Angst [Import]

Angst [Import]

Track Listings

1. Seele In Not

2. Requiem

3. Lacrima Mosa

4. Der Ketzer

5. Der Letzte Hifeschrei

6. Tranen Der Existenzlosigkeit

7. Promised Land (Bonus Track)

Tracks:

Beautiful Head
Cold Girl Fever
The Perfect Song
American Mary
Son
Pay For Me
Bitters & Absolut
Johns Star
Watching You Well
Theory of the Crows
29 Years
Anna Freud

Amazon.com

The National make sturdy American music, the sort of stuff that's built out of solid songs, radio-ready hooks, and tasteful, efficient arrangements. The CD's earnest, straight-ahead material is often country-flavored, but it can also evoke '80's rock anthems. Matt Berninger sings of the heart's travails in a sensitive, manly way that recalls fellow romantics like Nick Cave and Leonard Cohen. He's equally adept at packing a slew of words into a single vocal phrase or milking a single word for dramatic effect. The guitar-bass-drums lineup is nicely abetted by the occasional piano line or synth flourish. There isn't room for surprise or eccentricity on this album; everything here is completely worked out and professionally crafted. But that's one reason this disc will appeal to people with a taste for well-made rock. --Fred Cisterna

Customer Reviews:

Not their best, still really good.......2007-07-08

I already have Alligator, Boxer, and Sad Songs, And this is yet another great addition. I haven't had it very long yet, so some songs are still growing on me, typical of The National. Anyways, Beautiful Head and American Mary are the best songs on here. 29 Years is really good too, Berringer reprised it at the end of "Slow Show" on Boxer. Aside from that, the other songs are good, but not their best. This is a good debut album, and Beautiful Head and American Mary are in my top "The National" Songs. As I've said in other reviews, if you're new to The National, get Alligator, and let it grow on you.

An Honorable Lineage.......2005-06-28

Though they've grown exponentially over the last two releases, The National arrived fully-born on this debut. Vocalist/lyricist Matt Berninger has only honed his sharp and honest voice, but that commitment to detail is all over these 12 tunes. They plumb the Amerindie sound without redefining it; instead, they join an honorable lineage that includes Warren Zevon, Matthew Sweet, R.E.M., Drive-By Truckers, and, especially, Afghan Whigs. There's a bit more gentility here than on Sad Songs for Dirty Lovers or Alligitor; with luck, they will just get rougher and rougher. The mire becomes them.

I love this CD........2002-10-02

For various work-related reasons, people are always giving me their CDs to listen to. A coworker bugged me for months to listen to this CD, but it wasn't until I put it in my car's rotation that I had time to listen to it. That was last week, and I've been listening to it almost constantly ever since. I love the resonance of his voice, the lyrics are fresh and intelligent, the songs are all listenable and just fantastic. I can't say enough good about it.

If you are between the age of 18 and 38, buy this album........2002-04-19

I could listen to this album every day. It's that good. This is coming from a guy who had to fill his 400 CD random player to keep things interesting.

I won't analyze The National's album. I wouldn't want to taint your perception.

It's a keeper.......2002-02-12

On the strength of one song, "Son", I bought this CD. Since then, I've replayed that one along with "John's Stars" and "Pay for Me" a hundred times. Overall, the songs are polished but still show enough scratches and dents to have an interesting finish, moody but not morose. I did sometimes wish Matt Berninger would have ripped a Tom Waits howls now and then...some of the songs just begged for it. In the end, though, I'd recommend this CD to my favorite friends.

Dear Diary, My Teen Angst Has a Bodycount

Average customer rating:

Not impressive
hell yea
Amazing!
More addicting than heroine ;)
Great Album

Dear Diary, My Teen Angst Has a Bodycount
From First to Last
Manufacturer: Epitaph / Ada
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Post Hardcore | Hardcore & Punk | Alternative Rock | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music
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Heroine
Things Aren't So Beautiful Now
They're Only Chasing Safety
The Used
Aesthetic

ASIN: B00027JYY4
Release Date: 2004-06-29

Tracks:

Solioquy
The One Armed Boxer Vs. The Flying Guillotine
Note To Self
I Liked You Better Before You Were Naked On The Internet
Featuring Some Of Your Favorite Words
Emily
Secrets Don't Make Friends
Populace In Two
Kiss Me, I'm Contagious
Minuet
Ride The Wings Of Pestilence
Bonus Track 1

Customer Reviews:

Not impressive.......2007-06-10

There are about 3 really good songs on this album. The rest of it is pretty lame. This band has the potential to be good, but they don't relly pull it off.

hell yea.......2007-03-25

personly i love this band the lyircs are awsome,the singing is great(love screamo!!!),the guitars,drums etc. ROCK!!!! so whats not to like? i think nothing when i first got this cd i liked this band alot from what music i had heard, now i love them....so if you like screamo (they really dont scream that much) if you like that kind of music like i do then you should get this cd or the other one i heard it was good to....if not then what can i say you suck?

Amazing!.......2006-11-09

This cd is my favorite and is amazing! The vocals are awesome. I really like each song and Emily has to be my favorite !!!!

More addicting than heroine ;).......2006-08-11

1-Soliloquy: Intro. Pretty good intro considering I hate intros.
2-The One Armed Boxer Vs. The Flying Guillotine: I love this song. It's really a great way to kick off the CD, very fast paced song that caught my attention.
3-Note To Self: This isn't my favorite song, but it's probably one of their most well known. It's definitely not the best off the album but I love Sonny's vocals on it. Once I listen to it I love it, but compared to the rest of the album it's not very good, which is sort of unfair since it's still a good song.
4-I liked you better when you were naked on the internet: This is my favorite song, a lot of people don't like it and think it's boring, but I just love listening to Sonny's voice without the distraction of instruments and screaming. Yes those things are awesome, but Sonny's voice is more amazing. & It's a good song lyrically wise too, but is a short song. (Under two minutes.)
5-Featuring Some Of Your Favorite Words: A great song, another one of my favorites. (That's not saying too much since I love every single song on this album because they're all great.)This has a bit more instruments than some people might like, but not enough to ruin the song or anything. My favorite line is about 2 minutes into the song when Sonny goes, "No I can't breathe".
6-Emily: This is an amazingly sweet song. Even better; it's acoustic. Sonny's vocal job is amazing. It might seem like I overuse that word, but Sonny is a really really really great singer and he deserves credit. :) The only bad thing about this song is its length. I play it over-and-over because it's too short, only 2:39 and it goes by fast when you get caught up in the lyrics. This is my favorite of my favorites. It's short and sweet. Really sweet.
7-Secrets Don't Make Friends: It's a great song, but sort of disappointing after hearing Emily right before it. If a different artist had this song, it'd probably be considered their best, but this is From First To Last we're talking about! :)
8-Populace In Two: It starts out sort of slow, but picks its pace up a bit. I know a lot of people sort of dislike this song, because it's a bit slow, but it's got some lines that stick in your head. It's got a bit of an instrumental in it, but it's still a good instrumental.
9-Kiss Me, I'm contagious: The lyrics make it an ideal scene song, (Bang, Bang, Guns go bang) but this came out before the scene got really huge. It's still a pretty decent song.
10-Minuet: A minute long acoustic instrumental, I usually hate instrumentals, but I actually like this one a lot.
11-Ride The Wings Of Pestilence: A song about murder. What could feed and tame teen angst any better? Even if murder isn't your scene (no pun intended) it's a great song, I love it a lot, even when I'm not mad, so it's a great song you can enjoy anytime. Again, Sonny does some great vocals.
12: Hidden Track: This song is great J they're making fun of rap/hip hop in it, & it's a really great song. Another one of my favorites, although it disappoints me that Sonny didn't do the rap, it doesn't ruin the song though. "Hiding cameras in your bedroom, girl I know what you've done!"

Overall this is a great album the only one I listen to anymore. I've only had it for a month, but I haven't listened to any other CD since. This CD doesn't get old, and is just an amazing CD.

Great Album.......2006-07-24

After adding 15 year old Sonny Moore as their lead singer, From First To Last headed to the studios to release their debut full length. The album is a great emo/post-hardcore album. It has it's strong points and has very few weak points. I would have to say though, this album is not as good as their second full length Heroine, which has more of an edge. Anyway, the highlights on this one are The One Armed Boxer vs. The Flying Gullitine, Note To Self, I Liked You Better Before You Were Naked On The Internet (one of the slower songs on the album along with Emily), Emily (which is probably one of my top 3 favorites on this album), and Ride The Wings of Pestilence. Overall, for fans of Senses Fail and other screamo bands, you may like this, although it's mostly a harder version of emo, and there isn't a whole lot of screaming. This album has great singing drumming and song writing. You won't be disapointed.

Average customer rating:

Remarkable "Futurefunk" from The Netherlands
Solid House

Boogie Angst
Kraak & Smaak
Manufacturer: Quango Fontana
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

House | Dance & DJ | Styles | Music

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Reminted
Versions
Pocket Symphony
The New Gold Standard

ASIN: B000FILVQE
Release Date: 2006-06-06

Tracks:

Money In The Bag (K&S Remix)
One Of Theses Days
Keep On Searching
Jolie Banane
Keep Me Home
Danse Macabre
5 To 4
Say Yeah
No Sun In The Sky
Mambo Solitario
Maputo Express
Hello Big Mama/Money In The Bag (Original Version)

Customer Reviews:

Remarkable "Futurefunk" from The Netherlands.......2007-01-10

Kraak & smaak is a collective formed by three producers from Leiden (The Netherlands) : Mark Kneppers, Wim Plug and the classical educated Oscar de Jong. The music on this album is best described as spacy electronic funk. In my opinion this album has to be heard more often to fully appreciate the, sometimes weird, changes of rythym and combinations of sounds. The best piece on this album is Dance Macabre, an exciting piece of music with some beautiful female singing.
i could recommend this album to everyone who enjoys music which is not predictable at all. The fact that this remarkable album is made by dutchmen is something to be proud of ... (for me, that is).

Solid House.......2006-12-04

I first heard of Kraak & Smaak a few years ago with the release of the "Keep On Moving" EP on vinyl. I loved the grooves and use of samples on "One Of These Days" on the original release. The new CD however re-records the vocals for that track. Perhaps some licencing issues? Other than that it's pretty solid production on the House, Deep House and Downtempo grooves.

Average customer rating:

Terrifically Melodic and Funny
Hark Hark It's Sparks!
Sprkling ol' Sparks
Love it!
WHO WEARS THE PANTS IN THIS FAMILY?!

Angst in My Pants
Sparks
Manufacturer: Oglio Records
ProductGroup: Music
Binding: Audio CD

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In Outer Space
Kimono My House
Indiscreet
No. 1 in Heaven
Lil' Beethoven

ASIN: B00000DCU1
Release Date: 1998-11-17

Tracks:

Angst In My Pants
I Predict
Sextown U.S.A.
Sherlock Holmes
Nicotina
Mickey Mouse
Moustache
Instant Weight Loss
Tarzan And Jane
The Decline And Fall Of Me
Eaten By the Monster Of Love

Customer Reviews:

Terrifically Melodic and Funny.......2006-08-04

This 1982 release had catchy tunes and laugh-out-loud funny lyrics. Where else can you hear a dance song about moustaches (My Fu Manchu was real fine/My Ronald Coleman made 'em blink/My Pancho Villa made 'em think/But when I trimmed 'em real small/My Jewish friends would never call), Sherlock Holmes, Mickey Mouse, and the monster of love?

Sound quality is excellent, and the CD includes the lyrics.

Hark Hark It's Sparks!.......2006-05-27

This is the album that introduced me to the band. I haven't had a record player and this on vynil for well over 15 years. When I saw it was remasterd and reissued, I had to jump right on it!

I first heard 'Mickey Mouse' on Dr Demento when I was a wee lad. I bought the album and found that it was chocked from front to back with excellent songs. I like each and every one of them. I honestly feel that most of the tunes are singles material. I like every song. I had to blast MOUSTACHE at the park today, too.

Amazon shipped it super fast for only $2.50 more. WOW! That was like blinking and it was here.

Sprkling ol' Sparks.......2006-02-24

As good as their works of the Seventies. Never a frown with the Mael brothers

Love it!.......2006-01-10

This album is still cool!

WHO WEARS THE PANTS IN THIS FAMILY?!.......2005-10-09

Who Wears The Pants In This Family?

The lovely couple on this album cover has made perfect musical harmony once again, and it sure looks like they enjoyed their Niagara Falls honeymoon as illustrated in a scintillating photo on the inner sleeve! However, we are not fooled by this deceptive depiction into believing that Russell actually wears the pants in the Mael family. Although he is trying to feign purity and virtue, it is indeed the unshaven Mael order bride who is behind all this madness!

To start off the 80's with their focus back on America, Sparks returned to a rockier, guitar-oriented sound imbued with danceability. They even returned to the five-piece band format, including the Bates Motel band; Les Boheme on bass, Bob Haag on guitar, David Kendrick on drums and James Goodwin on synth. Giorgio Moroder's protégé Mack programmed some minimal, yet punctual synthesizers, giving the album a built-in revved-up engine. In 1982 Angst In My Pants on Atlantic records became Sparks' first U.S. top 100 album. The single "I Predict" garnered significant airplay, especially on the west coast on good old KROQ.

The peculiarly provocative video for "I Predict" was banned by MTV, not for its bizarre sexual content, but for the political incorrectness of Ron's moustache! They were completely off target...nobody was looking at his moustache! We were utterly distracted by all the sexual energy Ron was radiating onstage at the strip club in his corset and feather boa! Despite the M.T.V. (Moustache Too Vulgar) video veto, the single reached #60 in the U.S. charts in March of 1982. The video was finally reinstated - for late night viewing only - on MTV the following summer.

During Sparks' television appearance on NBC's Saturday Night Live (May 15, 1982) Ron recited a lengthy monologue on the rodent species, prefacing the song "Mickey Mouse". The band also performed their new single, the uncanny "I Predict". Ron's now infamous shuffle, then in its infancy, had its monumental TV debut on this show!

Sparks performed "I Predict" (as `Bandstanders' might say, "It has a good beat, but you can't dance to it!) and " Eaten By The Monster of Love" on American Bandstand in September of 1982 - Sparks' third of six appearances on that legendary show. Russell defined the word `angst' to host Dick Clark as, "A German word meaning problems or stress, but in this case, in the pants region."

In Russell's opinion at the time, this was the most `pleasant' Sparks album to listen to. He varied his vocal range throughout, and the tunes were less complex - even catchy. American radio appreciated the album and actually played it! However, there were those who were disappointed in Sparks' return to a full band format, and the gripes would continue when the band would again waver to a more electronic sound. You just can't win!

Sparks toured America throughout the summer of '82. They also supported Rick Springfield on his U.S. tour. Russell sparkled in a glistening sequined suit (the colour varied at each gig). Ron, the mysterious deadpan figure, usually firmly planted behind his keyboards, now began to nurture his inner child which emerged in a scary, full drag strip-tease in the David Lynch directed "I Predict" video (not a pretty sight), in a wedding gown on the album's cover and in several quirky stage routines including a wacky shuffle and tap dance, and a mime to Abbott & Costello's `Who's On First?' routine with a stuffed toy dog (at Hollywood's Whiskey A Go Go). Things were looking up!

The album's opening title track features Russell singing in what might possibly be his lowest register, then bringing it up an octave to stress that even YOU may very well be inadvertently sitting on some angst! After an intro that sounds like a steamship's horn, the melody and instrumentation are simple and sparse, yet beautiful. Who else would write such a happy-go-lucky song about a certain gravity-defying male reflex? The Maels told America's Trouser Press magazine in November, 1982 that Ron came up with the melody at the last minute. Ron plays every instrument on the track except for David Kendrick's drum tape loop. The song was mixed and completed in just one day!

In "I Predict" Russell portrays a pretentious clairvoyant. Sparks had usually been quite accurate in predicting future musical climates and beating everyone to the punch. In this song they seem to have delusional visions of psychic grandeur, but who knows, maybe cold beer and pretzels really do cure cancer! Has anybody ever tried it? The catchy hand-clapping beat and heavy bass drum get your feet tapping in no time. They should play this one in baseball stadiums instead of Queen's "We Will Rock You".

"Sextown U.S.A." is the precursor to "All You Ever Think About is Sex" on the next album. Both songs are about, um...sex, and they concur that sex is fun in a variety of locations. These are Sparks' most straight-forward lyrics and they have received no arguments to date.

The Maels seem somewhat envious of the supposedly sexy sleuth in "Sherlock Holmes". Where did they get the foggy notion that Sherlock impressed women? Hey Ron & Russ, here's a bit of advice; there are a lot of guys out there right now telling their girlfriends, "I can't sing like Russell Mael, I can't write songs like Ron Mael, just pretend I'm Russell Mael, uh oh, uh oh, yeah." So just go with what you've got! You are SPARKS! What could be cooler than that! Just use your old trusty pick-up line, "Kimono my house, mon amour!" Women will surely melt in your arms. There is some sort of synthesized wind instrument sound on this one, impersonating a flute perhaps? Anyway, it's quite effective and the middle eight is pure Sparks!

The Surgeon General could have used "Nicotina" as his mascot. Who wouldn't sympathize with this poor little burnt-out cigarette and quit smoking pronto! She was so cute until the Marlboro man inhaled her. The melody seems to be Russian derived and has some wicked guitar work by Bob Haag.

Mickey and Minnie Mouse and all their pals run rampant in a paradise where animals are people too, in a tribute to Disneyland. The next song is dedicated to the power of the "Moustache" and how it makes a man, commands respect, alienates a certain religious group and (unfortunately) reveals what a man has ingested for lunch. Another upbeat tune to which Ron shaves his off completely in the video. Parenthetically, he grew it back again!

"Instant Weight Loss" becomes `instant weight gain' in case anyone didn't know. It's zoo time once again on "Tarzan And Jane" when Chemistry class degenerates into de-evolution with a tribal drumbeat. It's more fun than a barrel of monkeys!

In "The Decline and Fall of Me" our singer is reduced to a bumbling idiot in an unwarranted tale of low self esteem. The poor guy has even started a collection of frozen pizzas! This song contains the following stunning couplet;
" Where's my mouth, man, this eating is rough on the shirts
Gee, I'm sorry about the thermometer, nurse."

There are very few Sparks songs containing the word `love' and the single, "Eaten By The Monster Of Love" is one of them. It's not really about `love'. It's more about the `monster' with graphic descriptions of what he'll do to you and how to avoid him. A fun party song, if you're going to a strange party. This song, along with the title track was featured on the Valley Girl film soundtrack.

Well, it certainly looks like this marriage will last a lifetime! I wonder who caught the bride's lovely bouquet of daffodils!

Average customer rating:

KMFDM sucks
Angst Order

Angst
KMFDM
Manufacturer: Metropolis Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

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MDFMK
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Symbols

ASIN: B000IOMXTE
Release Date: 2006-11-21

Tracks:

Light
A Drug Against War
Blood
Lust
Glory
Move On
No Peace
A Hole In The Wall
Sucks
The Problem

Customer Reviews:

KMFDM sucks.......2007-06-23

Just kidding ;). KMFDM does not suck. They are easily one of my all time favorite industrial bands. For a long time, the band's catalog from the past decade had been out of print. Last year Sascha Konietzko finally was able to obtain the rights to the band's earlier albums and began to remaster and re-release them through KMFDM's own record label and Metropolis Records. One of the first handful of albums that released last year was the classic ANGST. Without a shadow of a doubt, the album sounds a hundred percent better than the 1994 version. The production on the original album is awful in comparison to the remastered version. The music sounds fresh as ever, never sounds dated or obsolete. Considering the current state of the world, ANGST captures the discontent that many Americans are feeling with its politically charged lyrics. The music itself is as abrasive as the lyrics with its searing guitar riffs and club friendly dance beats. I am glad that Sascha went through the painstaking task of remastering and re-releasing the band's earlier albums. They deserved it and to be heard all over again.

Angst Order.......2007-03-08

Thank you for your prompt shipment of my order and a great CD !

Average customer rating:

Comedian Harmonists

Definitive Collection

Manufacturer: Arena Records UK
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

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Comedian Harmonists
Auf Wiederseh'n
Comedian Harmonists: Greatest Hits 1

ASIN: B0000648OR
Release Date: 2001-11-02

Tracks:

Wenn Ich Vergnn
Uch Wollt' Ich W Ein Huhn
Veronika, Der Lenz Ist Da
Bin Kein Hauptmann, Bin Kein Gros Tier
Ein Freund, Ein Guter Freund
Creol Love Call
Bist Nicht Die Erste
Baccarole
Der Sch Blauen Donau
Quant il Pleut
Ein Bisschen Leichtsinn Kann Nicht Schaden
Ich Hab' Fh 'Nen Blumentopf Bestellt
Jetzt Trinken Wir Noch Eins
Ist Die Liebe Der Matrosen
Liebling, Mein Herz L Dich Gr
Irgendwo Auf Der Welt
Ali Baba
Maria Marie
Auf Dem Heuboden
Liebesleid
Tout le Jour
Wir Sind Von Kopf Bis FuAuf Liebe Eingestellt
So Ein KuKommt Von Allein
Musketier Marsch
Mein Kleiner, Graktus

Tracks:

Hoppla, Jetzt Komm'ich
Kannst du Pfeifen, Johanna
Tea for Two
In Der Bar Zum Krokodil
Eine Kleine Frsweise
Eins, Zwei, Drei, Vier Glh Bin Ich Nur Mit Dir
Die Liebe Kommt, Die Liebe Geht
Heute Nacht Oder Nie
Hallo, Was Machst du Heut' Daisy
Ich Khre Hand Madame
Auf Wiedersehen Mein Frein, Auf Wiedersehen Mein Herr
Kleiner Mann, Was Nun
Hein Spielt Abends So Schuf Dem Schifferklavier
Mein Lieber Schatz Bist du Aus Spanien
Onkel Bumba Aus Kalumba
Perpetuum Mobile
Leb' Wohl Gute Reise [Farewell, Have a Good Journey]
Wenn Die Sonja Russisch Tanzt
Morgen MuIch Fort Von Hier
Wenn Der Wind Weht er das Meer
Puppenhochzeit
Was Dein Roter Mund Im Fr Sagt
Es Fein Anderer Weg Zur Seligkeit
SchLisa, Ssa
Wochenend und Sonnenschein
Auf Wiedersch'n My Dear

Customer Reviews:

Comedian Harmonists.......2003-05-23

A wonderful Selection of great Harmonies and Novelty Tunes by this Relatively Unknown Group in America , This terrific German Group is a must for anyone that enjoys Good Harmony and just Plain Vocal Fun with Sounds and Lyrics. Highly Recommended and Enjoyable.

Finest Selection of: Comedian Harmonists

Average customer rating:

Finest Selection of: Comedian Harmonists

Manufacturer: Fresh
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Cabaret | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Broadway & Vocalists | Imports | Stores | Music

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4-for-3 Broadway & Vocalists | 4-for-3 Music | Stores | Music

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Definitive Collection
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Auf Wiederseh'n
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ASIN: B0002ONA8I
Release Date: 2004-12-20

Tracks:

Mein Kleiner Graktus
Ich Hab' Fh 'Nen Blumentopf Bestelt
Wochenend und Sonnenschein
Ungarischer Tanz Nr. 5
So Ein Kub Kommt Selten Allein
Gars de la Marine (Das Ist Die Liebe Der Matrosen)
Auf Wiedersehn, My Dear
Ohne Dich: "Sturmisches Wetter" (Stormy Weather)
Perpetuum Mobile
Ali-Baba
Jetzt Trinken Wir Noch Eins
SchLisa
Mein Herz Ruft Immer Nur Nach Dir - Oh Marita
Wie Ws Mit Lissabon
Tarantella Sincera
Hein Spielt Abends So Schuf Dem Schifferklavier
Whispering
Dorfmusik

Average customer rating:

Teen Angst
M83
Manufacturer: EMI/Labels UK
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

Electronica | Dance & DJ | Styles | Music

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Don't Save Us from the Flames
Run into Flowers

ASIN: B0007OMK66

Tracks:

Teen Angst [Album Version]
Addicted to Self Mutilation
Teen Angst [Montag Remix]

Album Details

In America the Buzz Surrounding the Band is Growing on a Daily Basis, with "Don't Save Us from the Flames" Debuting at #1in the Massively Important Us College Radio Charts, While Here in the UK their Critically Acclaimed Album Has Received Widespread Praise Across the Board Since Its Release, Combined with Mainstream Support from RADIO1/XFM/MTV Amongst Others and Continued Specialist and Club Reactions (Including Number One in the Zzub Club Chart). M83 have also Completed Requested Remixes of the Likes of Bloc Party and Goldfrapp Amongst Others Over the Past Few Months.

Bach 2000: The Complete Bach Edition (Includes Commemorative Book) (Box Set)

Average customer rating:

Bach is priceless
Buy the works you like....
Poor Bach
A Treasure Trove
147 out of 153 ain't bad!

Bach 2000: The Complete Bach Edition (Includes Commemorative Book) (Box Set)
Nikolaus Harnoncourt , Robin Gritton , Giovanni Antonini , Gustav Leonhardt , Ton Koopman , Alice Harnoncourt , and Zehetmair, Thomas
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD

Minuets | Ballets & Dances | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Canons | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Inventions | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music

Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music

Opera & Vocal | Box Sets | Stores | Music
ASIN: B00001IV8B
Release Date: 1999-09-14

Tracks:

Wie schon leuchtet der Morgenstern
Du Wahrer Gottes und Marien Sohn
Erfuellet, ihr himmlischen goettlichen Flammen
Ein irdscher Glanz, wein leiblich Licht
Unser Mund und Ton der Saiten
Wie Schon Leuchtet Der Morgenstern, BWV 1: Chor: 'Wie Bin Ich Doch So Herzlich Froh' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Ach Gott, Vom Himmel Sieh Darein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Sie Lehren Eitel Falsche List' - Kurt Equiluz
Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Tilg, O Gott, Die Lehren' - Paul Esswood
Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Die Armen Sind Verstort' - Max Van Egmond
Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Durchs Feuer Wird Das Silber Rein' - Kurt Equiluz
Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Das Wollst Du, Gott, Bewahren Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Ach Gott, Wie Manches Herzeleid' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
Ach Gott, Wie Manches Herzeleid, BWV 3: Choral Recitativo: 'Wie Schwerlich Lasst Sich Fleisch Und... - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood/Kurt Equiluz/Max Van Egmond...
Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Empfind Ich Hollenangst Und Pein' - Max Van Egmond
Ach Gott, Wie Manches Herzeleid, BWV 3: Recitativo: 'Es Mag Mir Leib Und Geist Verschmachten' - Kurt Equiluz
Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Wenn Sorgen Auf Mich Dringen' - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood
Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Erhalt Mein Herz Im Glauben Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger

Tracks:

Ich elender Mensch, wer wird mich erloesen
O Schmerz, o Elend, so mich trifft
Solls ja so sein
Ach lege das Sodom der suendlichen Glieder
Hier aber tut des Heilands Hand
Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Aria: 'Vergibt Mir Jesus Meine Sunden' - Kurt Equiluz
Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Chor: 'Herr Jesu Christ, Einiger Trost' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
Ich Geh Und Suche Mit Verlangen, BWV 49: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Geh Und Suche Mit Verlangen' - Ruud Van Der Meer
Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo Ed Arioso: 'Mein Mahl Ist Zubereit'' - Ruud Van Der Meer/Peter Jelosits
Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Bin Herrlich, Ich Bin Schon' - Peter Jelosits
Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo: 'Mein Glaube Hat Mich Selbst So Angezogen' - Peter Jelosits/Ruud Van Der Meer
Ich Geh Und Suche Mit Verlangen, BWV 49: Aria (Duetto): 'Dich Hab Ich Je Und Je Geliebet' - Peter Jelosits/Ruud Van Der Meer
Nun Ist Das Heil Und Die Kraft, BWV 50: Chor: 'Nun Ist Das Heil Und Die Kraft' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Jauchzet Gott In Allen Landen!' - Marianne Kweksilber
Jauchzet Gott In Allen Landen, BWV 51: Recitativo: 'Wir Beten Zu Dem Tempel An' - Marianne Kweksilber
Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Hochster, Mache Deine Gute' - Marianne Kweksilber
Jauchzet Gott In Allen Landen, BWV 51: Chor: 'Sei Lob Und Preis Mit Ehren' - Marianne Kweksilber
Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Alleluja!' - Marianne Kweksilber

Tracks:

(Caro) Was Gott tut, das ist wohlgetan
(Alto, Tenore) Was Gott tut, das ist wohlgetan
(Soprano) Was Gott tut, das ist wohlgetan
(Basso) Was Gott tut, das ist wohlgetan
(Alto) Was Gott tut, das ist wohlgetan
Was Gott Tut, Das Ist Wohlgetan, BWV 100: Chor: 'Was Gott Tut, Das Ist Wohlgetan' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Nimm Von Uns, Herr, Du Treuer Gott' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Handle Nicht Nach Deinen Rechten' - Kurt Equiluz
Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Ach! Herr Gott, Durch Die Treue Dein' - Wilhelm Wiedl
Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Warum Willst Du So Zornig Sein?' - Philippe Huttenlocher
Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Die Sund Hat Uns Verderbet Sehr' - Kurt Equiluz
Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria (Duetto): 'Gedenk An Jesu Bittern Tod!' - Wilhelm Wiedl/Paul Esswood
Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Leit Uns Mit Deiner Rechten Hand' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Chor: 'Herr, Deine Augen Sehen... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Recitativo: 'Wo Ist Das Ebenbild' - Philippe Huttenlocher
Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Aria: 'Weh Der Seele' - Paul Esswood
Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Arioso: 'Verachtest Du Den... - Philippe Huttenlocher
Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Aria: 'Erschrecke Doch, Du... - Kurt Equiluz
Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Recitativo: 'Beim Warten Ist... - Paul Esswood
Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Chor: Heut Lebst Du, Heut... - Tolzer Knabenchor/Gerhard Schmidt-Gaden

Tracks:

Sinfonia
Nach dir, Herr, verlanget mich
Doch bin und bleibe ich vergnuegt
Leite mich in deiner Wahrheit
Zedern muessen von den Winden
Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Augen Sehen Stets Zu Dem Herrn' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Tage In Dem Leide' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'Susser Trost, Mein Jesus Kommt' - Sebastian Hennig
Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Erfreue Dich, Mein Herz' - Max Van Egmond
Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'In Jesu Demut Kann Ich Trost' - Paul Esswood
Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Du Teurer Gottessohn' - Kurt Equiluz
Susser Trost, Mein Jesus Kommt, BWV 151: Chor: 'Heut Schleusst Er Wieder Auf Die Tur' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
Tritt Auf Die Glaubensbahn, BWV 152: Con - Concentus Musicus Wien/Nikolaus Harnoncourt
Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Tritt Auf Die Glaubensbahn' - Thomas Hampson
Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Der Heiland Ist Gesetzt' - Thomas Hampson
Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Stein, Der Uber Alle Schatze' - Christoph Wegmann
Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Es Argre Sich Die Kluge Welt' - Thomas Hampson
Tritt Auf Die Glaubensbahn, BWV 152: Duetto: 'Wie Soll Ich Dich, Liebster Der Seelen, Umfassen?' - Christoph Wegmann/Thomas Hampson
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Schau, Lieber Gott, Wie Meine Feind' - Tolzer Knabenchor//Gerhard Schmidt-Gaden
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Mein Liebster Gott' - Stefan Rampf
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Furchte Dich Nicht, Ich Bin Mit Dir' - Thomas Hampson
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Du Sprichst Zwar, Lieber Gott' - Kurt Equiluz
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Und Ob Gleich Alle Teufel - Tolzer Knabenchor//Gerhard Schmidt-Gaden
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Sturmt Nur, Sturmt, Ihr Trubsalswetter' - Kurt Equiluz
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Getrost! Mein Herz, Erdulde Deinen... - Thomas Hampson
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Soll Ich Meinen Lebeslauf' - Stefan Rampf
Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Drum Will Ich, Weil Ich Lebe Noch' - Tolzer Knabenchor//Gerhard Schmidt-Gaden

Tracks:

Die Zeit, die Tag und Jahre macht
Auf, Sterbliche, lasset ein Jauchzen ertoenen
So bald, als dir die Sternen hold
Es streiten, es siegen die kuenftigen Zeiten
Bedenke nur, begluecktes Land
Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Aria: 'Der Zeiten Herr Hat Viel Vergnugte Stunden' - Michael Chance
Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Recitativo: 'Hilf, Hochster, Hilf' - Michael Chance/Paul Agnew
Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Chor: 'Ergetzet Auf Erden' - The Amsterdam Baroque Chor/Ton Koopman
Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtster Leopold' - Lisa Larsson
Durchlauchtster Leopold, BWV 173A: Aria: 'Guldner Sonnen Frohe Stunden' - Lisa Larsson
Durchlauchtster Leopold, BWV 173A: Aria: 'Leopolds Vortrefflichkeiten' - Klaus Mertens
Durchlauchtster Leopold, BWV 173A: Aria: 'Unter Seinem Purpursaum' - Lisa Larsson/Klaus Mertens
Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtigster, Den Anhalt Vater Nennt' - Lisa Larsson/Klaus Mertens
Durchlauchtster Leopold, BWV 173A: Aria: 'So Schau Des Holden Tages Licht' - Lisa Larsson
Durchlauchtster Leopold, BWV 173A: Aria: 'Dein Name Gleich Der Sonnen Geh' - Klaus Mertens
Durchlauchtster Leopold, BWV 173A: Chor: 'Nimm Auch, Grosser Furst, Uns Auf' - Lisa Larsson/Klaus Mertens

Tracks:

Kyrie eleison
Christe eleison
Kyrie eleison
Gloria in excelsis Deo
Laudamus te
Mass in b, BWV 232: I. Missa: Gloria: Gratias Agimus Tibi - Arnold Schoenberg Chor/Erwin Ortner
Mass in b, BWV 232: I. Missa: Gloria: Domine Deus - Angela Maria Blasi/Kurt Equiluz
Mass in b, BWV 232: I. Missa: Gloria: Qui Tollis - Arnold Schoenberg Chor/Erwin Ortner
Mass in b, BWV 232: I. Missa: Gloria: Qui Sedes - Jadwiga Rappe
Mass in b, BWV 232: I. Missa: Gloria: Quoniam To Solus - Arnold Schoenberg Chor/Erwin Ortner
Mass in b, BWV 232: I. Missa: Gloria: Cum Sancto Spiritu - Arnold Schoenberg Chor/Erwin Ortner

Tracks:

Singet dem Herrn ein neres Lied
Der Geist hilft unser Schwachheit auf
Komm, Jesu, komm
Jesu, meine Freude
Fuerchte dich nicht, ich bin bei dir
Lobet Den Herrn, Alle Heiden, BWV 230 - Stockholm Bach Chor/Anders Ohrwall

Tracks:

Fantasia et Fuga in g BWV 542
Fuga in g BWV 578
Canzona in d BWV 588
Praeludium et Fuga in h BWV 544
Praeludium et Fuga in a BWV 543
Fant in c, BWV 562 - Ton Koopman
Prld Et Fuga in C, BWV 531 - Ton Koopman
Fant in G, BWV 572 - Ton Koopman
Fant in C, BWV 570 - Ton Koopman
Passacaglia in c, BWV 582 - Ton Koopman

Tracks:

Inventio 1 BWV 772
Inventio 2 BWV 773
Inventio 3 BWV 774
Inventio 4 BWV 775
Inventio 5 BWV 776
Inventio 6 in E, BWV 777 - Zuzana Ruzickova
Inventio 7 in e, BWV 778 - Zuzana Ruzickova
Inventio 8 in F, BWV 779 - Zuzana Ruzickova
Inventio 9 in f, BWV 780 - Zuzana Ruzickova
Inventio 10 in G, BWV 781 - Zuzana Ruzickova
Inventio 11 in g, BWV 782 - Zuzana Ruzickova
Inventio 12 in A, BWV 783 - Zuzana Ruzickova
Inventio 13 in a, BWV 784 - Zuzana Ruzickova
Inventio 14 in B flat, BWV 785 - Zuzana Ruzickova
Inventio 15 in b, BWV 786 - Zuzana Ruzickova
Sinf 1 in C, BWV 787 - Zuzana Ruzickova
Sinf 2 in c, BWV 788 - Zuzana Ruzickova
Sinf 3 in D, BWV 789 - Zuzana Ruzickova
Sinf 4 in d, BWV 790 - Zuzana Ruzickova
Sinf 5 in E flat, BWV 791 - Zuzana Ruzickova
Sinf 6 in E, BWV 792 - Zuzana Ruzickova
Sinf 7 in e, BWV 793 - Zuzana Ruzickova
Sinf 8 in F, BWV 794 - Zuzana Ruzickova
Sinf 9 in f, BWV 795 - Zuzana Ruzickova
Sinf 10 in G, BWV 796 - Zuzana Ruzickova
Sinf 11 in g, BWV 797 - Zuzana Ruzickova
Sinf 12 in A, BWV 798 - Zuzana Ruzickova
Sinf 13 in a, BWV 799 - Zuzana Ruzickova
Sinf 14 in B flat, BWV 800 - Zuzana Ruzickova
Sinf 15 in b, BWV 801 - Zuzana Ruzickova

Tracks:

Prelude and Fugue in A minor: Praeludium
Prelude and Fugue in A minor: Fuga
Prelude and Fughetta in E minor: Praeludium
Prelude and Fughetta in E minor: Fuga
Prelude in G major BWV 902a
Fant And Fugue in a, BWV 904: Fant - Zuzana Ruzickova
Fant And Fugue in a, BWV 904: Fuga - Zuzana Ruzickova
Clavier-Buchlein Vor W.F. Bach: Prld in C, BWV 924 - Zuzana Ruzickova
Clavier-Buchlein Vor W.F. Bach: Prld in D, BWV 925 - Zuzana Ruzickova
Clavier-Buchlein Vor W.F. Bach: Prld in d, BWV 926 - Zuzana Ruzickova
Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 927 - Zuzana Ruzickova
Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 928 - Zuzana Ruzickova
Clavier-Buchlein Vor W.F. Bach: Prld in g, BWV 930 - Zuzana Ruzickova
Clavier-Buchlein Vor W.F. Bach: Prld in a, BWV 931 - Zuzana Ruzickova
Prld in E, BWV 937 - Zuzana Ruzickova
Prld in C, BWV 939 - Zuzana Ruzickova
Prld in d, BWV 940 - Zuzana Ruzickova
Applicatio in C, BWV 994 - Zuzana Ruzickova

Tracks:

Suite in G minor BWV 995: Prelude
Suite in G minor BWV 995: Allemande
Suite in G minor BWV 995: Courante
Suite in G minor BWV 995: Sarabande
Suite in G minor BWV 995: Gavotte I - Gavotte II en Rondeau
Ste in g, BWV 995: Gigue - Luca Pianca
Ste in e, BWV 996: Prld (Passagio-Presto) - Michele Barchi
Ste in e, BWV 996: Allemande - Michele Barchi
Ste in e, BWV 996: Courante - Michele Barchi
Ste in e, BWV 996: Sarabande - Michele Barchi
Ste in e, BWV 996: Bourree - Michele Barchi
Ste in e, BWV 996: Gigue - Michele Barchi
Ste in c, BWV 997: Prld - Michele Barchi/Luca Pianca
Ste in c, BWV 997: Fuga - Michele Barchi/Luca Pianca
Ste in c, BWV 997: Sarabande - Michele Barchi/Luca Pianca
Ste in c, BWV 997: Gigue-Double - Michele Barchi/Luca Pianca

Tracks:

Concerto for two violins BWV 1043: Vivace
Concerto for two violins BWV 1043: Largo, ma non tanto
Concerto for two violins BWV 1043: Allegro
Concerto BWV 1042: Allegro
Concerto BWV 1042: Adagio
Con in E, BWV 1042: Allegro Assai - Alice Harnoncourt
Con in a, BWV 1041: Allegro - Alice Harnoncourt
Con in a, BWV 1041: Andante - Alice Harnoncourt
Con in a, BWV 1041: Allegro Assai - Alice Harnoncourt
Con in g, BWV 1056R: (Allegro) - Alice Harnoncourt
Con in g, BWV 1056R: Largo - Alice Harnoncourt
Con in g, BWV 1056R: Presto - Alice Harnoncourt
Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt
Con in g, BWV 1060R: Adagio - Jurg Schaeftlein/Alice Harnoncourt
Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt

Amazon.com

The Bach renaissance--which began in earnest in the early 19th century thanks to the efforts of Felix Mendelssohn and others--inspired an endeavor of far-reaching significance. It led to the founding of the Bach Society in 1850, with the goal of gathering and publishing the composer's complete works, and thus set into motion one of the great projects of musical scholarship. That effort has continued and been refined throughout the 20th century, ultimately influencing not only our perception of how to perform early music but fundamental ideas of musical history, evolution, and reception as well.

Teldec's mammoth Bach 2000 box set represents a kind of culmination of that original attempt to come to terms with Johann Sebastian Bach's unparalleled legacy. This set brings together performances recorded over the last several decades--a small percentage of the recordings are previously unreleased--of all the extant works determined by modern scholarship to be authentic. There are also some pieces the authorship of which is still in question and a few now deemed "inauthentic" but familiarly associated with the composer. Bach was a prodigious reviser of his compositions, and alternate versions of a particular work have been included "where the changes seemed sufficiently important," such as the glorious Magnificat. No doubt manuscripts will continue to be unearthed here and there in various archives (Bach 2000 contains, for example, the "Neumeister chorales," which were rediscovered in 1984), but the set does not represent the many fragments of music that consist of just a few bars; however, there are some reconstructions of lost concertos (such as one for three violins reconstructed by Christopher Hogwood from an extant concerto for harpsichords).

Of course a truly comprehensive recorded edition of every note Bach wrote remains a utopian impossibility--about one-third of his cantatas, for example, have not survived. Even so, the dimensions of Bach 2000 are staggering. With its 12 boxes comprising 153 CDs, the set can be compressed into fewer boxes to save shelf space yet is still about ten times as long as the Ring cycle. (It should be noted that the packaging--using thin cardboard sleeves for the CDs--is distinctively unattractive.) That adds up to just under 160 hours of music--but a lifetime of discovery. Each box (grouped according to genre) contains a booklet with excellent notes on individual works and--for all the choral works--texts and translations. Tracking indexes are useful and thorough. Also included is a profusely illustrated hardbound volume of 24 Inventions, in which journalist Wolfgang Sandberger uses the composer's biography as a peg for some enigmatic and fascinating musings on the meaning of Bach today.

The presiding philosophy behind this project and its approach to musical interpretation can be largely ascribed to Nikolaus Harnoncourt, a true musical pioneer and galvanizing force of the "period performance" movement. Harnoncourt's epoch-making recordings of the sacred cantatas (using, for instance, boy sopranos and choristers according to the practice in Bach's time) with the Concentus musicus Wien and colleague Gustav Leonhardt comprise the first four volumes here (those who already own them can turn to the Bach 2000 Light edition, which contains everything sans the cantatas). These recordings--which were not remastered for this set--have long been controversial and are notably uneven, embracing some magnificent accounts as well as others that lack fire and seem clearly underrehearsed. But Harnoncourt is one of the most fascinating conductors of our era, and his interpretations amply bear out his assertion: "I have never felt that Bach worked in a routine manner, that he repeated himself in his works." Harnoncourt--who has articulated many of his ideas in his book The Musical Dialogue--displays his gifts as a cellist in a remarkably probing performance of the Cello Suites (originally recorded in 1965) and in his concertizing for a number of chamber works. For the St. Matthew Passion, you get Harnoncourt's groundbreaking earlier account from 1970, while his 1986 recording of the sublime B Minor Mass is also represented here (the St. John Passion included is Harnoncourt's 1995 acount).

Other artists included are colleague Gustav Leonhardt, whose thoughtful if occasionally dry harpsichord artistry is heard in the Goldberg Variations as well as in the concertos and chamber music. The harpsichord is in fact used throughout in preference to piano for the keyboard works. Ton Koopman (himself the conductor of an ongoing complete cantata series and of the Easter Oratorio included here) performs the organ works, including some newly recorded offerings, while Il Giardino Armonico's well-known high-energy account represents the Brandenburg Concertos. Violinist Thomas Zehetmair is exceptionally compelling in the unaccompanied sonatas and partitas, and the Concentus musicus Wien--again under Harnoncourt--perform a superb Musical Offering that richly repays frequent listening.

The result of Bach 2000 as a whole is an aptly encyclopedic grappling with the infinite legacy of this most compendious of composers, whose works are on one level a summation of all the styles available to him. Bach was once thought to represent a "terminal point" (to use Albert Schweitzer's famous formulation), the end of an era; today he is at least equally recognized as a fertile source of inspiration for composers since. To be sure, individual recordings of particular works will be found to be preferable, and it would be misguided to consider Bach 2000 any kind of "final" or "definitive" word. Instead, it's an indispensable starting point that represents a monumental achievement for our own contemporary understanding of Bach. --Thomas May

Album Description

Volume 1, 15 Discs
Sacred Cantatas Nos. 1-14, 16-47; 15 CDs; Harnoncourt/Leonhardt

Volume 2, 15 Discs
Sacred Cantatas Nos. 48-52, 54-69, 69A, 70-99; 15 CDs; Harnoncourt/Leonhardt

Volume 3, 15 Discs
Sacred Cantatas Nos. 100-117, 119-140,143-149; 15 CDs; Harnoncourt/Leonhardt

Volume 4, 15 Discs
Sacred Cantatas BWV 150-159, 161-188, 192, 194-199; 15 CDs; Harnoncourt/Leonhardt

Volume 5, 11 Discs
Secular Cantatas App. Sacred Cantatas; 11 CDs; Koopman, Harnoncourt, Koopman, Goebel and others

Volume 6, 14 Discs
The Sacred Vocal Works Masses,Magnificat, Passions, Oratorios; 14 CDs; Harnoncourt, Koopman, Corboz and others

Volume 7
, 7 Discs
The Motets, Chorales & Songs Kirnberger Chorales,Schemelli Songs, Quodlibet

Volume 8, 16 Discs
The Organ Works; 16 CDs; Ton Koopman

Volume 9, 11 Discs
The Keyboard Works (I) The Well-Tempered Clavier, English & French Suites, Partitas etc; 11 CDs; Curtis, Ross, Wilson, Ruzickova

Volume 10, 11 Discs
The Keyboard Works (II) Goldberg Variations, Toccatas, Fugues, Italian Concerto, etc; 11 CDs; Staier, Barchi, Leonhardt, von Asperen, Baumont, and others

Volume 11, 13 Discs
The Chamber Music Violin Sonatas & Partitas, Flute Sonatas, Works for Lute, Art of Fugue, Musical Offering, etc; 13 CDs; Harnoncourt, Pianca, Tachezi, Brggen, Zehetmair, and others

Volume 12, 10 Discs
The Orchestral Works The Concertos & Orchestral Suite; 10 CDs; Il Giardino Armonico, Harnoncourt, Leonhardt

Customer Reviews:

Bach is priceless.......2006-11-10

I believe, as another reviewer has stated, Bach's music may be the best ever written. Also, I think the cantatas are not where Bach placed his heart and soul. He was, after all, employed as a canter and in a position he did not wish for, but was forced to take to feed his large family. (I recommend "Bach and the High Baroque" lecture series by TTC.) What really stands out on this collection are all works in volumes 8 and above. Some of these works are hard to find and having them all in this collection and preformed on original instruments is great. Bach is priceless and so then is this collection.

Buy the works you like...........2006-01-11

If you love Bach, which you must if you are looking at this particular item, you probably own a couple of his works already. Perhaps some of them are on the Teldec label. There is nothing wrong with Teldec if you are just getting into "classical" music. You will probably enjoy the music thoroughly. I know I did, as one of the first "classical" releases I bought was on Teldec, and it was Bach. I was amazed how great Bach was. Then my brother showed me the same recording, performed by another group, on another label. It had a lot more passion, and the instrumentalists were obviously of a higher level. Pardon my rambling, but what I'm trying to say is, the recordings found in this boxset are not the "cream of the crop." They are perfectly acceptable, easily listenable renditions of what many consider the greatest music...EVER. Take it from me, someone who has leapt into boxset land one too many times: Save your money, buy the individual albums. Take your time, talk to record store clerks (read Amazon reviews), do your research. If you are lucky enough to have a decent record store around, listen to multiple versions of the same work. No one said you had to buy it all at once. It can take a lifetime to fully realize the potency of this music, so enjoy the discovery as long as possible.

Poor Bach.......2005-11-26

In Antony & Cleopatra, Shakespeare wrote: "I shall see some squeaking Cleopatra boy my greatness...."

I am 99% in favor of original instrument performances, but there are limits. Just imagine if we had the same sort of thing going on with Shakespeare's plays -- men and boys playing all of the women's parts. And if we *really* wanted to be original, they would be squeaking boys "I' th' posture of a whore" (Shakespeare's words). Such performances would knock Monty Python
right out of business.

The Cantatas, which are the lion's share of this collection, are sung by boys, boys, boys. If you want to ruin boy choirs for yourself, then go for it. It might still be a novelty by the fifth CD but by the fiftieth, you will want to throw your &*%$ wig at the squeaking speakers, just as the exasperated Bach famously did with his own wig and his own boy choir. (For which he was reprimanded.)

Does Harnoncourt really, honestly think that Bach would have picked a boy choir if he could have had women? Does anyone seriously believe that Shakespeare would have preferred his parts played by boys instead of women?

If you buy this set, don't buy it for the Cantatas, unless (unlike Bach) you can tolerate immature voices with "wig-tossingly" inconsistent intonation. Hold out for Suzuki or Koopman. Stay away from the Rifkin perfomances, mostly because the recording quality is second and third rate by today's standards. Not that historical performances should be shunned, but you might want to think twice about 60 odd CDs worth of second rate sound.

A Treasure Trove.......2004-03-07

This set is the culmination of several decades of work on the part of the West German record label Teldec (formerly known as Telefunken-Decca). With their early-music subdivision Das Alte Werk (similar to DG's Archiv or Decca's L'Oiseau-Lyre), Teldec have been in the forefront of exploring the world of period instruments and authentic performance practice, with special emphasis on the works of J.S.Bach. The lion's share of recordings here was originally made for Das Alte Werk, with the odd exception here and there licensed from other labels in order to fill in the gaps. The centerpiece of the set is the famous recording of the 199 church cantatas by Nikolaus Harnoncourt and Gustav Leonhardt. If you're not familiar with the cantatas, there's a whole world of drama, color and expression right here waiting for you. You'll also be surprised to learn how many of the "tunes" you know from popular arrangements, like "Jesu, Joy of Man's Desiring" and "Sleepers Awake" are actually movements from cantatas. The names of Harnoncourt and Leonhardt pop up again and again; they were both mainstays of the Teldec roster. Leonhardt gives us his 1965 Goldberg Variations on a Dulcken harpsichord whose every tone is like a bell, and Harnoncourt's "home" recording of the Cello Suites (never intended for general release) shows the ferment of a great musical mind. Ton Koopman gives us his provocative and controversial re-thinkings of the organ works, and Thomas Zehetmair's performances of the unaccompanied violin sonatas and partitas are like dramatic scenes spoken by a solo violin. Here are the uniquely bizarre Brandenburg Concertos by Il Giardino Armonico; the rhetorical and transparent performance of the motets conducted by Harnoncourt (perhaps his best-ever recording); Leonhardt's relaxed and smiling versions of the harpsichord concertos; Alice Harnoncourt's tawny, leonine performances of the sonatas for violin and harpsichord; Harnoncourt's chiaroscuro-filled performance of the Christmas Oratorio, and so on. This set is one of the most worthwhile CD buys you could make. You will never be bored with this to dip into over the years.

147 out of 153 ain't bad!.......2001-04-29

Having listened to the complete set, I can confidently recommend it, if you would use a complete set of Bach's works.

If you really like Bach, it is well worth getting. You will read disparaging reviews which will tell you that there are better performances of individual works. But this is a great opportunity for a Bach lover to get very good versions of his entire oeuvre.

In the set of 60 CDs of sacred cantatas, there are about 6 duds, which feature out of tune boy sopranos! If you are not crazy about sacred cantatas, you can buy a set which omits them, which may be advised!

I love the version of the Mass in B minor, though it is very different from our set by Munchinger [which we really enjoy].

The Brandenburgs are great. THe first movement of the first concerto is a knock out! Very brassy and bombastic: quite different from the 3 or 4 other versions I have previously enjoyed.

We are a piano family and have many CDs of Bach keyboard works played on piano [though we also have the Well Tempered Clavier on harpsichord and clavichord] The keyboard performances in the set are all on harpsichord and are lively and very enjoyable.

It takes some getting used to the authentic Baroque flute performances: especially occasional out-of-tuneness. But these are also interesting and musically played.

Tracks:

Seele in Not
Requiem
Lacrima Mosa
Ketzer
Letzte Hilfeschrei
Trn der Existenzlosigkeit

Customer Reviews:

a good start for one of the best bands.......2005-07-08

A solo project from Tilo Wolff that marked the beginning of Lacrimosa. The melodies and the atmosphere in this album are great, hardly any words to describe!

WOW!!!!.......2004-05-08

This is the first record of Lacrimosa.
At that time(1991) it wasn't a band: it was the project of THILO. But it's wondrful. There are no comments.
"Seele in Not" is magical piece and on,and on,and on........
Try also to get "EINSAMKEIT" and "SATURA".
JUST NO COMMENTS.

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