Bridge [Import]

Bridge [Import]

Track Listings

1. Bridge - Theme

2. Across the Land

3. Juliet

4. Travelling Shoes

5. Driven

6. If You Were Still Mine

7. Ten Years Late

8. Not This Time

9. Puppet Show

10. Carousel

11. Harbour

12. Bridge

Editorial Reviews
Product Description
2002 album for German heavy metal act. One of two albums released simultaneously, 'Bridge' shows the band's heavier side. 12 tracks.

Tracks:

Bridge Over Troubled Water
El Condor Pasa (If I Could)
Cecilia
Keep The Customer Satisfied
So Long, Frank Lloyd Wright
The Boxer
Baby Driver
The Only Living Boy In New York
Why Don't You Write Me
Bye Bye Love
Song For The Asking
Feuilles-O
Bridge Over Troubled Water

Amazon.com essential recording

No one can say Simon & Garfunkel went out with a whimper. The popular duo's 1970 swan song produced four hit singles and won six Grammy awards, including Record, Album, and Song of the Year. An involving mix of sweeping epics ("The Boxer," the title track) and breezy throwaways (a live cover of the Everly Brothers' "Bye Bye Love," the rock & roll trifle "Baby Driver"), Bridge was one of the most popular albums of its era. What's particularly striking about this collection is how brightly lesser-acclaimed songs like "So Long Frank Lloyd Wright" and the gorgeous "The Only Living Boy in New York" shine. (The 2001 reissue adds a pair of demos to the original work, including the traditional "Feuilles-O.")--Steven Stolder

Customer Reviews:

Simon & Garfunkel at their finest............2007-06-08

BRIDGE OVER TROUBLED WATER was my introduction to Simon & Garfunkel, as a young child. We owned the original vinyl edition, and I am (honestly) surprised that I didn't wear a hole through it! That's how often I lstened to it. Quickly, I memorized most of the songs and was constantly singing along to Art Garfunkel's light falsetto, that blended so well with Paul Simon's steadfast, slightly lower voice, in their singing duo. This album is filled with classic S&G songs that still remain very well known today. The title song is gorgeous and haunting, "El Condor Pasa" is their English language take on a traditional Incan melody rich with powerful lyrics, "Cecilia" is upbeat and syncopated, "The Boxer" can still bring tears to my eyes, and the rest of the songs are equally compelling (for different reasons). There are layers of brilliance, on BRIDGE, in the arrangements, delivery, and melody that carry the body of work with power and grace. I am sure you will agree and that is why I can't reccomend this masterpiece more.

Bridge.......2007-05-12

this album reminds me of my childhood. It is the ultimate Simon and Garfunkle album.

culmination of their evolution into pop music artists.......2007-03-07

As my title states, I believe this album is the culmination of S&G's evolution from a message-driven anti-war folk duo to phenomenal pop music artists. Some may find that evolution distasteful, even a betrayal of what their previous work accomplished. For me, what overcomes such thoughts is the simple beauty of the music. Yes, the title track sounds a bit overproduced, but the message and feeling still come through loud and clear, and no other performer of this song has come close to conveying what S&G were able to in their original recording.
El Condor Pasa brought Peruvian music to the pop world, an inkling of Paul Simon's later penchant for integrating world music into his work. My mother will forever quote the second line of that song when she wants to motivate me to do something ("I'd rather be a hammer than a nail"), and I guarantee that that song, as well as almost every other one on the album, will be remembered long after we are all gone.
One of the much criticized tracks in this forum has been "So Long, Frank Lloyd Wright". It happens to be one of my all time favorite recordings. Mr Wright was and is a hero to me, standing for American originality, defiance of the status quo; the song is a fitting tribute. It is stunning in its simplicity, and Garfunkel's vocals are unmatched in their angelic tenor. And what pop or rock guitarist today could play the lovely guitar part in this song?
The rest are memorable, except for their live cover of "bye bye love", which, I will agree with others here, was a mistake to throw in. Certainly in my top 10 albums of all time.

great music.......2007-03-04

What a *fantastic* emotional album Bridge Over Troubled Water is. It's almost funny to me that this album was released almost on the same date as Black Sabbath's debut! This just goes to show how diverse and interesting the rock scene was back in the late 60's and 70's.

Anyone who loves taking an emotional roller-coaster ride will get a HUGE amount of satisfaction out of this album. Simply put- a must have. You will love this album now, and probably for the rest of your life. Buy it right now.

4.5 stars: Good album that falls apart at the end.......2006-10-05

A lot to like here, the very best songs being the legendary title track, the Boxer and The Only Living Boy in New York - Cecilia, El Condor Pasa, Baby Driver and Try to Keep the Customer Satisfied are also good songs. But some of these songs fall apart, particularly the last three: Song for the Asking feels incomplete; Why Don't You Write Me is a throwaway; the live cover of Bye Bye Love doesn't add much. Probably their best, though Bookends is also quite good.

The Lord of the Rings: The Fellowship of the Ring

Average customer rating:

The music is good but the movie is better
A grand sountrack...
Lord of the Rings Original Soundtracks, films 1 and 3
Awe inspiring!
It is the best of the three CDs!!!

The Lord of the Rings: The Fellowship of the Ring

Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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Harry Potter and the Sorcerer's Stone - Original Motion Picture Soundtrack

ASIN: B00005QZWI
Release Date: 2001-11-20

Tracks:

The Prophecy
Concerning Hobbits
The Shadow Of The Past
The Treason Of Isengard
The Black Rider
At The Sign Of The Prancing Pony
A Knife In The Dark
Flight To The Ford
Many Meetings
The Council Of Elrond [featuring the song "Aniron (Theme For Aragorn And Arwen)" composed & performed by Enya]
The Ring Goes South
A Journey In The Dark
The Bridge Of Khazad Dum
Lothlorien
The Great River
Amon Hen
The Breaking Of The Fellowship
May It Be [composed & performed by Enya]

Amazon.com

Score composer Howard Shore has informed this first installment of the Lord of the Rings trilogy with his distinctly modern sensibilities. Revolving loosely around a brief, heroic brass theme, this epic is infused with a powerful rhythmic thrust and a musical range that encompasses centuries (from the Renaissance pastoralism of "Concerning Hobbits" to the fiery, Prokofiev-influenced drama of "A Knife in the Dark"). Key to the score's sense of mystery and magical place are the rich choral passages that are interspersed throughout, some so ominously gothic they make The Phantom Menace's "Duel of the Fates" sound almost sunny by comparison. Enya's contributions ("The Council of Elrond" and the song "May It Be") add a sense of organic tranquility, but it's Shore's Wagnerian-scaled orchestral score that should long be cherished by admirers of film music and hobbits alike. --Jerry McCulley

Customer Reviews:

The music is good but the movie is better.......2007-04-10

I really enjoyed the 3 series of The Lord of the Rings movie so I wanted the music. The soundtracks are good but if you like the movie the soundtracks watch the movie. They remind you of certain parts in the movie like the song Concerning Hobbits. The song is whimsical. Enyna has a great voice, very haunting. The Ring Goes South is another favorite of mine. I can enjoy these soundtracks as classical or dramatic music. I bought them because I loved the Lord of the Rings which has many similarities to Braveheart. Bravery, courage, strength, honesty, selflessness, love and other good human qualities people try to attain and admire them in the people and movies they view.

A grand sountrack..........2007-01-10

One of Howard Shore's best soundtracks around. The music is strong enough to tell its own separate story apart from FOTR. You will never tire of the heart-pounding excitement from The Bridge of Kazaad-Dum track.

Lord of the Rings Original Soundtracks, films 1 and 3.......2006-11-08

Having made an earlier mistake of buying 2 C.D.'s which were not original soundtrack, I can truthfully say these are the best. If you are a Lord of the Rings fan, look no further - no one does it better than The London Philharmonic Orchestra conducted by the composer Howard Shore. You will be back in Middle Earth reliving all those wonderful scenes. I bought only The Fellowship of the Ring and The Return of the King from Amazon.com because I already had the Two Towers from Amazon.co.uk and I would recommend all three - magical.

Awe inspiring!.......2006-10-02

What can I say that hasn't already been said about Howard Shore's magnificent score for the "Lord of the Rings" trilogy? A soundtrack can define the whole atmosphere of a film, and this fully orchestrated work certainly does that with sweep, splendor and wonder, alternately humanizing (hobbit-izing?) the characters, imbuing the landscape with magic and capturing the world-shaking impact of events of mythic proportions. And this was no easy task considering the iconoclastic status of the story and the superb quality of Peter Jackson's filmmaking. This is a truly a soundtrack for the ages--a fitting accompaniment to a film for the ages! Every aspect of life, from the extreme to the mundane, is captured in this music. Listening to it can make every remembered moment of the movie come alive again in your mind, from the most horrific battle to the smallest moment of humor or kindness. I think this first one is my favorite of the three "Lord of the Rings" soundtracks. I enjoy the juxtaposition of the lighter moments, like the sweet, simple hobbit theme, with the grander and more menacing sections of the music. (That despite the fact that said hobbit theme begins exactly like the first phrase of the Protestant hymn "This Is My Father's World," which prompts me to think of the hobbits trouping off to Sunday school every time I hear it. But now when I hear the hymn, I think of Lord of the Rings, so I suppose all's fair!) What impressed me most as I watched "The Fellowship of the Ring" was how scary the music was when the hobbits were being pursued. Those relentless drums and eerily screaming drums made the hairs on the back of my neck stand up, even though I knew the story like the back of my hand and knew for a fact that the poor little heroes would manage to escape. But the music truly made me wonder otherwise ... Now that's good composition! And the fact that the filmmakers chose to include background music in so many of the scenes, almost continuously ... well, that's just good filmmaking! The other impressive thing about Howard Shore's score is how the voicing and repeating motifs tie the whole thing together, like the finest of symphonies. The total effect is utterly convincing and utterly transporting. Peter Jackson chose well when he picked Shore as his score writer. Very, very well! Be sure to get the scores from the other two movies in the trilogy as well - "The Two Towers" and "Return of the King." They seem to be available in no end of different packagings, including ones with bonus DVDs about the creation of the score. Also, make sure to get the extended edition DVDs of the movie itself, with hours and hours of fascinating commentaries and behind-the-scenes documentaries about the making of the films. Truly a bargain at any price! And for more seminal soundtracks, try John Williams' defining scores for the "Star Wars" series and Basil Poledouris's spectacular score for the original "Conan the Barbarian."

It is the best of the three CDs!!!.......2006-09-10

For me, the music of the first sequel is my favourite since this is also the sequel that I prefer in the trilogy (I remember being blown away by the quality of this movie, the actors, the setting, the action scenes, the special effects, the moving relationships between all the characters and of coourse the music)
I think that the other CDs are a bit repetitive once you've got this one, even if I still like the music of the second soundtrack 'The Two Towers'. As for the 3rd sequel, I seldom listen to it as there is only one track that I like, 'The Return of the King'.
Now, this first CD of the trilogy is actually very good. Thanks to Enya, it is haunting and the songs are beautiful. There are a few eery but melodious songs like 'The Council of Elrond', 'Lothlorien', 'May it Be'. I love the change of tempo, the balance between fast and slow movements in 'A Knife in the Dark', 'Flight to the ford', and 'Amon Hen' which is my favourite piece (the Death of Boromir) with the oboe sound mixed with the beat of the drums and finaly the haunting voice of the singer. Track 17 is also worth listening. I like this CD because you've got different tempos and melodies and Anya is a great singer to me. But I also enjoy listening to Emiliana Torrini's song 'Gollum's Song'in the second soundtrack...

Average customer rating:

Disney doesn't do soundtracks
What a disappointment
Don't be so down on this album!
I Love It
Where's Zooey!?!

Bridge to Terabithia
Original Soundtrack
Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

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Bridge to Terabithia (Widescreen Edition)
No Ordinary Girl
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Bridge to Terabithia: The Official Movie Companion (Offical Movie Companion)
Jump In!

ASIN: B000M5B6P6
Release Date: 2007-02-13

Tracks:

I Learned From You - Miley Cyrus
Try - Hayden Panettiere
Keep Your Mind Wide Open - AnnaSophia Robb
A Place For Us - Leigh Nash And Tyler James
Another Layer - Jon McLaughlin
Shine - The Skies Of America
Look Thorugh My Eyes - Everlife
Right Here - Jeremy Camp
When You Love Someone - Bethany Dillon
Seeing Terabitha - Aaron Zigman
Into The Forest - Aaron Zigman
The Battle - Aaron Zigman
Jesse's Bridge - Aaron Zigman

Amazon.com

If the Bridge to Terabithia soundtrack skims the surface of the movie instead of mining for the richest material, it wasn't necessarily a bad move on the producers' part--given the film's 12-and-under target audience, the disc amounts to a snug fit for kids who walk out of a matinee wishing to extend the uplifting mood. And with a trove of songs this good, the grown-ups in their lives shouldn't have much of a problem listening in, even if they're only awaiting Aaron Zigman's four majestic disc-closing score selections. Of the nine bubble-gummish tracks aimed squarely at grade-schoolers, several come across as radio-ready: Jeremy Camp's "Right Here" is crazy-catchy, Jon McLaughlin's "Another Layer" avoids laying on the message too thick, and Miley Cyrus, a.k.a. Hannah Montana, handles herself with Hilary Duff-reminiscent poise on the charming "I Learned from You." Lament the shortened score if you will, but there's still a lot to like here. --Tammy La Gorce

Customer Reviews:

Disney doesn't do soundtracks.......2007-06-27

This is not the first time that the Disney Corporation has blown a soundtrack. I really think that they don't know how to do a good soundtrack anymore. They seem so concerned about making it palatable to the tweens that they forget that they paid someone good money to actually write a background score. All they seem concerned about is including some pop tunes because they must think this sells soundtracks. Well, if anyone is listening out there in the world of Disney - people who collect soundtracks would have liked to have gotten one for this movie. There are about 74 minutes available on a CD - why not go ahead and fill them with both the pop stuff and the actual score. Disney either forgets the score (like they did for this movie) - or only includes a paltry amount (maybe 30-40 minutes). Somebody at Disney better wake up - and maybe release a complete score for this movie - otherwise, you're better off skipping this mess.

What a disappointment.......2007-05-20

What a let down - such wonderful music in the movie - most of it, the reason I wanted to buy the soundtrack - is not on the soundtrack!

Don't be so down on this album!.......2007-04-01

As an older fan of the book Bridge To Terabithia, (I first read it as a kid over 25 years ago) I was skeptical about the movie. It turned out to be wonderful! As a classicly trained musician and fan of film scores, I was skeptical about the soundtrack album, which I knew would be geared toward kids, not soundtrack album collectors.

This album contains mostly pop songs, only a couple of which were used in the movie. I'm not a fan of today's pop music, and I'd never heard of any of the artists on this album. But I would not call the songs bubblegum or a disaster! They were a lot better than I thought they'd be. The lyrics are sweet, moving, and uplifting, and fit in well with the themes of the movie. The music is also uplifting and quite catchy.

The best part, of course, is the small selection of pieces from Aaron Zigman's film score, which is one of the best scores I've heard in a long time. Disney really dropped the ball by including only a small fraction of Zigman's score on this album. Fortunately, they chose some of the best parts of the score, including the enchanting Into The Forest and the soaring, breathtaking The Battle. Jesse's Bridge, which closes the album, is one of the most moving pieces of instrumental music you will ever hear.

It's a shame that Disney didn't add more of Aaron Zigman's score to this album. There was plenty of room - as it is now, the album only runs about 48 minutes. Because there's so little of the actual soundtrack on this album, I can't give it a five-star rating. But it's still a good album and worthy of four stars.

Don't be so down on this album! Listen to it, if only for the precious few tracks of Aaron Zigman's beautiful score. And the quality of the pop songs just might surprise you.

I Love It.......2007-03-15

This Soundtrack Is Beautiful Along With The Movie Nobody Likes The Soundtrack Or Movie Simply Because It Has Positive Meaning Nobody In Todays World Likes Movies Or Music Unless It's Filled With Sex, Gore, Or Strong Language I Guess I Must Be The Only One Left In This World That Likes Clean Wholsome Music Oh Well Your Loss

Where's Zooey!?!.......2007-03-11

This CD misses by a long shot by not including the classics that Zooey sung in the classroom with the kids. But what do you expect from a Disney production, to just look for an opportunity for them to promote their own recording artists! As for kids not being able to handle any "deep" songs, just take a look at the soundtracks for movies like "Shrek" and "Hoodwinked" where they show you can have great music soundtracks that appeals to a wide age range. Disney, once again you fall short on the soundtrack side.

Average customer rating:

Power Guitar Pioneer
Robin Trower's "Bridge of Sighs": An underrated Masterpiece!
Never loses it's edge.
Bridge of Sighs
awesome rock

Bridge of Sighs
Robin Trower
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Living Out of Time: Live

ASIN: B00000JPYD
Release Date: 1999-08-10

Tracks:

Day Of The Eagle
Bridge Of Sighs
In This Place
Fool And Me, The
Too Rolling Stoned
About To Begin
Lady Love
Little Bit Of Sympathy
"Lady Love - (bonus track, live)
Bridge Of Sighs - (bonus track, live)
Too Rolling Stoned - (bonus track, live)
Day Of The Eagle - (bonus track, live)
Little Bit Of Sympathy - (bonus track, live)

Customer Reviews:

Power Guitar Pioneer.......2007-07-20

Robin Trower's guitar wizardry sounds to me like 40% Jimi, 40% Stevie Ray, and 20% Les Paul. His lightning-quick finger speed, coupled with melodic and harmonic precision, great musicianship and communication within the group, and dynamite mixing and track management make Trower one of my favorite rock musicians and this particular album one of the best of all time. This band is TIGHT. Interesting to note that it is one of the few named after the lead guitarist rather than the lead vocalist, bassist James Dewar.

Robin Trower's "Bridge of Sighs": An underrated Masterpiece!.......2007-06-09

This is probably the most mature heavy metal guitar album ever made. This record has so much class. I didn't really follow Robin Trower that much but I can honestly say that this has to be his most important and most successful album. Even more so than anything he's ever done with Procol Harum, beforehand.

First of all, remember, Robin Trower is the guitarist on this album. The actual vocalist is James Dewar whom of which most people wouldn't even be aware of. Robin Trower has actually enjoyed a good 20 years of recorded music. Even in 1988, Robin Trower had a Top 200 album called "Take What You Need". But, this album of "Bridge of Sighs" probably continues to get the most airplay on album rock radio, even to this day. "For Earth Below" probably sold very well based on high anticipation because it followed "Bridge of Sighs".

The main rock staples on this album are the title track, plus "Day of the Eagle", and the great late night acid drenched trance and funk rocker "Too Rolling Stoned". But I enjoy every track on this album. I've had this CD on several different remastering efforts, and I'd have to say the Mobile Fidelity Gold Disc is the best sounding release of this album on CD. Most of the other releases (including the latest remastered CD with bonus live tracks) sound kinda muddy to me. My Mobile Fidelity Gold CD has one unnecessary bonus track which is the 45 single version of "Day of The Eagle". Who needs that? I don't believe FM radio will ever play it.

Anyway, this is one of my own personal Top 10 favorite "guitar rock" albums of all time. I hope you agree too.

Never loses it's edge........2007-05-24

I started playing this CD in my car - my kids (14 & 15) (okay they're not kids!!!) really enjoy this. Track 1 is my favorite. Track 7 has COWBELLS (Saturday Night Live skit). This stuff is timeless. How does he get so much sound from a guitar, vocals, drum and bass???

Bridge of Sighs.......2007-05-14

I could not be any more pleased with this product. I have now just about run the gamut on this piece of music. I have owned it in vinyl, cassette, and now CD. Unfortunately by the time I bought the album, I was too cheap to buy the 8 track of it or I would have the Golden Sombrero! It is every bit as dynamic, clean, soulful and powerful as back in the '70's when I first heard my college roommate's album. Dewar's voice is still great and Trower still rocks like nearly nobody else.

awesome rock.......2007-04-30

One of the best hard rock albums of all time. Need I say more.

Twice Removed From Yesterday/Bridge Of Sighs

Average customer rating:

A Great Trower Pair
top 10
Bridge of sighs
Trower at his peak
Two for One

Twice Removed From Yesterday/Bridge Of Sighs
Robin Trower
Manufacturer: Bgo - Beat Goes on
ProductGroup: Music
Binding: Audio CD

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Living Out of Time: Live

ASIN: B000005RPW
Release Date: 1997-03-04

Tracks:

I Can't Wait Much Longer
Daydream
Hannah
Man Of The World
I Can't Stand It
Rock Me Baby Right
Twice Removed From Yesterday
Sinner's Song
Ballerina
Day Of The Eagle
Bridge Of Sighs
In This Place
The Fool And Me
Too Rolling Stoned
About To Begin
Lady Love
Little Bit Of Sympathy

Album Description

Remastered from the original master tapes, this two-on-one features his Chrysalis albums 'Twice Removed From Yesterday'(1973) and 'Bridge Of Sighs' (1974). 17 tracks total, including 'Can't Wait Much Longer', 'Daydream', 'Bridge Of Sighs' and 'Too Rolling Stoned'. 1996 BGO release. Also features extensive sleeve notes and faithfully restored artwork.

Album Details

Classic Two on 1, features Some of his Best Material Including I Can't Wait Much Longer, Rock Me Baby, Day of the Eagle and Too Rolling Stoned.

Customer Reviews:

A Great Trower Pair.......2007-07-24

I agree with earlier review from Tommo 1957, songs from Twice Removed From Yesterday are great, including Hannah. I didn't know about the passing of Dewar. So sad to hear.This album turned me on to the great talent that was, and is now, Robin Trower. This album led perfectly to his masterpiece, Bridge of Sighs.
Robin and his newer band made their way here to Oklahoma City, and what a treat to see him, still cranking the lights out of his guitar.
Also, his anthology album showcases his work. I'd recommend that, as well as this pair, because Twice Removed is a classic!!
JLMankin

top 10.......2007-07-01

Come on.........everyone knows Bridge of Sighs is in the top ten and it includes the first album. Can't go wrong.

Bridge of sighs.......2007-02-12

I loved "bridge of sighs" the first time I heard it. I found many of the other songs enjoyable as well. There are a few songs on this (double) album that are below par for Robin Trower, but it is still a good addition to anyones collection.

Trower at his peak.......2007-01-07

Bridge of Sighs and Twice Removed From Yesterday represent Robin Trower at his peak. Combining with Reg Isidore on drums and the vocals of James Dewar, Trower creates an atmosphere filled with dreamy guitar riffs, while still allowing the vocal talents of Dewar to shine.
The Hendrix influence is obvious, yet this is not a Jimi clone. Trower remains one of the most under-rated guitarists of his generation.

Two for One.......2006-11-04

Classic Trower, including his most well known work Bridge of Sighs. Can't go wrong for the price.

The Essential Elmer Bernstein Film Music Collection

Average customer rating:

Sad, Really Sad
An excellent movie themes antology by ELMER BERNSTEIN
Excellent
Great Film Music
Fun, Powerfull music

The Essential Elmer Bernstein Film Music Collection

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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ASIN: B0007XTQ14
Release Date: 2005-06-07

Tracks:

The Magnificent Seven
To Kill A Mockingbird (Suite)
The Buccaneer (Overture)
Walk On The Wild Side
An American Werewolf In London (Metamorphosis)
The Age Of Innocence (End Titles)
The Comancheros
Ghostbusters
Heavy Metal (Taarna's Theme)
Johnny Staccato
True Grit (Rooster Cogburn/A Warm Wrap-Up)
Hollywood And The Stars
Zulu Dawn (River Crossing)

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The Great Escape
The Man With The Golden Arm
Far From Heaven
The Sons Of Katie Elder
Airplane (Suite)
The Shootist (Main Title)
Hawaii (Overture)
The Birdman Of Alcatraz (Finale)
The Hallelujah Trail (Overture)
The Bridge At Remagen
Thoroughly Modern Millie (Sky-Hi)
The Scalphunters
The Ten Commandments (Overture)

Album Description

*A specially priced 2CD set with over 110 minutes of some of the greatest film music in the history of cinema.

*New digital recordings in spectacular and sound performed by the acclaimed City Of Prague Philharmonic Orchestra and National Youth Jazz Band.

*Includes world premiere recordings from "The Birdman Of Alcatraz," "Thoroughly Modern Millie," "Airplane!" and "An American Werewolf In London."

*In 2004 the world of cinema lost one of the most iconic figures in film composing. In a career that spanned half-a-century and over 250 films, Elmer Bernstein was responsible for writing the music to many of the greatest and most loved movies of all time ranging from "The Ten Commandments," "The Magnificent Seven" and "The Great Escape," through to "True Grit" and "Airplane!" This collection has been lovingly created and compiled as a tribute to a genius and true master of the art of film scoring.

Customer Reviews:

Sad, Really Sad.......2007-05-13

These CDs don't meet the standards that I expect from Elmer Bernstein's wonderful film music.
*It's just Boring*
The ensemble doesn't have the energy one would expect to play "The Magnificent Seven" and "The Man with the Golden Arm". I think the City of Prague and National Youth Jazz Orchestras were bargain orchestras used to make an inexpensive CD set of one of my favorite film composers. The conducting and arrangements were what made this an obviously bad album.

An excellent movie themes antology by ELMER BERNSTEIN.......2007-05-10

Silva Screen Records, presents this antology of the music from the late great composer/conductor ELMER BERNSTEIN, who supervised this recording just before die.
Played the The City of Prague Philharmonic Orchestra, and conducted by his one time assistant James Fitzpatrick
Recorded in HDCD and Dolby Surround

Excellent.......2007-04-22

it's unfortunate that more tracks weren't able to be recorded as theree was a good 15-20 minutes of space remaining on both discs. Regardless, this is an excellent sampler, especially in conjunction with Varese's Bernstein sampler including rare stuff like the Black Cualdron.

With regards to this silva set, these recordings range back to 1994, with Sons of Katie Elder and True Grit being recorded for a John Wayne CD and Bridge At Remagen for a CD of classic War themes. The Great Escape was also recorded for that CD, but producer James Fitzpatrick opted to record a new arrangement (same with Magnificent Seven). In '97, The Buccaneer for included on a Swashbucklers disc, while Heavy Metal was on the popular 'Space and Beyond' compilation. In '98, the world premiere recording of Airplane first appeared on a DISASTERS film disc. So while it may technically be the world premiere RECORDING it certainly is not the world premiere CD RELEASE of that recording. Ghostbusters was included on Space 3: Beyond the Final Frontier, the second followup to the popular 'Space and Beyond'. Fast forward to 2002 and 4 recordings first appeared on WAY OUT WEST: ESSENTIAL WESTERN FILM MUSIC COLLECTION VOLUME TWO, those being The Comancheros, The Hallelujah Trail, The Scalphunters and The Shootist. Man With the Golden Arm and Walk on the Wild are from Silva's JAZZ IN FILM cd.

The remaining tracks were all newly recorded for this release. They are of course the strongest tracks, seeing as the City of Prague Philharmonic has improved over time. I do wonder though why they did not include the older arrangements of Great Escape and Mag. Seven as bonus tracks.

I also recommend the simultaneously released '40 years of Film Music: Jerry Goldsmith' for another great set honoring a late great film composer.

Great Film Music.......2007-03-09

This is a great recording of some of the best film music ever. From the
great westerns to the Theme from Airplane to music he did for television,
Bernstein was one of the greatest.

Fun, Powerfull music.......2007-02-17

It's great! It brings back memories of my dad. He loved John Wayne and the old cowboys of the Magnificent Seven. But it's nice just to listen and relax (it's not all cowboy music).

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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The Young Person's Guide to the Orchestra (Book & CD)
What to Listen for in Music
Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

One Day Remains
Average customer rating:

Not the same version that Edge uses

Better than Creed. Really.

WOW!!

Great Album!

Bridge to Success

One Day Remains
Alter Bridge
Manufacturer: Wind-Up
ProductGroup: Music
Binding: Audio CD

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Greatest Hits (w/ Bonus DVD)

ASIN: B0002IU988
Release Date: 2004-08-10

Tracks:

Find The Real
One Day Remains
Open your Eyes
Burn It Down
Metalingus
Broken Wings
In Loving Memory
Down To My Last
Watch Your Words
Shed My Skin
The End Is Here

Album Description

Creed's Mark Tremonti, Scott Phillips, and Brian Marshall re-emerge as ALTER BRIDGE with new singer Myles Kennedy.

Customer Reviews:

Not the same version that Edge uses.......2007-06-20

I'll be honest, I bought this CD because one of the songs, "Metalingus", is the theme song for WWE Wrestler Edge and it was not available on any WWE albums.

The song on the CD is not exactly the same as Edge uses for his entrance. The drum riff used before Edge comes out is at the end of the song here, and the part of the song you hear as he proceeds to the ring is actually over halfway through this version. So, wrestling fans be forewarned.

However it was good to find that I enjoyed the rest of the album. My opinion varies from most in that I did not enjoy Scott Stapp's voice when listening to Creed. To me it kept interfering with what I thought was a really good band playing.

Exit Stapp, enter Miles Kennedy and Creed's former instrumentalists have found a voice that finally compliments their playing in my ears. His voice is more akin to Chris Connell than Stapp and together the new band Alter Bridge shows a lot of potential to me. I say potential because this first album, while great, lacks an indefinable cohesiveness that comes with a band playing together for a while. All this leads me to wait for their sophomore album with much anticipation.

Better than Creed. Really........2007-06-06

This is really a simple album to review. I loved all 3 of Creed's albums, but this album is far, far better than those. Rougher, louder, heavier, Tremonti is absolutely out of his mind on this album. Metalingus might be one of the best songs from this gang, Stapp or no Stapp, and it doesn't even have a guitar solo! Buy it, buy it, you will not be disappointed.

WOW!!.......2007-04-22

This is defiently a DAMN good band!! This singer fits as well as stapp did in my own opinion, has his own feel like stapp does as well. When comparing Stapps new record to this one i say this one beats stapp buy a star and a half.

Great Album!.......2007-03-15

The number one question in most people's minds when they hear of Alter Bridge is; Do they sound like Creed? The answer is no, not really. The song that sounds most like Creed is Open Your Eyes and none of the other songs on the cd sound like Open Your Eyes. Creed had an alternative streak (Say I, Wrong Way, etc) where as Alter Bridge sounds like straight up rock n' roll. The guitar work on this album is VERY VERY good! Myles Kennedy has a great voice. He'll shock you with some of his work, for instance, his last notes on Find the Real. Myles is a tenor and sounds very different compared to Scott Stapp. He's actually quite a better singer than Stapp too. Maybe a little less feel (for some people) but much better singing. The highlights here and when I mean highlights I mean you have to hear these songs at least once in your life are;
Find the Real--Great intro with double bass and solos thrown throughout each and every chorus and solo in the bridge! Blew me away when I first heard it. Hard and heavy but not fast.
One Day Remains--More modern rock than hard rock with an alternative feel. Very and I mean very fast verse riff with a huge flurry of notes. Cool little sweep solo in the bridge. It's a little repetitive but the amazing verse and anthemic chorus will have you singing along.
Metallingus--Very hard and heavy and fast. The closest thing to metal on this cd. The bridge has a very cool start/stop heavy riff with some amazing runs thrown in. Closes out with double bass and heavy guitars that remind me of the bridge.
Broken Wings--Tremonti writes beautiful ballads and here's a darker more bleak sounding ballad than anything he's ever written. Great bluesy fingerpicked intro with a simple verse and chorus that make you feel the MELODY sung by Myles Kennedy. Oh, and even though the guitar work is "simple" it's actually quite complex with some weird sounding chords and octave chord slides that spice up the chorus without making the guitar the highlight.
Shed My Skin--Softer ballad type song. The lyrics are what really get you on this one.
The End is Here--Epic and awesome. Explodes from the verse to the chorus. Middle Eastern sounding with again great runs and riffs. Heavy like Find the Real in the verse (but in the chorus) and with a darker feel than Find the Real. This is THE track on the cd.
The rest of the cd is not as impressive but these tracks are amazing! Alter Bridge definitely has a harder and heavier vibe to them then Creed did. The cd is a mix of hard rock and a softer (but not soft) rock. The guitar work (again) NEEDS to be heard. This cd had me mesmerized for a couple months. The only complaint would be that they need to follow in the vein of Find the Real and The End is Here more than Shed My Skin and a couple other tracks if they really want to do something distinctive from the TYPE of music they've made in the past. Again every song on here is great but it sounds like Alter Bridge tried to move in one direction and then had to compromise a little (with their record label). Their next cd should be all them and I can't wait to hear it.

Bridge to Success.......2007-03-12

After purchasing this cd used a couple of years ago because I didn't want to get burned on another cd that was suppossed to be great with a new lead singer. I was very surprised with this cd and after repeated listens it just got better and better. It usually gets added to my mix when I do a MP3 mix for my car audio. It's just one of those cd's that doesn't get tiring after a couple of listens like so many others do today. It will intersting to see what their sophmore release will be like if they ever work through whatever problems that they've encountered since this release. Time will tell. If you haven't picked this up because Scott Stapp isn't singing lead on it then you're sorely missing out on some great music.

Average customer rating:

Nyro
Always an originator
A nice departure
audra is remarkable
Building a bridge between pop and broadway

Build a Bridge
Audra McDonald
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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ASIN: B000HDR92C
Release Date: 2006-09-26

Tracks:

God Give Me Strength
My Stupid Mouth
Build A Bridge
Cradle And All
I Wanna Get Married
Dividing Day
My Heart
Damned Ladies
Wonderful You
To a Child
Bein' Green
Tom Cat Goodbye
I Think It's Going To Rain Today

Amazon.com

Audra McDonald may well have the best voice and interpretative skills of all current musical-theater singers. This album, though, is oddly disappointing. McDonald's gorgous soprano is as pure as ever, but her feisty attitude and sly sense of humor are less in evidence than on previous recordings (just check out "A Little Bit in Love" on a studio recording of Wonderful Town). On this pared-down sounding outing, the tunes mix pop-rock songwriters both contemporary (John Meyer, Rufus Wainwright, Nellie McKay) and old-school (Neil Young, Laura Nyro, Randy Newman--though Dusty Springfield's version of Newman's "I Think It's Going to Rain Today" remains the definitive one), along with composers from the artier side of musical theater (Adam Guettel, Ricky Ian Gordon). Things start off great with a haunting take on Burt Bacharach and Elvis Costello's "God Gave Me Strength." Highlights include a poker-faced version of McKay's parody of 1950s matrimonial bliss, "I Wanna Get Married" and Wainwright's tango-ish "Damned Ladies." But Doug Petty's arrangements and production are too monochromatic, and the songs quickly meld into each other--typically, Nyro's "Tom Cat Goodbye" feels a bit flaccid. Someone please get McDonald a huge orchestra for her next outing. --Elisabeth Vincentelli

Album Description

Audra McDonald's Build A Bridge recreates a remarkable program of songs she premiered to great acclaim at the premiere of the American Songbook Series for Jazz at Lincoln Center. As the album title suggests, she combines material from precious young songwriters like Rufus Waiwright, Nellie McKay and even John Mayer with the work of frequent collaborator and Broadway innovator Adam Guettel, Elvis Costello/Burt Bacharach, Laura Nyro, and Randy Newman.

Customer Reviews:

Nyro.......2007-03-04

Not my favorite album of hers, but the Laura Nyro songs alone are worth the price.

Always an originator.......2007-01-28

I have been mostly a fan of Ms. McDonald's Theatre music so this CD filled with pop music selections took some getting use to. But as usual I have been won over by Audra's beautiful voice and musicianship. Her individual style and fearless fresh approach to music making is rare and very special. She has the best voice and technique of any singer singing Broadway and popular music today. She is never afraid to take on a classic associated with another singer( Dusty Springfield's "I think its going to rain today", by Laura Nyro) But let this CD live in your CD player for a while and you'll find yourself finding new joys in it with each new listen.

A nice departure.......2007-01-12

I truly admire Audra for constantly seeking new music to record. While this album is not my favorite Audra recording (Happy Songs wins that award :) it is still a very enjoyable record. Some of the tracks are sheer delight ("My Stupid Mouth" and "Wonderful You") while others just don't appeal to me ("Tom Cat" and "I Think it's Going to Rain Today") but that's to be expected whenever an artist is exploring new territory. I applaud Audra for her willingness to always seek new and varied music for her albums and will continue to be a big Audra fan!

audra is remarkable.......2007-01-12

audra is not only a multiple tony award winner and phenomenal actress, she is a beautiful recording artist. You will not be disappointed by this CD. It is so beautiful...the best track is "my stupid mouth"...get this CD!!

Building a bridge between pop and broadway.......2007-01-12

Audra McDonald has already established herself as one of Broadway's leading artists. Whether it be her performance in Ragtime of the powerful "Daddy's Hands" or one of her beautiful albums such as "Way Back to Paradise" I have always enjoyed listening to Ms. McDonald as she fully engages a piece of music to make it a memorable experience.

This cd is no exception as she presents us with an eclectic array of music. She covers her Broadway roots with pieces by Adam Guettel and Ricky Ian Gordon, spreads into some older work from Laura Nyro and even explores pop by delving into John Mayer and Rufus Wainwright. She does a beautiful job of making each piece her own.

That said I should give you a warning. If you are strongly attached to any previous recordings of any of the pieces I am going to reiturate: she makes each piece her own. My sister is a big fan of John Mayer and didn't like the way that Ms. McDonald explored the piece. My father upon listening to both interpretations back to back wouldn't have thought that it was the same piece of music.

I would highly suggest making the investment in this cd. There is beautiful vocal work and her conviction to each piece is moving. As a music student I look to it as an example of putting yourself into the music. Once again, I warn that if you are particular to Victoria Clark's rendition of "Dividing Day" or Bette Midler's performance of "I think it's gonna rain today" (or Kermit's "Bein' Green") be well aware that Ms. McDonald is not a rubber stamp and that is what keeps bringing me back to her.

Average customer rating:

Harks back to classic days of yore
Another incredible prog album from the supergroup!
Couldn't Be Better
Ages like a fine wine...
Very unique music! One of my favorite side projects of all time!

Bridge Across Forever
Transatlantic
Manufacturer: Metal Blade
ProductGroup: Music
Binding: Audio CD

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V

ASIN: B00005PJ9V
Release Date: 2001-10-09

Tracks:

Duel With The Devil
Almost Home
Suite Charlotte Pike
Bridge Across Forever
Stranger In Your Soul

Album Description

'Bridge Across Forever' is a new collection of epics that is sure to enthrall fans once again. TransAtlantic has again enabled Stolt, Morse, Trewavas and Portnoy to indulge a brand of song writing, totally uninhibited or restricted to any particular style or length, something which they have really taken advantage of with the opener 'Duel With The Devil' and 'Stranger In Your Soul' both clocking in at just under 1/2 hour each! A Radiant Records release.

Customer Reviews:

Harks back to classic days of yore.......2007-03-12

I can't think of a CD I've purchased within the past decade I took a more immediate liking to than this effort. If you like "Foxtrot" or "Nursery Cryme" then you will like this CD as well. There's ample use of Tony Banks-style Hammond -- but with classic Moog and Oberheim patches more predominant than in very early Genesis, and occasional heavier riffs evocative of Spock's Beard or Dream Theater, this CD has a voice of it's own. And what a great voice it is! Catchy melodies and weaving textures that you will find hard to get out of your head.

Now let me attempt to dispel a few prog misconceptions I continue to run across in reviews that may be applied to the music on this CD:

1. Prog rock is pretentious, overblown; Rick Wakeman wears a cape - Hey, that's the genre! If the music and production didn't have a grand scope and sweeping grandeur enveloping it, it wouldn't be prog, now would it? I'm reminded of Mozart's critics in "Amadeus" who generally liked the work, except there were "too many notes." If you don't like long interwoven suites, fully orchestrated sections mixed with a variety of musical textures and lyrics more ethereal than "driving your Chevy to the levee," then don't call yourself an aficionado of the genre while declaiming it as pretentious. Rather, just admit you don't like prog rock. And Rick Wakeman only wore the cape in concert and put on one helluva great show. It was the 70s. Big name rockers wore garments a lot stranger than a cape! I can't figure out all the Wakeman-bashing going on out there.

2. New prog rock bands like Transatlantic and Spock's Beard are derivative - To a degree, yes. You can tell these guys probably wore the grooves out on their early Genesis albums. And you'll find passages evocative of Crimson and Gentle Giant thrown in for good measure. Is that a problem? Again, if the sound were totally foreign when compared to classic prog music then it would have to fit into another genre. "Bridge Across Forever" does an excellent job of blending what was great about 70s prog with their own unique vision and songwriting skills, and I think it compares very favorably to some 70s prog greats. If I had 100 CDs as good as "Foxtrot" or "Nursery Cryme" I'd be thrilled, rather than steamed that the latter was "too derivative."

3. Neal Morse's voice is too nasal, his lyrics are insipid - I don't find that to be the case. I like his voice. As to lyrics, if anyone who likes early Yes music claims Neal Morse's lyrics are insipid, then please explain the lyrics of "Starship Trooper" to me. Or anything off of "Tales From Topographic Oceans." Don't misunderstand me, I love those albums -- "The Yes Album" still stands as one of the greatest 40 minutes of music ever assembled, in my opinion -- but part of the mystique of the prog genre is that you're more likely to run across lyrics describing a Giant Hogweed gone rampant in downtown London as opposed to "good lovin' gone bad." If you don't care for the fantastical in lyrical content then once again I submit you just don't like the genre.

Sorry for the ranting. I'll likely pick up many "not helpfuls" for going off-topic entirely too often, although I think my comments apply to the CD I'm reviewing as well. If you're still unsure about purchasing this CD, reread the first paragraph -- it really says it all.

Another incredible prog album from the supergroup!.......2006-12-20

Bridge Across Forever was prog-supergroup Transatlantic's 2nd (and sadly final) album. Featuring Neal Morse, Mike Portnoy, Roine Stolt, and Pete Trewavas, the band is a veritable who's-who of modern prog. Their first album was an incredible effort, although all but one of the songs was written mainly by Neal Morse, which some fans criticized as sounding too much like Spock's Beard (Morse's band). Thus, this second album was a more collaborative effort, and while SMPT:E (the first album) was amazing, this newfound cohesiveness shows on Bridge Across Forever. The album can almost be seen as one continuous piece of music split among it's four tracks, as sections are reprised or built upon between songs.

The album kicks off with Duel With the Devil, 27 minutes of magic going from section to section seamlessly. It segues into Suite Charlotte Pike, one of my favorite songs from this band. If the Beatles were a prog band, this is what they'd sound like, all 15 glorious minutes of it. After the short (5 minute) pretty title track, the album closes with another monster, 26 minute Stranger in Your Soul. Again, a mammoth composition flowing so seamlessly it seems as if it fell out of the sky fully formed. Truly amazing, as is this whole album.

Unfortunately, Neal Morse quit Spock's Beard and Transatlantic in 2002 to puruse a career as a Christian prog solo artist. Portnoy promptly broke up Transatlantic, as Morse was the driving force behind it, musically, and Mike couldn't fathom running the band without him.

If you are into Dream Theater, Spock's Beard, Flower Kings, or Marillion, or just great prog, the two Transatlantic albums (and their two live ones) are essential. You totally won't be disappointed!

Couldn't Be Better.......2006-06-13

I put off buying this disc for months because sometimes you read reviews that are simply too gracious, and recordings of whale noises could be given a 5- star rating. This is deinitely not the case here. This recording is great from beginning to end and each song holds little gems that keep you coming back for more. You start to think, "Hm. This is interesting." And just when you think the song couldn't possibly surpass the last line, BAM, they hit you with something even more ingenious! "Duel With the Devil" is a great opening track which goes from quiet to powerful and back again (and again!) Reminiscent of Close to the Edge, not so much in its sound but in the way so many elements are brought together and work. "Suite Charlotte Pike," as has been said, is a schizophrenic, Beatles- sounding tune that is a light- hearted, happy affair, heralding back to Abbey Road. "Bridge Across Forever" is probably one of my favorite ballads, with surreal, heart- wrenching vocals and beautiful piano, strings and vocals by Neal Morse (aren't all his vocals great?) And then there's "Stranger In Your Soul" which is another great epic that has themes begun in the first track that blend here. To put it simply, this album caused me to purchase everything by The Flower Kings because of guitarist/ vocalist Roine Stolt's contributions here,and Spock's Beard due to Neal Morse's great vocals, keys and songwriting. I was already familiar with Mike Portnoy's awesome percussion and Pete Trewavas' bass playing by owning Dream Theater and Marillion CD's, but I feel their performances here were superior to the ones with their original bands (haven't heard bass riffs like this since early Yes Chris Squire!) This is one of the best albums I've heard in years and I don't say that lightly!

Ages like a fine wine... .......2006-03-13

Music of this nature takes a lot of time to gel with my ears. At first this Transatlantic album didn't stand out for me, despite the fantastic rep it seems to carry.

With repeated listens and plenty of time to focus exclusively on the music, the initial fog of complexity has lifted revealing a brilliant beautifully orchestrated album I can not get enough of now. I'm not going to get into all the facets of musicianship and attention to the most minute musical details evident here on this disk... this sucker is just plain beautiful music. Listen to this w/ the lights off and in the company of someone special. It is worth every penny of it's admission price.

Very unique music! One of my favorite side projects of all time!.......2006-02-22

This band would have to be one of the best "side project" groups I've ever heard! I heard SMPTe and now this....! The music they come up with together with this awesome group of 4 is just purely amazing! It's unique, original and they not afraid to express a comtemporary issues with their unique music form.

They should have stayed together, but of course Neal Morse had a special "religious experience" in Christianity.

Why people don't know more about these guys and this type of music is beyond me.

I was quite surprised how heavy Stranger in your Soul was! It would have to be one of their best songs they ever did along with All of the Above -- this song blew away when I heard a sample of it and then I did the noble thing and bought the album.

It might only have 4 songs -- but 2 of them are 26 minutes long!

I cried and felt a chill go down my spine (literally) when I listened to "A Bridge Across Forever."

I LOVE THEIR ART WORK ON THE FRONT COVER BECAUSE SCI-FI IS SUCH A GREAT THING! THAT SPACESHIP IS HUGE!!! ENORMOUS!!! There's inspiration there too; even in the art work!

There are many styles of music -- even a bit of saxophone in part 1. But still the same group as they were on SMPTe.

I read online that people criticized Neal for having too much of a dominance on the previous album (barf alert). I honestly feel that people complain too much. This album is great; like the previous. They explore themes that other music groups or genres won't even touch! These guys could talk about anything -- even a cook book and it would still be cool!

I've been blown away with this album. The husky voice of Neal, Roine Stolt's innovative guitar work, Mike Portnoy's neat drumming patterns and Pete's wonderful bass which appears to be the "backbone" of the music a lot.

I think anyone I MEAN ANYONE could listen to this album. There is something for everyone on here, except techno. So God bless these people!!! (No doof! doof! music here! :) )

The music is intelligent and very meaningful. The music is well balanced and they talk about things that effect people's life. This album appears to be a concept album and about a personal, psychological crisis. Each music instrument has it's part on this album and helps to provide the right "music mood" brillantly.

If you like prog rock and you love Portnoy in Dream Theater, you've got to add this to your collection.

This music is largely not heavy and is very moderate, but it's something that everyone can appreciate with the improved background vocals on this album.

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