Break It All Down
Break It All Down
Editorial Reviews
Product Description
Tenth album from the rock guitar virtuoso/former Poison guitarist. A return to his rock roots after performing with the jazz fusion supergroup Vertu. 11 tracks including the title track, 'Killin' Time', 'The Feelings Gone' & 'Some Voodoo'. 2000 release. Standard jewel case.
Break It All Down,Richie Kotzen,Spitfire,Guitar Virtuoso,Heavy Metal,Pop,Popular Music,Rock
Average customer rating:
- excellent but flawed
- disappointed
- Richie's Magnum Opus
- Good from the start, but better with every listen
- RICHIE'S BREAKIN' DOWN
|
Break It All Down
Richie Kotzen
Manufacturer: Spitfire
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
General
| Rock Guitarists
| Rock
| Styles
| Music
Shred
| Rock Guitarists
| Rock
| Styles
| Music
General
| Hard Rock & Metal
| Styles
| Music
Metal
| Hard Rock & Metal
| Rock
| Indie Music
| Stores
| Music
Rock Guitarists
| Rock
| Indie Music
| Stores
| Music
Similar Items:
- What Is...
- Bi-Polar Blues
- Get Up
- Wave of Emotion
- Something to Say
ASIN: B00004TBVT
Release Date: 2000-05-09 |
Tracks:
- Break It All Down
- Killin' Time
- The Feelin's Gone
- Some Voodoo
- I Would
- You Don't Know
- Live A Little
- I Don't Belong
- My Addiction
- It Burns
- I'll Be Around
Album Description
Tenth album from the rock guitar virtuoso/former Poison guitarist. A return to his rock roots after performing with the jazz fusion supergroup Vertu. 11 tracks including the title track, 'Killin' Time', 'The Feelings Gone' & 'Some Voodoo'. 2000 release. Standard jewel case.
Customer Reviews:
excellent but flawed.......2005-05-23
I've got 2 KOTZEN cd's and like both of them. They couldn't be more different. One is instrumental and somewhere between JOHNNY A and SATRIANI and this one is all songs that are hard to categorise. Some SOFT ROCK, some BLUES inspired tracks and some straight out ROCKERS. The guitar playing is brilliant ( if understated ) and very emotive. He definetly has a recognisable style and is always a pleasure to listen to. His voice is surprisingly good and the material suits his vocals very well. Even the songs are generally good and follow no discernable influences. It's also nice to have a guitarist that doesn't need to hit you over the head with his licks at every opportunity. The playing for the most part is subtle and some of the qualities won't be apparent until many listens. HOWEVER.......this could easily have been 5 stars, but the lyrics are infantile and you can finish the rhyme for each line without ever having heard the song before. VERY POOR, but the overall quality of the musik and the guitar playing compensate for any shortcomings. If you are into the guitar you should certainly include this mans musik in your collection.
disappointed.......2001-05-05
I am a guitar player and a fan of good guitar music. If you are hooked on good guitar, don't get this album. It is really bad. The singing is whiny and the guitar playing is uninspired and uninspiring. The compositions are mediocre. If there is good Ritchie Kotzen out there it is not this one. I heard Ritchie on a compilation album called Guitar On The Edge which is an overall great compilation. (There are three volumes). I am just plain disappointed.
Richie's Magnum Opus.......2000-06-25
As much as I like all of Richie's other albums, this is by far his strongest release to date. The songs are top-notch. Great playing, great songwriting, awesome production, incredible singing (as always). What sets this CD apart from the rest for me is the songwriting. Every single song on here is brilliant. "I Would" should go down in history as one of the greatest songs ever written. "You Don't Know" has a great classic sound that reminds me a little of Joe Cocker's version of "With A Little Help From My Friends". "I Don't Belong" has some great bluesy Hendrix/SRV-style playing.
It's very sad that this man doesn't get the recognition he truly deserves. At least he's playing with Mr. Big instead of Poison now. Just a slight difference in the talent department I would say. But still, I wish he could be sickly huge on his own because he really deserves it.
If you're even contemplating buying this CD, DO IT. You won't be sorry.
Good from the start, but better with every listen.......2000-06-15
As a big fan of Richie's work, I was stoked to find that three of his import-only releases as well as this, his latest offering, were being released simultaneously. This album does take right off from where Bi-Polar Blues left off, however it has some of the same vibes evident from his "What Is..." and "Wave of Emotion" albums. From the first listen I was hooked on 'Some Voodoo' and the title cut, but the other songs prove to be equally great and enduring with multiple listens. 'The Feeling's Gone' and 'I'll be Around' are currently squaring off for my favorite tune on the album. This truly is a fantastic album by an incredible guitarist, who is not getting nearly the recognition he deserves! True, I sometimes miss the old shred-God Richie, but his song-writing gets better with every album.
RICHIE'S BREAKIN' DOWN.......2000-06-10
Wow, this is the most versatile musicians of our time. He started out shreding, then playing rock, jioned Posion completely changing their sound from party anthems to ballsy bluesy rock, then jumping to fusion, funking out with Glenn Hughes and made a couple funk rock albums, then by 1998 he played rock again before finally settling on blues. What a run on sentence, but in a nutshell it briefly explains is versatility with missing a few stops. Currently holdong the guitar spot in Mr. Big( their new one, Get Over It, is Superfantastic! ), but has devoted his last two solo efforts to the blues. I first heard Richie's 1999 blues CD called Bi Polar Blues and what a marvelous piece of music. I was blown away because he plays every genre of music with such conviction that he's study the art for years. While I wasn't expected to be so easily blown away by his latest effort, Break It All Down, I was shocked, THIS MAN CAN PLAY THE BLUES better than most certified blues legends. Hearing this is believing! While Bi Polar had a dry sound to it, BIAD finds Richie drenched in the blues, playing it all wet and hot. There is not one bad song on here, but there is an incredible similarity between THe Feeling's Gone and The Thrill Is Gone from Bi Polar. But I'm not whining, they both sound fantastic if not the same. If you want to hear a great blues CD from a man just hittin' 30 years old, BUY THIS! Richie has proven himself a very prolific guitarist, singer and songwriter for the past 10 years playing everything under the sun with the love and passion you yearn for in a musician.
Average customer rating:
|
RCA MET 100 Singers, 100 Years
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
All Works by Barber
| Barber, Samuel
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Bellini, Vincenzo
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Berlioz
| Berlioz, Hector
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Donizetti
| Donizetti, Gaetano
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gluck
| Gluck, Christoph W.
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gounod
| Gounod, Charles
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Korngold, Erich Wolfgang
| ( K )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Leoncavallo
| Leoncavallo, Ruggiero
| ( L )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mascagni
| Mascagni, Pietro
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Massenet
| Massenet, Jules
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Meyerbeer
| Meyerbeer, Giacomo
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mussorgsky
| Mussorgsky, Modest
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Offenbach
| Offenbach, Jacques
| ( O )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Ponchielli
| Ponchielli, Amilcare
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Strauss
| Strauss, Richard
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Thomas
| Thomas, Ambroise
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wagner
| Wagner, Richard
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolf-Ferrari
| Wolf-Ferrari, Ermanno
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rossini
| Rossini, Gioacchino
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Korngold, Erich Wolfgang
| Composers
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
National Philharmonic Orchestra London
| ( N )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Vienna Philharmonic Orchestra
| ( V )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
English
| Languages
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Russian
| Languages
| Opera & Vocal
| Styles
| Music
ASIN: B000003FFT
Release Date: 1993-09-14 |
Tracks:
- Ardon Gl'Incensi (Mad Scene) - Marcella Sembrich
- Vissi D'arte - Emma Eames
- Devant La Maison (Serenade) - Pol Plancon
- Les Tringles Des Sistres (Gypsy Song) - Emma Calve
- A Vos Jeux, Mes Amis (Mad Scene) - Nellie Melba
- All'erta, Marinar: II Vento Cangia!; Adamastor, Re Dell'acque - Giuseppe Campanari
- O Pretres De Baal (Prison Scene) - Ernestine Schumann-Heink
- Come Paride Vezzoso - Antonio Scotti
- Jo-Ho-Hoe!; Traft Ihr Das Schiff (Senta's Ballad) - Johanna Gadski
- Vecchia Zimarra - Marcet Joumet
- Voce Di Donna - Louise Homer
- Rachel, Quand Du Seigneur - Enrico Caruso
- Se In Voi Cotanto Forte Fosse L'amor' I1 Cor Nel Contento - Geraldine Farrar, Hermann Jadlowker
- It Is Almost Midnight (Sung In German) - Emmy Destinn
- Eri Tu - Pasquale Amato
- Ed Io Non Ne Godevo; Sempre Cosi - Frances Alda
- Mein Vater! (Amfortas' Prayer) - Clarence Whitehill
Tracks:
- Qual Fiamma Avea Nel Guardo!; Stridono Iassu (Ballatella) - Alma Gluck
- Lunge Da Lei; Dei Miei Bollenti Spiriti - John McCormack
- Caro Nome - Luisa Tetrazzini
- Tutto Tace (Cherry Duet) - Miguel Fleta, Lucrezia Bori
- Lontano Eco Della Mia Giovinezza (Lenski's Air) - Giovanni Martinelli
- E Il Di Che Zar Saro (Garden Scene) - Paul Althouse, Margarete Ober
- Di Provenza Il Mar - Giuseppe De Luca
- Pace, Pace, Mio Dio! - Rosa Ponselle
- Mi Batte Il Cor; O Paradiso - Beniamino Gigli
- Bellah! Capretta Adorata; Si Carino (Slumber Song) - Amelita Galli-Curci
- Gluck, Da Mir Verblieb (Marietta's Lied) - Maria Jeritza
- Largo Al Factoum - Titta Ruffo
- Una Parola Sola; Or Son Sei Mesi - Edward Johnson
- Sieh' Evchen! Dacht' Ich Doch - Friedrich Schorr, Elisabeth Rethberg
Tracks:
- Meco All'altar - Giacomo Lauri-Volpi
- Nay, Marcus, Lay Him Down - Lawrence Tibbett
- Regnava Nel Silenzio - Toti Dal Monte
- Dir Tone Lob - Lauritz Melchior
- Deh, Vieni Alla Finestra - Ezio Pinza
- Depuis Le Jour - Grace Moore
- Depuis Heir Je Cherche; Que Fais-Tu? - Gladys Swarthout
- Salut A Toi (Hymnn To The Sun) - Lily Pons
- Adina Quest'oggi; Adina Credimi - Tito Schipa
- Ah, Malgre Moi - Rose Bampton
- Je Suis Seul!; Ah! Fuyez, Douce Image - Richard Crooks
- I Know You Better; This Very Vivid Morn - Helen Jepson
- Mild Und Leise (Liebestod) - Kirsten Flagstad
- Pres Des Remparts De Seville (Seguidilla) - Bruna Castagna
- So Its Es Denn Aus Mit Den Ewigen Gottern - Kerstin Thorborg
- Giunse Alfin Il Momento; Deh Vieni, Non Tardar - Bidu Sayao
- Einsam In Truben Tagen (Elsa's Dream) - Helen Traubel
Tracks:
- La Mamma Morta - Zinka Milanov
- Ah, Guai A Chi La Tocca!; Guardate, Pazzo Son - Jussi Njoerling, Enrico Campi
- Ist Ein Traum - Rise Stevens, Erna Berger
- O Saint Medaille; Avante De Quitter Ces Lieux - Leonard Warren
- Clock Scene (Sung In Russian) - Alexander Kipnis
- Elle A Fui, La Tourterelle! (Antonia's Romance) - Jarmila Novotna
- Con Onore Muore (Death Of A Butterfly) - Licia Albanese
- To Leave, To Break (Quintet) - Eleanor Steber, Rosalind Elias, Regina Resnik, Nicolai Gedda, Giorgio Tozzi, George Cehanovsky
- Tombe Degli Avi Miei; Fra Poco A Me Ricovero - Jan Peerce
- Oui, Pour Ce Soir; Je Suis Titania (Polonaise) - Patrice Munsel
- Se Quel Guerrier; Celeste Aida - Richard Tucker
- L'ho Abbandonato Senza Un Saluto; In Quelle Trine Morbide - Dorothy Kirsten
- Felice Ancor; Per Me Giunto - Robert Merrill
- Si, Pel Ciel - Ramon Vinay, Giuseppe Valdengo
Tracks:
- Morgenlich Leuchtend Im Rosgen Schein (Prize Song) - Set Svanholm
- Studia Il Passo; Come Ddal Ciel Precipita - Jerome Hines
- Che Gelida Manina - Giuseppe Di Stefano
- Ah, Non Giunge - Roberta Peters
- Ecco Ridente - Cesare Valletti
- Re Dell'abisso - Marian Anderson
- Credo In Un Dio Crudel (Iago's Creed) - Tito Gobbi
- O Figli, O Figli Miei! Ah, La Paterna Mano - Carlo Bergonzi
- Una Macchia E Qui Tuttora (Sleepwalking Scene) - Leonie Rysanek, Gerhard Pechner, Carlotta Ordassy
- Addio Del Passato - Anna Moffo
- In Questa Reggia - Birgit Nilisson, Jussi Bjoerling
- Recitar!; Vesti La Giubba - Jon Vickers
- Give Me My Robe - Leontyne Price
Tracks:
- La Fleur Que Tu M'avais Jetee (Flower Song) - Franco Corelli
- In Fernem Land - Sandor Konya
- Ah! Tu Dei Vivere! Aida A Me Togliesti - Grace Brumbry, Placido Domingo
- Je Dis Que Rien Ne M'epouvante - Mirella Freni
- Mia Madre Aveva Una Povera Ancella (Willow Song) - Renata Scotto
- Too Weak To Kill - Sherrill Milnes
- Mi Chiamano Mimi - Montserrat Caballe
- La Donna E Mobile - Alfredo Kraus
- Stride La Vampa - Fiorenza Cossotto
- Fia Dunque Vero; O Mio Fernando - Shirley Verrett
- L'anima Ho Stanca - Placido Domingo
- O Isis Und Osiris - Martti Talvela
- Cruda Sorte, Amor Tiranno - Marilyn Horne
- Come Scoglio Immoto Resta - Kiri Te Kanawa
- Ave Maria - Katia Ricciarelli
Average customer rating:
- A Long Time Coming...
- Her Best Album
- Price At Her Peak
- of course world class
- the greatest american soprano of the 20th century
|
The Essential Leontyne Price
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
All Works by Barber
| Barber, Samuel
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Bellini, Vincenzo
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Berlioz
| Berlioz, Hector
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Brahms
| Brahms, Johannes
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Fauré, Gabriel
| ( F )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gershwin
| Gershwin, George
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gounod
| Gounod, Charles
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Massenet
| Massenet, Jules
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Poulenc
| Poulenc, Francis
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Purcell, Henry
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Robert Schumann
| Schumann, Robert
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Strauss
| Strauss, Richard
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolf
| Wolf, Hugo
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Purcell, Henry
| Composers
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Requiems
| Forms & Genres
| Early Music
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Price, Leontyne
| ( P )
| Featured Performers, A-Z
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
National Philharmonic Orchestra London
| ( N )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Vienna Philharmonic Orchestra
| ( V )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Barber, Samuel
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Bellini, Vincenzo
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Berlioz, Hector
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Anonymous
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Vocal Works by Beethoven
| Beethoven, Ludwig van
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Vocal Works by Brahms
| Brahms, Johannes
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Cilea, Francesco
| C to G
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
English
| Languages
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Russian
| Languages
| Opera & Vocal
| Styles
| Music
Folk Songs
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Noels
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Requiems
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Price, Leontyne
| Divas
| Opera & Vocal
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Classical
| Box Sets
| Stores
| Music
Opera & Vocal
| Box Sets
| Stores
| Music
ASIN: B000003FWD
Release Date: 1996-08-13 |
Tracks:
- Aida: Act I: Ritorna vincitor!
- Aida: Act I: E l'amor mio?
- Aida: Act I: I sacri nomi di padre, d'amante
- Aida: Act III: Qui Radames verra!
- Aida: Act III: O patria mia
- Un Ballo in Maschera: Act II: (Prelude)
- Un Ballo in Maschera: Act II: Ecco l'orrido campo
- Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
- Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
- Un Ballo in Maschera: Act III: Morro, ma prima in grazia
- Il Trovatore: Act I: Che piu t'arresti?
- Il Trovatore: Act I: Tacea la notte placida
- Il Trovatore: Act I: Di tale amor che dirsi
- Il Trovatore: Act IV: Siam giunti
- Il Trovatore: Act IV: D'amor sull'ali rosee
- Ernani: Act I: Surta e la notte
- Ernani: Act I: Ernani! Ernani, involami
- Ernani: Act I: Tutto sprezzo che d'Ernani
- La forza del destino: Act II: Son giunta! Grazie, o Dio!
- La forza del destino: Act II: Madre, madre, pietosa Vergine
- La forza del destino: Act II: La Vergine degli angeli
- La forza del destino: Act IV: Pace, pace, mio Dio
Tracks:
- Cosi fan tutte: Act I: Come scoglio immoto resta
- Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
- Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
- TOSCA: Act II: Vissi d'arte
- Manon Lescaut: Act II: In quelle trine morbide
- Manon Lescaut: Act IV: Sola, perduta, abbandonata
- Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
- Don Giovanni: Act I: Don Ottavio, son morta!
- Don Giovanni: Act I: Or sai chi l'onore
- Don Giovanni: Act II: Crudele? Ah, no, mio bene!
- Don Giovanni: Act II: Non mi dir
- Turandot: Act I: Signore, ascolta!
- Turandot: Act III: Tu che di gel sei cinta
- Ariadne auf Naxos: Es gibt ein Reich
- Antony And Cleopatra: Act III: Give me my robe
Tracks:
- Otello: Era piu calmo?
- Otello: Mia madre aveva una povera ancella (Willow Song)
- Otello: Ave Maria
- Fidelio: Act I: Abscheulicher! Wo eilst du hin?
- Suor Angelica: Senza mamma, o bimbo, tu sei morto!
- Carmen: L'amour est un oiseau rebelle (Habanera)
- La Traviata: Act I: E strano, e strano !
- La Traviata: Act I: Ah, fors' e lui
- La Traviata: Act I: Sempre libera
- Le nozze di Figaro: Act III: E Susanna non vien!
- Le nozze di Figaro: Act III: Dove sono
- Die Agyptische Helena: Act II: Awakening Scene
- La rondine: Ore dolci e divine
- Salome: Finale
Tracks:
- Eugene Onegin: Act II: Puskai pogibnu ya
- Eugene Onegin: Act II: Ya k vam pishu
- Eugene Onegin: Act II: Net, nikomu na svete
- Eugene Onegin: Act II: No tak i byt'!
- La rondine: Act I: Chi il bel sogno di Doretta
- VANESSA: Act I: He Has Come, He Has Come!
- VANESSA: Act I: Do Not Utter A Word
- Carmen: Act I: Pres des remparts de Seville (Seguidilla)
- Manon: Act II: Allons! il le faut!
- Manon: Act II: Adieu, notre petite table
- Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
- Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
- La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
- Die Frau ohne Schatten: Act II: Empress's Awakening Scene
- Dido and Aeneas: Act III: Thy Hand, Belinda!
- Dido and Aeneas: Act III: When I Am Laid In Earth
- Don Carlo: Act V: Tu che le vanita conoscesti del mondo
Tracks:
- Otello: Act I: Gia nella notte
- Otello: Act I: Quando narravi
- Otello: Act I: Venga la morte!
- Cosi fan tutte: Act I: Ah, guarda, sorella
- Madama Butterfly: Act I: Bimba, bimba, non piangere
- Madama Butterfly: Act I: Bimba dagli occhi
- Madama Butterfly: Act I: Vogliatemi bene
- Requiem: Recordare
- Porgy And Bess: Act II: Bess, You Is My Woman
- Norma: Act III: Me chiami, o Norma
- Norma: Act III: Mira, o Norma
- Ernani: Act II: Tu, perfida!
- Ernani: Act II: Ah, morir, potessi adesso
- Cosi fan tutte: Act II: Sorella, cosa dici?
- Cosi fan tutte: Act II: Prendero quel brunettino
- Aida: Act IV: La fatal pietra sovra me si chiuse
- Aida: Act IV: Presago il core della tua condanna
- Aida: Act IV: Vedi? Di morte l'angelo
- Aida: Act IV: O terra, addio
Tracks:
- Un Ballo in Maschera: Act II: Teco io sto!
- Aida: Act III: Ciel! mio padre!
- Aida: Act III: Rivedrai le forest imbalsamate
- Aida: Act III: In armi ora si desta il popol nostro
- Aida: Act III: Padre! a costoro schiava non sono
- Requiem: Angus Dei
- Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
- Cosi fan tutte: Act I: Soave sia il vento
- Porgy And Bess: Act II: I Loves You, Porgy
- Aida: Act II: Silenzio! Aida verso noi s'avanza
- Aida: Act II: Fu la sorte dell'armi
- Aida: Act II: Pieta ti prenda del mio dolor
- Aida: Act II: Alla prompa che s'appresta
- Il Trovatore: Act IV: Udiste?
- Il Trovatore: Act IV: Mira, di acerbe lagrime
- Il Trovatore: Act IV: Vivra! Contende il giubilo
- Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
- Carmen: Act IV: C'est toi! - C'est moi!
- Carmen: Act IV: Ou vas-tu? - Laisse-moi!
Tracks:
- Les nuits d'ete, Op.7: Villanelle
- Les nuits d'ete, Op.7: Le spectre de la rose
- Les nuits d'ete, Op.7: Sur les lagunes
- Les nuits d'ete, Op.7: Absence
- Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
- Les nuits d'ete, Op.7: L'ile inconnue
- Four Last Songs: Fruhling
- Four Last Songs: September
- Four Last Songs: Beim Schlafengehen
- Four Last Songs: Im Abendrot
- Clair de lune, Op.46, No.2: Clair de lune
- Notre amour, Op.23, No.2: Notre amour
- Au cimetiere, Op.51, No.2: Au cimetiere
- Au bord de l'eau, Op.8, No.1: Au bord de l'eau
- No.1, Cinq melodies de Venise, Op.58: Mandoline
- Main dominee par le coeur
- Miroirs brulants No.2: Je nommerai ton front
- Miroirs brulants No.1: Tu vois le feu du soir
- Ce doux petit visage
Tracks:
- Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
- Frauenliebe und -leben, op.42: Seit ich ihn gesehen
- Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
- Frauenliebe und -leben, op.42: Ich kann's nicht fassen
- Frauenliebe und -leben, op.42: Du Ring an meinem Finger
- Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
- Frauenliebe und -leben, op.42: Susser Freund, du blickest
- Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
- Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
- Widmung (No.1, Myrthen, Op.25): Widmung
- Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
- Volksliedchen, Op.51, No.2: Volksliedchen
- Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
- Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
- Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
- Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
- Allerseelen, Op.10, No.8: Allerseelen
- Schlagende Herzen
- Freundliche Vision, Op.48, No.1: Freundliche Vision
- Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
- Der Gartner (Morike-Lieder No.17)
- Lebe wohl (Morike-Lieder No.36)
- Morgentau (From An Old Songbook)
- Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)
Tracks:
- Ev'ry Time I Feel The Spirit - Various Artists
- Let Us Break Bread Together On Our Knees - Various Artists
- His Name So Sweet - Various Artists
- 'Roun' About De Mountain - Various Artists
- Swing Low, Sweet Chariot - Various Artists
- Sit Down, Servant - Various Artists
- Were You There - Various Artists
- He's Got The Whole World In His Hands - Various Artists
- Deep River - Various Artists
- Honor! Honor! - Various Artists
- My Soul's Been Anchored In De Lord - Various Artists
- On Ma Journey - Various Artists
- A City Called Heaven - Various Artists
- Ride On, King Jesus - Various Artists
- I Wish I Knew How It Would Feel To Be Free - Various Artists
- Sinner, Please Don't Let This Harvest Pass - Various Artists
- Sweet Little Jesus Boy - Various Artists
- There Is A Balm In Gilead - Various Artists
- Let Us Cheer The Weary Traveler - Various Artists
- Ev'ry Time I Feel The Spirit - Various Artists
- My Way Is Cloudy - Various Artists
- Nobody Knows The Touble I've Seen - Various Artists
- I Couldn't Hear Nobody Pray - Various Artists
Tracks:
- Holy, Holy, Holy
- Lead, Kindly Light
- Blessed Assurance
- Ave Maria
- What A Friend We Have In Jesus
- Amazing Grace
- The Lord's Prayer
- Pass Me Not, O Gentle Saviour
- The Church's One Foundation
- Bless This House
- I Need Thee Every Hour
- Fairest Lord Jesus
- I Wonder As I Wander
- Ave Maria
- Porgy And Bess: Summertime
- America The Beautiful
- Lift Ev'ry Voice And Sing
- A Mighty Fortress Is Our God
- Battle Hymn Of The Republic
Tracks:
- Chants tziganes, Op. 103: He Zigeuner
- Chants tziganes, Op. 103: Hochgeturmte Rimaflut
- Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
- Chants tziganes, Op. 103: Lieber Gott, du weisst
- Chants tziganes, Op. 103: Brauner Bursche
- Chants tziganes, Op. 103: Roselein dreie in der Reihe
- Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
- Chants tziganes, Op. 103: Rote Abendwolken
- Adriana Lecouvreur: Act I: Io son l'umile ancella
- This Little Light O'Mine
- Interview With Leontyne Price By John Pfeiffer
Amazon.com
This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine
Customer Reviews:
A Long Time Coming..........2006-03-30
This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
An American Icon....I will forever be a loyal fan and admirer!!
Her Best Album.......2006-01-01
Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.
This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.
Price At Her Peak.......2005-05-02
Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.
This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.
Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.
Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.
of course world class.......2000-08-14
Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.
the greatest american soprano of the 20th century.......1999-12-12
This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.
Music Track:
- Bring 'Em out Live [Live]
- Cult [Import]
- Demanufacture
- Digimortal [Explicit Lyrics]
- Field Trip [EP]
- Filosofem
- Folkemon
- Gaia [Enhanced]
- Goatsnake 1/Dog Days
- Hall of the Olden Dreams [Import]
Music Track
music track
Recommended Music:
Rock [CD-single] [Import]
Arriaga: Cuartetos para cuerda
6 Trios for Flute, Violin & Cello
Music: Buxtehude: In dulci jubilo
40 Years of James Bond: 20 Themes [Soundtrack]
4 da Money [Explicit Lyrics]
30 Years of Maximum R & B [Box set]
20th Century Masters - The Millennium Collection: The Best of the Jam [Import]
24 Grandes Exitos [Import]
20th Century British Music for Oboe and Piano - Bennett: After Syrinx 1 / Howells: Sonata for oboe and piano (1942) / Jacob: Seven Bagatelles / Berkeley: Sonatina (1962) / Rubbra: Sonata in C Op. 100
1943-1947
15 Grandes Exitos
21 & Over [Explicit Lyrics]
B.Y.O.B.
Behind the Front