Tilt

Tilt

Track Listings

1. Gravita 9 81

2. Strips

3. Corrosione

4. Positivo Negativo

5. In Cammino

6. Farenheit

7. Articolazioni

8. Tili

Editorial Reviews
Product Description
CD reissue of debut album for Italian progressive band close to PFM, Mahavishnu Orchestra, King Crimson and Soft Machine. Originally released on Cramps in 1974. Original artwork. Akarma Records release. Miniature gatefold LP sleeve.

Tracks:

Farmer In The City
The Cockfighter
Bouncer See Bouncer
Manhattan
Face On Breast
Bolivia
Patriot (A Single)
Tilt
Rosary

Customer Reviews:

The Dawn of New Music.......2007-07-17

I received Scott Walker's Tilt today, and have just finished listening to all the pieces. As many reviewers noted, the pieces in Tilt may not be instantly enjoyable (one may remember that many things that are "instantly enjoyable" may not be memorable, after all); however, I believe that those who have been to an avant-garde theatrical performance and have enjoyed the experience would most probably appreciate Scott's album Tilt. As for me, I thoroughly appreciated the musical pieces in this album. They were both eerily beautiful and thought provoking. Some pieces seem to hold more personal significances (to Scott himself) but others seem to have more universal resonance. As for his lyrics, Scott seems to utilize the connotative and metaphorical functions of language freely and consciously. For this reason, we may interpret each piece differently, but there is no need for fretting over the "correct" interpretation of each piece (as many post-structuralists say, language is finally unstable). Nevertheless, if you are familiar with Freud's Interpretations of Dreams you may want to apply the same interpretative method (I did and I feel that I comprehended some pieces better).

Scott Walker was my musical idol when I was a teenager in Japan. I bought most of his albums and adored his beautiful voice and person. Indeed, the Walker Brothers concert was the only pop concert that I had ever attended. However, due to the rigor of my education and relocation (I'm now living in U.S.A. and working as a college professor) I have almost totally forgotten about his music. Now that I re-discovered the glory and courage of his music I have been buying up his CDs through Amazon.com. I listen to his more immediately accessible music (both to my senses and emotions) when I just want to feel, and I listen to Tilt and Drift (which I'm planning to purchase) when I want to be jolted out of my complacency. Scott Walker's music is highly recommended. In particular, those who are fed up with the highly commodified music of recent years may appreciate his music very much.

Finally, I hope that Amazon will make Stephen Kijak's documentary, Scott Walker: 30 Century Man, available to us Americans.

A Remarkable Album by a Serious Musician.......2007-07-05

There aren't many albums about pinball machines, and this is not one of them.

I'm not a fan of Scott Walker. It's not that I dislike him, I just haven't heard any of his music and I have no interest in it. I was not alive when The Walker Brothers were popular and I am not the kind of person who is attracted to underground legends. I am drawn to "Tilt" because it is frequently described as one of the most uncommercial, offputting, extreme pop albums ever, an operatic analogue of PiL's "Flowers of Romance" or Terence Trent D'Arby's "Neither Fish Nor Flesh". I love extremes, but in this respect Tilt it a disappointment. The music is odd, but not unimaginable. It has abrupt dynamic shifts, and there is no pop; it is often formless, like the last two Talk Talk records, but it is recognisable as music.

Nonetheless it is the kind of album that would clear the floor at a disco or a party. Like many sincere artistic statements, Tilt has an air of camp, and I found it easy to laugh at. Scott Walker's voice is hard to take seriously unless you are a fan. His voice reminds me of the old Bugs Bunny cartoon where Elmer Fudd sang "kill the rabbit" to a tune by Wagner. As I listen to "The Cockfighter" I am not concentrating on the music, I am thinking of Elmer Fudd dressed as a Rhine Maiden, singing "kill the wabbit", and I am thinking about cocks. The production on "The Cockfighter" exploits extreme dynamic range. The song starts with quiet music and crackling noises, and then shifts to very loud drums. It has a one-note saxophone solo. It is not as extreme as the reviews say. The drums sound weak. I was not floored.

The album does however gets off to a good start with "Farmer in the City", which has Scott Walker emoting into a big echo chamber, with a strings orchestra grinding moodily in the background. It is a tribute to Pier Paolo Pasolini, an intellectual newspaper columnist stroke filmmaker who is exactly the kind of person you would expect Scott Walker to write a tribute song about. I have no idea how the lyrics relate to Pasolini's life, but the music is spooky and the song conveys an atmosphere. It works.

"Bouncer See Bouncer" is similar to Farmer in the City, but without the strings. It has tinkly bells and a bass drum instead. The middle eight drops the bells and the drum in favour of some horns and a harp. It is very pretty, although if you can't stand Walker's vocal style then the song, and the whole album, is a dead loss, because he is mixed high up and the accompaniment is often very low-key. Scott sings as if he is experiencing fear beyond comprehension, disgust, loathing, and insane ecstasy, but he does so in a mannered style.

"Manhattan" is similar to Bouncer See Bouncer but with church organ and some jazzy drums. Although I am not a hi-fi freak, I imagine that this album is a favourite of hi-fi freaks, because it has the same kind of sterile, detailed sound as a Steely Dan album. "Face on Breast" combines the basic concept of the Scott's voice plus instruments idea with a rolling beat that is clearly derived from "I Can't Dance" by Genesis. "Bolivia '95" starts with some funky bass before turning into a relatively conventional pop song. "Patriot" is much happier-sounding than the rest of the album, although the happy mood is undermined by violins that sound like a million chattering locusts bursting from the flesh of a hundred dying seagulls. In the context of the rest of the album, Patriot's cheerfulness is unsettling. "Tilt" is a mid-tempo rocker with a prominent bassline. "Rosary" is a short coda. When a writer is bored with his subject he ceases to evoke, and instead describes.

This is the kind of album that only gets five-star reviews, because non-fans of Scott Walker will never hear it, or hear of it, and will never be roused to write about it. I wish he had written more than a series of mid-tempo, vocal-led operatic numbers with generally low-key backing. The Cockfighter is the only song that breaks this template - it has a section that sounds like industrial rock circa 1995 - but the rest bores me. It's a lot of jazzy vocal improvisations with a tasteful, twisted art music backdrop, dead-sounding spishy drums, fretless bass, and sound effects. If you search Google for this album the next result after Amazon.com is an article entitled "Tilt by Scott Walker: A remarkable album by a serious musician", and when I read "a remarkable album by a serious musician" I subconsciously reach for the safety catch on my non-existent Browning.

"It was the journey of a life".......2006-05-11

It took me 11 years to decide to buy this album. When it was first released in 1995 i was unable to come to terms with the material from it i heard on alternative radio in The Netherlands (VPRO). I was 19 and no novice to 'difficult' music. About 5 or 6 years later i decided to give TILT another try. Still no connection; it seemed so pretentious i burst out laughing. When i started listening to opera a few years back, i regularly found myself singing: "Do i hear 21, 21, 21..." (from FARMER IN THE CITY) and i knew i was going to have to give TILT another try.

i was never unaware of Scott Walker (real name: Noel Scott Engel) as i knew of his past with the Walker Brothers, whose music never left a lasting impression on me. TILT was, however, my first experience of the music Walker made as a solo artist. Recently i bought both TILT and THE DRIFT (already released in Europe) together and i was stunned by what i failed to understand 11 years ago.

TILT is a timeless masterpiece of bleak, austere beauty. Although the music is the very definition of commercial suicide (not unlike Nico's THE MARBLE INDEX) coupled with lyrics that are nothing short of cryptic, TILT draws the interested listener back time and again to it's lackluster soundworld. Walker's musical language is mainly made up of ambient, modern classical music and industrial, the overall ambiance of the album defies categorisation. In a time of record companies looking for marketable music, TILT is certainly a statement of artistic freedom, lack of fear, courage and persistance.

As much as i would like to analyse the individual components to make it easier for the uninitiated listener, i feel at a loss when trying to do so, as if disecting a bacteria with a scalpel.

TILT is simply "the journey of a life".

Essence of Scott Walker?.......2006-04-06

Some reviewers have pointed to the difference between Scotts earlier records and this. However I think his records have always been slightly ominous and soundscapey. Listen to for instance "Such A Small Love" from "Scott", it's really not that different. It's more like he has been working at refining that sound and cutting away the fat and has now ended up with this more minimalistic music. Granted the songs doesn't follow conventional song forms, but that doesn't mean they are formless, it's just different structures. As mentioned one of the songs is dedicated to Pasolini and a lot of the songs are like little movies, just as the sounds also reminds of the same austerity, that you might find in a Pasolini movie. Of course some people might complain, that it isn't pretty like his old records, however I find that exactly because he seems to scrap conventional song forms and follow his own ideas, it makes this a very inspiring and liberating record.

Release the catches...Do i hear 21.......2006-02-17

Absolutely Pure....Haunting... Beautiful...not for the faint...Disturbing work of genius.....Soundsscapes of dark places one only fears to tread, yet unearthered Beauty that one dreams of ever to witness! But you must have an intellect, artistic mind and willingnees to disire such - not as I said not for the average person because it may be way over your head

Average customer rating:

Great loose fusion deal!
Fierce battle rages on !!
yuk!
Awesome
fantasy+tecnique=whatta record?!

Tilt
Richie Kotzen & Greg Howe
Manufacturer: Shrapnel
ProductGroup: Music
Binding: Audio CD

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Project
Greg Howe
Electric Joy
Introspection
Five

ASIN: B000001089
Release Date: 1995-08-22

Tracks:

Tilt
Chase The Dragon
Tarnished With Age
Outfit
Confusion
I Wanna Play
Seventh Place
O.D.
Full View

Customer Reviews:

Great loose fusion deal!.......2006-01-28

This album has the feel of the old Beck fusion with a shredders twist. It might be to loose and jammy for those wooden shred lovers. So have an open mind to this funky stuff. It's damn good shred jazz-fusion album . It's enjoyable as can be with it's laid back feeling . Anyone who likes Beck, Dimeola, or Morse would enjoy this.

Fierce battle rages on !!.......2004-06-26

First of all I am the great fan of guitar instrumental music.In Japan,sadly enough GREG is so underrated among guitar DIEHARDS.This CD showcases the fine prowess and outstanding versatility of these guitar players.These two guys play their guitar like the two heavy weight champions of the boxing match.They never compromise against commercial music.They did what they wanted to do.So If you hear this CD you will surely be knocked down to the ground and forced to bite the dust.They really had a fierce competition from start to end.This CD never lets you down.

yuk!.......2002-12-20

Half the songs are written by Howe and the other half by Kotzen. I think Kotzen's song contributions are pretty bad, although the first song ("Tilt") has an amazing solo by Kotzen that I may never forget. I think Kotzen mainly junks up the rest of the album. Skip it.

Awesome.......2000-06-21

The best shreders in town play together in this fusion tour-de-force. The 1st track, "Title", gives the tone of the record and is absolutely killer. Richie showcases his usual fast runs throughout the album, while Greg mixes lightning chops with unexpected, cool jazzy licks. A must buy.

fantasy+tecnique=whatta record?!.......1999-11-02

When I first listened to this record I was shocked. This two virtuosos had improved even more than I expected.I had no words to describe it to my friends who were interested in this kind of music. But I think that here Greg Howe shows more mature playing than does Richie Kotzen,but,of course,this is quite hard to be noticed.Although I still think, BRAVO!!!

Average customer rating:

I can't get enough!!!
One of the best bands you've never heard of
cinder block is awesome
One of those rare albums that clicks the first time through.
One of the best punk albums of '99!

Viewers Like You
Tilt
Manufacturer: Fat Wreck Chords
ProductGroup: Music
Binding: Audio CD

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Collect 'Em All
'Til It Kills
Been Where? Done What?
Play Cell
A Poet's Life

ASIN: B00000JY8V
Release Date: 1999-08-10

Tracks:

Annie Segall
Die Of Shame
War Room
Animated Corpse
Pontiac
Fine Ride
Viewers Like You
Pious
Penny Ante
Mama's Little Man
Dog Collar
Restless Irritable & Discontent
Counting
Want To Do

Customer Reviews:

I can't get enough!!!.......2005-06-30

You would think that after listening to a CD as many times I have this one, you'd get at least a little sick of it. This CD never gets old! I have always loved TILT but this is by far the best. If you know someone who is in to punk bands with strong female vocals, this is it.
If you've never listened to TILT, this is a great place to start.

One of the best bands you've never heard of.......2002-02-09

It's so rare that you find a punk band that combines intelligent songwriting with superb musicianship these days. Tilt is a good indication that straight up, no frills rock is not yet dead. And this CD is a great exempler of their skills.

Cinder Block is probably the best female vocalist working in a band today. Her soaring bluesy delivery recalls the late,great Mia Zapata, and her lyrics are really quite brilliant. On "Viewers Like You", the songs range from the starkly political ("Jenny Segall", "Die of Shame") to the darkly humorous ("Animated Corpse"). Add the solid guitarwork of Terry Bischoff, and you have musical magic.

With every new Tilt CD I keep waiting for them to break out to the big time. I guess it is not to be. Ah well, they are too good for radio anyway

cinder block is awesome.......2000-08-29

i think this cd is fantastic. i love cinder's vocals, and cinder herself is quite an inspiration, being a woman in such a male-dominated industry. I love how she puts such power and vocal energy into each of the songs. Tilt's vocals and lyrics reign supreme in the punk world. i was also hooked on tilt from 'Til It Kills (buy that cd!) and i think Viewers Like You demonstrates that same raw energy that cinder just naturally generates. I was not at all dissappointed in this cd. And unlike another critic, i feel that the lyrics are fantastic. Cinder writes the best punk lyrics (i love the big words)-- they're filled with so much more depth and meaning than the average punkers, which is partly why i like the music so much. She writes about the issues that she feels strongly about, and includes themes that everyone can identify with. I like her use of metaphors in war room and fine ride. Tilt produces so much more than just 'music.' i really believe she puts her heart and soul into the music and it becomes very evident when you listen. Go and buy this cd... and then til it kills, and then collect em all, and then playcell. you won't regret it.

One of those rare albums that clicks the first time through........2000-01-27

I've been listening to bits of Tilt over the years, but when I got this album it was as if I suddenly woke up. This is such a complete album. I know it's so cliche to say, but this one absolutely rocks!

One of the best punk albums of '99!.......1999-10-13

This album is punk perfection. These have got to be some of Cinder's most meaningful lyrics to date, and the music is so damn intense. I recently got a chance to meet and interview Cinder Block, and she personifies internal and external beauty. Buy this NOW, then buy "Til it Kills" and the older Tilt discs.

Average customer rating:

A RARE MASTERPIECE
what a woman!
Til It Kills: Tilt's Masterpiece

'Til It Kills
Tilt
Manufacturer: Fat Wreck Chords
ProductGroup: Music
Binding: Audio CD

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Collect 'Em All
Viewers Like You
Play Cell
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No Substance

ASIN: B0000007Q0
Release Date: 1995-04-17

Tracks:

Libel
Confines Of Love
Leanin' Like A Barn
Unravel
Suspended
Acathisia
'Til It Kills
Windowsill
Dumb Little World
Land Of Fragments
Lips, Tits, Hips
Past The Point
Dirty Kitchen Eternity
Berkeley Pier

Customer Reviews:

A RARE MASTERPIECE.......2001-05-17

Why is Tilt not as big as I wish they were? This album is one of those rare gems that you listen to straight through without skipping over any of the tracks. Each song is perfect & the album is a rare masterpiece. There aren't many perfect albums out there ("Revolver", "Sgt. Pepper's...", "the Real Thing", "Master of Puppets" & "All That You Can't Leave Behind" are the ones I can think of right now) but "Til It Kills" is definitely one of them.

what a woman!.......1999-10-08

This band is incredible. Not only is every member talented, but the lyrics are like nothing else. Cinder Block's words are intelligent and sharp, her vocals are strong and quick, and everything falls into place with just the same perfection. The talent extends to their other 3 CD's too though, don't stop at this one. Seeing them live NEVER gets old, they always put on an excellent show.

Til It Kills: Tilt's Masterpiece.......1998-09-07

Til It Kills stands out as Tilt's Masterpiece. I go back and forth with Collect 'Em All and this album as my favorite at the time, but I acknowledge the fact that I think this is their best album, with their best overall songs and best overall lyrics. And to top it off, there is even a punk love song, Berkeley Pier"", which could not be more perfect. For those of you who like fast songs, Leanin' Like A Barn and Lips Tits Hips. And there is nothing like going to a Tilt concert and singing along with the Cinder to "Libel".

Average customer rating:

Tilt
Arti & Mestieri
Manufacturer: Universal
ProductGroup: Music
Binding: Audio CD

General | Hard Rock & Metal | Styles | Music

Pop Rock | Pop | Styles | Music
ASIN: B000PDZN54
Release Date: 2007-07-09

Tracks:

Gravit, 81
Strips
Corrosione
Positivo/Negativo
In Cammino
Farenheit
Articolazioni
Tilt

Album Description

Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007.

Album Details

Japanese Limited Edition Issue of the Album Classic in a Deluxe, Miniaturized LP Sleeve Replica of the Original Vinyl Album Artwork.

Average customer rating:

Man, these guitars sound good.

Purple Wizard
Purple Wizard
Manufacturer: Full-Tilt Records NYC
ProductGroup: Music
Binding: Audio CD

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ASIN: B0007SXLOC
Release Date: 2005-02-15

Tracks:

I've Been Wrong before
I Idolize You
Chiquita Mia
I'm Gonna Get You
Cream Of The Crop
What Kind of Boy
Stalker
Scrapins
Come On Back
Misery
Price Of Love
Hey Sah-lo-ney
Let's Dance
No Jive
Ass Up
Puffy Rap

Album Description

Original songs like "Stalker" and "Scrapins", written by the band, with lyrics penned by vocalist Bill Peitsch, display qualities seldom found in rock n' roll songs these days. Bill's lyrics are genuinely clever, unpretentious, and hilarious. Listening to them would make Chuck Berry shake his head and smile. "Ass Up (The Pimp Song)" derives its humor and subject matter from the prime of 70's Blaxploitaion cinema, Marvin Van Peebles and Rudy Ray Moore (aka Dolemite). The album's closing track "Puffy Rap" was inspired by an US Magazine article a few years back about Puff Daddy inviting a posse of friends to party at the arrival of his baby.

Along with a fresh batch of original material, the band developed a talent for finding forgotten and obscure great songs and bringing them back to life. Drawing from early Rock `n Roll, R&B, 60's Soul, and British Invasion Rock, Purple Wizard frequently introduced choice covers into their set lists. Among those included on the album are The Dixie Cups' "I'm Gonna Get You Yet", Lee Rogers' Cream of the Crop, and the Everly Brothers' "Price of Love." With an ear for detail they injected the group's distinctive sound while being faithful to all the licks, fills, guitar solos, and vocal treatments of the originals. Not only does Purple Wizard manage to capture the genuine sound and spirit of their influences but they make every song sound like it was always theirs to begin with. The songs on Purple Wizard's self-produced debut album were recorded and mixed in the basement of Lori and Dave Lindsay's Brooklyn home (Country Club Studio) on a portable 8 track recording deck. The final mixes were then sent to England where they were mastered by Nick Watson at Sanctuary's Townhouse Studios in London. Watson had mastered recent reissues of the Kinks and Small Faces catalogs. He has also produced and mixed for artists such as Deep Purple and Fleetwood Mac. The end results prove that passion and skill can more than compensate for the lack of the latest recording technology or expensive studios.

On their debut release, Purple Wizard delivers a well made album packed from beginning to end with great songs. The songs are vibrant, confident, exciting, and most of all fun. In an age where much of the pop music spectrum is saturated with clinically overproduced, bland material, this homemade album sounds truly fresh.

Customer Reviews:

Man, these guitars sound good........2005-04-21

From a fan of their former incarnation, The Prissteens (if you don't have their out-of-print album, get it!), I can't recommend this album higher. The guitars & vocal harmonies work together so well, and they pay reverent homage to the bands they cover. It's raw and raspy (especially the Ike Turner tune), yet fun and sing-songy.

This is the kind of band you want to stumble into playing in a downtown Manhattan bar with a cheap beer buzz -- they would make your evening perfect. It's mighty good stuff.

Average customer rating:

RIP, Cozy
Not as good as Over The Top

Tilt
Cozy Powell
Manufacturer: Universal
ProductGroup: Music
Binding: Audio CD

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Octopuss

ASIN: B0009SQ52A
Release Date: 2005-05-23

Tracks:

Cat Moves
Sunset
Living a Lie
Hot Rock
Blister
Right Side
Jekyll and Hyde
Sooner or Later

Album Description

Considered to be one of the most talented drummers ever! CD features 8 tracks 'Cat Moves', 'Hot Rock', 'Jekyll & Hyde', 'Sunset', 'The Blister', 'Sooner Or Later', 'Living A Lie' & 'The Right Side'. Universal. 2005.

Customer Reviews:

RIP, Cozy.......2007-03-16

One of the world's great drummers -- he shows his chops as do all the musicians. It's a nice, diverse collection of songs.

Not as good as Over The Top.......2006-02-07

Powell's second solo album lacks the dynamic power of his 1st one.4 instrumental tracks including some good guitar work by Jeff Beck and Gary Moore are far superior to the 4 weak vocal tracks, which are mired in early 80's pop lameness.The instrumental "Blister" is a virtual reworking of the track "Killer" from O ver The Top. Should have stuck with the all instrumental format.

Average customer rating:

Acoustic magic

Tilt
Colin Reid
Manufacturer: Topic Records
ProductGroup: Music
Binding: Audio CD

General | Contemporary Folk | Folk | Styles | Music

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ASIN: B00005LPU9
Release Date: 2001-11-13

Tracks:

Rocket
Music For A Found Harmonium
The Queen Of Two Rooms
Never Going Back Again
Crimes Against Music Part II
The Spanish Man
Liam
Rise
Seed On The Wind
Twosticks
Daedalus' Lament
The Clay Pigeon Rag

Customer Reviews:

Acoustic magic.......2006-01-05

I first came across Colin Reid supporting Eddi Reader (who guest vocals on the track "Never going back again")at a concert in Alexandria, and was impressed enough to buy this CD. Though at times somber, Tilt manages to convey a certain playfulness and optimism and is a great showcase of Colin Reids talent with a guitar. I love to listen to "Tilt" whilst working, particularly if I want to start my day in a positive mood. If you enjoy acoustic music,guitar/strings and celtic overtones, you will not be disappointed with this offering. Tilt is Reids second CD, the first "Colin Reid" dates back to 1998 and his most recent, "Swim" , from 2003.

Average customer rating:

One of my favorite CD's
Tilt - Play Cell: Great Voice & Lyrics
Breath Taking
Play Cell: A Good Start For Tilt

Play Cell
Tilt
Manufacturer: Lookout -- Mordam --
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Punk | Hardcore & Punk | Alternative Rock | Styles | Music

Punk-Pop | Hardcore & Punk | Alternative Rock | Styles | Music

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'Til It Kills
Collect 'Em All
Viewers Like You
Been Where? Done What?

ASIN: B000000FHG
Release Date: 1993-06-08

Tracks:

Crying Jag
White Homes
Dead Bum
Play Cell
Fool To Blame
Locust
Small Bills
Yellow Bellies
One Day
Come Across
Idiot Lips
Unlucky Lounge
Bad Seed
Poor Infant

Customer Reviews:

One of my favorite CD's.......2001-11-27

This is an _awesome_ album. Every song is great. Well worth the price. Very different from the (...) pop 'bands' of today--Cinder Block on vocals, not to mention their finesse with the instruments, and they can actually write songs too. One of the best Berkeley bands. I've had this CD for almost a year now and I still listen to it just about every day. Go for it! Buy copies for all your friends, etc

Tilt - Play Cell: Great Voice & Lyrics.......2000-12-15

Tilt a great punk band with intelligent lyrics and a great singer (Cinder Block).. if you like this band it's a must have..

I especially like the songs "Crying Jag", "Play Cell", "Fool to Blame", "Yellow Bellies" and "Idiot Lips". 8-)

Breath Taking.......1999-08-02

Just listen to CInder's amazing vocals....Tilt's best work.. Well written and and well sung lyrics. A must for all Tilt fans. Recomended for all lovers of punk music.

Play Cell: A Good Start For Tilt.......1998-09-07

Play Cell, while not being as fine-tuned as the later albums, is still a great listen for fans of punk, with two stand-out songs that are among Tilt's best: Crying Jag and Yellow Bellies.

Average customer rating:

Great collaboration
Fun single
a song you can tilt ya head back to
average
Pathetic

Tilt Ya Head Back
Nelly , and Christina Aguilera
Manufacturer: Umvd Import
ProductGroup: Music
Binding: Audio CD

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Christina Aguilera

ASIN: B0006GAOWW
Release Date: 2005-01-11

Tracks:

Na-Nana-Na
Flap Ur Wings

Album Description

Nelly teams up with Christina Aguilera for this single, lifted off his Sweat album. The title track is backed with 'Na-Nana-Na' and two non-album tracks 'Flap Your Wings' (Full Phat Remix) & 'Tilt Ya Head Back' (video). Universal. 2004.

Album Details

Nelly Teams Up with Christina Aguilera for this Single, Lifted off his 'sweat' Album. Single features the Video Clip as Well as 'na-na Na-na' and a Remix of 'flap Your Wings'.

Customer Reviews:

Great collaboration.......2005-03-18

Wow! Nelly and Christina together is just sexy! The song is fun, flirty and Tina's pipes go beautifully with Nelly's rapping. They're both charasmatic fearless artists and the chemistry is so amazing you'd swear they had something going on the side!

Fun single.......2005-03-06

"Tilt Ya Head Back" just seemed mediocre when I heard snippets of it here and there, but once I sat there and listened to the whole thing, I realized it's a pretty good single-probably the best track off `Sweat.' Nelly's sultry flow spices up the beat perfectly, and Miss Aguilera's vocals are still one of the most pleasant things in the world to listen to. She's got breathtaking range and versatility, and in this song her voice's honeyed, creamy, velvety qualities rise to Whitney Houston/Mariah Carey levels. So Nelly's jammin' flow and Christina's undeniable diva-ness aside, the beat is pretty darn catchy and old-school, but not enough so to be irritating to younger listeners. I like it the more I hear it-it doesn't get as frenzied as most club bangers nowadays, and it's a track you can just groove to. Now that he's done duets with both *Nsync and Christina Aguilera, Nelly has proved that he does indeed have the balls to do duets with pop stars-and anyone who's complaining about that needs to get a life. Eminem's duet with Dido proved to be one of the best (and most successful) songs he's ever done. Christ, even 2Pac's done some tracks with pop moguls (multiple ones, in fact). It's not quite as good as some of Nelly's older hits (and if you're a pop/R&B fan, it's not even worth comparing to Christina's previous work-I also don't believe this and her cover of "Car Wash" are nearly as good as her older side projects, such as the addictive "Lady Marmalade" and the stunning ballad "Nobody Wants To Be Lonely"). All in all, these two had far better chemistry than I expected, and this is a fun little track.

a song you can tilt ya head back to.......2004-11-26

this song at first i was unsure of but after hearing it every ten seconds on the radio and the awsome proformence they did at the '04 vma's it was clear what a good song this was. it features both tlented rapping skills of nelly and christina aguilera's powerful heavenly like voice. if you dont get this its your loss. its truely a great song.(oh yeah and christina aguilera never teamed up with nysnc)

average.......2004-11-23

i like the song i dont think its the best song nelly or christina have put out but overall its a good song and i dont think christina is to blame since she didnt write any of the lyrics she just sang what they gave her so i think its all nelly and both of his albums are a dissapointment, but you'll have to be the judge of that

Pathetic.......2004-11-20

Is it just me, or has Nelly lost every ounce of credibility he once possessed? Teaming up with pop-star Christina Aguilera wasn't such a good idea either, it didn't work when Nelly worked with N'SYNC, and it doesn't work here either. This is just another watered-down made-for-the-radio song featuring two hitmakers, but that doesn't really mean anything. Nelly doesn't even think about rapping here either, you can hear him crying "SHE'S RIGHT YA KNOW, SHE'S RIGHT" in his annoying high-pitched voice, also displaying his feeble lyrical abilities as well. Nelly is becoming a shadow of his former self, which wasn't even very much to begin with.

Music Track:

Music Track

music track

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