Reason [Import]

Reason [Import]

Track Listings

1. Turn Away

2. Reason

3. More

4. Innocence

5. Scarred Forever

6. In The Night

7. Rough Stone

8. Iron Soul

9. Trail Of Tears

10. Born To Be

Editorial Reviews
Product Description
The Second Studio Album from Shaman (From Former Angra Members Andre Matos, Luis Mariutti Und Ricardo Confessori). This is Excellent Hard Rock Influenced Metal with a Unique Mix of Progressive and South American Folk Elements.

Tracks:

Signs Of Life
Learning To Fly
The Dogs Of War
One Slip
On The Turning Away
Yet Another Movie (6a Round And Around)
A New Machine (Part 1)
Terminal Frost
A New Machine (Part 2)
Sorrow

Amazon.com

Though many predicted that Roger Waters's acrimonious split with the band after 1983's aptly named Final Cut would ultimately spell the end of Pink Floyd, the remaining band members confounded pundits by extending their status as classic rock's most ponderous dinosaurs into the 1990s and beyond. And if the title was a gentle jab at Waters after a years-long legal struggle over the Floyd moniker, the music was all too familiar; some would say even formulaic. And lest anyone doubted that the absence of Waters's dour soul would lighten things up a bit, guitarist and post facto leader Dave Gilmour gamely took on the Mantle of Conscience for topics ranging from the cold war ("The Dogs of War") to yuppie self-indulgence ("On the Turning Away"). And if this album sometimes evokes an uncomfortable feeling of a band on autopilot, it's one that can still turn out the likes of the anthemic "Learning to Fly" on cruise control. --Jerry McCulley

Customer Reviews:

Excellent!.......2007-07-04

I don't know why some people didn't like this album. I Love it. The Dog of War pays the whole money!!!!!!!!!

they were trying to sound like Pink Floyd.......2007-06-15

listened to this for the first time in many, many years....they were trying to SOUND LIKE Pink Floyd, but couldn't pass it off without Roger Waters....totally contrived and insincere....eh, Waters may be the biggest jerk in the world (not sure he is), but even if he is, he is one talented jerk....this is pathetic compared to the likes of "Animals", and the rest of their 70s output....these people saying it's equal to previous, Waters-led Floyd are delusional....if you like it, fine, but don't even try to pass it off as legit PF. they lived off the name and legend of Pink Floyd - give them another name like Endless Self-Indulgence and attach this album to it and it would never have even made a major record contract.

Oh, that lapse was more than momentary..........2007-06-14

This is a pathetic attempt for the Roger Waters-less Pink Floyd to carry on without their heart and soul. Roger was self-centered, sure, but his lyrics and bass were both key parts of the Floyd Sound that this album horribly misses. Basically, it's useless. Nostalgiac about the early '70s, back when they would make ungodly amounts of money off of Dark Side of the Moon and such, "three-quarters" Floyd decided they'd try to recreate that sound, using lots of synthesizers, female backing vocals, saxes and studio effects. The resulting album is, far and away, Pink Floyd's nadir.
It's hard for me to tell what the album's lowest low is. I know I hate the mechanical hit Learning to Fly. But that's not all. The Dogs of War was voted as Pink Floyd's worst song ever, and I must say I agree. Basically it's a pathetic attempt to rewrite the classic Dogs - even the titles are similar! Give me a break here, guys! Arguably even worse than that is Signs of Life (which could very well win the "Joe Strummer Most Ironic Title Ever" award), the rather awkward On the Turning Way, and the A New Machine/Terminal Frost/A New Machine suite. I guess the closing Sorrow is okay - good guitar part, processed and mid-'80s as it is, and I like the lyrics just fine, but no way it's a nine-minute song, you know? And is that a DRUM MACHINE I hear?
Momentary Lapse hasn't aged very well, and like the following Division Bell it was a very bad idea. Thankfully, Pink Floyd's '70s output was so good that this will never tarnish their deserved reputation as rock legends. But that doesn't keep it from being arguably PF's worst.

Pink Floyd Return With A Vengeance But In Reality A David Gilmour Solo Album In All But Name.......2007-05-23

Much as The Final Cut was in reality a Roger Waters solo album albeit it had the Pink Floyd name on it, this album is no different in that it is in reality a David Gilmour solo album albeit the cover has the Pink Floyd moniker on it. Gilmour worked hard to preserve the integrity of the band name, but most if not all of the songwriting and music is credited to him. However, this is not to say that the album is bad or lackluster. Although Nick Mason, Richard Wright, and the other musicians play second fiddle here, Gilmour did an excellent job in keeping everybody together with a common focus. There is a change of the guard here, not only in band personnel, but also conceptually as well. The common themes of rebellion, isolation, and materialism have given way to hope for a better world as evidenced in songs such as On The Turning Away. Pessimism has turned to optimism. Learning To Fly is an appreciation of one's environment by indulging in the pleasure of flying an airplane, a favorite pastime of Gilmour's. Without the dictatorial control of Waters, Gilmour could focus on more positive topics. The Dogs Of War says that sometimes war is necessary in order to maintain a just society as opposed to a condemnation of all war as was the case in The Final Cut album. Gilmour and company launched a massive and successful world tour soon after the release of this album that stretched all the way to 1989. The pig balloons were back in full force as well as the airplanes disguised as hospital beds crashing into the stage. Some things never change. The album and tour showed that the band's popularity stood the test of time with or without Roger Waters. A Momentary Lapse Of Reason celebrates triumph over adversity.

don't we all occasionally have a momentary lapse of reason?.......2007-05-09

This is one of Pink Floyd's best albums. The songs are all good, and the sound is very 1980's-synthesizery, which I like.

Average customer rating:

Out of control...wow
Never get tired of it
The Reason
"So what should I do, just lay next to you as though I'm unaffected?"
hoobastank need i say anymore

The Reason
Hoobastank
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

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Hoobastank
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ASIN: B0000DZFKY
Release Date: 2003-12-09

Tracks:

Same Direction
Out Of Control
What Happened To Us?
Escape
Just One
Lucky
From The Heart
The Reason
Let It Out
Unaffected
Never There
Disappear

Album Details

Includes Two UK Only Bonus Tracks, "Never Saw it Coming" and "Out of Control" Video.

Customer Reviews:

Out of control...wow.......2007-08-01

This is a very good track, and I really liked all of the songs, but the one that hit me hardest was out of control, which had the same effect on me as Taking Back Sunday's Error Operator, pure amazement. It's a must buy.

Never get tired of it.......2007-07-24

I've spun this disc twenty times at least, and every time it's just as fresh as if I just bought it. These guys are polished, tight, just great. The title track is great, but not the best on the disc in my opinion. "Disappear" is a beautiful, powerful love song, and would be great for a wedding. "Never There" is a rocking good tune about a bad relationship. Just get the disc; it's worth it.

The Reason.......2006-12-03

It is refreshing to hear a band come along and destroy the airwaves with a fresh brand of alternative punk-rock. The single 'The reason' was their biggest (and only) hit in Australia and introduced me to the band. I was a little hesitant to buy an album from a band that I had never heard of before on the strength of only one song but I am so glad I did. The album is packed with more potential hits and while 'The reason' is probably the standout track on the album, songs such as 'Same Direction', 'What Happened To Us?', 'Unaffected' and 'Disappear' are right up their as memorable songs on the album too.

I imagine the band would sound awesome live, and I can only hope to see them live in Australia some day. If you are thinking about buying this CD, I highly recommend it. It will not go down as one of the greatest albums of all time or anuthing like that, and nor will the band be remembered as legends of rock n' roll, but this is high quality music, and an album which is good to listen too from beginning to end.

"So what should I do, just lay next to you as though I'm unaffected?".......2006-05-08

A lot of people hate the song "The Reason". I'm not sure exactly why, I can understand finding the piano part repetitive or the vocals a little annoying, but I don't think it's worth such universal ire. I'm not in love with the song, but I like it for what it is. It's almost pure pop, but the rest of the album is more rock-oriented, and like the band's previous release, might not be for everyone but is pretty enjoyable all the way through.

The first two tracks are both singles and fit very well into Hoobastank's pattern. Pleasant singing, a bit of shouting thrown in, crisp musicianship, catchy choruses. "What Happened To Us?" has a decent guitar part and is one of the band's more passionate songs. "Escape" is a pretty catchy song, like many of the band's. "Lucky" is another of the band's atypical songs with natural sounding guitar strumming. "From the Heart" is another solid song musically. It's hard to find songs by Hoobastank you can't say that about.

There's a bit of a shift in tone after The Reason's title track. "Unaffected" is one of the best songs, it's slower paced than normal for the band and is easy to get caught up in. "Disappear" is another single, and I'm not a huge fan of it, but it shows the band is trying other things. I'm not sure why many rock fans are so down on Hoobastank, it's a little poppier and more accessible to the mainstream than a lot of bands but they still put together a good rock song. In any case, The Reason is a solid follow-up to Hoobastank's first big release.

hoobastank need i say anymore .......2006-02-16

you can see by the name that this band is aother coporate creation to the masses of 10 year old girls tryin' to be hip
and weepin' at the sickly lyrics of "the reason" god when i first heard that song i cried..not because it's a beautiful poetic song with passion and superb word-play it's because it made me nauseous i was ready to spill my guts on the breakfast i'd just ate
are these guys tryin' to be hip or are just marketted to sell
buckle loads of records to the mtv for the price of the decency of rock and roll
i one know it's the second

there name hooba-stank is a double edged sword because
when music fans see the name and cd on their local cd stores
they think "well they've got to be good because they've got stank in their name and any band they purposely puts stank in their name is gonna be bad right?" WRONG

yet if you like it then that's okay we all have different tastes in music and that's what makes un indivudual...

Average customer rating:

Great Music
Love the movie, but the soundtrack is missing a key song!
Enjoyable and Fun!
Bridget Jones2 Soundtrack
Bridget Jones soundtrack

Bridget Jones: The Edge of Reason
Various Artists
Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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Bridget Jones's Diary
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Love Actually

ASIN: B00063F8C6
Release Date: 2004-11-16

Tracks:

Your Love Is King - Will Young
Stop - Jamelia
Can't Get You Out Of My Head - Kylie Minogue
Super Duper Love (Are You Diggin' On Me?) - Joss Stone
Sorry Seems To Be The Hardest Word - Mary J. Blige
Misunderstood - Robbie Williams
Everlasting Love - Jamie Cullum
Crazy In Love - Beyonce
I Eat Dinner (When The Hunger's Gone) - Rufus Wainwright
I'm Not In Love - 10cc
Noboyd Does It Better - Carly Simon
I Believe In A Thing Called Love - The Darkness
Lovin' You - Minnie Riperton
We'll Be Together - Sting
Bridget's Theme - Harry Gregson-Williams

Amazon.com

While it's cast largely in the same musical mold as its winning predecessor, there's a more palpable sense of romantic melancholy wafting through this soundtrack to the further misadventures of Rene Zelwegger's lovably hapless, love-triangulated Bridget. Though still aimed at adult contemporary tastes, it's also imbued with a healthier dose anglocentric cool via tracks like Jamelia's torchy "Stop," Will Young's elegant take on Sade's "Your Love is King," teenaged Alfie contributor Joss Stone's soulful "Super Duper Love" and the ubiquitous Kylie Minogue's teasing "Can't Get You Out of My Head." Mary J. Blige offers up a stark, melodramatic cover of Elton John's "Sorry Seems To Be The Hardest Word" while Rufus Wainwright (with Dido) turns Anna McCarrigle's (Wainwright's mother) "I Eat Dinner" into an emotive centerpiece. There are the expected 70's chestnuts (10cc's "I'm Not in Love," "Nobody Does It Better" by Carly Simon, Minnie Ripperton's "Lovin You") and the obligatory superstar remake (Sting and Annie Lennox muscling up his "We'll Be Together"), but a few surprises as well, including the deliciously over-the-top, nouveau glam-rock left turn by The Darkness, "I Believe In A Thing Called Love." --Jerry McCulley

Album Description

Fresh from her 2004 Oscar win, Renée Zellweger reprises the title role in the romantic screen comedy Bridget Jones The Edge of Reason. The film also boasts a sensational companion soundtrack from Geffen Records featuring great pop legends and newer rising stars, among them Beyonce, Mary J. Blige, Rufus Wainwright & Dido, Carly Simon, Jamie Cullum, Sting & Annie Lennox and more.

With Nick Angel serving as music supervisor/executive producer, the soundtrack Bridget Jones The Edge of Reason is a pop music lover's delight. Newly recorded songs appearing on the cd include: a cover of Sade's song "Your Love Is King," by rising U.K. star Will Young; "Misunderstood," a new tune by Robbie Williams; "Everlasting Love," a newly recorded cover by Jamie Cullum, "Stop!," by UK artist Jamelia; Kate McGarrigle's "I Eat Dinner," recorded as a duet by her son Rufus Wainwright & Dido; and a newly recorded version of Sting's "We'll Be Together" by Sting and Annie Lennox. Other songs on the soundtrack include: "Can't Get You Out Of My Head" by Kylie Minogue; "Super Duper Love (Are You Diggin' On Me?)" from Joss Stone; "Sorry Seems To Be The Hardest Word" by Mary J Blige; "Crazy In Love" by Beyonce; the classic "I'm Not In Love" by 10CC; Carly Simon's hit "Nobody Does It Better;" "I Believe In A Thing Called Love" from The Darkness; Minnie Ripperton's timeless "Loving You;" and "Bridget's Theme" by Harry Gregson Williams.

Based on the novel by Helen Fielding and directed by Beeban Kidron, Bridget Jones The Edge of Reason stars Renée Zellweger, Hugh Grant, Colin Firth (all reprising their roles from Bridget Jones's Diary) along with Jim Broadbent, Gemma Jones and Jacinda Barrett.

Customer Reviews:

Great Music.......2007-03-23

I love Robbie Williams remake of Sade's "Love is King". This CD has a great list of songs you'll want to listen to over and over again!

Love the movie, but the soundtrack is missing a key song!.......2006-09-28

What about the song that was playing when Bridget was in the water tripping on mushrooms? I LOVE that song! And I don't know the name of it or who does it. I listen to the clips here and it's not there!

Anyone know the name/artist for this song???

Enjoyable and Fun!.......2006-03-05

I actually got this CD because I LOVED the song "I Eat Dinner (When the hunger's gone)" when I heard it in the movie, and was so pleasantly surprised by the remainder of the soundtrack - I really enjoy Jamelia's 'Stop', and Mary J. Blige's cover of "Sorry seems to be the hardest word" is truly a portrait of painful sadness... I could go on about each song, but overall this soundtrack truly accomplishes what it set out to do - which is to tell the story of Bridget through song.... and it's A LOT of fun to listen to along the way!

Bridget Jones2 Soundtrack.......2005-08-29

Good mix of music from different genres with some songs "covered" by newer artists. They do a good job of re-doing ths songs in their own way without losing the original integrity of the song. Fun to listen to in the car while dealing with rush hour!

Bridget Jones soundtrack.......2005-08-03

the music is excellent, really pumps me up on my drive to work.

Average customer rating:

If You Like the Band....
Hot a career CD, but solid
Some Reason To Cry (l'm Out 12 Bucks For This Album)
Some great flashes. Not totally uninspired
THE MUSIC TRIES TO AROUSE, BUT GOES BLAH... TOO MANY DRINKS

No Reason to Cry
Eric Clapton
Manufacturer: Polydor / Umgd
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002G8F
Release Date: 1996-09-10

Tracks:

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Carnival
Sign Language
County Jail Blues
All Our Past Times
Hello Old Friend
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Customer Reviews:

If You Like the Band...........2005-12-18

Clapton has said of The Band's "Music from Big Pink" that it "changed my life." "No Reason to Cry" may not be Clapton at his best, but if you like The Band (as I do), then you'll probably enjoy this compact disc.

Many of the songs sound like they could be from The Band, except for Clapton's voice. Robbie Robertson, Rick Danko and Richard Manuel play backup for Clapton, and members of The Band wrote two of the tracks: "Beautiful Thing" and "All Our Past Times." Danko shares lead vocals with Clapton on "All Our Past Times."

There are two outstanding tracks on this cd: "Hello Old Friend" and "Black Summer Rain." "Black Summer Rain" evokes The Band's "It Makes No Difference" both in sound and lyrics ("...and the sun don't shine anymore, and the rain falls down on my door..."). Listen to the two songs one after another and you'll see what I mean.

This album ain't Clapton's greatest but, to me, it's still good and well worth experiencing.

Hot a career CD, but solid.......2005-11-18

Eric Clapton at this time in his career was hanging out with members of the Band, and of course Bob Dylan.
There are several songs of note on this CD.
Sign Language is a duet with Bob Dylan. Over the years Dylan has offered several songs to Clapton. This is the only one they have collaborated on. Sign Language is not a great song, but I find it very interesting to hear Dylan and Clapton sing together.
County Jail Blues is another strong effort and has slide guitar.
At this point in Clapton's career we had not heard much slide guitar. It has a Mississippi Delta blues flavor that I love.
All Our Past Times is another duet with Rick Danko.
Clapton at this time was listening to country music and it shows throughout the album.
Double Trouble is another strong piece that appears on this CD.
Clapton in my mind is at his best with slow blues and this is no exception.
This is not his best, but a solid effort.
If you have never heard Clapton before this would not be a good place to start. This is for people like me who are really into Clapton.

Some Reason To Cry (l'm Out 12 Bucks For This Album).......2005-10-22

'No Reason To Cry' is, in my opinion, one of Claptons weakest albums next to 'Another Ticket'. The whole thing is a sloppy mess with weak,disjointed playing, no cohesion or direction, and much slurring from Eric on lead vocals. Where are the producers on this album?, I wonder, sounds like they were 'out to lunch' on most of it, or maybe flat on their backs on the floor! However, Marcy Levy wrote and performed well on the track, 'Innocent Times'. Rick Danko, Richard Manuel, Bob Dylan, Georgie Fame, and Ron Wood make guest appearances that don't really add much of anything to the entire mess. To be fair, There are a couple of OK tracks such as 'Beautiful Thing', 'Carnival', 'Hello Old Friend', and the Bob Dylan penned, 'Sign Language'. His filler blues cover, 'Double Trouble',and Rick Danko song, 'All Our Past Times'(Both songs are covered much better in Clapton's live 1980 album, 'Just One Night'.) are very good. In 'All Our Past Times', there are the follwing lyrics "All our past times should be forgotten, All our past times should be erased." makes me think so should the master tapes of this 1976 half effort.

Some great flashes. Not totally uninspired .......2005-07-24

First, take this CD for what it's worth, not by the standards set before and after it. So it's not "461," or "Slowhand." That's not necessarily a bad thing. Like Neil Young. Clapton didn't always put out albums for their top 40 value. On the contrary. Particularly at this point in his career, Clapton had earned some license- for better or worse depending on who you ask- to do some things he wanted to do and let the Billboard charts be danged. Yet despite that he could still spit out songs that garnered radio play like "Carnival" and "Hello Old Friend," two of my favorite Clapton songs. Also like Young, as well as Dylan, Clapton was partial to using one of the several lush, sporadically used female background singers of the time. In this case that voice is Marcy Levy, who if her voice were absent from the song "Beautiful Thing," it wouldn't be as smooth or melodic. In fact Clapton was so comfortable with his stature at this point in his career that he allowed Levy to sing solo in the song "Innocent Times" as he played in the background to churn out what is in my opinion the best song on this CD. It's a real Levy tour de force, albeit a brief one. For that reason itself, this CD's worth buying. And while "Sign Language" is hardly the best collaboration between 2 star recording artists, it's actually a decent song, consistent with this CD's tone, and unmistakenly Clapton and Dylan. But also typical of albums/CDs of this time, they weren't chock full of hits from beginning to end. So what makes this CD, or even this era different from that of today? With rare exceptions many big name artists have CDs that contain some grizzle. Future Clapton CDs would have slicker production quality, particularly after Phil Collins produced CDs put Clapton's name back in the spotlight in the early 80s. After that Clapton became something of an video darling, but did that necessarily mean he produced better songs? Purely subjective. Try this CD. I challenge you to not find some appeal in it. I bet you find yourself humming at least a couple of the tunes. I dare you to admit you didn't find your toe tapping to a couple tunes. And I especially bet you find yourself wondering what else did Marcy Levy record worth listening to. I know I did.

THE MUSIC TRIES TO AROUSE, BUT GOES BLAH... TOO MANY DRINKS.......2003-12-07

I'm a git player over 35 years and love EC. This release on his comeback trail in '76 is not much to get happy about. Reports circulated at the time of these recording sessions had found EC drinking very hard and surrounded by the same type of musicans involved. Ex Herion addicts usually go to Alcohol to relieve the JUNK pain from Herion. It is no reason that this release fell on deaf ears when first issued. EC's playing is stiff and mediocre. Even the bonus track added on the CD "LAST NIGHT" does not leave you filled or do any justice. He is stiff on all his git work on this album. A shame. Maybe I'm just to critical, but others felt the same way. judging by the cover of EC in a bar with bottles of liquor in front of him answers these downer gaps.

Average customer rating:

Deliriously Good
Bright ambassadors of the future
Challenging debut album.
The true future of Prog
Derivative but Tasty

The Dark Third
Pure Reason Revolution
Manufacturer: Red Int / Red Ink
ProductGroup: Music
Binding: Audio CD

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Release Date: 2006-07-25

Tracks:

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Customer Reviews:

Deliriously Good.......2007-07-08

In their Progression Magazine interview, Pure Reason Revolution say that they try for dark, heavy Pink Floydish washes of sound, combined with light, airy, soaring Beach Boys vocal harmonies.

This is precisely right.

But the band--though it has many influences--is not at all derivative.

The vocals in general and harmonies in particular are thrilling and never overdone.

The melodies are long, complex, and well-thought-out.

The bass is driven and sounds like Chris Squire.

The drumming is relentless and yet modulated and interesting.

All in all, best CD I have heard (prog or non-prog) in quite a while.

Bright ambassadors of the future.......2007-05-23

I sincerely hope this band is embraced by the prog and ambient rock communities. PRR embues everything I like about atmospheric rock. Some have called it a mellow affair and perhaps compared to death metal it is mellow, but the style here is very dramatic, reminiscent of early Pink Floyd. Like early Pink Floyd, the emphasis is on soundscaping, with lush, etherial, Beach Boy like harmonizing, repleat with keyboard flourishes, yet maintaining a connection to modern goth rock. Its like Polyphonic Spree meets Porcupine Tree meets Riverside.

Of course, those of you who are familiar with early Pink Floyd will recognize the Floydian references in at least two song titles, Bullets Dominae and Bright Ambassadors of Morning (from the song Echoes). This is not to say that these guys are merely aping Pink Floyd, because they're not at all. The use of male and female vocals gives it distinction from direct comparison. However, don't make the mistake of thinking its another goth band, which also feature male and female lead vocals. No one singer takes center stage here, both male and female are intertwined, and blend perfectly with each other; both are competant vocalists (no acclimation period required).

Also used throughout is mass choir vocal sections, whether its actually a mass choir or multi-tracking vocals, its a stunning effect. Couple this with a band that very adept at delicate, etherial sounscaping as well as dramatic, symphonic rock, and you have a spectacular prog album. Amazingly enough, as bombastic as the some musical passages are, it doesn't come across as over-the-top theatrical, like with some similar music (Nightwish comes to mind), rather it remains quite organic sounding.

This album is a throwback to a time when an album was an artistic statement, when album flow and feel was as important as the musical contents. Fans of Porcupine Tree or any other Steve Wilson project might find this their cup of tea. Any fan of early Pink Floyd should like this as well. This isn't a band in search of a 'sound', they come across as a band who are playing music they feel. The only question now is how on earth will they follow this stunning debut. Highly recommended.

Challenging debut album. .......2007-05-16

Influenced by bands like Pink Floyd (particularly their earliest works), Led Zeppelin, as well as The Beach Boys and The Cure for their vocal harmonies, and even modern day Tool and some grunge elements, The Dark Third is a challenging debut album by Pure Reason Revolution.

The fourth track, "The Ambassadors of Morning", is a solid representative of the full album. It clocks in at a little over 12 minutes; blending numerous musical statements, from the Celtic folk parts to semi-electronic and analog synth work, to ambient atmospherics, to both male and female harmonies often sung in counterpoint, to classic rock guitar nuances. The song starts off with subtle keyboards while you can hear lots of sample sounds happening in the background. Far back in the mix, female vocalists hum wordless melodies before a heavier synth layer is introduced. This is followed by a very folky segment mixed with ambience and could make for a great movie soundtrack. The ambience generated by the keyboards is a testimony to the band's love for Pink Floyd. However, as the four-part harmonies kick off, the song turns into post-pop tune with great melodic sensibility. The multi-vocals take a back seat when the first chorus hits the tune with a very repetitive lyrical approach sung by deep, clean male vocals. Eventually the melody reaches its end and another lengthy instrumental section follows with lots of wind effects and sparse synth notes flying around. A grungy Tool can be felt before male and female vocals begin to sing in counterpoint and lead into the second big chorus that is repeated over and over until the last second of the piece.

The other songs are also composed similarly, always injected with a multitude of similar sounds, but when put together, they form these easy-listening pieces which indicate a promising future for this band. The first song, "Aeropause", evokes Pink Floyd with its droning rhythm and slide guitar. Three members in the band play guitar, and that culminates in a wide-ranging sonic pulse, especially on "Apprentice of the Universe". Also, the "dreamy" feel of the whole album fits the concept. Obviously, the band is quite interested in the phenomen of dreams and their interpretation, and that feel is perfectly captured on the whole album. That said, the avid Floyd, Zeppelin or The Cure fans may question the songs' validity, and to an extent, they may have a point. It's great the band wants to mix all these genres, but doing it right is more important.

The production done by Paul Northfield (Gentle Riant, Rush) is amazing; he's rendered an incredible sonic intensity on this album.

The true future of Prog.......2007-05-09

Just take a look at the name-checks of the 7 reviewers who have already shared their thoughts (Porcupine Tree/Pink Floyd/RPWL/Pineapple Thief/Riverside/Opeth/Radiohead). That sure makes for mouth-watering listening. Even Beach Boys and Nirvana were thrown in. That's what this CD does to you. I have a few more name-checks that spring to mind in parts on the Album. They are Blow Up Hollywood (Especially the quieter piano parts on the CD Opener Aeropause), early 70s Moody Blues Multi Vocal harmonies at times, Melting Euphoria programming Special effects in places, and Platinum Fleetwood Mac Vocal harmonies in places too (Most notably Christine McVie). There is an Enya type feel on the epic second track, Goshen's Remains as well. However, there is one band I am suprised that has not been mentioned in similarity, and that is Mostly Autumn. I am a big fan of Mostly Autumn but these guys are so much better, especially in the male vocals department. That is the amazing thing about this album. You cant simply break them down as they are all over the place. Someone also mentioned they are like Porcupine Tree's in their lighter moments. I agree to a point, but for me, the Porcupine Tree album in question is "Stupid Dream" (Most notably the Climatic guitar pieces). Same goes with Riverside. The album flows beautifully from start to finish, and as has been mentionned, there is a hidden track at the end of the last track after 5 minutes of silence. I dont know why bands do this (Pineapple Thief has done it as well for instance). It should have been shown as Track 10. I wouldnt have known about it had I not read another reviewers comment. There are 2 versions of "The Dark Third" CD. On this CD, you will see the tracks above but on the imported version (Same artwork but different colour) tracks 5 and 8 have been replaced by the songs "The exact Colour" and The Twyncyn/Trembling Willows". I am fortunate to own the double version of The Dark Third and can point out some interesting points. The so called hidden track mentioned is titled "Asleep under Eiderdown" as it features on the Bonus CD. Also featured on the EP are I. Nimos and Tambos (again) II The Twyncyn/Trembling Willows III Asleep under Eiderdown (Hidden Track as mentioned) and IV In Aurelia. However, although it is not mentioned on the sleeve, there is a fifth track being Arrival/The intention Craft (again). The songs not featured here on the full length CD are not as memorable and at the same time not as derivative. Perhaps it has to do with the Production. On the intro of "The Twyncyn", the heavy drumming vibe was very Bonhamesque circa "Kashmir". I especially love the Angelic Choir like harmonies, and the use of the Spocks Beard/Gentle Giant (God! 2 more bands mentioned) type multi layered vocals. This band is Special. VERY SPECIAL. I have seen Porcupine Tree on their last 3 Album Tours, but missed the current tour, and what makes me really sad is that Pure REason Revolution are currently supporting them. This CD is constantly playing in my deck, and will do so for quite a while (At least till the next PRR CD comes out). Definitely my favourite album of the year so far. Nuff said.

Derivative but Tasty.......2006-11-04

When is Progressive Rock not Progressive? When it's Pure Reason Revolution. The band doesn't really break any new ground here, but they produce an able auditory experience all the same. The most prominent theme on the album is lifted straight out of the lyrics to Pink Floyd's "Echoes": "...a million bright ambassadors of morning...". There are many "echoes" of past prog bands contained within the album: Opeth, Pink Floyd, Porcupine Tree, Radiohead, Dream Theater, more. Perhaps the combining of these elements could be considered progressive? Perhaps.

Much has been made of PRR's vocals. There are subtle harmonies, and the layering of the male and female vox is striking at times, but the lyrical phrasing is redundant and boring. There's an almost chant-like feel to it, a very plainsong styled approach. The phrasing is so similar from tune to tune that a certain sameness sinks in, defeating the effect of the instrumental artistry. Singing across the instrumental phrase, not along with it, might help next time. And, please, vary phrasing song to song!

The problem for me was that the band had been hyped by the on-line progressive rock community, perhaps to an unrealistic degree... maybe there was no way they could have lived up to the created expectations.

Still, it's listenable, new, "progressive" rock, and if you enjoy the bands mentioned above, you may enjoy PRR.

Average customer rating:

Two excellent albums on one CD
Finally!

Head East/Gettin' Lucky
Head East
Manufacturer: Hip-O Select
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Flat as a Pancake
Live on Stage
Boogie Motel
20th Century Masters - The Millennium Collection: The Best of Head East
American Exce$$/On a Roll

ASIN: B000BQP12A
Release Date: 2006-11-13

Product Description

The Midwest has turned out some great rock bands in its time, working bands, no-nonsense bands that rock hard for their days pay. Head East is right up there on the list. Known by most for their widely-anthologized classic rock radio staple Never Been Any Reason, they never quite got their props outside their home territory for the great body of work they created during the late Seventies and early Eighties. Wed like to redress that wrong, at least in a small way, by releasing 1977s Getting Lucky and 1978s Head East for the first time anywhere on compact disc. The music still sounds phenomenal, thanks in part to a careful remastering from the original tapes by Universal Masterings Erick Labson. New notes have been penned by noted critic Scott Schinder for this release as well. But when all is said and done, it comes down to the tunes. We defy you to sit still when Call To Arms And Legs comes rockin out of the subwoofer. The acoustic guitar opening of Back In My Hands sounds as crisp and clear as if Mike Somerville were in the room with you, and Roger Boyds trademark synth lines sizzle right through the mix. And these guys had a great insight into one of the key elements of rock: they knew how to have a good time while they were playing, and they were able to convey it to the audience. These are park-your-Trans-Am, knock-back-a-couple-of-beers and party-all-night-long records. We could use more of them.

Customer Reviews:

Two excellent albums on one CD.......2005-12-15

The self titled album is even better than Flat as a Pancake, and Gettin Lucky is great as well.

Finally!.......2005-11-15

I know I'm preaching to the choir as no one is just going to stumble onto this review, so it'll be to the point. Yes, they should've been bigger than they were instead of being limited in appeal to over-40 Midwestern natives, etc etc. We can all agree on that.

I think Head East's second and third albums, "Get Yourself Up" and "Gettin Lucky" were their best, and the most under-represented on the otherwise decent 20th Century Masters CD. While "Get Yourself Up" is still not available on CD, "Gettin' Lucky" is the first half of this CD. Boyd was at the top of his game with the keyboards and synthesizers, Somerville was great with both acoustic guitar and the power chords, and the entire album is clean-sounding and more importantly, re-mastered well. Best tunes are the title track with the snarling organ, "Back In My Own Hands" with the aforementioned acoustic and synthesizers and my favorite, "Call to Arms and Legs"; a once-dated but somehow relevant-again environmental message but more impotantly, about as hard-charging a tune they've ever done. You want to turn that one up loud, women, children and dogs be damned.

Their eponymous (I love that word) fourth album is the back half of this CD, and not quite as strong as "Gettin' Lucky" as they de-emphasized the keyboards and synthesizers for guitar power (the further and largely unsatisfactory changes seen in the subsequent "A Different Kind of Crazy", I think, was a precursor toward this band's demise). However, it still works well if you're a fan. This album contained Russ Ballard's "Since You Been Gone", the only Head East tune you ever hear on the radio other than "Never Been Any Reason". Other good tracks include "Open Up the Door", "Man I Wanna Be" and "Dance Away Lover". This album has a lot of upbeat lyrics with some spiritually-tinged numbers, perhaps a precursor to Schlitt's later career as a member of the Christian rock band Petra.

You have to be a fan, but if you are, this is a must-have.

Average customer rating:

It's never quite let me go.
Solid.......
One album I can't stop listening to.
not relevant in 2005...
A Classic

Do You Know Who You Are?
Texas Is the Reason
Manufacturer: Revelation
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Punk | Hardcore & Punk | Alternative Rock | Styles | Music

Emo | Hardcore & Punk | Alternative Rock | Styles | Music

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Similar Items:

Texas Is the Reason
Power of Failing
Frame & Canvas
American Football
Dear You

ASIN: B000000TCT
Release Date: 1996-04-30

Tracks:

Johnny On The Spot
The Magic Bullet Theory
Nickel Wound
There's No Way I Can Talk Myself Out Of This One Tonight (The Drinking Song)
Something To Forget (Version II)
Do You Know Who You Are?
Back And To The Left
The Day's Refrain
A Jack With One Eye

Product Description

1. Johnny On The Spot
2. The Magic Bullet Theory
3. Nickel Wound
4. There's No Way I Can Talk Myself Out Of This One Tonight
5. Something To Forget
6. Do You Know Who You Are?
7. Back And To The Left
8. The Day's Refrain
9. A Jack With One Eye

Format: CD

Customer Reviews:

It's never quite let me go........2007-03-13

At a rather hip friend's insistence, I first heard this album in mid to late high school (circa 1995). Seeing as that those years were ground zero for teenage angst and all that comes with being hormonal, confused, and lovelorn, I seized onto this band with a fervor (right along with Mineral, Seam, and a few others). To this day, when I hear the opening bass chords and the swelling drums of the first song, I instinctively grit my teeth, get my rock face on, and prepare to air drum on my steering wheel. This is a powerful record, one that bends and weaves with a beautiful intensity throughout. The desperation of hardcore is still very much a presence in TITR's music, but it's bound tight with melody, memorable time signatures, and pop-savvy structures. Granted, Garrett's voice can drive people away from the band if they aren't willing to give it time (he's more than a tad nasal), but the songs stick with you.
Definitely an album to purchase if you're even momentarily interested in the mid-'90's tail end of the "emo/post hardcore" movement.
As for the guy who suggested that the EP was better than this full-length, don't believe it. Get this, and dig in.

Solid..............2005-06-24

First off this sounds nothing like current pop punk (ala--Green Day)like another reviewer has suggested. Muscially they sound like late 80,s early 90's Samiam and Jawbreaker, maybe even a little Crimpshrine thrown in as well. It's emo if you must place a silly tag on it but it is good none the less--tight,melodic and catchy.

One album I can't stop listening to........2005-06-08

This is my #1 album of all time. Hands down. I cannot be without this album for more than 1 week, and it's been out for 8 years. I love it so much that I've given away 5 copies of it to friends and relatives, and rebought it within a day or two every time. Don't miss out. Buy it now. NOW! Thank you for reading my review.

not relevant in 2005..........2005-03-27

back in the day i remember my friends babbling about this band called texas is the reason, but i never gave them a chance for some reason. so i did today, and i am extremely disappointed. someone said this band sounds like further seems forever and all those other new pop punk bands, but i would say it sounds like a high school band trying to sound like the current pop punk trend.the recording and production quality is considerably poor as well, dont waste your money kids...just turn mtv back on and let them make your music choices for you.

A Classic.......2004-06-20

This is perhaps one of the first emo bands that really started making an impact on the world (the first of course, nearly undoubtedly being, Sunny Day Real Estate). They have a very unique sound that has never been matched since they broke up. It is perhaps a good thing that they broke up, before they got extremely mainstream. Then they probably would've went downhill.
Their drummer has become a member of Jets to Brazil, one of the most praised bands in the music world, by not only emo fans but various others. Texas is the Reason is a very good, influential, unique band. This album is definitely top notch and worth a listen for anyone who can appreciate music.

Average customer rating:

Their best cd to date 3/20/07
Sophomore slump? I don't think so!
No what i was expecting
Excellent!
Powerful, heavy and totally brilliant heavy metal album...

The Impossibility of Reason
Chimaira
Manufacturer: Roadrunner Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Punk Revival | Hardcore & Punk | Alternative Rock | Styles | Music

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Chimaira
Pass Out of Existence
The Fury of Our Maker's Hand
Alive Or Just Breathing
Chimaira: Dehumanizing Process

ASIN: B000093I3F
Release Date: 2003-05-13

Tracks:

Cleansation
Impossibility of Reason
Pictures in the Gold Room
Power Trip
Down Again
Pure Hatred
Dehumanizing Process
Crawl
Stigmurder
Eyes of a Criminal
Overlooked
Implements of Destruction

Customer Reviews:

Their best cd to date 3/20/07.......2007-03-21

This cd rips your face off right from the beginning till the very last song. This is Chimaira's best cd ever. Andols(drummer) is awesome. If you like double bass drum you will love this cd. Plus this is a younger group but they still do guitar solos. You won't find none of that nu- metal [...] here.

Sophomore slump? I don't think so!.......2007-02-02

Keeping up with their feirce debut yet still managing to kick things up a notch in not only the melody and sheer musicianship but also in lyrical content, Chimaira delivers a brilliant sophomore album in `The Impossibility of Reason'. Bringing together crushing guitars and thundering drums this band illuminates and burns bright on these 12 tracks. The opener `Cleansation' is freaking brilliant, but I will say that I was a little less impressed with `Implements of Destruction', their closing track. I expected something a little more jolting, like `Jade' from `Pass Out of Existence'. The band delivers on tracks like `Pictures in the Gold Room' (just listen to those drums!) and my personal favorites `Stigmurder' and `Eyes of a Criminal'. It's a perfect transition album from their debut to their third self titled release.

No what i was expecting.......2006-11-03

good cd, but it was a little heavy for me. and that saying alot cuz i like heavy.

Excellent!.......2006-10-06

Just great. These guys remind me alot of Nothingface. Great songs, great playing, great vocals. The perfect heavy package

Powerful, heavy and totally brilliant heavy metal album..........2006-07-13

I saw these guys live a few months back playing alongside the likes of Unearth and madball, and i have to say they were f*****g amazing! Every song on this album is totally brilliant, heavy-as-5H1t brutallity, and the ripps are awsome too.

Ok, so theres not much experimentation with vocals, but who cares!? the music is great, and to be honest, where metal is concerned, the music is soooo much more important then the vocals or lyrics.

Anyone who loves metal, buy this.

Average customer rating:

Sometimes There's Nothing Better Then Luther
Luther is and always will be the man
We'll miss u Luther...
Another winner
A fun album

Give Me the Reason
Luther Vandross
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Contemporary Blues | Blues | Styles | Music

Soft Rock | Pop | Styles | Music

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The Night I Fell in Love
Forever, For Always, For Love
Never Too Much
Busy Body
Any Love

ASIN: B00005MKE0
Release Date: 2001-07-24

Tracks:

Stop To Love
See Me
I Gave It Up (When I Fell In Love)
So Amazing
Give Me The Reason
There's Nothing Better Than Love
I Really Didn't Mean It
Because It's Really Love
Anyone Who Had A Heart

Customer Reviews:

Sometimes There's Nothing Better Then Luther.......2007-03-22

Lol well this album may be over twenty years old now but it is certainly a treat to slap on 'Give Me The Reason' on like an audio gourmet platter and just dig right in.Vandross kicks everything right off with "Stop The Love" which just emmediatly gets your attention with it's bouncy beat and with the brilliant gospel like female choir including the likes of Cissy Houston,Cheryl Lynn,Alfa Anderson and Paulette McWilliams it goes up a whole other level;one of THE BEST examples of secularized gospel in the decade!Now "See Me" has a slightly slower beat and just some of the creamiest sound and creamiest bass from Marcus Miller you'll ever hear!"I Gave It Up (When I Fell In Love)" is loads of fun because it has that well "retro neuvou' shuffling soul sound that Luther is so capable of plus a hook that will have you singing and clapping along.The title track and the wonderfully kinetic "I Really Didn't Mean It" were funky dancable urban contemporary of that day complete with those great electronic hand claps and that big 80's beat at it's best.As for the ballads "There's Nothing Better Than Love" features Luther and Gregory Hines really reaching for new heights from their voices and they sound wonderful together on this terrific song."Because I Really Love You" makes the best use of strings you'll hear during this time while his cover of "Anyone Who Had A Heart" features a creamy but soulful sax solo courtesy of Kirk Whalum and "So Amazing" is pretty.'Give Me The Reason' finds Luther Vandross on his fifth solo triumph in a row and already a permenant resident of the R&B world and music charts.What's sad is that this album wasn't as successful on the pop side.I have no doubt that with the right promotion this fun,peppy album with more uptempo songs then love ballads would have crossed Luther over permemently he really doesn't seem to be worrying.A must have recording for Luther Vandross fans or anyone interested in 80s soul.

Luther is and always will be the man.......2006-12-14

Luther was at the top of his game with the Give Me The Reason CD. The album featured the hit singles Stop To Love,So Amazing, There's Nothing Better Than feat. Gregory Hines and the tile track. Stop To Love" and "Give Me The Reason" were beautifully produced, arranged, and performed numbers and huge R&B hits that still get an old school party started while So Amazing & There's Nothing Better Than feat. Gregory Hines were both beautiful ballads that are timeless.

We'll miss u Luther..........2005-10-03

What can I say about one of the MOST TALENTED singers of my time?! This was the 1st album of the Late Luther Vandross I had ever owned. I was in my early teens then and the cassette tape has long been lost. I have most of his cd's and I'm glad I reintroduced this one back into my collection. My favorite, 'there's nothing better than love' is a lovely duet with the Late Gregory Hines and how I miss him too. The song is even more special to me now, since they're both living on in memory...

Another winner.......2004-10-14

Luther was definitely on a roll at the time of this album's release, and GIVE ME THE REASON was not only Luther's second consecutive album to be certified Double-Platinum in sales, but it also managed to reach #14 on the Hot 200. He was slowly beginning to gain acceptance from the pop audience, and this album helped him narrow the margin. Consistent and cohesive, with material that is expertly written, produced, and performed, GIVE ME THE REASON is everything contemporary soul record should be.

Luther has always been an underrated songwriter, and this album should have changed that. From the soaring anguish of the title song, to the understated sentiment of the lovely "So Amazing," Give Me The Reason contains some of Luther's best written songs. He also continues to strike the perfect balance between production, song, and performance, as evidenced on the sputtering "I Really Didn't Mean It." Everything also comes together flawlessly on the delightfully frantic "Stop To Love," which recalls the sound of early Motown, yet has a modern spin all it's own.

Luther also performs a duet with dancer/actor Gregory Hines that is possibly the album's brightest highlight. There is a surprising chemistry between the voices of Vandross and Hines that is at the core of the touching, melodic "There's Nothing Better Than Love," which really transforms the song into a heart-felt stunner. Luther also adds another Bacharach/David composition to his catalog with his jazzy rendition of "Anyone Who Had A Heart," which stands tall with even the best of the Vandross covers. One of his most enjoyable albums, GIVE ME THE REASON represents Luther at his prime.

A fun album.......2004-04-30

Luther was a major player in the 80s. My man could SING in a big way, and he had a nice style all to himself too. This was his fifth album, and although its not a classic like `Never Too Much' (1981) and `Forever, For Always, For Love' (1982), it is a good album of fun numbers like the title track and `Stop To Love'. There's a little something here for everybody, floor movers, love songs, a Dionne Warwick cover, a little bit of everything. Overall I wouldn't call it essential, but it sure is fun.

Reason to Believe: A Country Music Tribute to Bruce Springsteen

Average customer rating:

Reason to Believe: A Country Music Tribute to Bruce Springsteen
Various Artists
Manufacturer: American Beat
ProductGroup: Music
Binding: Audio CD

Hardcore | Hardcore & Punk | Alternative Rock | Styles | Music

General | Country | Styles | Music

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Light of Day: A Tribute to Bruce Springsteen
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We Shall Overcome - The Seeger Sessions - American Land Edition

ASIN: B000CRKY8Y
Release Date: 2005-10-01

Tracks:

Thunder Road - John Berry
Tougher Than the Rest - Travis Tritt
Cadillac Ranch - The Nitty Gritty Dirt Band
Price You Pay - Emmylou Harris
Atlantic City - Hank Williams III
Pink Cadillac - Southern Pacific
Reason to Believe - Beat Farmers
State Trooper - Steve Earle
Angelyne - The Nitty Gritty Dirt Band
Blinded by the Light - Allan Clarke

Product Description

1. Thunder Road - John Berry 2. Tougher Than The Rest - Travis Tritt 3. Cadillac Ranch - The Nitty Gritty Dirt Band 4. The Price You Pay - Emmylou Harris 5. Atlantic City - Hank Williams III 6. Pink Cadillac - Southern Pacific 7. Reason To Believe - The Beat Farmers 8. State Trooper - Steve Earle 9. Angelyne - The Nitty Gritty Dirt Band 10. Blinded By The Light - Allan Clarke

Music Track:

Music Track

music track

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