Funeral of God [Import]

Funeral of God [Import]

Track Listings

1. Breath Of The Black Muse

2. The Rising End(The First Prophecy)

3. The Last Revelation (The Last Prophecy)

4. The Last Song From Zion

5. Live… From The Funeral Of God

6. The Lesser Lights Of Heaven

7. In Times Gone Past

8. Praise The War Machine

9. Truly, Truly, This Is The End

10. I Lay Sleepless In My Grave

11. Psalm Of The City Of The Dead

12. The Romance Of The Southern Spirit (Bonus Track)

Editorial Reviews
Product Description
Japanese pressing of 2005 release, scheduled to include bonus material. Roadrunner. 2005.

Customer Reviews:

Nothing but hits.......2001-01-31

As with their first collection of label highlights, Hyperion's new two-disc collection provides a broad sampling of their exceptional catalogue and performers. Particularly rewarding are the selections from Beethoven (Scherzo from String Trio in C minor, op 9 no 3, performed by the Leopold Trio) and Thomas Tallis (Salvator mundi I, performed by the Winchester Cathedral Choir), but experienced and novice listeners alike will find much to enjoy on these discs. It's also a good value--more than 2 1/2 hours of music for less than $10.

Average customer rating:

Inspirational!
hymns we sang in church

Abide With Me

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

Hymns Through the Centuries
Hymns Triumphant 1 & 2
Praise to the Lord - Hymns From St. Paul's Cathedral
Be Still My Soul: The Ultimate Hymns Collection
The Music of St. Paul's Cathedral

ASIN: B000024236
Release Date: 1996-06-10

Tracks:

Praise, My Soul, The King of Heaven - Choir of King's College, Stephen Cleobury
Christ Is Made the Sure Foundation - Choir of King's College, Stephen Cleobury
All Glory, Laud and Honour - Choir of King's College, Stephen Cleobury
When I Survey the Wondrous Cross - Choir of King's College, Stephen Cleobury
Day of Resurrection - Choir of King's College, Stephen Cleobury
O God, Our Help in Ages Past - Choir of King's College, Stephen Cleobury
Dear Lord and Father of Mankind - Choir of King's College, Stephen Cleobury
Praise to the Holiest in the Height - Choir of King's College, Stephen Cleobury
Praise to the Lord - Choir of King's College, Stephen Cleobury
Church's One Foundation - Choir of King's College, Stephen Cleobury
Crown Him With Many Crowns - Choir of King's College, Stephen Cleobury
Love Divine, All Loves Excelling - Choir of King's College, Stephen Cleobury
Holy, Holy, Holy! Lord God Almighty - Choir of King's College, Stephen Cleobury
Now Thank We All Our God - Choir of King's College, Stephen Cleobury
Abide with Me - Choir of King's College, Stephen Cleobury
O Praise Ye the Lord - Choir of King's College, Stephen Cleobury
Drop, Drop, Slow Tears - Choir of King's College, Sir David Willcocks
Glory Be to Jesus - Choir of King's College, Sir David Willcocks
There Is a Green Hill Far Away - Choir of King's College, Sir David Willcocks
According to Thy Gracious Word - Choir of King's College, Sir David Willcocks
Holy Father, Cheer Our Way - Choir of King's College, Sir David Willcocks
Glory to Thee, My God, This Night - Choir of King's College, Sir David Willcocks
Day Thou Gavest, Lord, Is Ended - Choir of King's College, Sir David Willcocks
Hark! A Thrilling Voice Is Sounding - Choir of King's College, Sir David Willcocks
On Jordan's Bank the Baptist's Cry - Choir of King's College, Sir David Willcocks

Tracks:

Onward, Christian Soldiers - Huddersfield Choral Society, Wyn Morris
Lord's My Shepherd - Huddersfield Choral Society, Wyn Morris
Guide Me, O Thou Great Jehovah - Huddersfield Choral Society, Wyn Morris
All People That on Earth Do Dwell - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
O Come, O Come, Emmanuel - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Forty Days and Forty Nights - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
O Sacred Head, Now Wounded - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Christ the Lord Is Risen Today - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Head That Once Was Crown'd With Thorns - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Rock of Ages - Choir of King's College, Maurice Vinden
Eternal Father, Strong to Save - Choir of King's College, Maurice Vinden
All Things Bright and Beautiful - Choir of Paisley Abbey, George McPhee
Be Thou My Vision - Choir of Paisley Abbey, George McPhee
Be Still, My Soul - Choir of Paisley Abbey, George McPhee
King of Love My Shepherd Is - Choir of Paisley Abbey, George McPhee
Let Us With a Gladsome Mind - Choir of Paisley Abbey, George McPhee
For All the Saints - Choir of Paisley Abbey, George McPhee
O Worship the King - Choir of Paisley Abbey, George McPhee
Come, Thou Long-Expected Jesus - Choir of King's College, George Guest
Let All Mortal Flesh Keep Silence - Choir of King's College, George Guest
Spirit of Mercy, Truth, And Love - Choir of King's College, George Guest
Lead Us, Heavenly Father, Lead Us - Choir of King's College, George Guest
Immortal, Invisible, God Only Wise - Choir of King's College, George Guest
Jesu, Lover of My Soul - Choir of King's College, George Guest
Jerusalem - Bournemouth Symphony Orchestra, Choir of King's College, ,

Album Details

Compiled Here Are Fifty of the Most Beloved Hymns Performed by Three of England's Most Distinguished Choirs. Every Selection Here is Sung in an Appropriately Dignified Manner and If You're Up for Over Two Hours of Consistently Well-rendered Quintessentially English Treatments of These Vernacular Favorites it Simply Doesn't Get Any Better Than This.

Customer Reviews:

Inspirational!.......2004-10-08

Majestic hymns sung with British accents. A great combination! I haven't noticed any objectionable sounds on my copy.

hymns we sang in church.......2003-02-16

i grew up in a traditional presbyterian church that had a pipe organ. i wanted a cd of many of the hymns that we sang in church sung by a choir and accompanied by a pipe organ. this cd fulfilled my wishes perfectly. the hymns are performed in a very straight-forward fashion with no show-boating or excess flourishes which is exactly what i wanted. this is not gospel music but what i refer to as liturgical music to indicate that it is religious music but not gospel music. i would give it 5 stars but there is a slight hiss. other than that the recording quality is very good.

Average customer rating:

Hallelujah: 35 Great Sacred Choruses

Manufacturer: Sparrow
ProductGroup: Music
Binding: Audio CD

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Gloria: Music of Praise & Inspiration
Hallelujah! & Other Great Sacred Choruses
Oxford Church Anthems
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The #1 Choral Album

ASIN: B0001KL4OU
Release Date: 2004-03-23

Tracks:

Gloria In Excelsis Deo - Vivaldi
Ave Verum Corpus - Mozart
And Then Shall Your Light Break - Mendelssohn
If Ye Love Me - Tallis
Hallelujah - Beethoven
Jesu, Joy Of Man's Desiring - J.S. Bach
The Heavens Are Telling - Haydn
Panis Angelicus - Franck
Magnificat - J.S. Bach
Ave Verum Corpus - Byrd
How Lovely Is Thy Dwelling Place - Brahms
Miserere Mie, Deus - Allegri
Hallelujah, Amen - Handel
How Lovely Are The Messengers - Mendelssohn
For Unto Us A Child Is Born - Handel
Lacrimosa - Mozart
Laudate Dominum - Mozart
Hallelujah Chorus - Handel

Tracks:

Zadok The Priest - Handel
Sanctus - Gounod
He, Watching Over Israel - Mendelssohn
O, Sacred Head, Sore Wounded - J.S. Bach
Thine Be The Glory - Handel
Ave Maria - Rachmaninov
Gloria - Haydn
God So Loved The World - Stainder
Rejoice In The Lord Always - Purcell
I Was Glad - Parry
O Taste And See - Vaughan Williams
O Clap Your Hands - Vaughan Williams
Song For Athene - Tavener
The Old Hundredth - Vaughan Williams
Thou Knowest, Lord - Purcell
Ode To Joy - Beethoven
A Gaelic Blessing - Rutter

Average customer rating:

Just to Clear Something Up..
Zao does it again
Metal the Way it was Meant to be!
THIS IS FOR J.MOORE!!!!!!!!!!!!!!!
AMAZING!!

The Funeral of God
Zao
Manufacturer: Ferret Records
ProductGroup: Music
Binding: Audio CD

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Where Blood and Fire Bring Rest
Parade of Chaos
Liberate Te Ex Inferis
(Self-Titled)
The Splinter Shards the Birth of Separation

ASIN: B0002IQ9SW
Release Date: 2004-07-13

Tracks:

Breath Of The Black Muse
The Rising End (The First Prophecy)
The Last Relation (The Last Prophecy)
The Last Song From Zion
Live... From The Funeral of God
The Lesser Lights of Heaven
In Times Gone Past
Praise the War Machine
Truly, Truly, This Is The End
I Lay Sleepless In My Grave
Psalm of the City of the Dead

Customer Reviews:

Just to Clear Something Up.........2006-08-27

From the band's myspace profile.

"Q: Are you a Christian band?
A: Not in the sense that you are probably thinking. If the term "Christian Band" to you means we sing about Jesus all the time and preach in between songs at concerts then no, we're not. Some of the members ARE Christian but some are not. We're open minded about it with each other... you should be too. The lyrics are usually about whatever Dan is in the mood to write about which could be anything from horror films, to political issues, to personal issues, you name it. There is no ministry, there is no unified message. We do not have, or pretend to have any answers."

O and by the way, this is one hell of an album. Highly recommended.

Zao does it again.......2006-07-23

What a great album by Zao! They've done it again. This band is awesome! Great concept album with good lyrics even though they're dark. Yes, they're a Christian band, and if that keeps you from listening to them, than I feel sorry that you're that close-minded and ignorant. And to all you people who think Christians can't play metal because it's supposed to be about Satan and killing : why don't you consider this. Zao is a Christian band and yet they are one of the most influential bands in metal out there. Now who says Christians can't play metal? Just judge them on their music. That is why you're writing reviews isn't it? Bottom line : awesome band with great music, Christian or not. Rock on, Zao!

Metal the Way it was Meant to be!.......2006-06-19

This newer album by Zao is completly amazing. I agree with "Stilius xer "xer 21"" when he is talking about the lyrics of Praise the War Machine, which, in my opinion is the best song on the cd. I really don't understand how people try to make Zao out to be a band who is NOT trying to show people Christ. For those of you who say that, I hate to be the one to tell you that you're wrong. There was a person who left a review earlier on how Christians should stay out of metal:
"Don't use your faith to do stupid crap like trying to ban gay marriage and abortion. This makes med sick that their trying to mix metal with songs about Jesus , metal was never about worshiping god, it was all about evil stuff, like killing people, worshiping Satan and venting your feelings, keep christianity out of metal"
What he/she said was not true. More power to the people who actually care about what their listeners are hearing! The reason this band has done as well as it had is because they were the first to find a way to mix AMAZING sound with a message that you can rely on, along with lyrics that are 100% clean! If you are looking for a great cd, then this is a great one.

THIS IS FOR J.MOORE!!!!!!!!!!!!!!!.......2006-04-17

I guess I don't quite understand you. What you're saying is that Christians shouldn't be able to express themselves in venting or anger through music...is this right? Well let me tell you that your ideal image of a Christian is not just all happy go lucky and neither is our music. Yes, you are right that metal started off about "Satan and killing" or whatever you feel it is that metal is ALL about, but we have just as much of a right to play the music that we like also. And if it just happens to have encouraging or spiritual words, or maybe even reaches somebody and gives them hope...all because a friend, who just happened to be a Christian, let his friend listen to Living Sacrafice, Zao, Soul Embraced, Embodyment, or whoever because he knows he likes that kind of music, then all the better and glory be to God. Do you think a certain group of people have a monopoly on the metal scene or that genre? It's not about the music, it's about the lyrics and for your information...God made music and he likes all music: Rock,Metal,Rap,Country,Techno,Jazz,Soul,R&B,and all sub genres of those...It's the message that is going along with music that God cares about so don't come off talkin about how Jesus and Metal don't go together because there is a spiritual war out there and we have every right as Christians to be angry as to how the world is...and yes I did think that this ZAO cd rocked. Different, but still sick. oh and by the way I live in louisiana, and I will say that I honestly think it is sad that I actually had to vote whether or not marriage should be able to be between two men or women. They can be homosexuals...that's on them...but to marry??? God made Adam and Eve, not Adam And Steve!!!!

AMAZING!!.......2006-04-15

I've been a long time ZAO fan and this is an amazing concept album. Zao one of the oldest christian hardcore band and one of the best!

Average customer rating:

Great CD!!
Favorite Moravian chorales from childhood.

Music For All Seasons

Manufacturer: Crystal Records
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

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Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

General Christmas | Holiday Music | Special Features | Music
Similar Items:

Lost Music of Early America: Music of the Moravians
Rivers of Delight (American Folk Hymns From the Sacred Harp Tradition)

ASIN: B000003J2Z
Release Date: 1995-02-01

Tracks:

Three Chorales: O Lord In Me Fulfill - O Deepest Grief - What Splendid Rays
Three Sonatas: Largo, Allegro, Scherzo
Three Sonatas: Largo, Allegro, Allegro
Three Sonatas: Adagio, Allegro, Scherzo
Communion Hymn
Moravian Funeral Chorales: Passion Chorale - Sleep Thy Last Sleep - Passion Chorale
The Liturgical Year: Advent - Come Thou Long Expected Jesus - Once He Came In Blessing
The Liturgical Year: Christmas - All My Heart This Night Rejoices
The Liturgical Year: Passion Week - Go To Dark Gethsemane
The Liturgical Year: Easter - Sleepers Wake - I Give Thee Thanks Unfeigned
The Liturgical Year: All Saints Day - The Thousand Times Ten Thousand
Moravian Chorale Cycle
Hosanna
O Come, Immanuel; All the World Gives Praises; How Shall I Meet My Saviour
Ave Maria
To Us A Child Is Born This Night - Break Forth O Beauteous Heavenly - Once He Came In Blessing
To Us A Child Is Born
O Come All Ye Faithful - Angels We Have Heard On High - Hark The Herald Angels Sing
Hosanna
Prague, 7th C.; Ride On In Majesty; Go To Dark Gethsemane
Crucifixus
Solemn Intrata
Christians Dismiss Your Fear; The Day Of Resurrection; Jesus Christ Is Risen Today; Lyra Davidica
Christ Unto Us Has Left An Example

Customer Reviews:

Great CD!!.......2003-08-07

This is a must for all trombonists and music historians!! The sound of these groups is just amazing! Nowhere else can you get a sound like you do with the instruments that these trombonists use. Where else can you hear a contrabass, bass, tenor, alto, soprano, and sopranino trombones all together? A great CD for a historical reference on the trombone also...tromobone chiors are one of the oldest forms of music, and THE oldest perfoming groups in the USA are the Moravian trombone choirs. This CD gives us a rare look into the past of how trombones were commonly used in centuries past, and how the tradition continues today.

Favorite Moravian chorales from childhood........1999-11-20

Trombone choirs! I love them. Everytime I hear this recording, I see again the church of my childhood and the trombone choir standing out in the snow near the front steps playing Christmas chorales during the hour before the Christmas Eve service. Why were they out there a full hour before the service? If you wanted a seat, you had to arrive an hour early, because late comers sat in folding chairs in the cloakrooms, or stood in the back. That church was filled to brimming only on Christmas Eve, because music lovers came from miles away to hear traditional Moravian Christmas music, and where else could one possibly hear it? Some of it is on this recording. The words sung to track 8 are "All my heart this night rejoices...", and that sense of anticipation and pleasure is exactly what Moravians feel as they enjoy a night of great music, sung mostly by the people in the pews, not just the choirs. It's all here. The great songs from Advent, Lent, songs of repentance, forgiveness, joy, for baptising babies and burying old people. When you hear track 19, Hosanna, think of a room full of singers on Palm Sunday, echoing back and forth to each other, the little girls and women singing back to the boys and men. My only criticism is that there are perhaps too many songs in minor keys grouped together. They evoke too much sadness and start to sound like endless dirges. The musical interpretation and masterful rendering of the chorales is absolutely delightful, not only for us who hold all the words in our heads and are singing along, but also for those who will assign their own meaning to the music.

Average customer rating:

Wonderful...
Controversial Tavener
Incredible music at an incredible price
Top-rate singing at a wonderful price
Nothing Special

Tavener: Song for Athene / Svyati

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

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John Tavener: Innocence
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ASIN: B000050XAG
Release Date: 2001-02-20

Tracks:

God Is With Us: Christmas Proclamation
Song For Athene
The Lamb
The Tiger
Magnificat
Nunc Dimittis
Funeral Ikos
Two Hymns To The Mother Of God: Hymn To The Mother Of God
Two Hymns To The Mother Of God: Hymn For The Dormition Of The Mother Of God
Love Bade Me Welcome
As One Who Has Slept
The Lord's Prayer
Svyati 'O Holy One' - Chor Of St. John's College, Cambridge/Christopher Robinson/Tim Hugh

Customer Reviews:

Wonderful..........2006-06-22

I have had the privilege (yes privilege) to perform all the works of Tavener that are recorded on this CD. As an Organist/Choirmaster I have also had the pleasure of my choirs performing many of the works heard here, i.e. Funeral Ikos, The Tyger, The Lamb, Alleluia (Song for Athene), and Two Hymns to the Mother of God, amongst many others. His music is quite captivating and sometimes quite heart-wrenching. I know when "Funeral Ikos" was performed at the funeral services for a former Priest (Episcopalian), there wasn't a dry eye or seat in the place. The choir in this recording is a superb group and as expected, they performed remarkably well. There is no grey area when it comes to the music of John Tavener. If you want a good recording of his choral music, I highly suggest this CD.

Controversial Tavener.......2005-09-05

Wander to over to Classicstoday.com and do a search for all the reviews of Tavener's works. You'll come to the inescapable conclusion: Tavener sucks. What's even more astounding is that this judgement seems to be shared by nearly all in Classicstoday's notoriously fractious stable of critics. Quite a feat.

So, is Tavener as bad as all that? I must confess that I haven't been exposed to what is apparently Tavener's worst stuff. Also, British critics hate self-promotion, and Tavener has practiced self-promotion (and pretension) to a nearly obscene degree. This may get in the way of a serious appraisal of his work.

I find this disk quite pleasant, although I can see how having to endure longer works of Tavener's would be difficult. His musical themes are very simple, and they are worked out in manner that can rather quickly become boring. In these short choral works, which are performed with expert precision, this thematic claustrophobia can actually produce a striking effect.

I have an inkling that there might be something of a Tavener revival 20 or 30 years from now. Make no mistake, he is fathoms below Part, Rautavaara, Hovhaness, Kancheli and Gubaidulina, among composers who write in a similar style. But on this disk, at least, he scores a moderate success.

Incredible music at an incredible price.......2005-04-13

This is the best addition to my music library I've made in quite some time. Hearing the ethereal Song for Athene sung for Princes Diana's funeral I was mesmerized. It wasn't until our church choir began rehearsing this piece that I learned who had written it. I immediately went to Amazon to find more music by John Tavener. When I saw the price of this recording, I hesitated--perhaps the rest of his music doesn't match the quality of Athene? Why else would the price be so low? Since receiving my order I can only say it is worth far more. Anyone who enjoys the mystical eastern sounds introduced to us in the 60s and 70s will thoroughly enjoy Tavener's marriage of English choral music with the hypnotic droning "ohms" of eastern music.
You will experience mystery and contemplation as you listen. Blake's and Herbert's poetry take on new meaning when set to Tavener's provocative underpinnings. His other pieces further create a sense of wonder, meditation, and awe. To listen is to be drawn to worship. Each piece on the disc adds value to the recording. What a marvelous find.

Top-rate singing at a wonderful price.......2003-01-27

For all the minor "complaints" one could have about this recording, it is still a wonderful, recent recording of beautiful music from one of England's finest traditional choirs. For such a cheap price, it is WELL worth the money!

Tavener's music is perhaps an acquired taste. If modern, "hypnotic" sacred choral music appeals to you, then you would certainly do well to buy this recording, which includes some of Tavener's best works. I personally enjoy the Magnificat and Nunc Dimittis best. Everything on here is very well sung -- sometimes truly beautifully so -- by the men and boys of St. John's College Choir.

If you like Tavener, this CD is certainly worthy of your collection. If you are not familiar with Tavener's music, then this is the CD to buy to discover it -- the quality of singing is first-class and the price can't be beaten!

Nothing Special.......2002-07-05

I have liked Tavener since Apple and the Whale.

I came across this in a budget section and gave it a whirl. Actually it has been in my car for three days. Well written, well sung, well orchestrated. Well what?

Well it does not seem to me, although I am no expert, that it sounds pretty much like any other English choral music.

It sounds good but does not sound special.

Tracks:

The Queen's Funeral March (Procession) - Winchester Cathedral Chor/Geraint Watkins/Timothy Pride/Julian Podger/Donald Sweeney
Canzona - Winchester Cathedral Chor/Geraint Watkins/Timothy Pride/Julian Podger/Donald Sweeney
Thou Knowest, Lord, The Secrets (1st Setting) - Winchester Cathedral Chor/Geraint Watkins/Timothy Pride/Julian Podger/Donald Sweeney
The Queen's Funeral March (Recession) - Winchester Cathedral Chor/Geraint Watkins/Timothy Pride/Julian Podger/Donald Sweeney
Man That Is Born Of A Woman - Winchester Cathedral Chor/Geraint Watkins/Timothy Pride/Julian Podger/Donald Sweeney
In The Midst Of Life - Winchester Cathedral Chor/Geraint Watkins/Timothy Pride/Julian Podger/Donald Sweeney
Thou Knowest, Lord, The Secrets (2nd Setting) - Winchester Cathedral Chor/Geraint Watkins/Timothy Pride/Julian Podger/Donald Sweeney
Rejoice In The Lord Alway - Winchester Cathedral Chor/Christopher Robson/William Kendall/Stephen Roberts
Remember Not, Lord, Our Offences - Winchester Cathedral Chor/David Hill
Voluntary in C - Winchester Cathedral Chor/David Hill
Give Sentence With Me, O God - Winchester Cathedral Chor/William Kendall/Peter Butterfield/Hilary Brooks
Jehova, Quam Multi Sunt Hostes - Winchester Cathedral Chor/Julian Podger/Donald Sweeney/Hilary Brooks
O, I'm Sick Of Life - Winchester Cathedral Chor/William Kendall/Julian Podger/Donald Sweeney
A Double Verse in G - Winchester Cathedral Chor/David Hill
My Beloved Spake - Winchester Cathedral Chor/Christopher Robson/William Kendall/Stephen Roberts/Donald Sweeney
Hear My Prayer, O Lord - Winchester Cathedral Chor/Hilary Brooks
O God, Thou Art My God - Winchester Cathedral Chor/Hilary Brooks

Average customer rating:

Fantastic!!!!!!

Sweet Seraphic Fire

Manufacturer: New World Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Early American Choral Music, Vol. 2
Early American Choral Music, Vol. 1

ASIN: B000AA4L8W
Release Date: 2005-08-02

Tracks:

New Canaan (Oliver Holden, 1793)
Maryland (William Billings, 1778)
Bethlehem (William Billings, 1778)
Lynn (Oliver Holden, 1793)
Funeral Hymn (Oliver Holden, 1792)
An Anthem for Easter (William Billings, 1787/1795)
Walpole (Abraham Wood, 1786)
Beauty (Jacob French, 1789)
Happiness (Jacob French, 1793)
Woburn (Jacob Kimball, 1793)
Montague (Timothy Swan, 1801)
Newport (Daniel Read, 1785)
Hatfield (Thomas Baird, 1800)
Attention (Asahel Benham [?], 1790)
Crucifixion (M. Kyes, 1798)
Mechias (James Lyon, 1774)
St. Paul's (Supply Belcher, 1794)
Transition (Supply Belcher, 1794)
Jubilant (Supply Belcher, 1794)
The Lilly (Supply Belcher, 1794)
Buckfield (Abraham Maxim, 1802)
Pennsylvania (Nehemiah Shumway, 1793)
Sounding Joy (J. P. Storm, 1795 )
Redemption (Jeremiah Ingalls, 1805)
Consolation (Lucius Chapin, c. 1812)
Liberty-Hall (Lucius Chapin, 1813)
Babe of Bethlehem (Southern Harmony, 1835)
Convoy (M. L. Swan, 1867)
Hallelujah New (Roland Hutchinson, 1996)
Nativity (Bruce Randall, 1990)
Cortona (M. R. Truelsen, 1996)
Great Divide (Stephen Marini, 1998)
Arinello (Dennis O'Brien, 1997)
Ev'ry String Awake (Glen Wright, 1996)
Ten Thousand Charms (Hal Kunkel, 1996)

Product Description

Sweet Seraphic Fire brings together two unique bodies of American sacred song: choral compositions from the New England singing-school tradition and the most popular Evangelical Protestant hymn texts in historic American use. In the late eighteenth century the New England singing-school movement produced America's first great sacred-music style, employing several genres of unaccompanied four-part choral compositions with the melody in the lead (tenor) part. The enormous popularity of singing-school music also promoted a canon of hymn texts shared across America's competing Evangelical Protestant denominations. This recording contains neglected masterworks from the New England singing school that also helped to create the American hymn canon. Marking a more recent turn in this process, we have also included some new settings of traditional Evangelical lyrics written by leaders in the revival of singing-school music that has blossomed in the Northeast since 1976. ! Selection of pieces for this recording was determined by correlating "The Norumbega Harmony"--our collection of one hundred six historic New England singing-school compositions and thirty contemporary works in traditional style--with a list of the three hundred most frequently printed hymn texts in America from 1737 to 1960. --Stephen Marini

Customer Reviews:

Fantastic!!!!!!.......2006-03-15

This is a REALLY cool album of shape-note singings, I particurlarly like EVERY STRING AWAKE and ANTHEM FOR EASTER.
Some of the songs are kind of dreary, (Hatfield) but all in all this is COOL!!!

Average customer rating:

Stunning. . . .
PORTRAIT OF AN ARTIST
A world-changing musician
CZIFFRA - A Keyboard Phenomenon

Les introuvables de Cziffra

Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD

Bourees | Ballets & Dances | Classical | Styles | Music

Galops | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Box Sets | Stores | Music
Similar Items:

Liszt: Works For Piano
Rendez-vous de Senlis
Georges Cziffra Plays Chopin, Liszt & Franck (EMI Classic Archive)
Chopin: uvres pour piano
Liszt: Piano Concertos; Totentanz; Hungarian Fantasy

ASIN: B000002SBW
Release Date: 2002-08-12

Tracks:

La Campanella, Grande Etude De Paganini No. 3
Nocturne No. 3 In A Flat Major, Reve D'Amour
Mephisto Valse (D'Apres Le Faust De Lenau)
Les Jeux D'Eau A La Villa D'Este
Valse Oubliee No. 1
Rhapsodie Espagnole
Valse Impromptu
La Ronde Des Lutins, Etude De Concert No. 2
Grand Galop Chromatique
Apres Une Lecture Du Dante, Fantasie Quasi Sonata (Extrait From 'Les Annees De Pelerinage')

Tracks:

Polonaise D'Eugene Oneguine (Tchaikovsky)
Rigoletto, Paraphrase De Concert (Verdi)
Tarentelle De Bravoure Sur Des Theme De 'La Muette De Portici' (Auber)
Valse De Faust (Gounod)
Improvisation Sur Les Themes De Guillaume Tell (Rossini)
Valse Triste (Vecsey)
Tritsch Tratsch Polka (Johann Strauss)
Le Beau Danube Bleu, Paraphrase (Johann Strauss)
Danse Hongroise No. 5 (Brahms)
Fantaisie Roumaine (Improvisation Dans Le Style Tzigane)
Le Vol Du Bourdon (Rimsky-Korsakov)

Tracks:

Islamey, Fantaisie Orientale
Toccata In C Major, Op. 7
Andante Et Rondo Capriccioso In E Major, Op. 14
Rondo In E Flat Major, Op. 11
Polonaise In C Major, Op. 89
Rondo A Capriccio In G Major, Op. 129
Andantino In B Minor
Bourree In E Flat Major
Sonata In C Major, K159
Le Tic Toc Choc ,Ou Les Maillotins
Les Barricades Mysterieuses
L'Anguille
La Bandoline
Les Petits Moulins A Vent
Les Folies Francaises Ou Les Dominos
La Poule
Le Rappel Des Oiseaux
Gavotte En Rondeau

Tracks:

Variations In C Major, Sur 'God Save The King', WoO 78
12 Variations In A Major, Sur Un Theme Russe (Wranitzky), WoO 71
32 Variations In C Minor, WoO 80
Fantaisie In F Minor, Op. 49
Book 1 - Variations Sur Un Theme De Paganini, Op. 35
Book 2 - Variations Sur Un Theme De Paganini, Op. 35

Tracks:

I. Grave - Allegro Molto E Con Brio, Sonata No. 8 In C Minor, Op. 13
II. Adagio Cantabile, Sonata No. 8 In C Minor, Op. 13
III. Rondo, Sonata No. 8 In C Minor, Op. 13
I. Allegro - Sonata No. 10 In G Major, Op. 14
II. Andante - Sonata No. 10 In G Major, Op. 14
III. Scherzo -Allegro Assai - Sonata No. 10 In G Major, Op. 14
I. Andante Con Variazioni - Sonata No. 12 In A Flat Major, Op. 26
II. Scherzo (Allegro Molto) - Sonata No. 12 In A Flat Major, Op. 26
III. Marcia Funebre (Andante Maestoso) - Sonata No. 12 In A Flat Major, Op. 26
IV. Allegro - Sonata No. 12 In A Flat Major, Op. 26
I. Andante - Allegro -Allegro Molto Vivace - Sonata No. 13 In E Flat Major, Op. 27
II. Adagio Con Espressione - Sonata No. 13 In E Flat Major, Op. 27
III. Allegro Vivace - Sonata No. 13 In E Flat Major, Op. 27

Tracks:

Preambule Carnaval Op9
Pierrot Carnaval Op9
Arlequin Carnaval Op9
Valse Noble Carnaval Op9
Eusebius Carnaval Op9
Florestan Carnaval Op9
Coquette Carnaval Op9
Replique Carnaval Op9
Papillons Carnaval Op9
A.S.C.H., S.C.H.A., Lettres Dansantes Carnaval Op9
Chiarina Carnaval Op9
Chopin Carnaval Op9
Estrella Carnaval Op9
Reconnaissance Carnaval Op9
Pantalon Et Colombine Carnaval Op9
Valse Allemande - Intermezzo: Paganinni Carnaval Op9
Aveu Carnaval Op9
Promenade Carnaval Op9
Pause Carnaval Op9
Danse Des Davidsbundler Contre Les Philistins Carnaval Op9
I. Des Abends Fantasiestucke Op12
II. Aufschwung Fantasiestucke Op12
III. Warum? Fantasiestucke Op12
IV. Grillen Fantasiestucke Op12
V. In Der Nacht Fantasiestucke Op12
VI. Fabel Fantasiestucke Op12
VII. Traumeswirren Fantasiestucke Op12
VIII. Ende Vom Lied Fantasiestucke Op12
I. Allegro - Carnaval De Vienne, Op. 26
II. Romanze - Carnaval De Vienne, Op. 26
III. Scherzino - Carnaval De Vienne, Op. 26
IV. Intermezzo - Carnaval De Vienne, Op. 26
V. Final - Carnaval De Vienne, Op. 26

Tracks:

Fantaisie Hongroise In F Major For Piano And Orchestra
Totentanz, Paraphrase Sur Le 'Dies Irae' Pour Piano Et Orchestre
Variations Symphoniques Pour Piano Et Orchestre
I. Allegro Molto Moderato - Concerto For Piano And Orchestra In A Minor, Op. 16
II. Adagio - Concerto For Piano And Orchestra In A Minor, Op. 16
III. Allegro Moderato Molto E Marcato - Andante Maestoso - Concerto For Piano And Orchestra In A Minor, Op. 16

Tracks:

I. Adagio Sostenuto Assai - Concerto No. 2 For Piano And Orchestra In A Major
II. Allegro Agitato Assai - Concerto No. 2 For Piano And Orchestra In A Major
III. Allegro Moderato - Concerto No. 2 For Piano And Orchestra In A Major
IV. Allegro Deciso - Concerto No. 2 For Piano And Orchestra In A Major
V. Marziale, Un Poco Meno Allegro - Concerto No. 2 For Piano And Orchestra In A Major
VI. Allegro Animato - Concerto No. 2 For Piano And Orchestra In A Major
I. Allegro Maestoso - Concerto No. 1 For Piano And Orchestra In E Flat Major
II. Quasi Adagio - Concerto No. 1 For Piano And Orchestra In E Flat Major
III. Allegretto Vivace - Allegro Animato - Concerto No. 1 For Piano And Orchestra In E Flat Major
IV. Allegro Marziale Animato - Concerto No. 1 For Piano And Orchestra In E Flat Major
I. Allegro Non Troppo E Molto Maestoso - Allegro Con Spirito - Concerto No. 1 For Piano And Orchestra In B Flat Minor, Op. 23
II. Andante Semplice - Prestissimo - Tempo 1 - Concerto No. 1 For Piano And Orchestra In B Flat Minor, Op. 23
III. Allegro Con Fuoco - Concerto No. 1 For Piano And Orchestra In B Flat Minor, Op. 23

Customer Reviews:

Stunning. . . . .......2007-01-10

I bought this set with some trepidation, since I didn't know what to expect from Cziffra's playing of composers other than Liszt. I had only heard him in his mercurially brilliant Lisztian incarnation, and didn't know how he would do with a less flamboyant style.
I have been very pleasantly surprised, especially at his Beethoven and his Schumann. I found that he kept the spontaneity of his Lisztian interpretations, but channelled it chronologically into insightful and spontaneous Beethoven interpretations, while respecting most of the rules and performance practices of the Classic era.
His Schumann was mercurial and spontaneous in a Romantic fashion, also, and - of course - brilliantly digitally played. As to the Liszt, it's par excellence; I've never heard that music played with such spontaneity and
digital fluency.
The sound quality is surprisingly good, altho somewhat uneven. I highly recommend this set to anyone who loves great piano-playing. My favorite pianist is still Richter, but Cziffra takes first prize in his Liszt, and runs a close second with other composers' music.

PORTRAIT OF AN ARTIST.......2006-10-15

The eight discs making up this set are invaluable to anyone interested in this extraordinary musician and pianist. His career was cut tragically short, and while it lasted he was most in demand to display his astounding technique in Liszt. He did it because he could. Not being enormously attracted to Liszt I was slow in coming to know Cziffra, but when I did what struck me forcibly was that the picture I had been given of him was seriously misleading. Any suggestion that he was a wilful virtuoso who turned the standard classics into something of his own is 180 degrees wide of the mark, and this selection enables us to hear what his playing was really like in music ranging from Lully and Couperin to the late 19th century, taking in on the way Rameau, Scarlatti, C P E Bach, Beethoven, Hummel, Chopin, Mendelssohn and Schumann. Liszt is here in the shape of the two concertos, the Totentanz and the Hungarian Fantasy plus some solos, my collection of least favourite romantic concertos is enhanced with his renderings of the Grieg and Tchaikovsky, but relief from these is provided with Franck's symphonic variations. Among the non-Liszt solo pieces we are given a number usually thought to call for exceptional virtuosity, namely Schumann's toccata, Mendelssohn's rondo capriccioso and Brahms's Paganini variations. Balakirev's Islamey is here too, but in a version of Cziffra's own, and so are some of his own virtuoso arrangements including one of the Flight of the Bumblebee as well as four similar efforts from Liszt.

Cziffra himself didn't aid popular comprehension by saying that he couldn't play Beethoven. I already owned his Waldstein, but here we have four more sonatas plus some smaller pieces, all early works. If I have a fault to find with his Waldstein it's that it is rather understated. What I don't fault at all is his sense of Beethoven's idiom, and the only flash of Cziffra's phenomenal technique comes where there can be no objection in the up-and-down octaves near the end. These are normally played glissando, because to finger them in strict time is impossible, allegedly. Even Horowitz can't do that - but Cziffra can. This really sums up his way of doing things - the technique is exercised strictly when needed, and then not in a showy way unless the sense of the music demands that. Try the Mendelssohn rondo here - light-fingered in the main rondo theme, relaxed in the episodes - then hear Serkin on Aura in his 1957 recital in Lugano, high-tension and full-speed-ahead. Serkin brought the audience to its feet, Cziffra is simply enjoying the piece, and very Mendelssohnian he sounds. Or again the Schumann toccata. Richter won raptures from the critics for his handling of the rat-tat fortissimo chords near the end while making no concessions to the tempo. He does that no better than Cziffra, if as well. The difference is that Richter `makes more' of the supposedly virtuoso sequences earlier. Now how about Cziffra's Beethoven here? It is natural, idiomatic and kept within a certain volume-level. There is no showing off let alone messing around. If Cziffra recalls anyone it is Kempff, and these performances would be safe models for teachers. In Schumann it's the same story. Not everyone could play Traumeswirren like this, and here and there the finger-work had me rubbing my eyes, but I keep sensing that Cziffra is not even aware that he's doing anything exceptional. The idiom is dead right, the rubato is natural, the lyricism is spontaneous if less `warm' than some, the sense of the overall structure is effortless - and I could say all that about Chopin's F minor fantasy too.

I can't avoid Liszt, but some comparisons are interesting. This high-powered Totentanz has been rightly praised, but both in this work and in the first concerto I feel that Michelangeli beats Cziffra at what is supposedly Cziffra's own game. I hear Michelangeli as Cziffra's solitary equal as a technician, but in second-rate music like this spontaneity and dexterity are trumped by an above-it-all Olympian aloofness, and Cziffra undoubtedly does not take the ultra-care that Michelangeli takes over perfect evenness of touch, sublime poise in the rhythm and super-perfection in the trills. (In the matter of trills, you can hear what Cziffra can do when he puts his mind to it in the fiendish 4th variation in book 1 of Brahms's Paganinis). In the 2nd concerto Cziffra is the best I have yet heard. In sheer technical address neither he nor anyone surpasses Richter, but where I like Cziffra better is in an aspect of his playing that gets too little attention, namely his natural and unaffected lyricism. In the Hungarian Fantasy, the Liszt solos and the various arrangements I imagine Cziffra is unsurpassed and unsurpassable, not that I propose to research that matter much.

The Grieg and Tchaikovsky concertos are here too. Cziffra adopts moderate tempi in the outer movements of the Grieg as the composer directs. The first movement of the Tchaikovsky is done as I like it, insofar as I like it at all. The introduction is taken fast, rather as Horowitz and Toscanini take it although I miss Toscanini's direction. The last movement however is taken at a very moderate pace, with the excitement saved for the end. Later performances are of some French music. In these pieces, as in the Scarlatti sonata, I wouldn't say that Cziffra stands out particularly - with one telling exception, Couperin's Barricades Mysterieuses, atmospheric and bewitching. Was this what they told you to expect from Cziffra?

He was a natural, a child of the gods. The near-unbelievable technique was an important part of his gift, but what I prize most is his lyric manner - simple, innocent and clear-eyed. His actual touch is not one that you could identify within seconds, as you could identify that of Horowitz, Serkin, Richter or Michelangeli, but it is utterly free from affectation. The better you know him, the more you will love him.

A world-changing musician.......2006-01-30

I've not a lot to add to Alan Thorpe's review except to say that to be young when Cziffra burst upon the world in 1956 after he left Hungary & started playing in western Europe was sheer intoxication--and it wasn't all Liszt either! Like Richter, who appeared at the same time, he played Schumann in a way that opened up entire new fields of tonal & interpretive possibility. I must say, too, that from the start, I admired his Beethoven--I like lyrically played Beethoven! Why shouldn't Beethoven sing as well as growl? He did write some lovely songs, after all. Cziffra's versions of Op.13, Op.14/2 & Op.26 on this set are very satisfying--I just wish they had managed to include a recording of his version of the Waldstein, too.

CZIFFRA - A Keyboard Phenomenon.......2001-05-26

Issued in 1991 by EMI France to celebrate Cziffra's 70th birthday this 8 CD boxed set is a bargain. The first CD is all Liszt and contains some of the most spellbinding playing you are ever likely to hear. Fire and brimstone reign as Cziffra tears up the keyboard in the Dante Sonata's demonic moments; surely a whiff of sulphur as he spontaneously combusts during the Mephisto-Valse; the Rhapsodie espagnole and Grand Galop chromatique {see him sweat playing this on Philip's `Great Pianists of the 20th Century video.}. As a contrast, be seduced by his heart-melting rendering of the third Liebestraume; the caprice of the Valse-Impromptu; and have the waters of `Les Jeux d'eau a la Villa d'Este' ever cascaded so onomatopoeically and with such a transcendental variety of touch and nuance. More diablerie follows on disc 2 with transcriptions by Liszt and those {in} famous ones by Cziffra himself. I have never heard a more demonic Gounod/Liszt ` Valse de Faust'; Auber/Liszt `Tarantelle de bravura'; or Tchaikovsky/Liszt Polonaise from `Eugene Onegin'; as for Cziffra's playing of his own transcriptions and paraphrases, especially the Strauss `Tritsch-tratsch polka' and Rimsky-Korsakov `Flight of the Bumble-bee; well, they are in a class of their own. Both Katsaris and Volodos recorded the latter pieces but I'm afraid they cannot compare with Cziffra's sheer electricity and panache. You will now need an ice pack as disc 3 opens with Balakirev's Islamey which starts steadily enough compared to say Simon Barere's famous account {now on APR} but increases in excitement as Cziffra adds all kind of gypsy embellishments as he builds to a fiery conclusion. Excitement is also the key to the next piece; Schumann's Toccata, which Cziffra plays with effortless abandonment and joie de vivre as he also does Mendelssohn's Rondo Capriccioso. Cziffra loved to play Baroque music and the rest of this disc is taken up by mainly short but characterful pieces by Couperin, Lully, Rameau and Krebs. Many were recorded in the 1980s and sound better if played back at a reduced volume level as they were obviously too closely miked. Cziffra once said that he couldn't play Beethoven so preferred to leave it to others who could. He did record a number of sonatas and this selection includes very fine accounts of the `Pathetique'; No. 13 in E flat Op27/1 {companion to the `Moonlight'};and Op. 26 in A flat. He brings a full cantabile to the latter works opening movt. and to the Adagio of the `Pathetique'. Elsewhere he plays with refinement and elegance; everything is in the best possible taste and there is nothing to offend, but those who like their Beethoven a bit more rough and gruff could be a bit disappointed as they might also be with Cziffra's Brahm's Paganini Variations which are technically stunning but find Cziffra musically out of sorts. The Schumann disc finds him on top form. Like many great artists Cziffra loved to play Schumann and he was equally at home with Eusebius { the dreamer} as he was with Florestan { the impetuous side of his character} and this is self evident in his brilliantly characterful accounts of Carnaval, Fantasiestücke, and Carnaval de Vienne - the latter piece highly praised by Cortot after he heard Cziffra during a Paris radio broadcast in the late 1950s. Discs 7 and 8 are all concertante works and show Cziffra at the very height of his stupendous powers. Again Cziffra has his demon up in the most astounding Liszt Totentanz ever recorded; a Hungarian Fantasy with all the improvisational colours of a band of gypsy fiddlers and an ideally recreative performance of the second concerto to make all others sound four-square . To cap this there is a fabulous Grieg concerto in which Cziffra dares to improvise the end of the Lisztian style cadenza; a meltingly beautiful slow movt with an excitingly brilliant finale. Last but certainly not the least, a very poetic reading of Franck's Symphonic Variations and a Tchaikovsky first concerto which combines thrilling virtuosity with all those individual touches that only a genuinely recreative artist can bring to such a familiar masterpiece. This collection is a splendid tribute to one of histories greatest pianists - an artist who knew the authentic meaning of ` bravura'.