Live in London [Enhanced] [Live]

Live in London [Enhanced] [Live]

Live in London [Enhanced] [Live]

Editorial Reviews
Product Description
2003 double CD release of 2002 live DVD release is pressed onto an enhanced CD, includes special deluxe packaging, & seven bonus tracks, 'Heading Out To The Highway', 'Grinder', 'The Sentinel', 'Green Manalishi', 'Beyond The Realms Of Death', 'You've Got Another Thing Coming', & 'Hellion/Electric Eye'. Enhanced material consists of video extracts from the 'Live In London' DVD. Includes booklet with rare photos, liner notes & tour dates from their 2001-2002 world tour. Slipcase. Steamhammer.

Live in London,Judas Priest,Steamhammer Us [Spv],British Metal,Heavy Metal,Jazz Collections,New Wave of British Heavy Metal,Pop,Rock
Live in London and More...
Average customer rating: 5 out of 5 stars
  • Loving it
  • Still Moving
  • Awesome
  • Inpsirational
  • The most wonderful blessing Thank You Donnie!
 Live in London and More...
Donnie McClurkin
Manufacturer: Verity
ProductGroup: Music
Binding: Audio CD

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  5. Donnie McClurkin: Live in London and More

ASIN: B00004WFN6
Release Date: 2000-08-22

Tracks:

  1. Intro
  2. That's What I Believe
  3. Just For Me
  4. Who Would've Thought...
  5. Didn't You Know
  6. I'll Trust You, Lord
  7. Caribbean Medley
  8. Victory Chant (Hail Jesus)
  9. Psalm 27
  10. Great Is Your Mercy
  11. Lord I Lift Your Name On High
  12. We Fall Down
  13. We Fall Down (Reprise/Altar Call)
  14. I Do I Do

Amazon.com

Donnie McClurkin's road to success is filled with the fragrance of God's blessing. With a 1996 debut that went gold, a single on the Prince of Egypt soundtrack, an appearance on The Oprah Winfrey Show, and performances for Presidents Bush and Clinton, the list of McClurkin's awards and recognition goes on and on. His second solo release, Live in London and More..., is destined to be another stellar event in McClurkin's career. This live recording, performed in a packed Fairfield hall in London, is a cross between worship, preaching, and jubilation --a complete representation of McClurkin's passions. From the elated opener, "That's What I Believe," to the intimate anthems in "We Fall Down," McClurkin leads the audience through a journey that is filled with inspiration and passion. Standing firmly on the belief that only a heavenly blessing could make all of this happen, McClurkin keeps the attention firmly fixed on God throughout the entire show. --Israel Button

Customer Reviews:

3 out of 5 stars Loving it.......2006-08-18

I had been looking for this CD for a while now and glad to finally have it. I am thoroughly enjoying it.

5 out of 5 stars Still Moving.......2006-08-04

I bought the CD when it first came out back in 2000 not knowing much about the artist or his music. I still get so moved everytime I listen to this CD. I acutally feel as if I was there at the concert. You also can feel the presence that GOD had in that place. It is truly an awesome CD. I love all of the songs but my favortie is "Great is Your Mercy".

5 out of 5 stars Awesome.......2006-05-17

This CD was my introduction to Donnie McClurkin sometime ago and remains my favorite. It is passionate and inspiring. Donnie has the voice of an angel and the words to these songs minister to the spirit.

5 out of 5 stars Inpsirational.......2006-03-06

I owned another CD by Donnie Mcclurkin and thought it was the greatest, most spiritually uplifting cd that I had ever heard, until this one. Again, I have been experincing health and personal issues, really going through the fire. This cd has helped to keep me uplifted, inspired, ministered to and incredibly blessed. Thank you Pastor McClurkin for using your talent, as The Lord has clearly instructed you to and sharing it with the world. We are truly blessed to have you in it. And I believe that one day, I will have the opportunity of hearing you preach in person. May God continue to bless and keep you!

5 out of 5 stars The most wonderful blessing Thank You Donnie!.......2006-01-15

I had a traffic accident and needed to rent a vehicle to drive to work. When I got in the van and turned on the radio, I discovered this CD which someone had left by mistake. It was a word in due season, annointed by God, and I believe it was no accident and intended for me to hear. Now I have the CD for myself. I hear this CD playing in my head all the time now, and it is an encouragement to me. Words can't explain it. I Praise God for it!
Live in London: The BBC Recordings 1972-1973
Average customer rating: 4.5 out of 5 stars
  • Skippable Yet Great
  • Extraordinary performances, essential for fans
 Live in London: The BBC Recordings 1972-1973
Judee Sill
Manufacturer: Water
ProductGroup: Music
Binding: Audio CD

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  1. Just Roll Tape: April 26th, 1968
  2. Abracadabra: The Asylum Years - Judee Sill / Heart Food
  3. Dreams Come True
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  5. Person Pitch

ASIN: B000NVSZVM
Release Date: 2007-05-28

Tracks:

  1. Jesus Was A Cross Maker
  2. Lady-O
  3. The Lamb Ran Away With The Crown
  4. Enchanted Sky Machines
  5. The Kiss
  6. Down Where The Valleys Are Low
  7. There's A Rugged Road
  8. The Phoenix
  9. The Donor
  10. Soldier Of The Heart
  11. Interview
  12. Enchanted Sky Machines
  13. The Kiss
  14. Down Where The Valleys Are Low
  15. The Phoenix
  16. Jesus Was A Cross Maker
  17. The Kiss
  18. Down Where The Valleys Are Low

Amazon.com

A blueprint for the early-'70s Laurel Canyon sound, Judee Sill's short-lived star was still shining brightly when she pulled into London for a pair of live shows in 1972 and 1973, recorded by the BBC. Sill performing entirely solo, her saintly voice is escorted only by acoustic guitar or piano on a playlist culled wholly from her 1971 self-titled debut and 1972's Heart Food. Only an eager audience's response between tracks and Sill's own timid introductions of what lies next remind you that the album is live. Apologizing for her thick accent, she tells of hearing "Lady-O" on the radio as recorded by the Turtles, her dreams of space-age raptures turning up in "Enchanted Sky Machines," and how "Down Where the Valleys Are Low" channels '50s R&B into a "religious love song." Then she utterly nails the diffident beauty so prevalent on her studio recordings, such as the meandering vocals of "Jesus Was a Crossmaker" and the nursery-rhyming "Lamb Ran Away with the Crown." Sill's nearly five-minute interview with the BBC's Bob Harris is a bonus, and a haunting peek into a future cut far too short. --Scott Holter

Album Description

Nearly 30 years after her passing Judee Sill remains one of the most important and singular talents of the Laurel Canyon scene. Her two releases for David Geffen's Asylum (1971's Judee Sill and 1973's Heart Food) are critically celebrated masterpieces of orchestral folk. Her songs have been covered by artists as diverse as The Turtles and Will Oldham and her fans include Jim O'Rourke, Devendra Banhart, Graham Nash, Sleater-Kinney and more. This amazing collection of previously unreleased live recordings from the BBC archives features beautiful versions of some of her most well known songs including ''Jesus Was A Cross Maker,'' ''Lady-O,'' ''The Kiss'' and more. Recorded in 1972 and 1973 at the peak of her talent, the tracks on this collection are from solo performances featuring Sill on vocals, piano and guitar. Absolutely stunning.

Album Details

Nearly 30 Years after her Passing Judee Sill Remains One of the Most Important and Singular Talents of the Laurel Canyon Scene. Her Two Releases for David Geffen's Asylum (1971's Judee Sill and 1973's Heart Food) Are Critically Celebrated Masterpieces of Orchestral Folk. Her Songs have Been Covered by Artists as Diverse as the Turtles and Will Oldham and her Fans Include Jim O'rourke, Devendra Banhart, Graham Nash, Sleater-kinney and More. This Amazing Collection of Previously Unreleased Live Recordings from the BBC Archives features Beautiful Versions of Some of her Most Well Known Songs Including "Jesus was a Cross Maker," "Lady-o," "The Kiss" and More.

Customer Reviews:

4 out of 5 stars Skippable Yet Great.......2007-07-05

This is not a great starting point for a new Judee Sill listener - those people should get her two albums, Judee Sill and Heart Food. And it's not necessarily something that a person who has those two albums will find worthwhile to have - there are no songs not on those albums, many of the songs included in these various live sessions are duplicated, and there are too many great songs from the first two albums that aren't represented (The Archetypal Man, The Desperado, et al). But having said all of that, I love this CD. Even though the live versions of the songs are not much different than the studio versions, it's a pleasure to listen Judee sitting there by herself, with just a guitar and piano, playing these sublime folk songs. And in her introductions to the songs, as well as the interview with Bob Harris, she sounds endearingly nervous, totally and painfully honest, and like the songs mean the world to her. Judee Sill is like a Joni Mitchell with much more danger around her. Judee was all these things in her short life: a reform school girl, a junkie, a prostitute, an acid head, a heartbroken lover, a supremely gifted songwriter, musician, and vocalist. She was a visionary. She was the first artist to have an album put out on David Geffen's Asylum Records, she was produced by Graham Nash, her songs were covered by the Hollies and the Turtles . . . yet her recording career never really took off. Judee Sill is a wonder, somebody who was just too troubled and too tragic to last long in this life. Her songs initially strike you as pleasant little folk tunes, but as you listen more the lyrics and the arrangements start to get into your head, and eventually you realize you are listening to something both beautiful and otherworldly. Get this disc to hear Judee perform live and to hear her talk, and if you don't have the first two albums, go get them as well.

5 out of 5 stars Extraordinary performances, essential for fans.......2007-06-24

This is great. If no new songs, it's still marvelous to get the purity of Judee with just guitar or piano accompaniment. And the interviews are cool too, & informative about her attitude and POV. Some songs like "The Kiss" take on even more beautiful aspects I think. Maybe not the place to start for newcomers to her or
casual fans perhaps, but marvelous to have.
Shostakovich: Symphony No. 5
Average customer rating: 4 out of 5 stars
  • One of my all time favorite recordings!
  • One of Rostropovich's Best Recordings
  • But at what sound!
  • Powerful
  • a gorgeous, powerful performance
 Shostakovich: Symphony No. 5

Manufacturer: Lso Live UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B0006OR0EO
Release Date: 2005-02-08

Amazon.com

Rostropovich's authority in Shostakovich's music dates back to his Soviet days and his friendship with the composer. So it comes as no surprise that this, his third recording of the Fifth Symphony, may also be his best, blessed with a fully matured interpretation, the excitement of a live concert, and a first-class orchestra. There's a grimness of approach that registers with the low, rumbling notes of the opening movement and doesn't stop until the final hammer blows of a decidedly ironic finale are sounded. There's a Mahlerian spaciousness in a long first movement packed with incident, along with a relentlessness shared with the sardonic last movement. While a bit more uncouth wildness wouldn't be out of place in the bitterly sarcastic Allegretto, Rostropovich's slower-than-usual tempo does allow for more careful delineation of detail. The brooding Largo is powerful, and the last movement makes a tremendous impact. The LSO is outstanding, with well-turned solos and the terrific brass section making hay with its opportunities in the outer movements. --Dan Davis

Customer Reviews:

5 out of 5 stars One of my all time favorite recordings!.......2006-11-12

This recording impeccably expresses all of effects and affects in this work: joy, wit, fear, sadness, sarchasm, and bitter irony. Many other interpretations seem to treet this piece more as a collection of melodies, but this interpretation expresses the sinister sneering of the lower octaves of the piano in the first movement, and the epic rises and falls between trebble and bass, the infectuous fun of the second movement's dancing up and down the octaves, the brooding of the third movement, the signaling of the fanfare of the typical Beethovenian finale, the changing of tone as this falls to the sneering of the bass, and the sarchasm of the timpani in the final cadential notes of the piece, ending the piece on more of an uneasy question mark than on the forced exclamation point heard in other interpretations.
The tempo is very natural; it never feels rushed, and yet the music keeps flowing steadilly. I have 4 complete recordings of this work: this one conducted by Rostropovich, the one from the Kondrashin set, the one from the Barshai set, and the one by Bernstein that seems to get the best reviews. I am also an audiophile and have a decent system, decent enough to be dissapointed int the recording quality of many of my classical recordings - in particular, many digital recordings tend to sound irritatingly dry and glassy. This recording is among the absolute best I have in terms of sound quality; sound quality really doesn't get much better than this, it's lucious. Unless there is something faily specific you're looking for in a recording of this work, you will not be dissapointed.

5 out of 5 stars One of Rostropovich's Best Recordings.......2006-05-01

Acclaimed cellist and conductor Mstislav Rostropovich leads the London Symphony Orchestra in a vibrant performance that should be regarded as distinguished for the conductor's emphasis of the score's rich architecture, via somewhat slower tempi than similar recordings I have heard from the likes of Leonard Bernstein and Bernard Haitink. Still, Rostropovich manages to capture the spacious, almost Mahlerian, quality of the symphony's first movement. The symphony's second movement sounds like some crazy dance mixed with drunken waltz and march rhythms, with less than a brisk Allegretto tempo than I have heard elsewhere, but under Rostropovich's superb conducting, it still sounds quite credible. For me, the most viscerally moving movement is the symphony's third movement, a Largo which is emphasized via Rostropovich's slow tempi, accentuating the score's pathos and despair. The symphony's fourth movement is a dazzling rush of sound, with an ending that sounds most reminiscent of the final notes of Berg's Three Pieces for Orchestra. Composed in 1937, Shostakovich's 5th Symphony was his understated tribute to fellow Soviet citizens ensnared by the deadly bureaucracy of Stalin's dictatorship. Needless to say, Rostropovich has led the London Symphony Orchestra in a quite moving, dramatic performance of this symphony that has been recorded well by the LSO Live sound engineers. Indeed, without question, this splendid performance is Rostropovich's dignified musical tribute to his late friend and mentor, Dmitri Shostakovich.

1 out of 5 stars But at what sound!.......2006-03-05

No qualms on the performance. My deep reservations pertain these awful LSO live recordings; horribly dry this time, no bloom, no perspective, everything flat. Kills the performance. Shostakovich symphonies need much better, and at any price.

5 out of 5 stars Powerful.......2005-08-09

I heard it live in London with same conductor. Unforgettable. A fine recording.

4 out of 5 stars a gorgeous, powerful performance.......2005-05-30

This is the third recording Mstislav Rostropovich has made of Shostakovich's 5th Symphony, and of the three it is the most beautiful. The LSO's musicians are superb, and Rostropovich, who knew Shostakovich and knows what the symphony is about, leads them in one of the best performances available. Why then only 4 stars? The problem is, Rostropovich is competing against himself. His first recording with his National Symphony Orchestra of Washington D.C. in 1983 is the most powerful performance of the many I have heard. It is not beautiful, but given the nature and subject of the work, beautiful is not the most important attribute -- what it has is relentless momentum and streamlined power. It is the most complete realization of Rostropovich's vision of the 5th. Unfortunately that DG disc is out of print.

Of the currently available recordings, this one, live in July 2004, takes its place as one of the finest, along with Mravinsky, Haitink and Gergiev (see my reviews). If you have not heard the 5th, or if you are collecting superior versions, do not hesitate! So far, Rostropovich and the LSO have brought forth great Shostakovich in the LSO Live series -- their 11th Symphony is one of the finest ever (see my review). In July we have their latest, the 8th Symphony, to look forward to!

See my SHOSTAKOVICH: A LISTENER'S GUIDE for more on the great Dmitri Shostakovich.
Concert/Live in London
Average customer rating: 4 out of 5 stars
  • Beach Boys Live/re-master
  • beach boys
  • BEACH BOYS. "CONCERT/ LIVE IN LONDON", A MUST HAVE HISTORICAL BEACH BOYS RETROSPECTIVE.............
  • Ladies and gentlemen, my pleasure to introduce to you, the stars of the show, here tonight with beautiful sounds, the Beach Boys
  • Concert 3 stars, Live in London 5 stars
 Concert/Live in London
The Beach Boys
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005ABWX
Release Date: 2001-04-10

Tracks:

  1. Fun, Fun, Fun
  2. The Little Old Lady From Pasadena
  3. Little Deuce Coup
  4. Long, Tall Texan
  5. In My Room
  6. Monster Mash
  7. Let's Go Trippin'
  8. Papa-Oom-Mow-Mow
  9. The Wanderer
  10. Hawaii
  11. Graduation Day
  12. I Get Around
  13. Johnny B. Goode
  14. Darlin'
  15. Wouldn't It Be Nice
  16. Sloop John B.
  17. California Girls
  18. Do It Again
  19. Wake The World
  20. Aren't You Glad
  21. Bluebirds Over The Mountains
  22. Their Hearts Were Full Of Spring
  23. Good Vibrations
  24. God Only Knows
  25. Barbara Ann
  26. Don't Worry Baby
  27. Heroes And Villains

Amazon.com

Like virtually every band in the mid-'60s, the Beach Boys were expected to deliver their hits in person--no mean feat considering the ever more baroque concoctions that Brian Wilson was constructing in the studio. Tellingly, at the time the 1964 Concert was recorded in Beach Boys hotbed Sacramento, the band had but a few hits of their own and so they padded their set with Jan and Dean's "Little Old Lady from Pasadena" (cowritten by Brian), Dion's "The Wanderer," "Papa-Oom-Mow-Mow" by the Rivingtons, Bobby Pickett's "The Monster Mash," and, of course, Chuck Berry's "Johnny B. Goode." The instrumental backing here is sparse and simplistic; it's the band's vocal interplay that carries the day before a throng of screaming fans. By the time the year was out, Brian suffered his first nervous breakdown and gave up touring to concentrate on his studio productions.

Live in London was culled from live shows recorded at a time (1968) when the band were virtual pop-cultural outcasts in their home country, but still enjoyed an enthusiastic following in England. These recordings document the Beach Boys' remarkable resilience in the face of Brian's deliberate distancing and their frigid American career prospects; when the going got tough, the tough got spectacularly professional. Augmented by a horn section, the band locks into a powerful groove, giving energetic, largely note-perfect versions of the expected hits along with some key album cuts. Digitally remastered, this long out-of-print twofer edition features commentary by David Leaf (The Beach Boys and the California Myth), as well as two bonus cuts: a 1964 concert rendition of "Don't Worry Baby" and a 1967 live version (from the unreleased Lei'd in Hawaii album) of the challenging "Heroes and Villains" that features a rare appearance by Brian Wilson performing with the band. --Jerry McCulley

Customer Reviews:

4 out of 5 stars Beach Boys Live/re-master.......2007-07-02

I first heard this recording on vinyl years ago, it absolutely blew me away. The layers of sound that a live concert has is special and amazing. I thought that the original master had a richness and it could have only been beat by actually attending a real concert. I bought this CD assuming with all of the wonderful technology we have now that it would be a superior recording. Boy, was I suprised! With this new re-master they modified and compressed it to a point that it just seems like one big jumble of sound with non-stop screaming girls. The other recording had the girls too, but all through the concert you could hear vocals when you were supposed to hear vocals, & instruments when you were supposed to hear instruments. I would probably look for a CD that was an earlier re-master or if you have a pristine vinyl & a UBS turntable, you could transfer it directly to your computer harddrive. But, if all that isn't possible go ahead and get it because it it is still a great concert no matter what.

3 out of 5 stars beach boys.......2007-03-16

not as good as the one i had. i shuld have reviewed it.

4 out of 5 stars BEACH BOYS. "CONCERT/ LIVE IN LONDON", A MUST HAVE HISTORICAL BEACH BOYS RETROSPECTIVE............. .......2007-02-21

I enjoyed this cd even though I'm not a big fan of live recordings. The reason I bought this "Beach Boys Concert" was to hear the Beach Boys young vibrant falsetto voices. This live set is not great even though versions of Beach Boys hits are performed well live. The Beach Boys Concert is interesting because it is during the start of Beatlemania 1964. It was nice knowing that not only The Beatles had screaming fans but the Beach Boys did to as you listen to "Concert". With all the screaming the performance still comes out well. "Live In London" is an interesting listen because I think as the Beach Boys perform tracks from "Wild Honey" these live performances of "Wild Honey" sound better than the original lp did. "London" also gives you a perspective of how crazy England was for The Beach Boys at this time of Beatle dominance in 1968. The Beach Boys "Concert/Live in London" is a must have just to hear the young Beach Boys young falsetto voices live. The Beach Boys "Concert/Live in London" is a must own due to its historical place in rock music history...............

3 out of 5 stars Ladies and gentlemen, my pleasure to introduce to you, the stars of the show, here tonight with beautiful sounds, the Beach Boys.......2006-09-03

This CD features two live albums by the Beach Boys.

Beach Boys Concert was recorded in 1964 in Sacramento. It features the Beach Boys original lineup of Brian, Carl, Dennis, Mike and Al. Brian stopped going out on tour shortly after this. The group sounds good, if a bit sloppy at times, and the audience is frequently too loud. The songs consist of five Beach Boys originals, and eight cover versions of other people's songs. There are a few odd song choices, including "Long Tall Texan" and "Monster Mash", of all things.

Live in London was recorded in 1968. At this time, the touring group was backed up by several other musicians, including a horn section. This gave their live performances a "fuller" sound, and allowed them to play the songs closer to how they sounded on their records. Unlike their first concert album, this one doesn't feature any songs that they hadn't previously recorded.

There are two bonus tracks on the CD. "Don't Worry Baby" is an outtake from the show that was recorded for their first concert album. "Heroes and Villains" is from the unreleased live album called Lei'd in Hawaii.

This CD gives you an idea how the Beach Boys sounded during two different time periods. They sounded good, but not as good as they did in the recording studio.

4 out of 5 stars Concert 3 stars, Live in London 5 stars.......2005-12-28

Concert is an early Beach Boys concert, the big thing is that you get to hear the band with Brian Wilson. But the set selections are quite weak, few Beach Boys originals and lots of insipid covers, even an instrumental. Its more of archival and historic importance. Live in London, although without Brian, is really outstanding. Unlike other great 60's band, the Beach Boys never stopped touring, and it shows in this recording. By 1967-68, when this record was recorded, the Beach boys were a mean live Rock n Roll well oiled machine. One of the best live band of the time, no question about it. All the vocals are spot on, and Mile Love is great as a ringmaster. The vocals on Darlin by Carl Wilson are nothing short of extraordinare. Live in London may be one of the best live recordings of the sixties.
Dream Letter: Live in London 1968
Average customer rating: 5 out of 5 stars
  • Sing As If You Are Singing to the Angels
  • want to hear a great singer?
  • Buckley's Best
  • Emotional overload
  • Vocal Tour de Force
 Dream Letter: Live in London 1968
Tim Buckley
Manufacturer: Manifesto Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000005DE1
Release Date: 1995-09-05

Tracks:

  1. Introduction
  2. Buzzin' Fly
  3. Phantasmagoria In Two
  4. Morning Glory
  5. Dolphins
  6. I've Been Out Walking
  7. The Earth Is Broken
  8. Who Do You Love
  9. Pleasant Street/You Keep Me Hanging On

Tracks:

  1. Love From Room 109/Strange Feelin'
  2. Carnival Song/Hi Lily, Hi Lo
  3. Hallucinations
  4. Troubadour
  5. Dream Letter/Happy Time
  6. Wayfaring Stranger/You Got Me Runnin'
  7. Once I Was

Amazon.com

It's been said that Tim Buckley was the most powerful singer of his generation. Even if that appraisal forgets Bob Dylan, this two-disc set makes a hell of a defense. At the very least his voice could do things few could: it soared beyond any familiar register and held notes long past the breaking point. He had learned from jazz vocalists like Sarah Vaughn, but he put technical prowess into the service of a strange, trancelike state. On this evening, before a hushed, receptive audience, he seemed to be composing visionary poetry with every vocal surge. His band created an Astral Weeks-like sound, and included Lee Underwood on guitar, David Friedman on vibes, and Danny Thompson on bass. They follow his every subtle and explosive turn with effortless energy. --Ray Francis Kasten

Product Description

Disc 1:1. Introduction 2. Buzzin" Fly 3. Phantasmagoria In Two 4. Morning Glory 5. Dolphins 6. I"ve Been Out Walking 7. The Earth Is Broken 8. Who Do You Love 9. Pleasant Street/You Keep Me Hanging On Disc 2:1. Love From Room 109/Strange Feelin" 2. Carnival Song/Hi Lily, Hi Lo 3. Hallucinations 4. Troubadour 5. Dream Letter/Happy Time 6. Wayfaring Stranger/You Got Me Runnin" 7. Once I Was

Format: CD

Customer Reviews:

5 out of 5 stars Sing As If You Are Singing to the Angels .......2007-07-01

Tim Buckley shines on this live 2 hour set and this was his first performance in London. Sounds like it was a remarkable show. His words and his wounded magnificient voice gleams through and through as this entire show is available on this here double disc album.
Really powerful, pouring out his heart on these sessions. After each song you can hear the love from the crowd's applause.
Definitely something to listen to if you just want to sit back and meditate on Tim Buckley's words.

Buckley created baroque pop on his album: "Goodbye Hello" and re-created it's magic on this set, especially with the song -"Morning Glory"- one of my personal favorite Tim Buckley songs.
Others on "Dream Letter" from "Goodbye and Hello" are "Pleasant Street" - "Once I Was" - "Hallucinations" and "Carnival Song"-

He created a folk-jazz sound on "Happy Sad".
Dream Letter: Live at London 1968 captures the transition between those two records.
This Live set is so well produced, that despite energy from the Audience one would think it was a near perfect studio album. Not only do you get the power felt from the audience, you also can feel your own heart pounding to this voice of an Angel, that is Tim Buckley.
Just like his son -Jeff Buckley- the World lost both way too soon.
Both had heavenly powerful voices that sung High to the Heavens, and bringing on a smile to everyone who listens to their Music.

5 out of 5 stars want to hear a great singer?.......2007-02-21

Tim Buckley is a voice to be reckoned with. There's no two ways about it: it's his voice or it's the highway. Well, this recording covers the complete, unbelievable range of this talented singer. The concert is whole, warts and all. There are VERY few warts, but they're there in all their glory. That's the great thing about this album: it reproduces every single moment from that one night. You feel like you're there. The voice, the instruments, they sound like they're in your living room. His voice is so clear, it fills every room.

Tim Buckley is a psychedelic troubardour with a voice that can reveal your innermost feelings. It's exhilirating.

5 out of 5 stars Buckley's Best.......2007-01-28

Dream Letter: Live in London finds Tim Buckley at the height of his powers. Recorded October 7, 1968 at Queen Elizabeth Hall when he was 21, this musical chameleon, whose short but prolific career took him from folk to improvisational jazz to white hot funk, is captured here between his folk and jazz phases. Live albums either tend to be dull and uninspired efforts or bright, vibrant affairs filled with spontaneity and excitement. Fortunately, this album falls into the latter category. Buckley delivers a soaring two hour performance that surpasses just about all of his studio material, and the sound quality is the best I've ever heard on a live recording.

The main instrument in Buckley's repertoire has always been his 3 ½ octave voice. It's full range is on display from caveman-like guttural growls to high notes held longer than one can imagine. His tenor is not something that would be described as angelic; rather it is earthy, experienced, twisting and turning with emotion as he rides the roller coaster of melodies from one song to another. The sound quality of the recording is so good its easy put the headphones on, close your eyes, imagine yourself in a smoky nightclub watching the spotlight on the famous Buckley trance as he immerses himself totally into the music, delivering phrases in flowing laments or waves of joy.

The band consisting of Lee Underwood on lead guitar, Danny Thompson on base, and Dave Friedman on virbraphone provide a perfect complement to Buckley's vocals and keep the songs lively and fresh. Album standards such as "Dolphins," "Buzzin' Fly" and the medley of "Happy Time/Dream Letter" are delivered with an energy unmatched in the studio. But more interesting to me are the songs that are unique to this album such as "The Earth is Broken," "Carnival Song/Hi Lily, Hi Lo," "Troubadour," an inspired "Wayfaring Stranger/You Got Me Running," and the Supremes' "You Keep Me Hanging On."

If you buy only one album by Buckley, this is the one to get.

5 out of 5 stars Emotional overload.......2006-04-12

The finest Live album I have heard in my short 38 years of life, emotion and vitality that will have you thinking, was this really recorded almost 30 Years ago. Nothing compares, anyone who has heard the "MTV Unplugged" will wonder why they wasted their money, it does NOT get any better than this...God rest his soul

5 out of 5 stars Vocal Tour de Force.......2005-12-14

The late singer Tim Buckley left brief, but very strong catalog of music before his untimely demise in the mid-70's. To my ears this record, DREAM LETTER: LIVE IN LONDON 1968 is the crown jewel of his recording career.

When this was recorded in 1968, Buckley was metamorphisizing from a mystical folkie, towards a more avant-garde jazz based style. Whatever the style was, Buckley was an otherworldly vocalist, capable of emiting low animalistic grolws or hitting ear-piercing high trills at the drop of a beat. His vocal fireworks are both breathtaking and supportive of the feeling of the songs, something few artists manage. As he sings on this fine two disk set, you can hear him mold his voice in the same way Coltrane molds the sound of his sax to reflect the pure emotion of his material.

Standouts include the opening number BUZZIN' FLY, the epic WHO DO YOU LOVE, an amazing version of the folk standard WAYFARING STRANGER and a powerful medley of PLEASANT STREET merging into a couple verses of The Supreme's classic YOU KEEP ME HANGIN' ON. He ends the set with a gentle, yet powerful version of his most famous song, ONCE I WAS.

The spare, intuitive backing from Danny Thompson (Bass), Lee Underwood (guitar) and David Friedman (vibes) frame these performances perfectly. The instrumentl ebb and flow mesh perfectly with Buckley's emotion rollercoaster vocals creating a live recording that still sounds powerfull and fresh thirtysome years after it was recorded.
Live in London
Average customer rating: 4 out of 5 stars
  • Well worth the price for "Deedles" fans!
  • Poor Showing From "The Queen Of Jazz"
  • Good times
  • Solid performance.
  • A MASTERPIECE FROM SCHUUR~BRAVO DIANE~WOW!!!
Live in London
Diane Schuur
Manufacturer: Gr2 Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000FO44LM
Release Date: 2006-06-06

Tracks:

  1. Deedles' Blues
  2. I'll Close My Eyes
  3. Close Enough for Love
  4. As
  5. Poinciana
  6. Don't Let Me Be Lonely Tonight
  7. You'd Be So Nice to Come Home To
  8. When October Goes
  9. Besame Mucho
  10. Very Thought of You
  11. So in Love
  12. It Don't Mean a Thing
  13. Send Me Someone to Love
  14. Over the Rainbow

Customer Reviews:

4 out of 5 stars Well worth the price for "Deedles" fans!.......2007-05-12

Let me make a couple of disclaimers.

First, Diane Schuur is my favorite Vocalist in both "Pop Jazz" and "Standards Jazz".

Second, I just saw her perform pretty much this whole set at the Bakersfield Jazz Festival last night. And while she is still truly wonderful, and at times brilliant, she once was just always brilliant. I was hoping that last night she was just having an off night, because by the third song in the set it was the "Deedles" that I have seen before.

So the thing is, that this album "Live in London" sounded pretty much the same as she did last night, at times brilliant, and at times, (heartbreaking to me as it is to say) starting to age, with her vibrato starting to lengthen and the register transitions more apparent.

So my advice is this, if you are a fan of Deedles already, get this solid live set and enjoy.

However, if you are getting your first album by this wonderful artist, start with "Collection", "In Tribute", "Pure Schuur", or "Love Songs", you will fall in love with her amazing voice.

1 out of 5 stars Poor Showing From "The Queen Of Jazz".......2006-07-10

Though I am clearly in the minority here, given these other rave reviews, I must stand by my title opinion and warm potential buyers of this CD that it does NOT represent Ms. Schuur at her best. I was in fact SHOCKED at its release. I have personally heard her make the proud point that she has perfect pitch. Indeed, when I've heard her live (5-6 times) she's been pretty true in pitch and form. But on this outing....I was amazed to the point of backing up the CD to be sure I'd heard it right......she hits some astounding clinkers.

Her piano sounds quite good, competent. Her scatting is, as usual, very fluid and just punchy enough. I thought her choice of tunes could have been better.

I have been an ardent fan of Ms. Schuur since the late 80s. I even had the pleasure of recently meeting her. I admire her singing and playing and, for the most part, enjoy her stage presence. However, if this CD had been my first exposure to this otherwise talented chanteuse I would have formed a quite negative opinion of her chops.

5 out of 5 stars Good times.......2006-06-10

I highly recommend the CD, I've been listening to Diane for quite some time and this one takes the cake. I'm really glad to hear she's still kicking since her first release in the eighties. Certainly a worthwhile purchase.

5 out of 5 stars Solid performance........2006-06-08

Lot of cats out there never get a chance to record so many albums after all these years, but Diane still has it. I certainly recommend it, and she sure does Stevie proud on "As".

5 out of 5 stars A MASTERPIECE FROM SCHUUR~BRAVO DIANE~WOW!!! .......2006-06-07

This "Live In London" concert recording is the blissful tour-de-force masterpiece from Diane Schuur that has been years in the making...singing just doesn't get any better than this!!! Years of numerous great albums and a few token Grammy Awards make Diane one of the most sadly overlooked great singers of her generation...hopefully this amazing collection of tremendous and fine performances will take care of this blaring oversight and thankfully KKGO in Los Angeles plays this great singer alot and it is really wonderful to hear a real voice on the radio which sadly is a hard find these musically bankrupt days. Opening with a loose jazzy version of "Deedles' Blues", it is clear that Diane is at the top of her game and in superb form...continuing with sublime 2AM romantic versions of "I'll Close My Eyes", "Close Enough For Love" and "As' that are glorious, Diane then launches into a hot and burning latin jazz "Poinciana" which is a wildly riveting experience. More definitive versions of classics continue with an achingly beautiful "Don't Let Me Be Lonely Tonight" and a gorgeous and inviting "You'd Be So Nice To Come Home To" that rival versions of the past. "When October Goes" is a haunting stunner while "Besame Mucho" is given an exhuberant workout that is red hot and Diane's loose and great scat routines are thrilling to experience!!! A deeply soulful and beautifully sung "The Very Thought Of You" is mesmerizing but the heat is turned up again with classic and magnificent versions of "So In Love" which is wildly intoxicating, a scat rhythmic tour-de-force "It Don't Mean A Thing (If It Don't Have That Swing)" and "Please Send Me Someone To Love" which becomes a passionate plea that is deeply moving and the glorious finale "Over The Rainbow" is pure vocal magic and singing at its finest!!! Anyone who loves a truly awesome voice that can do it all will find endless hours of listening pleasure here from Schuur!!! BRAVO Deedles...you really brought it ALL home this time!!!!!
Live in London
Average customer rating: Not rated
    		Live in London
    Rod Stewart , and Faces
    Manufacturer: Immortal
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Alternative Rock | Styles | Music
    BritainBritain | British Isles | Europe | International | Styles | Music
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    ASIN: B000R3K0QE
    Release Date: 2007-06-04

    Tracks:

    1. It's All Over Now
    2. Take a Look at the Guy
    3. Bring It on Home to Me
    4. You Send Me
    5. Sweet Little Rock 'N' Roller
    6. I'd Rather Go Blind
    7. Angel
    8. I Can Feel the Fire
    9. You Can Make Me Dance, Sing or Anything
    10. Twistin' the Night Away
    11. You War It Well
    12. Maggie May

    Album Details

    By 1975, Rod Stewart's Solo Career Had Blossomed So Well that it was Inevitable that He Would Depart Faces for Greener Pastures to Build on his Personal Success. As the Band Grew Apart and the Inevitable Apparent, the Group Toured the World in 1975 on their Farewell Tour. This Disc Captures a Key Moment of Rock History When the British Blues Rock Scene Lost It's Final Superstar Band. The Onstage Chemistry of These Musicians was Simply a Magical Good Time for all and Provided Some of Most Memorable Moments in Rock History. Includes a Special Guest Appearance by Ron Wood's Future Bandmate Keith Richards!
    Sibelius: Symphonies Nos. 5 & 6
    Average customer rating: 5 out of 5 stars
    • Sibelius: Symphonies 5 & 6
    • Hum Along With Colin
    • Great sound and playing in Sir Colin Davis' most recent Sibelius 5 and 6
    • Superb performances of Sibelius's 5th and 6th Symphonies
    		 Sibelius: Symphonies Nos. 5 & 6

    Manufacturer: Lso Live UK
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00026KGX8
    Release Date: 2004-06-08

    Customer Reviews:

    5 out of 5 stars Sibelius: Symphonies 5 & 6.......2007-06-27

    This is a wonderful album for a Sibelius fan or any lover of classical music. The sound quality is fabulous, capturing a marvelous performance with crystal clarity. The liner notes are very informative, too!

    4 out of 5 stars Hum Along With Colin.......2007-03-27

    With the semi-chaos that's become of the recording industry, and as do a few prominent orchestras nowadays, the London Symphony Orchestra is producing and distributing live recordings on their own label. Colin Davis has recorded the entire cycle of Sibelius' symphonies twice in his career; this is the first installment of what may be his third cycle. However, for much of the popular Symphony No. 5, it's "Hum Along with Sir Colin". The No. 6 is one of my personal favorites with a delightfully disarming poco vivace third movement.

    I love the performances; the acoustic is decidedly dry, but it complements Davis' cerebral take on these two symphonies. If one can inure themself to the conductor's "verbal accompaniment" in No. 5, these are most enjoyable.

    5 out of 5 stars Great sound and playing in Sir Colin Davis' most recent Sibelius 5 and 6.......2005-09-20

    This is a beautiful CD in every way, and my first exposure to the LSO LIVE label. I am familiar with this label only from reviews I've read in AMERICAN RECORD GUIDE of Sir Colin Davis's recordings of Berlioz operas, Symphonie fantastique, Harold in Italy, this Sibelius disc, and Sibelius Symphonies 3 and 7. I am very impressed with the whole production: the graphics/design of the disc cover, insert, and program notes on the music and conductor. The disc inside, too, does not disappoint. Both sound and playing are great in this, Sir Colin's most recent Sibelius 5 and 6.

    Davis is no stranger to Sibelius Symphonies, having recorded the complete cycle for Philips with the Boston Symphony (Duo Series, 2 double CD sets) in the late 1970s, and again with the London Symphony for RCA (available individually, and in a 7 disc set with other orchestral works). Now, LSO Live has released live concert performances of Symphonies 5 and 6; these are not the same as the RCA recordings. Davis uses lean orchestral textures, and taut, muscular phrasing resulting in Sibelius which is clear and fresh, like ice, or pure crystal: very beatiful and true to the spirit of Sibelius's music and his native Finland.

    I have heard the Davis/Boston recording of these works, and here Sir Colin is clearly better in Symphony 5 than he was 25+ years earlier. Symphony 6, previously well played and recorded in Boston, is here very fine, yet different. I can't articulate why the more recent LSO recordings are superior; perhaps longer study with the works at hand, and the presence of a live audience has the London Symphony playing at a higher level than the Boston Symphony had in the studio in the late 1970s.

    You can't go wrong with this: grab it while it's still available, and at an almost give away price to boot.

    5 out of 5 stars Superb performances of Sibelius's 5th and 6th Symphonies.......2004-08-06

    Critics are hailing Sir Colin Davis's ongoing cycle of Sibelius's symphonies as his best (I saw a very favorable review of this recording in The New York Times over a month ago.), eclipsing in quality his critically acclaimed recordings with the London Symphony (RCA) and Boston Symphony (Philips). I haven't heard the CD of the 3rd and 7th symphonies, but am eager to hear it, after hearing these splendid live recordings. Sibelius was one of the few composers who wrote evocatively of nature repeatedly. His most "pastoral" symphony has to be the 5th symphony, with a recurring motif based on swan calls repeating through all three movements. Here Sir Colin Davis does an excellent job capturing the lyrical, dramatic aspects of the score with the London Symphony Orchestra. The more traditional 6th symphony is also well played. LSO Live sound engineers - or rather, those contracted to the LSO - have produced yet another well-balanced live recording that is as fine as any from a recording studio.
    Sacred Fire: Santana Live in South America
    Average customer rating: 4.5 out of 5 stars
    • By far his best
    • Good but not great
    • If you're a Carlos fan...
    • Santana's worst album?
    • Visually and aurally wonderful...,
    		 Sacred Fire: Santana Live in South America
    Santana
    Manufacturer: London / Umgd
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000001E3I
    Release Date: 1993-11-02

    Tracks:

    1. Angels All Around Us
    2. Vive La Vida
    3. Esperando
    4. No One To Depend On
    5. Black Magic Woman/ Gypsy Queen
    6. Oye Como Va
    7. Samba Pa Ti
    8. Guajira
    9. Make Somebody Happy
    10. Toussaint L'Overture
    11. Soul Sacrifice/ Don't Try This At Home
    12. Europa
    13. Ji-Go-Lo-Ba

    Customer Reviews:

    5 out of 5 stars By far his best.......2006-11-13

    I have all the old vinyls and all the new cds, but non touch the live performance of Carlos on this album. This truly shows he is by far the greatest guitarist of all time. Hendrix was great, but he's dead!. Oh yeah, and shame on anyone who doesn't aggree that Santana live is better than any studio recording. And if this his his best live album, then this is his best album of all. I highly recomend. This is comming from a Carlos fan who's been listening to him since the beginning. Trust me you won't be dissapointed.

    4 out of 5 stars Good but not great.......2006-07-01

    Sacred Fire: Santana Live in South America is a nice recording of an early 90's Santana concert.
    The sound quality is first-rate.
    The musicians, while very good, are no match for the Santana band of the late 60's and early 70's.
    Of course, Carlos Santana's fiery guitar still has the power to carry the show.
    I didn't particularly care for a few of songs on this album (like Esperando and Make Someone Happy) but the renditions of their earlier works like "Black Magic Woman/Gypsy Queen" and "Toussaint L'Overture" are fantastic.
    Overall a rewarding musical experience but for the best live recording of a Santana performance I'll stick to "Lotus".

    5 out of 5 stars If you're a Carlos fan..........2005-11-11


    ...and don't already own this CD, you really should be ashamed of yourself.

    So buy it now while you still can. It might take a minute to get over the 80's synth stylie on the keyboards, but don't let that fool you - This CD is MONEY!!! First he breaks into 'Owner of a Lonely Heart' during Oye Como Va. Then he hits some Breezin' by George Benson during Samba Pa Ti, and finally tops it off by bridging into Marvin Gay's "I Want You" during Europa. Unbelievable! Best Sanatana CD I own - Bar Nun!

    2 out of 5 stars Santana's worst album?.......2005-04-20

    I find this album unlistenable, due to the cheesy synth sound prevalent in every track. Carlos' guitar playing is quite good, but the overall sound is one of synthetic 80's blandness, more appropriate to a New Age radio playlist. Vocals lack any of the soul of earlier Santana recordings. I'm selling my copy of this CD, and couldn't find a single track that I really wanted to extract and keep.

    5 out of 5 stars Visually and aurally wonderful...,.......2005-04-02

    This really is a 5* item. I bought this after seeing it several times on TV (PBS). The music is great, the footage really does seem to have captured a particularly magical concert. The Mexico City footage is also inspiring. For not much more than a CD you get a great selection of music, a visual spectical and a chance to watch Carlos play (I am a guitarist -- so I like to watch how he plays). Wonderful!

    [Isn't Mexico considered Central America rather than South America though?!]
    Live in London
    Average customer rating: 5 out of 5 stars
    • Smoking!!
    • All hail Testament
    • Awesome concert from an awesome band.
    • You must get the DVD
    • Great sound.....classic Testament!
    		 Live in London
    Testament
    Manufacturer: Spitfire
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000BKJ5XC
    Release Date: 2005-11-01

    Tracks:

    1. The Preacher
    2. The New Order
    3. The Haunting
    4. Electric Crown
    5. Sins Of Omission
    6. Souls Of Black
    7. Into The Pit
    8. Trial By Fire
    9. Practice What You Preach
    10. Let Go Of My World
    11. The Legacy
    12. Over The Wall
    13. Raging Waters
    14. Disciples Of The Watch

    Album Description

    "Live In London" is the documentation of a dream that long-time die-hard Testament fans have been waiting for: the reuniting of the band's "classic" lineup. Featuring vocalist Chuck Billy, guitar virtuosos Eric Peterson and Alex Skolnick, bassist Greg Christian, and original drummer Louie Clemente (along with Testament & White Zombie alumnus John Tempesta as a second drummer), the band rips through classic Testament fan favorites in this show, shot in London earlier in 2005. This CD is the companion CD to the "Live In London" DVD.

    Among the leaders of heavy metal over the past twenty years, Testament have always provided the rock solid proof that great song writing, regardless of genre, will always transcend time. Their crucial contributions to the early thrash metal surge of the mid to late 1980s helped to develop a sound that forever changed the face of heavy music and resonates just as loudly today. With all of their Bay Area peers either calling it a day or drastically altering their sound, Testament has remained a worldwide metal ambassador throughout the 1990's and into the new century.

    Customer Reviews:

    5 out of 5 stars Smoking!!.......2007-02-17

    I am 37 years old and have been a fan since the beginning. Seen them many times live. They still have it. Every song sounds tight and true. Both drummers rock. The one song that I would have liked on this CD is Burnt Offerings, that is a smokin song man!! I have the DVD version also, equally awsome. Get the CD and DVD and Thrash Out!!

    5 out of 5 stars All hail Testament.......2006-11-10

    Wow, what a cool album. Testament are true thrash metal giants. A must have for all metal fans!

    5 out of 5 stars Awesome concert from an awesome band........2006-03-10

    I will NEVER listen to MetallicA again as long as I live, not while there is TestAmenT.

    Screw MetallicA.

    TestAmenT is a million times better.

    Listen to this concert CD and get the DVD and watch and listen to this bad boy a few times over, and you'll give up on MetallicA as well.

    Total kick-you-in-the-face Thrash Metal for what it is worth.

    Headbang till you can't headbang no more type of music.

    Not a bad song on here.

    This is their greatest hits of their early stuff, from the first 5 CDs.

    Awesome engery and awesome music = Awesome concert.

    After watching or listening to this concert either on the CD or the DVD, go back and either re-listen to or just buy for the first time, those first 5 TestAmenT CDs.

    It is worth it.

    5 out of 5 stars You must get the DVD.......2006-01-31

    I Only have the DVD of this show in London from these generals of Metal, the sound and the image is INCREDIBLE, Im glad to see these guys together again... but i must say even though seeing Clemente back behind the drums, Tempesta stole the show with Skolnick, this guy is a killer drummer and great for Testament and nuff said for Skolnick. But all the guys looked good and played a tremendous show.

    Testament still rules and Chuck Billy sounds and looks better than ever!


    5 out of 5 stars Great sound.....classic Testament!.......2005-12-26

    You have to get this cd! This line up is killer and the sounds is like being right there in front line. If you wanna hear some real trash metal you should get this!! totally worth your money buy this!

    Music Track:

    1. Live in Tokyo [Live]
    2. Live [Live]
    3. Lost in Vain [Import]
    4. Loudmouth [Import]
    5. Master Of Puppets
    6. Memories [CD-single] [Import]
    7. Metamorphosis
    8. Move [Import]
    9. Nerve Damage [Enhanced]
    10. Obsession [Original recording remastered] [Import]

    Music Track

    music track

    Recommended Music:

    Boom [CD-single] [Import]

    Strauss/Brahms: Violin Sonatas

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    Music: Gregorian Chant

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    The Dynasty Roc la Familia [Explicit Lyrics]

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