" Up until now, every song here was a mix of Juno Reactor and a chosen style. "Conquistador" was Juno + Mexican, "War Dogs" was Juno + Middle Eastern, and "Giant" was Juno + poop, but "Mutant Message" is seemingly Juno + nothing else. Not a bad thing, actually. A strange alien-sounding voice is followed by the standard choir humming. We soon shift to a rather un-Juno-sounding piano melody. It all sounds very harmless for a while, and that's when they getcha. I will go no further. But I will be very distrustful of UFOs. Why? 'Cuz I'm a weirdo.

8) Angels and Men - 1/5. It sucks.

9) Navras - 4/5. Unlike "Mona Lisa", this hasn't been "remixed" from its alter ego in the "Matrix" trilogy; it's 100% the exact same as it was heard in the end credits for "The Matrix Revolutions". A HUGE choir shouts out Sanskrit quotes taken from the Upanishads. After this, we hear something that I think is piano. Really dark, heavy piano. Listening to this, you'd think it was Armageddon. Then, we go to the usual techno synth (boy, I'm typing those two words a lot) with the usual chanting. The middle is very quiet, reminiscent of the boring "Solaris". This song fortunately ends the same way it started; it's really a musical palindrome. After the quiet break, the piano again, the techno synth again, and the very last part is comprised of only the chanting. "Labyrinth" may not be up to par with their previous work, but at least it has an ending worthy of Juno Reactor's great name. I'm talkin' to you, "Shango".

Uneven..........2005-06-12

I suppose if I had never heard Shango, I probably would have rated this latest effort from Juno Reactor as a 4, but Ben Watkins and company set a really high standard of musical synthesis that is hard to better.

"Conquistador" adds some nice arcosanti-sounding bells (part I) and interesting sounding backwards percussion (part II) to a laid back spanish guitar piece that echos "Pistolero," but otherwise adds nothing sonically to the superior efforts in Shango. "Mona Lisa Overdrive" is nowhere near as compelling a composition as "Masters of the Universe"... And so on...; I'm not adverse to recycling song ideas if the result is at least as good as the originals, but many of the tracks on Labyrinth fall short.

There were a few departures worth mentioning; "Giant" attempts to add rock drums to a generally uninspired composition and fails badly; "War Dogs" fares better by using rock drumming to augment JR's usual polyrhythm mayhem.

"Zwara" was much more along the lines of what I hoped for in Labyrinth; drawing in ever more stylistic elements into a great groove -- all kinds of fun. "Navras" and "Mutant Message" were also very good extensions of the JR sonic universe...

So with about 50% of Labyrinth breaking new ground or at least tilling the soil well, I cast my vote with the reviewers that gave this outing a 3.5. The better moments here are exceptional and are well worth the purchase.

Average customer rating:

Labyrinth
Terry Oldfield
Manufacturer: Gemini Sun Records
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

General | New Age | Styles | Music

Meditation | New Age | Styles | Music
Similar Items:

Om
Tibetan Groove
An Ancient Muse

ASIN: B000PHW2IQ
Release Date: 2007-06-05

Tracks:

Ancient Memories 12:11
Waves of Time 12:20
Eastern Journey 12:51
Stillness of Being 12:48
A Life Remembered 12:50

Album Description

Terry Oldfield whisks us away on a musical journey. A journey that our soul undertakes of karmic choices, of pre-destiny, and the unfolding experience of learning and creating through the Labyrinth that is life. Performed with soulful expression on the Bansuri flute, a bamboo flute from India, with light percussion, shamanic drums, and delicate keyboards.

Average customer rating:

Philip Glass CD
Great fun!
Know before you buy!
Did not like it
1000 Airplanes: A Spacy Opera

1000 Airplanes on the Roof

Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | International | Styles | Music

General | New Age | Styles | Music

Meditation | New Age | Styles | Music

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Similar Items:

Philip Glass - Songs from Liquid Days
The Photographer
Philip Glass : The Voyage: An Opera in Three Acts
Powaqqatsi (1988 Film)
Glass: Akhnaten

ASIN: B00000DR5Q
Release Date: 1992-07-01

Tracks:

1000 Airplane On The Roof
City Walk
Girlfriend
My Building Disappeared
Screens Of Memory
What Time Is Grey
Labyrinth
Return To The Hive
Three Truths
The Encounter
Grey Cloud Over New York
Where Have You Been Asked The Doctor
A Normal Man Running

Customer Reviews:

Philip Glass CD.......2007-04-05

The service I received on this order was excellent. I was stunned at how quickly the package arrived.
The CD itself I don't much care for. That having been said, please understand I am not a big fan of New Age music. I bought the CD because a drum and bugle corps called Phantom Regiment is performing material from it in their field show this summer. I am very curious to see what the staff gleaned from this.

Great fun!.......2007-03-19

This is incidental music to a play, so it's all wordless [the voice of Linda Ronstadt being used as an instrument] and contained. It's Glass' take on a classic sci-fi score...his version of the original Star Trek theme. [that's why the electric keyboard sound...which is not "cheesy" but essential to the scale and mood of the piece] Sometimes dreamy, sometime frantic, it is full of invention and mood.
Great for driving!!

Know before you buy!.......2005-08-04

This is not typical Glass music, I do not believe. The emphasis of the opera as well as the music is to create an impression of the incredible and amazing, not so much to create a landscape and gaze at it, as Philip Glass music often does.

For someone who is new to Philip Glass' older works, this may be a gentle introduction. For more seasoned fans who do not know about the opera, you may want to do your homework first.

Did not like it.......2005-03-12

As a huge fan of early Philip Glass, I was anticipating wonderful things when I bought this album.

It disappointed me greatly, though. The organic tone of the Farfisa organs was gone, replaced by a very cheesy plastic dull sounding FM synthesis keyboard sound.

And the compositions seemed to be rehashes of the earlier Glass idioms.

I ended up getting rid of this album, after trying a few more times to get into it.

And that's pretty sad (compare to my favorite Glass albums -- including "Music in 12 Parts", "Einstein on the Beach", "North Star", "Akhnaten", "Satyagraha", "Dance Pieces", "The Photographer")

1000 Airplanes: A Spacy Opera.......2003-11-23

I wasn't sure what to think of this album after listening to it a couple of times. I found myself enamored with Track 10, however, a very fast, powerful, maddening tune, and felt the need to go back and re-evaluate the entire album. I found that the album is quick, very thematic, thought-provoking. In fact, I didn't know anything about the theme of the album, but as I listened, I felt I was on the brink of insanity. As it happens, a friend of mine mentioned that the opera is just that--about someone who is a bit whacked. This album is a top five of mine. It's a bit spacy, edgy, crazy. Linda Ronstadt's out-of-this-world vocals are awesome. If you like Philip Glass, you'll love this album!

Average customer rating:

Bach for professional listeners
Bach Organ Works on original organs

Bach: The Organ Works (Box Set)
J.S. Bach , and Werner Jacob
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Fugues | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Box Sets | Stores | Music
Similar Items:

Beethoven - The Complete String Quartets / Alban Berg Quartet
Bach: Orchestral Suites & Concertos
Water Music / Fireworks Music / Concerti Grossi
Beethoven: Piano Trios; Violin & Cello Sonatas
Tchaikovsky: The Ballets / André Previn

ASIN: B00004YA0W
Release Date: 2000-11-07

Tracks:

Fantasia C, BWV.570
Chorale Vars (Partite Diverse): Sei Gegrusset, Jesu Gutig, BWV.768
Fugue On A Theme C, BWV.574
Chorale: Wir Christenleut', BWV.710
Trio Son No.4 e, BWV.528: I: Adagio
Trio Son No.4 e, BWV.528: II: Vivace
Trio Son No.4 e, BWV.528: III: Andante
Trio Son No.4 e, BWV.528: IV: Un Poco Allegro
Chorale: O Lamm Gottes, Unschuldig
Chorale: Christ Lag In Todesbanden, BWV.718
Kleines Harmonisches Labyrinth, BWV.591: Introitus - Centrum - Exitus (Andante)
Chorale: Allein Gott In Der Hoh', Sei Ehr', BWV. 711
Toccata, Adagio And Fugue in C, BWV.564: I: Toccata
Toccata, Adagio And Fugue in C, BWV.564: II: Adagio
Toccata, Adagio And Fugue in C, BWV.564: III: Fugue

Tracks:

Prld And Fugue in E, BWV.566: Prld
Prld And Fugue in E, BWV.566: Fugue
Prld And Fugue in E, BWV.566: Chorale Vars (Partite Diverse): O Gott, Du Frommer Gott, BWV.767
Prld And Fugue in E, BWV.566: Fantasia in C, BWV.573
Prld And Fugue in E, BWV.566: Fugue in G, BWV. 577
Prld And Fugue in E, BWV.566: Chorale: Ein' Feste Burg Ist Unser Gott, BWV.720
Prld And Fugue in E, BWV.566: Chorale: Allein Gott In Der Hoh', Sei Ehr', BWV.717
Prld And Fugue in E, BWV.566: Chorale: Christ Lag in Todesbanden, BWV.695
Prld And Fugue in E, BWV.566: Fugue in c, BWV.575
Prld And Fugue in E, BWV.566: Chorale: Wie Schon Leucht' Uns Der Morgenstern, BWV.739
Prld And Fugue in E, BWV.566: Chorale: Vater Unser Im Himmeireich, BWV.737
Prld And Fugue in E, BWV.566: Chorale: Wir Glauben All' An Einen Gott Vater, BWV.740
Prld And Fugue in E, BWV.566: Chorale Var (Partite Diverse): Christ, Der Du Bist Der Helle Tag....

Tracks:

Prld And Fugue in a, BWV.551: Prld
Prld And Fugue in a, BWV.551: Fugue
Orgel-Buchlein Nos.1-7, BWV 599-605: 1. Chorale: Nun Komm' Der Heiden Heiland
Orgel-Buchlein Nos.1-7, BWV 599-605: 2. Chorale: Gott, Durch Deine Gute
Orgel-Buchlein Nos.1-7, BWV 599-605: 3. Chorale: Herr Christ, Der Ein'ge Gottes-Sohn
Orgel-Buchlein Nos.1-7, BWV 599-605: 4. Chorale: Lob Sei Dem Allmachtigen Gott
Orgel-Buchlein Nos.1-7, BWV 599-605: 5. Chorale: Puer Natus In Bethlehem
Orgel-Buchlein Nos.1-7, BWV 599-605: 6. Chorale: Gelobet Seist Du, Jesu Christ
Orgel-Buchlein Nos.1-7, BWV 599-605: 7. Chorale: Der Tag, Der Ist So Freudenreich
Aria in F, BWV.587
Orgel-Buchlein Nos.8-10, BWV.606-608: 8. Chorale: Vom Himmel Hoch, Der Komm' Ich Her
Orgel-Buchlein Nos.8-10, BWV.606-608: 9. Chorale: Vom Himmel Kam Der Engel Schar
Orgel-Buchlein Nos.8-10, BWV.606-608: 10. Chorale: In Dulci Jubilo
Pastorale in F, BWV.590
Orgel-Buchlein Nos.11-12, BWV.609-610: 11. Chorale: Lobt Gott, Ihr Christen Allzugleich
Orgel-Buchlein Nos.11-12, BWV.609-610: 12. Chorale: Jesu, Meine Freude
Prld And Fugue in c, BWV.549: Prld
Prld And Fugue in c, BWV.549: Fugue
Orgel-Buchlein Nos.13-14, BWV.611-612: 13. Chorale: Christum Wir Sollen Loben Schon
Orgel-Buchlein Nos.13-14, BWV.611-612: 14. Chorale: Wir Christenleut'
Prld And Fugue in b, BWV.544: Prld
Prld And Fugue in b, BWV.544: Fugue
Orgel-Buchlein Nos.15-19, BWV.613-617: 15. Chorale: Helft Mir Gottes Gute Preisen
Orgel-Buchlein Nos.15-19, BWV.613-617: 16. Chorale: Das Alte Jahr Vergangen Ist
Orgel-Buchlein Nos.15-19, BWV.613-617: 17. Chorale: In Dir Ist Freude
Orgel-Buchlein Nos.15-19, BWV.613-617: 18. Chorale: Mit Fried' Und Freud' Ich Fahr Dahin
Orgel-Buchlein Nos.15-19, BWV.613-617: 19. Chorale: Herr Gott, Nun Schleuss Den Himmel Auf
Fantasia Con Imitazione in b, BWV.563

Tracks:

Prld And Fugue in e, BWV.533: Prld
Prld And Fugue in e, BWV.533: Fugue
Orgel-Buchlein Nos.20-24, BWV.618-622: 20. Chorale: O Lamm Gottes, Unschuldig
Orgel-Buchlein Nos.20-24, BWV.618-622: 21. Chorale: Christe, Du Lamm Gottes
Orgel-Buchlein Nos.20-24, BWV.618-622: 22. Chorale: Christus, Der Uns Selig Macht
Orgel-Buchlein Nos.20-24, BWV.618-622: 23. Chorale: Da Jesus An Dem Kreuze Stund
Orgel-Buchlein Nos.20-24, BWV.618-622: 24. Chorale: O Mensch, Bewein' Dein' Sunde Gross
Fantasia And Fugue in c, BWV.562: Fantasia
Fantasia And Fugue in c, BWV.562: Fugue (Fragment)
Prld And Fugue in f, BWV.534: Prld
Prld And Fugue in f, BWV.534: Fugue
Orgel-Buchlein Nos.25-26, BWV.623-624: 25. Chorale: Wir Danken Dir, Herr Jesu Christ
Orgel-Buchlein Nos.25-26, BWV.623-624: 26. Chorale: Hilf Gott, Dass Mir's Gelinge
Trio in c, BWV.585
Orgel-Buchlein Nos.25-26, BWV.625-627: 27. Chorale: Christ Lag In Todesbanden
Orgel-Buchlein Nos.25-26, BWV.625-627: 28. Chorale: Jesus Christus, Unser Heiland
Orgel-Buchlein Nos.25-26, BWV.625-627: 29. Chorale: Christ Ist Erstanden
Prld And Fugue in C, BWV.531: Prld
Prld And Fugue in C, BWV.531: Fugue
Orgel-Buchlein Nos.30-32, BWV.628-630: 30. Chorale: Erstanden Ist Der Heil'ge Christ
Orgel-Buchlein Nos.30-32, BWV.628-630: 31. Chorale: Erschienen Ist Der Herrliche Tag
Orgel-Buchlein Nos.30-32, BWV.628-630: 32. Chorale: Heut' Triumphieret Gottes Sohn
Trio in d, BWV.583
Orgel-Buchlein Nos.33-34 & 36, BWV.631-632 & BWV.634: 33. Chorale: Komm, Gott Schopfer..
Orgel-Buchlein Nos.33-34 & 36, BWV.631-632 & BWV.634: 34. Chorale: Herr Jesu Christ,...
Orgel-Buchlein Nos.33-34 & 36, BWV.631-632 & BWV.634: 36. Chorale: Liebster Jesu, Wir Sind Hier

Tracks:

Prld And Fugue in c, BWV.546: Prld
Prld And Fugue in c, BWV.546: Fugue
Orgel-Buchlein Nos.37-39, BWV.635-637: 37. Chorale: Dies Sind Die Heil'gen Zehn Gebot'
Orgel-Buchlein Nos.37-39, BWV.635-637: 38. Chorale: Vater Unser Im Himmelreich
Orgel-Buchlein Nos.37-39, BWV.635-637: 39. Chorale: Durch Adams Fall Ist Ganz Verderbt
Trio in G, BWV.586
Orgel-Buchlein Nos.40-42, BWV.638-640: 40. Chorale: Es Ist Das Heil Uns Kommen Her
Orgel-Buchlein Nos.40-42, BWV.638-640: 41. Chorale: Ich Ruf' Zu Dir, Herr Jesu Christ
Orgel-Buchlein Nos.40-42, BWV.638-640: 42. Chorale: In Dich Hab' Ich Gehoffet, Herr
Pedal-Exercitium, BWV.598
Fuge in g, BWV.578
Orgel-Buchlein Nos.43-46, BWV.641-644: 43. Chorale: Wenn Wir in Hochsten Nothen Sein
Orgel-Buchlein Nos.43-46, BWV.641-644: 44. Wer Nur Den Lieben Gott Lasst Walten
Orgel-Buchlein Nos.43-46, BWV.641-644: 45. Chorale: Alle Menschen Mussen Sterben
Orgel-Buchlein Nos.43-46, BWV.641-644: 46. Chorale: Ach Wie Nichtig, Ach Wie Fluchtig
Trio in g, BWV.584
Orgel-Buchlein No.35, BWV.633: 35. Chorale: Liebster Jesu, Wir Sind Hier
Chorale: Gott, Durch Dein Gute, BWV.724
Chorale: Gottes Sohn Ist Kommen, BWV.703
Chorale: Herr Christ, Der Ein'ge Gottes Sohn, BWV.698
Trio Son No.3 in d, BWV.527: I: Andante
Trio Son No.3 in d, BWV.527: II: Adagio E Dolce
Trio Son No.3 in d, BWV.527: III: Vivace
Fantasia And Fugue in g, BWV.542: Fantasia
Fantasia And Fugue in g, BWV.542: Fugue

Tracks:

Con in a, BWV.596: I: Grave - Fuga
Con in a, BWV.596: II: Largo
Con in a, BWV.596: Finale
Con in a, BWV.593: I: (Unknown)
Con in a, BWV.593: II: Adagio
Con in a, BWV.593: III: Allegro
Con in C, BWV, 595
Chorale: Liebster Jesu, Wir Sind Hier, BWV.731
Chorale: Liebster Jesu, Wir Sind Hier, BWV.730
Con in C, BWV.592: I: (Unknown)
Con in C, BWV.592: Grave
Con in C, BWV.592: Presto
Con in C, BWV.594: I: (Unknown)
Con in C, BWV.594: II: Rezitativ: Adagio
Con in C, BWV.594: III: Allegro
Chorale: Nun Freut Euch, Lieben Christen G'mein, BWV.734

Tracks:

Toccata And Fugue in d, BWV. 734: Toccata
Toccata And Fugue in d, BWV. 734: Fugue
Trio Son No.6 in G, BWV.530: I: Vivace
Trio Son No.6 in G, BWV.530: II: Lento
Trio Son No.6 in G, BWV.530: III: Allegro
Alla Breve in D, BWV.589
Fantasia in G, BWV.572
Chorale: Herr Gott, Dich Loben Wir, BWV.725
Chorale: Herr Jesu Christ, Dich Zu Uns Wend, BWV.709
Chorale: Herr Jesu Christ, Dich Zu Uns Wend, BWV.726
Prld And Fugue in G, BWV.541: Prld
Prld And Fugue in G, BWV.541: Fugue

Tracks:

Fantasia Super Komm, Heiliger Geist, Herre Gott, BWV.651
Chorale: Komm, Heiliger Geist, Herre Gott, BWV.652
Toccata And Fugue in d, BWV.538: Toccata
Toccata And Fugue in d, BWV.538: Fugue
Prld And Fugue in D, BWV.532: Prld
Prld And Fugue in D, BWV.532: Fugue
Trio Son No.5 in C, BWV.529: I: Allegro
Trio Son No.5 in C, BWV.529: II: Largo
Trio Son No.5 in C, BWV.529: III: Allegro
Chorale: Komm, Gott Schopfer, Heiliger Geist, BWV.667
Prld And Fugue in G, BWV.550: Prld
Prld And Fugue in G, BWV.550: Fuge
Chorale: Jesus Christus, Unser Heiland, BWV.665
Chorale: Jesus Christus, Unser Heiland, BWV.666
Prld in a, BWV.569

Tracks:

Toccata And Fugue in F, BWV.540: Toccata
Toccata And Fugue in F, BWV.540: Fugue
Chorale: Nun Komm, Der Heiden Heiland, BWV.659
Chorale: Nun Komm, Der Heiden Heiland, BWV.660
Chorale: Nun Komm, Der Heiden Heiland, BWV.661
Prld And Fugue in a, BWV.543: Prld
Prld And Fugue in a, BWV.543: Fugue
Trio Super Herr Jesu Christ, Dich Zu Uns Wend, BWV.655
Fugue On A Theme in b, BWV.579
Chorale: An Wasserflussen Babylon, BWV.653b
Fantasia And Fugue in c, BWV.537: Fantasia
Fantasia And Fugue in c, BWV.537: Fugue
Chorale: O Lamm Gottes, Unschuldig, BWV.656
Canzona in d, BWV.588
Chorale: Vor Deinen Thron Tret'ich, BWV.668

Tracks:

Prld And Fugue in C, BWV.547: Prld
Prld And Fugue in C, BWV.547: Fugue
Chorale: Von Gott Will Ich Nicht Lassen, BWV.658
Prld And Fugue in A, BWV.536: Prld
Prld And Fugue in A, BWV.536: Fugue
Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.662
Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.663
Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.664
Trio Son No.1 in Eflat, BWV.525: I: (Unknown)
Trio Son No.1 in Eflat, BWV.525: II: Adagio
Trio Son No.1 in Eflat, BWV.525: III: Allegro
Chorale: Schmucke Dich, O Liebe Seele, BWV. 654

Tracks:

Passacaglia And Fugue in c, BWV.582
Fantasia Super Jesu, Meine Freude, BWV.713
Prld And Fugue in d, BWV.539: Prld
Prld And Fugue in d, BWV.539: Fugue
Chorale Vars: Vom Himmel Hoch, Da Komm' Ich Her, BWV.769
Prld And Fugue in g, BWV.535: Prld
Prld And Fugue in g, BWV.535: Fugue
Chrale: An Wasserflussen Babylon, BWV.653
Prld And Fugue in C, BWV.545: Prld
Prld And Fugue in C, BWV.545: Fugue
Chorale: Nun Danket Alle Gott, BWV.657

Tracks:

Prld: Eflat, BWV.552/1
1. Chorale: Kyrie, Gott Vater in Ewigkeit, BWV.669
2. Chorale: Christe, Aller Welt Trost, BWV.670
3. Chorale: Kyrie, Gott Heiliger Geist, BWV.671
8. Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.676
10. Chorale: Dies Sind Die Sind Die Heil'gen Zehn Gebot', BWV.678
12. Chorale: Wir Glauben All' An Einen Gott, BWV.680
14. Chorale: Vater Unser Im Himmelreich, BWV.682
16. Chorale: Christ, Unser Herr, Zum Jordan Kam, BWV.684
18. Chorale: Aus Tiefer Not Schrei Ich Zu Dir, BWV.686
20. Chorale: Jesus Christus, Unser Heiland, BWV.688
Fugue: Eflat, BWV.552/2
Duetto No.1: e, BWV.802
Duetto No.2: F, BWV.803
Duetto No.3: G, BWV.804
Duetto No.4: a, BWV.805

Tracks:

7. Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.675
4. Chorale: Kyrie, Gott Vater in Ewigkeit, BWV.672
5. Chorale: Christe, Aller Welt Trost, BWV.673
6. Chorale: Kyrie, Gott Heiliger Geist, BWV.674
9. Fughetta Super Allein Gott in Der Hoh' Sei Ehr', BWV.677
11. Fughetta Super Dies Sind Die Heil'gen Zehn Gebot', BWV.679
13. Fughetta Super Wir Glauben All' An Einen Gott, BWV.681
15. Chorale: Vater Unser Im Himmelreich, BWV.683
17. Chorale: Christ, Unser Herr, Zum Jordan Kam, BWV.685
19. Chorale: Aus Tiefer Not Schrei Ich Zu Dir, BWV.687
21. Fuga Super Jesus Christus, Unser Heiland, BWV.689
Prld And Fugue in e, BWV.548: Prld
Prld And Fugue in e, BWV.548: Fugue
Chorale: Wachet Auf, Ruft Uns Die Stimme, BWV.645
Chorale: Wo Soll Ich Fliehen Hin, BWV.646
Chorale: Wer Nur Den Lieben Gott Lasst Walten, BWV.647
Chorale: Meine Seele Erhebet Den Herren, BWV.648
Chorale: Ach, Blieb' Bei Uns Herr Jesu Christ, BWV.649
Chorale: Kommst Du Nun, Jesu, Vom Himmel, BWV.650
Trio Son No.2 c, BWV.526: I: Vivace
Trio Son No.2 c, BWV.526: II: Largo
Trio Son No.2 c, BWV.526: III: Allegro

Tracks:

Fuga Sopra Il Magnificat, BWV.733
Chorale: Nun Komm' Der Heiden Heiland, BWV.699
Chorale: Lob Sei Dem Allmacht'gen Gott, BWV.704
Chorale: Vom Himmel Hoch, Da Komm' Ich Her, BWV.738
Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV. 715
Chorale: Gelobet Seist Du, Jesu Christ, BWV.722
Chorale: Vom Himmel Hoch, Da Komm' Ich Her, BWV.700
Chorale: Christum Wir Sollen Loben Schon, BWV.696
Chorlae: Lobt Gott, Ihr Christen, Allzugleich, BWV.732
Chorale: In Dulci Jubilo, BWV.729
Chorale: Gelobet Seist Du, Jesu Christ, BWV.697
Chorale: Vom Himmel Hoch, Da Komm' Ich Her, BWV.701
Prld in G, BWV.568
Fantasia Super Valet Will Ich Dir Geben, BWV.735
Chorale: Ach Gott, Vom Himmel Sieh' Darein, BWV.741
Chorale: Ach Gott Und Herr, BWV.714
Chorale: In Dich Hab' Ich Gehoffet, Herr, BWV.712
Chorale: Erbarm' Dich Mein, O Herre Christ, BWV.721
Chorale: Herzlich Tut Mich Verlangen, BWV.727
Chorale: Wo Soll Ich Fliehen Hin, BWV.728
Chorale: Jesus, Meine Zuversicht, BWV.728
Chorale: Wer Nu Den Lieben Gott Lasst Walten, BWV.691
Chorale: Wer Nur Den Lieben Gott Lasst Walten, BWV.690
Chorale: Liebster Jesu, Wir Sind Hier, BWV.706
Chorale: Valet Will Ich Dir Geben, BWV.736

Tracks:

1. Chorale: Der Tag, Der Ist So Freudenreich, BWV.719
2. Chorale: Wir Christenleut', BWV.1090
3. Chorale: Das Alte Jahr Vergangen Ist, BWV.1091
4. Chorale: Her Gott, Nun Schleuss Den Himmel Auf, BWV.1092
5. Chorale: Herzliebster Jesu, Was Hast Du Verbrochen, BWV.1093
6. Chorale: O Jesu, Wie Ist Dein Gestalt, BWV.1094
7. Chorale: O Lamm Gottes, Unschuldig, BWV.1095
8. Chorale: Christe, Der Du Bist Tag Und Licht, BWV.1096
9. Chorale: Ehre Sei Dir, Christe, Der Du Leidest Not, BWV.1097
10. Chorale: Wir Glauben All in Einen Gott, BWV.1098
11. Chorale: Aus Tiefer Not Schrei Ich Zu Dir, BWV.1099
12. Chorale: Allein Zu Dir, Herr Jesu Christ, BWv.1100
13. Chorale: Ach Gott Und Herr, BWV.714
14. Chorale: Ach Herr, Mich Armen Sunder, BWV.742
15. Chorale: Durch Adams Fall Ist Ganz Verderbt, BWV. 1101
16. Chorale: Du Friedefurst, Herr Jesu, BWV.1102
17. Chorale: Erhalt Uns, Herr, Bei Deinem Wort, BWV.1103
18. Chorale: Vater Unser Im Himmelreich, BWV.737
19. Chorale: Wenn Dich Ungluck Tut Greifen An, BWV.1104
20. Chorale: Jesu, Meine Freude, BWV.1105
21. Chorale: Gott Ist Mein Heil, Mein Hilf Und Trost, BWV.1106
22. Chorale: Jesus, Meines Lebens Leben, BWV.1107
23. Chorale: Als Jesus Christ in Der Nacht, BWV.1108
24. Chorale: Ach Gott, Zu Dich Erbarmen, BWV.1109
25. Chorale: O Herre Gott, Dein Gottlich Wort, BWV.1110

Tracks:

26. Chorale: Nun Lasst Uns Den Leib Begraben, BWV.1111
27. Chorale: Christus, Der Ist Mein Leben, BWV.1112
28. Chorale: Ich Hab' Mein Sach Gott Heimgestellt, BWV.1113
29. Chorale: Herr Jesu Christ, Du Hochstes Gut, BWV.1114
30. Chorale: Herzlich Lieb Hab' Ich Dich, O Herr, BWV.1115
31. Chorale: Was Gott Tut, Das Ist Wohlgetan, BWV.1116
32. Chorale: Alle Menschen Mussen Sterben, BWV.1117
33. Chorale: Mach's Mit Mir Gott, Nach Deiner Gut
34. Chorale: Werde Munter Mein Gemute, BWV.1118
35. Chorale: Wie Nach Einer Wasserquelle, BWV.1119
36. Chorale: Christe, Der Du Bist Der Helle Tag, BWV.1120
37. Chorale: Ich Ruf' Zu Dir, Herr Jesu Christ, BWV.639
38. Chorale: Herr Christ Der Ein'ge Gottes-Sohn, BWV.601
Prld And Fugue in C, BWV.553
Prld And Fugue in d, BWV.554
Prld And Fugue in e, BWV.555
Prld And Fugue in F, BWV.556
Prld And Fugue in G, BWV.557
Prld And Fugue in g, BWV.558
Prld And Fugue in a, BWV.559
Prld And Fugue in Bflat, BWV.560

Customer Reviews:

Bach for professional listeners.......2006-01-30

What I found amazing about this boxset is the opportunity to enjoy Bach in complete form. From my point of view Passacaglia performed by Werner Jacob is a five star performance. Also BWV 593 and BWV 596 push up and show up no limits for the listener. This 16 CDs aggregate the perfect union between the artist, instrument, listener and Bach. And at the end of the day I can say that organ works can still be ... trendy. Enjoy!

Bach Organ Works on original organs.......2004-10-24

121 organ tracks or works on 16 CDs has to be spaced out in about six days. The music is so restful I found myself dowsing. The price for a new set through Amazon was right. Bach organ hymns made Luther.

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