In the Name of Beethoven

In the Name of Beethoven

Track Listings

1. Transcription for Piano of Beethoven's Symphony No. 5/1. Allegro Con Br

2. Sonata No. 21 in C Major, Op. 53 "Waldstein Sonata"/Allegro Con Brio

3. Romance for Violin No. 2 in F Major, Op. 50 (With Electric Guitar Varia

4. Sonata No. 14 in C Sharp Minor, Op. 27 No. 2 "Moonlight Sonata"/Adagio

5. Sonata No. 14 in C Sharp Minor, Op. 27 No. 2 "Moonlight Sonata"/Allegre

6. Sonata No. 14 in C Sharp Minor, Op. 27 No. 2 "Moonlight Sonata"/Rondo A

Tracks:

Gone With The Wind: Overture
Citizen Kane: Overture
Casablanca: As Time Goes By
It's A Wonderful Life: It's A Wonderful Life
The Third Man: The Harry Lime Theme
The Searchers: Suite
The Bridge On The River Kwai: Colonel Bogey March
Vertigo: Prelude
Touch Of Evil: Main Title
Ben-Hur: Parade Of The Charioteers
North By Northwest: Prelude
Psycho: Suite
The Magnificent Seven: The Magnificent Seven
Lawrence Of Arabia: Overture

Tracks:

To Kill A Mockingbird: Suite
The Great Escape: Main Title
Doctor Zhivago: Main Title & Lara's Theme
The Good, The Bad And The Ugly: The Good, The Bad And The Ugly
Once Upon A Time In The West: Jill's Theme
2001: A Space Odyssey: Also Sprach Zarathustra
Midnight Cowboy: Midnight Cowboy
Get Carter: Main Title
A Clockwork Orange: Ode To Joy
The Godfather: Waltz & Love Theme
Jaws: Jaws
Rocky: Gonna Fly Now
Taxi Driver: Suite
Star Wars: Episode IV: A New Hope

Tracks:

Superman: Main Theme
Alien: End Title
Raging Bull: Intermezzo From Cavalleria Rusticana
Raiders Of The Lost Ark: Raiders March
Blade Runner: End Titles
E.T.: The Extraterrestrial: Adventures On Earth
Once Upon A Time In America: Deborah's Theme
Back To The Future: Main Theme
Witness: Building The Barn
Aliens: Main Title
Cinema Paradiso: Cinema Paradiso
Glory: Charging Frot Wagner
Dances With Wolves: The John Dunbar Theme
Unforgiven: Claudia's Theme

Tracks:

The Piano: The Heart Asks Pleasure First
Schindler's List: Main Theme
Braveheart: End Credits
Titanic: My Heart Will Go On
Saving Private Ryan: Hymn To The Fallen
American Beauty: Any Other Name
Gladiator: Now We Are Free
Lord Of The Rings: The Fellowship Of The Ring: The Fellowship
The Girl With The Pearl Earring: Griet's Theme
Pirates Of The Caribbean: The Curse Of The Black Pearl: Suite
Harry Potter And The Prisoner Of Azkaban: Suite
Lemony Snicket's A Series Of Unfortunate Events: The Letter That Never Came
Finding Neverland: Impossible Opening
The Incredibles: Overture

Customer Reviews:

Great Sampling Collection.......2007-07-29

Over the past thirty years, my father and I have been collecting film music on various formats--vinyl, tape, reel-to-reel, CD, recording it from the movie, even. This collection is a great starter for someone who wants to start owning movie music. Lots of big hitters, including Hermann, Barry, Conti, Mancini, and Goldsmith as well as some contemporary scores that are great, too. This is the type of collection I would make for a friend who asks "what scores should I start with?"

Six Decades of Film Music.......2007-05-13

This is film music for the classical music lover. The City of Prague Philharmonic Orchestra presents excellent arrangements of a number of classic film themes (although several pieces of the 56 film classics selected for this 4 CD set are not orchestral arrangements, but rather specialty arrangements). Besides great film composers such as John Williams, Elmer Bernstein, Ennio Morricone, and James Horner, classical composers such as Richard Strauss and Pietro Mascagni make an appearance. On several of the numbers the Crouch End Festival Chorus adds the human voice to the power of the full symphonic orchestra to create true movie magic. If you like the sound of a full symphony orchestra playing some of the most recognized themes ever written, you'll love these CDs.

Excellent collection with fine performances.......2007-03-28

Silva Screen Records, based in England, has been issuing some fine collections of film scores, more in one box than we have the right to expect. This four-CD box contains scores by many of the best writers, including Max Steiner, Bernard Herrmann, Dimitri Tomkin, Kenneth J. Alford (The Bridge on the River Kwai), Elmer Bernstein, Maurice Jarre, Ennio Marricone, John Barry, Nino Rota, John Williams, James Horner, and more. We can all think of additional film scores we wished were included, but then there's no way this collection could be all-inclusive. The City of Prague Philharmonic Orchestra, supplemented by Crouch End Festival Chorus on some numbers, does a very competent job...The liner notes give the basic information without any commentary, and as far as I can see, contain only one error. Am I wrong or are tracks 9 and 10 on the fourth CD mislabeled? Track 9, which runs 7:33, seems to have the excitement of "Pirates of the Caribbean" (which I did not see) and track 10, which runs 4:22, the more sedate "The Girl with the Pearl Earring (which I also did not see). Listings seem to have them reversed.

"essential film scores from 1939 to 2004 ~ Incredible Music".......2005-05-16

When I think of the "Golden Age" of Hollywood, many composers come to mind...you gave the usher your ticket in the theater and sat down, knowingly you were going to get your moneys worth...when the curtain opened and you heard those first few notes...you sat back, watched and listened as the film score and orchestra worked their magic...now we have the ultimate from Silva Screen Classics "The Incredible Film Music Box", featuring a four disc set of the essential film scores of the past 60 years...covering several decades from 1939 through and up to the present 2004

There are compilations and then there are "Compilations" beginning with a classic that even the youngsters today recognize "GONE WITH THE WIND" (1939) (Max Steiner), sweeping score that captures the tragic history of the South during the Civil War, one great cue after another, it doesn't get any better than this, nominated by the Academy for Best Original Score...and closing on Disc 4 with "THE INCREDIBLES" (2004) (Michael Giacchino), the big hit in computer animation from Walt Disney & Pixar that once again pit Super-Heroes against the forces of evil...our family of five Supers prove crime doesn't pay, but box-office receipts do...gotta love it!

Silva Screen Classics as usual, has put quality into this 4-CD-Set featuring The City Of Prague Philarmonic Orchestra and the Crouch End Festival Chorus conducted by Kenneth Alwyn, Bill Ashton, Paul Bateman, James Fitzpatrick, Mario Klemens, Derek Wadsworth, and Nic Raine. Recorded in "Dolby Surround" with the new technology of "HDCD", this is a "film-score-buffs" dream, one to treasure now and years to come.

Some selections are missing, but when you think of what Silva has included, it is impossible to please everyone...was happy to see "TOUCH OF EVIL" (1958) from composer Henry Mancini, as I feel this composer deserves all the recognition that has been overlooked recently in the music world...This collection is aimed directly at the "Serious Film Score" music fans and collectors...Silva is as always, perfect in every way...just the way we like 'em!

Total Time: 4-CD-Set ~ Silva America 1181 ~ (5/10/2005)

Average customer rating:

Wonderfully fresh
Great -- All Around
Old (but Very Fine) Wine, New Skins--A Revelatory Listening Experience
Much-needed fresh interpretation of the overtures

Beethoven: Complete Overtures

Manufacturer: Arte Nova Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Beethoven: Triple Concerto; Septet
Beethoven: Piano Concertos 3 & 4
Robert Schumann: Symphonies Nos. 1-4
Beethoven: Violin Concerto; Violin Romances
Beethoven: The Nine Symphonies

ASIN: B0007X9TKC
Release Date: 2005-04-12

Album Description

"Of course this is what Beethoven is supposed to sound like. All the warmth, the breadth, the depth, the height, the solemnity, the hilarity, the agony, and, of course, the wild-eyed ecstasy that are in Beethoven in these performances of his complete Overtures by David Zinman leading the Tonhalle Orchestre Zurich. As Zinman proved in his cycle of the nine symphonies, he knows Beethoven, knows his music and his moods, knows when to hold back and when to let loose, when to dance and when to sing in blissful rapture. In his cycle of the 11 overtures, Zinman soars with Die Geschöpfe des Prometheus, rails with Egmont, roars with Coriolan, and laughs with König Stephen. Zinman is as heroic as Fidelio, as passionate as Leonore, and as countrapuntally intoxicated as Die Weihe des Hauses. The Tonhalle Orchestre, which showed itself an adept and powerful Beethoven orchestra in the symphonies, once again shows its colors, its strength, and its tenderness in the overtures. ! Arte Nova's sound is deep, lush, and real."-ALL MUSIC GUIDE

Customer Reviews:

Wonderfully fresh.......2007-06-06

David Zinman and his Tonhalle Orchestra of Zurich deliver what is, hands down, the best overture to the Ruins of Athens on disc. Zinman opens the work with great energy at a quick tempo - those of us familiar with Masur's slow and stately introduction will certainly feel as if they are hearing this familiar music for the first time. The oboe cadenza is delightfully zippy as Zinman plunges headlong into the allegro proper with such authoritative vitality that one almost feels foolish for not liking this work more, slight though it is on musical argument. Horns wail, strings dig, and winds bite in this marvelous traversal. This performance gave me several impressions. First, how nice it is to hear Beethoven (here and in his traversal of the symphonies) with smaller forces married to historically informed performance practices - hard mallets for the timpani, violins divided stereophonically, winds forwardly balanced. It has a tremendous amount of textual clarity which enhances the musical argument in no small part. Secondly, how impressive that even two hundred years after some of these pieces were composed they can still be played to the hilt with fresh energy and conviction. Even with the reduced string section, I would be curious if anyone could find other versions of these overtures with this much vigor. And finally, as always, its wonderful to hear a music director and his orchestra bring something new to familiar music, all the while maintaining the highest performance and musical standard. And the love both Zinman and the Tonhalle have for this music is immediately palpable.

The same level of energy Zinman brings to The Ruins of Athens runs throughout the entirety of this two-disc release. Prometheus certainly benefits from the scaled-down proportions of the orchestra, finding the perfect balance between classical grace and Beethoven's rougher energy. Coriolan is just as bit as convincing, free from the overly-romanticized patina that this work has amassed over the years. The Overture in C receives a particularly convincing interpretation. Listen to how Zinman maintains tension throughout the overly-repetitive music and certainly makes the most sense out of the often odd-sounding scales at near the end of the piece. It just goes to show that even less convincing works can sound convincing when played with this level of conviction. Fidelio is another winner, a performance of lively grace but imbued with appropriate power.

The Consecration of the House is a delight. Zinman shapes a cogent and appropriately Baroque sounding opening to the piece and, although the trumpets are a bit reticent in their fanfares, the textual clarity of it all is quite refreshing. The allegro certainly benefits from the antiphonal violin placement, a reading of uncanny transparency, culminating in a roaring conclusion. I still have the slightest preference for Masur's performance and no one can match Charles Munch's Boston Symphony reference interpretation in this work, but all in all it is simply a matter of taste and certainly Zinman offers steep competition. Zinman's reading of King Stephen is one of balanced, proportional energy befitting its classical nature but, when all is said and done, I still prefer Szell's all-or-nothing Cleveland traversal, which possesses unbelievable physicality. As for the three Lenore Overtures, Zinman's approaches are period appropriate, but it is slightly difficult to listen to Lenore No. 3 in this leaner state. I still prefer Gunter Wand's performance, one of almost excessive weight and physicality, but the excitement is unquestionable. Egmont again is wonderful, but seems slightly undernourished when compared to the competition. But preferences aside, Zinman's interpretations are as convincing as ever and offer tremendous musical nourishment.

Recorded sound is excellent throughout but the microphone placement seems to differ from work to work. In the performances where the orchestra is most distant, the horns can often sound recessed and slightly pinched (such as in Prometheus and Fidelio) or the timpani overly reverberant (Overture in C). Still, the playing is uniformly spectacular and these are small quips that in no way detract from the listening experience and become less noticeable after repeated outings.

This set is certainly a welcome addition to a field that, until now, had virtually no competition. That Masur's performances were uniformly splendid made the dearth of great Beethoven Overture compilations less frustrating, but this set, in modern sound with period performance techniques, is almost self-recommending. Comparing Masur to Zinman seems unfair as both offer so much and say such individual things that I could not imagine having one over the other. This is a welcome addition to the catalog, one that no Beethoven fan should be without.

Great -- All Around.......2006-01-16

Wonderful recordings. Great musicianship and superb sound. A real joy! Highly recommended.

Old (but Very Fine) Wine, New Skins--A Revelatory Listening Experience.......2005-11-22

Beethoven's great overtures need no special pleading, and yet David Zinman gets down so effectively to where this music lives that in some cases, it is like hearing a thrice-familiar work for the first time. Even the Zur Namensfeier Overture, easily the least distinguished of the pieces collected here, has both sparkle and bite in Zinman's reading. The similar but much finer King Stephen Overture is always a smile-inducing surprise among Beethoven's dramatically charged overtures, given its simple joviality. Here it smiles with a youthful freshness that you don't hear in every interpretation.

The most revelatory performance for me, though, is of the Coriolan Overture, a darkly brooding piece that usually seems a bit dour despite its obvious craftsmanship and the undying memorability of its poignant second melody. Zinman succeeds in bringing out the fiery drama in this piece, which seems more often to smolder than to burn outright. Zinman's is a truly captivating performance and will be the way I choose to hear this wonderful work from now on.

Another piece that can seem pedantic and overwrought, The Consecration of the House Overture, is in Zinman's hands perfectly proportioned. Here as elsewhere, Zinman is faster than a lot of conductors but without sacrificing any of the grandiosity of this very grand piece. The one place where I'd say he rushes things too much is in the slow introduction to Egmont: the "quasi allegro" at which he takes the opening fails to provide contrast to the true allegro that is to follow. A small misstep given the many, many felicities of this set. Overall, in fact, it should let you hear these tried-and-true masterworks with a new set of ears.

In writing of Zinman's Beethoven Symphonies series, some critics have complained that the Tonhalle Orchestra produces an anemic sound. I don't hear evidence of that on these discs. There is real heft in the lower strings at the start of the Zur Namensfeier and Egmont Overtures, and the consciously "big" pieces such as the Leonore 2 and 3 and The Consecration of the House Overtures have a proper Beethovenian robustness. Sometimes, I'd say, the horns sound overtaxed, but just as often they produce a blaze of glory for Zinman. So I can't find any great objection to the playing of this mostly very fine orchestra.

I also like the sound the engineers have captured in the lively Tonhalle. It provides depth as well as detail: there is sheen to the high strings; punch and heft to the brass, timpani, lower strings.

In fact, I like just about everything these discs have to offer, including their super bargain price.

Much-needed fresh interpretation of the overtures.......2005-06-12

Surprisingly, there are relatively few choices currently available when it comes to complete collections of the Beethoven overtures, long part of the standard repetoire of any respectable orchestra. The Masur/Leipzig collection has been around for about 30 years, but until Zinman's collection was released this year, it has been pretty slim pickings.

At first, I did not know quite what to think, because Zinman offers a much leaner, fast-paced interpretation of nearly every overture. On average, his tempi are over a minute faster than the more traditional tempi of Masur's, which means that the Tonhalle Orchestra is really on a brisk clip. The orchestra's sound is also considerably lighter than one might expect (unless you are dealing with Gardiner & his period instruments, who have not yet recorded the overtures as far as I know). Whether this a result of reduced personnel or careful mike placement, I don't know, but the result is a much less heavy sound than what normally hears.

Initially, I did not care for what I found to be unfamiliar, but the more I listened, the more Zinman's tempi made sense and the more accessible these overtures became. Also (unlike Masur's edition), the three Leonore overtures do not run consecutively which is to the overall benefit of the collection. There are occasional moments of weakness in the horns & the violins, but they are brief and do not particularly detract from the performances. The recording appears to be a little bass-heavy at times, but not oppressively so; most of the time the sound has a light freshness to it that is most pleasing to the ear.

It also doesn't hurt that Arte Nova has made these CDs dirt-cheap. A mediocre performance for this little money could be easily forgiven; it is made all the better that these performances are top-notch. Anyone who loves Beethoven overtures (and who doesn't?) would be mad to overlook this collection.

Average customer rating:

All of Beethoven's Orchestral Overtures: A Great Collection
Great bargain, OK performances --- but there are better
One of my ten 'desert island' recordings
Glorious
Fine Collection!

Beethoven: Complete Overtures

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Dances | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Beethoven: The Complete String Trios
Famous Overtures
Rossini: Complete Overtures
Mendelssohn: 5 Symphonies; 7 Overtures
Dvorák: The Symphonies

ASIN: B00000417D
Release Date: 1994-02-15

Tracks:

Overtures: Coriolano, Op.62
Overtures: Egmont, Op.84
Overtures: King Stephen, Op.117
Overtures: The Creatures of Prometheus, Op.43
Overtures: Leonore No. 1, Op.138
Overtures: Leonore No. 2, Op.72a
Overtures: Leonore No. 3, Op.72b
Overtures: The Consecration of the House, Op.124

Tracks:

Overtures: Fidelio Overture, Op.72c
Overtures: Overture in C, Op.115 (Nameday)
Overtures: (The Ruins of Athens Overture), Op.113
Twelve Minuets, WoO 7: No. 1
Twelve Minuets, WoO 7: No. 2
Twelve Minuets, WoO 7: No. 3
Twelve Minuets, WoO 7: No. 4
Twelve Minuets, WoO 7: No. 5
Twelve Minuets, WoO 7: No. 6
Twelve Minuets, WoO 7: No. 7
Twelve Minuets, WoO 7: No. 8
Twelve Minuets, WoO 7: No. 9
Twelve Minuets, WoO 7: No. 10
Twelve Minuets, WoO 7: No. 11
Twelve Minuets, WoO 7: No. 12
Twelve German Dances, WoO 8: No. 1
Twelve German Dances, WoO 8: No. 2
Twelve German Dances, WoO 8: No. 3
Twelve German Dances, WoO 8: No. 4
Twelve German Dances, WoO 8: No. 5
Twelve German Dances, WoO 8: No. 6
Twelve German Dances, WoO 8: No. 7
Twelve German Dances, WoO 8: No. 8
Twelve German Dances, WoO 8: No. 9
Twelve German Dances, WoO 8: No. 10
Twelve German Dances, WoO 8: No. 11
Twelve German Dances, WoO 8: No. 12
Twelve Contredanses, WoO 14: No. 1
Twelve Contredanses, WoO 14: No. 2
Twelve Contredanses, WoO 14: No. 3
Twelve Contredanses, WoO 14: No. 4
Twelve Contredanses, WoO 14: No. 5
Twelve Contredanses, WoO 14: No. 6
Twelve Contredanses, WoO 14: No. 7
Twelve Contredanses, WoO 14: No. 8
Twelve Contredanses, WoO 14: No. 9
Twelve Contredanses, WoO 14: No. 10
Twelve Contredanses, WoO 14: No. 11
Twelve Contredanses, WoO 14: No. 12

Customer Reviews:

All of Beethoven's Orchestral Overtures: A Great Collection.......2005-09-24

Once again, the Phillips Label has released another great collection of classical music for any devotee. This is the complete collection of Beethoven's overtures. In truth, and technically speaking, there is only one true overture on this recording- the Overtures to Leonore/Fidelio, Beethoven's only opera. The rest, while still dubbed "overtures" by musicologists, remain in the "incidental music" department. They are brilliantly performed by the expert orchestra of the Gewandhaus in Leipzig, Germany, the oldest orchestra in the world and one of the finest in Europe. The principal conductor in this 2 disc recording is Kurt Masur, though the final tracks are courtly dances- German Dances and Contredanses, in a kind of homage to Mozart, and are performed by The Academy of St. Martin-in-the-Fields conducted by the virtuoso Neville Marriner.

The Coriolan Overture is an appropriate opening track, with its compelling orchestral fortissimi and romantic style. It is followed by the Egmont Overture, and this is pure Beethovenesque romanticism. The King Stephen Overture tops off these incidental musical scores, which Beethoven had annotated with a particular story or idea. To Beethoven, music was poetry/drama, his theories foreshadowed the later Wagner who would write that "Poetry is the reason for music and drama is the reason for both." Theese are all superb pieces of music, and any true fan of Beethoven should own these along with his 9 symphonies. The other "program" overtures include Ruins of Athens, which even contains chorus, Name-Day Celebration Overture and Consecration of the House, which was a commission given to Beethoven for music for the social event of the opening of a new theater, a theater which still stands intact in Austria.

While Kurt Masur is brilliant, he finds that he has an equal in the other featured conductor Sir Neville Marriner, who just happens to be the more famous of the two. Marriner conducted his Academy of St Martin in the Fields for the soundtrack to the 1984 film Amadeus, about the life of Mozart. Marriner has long been associated with conducting Classical and Baroque repertoire, keeping faithful to the original scores. The German Dances are jubilant and a pleasure to hear as are the Contredances, both which number 12 in total. This is a great recording to add to your Beethoven collection. I highly recommend it.

Great bargain, OK performances --- but there are better.......2005-06-12

Until recently, I believe Masur's cycle has been the only commercially available collection of the overtures, so it has (by default) been the standard. A number of people would consider this to be the definitive collection, but I think serious consideration has to be given to Zinman's new release of the complete overtures with the Tonhalle Orchestra of Zurich, which takes a significantly different approach to the overtures.

Is the performance Masur and the Leipzig Gewandhaus great and definitive? Certainly the orchestra sounds typically lush throughout, but the overtures at times seem ponderous & almost soggy. The rather arch quality of the brass section can really detract from the overall performance at times, and who really can ignore the appallingly out of tune winds section in the 2nd Leonore? The performances are generally good but they only occasionally approach greatness.

Marriner & the ASMF turn in an outstanding performance, but I don't think anyone is buying this collection for the Minuets, German Dances, and Contradances, which are expertly rendered, Haydnesque tunes, but which are hardly an example of Beethoven pushing the envelope. Noone will ever mistake this for being nice, incidental music of little significance. These pieces will only matter to those collectors in search of a totally complete Beethoven collection.

Still, this is a reasonable collection for the price, and one could certainly do worse where the performances are concerned.

One of my ten 'desert island' recordings.......2005-01-13

Masur's recordings of Beethoven's overtures (complete) stand out from a crowded field. They have a drive and intensity that grab your attention and don't let go. After playing them for the first time, I had to immediately play them again. And now they are available at a bargain price. You owe it to yourself to hear them.

Glorious.......2002-07-18

Words fail me on this one. Beethoven's music always brings me to tears, and the recordings here are, well, glorious.

The world is a better place for having hosted the genius that was Ludwig van.

Fine Collection!.......2002-05-25

First of all, this CD is a rare find; normally, when we hear the Beethoven overtures, we hear a few of them in the context of larger works (ie, we get only two or three overtures in a box set of symphonies or concerti, and they are overshadowed). To have all the overtures together (especially at these top-rate perfomances) is a treat. Though a wonderful set for any serious Beethoven fan, this may also serve as a good introduction for those new to Beethoven's orchestral music, because the pieces normally clock in at only 10 minutes, give or take, but also because the overtures are always charmingly songful or fast and exciting. It is the more abrasive Beethoven at work here, and it's great fun.

Beethoven: Overtures and Incidental Music

Average customer rating:

An oustanding collection at a similarly outstanding price
Must have Beethoven works, well recorded
A find

Beethoven: Overtures and Incidental Music

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B000001K44
Release Date: 1994-05-02

Tracks:

'Lenore' Overture No. 1, Op. 138 - Stanislaw Skowaczewski
'Lenore' Overture No. 2, Op. 72 - Stanislaw Skowaczewski
'Lenore' Overture No. 3, Op. 72a - Stanislaw Skowaczewski
'Fidelio' Overture Op. 72b - Stanislaw Skowaczewski
Funeral March From 'Leonore Prohaska' WoO 96 - Stanislaw Skowaczewski
Overture, Op. 124 - Phyllis Bryn-Julson
Chorus With Soprano Solo: 'Wo Sich Die Pulse,' Wo O 98 - Phyllis Bryn-Julson

Tracks:

Overture To 'Coriolan,' Op. 62
Overture To 'Egmont,' Op. 84
Overture To 'The Creatures Of Prometheus,' Op. 43
Overture, Op. 113
Turkish March, No. 113
March And Chorus 'Schmuckt Die Altare,' Op. 114
Overture To 'St. Stephen,' Op. 117
'Namensfeier' Overture, Op. 115
Minuet Of Congratulations, WoO 3
Cantata 'Calm Sea and Prosperous Voyage,' Op. 112
Triumphal March From 'Tarpeja,' WoO 2

Customer Reviews:

An oustanding collection at a similarly outstanding price.......2007-04-13

Colections of Beethoven overtures and incidental music don't come any better than what is presented here by Stanislaw Skowaczewski and the Minnesota Orchestra. Recorded around 1980 and released by Vox, this twofer contains every significant overture and incidental music entrac'te the composer penned. The performances are dynamic without objectionable personal or sytlistic affectation, done in the traditional style on modern instruments.

Best for me is the first disk whose contents are the three 'Lenore' overtures, 'Fidelio' overture, funeral march, chours and soprano solo from 'Leonore Prohaska' with Phyllis Bryn-Julson, and Beethoven's underrated "Name Day" or birthday overture.

In 35 years listening to and collecting Beethoven recordings, this is clearly the most satisfactory collection of this genre I've come across. It is miles ahead of more expensive collections by Karajan, Marriner and Zinman includes music not regularly released in "complete" overture recordings.

For the pittance asked here, you can't go wrong with this.

Must have Beethoven works, well recorded.......2000-12-19

I highly recommend these two CD's, especially at this price. Vox Box has some excellent recordings, such as this one. If you always thought there was more to Beethoven's symphonic repertoire than his symphonies and overtures, you were right. His incidental music is awesome. I LOVE the Turkish March from the Ruins of Athens, almost a symphonic equivalent of Mozart's Rondo alla turca. While my favorite recording of the Egmont overture remains Kurt Masur, these recordings are also very good, and the sound from the 1970's is still fresh.

A find.......1999-07-30

Do you want an inexpensive, exciting set of Beethoven overtures? Don't hesitate with this set! Beware, though, that the sound, which is quite listenable (ADD), is not up to snuff with the other recordings by these forces on this label.

Average customer rating:

A great collection

Pure Cinema Classics

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | International | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

The Space Between Us
Simply the Best Movie Themes
Love Actually

ASIN: B000091AIR
Release Date: 2005-01-31

Tracks:

American Beauty: Any Other Name - Nikolaj Bloch
Barry Lyndon: Sarabande - Academy Of St Martin In The Fields
The Shawshank Redemption: The Marriage Of Figaro - Canzonetta Sull'aria - Bernard Haitink
Harry Potter And The Philosopher's Stone: Hedwig's Theme - Nic Raine
William Shakespeare's Romeo + Juliet - City Of Prague Philharmonic
The Mission: Gabriel's Oboe - Ennio Morricone And His Orchestra
Breakfast At Tiffany's: Moon River - Nic Raine
The Piano: The Heart Asks Pleasure First/The Promise - Michael Nyman
Dances With Wolves: John Dunbar Theme - Nic Raine
Jean De Florette: Jean De Florette Theme - Orchestre De Paris
Ocean's Eleven: Clair De Lune - Dame Moura Lympany
The Godfather: The Godfather Waltz - Nic Raine
Pearl Harbor: Heart Of The Volunteer - Nic Raine
Face/Off: 'Raindrop' Prelude No.15 In D Flat - Dmitri Alexeev
A Room With A View: O Mio Babbino Caro - Philharmonia Orchestra
You Only Live Twice: Main Theme - Nic Raine
The English Patient: As Far As Florence Rupert Bear - Kenneth Alwyn
Raging Bull: Cavalleria Rusticana - Intermezzo - Paul Bateman
Traffic: An Ending (Ascent) - Brian Eno
2001 - A Space Odyssy: The Blue Danube - Berlin Philharmonic Orchestra

Tracks:

The Deer Hunter: Cavatina - Manuel Barrueco
Titanic: My Heart Will Go On - Orchestra
Amelie: La Valse D'Amelie - Yann Tiersen
Midnight Cowboy: Main Theme - Nic Raine
Gladiator: Gladiator Suite - Nic Raine
The Lord Of The Rings - The Fellowship Of The Ring: The Fellowship - Nic Raine
Chocolat: Gnossienne No.1 - Anne Queffelec
Merry Christmas Mr. Lawrence: Main Theme - Mark Ayers
Ghost: Unchained Melody - Nic Raine
Cinema Paradiso Love Theme - Ennio Morricone & His Orchestra
Le Reine Margot: Lullaby - Nic Raine
Elizabeth: Nimrod ('Enigma' Variations) - London Symphony Orchestra
Hannibal: Goldberg Variations - Aria - Maria Tipo
Edward Scissorhands: Main Title/Ice Dance - Paul Bateman
Diva: Ebben? Ne Andro Lontana - Philharmonia Orchestra
Billy Elliott: Swan Lake, Act II, No.10 Scene - Andre Previn
The Man Who Wasn't There: 'Pathetique' Sonata - II. Adagio Cantabile - Walter Gieseking
The Big Blue: Overture - Eric Serra Gilbert Dal'Anese
The Killing Fields: Etude - Mike Oldfield

Customer Reviews:

A great collection.......2004-02-28

This is a really fabulous collections of songs. There is a great balance of old and new. This isn't a collection from one single genre and the diversity keeps the mix interesting. It's great to hear songs that wouldn't normally be noticed while a movie is playing and it's also great to hear those easily recognizable tunes from popular movies.

Average customer rating:

Which Hofmann?
Josef Hofmann: Wonderful performances, lots of surface noise

The Complete Josef Hofmann, Vol. 3

Manufacturer: Video Artists Int'l
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Gavottes | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music

Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

Josef Hofmann, Vol. 4
The Complete Josef Hofmann, Vol. 2
The Chopin Concertos
Bach: The Well-Tempered Clavier 1 & 2

ASIN: B000003LJ8
Release Date: 1994-09-01

Tracks:

Valse In A Flat, Op. 34, No. 1
Valse C Sharp Minor, Op. 64, No. 2
Valse In E Minor, Op. Post
Polonaise In A Minor, Op. 40, No. 1
Impromptu No. 1, A Flat, Op. 29
Fantasie-Impromptu, C Sharp Minor, Op. 66
Berceuse In D Flat, Op. 57
Chant Polonaise, 'The Maiden's Wish'
Liebestraum No. 3 In A Flat
Conccert Etude No. 1, 'Waldesrauschen'
Venezia E Napoli - 'Tarantella' (Abridged)
Marche Militaire
Der Erlkonig
Gavotte
'Moonlight Sonata In C Sharp, Op. 27 No. 2 First Movement
Fantasiestucke, Op. 12, No. 3 'Warum?'
Papillon, Op. 43, No. 1
Spinning Song, Op. 67, No. 14
Rondo Capriccioso, Op. 14 (Abridged)
Spring Song, Op. 62, No. 6
Hunting Song, Op. 19, No. 3
La Jongleuse

Tracks:

Caprice Espagnole, Op. 37 (Abridged)
Minuet In G
Valse-Caprice
Miniatures, Book. 9 No. 7, 'El Dachtarawan'
The Sanctuary
Prelude In C Sharp Minor, Op. 3, No. 2
Prelude In G Minor, Op. 23, No. 5
Valse Gracile
Birds At Dawn, Op. 20, No. 2
Third Etude In C Minor, Op. 120
Polonaise In A Major, Op. 40, No. 1
Hunting Song, Op. 19, No. 3
Spring Song, Op. 62, No. 6
Marche Militaire
Der Erlkonig
Nocturne In E Flat, Op. 9, No. 1
Valse In E Minor, Op. Post.
Papillon, Op. 43, No. 1
Spinning Song, Op. 67, No. 4
Prelude In C Sharp Minor, Op. 3, No. 2

Amazon.com

Volume 3 gathers Hofmann's complete acoustic Columbia 78s, including seven previously unissued sides. While Hofmann allowed a lot of leeway in live performance, he took recording seriously, both from an artistic and technical standpoint. The myriad subtleties of touch, pedaling, and articulation in Hofmann's playing come through loud and clear in these vintage 1912-1918 recordings. Each selection reveals the pianist's singing tone, extremely even fingerwork, aristocratic poise, and taste. There's a sense of purpose and proportion to the playing that belies the notion that all Romantic pianists took insane liberties. --Jed Distler

Customer Reviews:

Which Hofmann?.......2004-09-06

Hofmann - particularly late Hofmann - may be an acquired taste.
Despite having been the protégé of Anton Rubinstein, "the wonderful boy" was recognized from quite an early age as the exemplar of a modern style of playing - textually faithful, eschewing swooning or bombast. (See, for example, the references to Hofmann in Henry Lahee's wonderful survey from 1900, Famous Pianists of Today and Yesterday.)
Still, a number of younger colleagues expressed ambivalence. Horowitz was floored by Hofmann's keyboard command - everyone was - but he, Artur Rubinstein and Arrau, to name just three - seem not to have been terribly moved by Hofmann's musicianship.
But which Hofmann are we considering? His playing for the gramophone - as early as 1903 and as late as 1935 - was as disciplined as it was imaginative and dazzling. The late Harold Schonberg called it "perfection plus."
However, as Gregor Benko makes clear in his essays for the Marston reissues, Hofmann switched on what the pianist called a "spectacular" style for many public performances. This may sound cynical. Often it sounds terribly cynical. Hofmann was not speaking merely of the need to project in a large concert hall. In public performance - at least those performances we have from the late `30s and early `40s - the aristocrat often becomes a mountebank, lurching from the softest pianissimos to explosive fortissimos, rattling off passages or entire pieces even faster than Simon Barere boasted he could do.
Schonberg - and Hofmann's friend and admirer Rachmaninoff - reminded us that during this period Hofmann had many personal troubles, including a severe drinking problem. We must believe that at his greatest Hofmann played as scrupulously and with as much refined feeling in public as he did on many of his studio recordings, though his manner may have differed somewhat. And there are some marvelous live performances. The Rubinstein 4th from his Golden Jubilee concert beggars description.
So where does that leave us? As an introduction to Hofmann, I would recommend the early Columbia recordings, those he made somewhat later for Brunswick, and the American and British test pressings from 1935 - perhaps his greatest recorded playing. These are Volumes 3, 4 and 5 of the complete Hofmann series. Serious listeners will also want the ups and downs of the Golden Jubilee (Volume 2). The Chopin concertos in Volume 1 have some splendid moments, but the superlative (not spectacular; superlative) performance there is a fragment of the first movement of the E minor concerto performed in London -- far more poised and committed than its counterpart from New York. (I wonder if Hofmann played differently in America than he did in Europe? Some musicians - for instance, Mahler, Toscanini, Bernstein - for varying reasons apparently did.)
Having said all this, the entire Hofmann series is priceless. Heartfelt thanks to Gregor Benko and Ward Marston for making it available in superb transfers with fascinating notes.

Josef Hofmann: Wonderful performances, lots of surface noise.......2000-03-15

For Hofmann lovers and devoted students of piano performance, this collection is priceless! For others, the surface noise will be a serious drawback. My assumption is that anyone interested in Hofmann will start by getting Volumes 1 & 2 -- the Chopin Concertos and the 1937 Golden Jubilee Recital. Beyond that, in choosing among Volumes 3 through 6, Volume 3 offers a wide range of Hofmann's repertoire in shorter pieces -- 42 tracks on two CD's. These are Josef Hofmann in his prime and the performances are marvelous. Unfortunately, they were recorded in 1912-18 (with six tracks from way back in 1903!) and the surface noise is pretty severe. Listening to them is an effort, but the effort is well worth while!

Average customer rating:

Now
Heavenly
Arthur Fiedler and the Boston Pops at its best
Nice, Nice, Nice!

One Hundred Fiedler Favorites

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Marches | Miscellaneous | Styles | Music

Classical | Box Sets | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Pops Roundup
Fiedler Greatest Hits
Arthur Fiedler & The Boston Pops Play the Beatles
Pops Stoppers
Sixties Classics: The Encore Collection

ASIN: B000003FRA
Release Date: 1994-10-11

Tracks:

Light Cavalry Overture
Little Fugue In G Minor
Hora Staccato
The Love For Three Oranges: March from The Love For Three Oranges
Tambourin chinois
Hungarian Rhapsody No. 2
Peer Gynt Suite No. 1: Morning from Peer Gynt Suite No. 1
Die Walkure: Ride of the Valkyries
In the Steppes of Central Asia
Oberon: Overture
Rodeo: Hoedown from Rodeo
Goyescas: Intermezzo from Goyescas
William Tell: William Tell : Overture

Tracks:

Poet And Peasant Overture
The Merry Wives Of Windsor: Overture
Lohengrin: Prelude To Act III
Hungarian Dance No. 6
Peer Gynt Suite No. 2: Solvejg's Song
Der Freischutz: Overture
Prince Igor: Polovtsian Dances
Sleigh Ride
Mlada: Procession Of The Nobles
Parade Of The Wooden Soldiers
Roumanian Rhapsody No. 1
Gayne: Sabre Dance

Tracks:

Reverie
Jewels Of The Madonna: Dance Of The Cammoristi
Suite No. 3: Air On The G-String
Cradle Song
Xerxes: Largo
Serenade
Sadko: Song Of India
Gayne Suite No. 1: Lullaby
Serenade
Spring Song
Serenade
Cavalleria Rusticana: Intermezzo
Quintet No. 11: Minuet
Liebestraum
None But The Lonely Heart
Madama Butterfly: Humming Chorus
Hansel And Gretel: Dream Pantomime

Tracks:

Tales From The Vienna Woods
The Skaters' Waltz
Pizzicato Polka
Wine, Women And Song
Thunder And Lightning Polka
Roses From The South
The Count Of Luxemburg: Waltzes
Music Of The Spheres
Acceleration Waltz
On The Beautiful Blue Danube

Tracks:

Aida: Grand March
Babes In Toyland: March Of TheToys
Semper Fidelis
Suite No. 1: Marche Miniature
Yankee Doodle
Up The Street
The Damnation of Faust: Rakoczy March
March Of The Siamese Children
Caucasian Sketches: Procession Of The Sardar
Sambre et Meuse
The Ruins Of Athens: Turkish March
Colonel Bogey
Dixie
American Salute
Strike Up The Band
Athalie: War March Of The Priests
Karelia: Alla marcia
Funeral March Of A Marionette
Pomp And Circumstance March No. 1
Valdres March
National Emblem March
The Stars And Stripes Forever

Tracks:

Cuban Overture
Rhapsody In Blue
El Salon Mexico
Interplay: Gavotte
Interplay: Blues
Slaughter On Tenth Avenue
The Typewriter
George M. Cohan Medley: George M. Cohan Medley: Give My Regards To Broadway, Mary's A Grand Old Name, Little Nelly Kelly, You're A Grand Old Flag, You Remind Me Of My Mother, Harrigan, Yankee Doodle Dandy

Tracks:

In The Mood
Eleanor Rigby
Stardust
The Three-Penny Opera: Mack The Knife
Love Is Blue
Smoke Gets In Your Eyes
Love Me Tender
The Syncopated Clock
Laura
A Man And A Woman
Moonlight Serenade
The First Time Ever I Saw Your Face
The Brave Bulls: La Virgen De La Macarena
Moon River
Days Of Wine And Roses
Mame
I Left My Heart In San Francisco
You Are The Sunshine Of My Life
Jalousie

Amazon.com

Perhaps I should start by admitting a bias: Many years ago, lying on Boston's grassy Esplanade by the Charles River on warm summer nights, I learned what a symphony orchestra should sound like, with Arthur Fiedler conducting the Boston Pops Orchestra. Those concerts were free; these seven compact discs are not--not quite. But for any lover of light classical music, they are certainly one of the best buys available. The orchestra (essentially the Boston Symphony) is one of the world's greatest; the music, from Smoke Gets in Your Eyes to the Goyescas Intermezzo and Ride of the Valkyries is instantly enjoyable and permanently valuable; the conductor is at the same time genial and exacting, convinced that any music you play, no matter how frivolous, deserves the best you can give it. --Joe McLellan

Customer Reviews:

Now.......2006-11-03

Now, if you are a music-lover, and you like The Boston Pops & Arthur Fiedler. You should get it as soon as posible.
I cannot find any reasonable objection to this product.

Heavenly.......2003-02-02

Highly Pleasing. If you're a Fiedler fan this is a must have one. It encompasses his entire wealth of perception, understanding, knowledge, vision and talent. Buy it now.

Arthur Fiedler and the Boston Pops at its best.......2000-06-23

Anyone in Love with the Boston Pops during its great Fiedler years should have this set in their CD collection. Hours and hours of all our favorite Pops tunes. Enjoy!

Nice, Nice, Nice!.......1999-11-18

Definitly one of my favorite classical CD's....has a bit of everything, and it's all extremely well played and recognizable. I never go on car trips without it with me. If you buy only one classic CD (set), THIS IS IT!

Les Introuvables Dietrich Fischer-Dieskau

Average customer rating:

Incomparable

Les Introuvables Dietrich Fischer-Dieskau

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Peter Lieberson: Neruda Songs

ASIN: B000002SCF
Release Date: 2002-08-05

Tracks:

Morgens Steh' Ich Auf - Hertha Klust
Es Treibt Mich Hin - Hertha Klust
Ich Wandelte Unter Den Baumen - Hertha Klust
Lieb' Liebchen - Hertha Klust
Schone Wiege Meiner Leiden - Hertha Klust
Warte, Warte, Wilder Schiffsmann - Hertha Klust
Berg Und Burgen Schau'n Herunter - Hertha Klust
Anfangs Wollt' Ich Fast Verzagen - Hertha Klust
Mit Myrthen Und Rosen - Hertha Klust
Du Bist Wie Eine Blume (Myrthen, Op.25 No.4) - Hertha Klust
Tragodie I, Op.64 No.3A - 'Entflieh' Mit Mir' - Hertha Klust
Tragodie II, Op.64 No.3B - 'Es Fiel Ein Reif' - Hertha Klust
Der Arme Peter I, Op.53 No.3A - 'Der Hans Und Die Gute' - Hertha Klust
Der Arme Peter II, Op.53 No.3B - 'In Meiner Brust, Da Sitzt Ein Weh' - Hertha Klust
Der Arme Peter III, Op.53 No.3C - 'Der Arme Peter Wankt Vorbei' - Hertha Klust
Mein Wagen Rollt Langsam, Op.142 No.4 (Vier Gesange, Op.142) - Hertha Klust
Abends Am Strand, Op.45 No.3 (Romanzen Und Balladen, Op.45) - Hertha Klust
Die Feindlichen Bruder, Op.49 No.2 - 'Oben Auf Des Berges Spitze' - Hertha Klust
Die Beiden Grenadiere, Op.49 No.2 - 'Nach Frankreich Zogen Zwei Grenadier' - Gerald Moore
Belsatzar, Ballade Op.57 - 'Die Mitternacht Zog Naher Schon' - Gerald Moore
In Der Fremde - Gerald Moore
Intermezzo - Gerald Moore
Waldesgesprach - Gerald Moore
Die Stille - Gerald Moore
Mondnacht - Gerald Moore
Schone Fremde - Gerald Moore
Auf Einer Burg - Gerald Moore
In Der Fremde - Gerald Moore
Wehmut - Gerald Moore
Zwielicht - Gerald Moore
Im Walde - Gerald Moore
Fruhlingsnacht - Gerald Moore

Tracks:

I. Auf Dem Hugel Sitz' Ich Spahend - Gerald Moore
II. Wo Die Berge So Blau - Gerald Moore
III. Leichte Segler In Den Hohen - Gerald Moore
IV. Diese Wolken In Den Hohen - Gerald Moore
V. Es Kehret Der Maien, Es Bluhet Die Au - Gerald Moore
VI. Nimm Sie Hin Denn, Diese Lieder - Gerald Moore
Wie Rafft Ich Mich Auf In Der Nacht, Op.32 No.1 (Von Plathen) - Hertha Klust
Nicht Mehr Zu Dir Zu Gehen, Op.32 No.5 (Von Plathen) - Hertha Klust
Ich Schleich' Umher Betrubt Und Stumm, Op.32 No.3 (Von Plathen) - Hertha Klust
Der Strom, Der Neben Mir Verrauschte, Op.32 No.4 (Von Plathen) - Hertha Klust
Du Sprichst, Dass Ich Mich Tauschte, Op.32 No.6 (Von Plathen) - Hertha Klust
Wehe, So Willst Du Mich Wieder, Op.32 No.5 (Von Plathen) - Hertha Klust
Wie Bist Du, Meine Konigin, Op.32 No.9 (Daumer) - Hertha Klust
Junge Lieder: 'Meine Liebe Ist Grun', Op.63 No.5 (Schumann) - Karl Engel
Heimkehr: 'O Brich Nicht, Steg', Op.7 No.6 (Uhland) - Karl Engel
Dein Blaues Auge, Op.59 No.8 (Groth) - Karl Engel
Wir Wandelten, Op.96 No.2 (Daumer) - Karl Engel
Serenade: 'Liebliches Kind', Op.70 No.3 (Goethe) - Karl Engel
Eine Gute, Gute Nacht, Op.59 No.6 (Groth) - Karl Engel
Der Gang Sum Liebchen: 'Es Glanzt Der Mond Nieder', Op.48 No.1 (An. Bohemien, Trad. Wenzig) - Karl Engel
Ein Sonett: 'Ach Konnt' Ich', Op.14 No.4 (Comte Thibaud; Trad. Herder) - Karl Engel
Minnelied: 'Holder Klingt Der Vogelsang', Op.71 No.5 (Holty) - Karl Engel
Sonntag: 'So Hab Ich Doch Die Ganze Woche', Op.47 No.3 (Uhland) - Karl Engel
Standchen: 'Der Mond Steht Uber Dem Berge', Op.106 No.1 (Kugler) - Karl Engel
Die Mainacht: 'Ich Schell Mein Horn Ins Jammertal', Op.43 No.2 (Holty) - Karl Engel
Botschaft: 'Wehe, Luftchen', Op.47 No.1 (Daumer, D'Apres Hafis) - Karl Engel
Geheimnis: 'O Fruhlingsabenddammerung', Op.71 No.3 (Candidus) - Karl Engel
Salamander: 'Es Sass Ein Salamander', Op.107 No.2 (Lemcke) - Karl Engel
Komm Bald: 'Warum Denn Warten', Op.97 No.5 (Groth) - Karl Engel
In Waldeseinsamkeit: 'Ich Sass Zu Deinen Fussen', Op.85 No.6 (Lemcke) - Karl Engel
Mein Wundes Herz, Op.59 No.7 (Groth) - Karl Engel
Es Traumte Mir, Op.67 No.3 (Daumer) - Karl Engel
Von Ewiger Liebe: 'Dunkel, Wie Dunkel', Op.43 No.1 (Wenzig) - Karl Engel

Tracks:

Der Schatzgraber, Op.59 No.3 (Goethe) - Gerald Moore
Tom Der Reimer (Altschottische Ballade) - Gerald Moore
Kleiner Haushalt, Op.71 (Ruckert) - Gerald Moore
Susses Begrabnis, Op.62 No.4 (Ruckert) - Gerald Moore
Herr Oluf Reitet Spat Und Weit (Von Herder) - Gerald Moore
Edward, Op.1 No.1 (Von Herder) - Gerald Moore
Der Mohrenfurst Auf Der Messe, Op.97 No.3 (Freiligrath) - Gerald Moore
Erikonig, Op.1 No.3 (Goethe) - Gerald Moore
Trauer - Hermann Reutter
Angedenken - Hermann Reutter
Ein Ton - Hermann Reutter
An Den Traum - Hermann Reutter
Treue - Hermann Reutter
Trost - Hermann Reutter
Komm, Wir Wandein Zusammen, Op.4 No.2 (Cornelius) - Hermann Reutter
Auf Ein Schlummerndes Kind, Op.5 No.2 (Hebbel) - Hermann Reutter
Auf Eine Unbekannte, Op.5 No.3 (Hebbel) - Hermann Reutter
Christbaum - Hermann Reutter
Die Hirten - Hermann Reutter
Die Konige - Hermann Reutter
Simeon - Hermann Reutter
Chritus, Der Kinderfreund - Hermann Reutter
Christkind - Hermann Reutter
Geheiligt Werde Dein Name, Op.2 No.2 (Cornelius) - Gerald Moore
Vergib Uns Uns're Schuld, Op.2 No.6 (Cornelius) - Gerald Moore

Tracks:

Thetis, Cantate - Jean-Pierre Rampal
Premiere Lecon De Tenebres, Pour Le Mercredi Saint - Aurele Nicolet
Orphee (Le Fameux De La Thrace), Cantate Pour Baryton, Flute, Violin & Basse Continue - Aurele Nicolet
'When Night Her Purple Veil', Cantate Pour Basse, Flute, Violon & Basse Continue - Aurele Nicolet
'Infirmata, Vulnerata', Cantate Pour Baryton, Flute, Violon & Basse Continue - Aurele Nicolet

Tracks:

Aria: 'Amore Traditore' - Edith Picht-Axenfeld
Recitativo: 'Voglio Provar' - Edith Picht-Axenfeld
Aria: 'Chi In Amore' - Edith Picht-Axenfeld
'Von Den Himmlischen Freuden' (Hamel), Cantate Pour Baryton & Basse Continue - Aurele Nicolet
'Erquicktes Herz, Sei Voller Freuden', Cantate Pour Baryton, Violon & Basse Continue - Aurele Nicolet
'Ihr Volker, Hort', Cantate Pour La Fete Des Rois Mages (Wilckens) - Aurele Nicolet
Aria: 'Die Hoffnung Ist Mein Leben' - Helmut Heller
Recitativo: 'Ich Bin In Allem Vergnugt' - Helmut Heller
Aria: 'Die Hoffnung Bleibt Ewig Der Trost Unseres Leben' - Helmut Heller
Trauermusik Eines Kunsterfahrenen Kanarienvogels - Heinz Kirchner

Tracks:

Wandern Lieb'Ich Fur Mein Leben - Aribert Reimann
Wenn Die Sonne Lieblich Schiene - Aribert Reimann
Bist Du Manchmal Auch Verstimmt - Aribert Reimann
Durch Feld Und Buchenhallen - Aribert Reimann
An Die Parzen - Aribert Reimann
Hyperions Schicksalslied - Aribert Reimann
Abbitte - Aribert Reimann
Geh Unter, Schone Sonne - Aribert Reimann
Bankelsanger - Aribert Reimann
Trommel - Aribert Reimann
Schwarzes Madchen - Aribert Reimann
Lied Fur Ein Dunkles Madchen - Aribert Reimann
Wenn Susanna Jones Tragt Rot - Aribert Reimann
Psalm 142 - 'Ich Schreie Zum Herrn' - Aribert Reimann
Psalm 141 - 'Herr, Ich Rufe Zu Dir' - Aribert Reimann
Psalm 121 - 'Ich Hebe Meine Augen Auf' - Aribert Reimann
Blume - Aribert Reimann
Auge Der Zeit - Aribert Reimann
Tenebrae - Aribert Reimann
Heute Und Morgen - Aribert Reimann
En Lied In Der Wuste - Aribert Reimann
No.1 - Une Sainte En Son Aureole - Gerald Moore
No.2 - Puisque L'Aube Grandit - Gerald Moore
No.3 - La Lune Blanche Luit Dans Les Bois - Gerald Moore
No.4 - J'Allais Par Des Chemins Perfides - Gerald Moore
No.5 - J'ai Presque Peur - Gerald Moore
No.6 - Avant Que Tu Ne T'En Ailles - Gerald Moore
No.7 - Donc Ce Sera Par Un Clair Jour D'Ete - Gerald Moore
No.8 - N'Est-Ce Pas? - Gerald Moore
No.9 - L'Hiver A Cesse - Gerald Moore
No.3 - Pour Ce Que Plaisance Est Morte - Hermann Reutter
No.1 - Le Temps A Laissie Son Manteau - Hermann Reutter
Lamentation (Poemes Juifs, No.8) - Hermann Reutter

Customer Reviews:

Incomparable.......2002-02-04

I have looked for the CD reissue of the original Electrola recording for years and am very glad to have finally found it.

Tracks:

Also Sprach Zarathustra
Fanfare And Flourishes
And Can It Be No. 2
All Glory, Loud, And Honor
All Hail The Power No. 1
Abide With Me
Monteverdi-Vespers
Thine Is The Glory
For Unto Us A Child Is Born
Simple Gifts
Come, Thou Fount
America The Beautiful
Joyful, Joyful, We Adore Thee
Canzon Septimi Toni No. 2
All Hail The Power No. 2
Crown Him With Many Crowns
A Mighty Fortress Is Our God
Holy, Holy, Holy
God Of Our Fathers

Album Description

This CD contains 20 transcriptions including: "Also sprach Zarathustra," "Fanfare and Flourishes," "All Hail the Power," "Abide with Me, Monteverdi Vespers," "For Unto Us a Child Is Born," "Simple Gifts," "America the Beautiful," "A Mighty Fortress Is Our God," "Holy Holy Holy," "God of Our Fathers," "Crown Him with Many Crowns," "Gabrieli Sacrae Symphoniae," and more. Tim Zimmerman and The King's Brass provide the "best in sacred brass music." These Christian professionals from around the U.S. perform their own arrangements. For more than 20 years, The King's Brass have performed over 100 concerts each season. Playing a wide variety of music from Gabrieli to hymn classics, The King's Brass uses all corners of the concert hall to lift hearts and spirits.

Tim Zimmerman, director of The King's Brass, has been