10 Songs

10 Songs

10 Songs

Track Listings
 
1. Easy It Was
2. Now a Limo
3. Grinding Process
4. #2 Pencil
5. At a Crawl
6. Disinvite
7. Snake Appeal
8. Show off Your Red Hands
9. Over from Underground
10. Crayfish

10 Songs,Melvins,Volcano,Alternative Metal,Alternative Pop/Rock,Grunge,Heavy Metal,Rock
Spanish Guitar Music
Average customer rating: 5 out of 5 stars
  • Excellent Introduction to Spanish Classical Guitar Music
  • The guitar is an orchestra in miniature!
  • GUITAR MAJESTY
  • Sweet, sweet music, an essential addition to your collection
  • A True Classic
Spanish Guitar Music

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
Albeniz, Mateo Pérez deAlbeniz, Mateo Pérez de | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
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All Works by TurinaAll Works by Turina | Turina, Joaquin | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
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  1. Essential Guitar: 33 Guitar Masterpieces
  2. 300 Years of Guitar Masterpieces
  3. Baroque Guitar
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  5. Classic Williams: Romance of the Guitar

ASIN: B00005YJ4Q
Release Date: 2002-01-29

Tracks:

  1. Albeniz: Asturias
  2. Albeniz: Tango
  3. Sanz: Canarios
  4. Rodrigo: Fandango
  5. Torroba: Nocturno
  6. Segreras - El Colibri
  7. Albeniz: Sonata in D
  8. De Falla: The Corregidor's Dance
  9. De Falla: Fisherman's Song
  10. De Falla: The Miller's Dance
  11. Torroba: Madronos
  12. La Nit de Nadal
  13. El Noy de la Mare
  14. Granados: Ma Maja de Goya
  15. Abeniz: Cordoba
  16. Tarrega: Recuerdos de la Alhambra
  17. Granados: Spanish Dance No. 5
  18. El Testamen de Amelia
  19. Villa-Lobos: Prelude No. 4 in E Minor
  20. Albeniz: Sevilla
  21. De Falla: Homanaje
  22. Mudarra: Fantasia
  23. Turina: Fandanguillo

Customer Reviews:

5 out of 5 stars Excellent Introduction to Spanish Classical Guitar Music.......2005-09-18

As a sampler, this CD is an excellent introduction both to Spanish classical guitar music and to guitarist John Williams.
The music ranges from Renaissance composers (Sanz, Mudarra) and harmonized folk melodies to standard 20th Century works (Rodrigo, Torroba etc).

John Williams is excellent throughout. The CD is also cheap, and can be used either just for enjoyment, or further to explore other recordings by Williams, the classical guitar repertoire, or other classical guitarists.

As a marketing ploy, it is very effective.

For the collector or classical guitar enthusiast, the chief disadvantages of the CD are duplication of other recordings, and that the way at least some of the works on this CD are listed isn't helpful in telling the listener the set(s) to which these pieces belong and how to find them (e.g. "from ______, Op # "). The font listing the titles and track numbers is small and somewhat hard to read.

However, this CD should attract many listeners and enthusiasts both to the classical guitar, the repertoire, and guitarist John Williams - and I'm all for that.

Over 70 minutes playing time.

Recommended.

5 out of 5 stars The guitar is an orchestra in miniature!.......2005-02-05

This admirable concept belongs to Hector Berlioz and it must not be a surprise the best guitarrists in the story have in common this trademark.

John Williams has always known the delicate equilibrium between the expresiveness and the glamouer. His impresive technique however is not exposed as his prima edonna. He goes directly to the soul of the composer, melts in his spirit and let the music sharp the qith eloquent conviction the composer's demanded atmosphere.

From Granados to Albeniz, from Rodrigo to Agustin Barrios - El indio Mangore -, from Moreno Torroba to Ponce , you will find the warmth, the passion and the Midas touch of this golden guitarrist.

5 out of 5 stars GUITAR MAJESTY.......2004-12-21

John Williams is a true Guitar virtuoso. His repetoire is very extensive and I use his music in my office while I work at my daily office duties. This album is a must for all guitar enthusiasts old or young.

5 out of 5 stars Sweet, sweet music, an essential addition to your collection.......2004-12-07

I originally bought this album three years ago, looking for a good introduction to Spanish guitar music. And this one fits that need perfectly. I still listen to and enjoy it today. I play this for guests at happy hour or dinner for a relaxed atmosphere. At Amazon's current price, this is a great value.

5 out of 5 stars A True Classic.......2004-01-26

This album/cd is extraordinary. All the songs are gorgeous and exciting to listen to. John Williams' interpretation and technique are perfect. After 22 years of listening to it, I still enjoy and appreciate it more every time. I love giving it as a gift.
The Dvorak Album
Average customer rating: 5 out of 5 stars
  • Yo-Yo Ma is a genius
The Dvorak Album

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

DancesDances | Ballets & Dances | Classical | Styles | Music
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  1. Simply Baroque
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  3. Vivaldi's Cello
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ASIN: B0002VEPIU
Release Date: 2004-09-07

Tracks:

  1. Concerto in B minor for Cello and Orchestra, Op. 104
  2. Klid (Silent woods) for Cello and Orchestra, Op. 68, No. 5
  3. Slavonic Dance No. 2 in E minor, Op. 72
  4. Humoresque No. 7 in G-flat Major, Op. 101
  5. Songs My Mother Taught Me from Gypsy Melodie, Op. 55

Amazon.com

This compilation of music by Dvorak played by Yo-Yo Ma is just beautiful. Ma seems to understand just when Dvorak wants to be super-Romantic and sappy and when he is in fact being merely his usual expressive self. The former comes into bloom with the Slavonic Dance, in which he's accompanied by Itzhak Perlman and "Songs My Mother Taught Me," with Patricia Zander at the piano. But when it comes to revealing Dvorak as one of the most insightful and truly passionate of composers, with a particular understanding of the cello, Ma's playing of the B minor Concerto (under Kurt Masur, with the New York Philharmonic), the latter description comes into play. Ma gets every nuance out of the cello, and the way in which Masur, for instance, leads the winds against the cello at the start of the 2nd movement is just gorgeous. "Klid" ("Silent Woods") is given a deeply affecting reading as well, under Seiji Ozawa. 2004 is the 100th anniversary of Dvorak's death; this CD is fine tribute. --Robert Levine

Customer Reviews:

5 out of 5 stars Yo-Yo Ma is a genius .......2004-11-16

words fail me on how to describe performance in this CD.It's very good, one of the best interpretations I have heard in a very long time. I must confess that since i discovered Ma du Pre I have not been able to listen to anything else nor did I attempt to do so. But out of the blue I bumped into this CD by chance & after hearing Yo Yo Ma's phraising especially the 1st movement infact the whole of Dvorak Cello was like something new to me.Ma plays with passion,emotions & strong commitment to the music in a different way.The Ochestra is in top form & allows the solo cello to shine at the right time.I never thought there is another interpretation that could surpass M.Rostropovich(Im sorry to say this I know he is a living legend & the 1969 record with Karajan is held in high esteem). Ma is accompanied by my favourate violinist Itzhak Perlman on "Humosresque no.7 for piano" & "Slavonic Dance no.10 in E minor"- the results are so sweet as many people know Perlman is a romantic specialist his tone with Ma's cello is heavenly.With regard to the "songs my mother taught me" the cello sounds good not best for the track personally im so used to hear the song being played on violin.There's nothing wrong with the cello it's just that it 's tone is a bit too strong for the composition but it's very well interpreted by Ma. They call this transcription in musical terms. Actually Ma deserves an apology as im one of those who have accused him of lacking in emotions &"look at me now i can play anything" attitude.I think those allegations are baseless & unwarranted when u hear this CD u will know u are into something beautiful. Overall grab this very fast before many people realise Yo-Yo Ma 's greatest gift of song.
Campfire Songs: The Popular, Obscure & Unknown Recordings
Average customer rating: 4.5 out of 5 stars
  • Great 2CD set
  • Not sure what to say
  • Cover Of The Patti Smith Group's "Because The Night"
  • Great end to a wonderful band's career
  • Nice reminder
Campfire Songs: The Popular, Obscure & Unknown Recordings
10,000 Maniacs
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000CDLLJ
Release Date: 2004-01-27

Tracks:

  1. Planned Obsolescence
  2. My Mother the War
  3. Tension
  4. Scorpio Rising
  5. Like the Weather
  6. Don't Talk
  7. What's the Matter Here?
  8. Hey Jack Kerouac
  9. Verdi Cries
  10. Trouble Me
  11. Poison in the Well
  12. You Happy Puppet
  13. Eat for Two
  14. Stockton Gala Days
  15. Candy Everybody Wants
  16. These Are Days
  17. Because the Night

Tracks:

  1. Poppy Selling Man
  2. Can't Ignore the Train (Demo Version)
  3. Peace Train
  4. Wildwood Flower
  5. Hello in There
  6. To Sir With Love
  7. Everyday Is Like Sunday
  8. These Days
  9. I Hope That I Don't Fall in Love With You
  10. Starman
  11. Let the Mystery Be
  12. Noah's Dove (Demo Version)
  13. Circle Dream (Alternate Lyrics Demo)
  14. Eden (Alternate Lyrics Demo)

Customer Reviews:

5 out of 5 stars Great 2CD set.......2007-04-13

A very worthwhile set featuring one disc of greatest hits and one of rarities. The greatest hits disc includes material from all their discs and is mostly slanted towards studio material. The rarities disc is excellent with some great covers, B sides,etc. One small complaint- With a 50 minute time for the rarities disc, there's room for more and there are more rarities not included here. Maybe they're saving them for a future box set? Even with the omissions, a very strong set here.

4 out of 5 stars Not sure what to say.......2005-12-17

Great band but this is not much more than a greatest hits album. It's great that the second disc collects the band's non-album tracks, but I'm not sure if it's worth buying the whole album for that.

Also, it's somewhat ironic that the release is called Campfire Songs, yet the song "A Campfire Song" is nowhere to be found.

5 out of 5 stars Cover Of The Patti Smith Group's "Because The Night".......2005-04-27

Nothing but that song "Because The Night" covered the original version by The Patti Smith Group. Great Live Performance.

5 out of 5 stars Great end to a wonderful band's career.......2005-04-05

Even though 10,000 Maniacs are no longer a household name, their music from 1981-1993 has stood the test of time since Natalie Merchant's departure in 1993. After Merchant left the band, Mary Ramsey took over singing duties and the Merchant-less band released two albums without much fanfare. This collection of hits and b-sides appropriately only features songs from the Merchant-era, so if you're a Mary Ramsey fan look elsewhere. The first disc features many of their signature songs like These Are Days, Like the Weather and their live cover of Because the Night. I was quite surprised at the number of songs from their pre-The Wishing Chair days, but they included too many from their In My Tribe breakthrough album. The second disc features b-sides, demos and a few live selections. I suppose the only true rarities are the demo versions of Can't Ignore the Train, Noah's Dove, Circle Dream and Eden, plus the previously unreleased Poppy Selling Man from the early 80's, so if you own a lot of their singles this collection might not be worth it. For those of us who weren't around to witness the impact this underrated band made, Campfire Songs is well worth the investment.

4 out of 5 stars Nice reminder.......2005-01-07

I did enjoy hearing this band on cd as I had some of their albums on cassette some years ago. Not having heard the really early stuff, I very much enjoyed being taken back to that lost period of exciting and fresh young indie bands, by the opening song, Planned Obsolescence. Some good things did come out of the 80's! There is much great material on this release and Natalie Merchant's writing has always been literate, thought provoking and insightful. I can't say I liked the covers though, the Patti Smith and Bowie numbers didn't appeal to me at all - although fine songs originally, but so what, they were a great band. I was pleased to see Verdi Cries made the final selection, but I would love to have seen some of my other favourites too, such as; Dustbowl Days, Hateful Hate and Slowest Parade from Blindman's Zoo, along with Sister Rose, Gun Shy and the excellent Campfire Song from In my Tribe. Fortunately, Like the Weather was an inclusion. All in all, it's a good solid compilation giving a nice overview of the band's work and their journey. The liner notes from each band member are enjoyable as well and if you are into the packaging, this one's very nicely done.
Reflections of Spain: Spanish Favorites for Guitar
Average customer rating: 5 out of 5 stars
  • Fuller versions of two classics
  • Exquisite music
  • beautiful reflections
  • The Best
  • Yet another Spanish guitar music....
Reflections of Spain: Spanish Favorites for Guitar
David Russell , Isaac Albeniz , Enrique Granados , Joaquin Malats , Francisco Tarrega , and Antonio Ruiz-Pipo
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

Granados, EnriqueGranados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B00005V0WV
Release Date: 2002-01-22

Tracks:

  1. Serenata espanola (Joaquin Malats)
  2. Capricho Arabe (Francisco Tarrega)
  3. Recuerdos de la Alhambra (Francisco Tarrega)
  4. Andaluza (Spanish Dance No. 5) (Enrique Granados)
  5. Danza melancolica (Spanish Dance No. 10) (Enrique Granados)
  6. La Maja de Goya (from Tonadillas al estila antiguo) (Enrique Granados)
  7. Valses poeticos - Vivace, poeticos, Tempo de vals noble, Tempo de vals lento, Allegro humoristico, Allegretto, Sentimental, Vivo, Presto (Enrique Granados)
  8. Sevilla (from Suite espanola, Op. 47) (Isaac Albeniz)
  9. Mallorca, Op. 202 (Isaac Albeniz)
  10. Asturias (from Suite espanola, Op. 47) (Isaac Albeniz)
  11. Cancion y Danza No. 1 (Antonio Ruiz-Pipo)

Amazon.com

David Russell was born in Glasgow, Scotland, but his family moved to Spain while he was still a young boy so he could study music in the birthplace of classical guitar. On Reflections of Spain, Russell plays the music of his childhood home with all the joy you would expect from someone revisiting a beloved place. Russell's formidable technique is powered by a keen intelligence and tempered by an emotional delivery. He plays chestnuts like Tarrega's "Recuerdos de la Alhambra" and Albeinez's "Austurias" with a fond intimacy that rescues them from cliché. Perhaps the finest moments on the CD are Russell's guitar arrangements of four of Granados's compositions. Although Granados wrote pieces like "Danza Melancolia" and "Andaluza" for piano, Russell's thoughtful versions remind us that the folk dances that inspired them were originally accompanied by the guitar. David Russell is one the finest classical guitarists to emerge in recent years, and his playing on Reflections of Spain is a near perfect wedding of technique and temperament. --Michael Simmons

Customer Reviews:

5 out of 5 stars Fuller versions of two classics .......2007-07-29

One additional element worth noting: David Russell plays the "full" versions of both 'Recuerdos de La Alhambra' (Tarrega) and 'Sevilla' (Albeniz)on this recording. He plays all the repeats in Recuerdos, which times out at 5:31, almost twice the length of most recordings due to the repeats. Hey, the more of Russell's liquid-smooth tremolo we get, the better! On 'Sevilla' Russell repeats the entire 'A' section at the end. Nearly all guitarists in the past (Segovia, Williams, Bream, etc. etc.) have played the piece with a curtailed A section at the end.
The Granados arrangements are wonderful. Russell's sheet music arrangements of Spanish Dances 5 and 10 and 'La Maja de Goya' are available - it's great to have a clean, modern arrangement of the Spanish Dance #10 in particular.

5 out of 5 stars Exquisite music.......2007-06-09

This is my most favorite CD. David Russell has exquisite taste and exquisite execution. He is an absolute master of the classic Spanish guitar, and he shows off this mastery in this beautiful CD. Each piece is a joy to savor. His crystalline technique makes this a superb addition to anyone's collection. You will smell the lemon blossoms in the courtyard of the Mezquita in Cordoba when you listen to this marvelous recording.

5 out of 5 stars beautiful reflections.......2006-07-07

Having just returned to England after a long spell living in Spain I was searching for an evocative suite of Spanish guitar music to accompany my extensive array of photographic studies. Being familiar with the work 'Recuerdos de la Alhambra' I was immediately attracted to this compilation: 'Reflections of Spain'. The music was a revelation. David Russel made the guitar sing lyrically, recalling many bitter sweet moments of life in Iberia. The light and shade of the choices included covered such a broad scope as to fit my purpose exactly and give enjoyment better than I could have hoped for.

5 out of 5 stars The Best.......2006-04-16

This is the best Spanish guitar CDs that I have found. Even with "Essential Guitar: 33 Guitar Masterpieces" having more tracks and two CDs, this is better material. I am not saying that "33 Guitar Masterpiece" was bad, I actually rate it second. No need to skip through "Reflections" like many other compilations of this mixed type CD. The quaility is crisp but lower overall peak (loudness) sound compared to some of my other CDs. Read reviews of other CDs of this type because there is many that have substandard recording measures. I believe this is a must for the any guitar lover!!!

5 out of 5 stars Yet another Spanish guitar music...........2006-03-09

Like every one else I have probably heard all other worthy versions of most of these tunes....I happened to find out about David Russell via reading a bio of Barrios and recommended recordings....it said...Dave Russell is the man...I had not heard of him before that...I got the CD...and WOW...!!then I got interested in his music so I bought anything I could from him including the Aire latino , plays Bach and this one....this guy was born to play the classical guitar...

This is the first artist that I hear uses proper dynamics in his performance...the rest of the pack do not nearly use the guitar as a guitar they use it just another vehicle to play a composition....David's strumming...pulling pushing the music and his singing tone is above all others...not as controled as other classical players....if people played the guitar as a guitar not as a lute..or harpsicored or a piano...then this is what it should sound like...acoustic guitar's range is very limited ...but in the hands of a master...there are no limits....
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • The greatest songs ever?
  • A musical treasure-box
  • a beautiful journey into melancholy
Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Dowland: Complete Lute Works, Vol.1-5
  2. William Byrd: Consort Songs
  3. Bach: The Landowska Recordings
  4. Britten Conducts Britten
  5. Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars The greatest songs ever?.......2007-07-26

I heard 'clear or cloudy', from this recording, on the radio recently and had to purchase it. It is strange but it is the sort of song that makes life prior to listening to it different from life after. I find it sad that so many people haven't heard it. There are also many other wonderful works in this collection. Given you get twelve well recorded CDs with top quality performances, this has to be one of the bargains of the age.

Please buy it.

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
The Story Of Brahms
Average customer rating: 5 out of 5 stars
  • great series
The Story Of Brahms

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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  1. The Story of Tchaikovsky
  2. Story Of Chopin In Words And Music
  3. The Story of Beethoven
  4. The Story of Mozart
  5. The Story Of Handel

ASIN: B000001KDB
Release Date: 1995-04-16

Tracks:

  1. Symphony No. 3 In F Major, Op. 90: Allegro con brio
  2. Piano Concerto No. 2 In B-Flat Major, Op. 83: Allegro appassionato
  3. Quintet in E-flat Major, Op. 83: Rondo
  4. Symphony No. 2 In D Major, Op. 73: Adagio non troppo
  5. Serenade, Op. 106: No. 1
  6. Violin Concerto in D Major. Op. 77: Allegro giocoso, ma non troppo vivace
  7. Symphony No. 2 In D Major, Op. 73: Allegro con spirito
  8. Capriccio in B Minor, Op. 76: No. 2
  9. Hungarian Dance No. 6 in D-flat Major
  10. Symphony No. 1 In C Minor, Op. 68: Andante sostenuto
  11. Piano Concerto No. 1 In D Minor, Op. 15: Maestoso
  12. Lullaby, Op. 49: No. 4
  13. Hungarian Dance No. 1 in G Minor
  14. Variations On A Theme By Paganini, Op. 35: Book II
  15. Rinaldo, Op. 50
  16. Waltz in A-flat Major, Op. 39: No. 15
  17. Love Song Waltzes, Op. 52: No. 1
  18. Hungarian Dance No. 5 in F-sharp Major
  19. Variations on a Theme by Haydn: Op. 56a
  20. Symphony No. 1 In C Minor, Op. 68: Excerpts
  21. Symphony No. 2 In D Major, Op. 73: Allegro non troppo
  22. Violin Concerto In D Major, Op. 77: Op. 77
  23. Academic Festival Overture: Op. 80
  24. Piano Concerto No. 2 in B-flat Major: Allegro non troppo
  25. Symphony No. 3 In F Major, Op. 90: Allegro
  26. Clarinet Quintet In B Minor, Op. 115: Allegro
  27. Tragic Overture: Op. 81
  28. Academic Festival Overture: Op. 80
  29. 9 Hungarian Dances: No. 1 in G Minor
  30. 9 Hungarian Dances: No. 2 in F Major
  31. 9 Hungarian Dances: No. 10 in E Major
  32. 9 Hungarian Dances: No. 5 in F-sharp Major
  33. 9 Hungarian Dances: No. 6 in D-flat Major
  34. 9 Hungarian Dances: No. 7 in A Major
  35. 9 Hungarian Dances: No. 17 in F-sharp Minor
  36. 9 Hungarian Dances: No. 19 in B Minor
  37. 9 Hungarian Dances: No. 21 in E Minor

Customer Reviews:

5 out of 5 stars great series.......2007-01-10

This CD along with the others in the series is very good. So far we have collected about ten different ones. They are thorough and interesting. I homeschool and it has been a great additon to our teaching materials and tools. The narrarated history format interspersed with the composer's music is key to keeping the interest of the children. A must-have for introducing classical music with historical background to your kids and at a great price on Amazon!
Mahler: The Complete Symphonies
Average customer rating: 4.5 out of 5 stars
  • Groundbreaking but partly outdated
  • Outstanding Mahler Compilation
  • Bernstein or Tennstedt: read on....
  • Comparing the two Bernstein Mahler cycles
  • Mahler complete symphonies.
Mahler: The Complete Symphonies
Dame Janet Baker , Jennie Tourel , Lili Chookasian , Martha Lipton , Israel Philharmonic Orchestra , New York Philharmonic , Hans Vollenweider , Adele Addison , Dame Gwyneth Jones , Erna Spoorenberg , Lee Venora , Lucine Amara , Reri Grist , John Mitchinson , and Richard Tucker
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Mendelssohn: 5 Symphonies; 7 Overtures
  2. Schubert: 8 Symphonies
  3. Bruckner: The Complete Symphonies
  4. Johannes Brahms: The Symphonies
  5. Dvorák: The Symphonies

ASIN: B0000589BP
Release Date: 2001-01-30

Tracks:

  1. Sym No.1 in D 'Titan': Movt I: Langsam. Schleppend. Wie Ein Naturlaut - New York Phil/Leonard Bernstein
  2. Sym No.1 in D 'Titan': Movt I: Immer Sehr Gemachlich - New York Phil/Leonard Bernstein
  3. Sym No.1 in D 'Titan': Movt I: Sehr Gemachlich - New York Phil/Leonard Bernstein
  4. Sym No.1 in D 'Titan': Movt I: Vorwats Dragend - New York Phil/Leonard Bernstein
  5. Sym No.1 in D 'Titan': Movt II: Kraftig Bewegt - New York Phil/Leonard Bernstein
  6. Sym No.1 in D 'Titan': Movt II: Trio. Recht Gemachlich - New York Phil/Leonard Bernstein
  7. Sym No.1 in D 'Titan': Movt II: Tempo Primo - New York Phil/Leonard Bernstein
  8. Sym No.1 in D 'Titan': Movt III: Feierlich Und Gemessen, Ohne Zu Schleppen - New York Phil/Leonard Bernstein
  9. Sym No.1 in D 'Titan': Movt III: A Tempo. Ziemlich Langsam - New York Phil/Leonard Bernstein
  10. Sym No.1 in D 'Titan': Movt III: Sehr Einfach Und Schlicht Wie Eine Volksweise - New York Phil/Leonard Bernstein
  11. Sym No.1 in D 'Titan': Movt III: Weider Etwas Bewegter, Wie Im Anfang - New York Phil/Leonard Bernstein
  12. Sym No.1 in D 'Titan': Movt IV: Sturmisch Bewegt - New York Phil/Leonard Bernstein
  13. Sym No.1 in D 'Titan': Movt IV: Sehr Gesangvoll - New York Phil/Leonard Bernstein
  14. Sym No.1 in D 'Titan': Movt IV: Wieder Wie Zu Angang. Sturmisch Bewegt - New York Phil/Leonard Bernstein
  15. Sym No.1 in D 'Titan': Movt IV: Sehr Langsam - New York Phil/Leonard Bernstein
  16. Sym No.1 in D 'Titan': Movt IV: Wieder Vorwarts Drangend - New York Phil/Leonard Bernstein
  17. Sym No.10, 'Adagio': Andante - New York Phil/Leonard Bernstein
  18. Sym No.10, 'Adagio': Andante Come Prima - New York Phil/Leonard Bernstein
  19. Sym No.10, 'Adagio': A Tempo (Fliessend) - New York Phil/Leonard Bernstein
  20. Sym No.10, 'Adagio': Measure 104 - New York Phil/Leonard Bernstein
  21. Sym No.10, 'Adagio': Measure 194 - New York Phil/Leonard Bernstein
  22. Sym No.10, 'Adagio': A Tempo - New York Phil/Leonard Bernstein

Tracks:

  1. Sym No.2 in c 'Resurrection': Movt I: Allegro Maestoso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  2. Sym No.2 in c 'Resurrection': Movt I: Sehr Massig Und Zuruckhaltend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  3. Sym No.2 in c 'Resurrection': Movt I: Schnell - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  4. Sym No.2 in c 'Resurrection': Movt I: Tempo I - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  5. Sym No.2 in c 'Resurrection': Movt I: Tempo Sostenuto - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  6. Sym No.2 in c 'Resurrection': Movt II: Andante Moderato - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  7. Sym No.2 in c 'Resurrection': Movt II: Energisch Bewegt - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  8. Sym No.2 in c 'Resurrection': Movt II: Wieder In's Tempo Zuruckgehen. Tempo I - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  9. Sym No.2 in c 'Resurrection': Movt III: In Ruhig Fliessender Bewegung - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  10. Sym No.2 in c 'Resurrection': Movt III: Vorwarts - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  11. Sym No.2 in c 'Resurrection': Movt III: Zum Tempo I. Zuruckkehren - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan

Tracks:

  1. Sym No.2 in c 'Resurrection': Movt IV: ' Urlicht' - Sehr Feierlich, Aber Schlicht - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  2. Sym No.2 in c 'Resurrection': Movt IV: Etwas Bewegter - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  3. Sym No.2 in c 'Resurrection': Movt V: Im Tempo Des Scherzos. Wild Herausfahrend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  4. Sym No.2 in c 'Resurrection': Movt V: Langsam - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  5. Sym No.2 in c 'Resurrection': Movt V: Im Anfang Sehr Zuruckgehalten - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  6. Sym No.2 in c 'Resurrection': Movt V: Maestoso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  7. Sym No.2 in c 'Resurrection': Movt V: Wieder Zuruckhaltend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  8. Sym No.2 in c 'Resurrection': Movt V: Sehr Langsam Und Gedehnt - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  9. Sym No.2 in c 'Resurrection': Movt V: Langsam. Misterioso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  10. Sym No.2 in c 'Resurrection': Movt V: Etwas Bewegter 'O Glaube' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  11. Sym No.2 in c 'Resurrection': Movt V: Mit Aufschwung, Aber Nicht Eilen 'O Schmerz!' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  12. Sym No.2 in c 'Resurrection': Movt V: Piu Mosso 'Sterben' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  13. Sym No.5 in c#: IV. Adagietto. Sehr Langsam - New York PO/Leonard Bernstein
  14. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Veni, Creator Spiritus! - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
  15. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Imple Superna Gratia - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
  16. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Infirma Nostri Corporis - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
  17. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Tempo I. (Allegro, Etwas Hastig) - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
  18. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Infirma Nostri Corporis - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
  19. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Accende Lumen Sensibus - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
  20. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Qui Paraclitus Deceris - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
  21. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Gloria Patri Domino - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...

Tracks:

  1. Sym No.3 in d, Part One: Movt I: Kraftig. Entschieden - John Ware
  2. Sym No.3 in d, Part One: Movt I: Langsam. Schwer - John Ware
  3. Sym No.3 in d, Part One: Movt I: Tempo I - John Ware
  4. Sym No.3 in d, Part One: Movt I: A Tempo - John Ware
  5. Sym No.3 in d, Part One: Movt I: Immer Dasselbe Tempo (Marsch). Nicht Eilen - John Ware
  6. Sym No.3 in d, Part One: Movt I: Im Alten Marschtempo (Allegro Moderato) - John Ware
  7. Sym No.3 in d, Part One: Movt I: Tempo I - John Ware
  8. Sym No.3 in d, Part Two: Movt II: Tempo Di Menuetto. Sehr Massig - John Ware
  9. Sym No.3 in d, Part Two: Movt II: A Tempo - John Ware
  10. Sym No.3 in d, Part Two: Movt II: Ganz Plotzlich Gemachlich. Tempo Di Menuetto - John Ware
  11. Sym No.3 in d, Part Two: Movt III: Comodo. Scherzando. Ohne Hast - John Ware
  12. Sym No.3 in d, Part Two: Movt III: Wieder Sehr Gemachlilch, Wie Zu Anfang - John Ware
  13. Sym No.3 in d, Part Two: Movt III: Etwas Zuruckhaltend - Sehr Gemachlich - John Ware
  14. Sym No.3 in d, Part Two: Movt III: Tempo I. Mit Geheimnisvolles Hast! - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  15. Sym No.3 in d, Part Two: Movt III: Wieder Sehr Gemachlich, Beinahe Langsam - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  16. Sym No.3 in d, Part Two: Movt IV: Sehr Langsam. Misterioso. Durchaus Ppp - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  17. Sym No.3 in d, Part Two: Movt IV: Piu Mosso Subito - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  18. Sym No.3 in d, Part Two: Movt V: Lustig Im Tempo Und Keck Im Ausdruck - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...

Tracks:

  1. Sym No.3 in d, Part Two: Movt VI: Langsam. Ruhevoll. Empfunden - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  2. Sym No.3 in d, Part Two: Movt VI: Nicht Mehr So Breit - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  3. Sym No.3 in d, Part Two: Movt VI: Tempo I. Ruhevoll! - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  4. Sym No.3 in d, Part Two: Movt VI: A Tempo (Etwas Bewegter) - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  5. Sym No.3 in d, Part Two: Movt VI: Tempo I - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  6. Sym No.3 in d, Part Two: Movt VI: Langsam. Tempo I - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  7. Three Ruckert Songs: Ich Atmet Einen Linden Duft - Jennie Tourel
  8. Three Ruckert Songs: Ich Bin Der Welt Abhanden Gekommen - Jennie Tourel
  9. Three Ruckert Songs: Um Mitternacht - Jennie Tourel
  10. Des Knaben Wunderhorn: Das Irdische Leben - Jennie Tourel
  11. Kindertotenlieder: Nun Will Die Sonn' So Hell Aufgeh'n! - Jennie Tourel
  12. Kindertotenlieder: Nun Seh' Ich Wohl, Warum So Dunkle Flammen - Jennie Tourel
  13. Kindertotenlieder: Wenn Dein Mutterlein - Jennie Tourel
  14. Kindertotenlieder: Oft Denk' Ich, Sie Sind Nur Ausgegangen - Jennie Tourel
  15. Kindertotenlieder: In Diesem Wetter! - Jennie Tourel

Tracks:

  1. Sym No.4 in G: Movt I: Bedachtig. Nicht Eilen - Reri Grist
  2. Sym No.4 in G: Movt I: Tempo I - Reri Grist
  3. Sym No.4 in G: Movt I: Wieder Wie Zu Anfang. Sehr Gemachlich, Behaglich - Reri Grist
  4. Sym No.4 in G: Movt I: Wieder Plotzlich Langsam Und Bedachtig - Reri Grist
  5. Sym No.4 in G: Movt II: In Gemachlicher Bewegung. Ohne Hast - Reri Grist
  6. Sym No.4 in G: Movt II: Nicht Eilen - Reri Grist
  7. Sym No.4 in G: Movt III: Ruhevoll - Reri Grist
  8. Sym No.4 in G: Movt III: Viel Langsamer - Reri Grist
  9. Sym No.4 in G: Movt III: Anmutig Bewegt - Reri Grist
  10. Sym No.4 in G: Movt III: Andante - Reri Grist
  11. Sym No.4 in G: Movt III: Vorwarts. Poco Piu Mosso - Reri Grist
  12. Sym No.4 in G: Movt IV: Sehr Behaglich - Reri Grist
  13. Sym No.4 in G: Movt IV: Wieder Lebhaft - Reri Grist
  14. Sym No.4 in G: Movt IV: Tempo I. Sehr Zart Und Geheimnisvoll Bis Zum Schluss - Reri Grist

Tracks:

  1. Sym No.5 in c#: Part I: I. Trauermarsch. In Gemessenem Schritt. Streng. Wie Ein Kondukt - New York Phil/Leonard Bernstein
  2. Sym No.5 in c#: Part I: II. Sturmisch Bewegt. Mit Grosster Vehemenz - New York Phil/Leonard Bernstein
  3. Sym No.5 in c#: Part II: III. Scherzo. Kraftig, Nicht Zu Schnell - James Chambers
  4. Sym No.5 in c#: Part III: IV. Adagietto. Sehr Langsam - New York Phil/Leonard Bernstein
  5. Sym No.5 in c#: Part III: V. Rondo-Finale. Allegro - New York Phil/Leonard Bernstein

Tracks:

  1. Sym No.6 in a 'Tragic': I. Allegro Energico, Ma Non Troppo (Heftig, Aber Markig) - New York Phil/Leonard Bernstein
  2. Sym No.6 in a 'Tragic': II. Scherzo. Wuchtig - New York Phil/Leonard Bernstein
  3. Sym No.6 in a 'Tragic': III. Andante Moderato - New York Phil/Leonard Bernstein
  4. Sym No.6 in a 'Tragic': IV. Finale. Allegro Moderato - Allegro Energico - New York Phil/Leonard Bernstein

Tracks:

  1. Sym No.7 in e: Movt I: Langsam (Adagio) - Raymond Sabinsky
  2. Sym No.7 in e: Movt I: Nicht Schleppen - Raymond Sabinsky
  3. Sym No.7 in e: Movt I: Allegro Risoluto, Ma Non Troppo - Raymond Sabinsky
  4. Sym No.7 in e: Movt I: A Tempo (Sempre L'istesso) - Raymond Sabinsky
  5. Sym No.7 in e: Movt I: Subito Allegro I. Ziemlich Ruhig - Raymond Sabinsky
  6. Sym No.7 in e: Movt I: Adagio (Tempo Der Einleitung) - Raymond Sabinsky
  7. Sym No.7 in e: Movt I: Maestoso. Allegro Come Prima - Raymond Sabinsky
  8. Sym No.7 in e: Movt II: Nachtmusik I. Allegro Moderato - Raymond Sabinsky
  9. Sym No.7 in e: Movt II: Sempre L'istesso Tempo. Nicht Eilen, Sehr Gemachlich - Raymond Sabinsky
  10. Sym No.7 in e: Movt II: Tempo - Raymond Sabinsky
  11. Sym No.7 in e: Movt III: Scherzo. Schattenhaft, Fliessend, Aber Nicht Zu Schnell - Raymond Sabinsky
  12. Sym No.7 in e: Movt III: Trio - Raymond Sabinsky
  13. Sym No.7 in e: Movt III: Wieder Wie Zu Anfang (Nicht Eilen) - Raymond Sabinsky
  14. Sym No.7 in e: Movt IV: Nachtmusik II. Andante Amoroso - Raymond Sabinsky
  15. Sym No.7 in e: Movt IV: (Figure 197) - Raymond Sabinsky
  16. Sym No.7 in e: Movt V: Rondo-Finale. Tempo I (Allegro Ordinario) - New York Phil/Leonard Bernstein
  17. Sym No.7 in e: Movt V: Gemessen! Nicht Schnell! Tempo II (Allegro Moderato Ma Energico) - New York Phil/Leonard Bernstein
  18. Sym No.7 in e: Movt V: Tempo I (Halbe Wie Die Viertel Des Tempo I) - New York Phil/Leonard Bernstein
  19. Sym No.7 in e: Movt V: Sempre L'istesso Tempo - New York Phil/Leonard Bernstein

Tracks:

  1. Kindertotenlieder: Nun Will Die Sonn' So Hell Aufgeh'n! - Janet Baker
  2. Kindertotenlieder: Nun Seh' Ich Wohl, Warum So Dunkle Flammen - Janet Baker
  3. Kindertotenlieder: Wenn Dein Mutterlein - Janet Baker
  4. Kindertotenlieder: Oft Denk' Ich, Sie Sind Nur Ausgegangen - Janet Baker
  5. Kindertotenlieder: In Diesem Wetter! - Janet Baker
  6. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Veni, Creator Spiritus! - LSO/Leonard Bernstein
  7. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Imple Superna Gratia - LSO/Leonard Bernstein
  8. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Infirma Nostri Corporis - LSO/Leonard Bernstein
  9. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Tempo I. (Allegro, Etwas Hastig) - LSO/Leonard Bernstein
  10. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Infirma Nostri Corporis - LSO/Leonard Bernstein
  11. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Accende Lumen Sensibus - LSO/Leonard Bernstein
  12. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Qui Paraclitus Diceris - LSO/Leonard Bernstein
  13. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Gloria Patri Domino - LSO/Leonard Bernstein

Tracks:

  1. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Poco Adagio - LSO/Leonard Bernstein
  2. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Piu Mosso. (Allegro Moderato) - LSO/Leonard Bernstein
  3. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Waldung, Sie Schwankt Heran - Leeds Festival Chor/London Sym Chor
  4. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Ewiger Wonnebrand - Vladimir Ruzdjak
  5. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Wie Felsenabgrund Mir Zu Fussen - Donald McIntyre
  6. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Gerettet Ist Das Edle Glied - Leeds Festival Chor/London Sym Chor/Highgate School Boys Choir
  7. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Jene Rosen, Aus Den Handen - Leeds Festival Chor/London Sym Chor
  8. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Uns Bleibt Ein Erdenrest - Leeds Festival Chor/London Sym Chor
  9. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Ich Spur' Soeben - Leeds Festival Chor/London Sym Chor
  10. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Hier Ist Die Aussicht Frei/Freudig Empfangen Wir - John Mitchinson
  11. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Hochste Herrscherin Der Welt - John Mitchinson
  12. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Jungfrau, Rein Im Schonsten Sinne - John Mitchinson/Leeds Festival Chor/London Sym Chor
  13. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Aussert Langsam. Adagissimo - LSO/Leonard Bernstein
  14. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Dir, Der Uberuhrbaren/Du Schwebst Zu Hohen - Gwyneth Jones
  15. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Bei Der Liebe, Die Den Fussen - Erna Spoorenberg
  16. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Bei Dem Bronn, Zu Dem Schon Weiland - Anna Reynolds
  17. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Bei Dem Hochgeweihten Orte - Norma Procter
  18. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Die Du Grossen Sunderinnnen - Erna Spoorenberg/Anna Reynolds/Norma Procter
  19. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Neige, Neige, Du Ohnegleiche - Gwyneth Jones
  20. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Er Uberwachst Uns Schon - Highgate School Boys Chor
  21. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Vom Edlen Geisterchor Umgeben - Gwyneth Jones
  22. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Komm! Hebe Dich Zu Hohern Spharen! - Gwenyth Annear
  23. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Blicket Auf Zum Retterblick - John Mitchinson
  24. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Alles Vergangliche - Leeds Festival Chor/London Sym Chor

Tracks:

  1. Sym No.9 in D: Movt I: Andante Comodo - New York Phil/Leonard Bernstein
  2. Sym No.9 in D: Movt I: Etwas Frischer - New York Phil/Leonard Bernstein
  3. Sym No.9 in D: Movt I: Tempo I Subito - New York Phil/Leonard Bernstein
  4. Sym No.9 in D: Movt I: Mit Wut. Allegro Risoluto - New York Phil/Leonard Bernstein
  5. Sym No.9 in D: Movt I: Schattenhaft - New York Phil/Leonard Bernstein
  6. Sym No.9 in D: Movt I: Wie Von Anfang - New York Phil/Leonard Bernstein
  7. Sym No.9 in D: Movt I: Plotzlich Bedeutend Langsamer (Lento) Und Leise - New York Phil/Leonard Bernstein
  8. Sym No.9 in D: Movt I: Schon Ganz Langsam - New York Phil/Leonard Bernstein
  9. Sym No.9 in D: Movt II: Im Tempo Eines Gemachlichen Landlers. Etwas Tappisch Und Sehr Derb - New York Phil/Leonard Bernstein
  10. Sym No.9 in D: Movt II: Poco Piu Mosso Subito (Tempo II) - New York Phil/Leonard Bernstein
  11. Sym No.9 in D: Movt II: Tempo III - New York Phil/Leonard Bernstein
  12. Sym No.9 in D: Movt II: A Tempo II - New York Phil/Leonard Bernstein
  13. Sym No.9 in D: Movt II: Tempo I - New York Phil/Leonard Bernstein
  14. Sym No.9 in D: Movt II: Tempo II - New York Phil/Leonard Bernstein
  15. Sym No.9 in D: Movt II: Tempo I Subito - New York Phil/Leonard Bernstein
  16. Sym No.9 in D: Movt III: Rondo - Burleske. Allegro Assai. Sehr Trotzig - New York Phil/Leonard Bernstein
  17. Sym No.9 in D: Movt III: L'istesso Tempo - New York Phil/Leonard Bernstein
  18. Sym No.9 in D: Movt III: Sempre L'istesso Tempo - New York Phil/Leonard Bernstein
  19. Sym No.9 in D: Movt III: Nicht Eilen - New York Phil/Leonard Bernstein
  20. Sym No.9 in D: Movt III: Piu Stretto - New York Phil/Leonard Bernstein
  21. Sym No.9 in D: Movt IV: Adagio. Sehr Langsam Und Noch Zuruckhaltend - New York Phil/Leonard Bernstein
  22. Sym No.9 in D: Movt IV: Plotzlich Wieder Langsam (Wie Zu Anfang) Und Etwas Zogernd - New York Phil/Leonard Bernstein
  23. Sym No.9 in D: Movt IV: Molto Adagio Subito - New York Phil/Leonard Bernstein
  24. Sym No.9 in D: Movt IV: A Tempo (Molto Adagio) - New York Phil/Leonard Bernstein
  25. Sym No.9 in D: Movt IV: Stets Sehr Gehalten - New York Phil/Leonard Bernstein
  26. Sym No.9 in D: Movt IV: Fliessender, Doch Durchaus Nicht Eilend - New York Phil/Leonard Bernstein
  27. Sym No.9 in D: Movt IV: Tempo I. Molto Adagio - New York Phil/Leonard Bernstein
  28. Sym No.9 in D: Movt IV: Adagissimo - New York Phil/Leonard Bernstein

Amazon.com

For many of us, Leonard Bernstein's first Mahler cycle for CBS (compiled here, remastered and cheaper than ever) has stood the test of time since it initially came out on LP in the late 1960s. Upon completing this traversal of nine symphonies (and the "Adagio" movement from the unfinished 10th), Lenny and the New York Philharmonic achieved something no one else had and proved that Mahler was, simply put, worth recording in the first place. It's still a marvelous set of recordings that belongs in every record collection.

Using the same budgeted design as on their (surprisingly pricey) Original Jacket series of box sets, Sony has unleashed a true bargain here: 12 CDs that average a little over five bucks a pop. Lenny's second cycle for Deutsche Grammophon may boast greater sonics, plenty of wonderful moments, and the complete song cycles, but it costs more than twice as much. Here, we get a younger Lenny, sounding fresh and expressive and delivering still-unparalleled interpretations of the First, Third, Seventh, Eighth, and Ninth, and pretty great performances of the rest. The intensity on these discs is infectious and the price can't be beat. A must-have. --Jason Verlinde

Customer Reviews:

3 out of 5 stars Groundbreaking but partly outdated.......2007-03-26

Recorded 1960-67, this is the first complete cycle of Mahler's numbered symphonies (1-9 + no. 10 Adagio), and, as such, an essential purchase. Add Bernstein's 1966 classic recording of Das Lied von der Erde (Decca), and you get a piece of recording history: the development of the Mahler boom in the sixties.

How do these recordings stand today? The interpretations of the third, fourth, and seventh are very fine, even exceptional, and, despite their age, the recordings are sonically impressive as well. NYPO plays marvellously. The seventh, in particular, is a reference disc.

The remaining recordings are not really for the desert island, however. The fifth, for instance, is very unsuccessful and badly recorded too. Bernstein's later account on DG is clearly an improvement. The same holds for the second symphony, which you also find on DG in a later, much improved and moving interpretation. But here we have also a crowded field of classic performances, such as Klemperer's second (EMI) and Walter's fifth (SONY). Both are preferable to Bernstein's recordings, old or new.

The first, sixth, eight and ninth are quite good but not exceptional. No one beats Kubelik's first (DG). Mitropoulos (BMG Great Conductors) and Barbirolli (EMI) own the sixth. The eight - well, here we have Horenstein (BBC) and Mitropoulos (Orfeo) as classic, first choices. And for the ninth, Ancerl (Supraphon), Barbirolli (EMI), Klemperer (EMI) and Walter (SONY) sound far more attractive and fresh than Bernstein's mannered account.

If you're a collector this box is of course essential - regardless all critical considerations. But if you just look for an excellent and consistent Mahler box, go for Gary Bertini's cycle on EMI, which you get for a super-bargain price. It's a contemporary and future classic.

Thus I recommend a pick of individual Bernstein SONY CDs: the third, the fourth and the seventh. Add his fifth and second from his DG recordings, and his 1966 Das Lied von der Erde (Decca). These recordings are what I take to be the "essentials" of the Bernstein Mahler legacy.

5 out of 5 stars Outstanding Mahler Compilation.......2007-01-29

I think is very important for a Mahler Fan to hear carefully all his work. This compilation allows you to enjoy that experience. A better sound quality for some symphonies could be a great plus, but you have to consider that this is a remasterized old record.

Leonard Bernstein just express the true passion that Mahler put on his work. It's incredible that (using the 8ve Symphony as an example) with fewer instruments than in the Abbado version, the feeling is even better. Simply outstanding.

Great price, great compilation. Lot of Mahler.

5 out of 5 stars Bernstein or Tennstedt: read on...........2006-07-12

If the only way you could obtain the Mahler Symphonies was by buying a box containing them all by one conductor, then this would be my second choice, or my first!; my first (or second)would be the Tennstedt set. It's a close call thoughout - a 'swings and roundabouts' situation, but if Bernstein's was the one and only then I would be happy enough. Actually if you want a truly satisfying Mahler Symphonies collection then the two sets together sitting side by side on your CD shelf would be pretty well ideal, as I believe that the legacy of recordings by these two great men are nowhere surpassed (save Horenstein in the Fourth, Barbirolli in the Sixth and Rudolf Schwarz in the Fifth). As to comparisons between individual symphonies, the following would be my first choice:

No. 1 Bernstein. More poetic and earthy than T and my very first choice out of the dozens of others I've heard.
2 Bernstein. Simply the greatest Mahler 2; T is earthbound by comparison.
3 Tennstedt. Actually this is a tougher one to decide as B is marginally better in the first movement and he produces the best sixth movement of any version I've heard. Overall T has it, partly due to the excellent sound quality.
4 Overall B is better but there are so many points of comparison to take into consideration that it's a tough one to decide. T has the better soloist in the finale. My far-and-away first choice in the Fourth is Horenstein on EMI/CfP.
5 Tennstedt. Bernstein's CBS Fifth was the weakest link. However, Rudolf Schwarz (Everest) produces the very finest Fifth:
I always maintain that you can tell pretty much straight away when a Mahler conductor gets it right and Schwarz gets it 100%
6 Tennstedt. From the angry crunching heavy tread of the opening through to the nightmare ending, this is a very dark view of the Sixth, but it works. Barbirolli on EMI is my definite first choice in the Sixth. Bernstein's quick-march approach sounds like parody.
7 Bernstein. Nobody has produced a better Seventh and probably never will. T's version is very good though and I think he out-performs all other competition.
8 This one is the hardest of all to separate, but in the end I opt for Bernstein as his version as the feel of a live performance and the recording is almost as good as T's digital one.
9 Bernstein. Again my favourite version. T's weakest link of his whole set.
So Bernstein scores more points, but take into account the generally better sound of the Tennstedt set (especially in nos. 3,5,6) and things are evened up slightly. My advice overall? Go for both sets; at the asking prices you will have a superb Mahler Symphonies collection which will last you a lifetime. But don't forget those other versions of 4, 5 and 6. A point about sound quality: most of the above are analogue recordings, made many years ago, but across the board they are in almost every way superior to most modern digital ones (though to be fair one or two are not so great). I have a very good stereo system which reproduces very neutral sound; what goes in at the CD player end comes out unchanged at the loudspeaker end and so what I hear is the 'real thing'. For example Bernstein's 2 is stunning. One of the very best is the oldest of them all - Schwarz's Fifth, made in 1958. Maybe the art of recording has been replaced by science (and not for the better)? In the final analysis, to my mind the above versions render most of the rest of the Mahler symphonies discography redundant and surplus to requirements.

5 out of 5 stars Comparing the two Bernstein Mahler cycles.......2006-06-27

Most buyers aren't in the market for a complete Mahler cycle by a single conductor, but if they were, the two from Bernstein contain many great performances. I've reviewed the contents of this Sixties cycle on Sony and the later one from the Eighties (contianing many live performances) on DG, taking them one symphony at a time. But it's worthwhile to give a sense of the strongest and weakest parts of each set.

Cycle #1:

By general consensus the performance of Sym. #3 is one of the glories of this cycle and perhaps the most inspired Mahler condcuting Bernstein did on disc. It has all the freshness of discovery--LB was new to Mahler in 1961. Sony's 20-bit remastering makes the original analog sound quite good. In fact, there's no need to fear the sound quality of these NY Phil. recordings, none of which are bad. Expect the deep sound stage and wide stereo separation that Columbia Records favored at the time.

Bernstein also put his stamp on Sym. #7 in such a way that no one would ever hear it the same again. Previously, 'The Song of the Night,' as this work was dubbed, had almost no life either on disc or the concert stage (a Mahler champion as prominent as Bruno Walter never performed it). Not only did LB prove that this was coherent music, he made an unforgettable drama out of the Seventh. This is his signature recording of the work.

Two other great performances stand out: Sym. #2 and #4, each rendered with amazing imagination and a huge range of emotions. The accusation that LB went over the top in the Second is unjustified--he is often tender and delicate--but there's no doubt that he takes an apocalyptic view of the finale. Whatever you think about his approach, he single-handedly revolutionized the way that the Resurrection Sym. was played. In Sym. #4 the classic recording was by Bruno Walter, but LB added more depth, imaginaiton, and excitement. Lyric soprano Reri Grist has come in for a good deal of criticism in the vocal finale, but I think she fits beautifully into LB's overall conception.

In the middle of the pack, as it were, we get LB's readings of Sym. #1 and #9. He went on to conduct greater readings of both works, especially the Ninth. In person LB's First was a real showpiece, but somehow Sony's sonics are not up to the conductor's vision. In the cse of the Ninth, the NY version would qualify as an outstanding performance if there weren't so many truly great ones from Karajan, Bruno Walter, James Levine, and Barbirolli, among others. Bernstein himself would add two of the greatest, both on DG.

I find a few problems wiht Sym. #5, #6, and #8 in the first cycle. For many critics all three are great recordings. For some reason, I have never warmed up to either of LB's versions of Sym. #5, where for once he does manipulate and exaggerate to the point that the spirit of the work seems lost in histrionics. Sym. #6 is too brisk in the first movement to let the music expand to its visionary potential, and in the other movements Bernstein seems less expressive than he could be. The Eighth is unmathced in the excitement and joyousness of Part 1, and for some listeners the whole symphony remains on that exalted level. I find that LB is too studied in Part 2, and my attention wasn't held. He does elicit very beautiful singing and playing, however. It should be noted that this performance is with the London Sym. and a host of fine English singers.

To the end of his life Bernstein resisted Deryck Cooke's completion of the Tenth Sym., agreeing to conduct only the shattering Adagio. which Mahler had essentially finished in full score. Bernstein's reading with the NY Phil. is one of the most searing accounts this magnificent fragment has ever received, equaled by his later live reading with the incomparable Vienna Phil.

Cycle #2:

It should be said right off that DG's digital sonics are in a different league from what LB got in New York. Even though several venues were involved (Vienna, Amsterdam, New York), and many recordings were under live concert conditions, the DG engineers triumphed. They favor closer mike posiitons, solo highlighting, and a vivid sound stage compared to their predecessors in New York. As to the interprettions, with a few exceptions--the most prominent being Sym. #6--Bernstein did not drastically change his views from the first cycle, and in some cases the readings feel almost identical (Sym. #2 and #7, for example).

The most interest centers on the works where LB clearly outdoes his younger self. At the top of the list I would put Sym. #6 and #9. In the former he achieved one of the classic Mahler reacordings of the modern era. His Sixth has slowed down by 2 min. in the first movement, giving the music room to expand properly. The Andante is heartbreaking and heartwarming at the same time. The finale is an explosion of genius on Mahler's part that LB resonates with perfectly. Almost the same can be said of the Ninth, where the conducting reaches deeply moving areas of expression. The finale is drastically slow (as is Levine's, to similar devastating effect), which some critics find excessive. But it's a truism that no tempo is right or wrong; everything depends upon being drawn into the world of the music. LB achieved a great Ninth but would surpass himself with a live performance from Berlin in 1979, also on DG.

Almost as great is Sym. #1, which on DG receives a flawless performance packed with excitement. I'm not sure that LB's reading actually changed, but the superlative sonics and the spine-tingling playing of the Concertgebiuw weren't matched in New York.

The next thing to ask is where Bernstein fell short of his earlier versions. The Sym. #2, #3, and #4 from New York were one of a kind, representing LB's early and most exciting explorations of Mahler's world. Their counterparts on DG are also strong, but I don't think they rise to the heights he achieved earlier. The only sharp criticism I have is with the use of a boy soprano in the finale of the Fourth; musical as he is, a boy is too undeveloped to capture what Mahler intended. It should be said, however, that if the earlier NY versions didn't exist, these would be outstanding performances.

I feel much the same about Sym. #7, where LB's first recording set a standard that only two or three rivals have come close to, but his DG remake, which was a return to the NY Phil. in oncert from Lincoln Center(as are Sym. #2 and #3), feels fractionally less overwhelming. It's in better sound, however. The one symphony I can't compare is the Fifth, which doesn't satisfy me in either cycle. The DG version with the Vienna Phil. convinces many listeners, and some critics call in unsurpassable, but I am not on its wavelength.

That leaves Sym. #8, which Bernstein didn't live to record for commercial release. DG reached into its vaults for a live 1975 radio tape from Vienna, and although it has flaws in execution, including some rough singing in Part 2, LB's conducting is superlative, more ocmpelling than his version from London. Paired with this symphony is a 1974 reading of the Adagio from Sym. #10, also with the Vienna Phil. As you'd expect, it's an inspired, searing reading, just like the NY version.

How ot sum up? If money were no object, I'd own both cycles for the pleasure of Bernstein's unqiue inspiration. If I had to pick and choose, I'd take Sym. #2, #3, and #4 from New York, Sym. #8 from London, and the rest form the DG cycle.



5 out of 5 stars Mahler complete symphonies........2006-02-24

"Mahler was an altogether great man" -One who also knows a thing or two.
Classical Masterpieces of the Millennium [20 CD Set]
Average customer rating: 4.5 out of 5 stars
  • Mill. Classical review
  • classical music for the unitiated
  • Some little gems there that I had forgotten!
  • A very helpful collection
  • Excellent!
Classical Masterpieces of the Millennium [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

DancesDances | Ballets & Dances | Classical | Styles | Music
MazurkasMazurkas | Ballets & Dances | Classical | Styles | Music
MinuetsMinuets | Ballets & Dances | Classical | Styles | Music
PolkasPolkas | Ballets & Dances | Classical | Styles | Music
WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
QuartetsQuartets | Chamber Music | Classical | Styles | Music
QuintetsQuintets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
Ravel, MauriceRavel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
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All Works by Robert SchumannAll Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
Strauss Jr., JohannStrauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
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Serenades & DivertimentosSerenades & Divertimentos | Forms & Genres | Classical | Styles | Music | Divertimentos
Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
ImpromptusImpromptus | Short Forms | Forms & Genres | Classical | Styles | Music
NocturnesNocturnes | Short Forms | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Sonatas | Forms & Genres | Classical | Styles | Music
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Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
IntermezzosIntermezzos | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
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ASIN: B00000K1C9
Release Date: 1999-08-24

Tracks:

  1. Brandenbutg Concerto No.3 In G First Movement
  2. Overture No.3 In D Second Movement
  3. Violin Concerto In E First Movement
  4. Prelude In C minor
  5. Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
  6. Overture No.2 In B minor Minuet And Badinerie
  7. Oboe Concerto In D minor Second Movement
  8. Brandenburg Concerto No.4 In G Third Movement
  9. Musical Offering - Fuga canonica
  10. Easter Oratorio - Overture
  11. Minuet In D minor
  12. Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
  13. Brandenburg Concerto No.1 In F Second Movement
  14. Art Of The Fugue - Contrapunctus 9
  15. Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
  16. Overture No.4 In D - Réjouissance
  17. Concerto No. 1 in E: Spring
  18. Concerto No. 1 in E: Spring
  19. Concerto No. 1 in E: Spring
  20. Concerto No. 2 in G minor: Summer
  21. Concerto No. 2 in G minor: Summer
  22. Concerto No. 2 in G minor: Summer
  23. Concerto No. 3 in F: Autumn
  24. Concerto No. 3 in F: Autumn
  25. Concerto No. 3 in F: Autumn
  26. Concerto No. 4 in F minor: Winter
  27. Concerto No. 4 in F minor: Winter
  28. Concerto No. 4 in F minor: Winter
  29. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  30. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  31. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  32. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  33. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  34. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  35. Concerto Grosso in A minor, Op. 3, no. 8
  36. Concerto Grosso in A minor, Op. 3, no. 8
  37. Concerto Grosso in A minor, Op. 3, no. 8
  38. Water Music - Alla Hornpipe
  39. Xerxes - Ombra Mai Fu (Largo)
  40. Messiah - And The Glory Of The Lord
  41. Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
  42. Organ Concerto In F, Op. 4, No. 4 Allegro
  43. Water Music - Air
  44. Messiah - For Unto Us A Child Is Born
  45. Concerto Grosso In B flat, Op. 3, No. 2 - Largo
  46. Salomon - Sinfonia, Act 3
  47. The Choice Of Hercules - While For Thy Arms
  48. Water Music - Allegro (Suite No. 1)
  49. Suite No. 5 In E - Air With Variations
  50. Jephtha - How Dark, O Lord
  51. Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
  52. Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
  53. Water Music - Andante Allegro Da Capo
  54. Concerto for Trumpet & Orchestra in E-flat: First Movement
  55. Symphony No. 94 in G: Surprise Symphony-second movement
  56. Concerto for Violin No. 2 in D: Third Movement
  57. Flute Trio No. 31 in G: Second Movement
  58. Symphony No. 31 in D: Hornsignal-First Movement
  59. String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
  60. Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
  61. Concerto for 2 Horns & Orchestra in E-flat: Second Movement
  62. Symphony No. 88 in G: Fourth Movement
  63. String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
  64. Notturno No. 1 in C: Second Movement
  65. Symphony No. 98 in B: Londoner No. 4-Fourth Movement
  66. Eine Kleine Nachtmusik - first movement
  67. Piano Concerto in A - second movement
  68. Flute Concerto in D - Rondeau
  69. Serenade - Minuet
  70. Violin Concerto - first movement
  71. Symphony No. 40 in G minor - first movement
  72. Clarinet Concerto - second movement
  73. Turkish March
  74. Divertimento - Minuet
  75. Horn Concerto No. 3 in E-flat - first movement
  76. Symphony No. 5 in C minor, Op. 67-First Movement
  77. Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
  78. Overture
  79. O welche Lust (Prisoners' Chorus)
  80. Ha, welch ein Augenblick (Pizarros's Aria)
  81. Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
  82. Concerto for Violin and Orchestra in D, Op. 61: Third Movement
  83. Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
  84. Sympony No. 6 in F, Op. 68: Pastorale-First Movement
  85. Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
  86. German Dance No. 1 In C
  87. Impromptu Op. 90, No. 3 In G-Flat
  88. Heidenroslein
  89. Ave Maria
  90. Der Lindenbaum
  91. Quintet In A 'Trout Quintet' - Andante
  92. Mass No. 6 In E-Flat - Kyrie
  93. Die Schone Mullerin Des Mullers Blumen
  94. German Dance No. 2 In G
  95. Piano Sonata In B-Flat
  96. Nachtgesang Im Walde
  97. Winterreise - No. 15: Die Krahe
  98. German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
  99. Symphony No. 8 In B Minor 'Unfinished' - Second Movement
  100. Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
  101. Nocturne in E-flat, Op. 9, no. 2
  102. Etude in G-flat, Op. 10, no. 5
  103. Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
  104. Mazurka in D minor, Op. 33, no. 2
  105. Prelude in D-flat, Op. 28, no. 15 Raindrop
  106. Etude in C, Op. 10, no. 1
  107. Nocturne in D-flat, Op. 27, no. 2
  108. Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
  109. Scherzo in B minor, Op. 20
  110. Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
  111. Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
  112. Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
  113. Violin Concerto - second movement
  114. The Sleeping Beauty - Waltz
  115. Capriccio Italien, Op. 45
  116. Swan Lake - Waltz
  117. Eugene Onegin - Polonaise
  118. The Nutcracker - Waltz of the Flowers
  119. Orchestral Suite No. 4 - Mozartiana - Third Movement
  120. Swan Lake - Dance of the Swans
  121. Symphony No. 6 in B minor - Pathétique - Third Movement
  122. Hungarian Dance No.5
  123. Lullaby
  124. Symphony No.1 in C minor, Op. 68 - Third Movement
  125. Intermezzo in E-flat, Op.117, no. 1
  126. Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
  127. Waltz, Op. 39, no. 15
  128. Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
  129. String Quintet in G, Op. 111 - Second Movement
  130. Symphony No.4 in E minor, Op. 98 - Third Movement
  131. Intermezzo in A minor, Op. 76, no. 7
  132. Hungarian Dance No.1 in G minor
  133. German Requiem Selig sind die Toten (Final Chorus)
  134. Die Fledermaus - Overture
  135. Kaiser Waltz, Op.437
  136. Thunder And Lightning Polka, Op. 324
  137. Roses From The South Waltz, Op. 388
  138. AnnenPolka, Op. 117
  139. Vienna Blood Waltz, Op. 354
  140. Eljen A Magyar Polka, Op. 332
  141. Wine, Women and Song Waltz, Op. 333
  142. On The Beautiful Blue Danube Waltz, Op. 134
  143. Die Meistersinger Von Nurnberg - Overture
  144. Tannhauser - Die Pilger sind's (Pilgims' Chorus)
  145. Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
  146. Lohengrin - Act 3 Prelude and Bridal Chorus
  147. The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
  148. The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
  149. Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
  150. Die Walkure - Ride of the Valkyries
  151. Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
  152. Tristan und Isolde - Liebestod
  153. Thus sprach Zarathustra, Op. 30 (excerpt)
  154. Don Juan, Op. 20
  155. Eine Alpensinfonie, Op. 64, I.Nacht
  156. Don Quixote, Op.35, first movement: Introduction
  157. Salome, Op. 54, Dance Of The Seven Veils
  158. Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
  159. Piano Concerto 2 In C minor, Op. 18 - First Movement
  160. Vocalise, Op.34, No. 14
  161. Prelude In G Sharp minor, Op. 32, No. 12
  162. Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
  163. Symphony No. 2 In E minor, Op. 27 - Third Movement
  164. Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
  165. Rhapsody, Op. 43 On A Theme By Paganini
  166. Hungarian Rhapsody No.2
  167. Liebestraum No.3 in A-flat
  168. Piano Concerto No.1 in E-flat - third movement
  169. Angelus
  170. Mephisto Waltz No.1 (Dance in a Village Tavern)
  171. Prelude and Fugue on B-A-C-H
  172. Dante Symphony - Finale. - Purgatorio - Magnificat
  173. Les Préludes
  174. Boléro
  175. Daphnis et Chloé first movement: Nocturne
  176. Rhapsodie Espagnole
  177. Shéhérazade - first movement: Asie
  178. Ma Mère l'Oye - fourth movement: La Belle et la Bête
  179. Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
  180. La Valse
  181. Slavic Dance No. 1 in C, Op. 46, no.1
  182. Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
  183. Humoresque, Op. 101
  184. Slavic Dance No. 8 in G minor, Op. 46, no. 8
  185. Serenade for String Orchestra, Op. 22 - second movement
  186. Romance for Violin and Orchestra In F minor, Op. 11
  187. Symphony No. 7 in D minor - third movement
  188. Melodie (Songs My Mother Taught Me)
  189. Carneval Overture, Op. 92
  190. Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
  191. Symphony No.4 In A, Op. 90. Italian - First Movement
  192. Frühlingslied In A, Op. 62, No. 6
  193. Wedding March (From A Midsummer Night's Dream, Op.61)
  194. Duetto In F, Op.30, No.6 (From Songs Without Words)
  195. String Symphony No.9 In C. Schweitzer Symphony - Third Movement
  196. Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
  197. Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
  198. Notturno (From A Midsumment Night's Dream, Op. 61)
  199. Rondo Capriccioso, Op.14
  200. String Symphony No. 12 In G minor - First Movement
  201. Venetian Gondola Song In F Sharp minor, Op.30, No.6
  202. Scherzo (From A Midsumment Night's Dream, Op. 61)
  203. Violin Concerto In E minor, Op.64 - Third Movement
  204. Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
  205. Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
  206. Holberg Suite, Op. 40 - IV. Air. Andante religioso
  207. Arietta, Op. 12, no. 1
  208. Homage March from Sigurd Jorsalfar, Op. 56
  209. Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
  210. Wedding Day at Troldhauen, Op. 65, no. 6
  211. The Last Spring, Op. 34, no. 2
  212. Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
  213. Nordic Melody Op. 63
  214. Notturno, Op. 54, no. 4
  215. Elegie, Op. 47, no. 5
  216. Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
  217. Piano Concerto in A minor, Op. 16 - Allegro
  218. Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
  219. Traumerai (from Kinderszenen, Op. 15)
  220. Mondnacht (from Eichendorff-Liederkreis, Op. 39)
  221. Aufschwung (from Fantasietucke, Op. 12)
  222. Triolett, Op. 114, no. 2
  223. Tanzlied (No. 1 from Duets, Op. 78)
  224. Symphony No. 4 in D minor, Op. 120 - second movement
  225. Frühlingsgruss
  226. Abschied (from Waldszenen Op. 82)
  227. Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
  228. Manfred Overture, Op. 115
  229. Romance in F sharp, Op. 28, no. 2
  230. Die Rose stand im Tau
  231. Liebesgarten (from Four Duets, Op. 34)
  232. Warum? (from Fantasiestucke, Op. 12)
  233. Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
  234. Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

4 out of 5 stars Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

4 out of 5 stars classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

4 out of 5 stars Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

5 out of 5 stars A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

5 out of 5 stars Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Ultimate Guitar Collection
Average customer rating: 5 out of 5 stars
  • Like a rainy day in a good bookstore
  • Not "Ultimate", but Wonderful!
  • Everyone would love this album!
  • Incredible
  • One well worth the price of two
Ultimate Guitar Collection

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Albeniz, Mateo Pérez deAlbeniz, Mateo Pérez de | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by DowlandAll Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by FallaAll Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
Granados, EnriqueGranados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TarregaAll Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
Villa-Lobos, HeitorVilla-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Sonatas | Forms & Genres | Classical | Styles | Music
SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
LuteLute | Instruments | Early Music | Historical Periods | Classical | Styles | Music
GeneralGeneral | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
PianoPiano | Keyboard | Instruments | Classical | Styles | Music
GuitarGuitar | Strings | Instruments | Classical | Styles | Music
LuteLute | Strings | Instruments | Classical | Styles | Music
Bream, JulianBream, Julian | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
BarcarollesBarcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music
Classical Instrumental MusicClassical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:
  1. Julian Bream: The Ultimate Guitar Collection-Volume 2
  2. Essential Guitar: 33 Guitar Masterpieces
  3. 300 Years of Guitar Masterpieces
  4. Baroque Guitar
  5. Classic Williams: Romance of the Guitar

ASIN: B00000I9M1
Release Date: 1999-03-09

Tracks:

  1. Allegro Giusto
  2. Largo
  3. Allegro
  4. Packington's Pound
  5. Greensleeves
  6. Fantasia 'A Fancy'
  7. Canarios
  8. Sonata In D
  9. Leyenda (Asturias)
  10. The Three Cornered Hat: The Millar's Dance
  11. Recuerdos De La Alhambra
  12. Choros No.1
  13. Andantino Espressivo
  14. Poco Animato
  15. En Los Trigales
  16. Allegro Con Spirito
  17. Adagio
  18. Allegro Con Brio

Tracks:

  1. Mallorca, Op. 202 - Albeniz
  2. Cataluna
  3. Granada
  4. Sevilla
  5. Cadiz
  6. Cordoba
  7. Dedicatoria
  8. La Maja De Goya
  9. Danza Espanola No. 4
  10. Valses Poeticos - Granados
  11. Danza Espanola No. 5 - Granados
  12. Fandango
  13. Passacaglia
  14. Zapateado

Customer Reviews:

4 out of 5 stars Like a rainy day in a good bookstore.......2007-07-10

"Always pleasant, never a false cord." That's what I think each time I listen to this collection. I guess I should be listening more closely, but I find the music and the virtuosity with which it is played to be a springboard to other thoughts and activities. I can read with it in the background, write with it or simply drift into thought. And that is really quite enough for me.

5 out of 5 stars Not "Ultimate", but Wonderful!.......2007-03-29


As good a guitarist as Julian Bream is, one must begin by acknowledging that the title of this 2-CD set containing 32 admittedly seminal pieces written for hand-played strings ( primarily, the lute) is a tad hyperbolistic. An "Ultimate" collection of anything would have to be more complete, by definition, than any two CDs can be and, again, it almost goes without saying that no two people are apt to be in total agreement about what should or should not have been included in any such collection. All caveats considered and aside, this is, indeed, a thoughtfully selected and masterfully performed collection of what is, unarguably, some of the very best classical pieces ever written for the lute. Bream plays some of them on the guitar and others on a renaissance lute - the latter giving a somewhat truer indication of the stylings and musical nuances intended by the various composers. But, even the pieces he plays on the guitar - an instrument that, in it's current form, did not exist when many of the pieces were originally composed - are sensitive and lyrical interpretations that sound as if they MIGHT have been composed for the guitar.

Without spending space here reiterating the specific pieces, their titles and lengths, I will simply list the composers whose works Bream presents so nicely in this collection. They span a range of about five centuries beginning in the time of England's Elizabeth I and spanning the years through to the 20th Century's premier Spanish and Brazilian classical guitar composers. The list reads like a `Whose Who" of classical plucked-string instrument music and of composers whose keyboard compositions work particularly well on the strings of a lute or guitar, and includes;
- John Dowland
- Francis Cutting
- Antonio Vivaldi
- Gaspar Sanz (*)
- Mateo Albeniz (*)
- Manuel de Falla
- Enrique Granados (*)
- Hector Villa-Lobos, and
- Joaquin Rodrigo
(*) = Pieces originally written for keyboard play.

Every classical guitarist has his own recognizable style and approach to the instrument and the material. An experience listener would not confuse Bream's work with that of Andres Segovia, for example: but it is not that one is better than the other. Each, in his own distinctive way, is simply superb. Though the Spanish influence is clearly audible with both musicians, Bream's stylings have a more contemporary lilt and inflection than do those of Segovia; he makes each piece his own. One suspects that each time he plays a piece it comes out differently according to the moment, his mood, the instrument and God knows what else. Segovia, on the other hand, was well known for his constancy once he had found a version of each piece that fully suited his own ear and temperament.
While I am admittedly a Segovia fan, I find Bream's renditions to be noticeably fresher and each infused with an aura of presence in the here-and-now which I find especially enjoyable.

The collection is neither complete not `ultimate', but it is VERY good and well worth having in any collection of classical guitar music. In fact, for audiophiles not familiar with this genre, it is a fair place to begin to develop an ear for and a listener's knowledge of and experience with the classical guitar.

I recommend it highly.

5 out of 5 stars Everyone would love this album!.......2007-01-16

This album is fantastic. Easy to listen to and wonderful background music for working or dinner parties

5 out of 5 stars Incredible.......2005-10-24

This is the leading guitar player of his generation at his best.

He is especially amazing in the second CD, with some of the solo guitar transcriptions of Albeniz. His rendition of Rodrigo's three pieces is also sublime.

I can't imagine anybody buying this cd then regretting it.

5 out of 5 stars One well worth the price of two.......2004-09-25

This two cd set is an odd juxtaposition. The first cd consists of a sampler of Bream's career output - but without (and I believe the omission is disgraceful) any acknowledgement of Bream's significant contribution toward the creation of a truly 20th century concert repertoire for guitar. The second cd is a re-release of his superb early 1980's recording of Albeniz and Granados transcriptions with the added bonus of a sublime interpretation of the "Three Spanish Pieces" by J Rodrigo.

Speaking as a musician I find the selections and the production of the first cd problematic. We get a few of the more lightweight examples of renaissance lute and baroque guitar (but no JS Bach and no (solo) baroque lute work); we get no vihuela repertoire and nothing truly representative of classical period composition. We do have all six movements from two contrasting concertos but the remainder of the cd consists mostly of neo-romantic repertoire from the twentieth century. Worse still, the recording quality is highly variable; for example one of the Villa Lobos pieces sounds as though it was recorded in an indoor swimming complex. Given the cd's title more care should have been taken to better represent Bream's career and musical diversity. In the opinion of one familiar with Bream's output this is a disappointing selection. Well played but not representative of the artist nor the art form.

However the opposite is the case with the second cd. These recordings were made at a time when Bream set out to commit to (then) vinyl, via the guitar, the musical heritage of Spain. Bream here was at the height of his interpretive power - and a fine film documentary also resulted from this endeavour.

The inclusion of the Rodrigo set makes this cd a better buy than the original Albeniz and Granados recording, although those who find this compilation rewarding might perhaps profit from researching Bream's catalogue, and adding the complete recording from which the Rodrigo is sourced (circa 1980-90) to their collection.

As for the Albeniz and Granados Bream offers his own transcriptions. These tread a fine line between fidelity to the piano scores and Bream's concept of what works on the guitar. As a general observation Bream seeks to include significantly more of the original score's textures than do many of his peers (e.g. J Williams, P Romero). At the same time he is not averse to significantly modifying the original (e.g. amongst others 'Granada' and 'Cordoba'). Such a process is part of any transcription but here the results are not only excellent but also personal to Bream, as a result we have further confirmation of the craft of a great performing artist.

Every listener will discover their own favourites and I have more than space allows me to relate. I believe that Bream brings more expression to his performances of the Valses Poeticos by Granados than any other guitarist I have heard, and the Passacaglia by Rodrigo is played with such a sense of a brooding menace that my spine tingles every time I listen to it.

The second cd alone is worth twice the compilation's asking price.

Music Track:

  1. 30 Seconds to Midnight [Import]
  2. 7800 Fahrenheit [Limited Edition] [Original recording remastered] [Import]
  3. Accept Metal or Die: A Tribute to Accept
  4. Ace of Spades [Import]
  5. Altered Genesis
  6. Ancient Dreams [Live] [Original recording remastered]
  7. Angst [Import]
  8. Apparatus
  9. Billy
  10. Birthplace and Burial Site

Music Track

music track

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Bomb the Bass

For Collectors Only

In Tune