Chamber Music

Chamber Music

Editorial Reviews
Amazon.com
Far more diverse and dynamic than the band's unspectacular self-titled debut, Chamber Music exhibits Coal Chamber at its most eclectic and accessible. Rooting songs such as "Tragedy" and "Tyler's Song" in a foundation of de-tuned guitar bluster, syncopated beats, and growled vocals, Coal Chamber capture the primal urgency of Korn and Limp Bizkit, while tossing in enough gothic keyboard lines and minor-key melodies to appeal to Marilyn Manson fans. At times, however, Coal Chamber's sepulchral clatter seems a wee bit contrived--as in "What's in Your Mind," which features staccato vocals too similar to Korn's "Freak on a Leash," and a horrendous fragment of Peter Gabriel's "Shock the Monkey," with Ozzy Osbourne on vocals. But shortcomings notwithstanding, Chamber Music marks a major musical step forward for Coal Chamber. --Jon Wiederhorn

Product Description
Limited edition pressing of the aggressive heavy metal outfit's 1999 sophomore outing with two previously unreleased bonus tracks added, 'Apparition' and 'Wishes'. 18 tracks total, also featuring their cover of Peter Gabriel's hit 'Shock The Monkey' with Ozzy Osbourne guesting on guitar. Gatefold digipak with a 12 page booklet featuring lyrics & full color photos. 1999 release.

Tracks:

Do I Disappoint You
Going To A Town
Tiergarten
Nobody's Off The Hook
Between My Legs
Rules And Regulations
Not Ready To Love
Slideshow
Tulsa
Leaving For Paris
Sanssouci
Release The Stars

Amazon.com

Recorded in Berlin and executive produced by the Pet Shop Boys' Neil Tennant, Rufus Wainwright's fifth album offers an ounce of restraint from the man that dressed up as Sir Lancelot's crossed girlfriend Lady Shallott on the cover of his last. Well, not really. Having fallen in love and curbed his self-destructive streak, the New York-born singer-songwriter has certainly sharpened his wit on Release the Stars but the songs remain as ornate and over-the-top as ever, drawing as much inspiration from opera and the musical theater as the desire to purge personal demons. So while Wainwright spends considerable time here pondering the state of the world ("Going to a Town") and his own battles with drug and sexual addiction ("Sanssouci"), every note is punctuated by a choir, orchestral swell, or big burst of brass. It wouldn't be Rufus with anything less. --Aidin Vaziri

Customer Reviews:

Terffic but Not Quite Up To My "Rufus" Scale.......2007-08-03

Anybody who's heard Wainwright's previous albums, particularly Want I or Poses, would have sky-high expectations for any new album. Such was the case with myself and Release The Stars. My verdict is this album is uniquely catchy and beautiful, but not quite up to my Rufus standards.

My personal favorite track is "Do I Disappoint You?" and I think others will agree. It uses a wide arrangement of instruments and voices through out the song, giving it the most opera like feel. The lyrics have a certain depth to them that is beautiful and relate able , but also unusual.

Another standout track is "Between My Legs" whose heavy use of guitar and humor regarding sexual impulses make this song extremely catchy. The last minute is also quite moving, but I'd prefer it without the spoken word (I believe Rufus is one of those people who should often stand alone)

Other favorites include "Going to A Town" which heavily centered on Rufus's voice and his dislike for America and creates a pleasing but not as memorable song as some of his other work. Leaving For Paris, one of the more sentimental tracks, is mostly Wainwright, who sings in a hushed voice, and his piano. The track is obviously slower but also very beautiful and emotional.

Sansscoui is a debatable track for me. Though I find it catchy and like it a lot, for some reason it fails to stick in my head. I have the same problem with "Release The Stars", a fine track with the obvious Judy Garland influence Rufus has talked about but without lasting appeal.

Overall, I love this album and I enjoy listening to it, but I can't say I'm completely impressed as I have been in the past. Wainwright's voice is lovely and spot on as always and his wide arrangements of different types of instruments, sounds, and genres make this CD worth it.

Not an album review.......2007-07-16

Rufus Wainwright is one of those performers that just blinded me by how brilliant he is in music. I actually came upon him after Poses and before his Want albums were released by recommendation from a musician who played in a blues-rock band. So, of course, being curious about Rufus, I set out on a quest. And became immediately enchanted!
Now, I could give you a synopsis of this album..but it seems everybody else on here already has (and much better than I would have done it). So I decided to save you the trouble and just explain why I feel Rufus is a beacon for the musical artists that are currently out today. Maybe it's because I'm now 33 years old. But I pretty much grew up during the time of the 90's music scene. Nirvana, Pearl Jam, etc. Not to mention, I'm more of a hard rock/metal fan, w/ some flourishes for other forms. But when I first heard Rufus...he was sooooo different from anything I've ever heard. He invokes classicism, jazz, blues, pop....such an extraordinary range of instruments that I was literally dumb-struck by how brilliant he is in musical forms.
Not to mention his voice seems to contrast to his music. Hinting, at times, the banality & cynicism life seems to offer. But, yet, there's still the sense of good things to come. This isn't music for everybody, I will admit. This music runs much deeper, not just in thought...but also in emotion. From theatrical pomp to Glam Rock to Jazz-infused cabaret...to even Classical-ornamentation. It's sooooo much bigger than anything I've ever been exposed to. It didn't surprise me at all that he's getting recognition overseas in Europe and other countries than here in the states. His music is not easily digestible here.
Some would say his music is pretentious, over-wrought...perhaps vain. And, you know what? I'd say you're probably right. But, living in times of where we're more concerned about Paris Hilton, Britney Spears, a never-ending war (which seems to have no viable conclusion or end IMO), Rufus' music seems to shed light on the state of the world. I was shocked to hear one of my friends (who is gay) say he doesn't like Rufus because he thought his music is "scary"?! He'd rather listen to the Pussycat Dolls. Is that all this world has to offer, I wonder?

Better and Better.......2007-07-08

What I like best about this album is that it is emblematic of Rufus' ever-maturing talent, both in subject matter and musical stylings.

A few standouts: "Do I Disappoint You" (love this track - bombastic opening as only Rufus can do. Compare with "Oh What a World" and "Agnus Dei" from the Want One and Want Two CD's), "Going to a Town" (written about New Orleans after Hurricane Katrina - and NOT Anti-American as some have said), "Slideshow" (love the melody, not sure how well the subject matter goes with it though), and "Tulsa" (wasn't sure about this one at first, but now I like it - and it's not really about sleeping with Brandon Flowers, as many seem to think).

All in all, this CD makes good listening. I can't wait to hear what Rufus will come out with next.

Such a drama queen..........2007-07-04

I've wanted to like Rufus. I've tried to like Rufus. I bought this just for "Going to a Town"- an amazing song, and the lyrics are spot-on. But the rest of the disc is so melodramatic and off-the-charts narcissistic that I find it completely unlistenable. Rufus, can't you rein it in just a little bit?

Still Gowing.......2007-06-29

Rufus has created four masterpiece albums before this one, and he is still growing in talent and direction! Too many artists write the same music album after album once they find success, but this is not the case here. Whereas, I cannot say this album is my favorite, it does grow on me more and more each time I listen to it. This album is quite different - give it your patience and you will be rewarded. It contains few catchy melodies that are accessible upon first hearing, but instead is full of sophisticated musicianship.

Average customer rating:

Good Stuff
Promise at last achieved
Time Did Tell
Mix of Rock and Pop and Celtic Influence
Lovely storytellers!

The Crane Wife
The Decemberists
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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The Information
Return to Cookie Mountain (with Bonus Tracks)
We Were Dead Before the Ship Even Sank
Fox Confessor Brings the Flood
Boys and Girls in America

ASIN: B000HKDEEW
Release Date: 2006-10-03

Tracks:

The Crane Wife 3
The Island-Come & See/The Landlords Daughter/Youll Not Feel The Drowning
Yankee Bayonet (I Will Be Home Then)
O Valencia!
The Perfect Crime #2
When The War Came
Shankhill Butchers
Summersong
The Crane Wife 1 and 2
Sons and Daughters

Amazon.com

Capitol raised a few eyebrows when they signed indie stalwarts the Decemberists. There's nothing blatantly commercial about the Portland quintet, from Colin Meloy's quavery voice and hyper-literate lyrics to the band's wide-ranging music, which encompasses baroque pop, prog rock, and dozens of other styles. Then again, he did once sing, "I was made for the stage," and those who've seen the group live know this to be true. Sure, they're storytellers, but they're entertainers, too--just not in the Top 40 sense. Never ones to play it safe, their major label debut takes its inspiration from a Japanese folk tale. It travels from the Replacements-style balladry of "The Crane Wife 3"--which joins words like "Each feather it fell from skin/'Til threadbare while she grew thin" to the melody from "Here Comes a Regular"--to the ELP hoedown of three-part epic "The Island" to the haunting duet between Meloy and Laura Veirs on "Yankee Bayonet (I Will Be Home Then)." It's an impressively eclectic effort that somehow manages to avoid sounding scattered. Co-produced by Chris Walla (Death Cab for Cutie) and Tucker Martine (the Long Winters), the Decemberists' fourth full-length is richer, less immediately catchy than its predecessor (there's nothing as bouncy here as Picaresque's "Sixteen Military Wives"). It's also a deeper work that resists snap judgments. Some records hit you over the head with their brilliance, others need time to percolate. Time will tell if The Crane Wife is the Decemberists' best album--it's certainly their most ambitious so far. --Kathleen C. Fennessy

Customer Reviews:

Good Stuff.......2007-07-26

Very good piece of work. Some catchy tunes at the start and finish but after a few listens it's some of the lower key bits that really leave an impression. Anyone can enjoy this.

Promise at last achieved.......2007-07-05

A sometimes dark, often beautiful, and always appealing masterpiece, it takes the best elements from their earlier work and ties it all together into a mesmerizing package. Not a bad song among the bunch, and unlike on Picaresque, the ambitious. multi-part epic tracks never slow or flag an inch. Pieced together with the intimate and the grand, they bring in the usual rogue's gallery of specific characters and give the whole thing a wry and literate treatment.

They even manage to swing away from their folk-rock roots by aping entertaining and unpretentious prog on the epic "The Island," organ-driven plastic blues on "The Perfect Crime," and rollicking classic rock on "When the War Came." Even a song like "Sons & Daughters," which is almost just a throwaway closer, has such a perfectly catchy rhythm and sublime round session, that it ends up being one of the most instantly memorable moments. Seems to be a transition period for the band, but if this hints at the direction they're choosing, I'm more than willing to follow. The best album of 2006.

Best cuts: "The Island," "The Crane Wife 3," "Yankee Bayonet (I Will Be Home Then)," "The Perfect Crime #2," "Sons & Daughters," "O Valencia!" "When the War Came," "The Crane Wife 1 & 2," "Skankill Butchers"

Time Did Tell .......2007-06-30

"Time will tell if The Crane Wife is the Decemberists' best album--it's certainly their most ambitious so far."

If you just read that above... well...time did tell.. and this is their best album. I'll keep it short since everyone kept it long. Give The Crane Wife a couple of plays and it will ring true. This is my pick for Best Album of 2006. You can hear the development in The Decemberists' music arc over their albums and their style is anything but static. This band is particularly amazing if you love rich lyrics.

BTW, I love to see all the support for The Decemberists (below).

Mix of Rock and Pop and Celtic Influence.......2007-06-28

After a brief preview on Amazon I thought that the lead singer's voice would be difficult to listen to throughout the entire CD. I took a chance and I am pleasantly delighted that I purchased this CD. The Crane Wife has a Celtic story-telling feel to it that meanders through many different genres of rock with sweet pop hooks on a handful of songs. Suprisingly I hear some influences of Floyd and hints of 70's rock thrown into the mix. The lead-singer's voice is not as monotonous as I had envisioned. This is an excellent CD.

Lovely storytellers!.......2007-06-27

I would rate this as being one of the best of the Decemberists. I love how their music is on the upbeat side but their lyrics are abit on the dark side. And all the songs are telling a story. O Valencia and Shankill Butchers are excellent. I especially like Shankill Butchers because it is actually based on a real gang. Their songs are different than the typical junk that is floating around this days. So, if this so happens to be your first Decemberists experience, I'm sure you wont be disappointed.

Average customer rating:

So very beautiful!
Gorgeous
Great Premiere from Stile Antico!
Music for Compline

Music for Compline

Manufacturer: Harmonia Mundi USA
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Lighten our Darkness
William Byrd: Laudibus in sanctis
Gloryland
And On Earth Peace: A Chanticleer Mass
Songs from the Labyrinth (Music by John Dowland)

ASIN: B000LPRNSG
Release Date: 2007-01-16

Tracks:

Libera nos. I & II (John Sheppard)
Salva nos, Domine (plainchant)
Christe, qui lux es et dies (William Byrd)
In pace in idipsum (John Sheppard)
In manus tuas (Thomas Tallis)
Jesu, salvator saeculi, verbum (John Sheppard)
In manus tuas I (John Sheppard)
In manus tuas II (John Sheppard)
Miserere mihi, Domine (plainchant)
Miserere nostri, Domine (Thomas Tallis0
Misere mihi, Domine (William Byrd)
In pace in idipsum (Thomas Tallis)
Christe, qui lux es et dies (Robert White)
Veni, Domine (plainchant)
Nunc dimittis Gradulia I (William Byrd)
Te lucis ante terminum festal (Thomas Tallis)
Gaude, virgo mater Christi (Hugh Aston)

From the label:

On its spectacular debut recording, the exciting young British vocal group stile antico presents a program of English Renaissance music associated with the office of Compline, the service that ends the monastic liturgical day. A who's-who of 16th-century British composers--including Thomas Tallis, William Byrd, and John Sheppard--is represented here by hymns, antiphons, responsories, motets, and psalms: the occasion not only for music of intimacy, elegance, and reflection, but for flights of breathtaking canonic and contrapuntal invention and harmonic daring.

Stile Antico is an ensemble of young British singers, fast gaining recognition as one of the most original and exciting new voices in its field. In 2005 the group won the inaugural Audience Prize at the Early Music Network International Young Artists' Competition, drawing critical praise for its `wonderfully vivid singing' and `perfectly focused and ideally balanced voices.' Since this success, Stile Antico has appeared throughout the UK, including at the City of London, Lake District Summer Music and Beverley and East Riding Festivals; engagements for 2007 include the York Early Music Festival. The group has also collaborated with Sting on tour in his project Songs from the Labyrinth, performing lute songs by John Dowland.

Working without a conductor, the members of Stile Antico rehearse and perform as chamber musicians, each contributing artistically to the musical result. Their repertoire ranges from the glorious legacy of the English Tudor composers to the works of the Flemish and Spanish schools and the music of the early Baroque. They are passionate about the need to communicate with their audiences, combining thoughtful programming with direct, expressive performances. They are also committed to developing their educational work, for which they have received generous funding from the National Lottery through Arts Council England.

Customer Reviews:

So very beautiful!.......2007-07-11

I'm not a student of fine music and had no idea what a "compline" was but I bought this CD after hearing a review on NPR.
I can't tell you how much I love this!
It is pure and moving; I can turn off my thinking and let my mind soak in the beauty.
I regret that it is such a high-class work, as I fear that many will miss it, expecting it to be over their heads. I hope that more of my fellow low-brows will somehow stumble upon it and have a chance to experience these most-excellent moments.

Gorgeous.......2007-03-05

The English Tudor choral composers such as Byrd and Tallis composed some glorious music. Sit and listen in a darkened room and you will be transported back to another time and place. Wonderfully atmospheric and moving. The masters of this repertoire are Peter Phillips's Tallis Scholars, but this CD makes me think that they have some serious competition.

Great Premiere from Stile Antico!.......2007-02-27

I got an e-mail from amazon recently to the effect of, "We've noticed that you've rated so-and-so, so we thought you'd be interested in the new release Music for Compline." I usually ignore such e-mails, but I thought I'd check it out. I was intrigued by the audio samples and so downloaded the album on iTunes.

I don't know how a group of young upstarts from Britain without a conductor were able to produce such a sound, but they did. "Music for Compline" focuses on music from composers in England during the transition from Catholicism to Protestantism- Byrd, Sheppard, Tallis, etc.- and as the title implies, it's music that would have been used during a compline service at the time. Compline, for those of you not familiar with the Liturgy of the Hours, is the last prayer service in the liturgical day. As such, the music is serene, contemplative, and prayerful.

The way Stile Antico has gelled as a group is amazing, especially considering they have no conductor. (Although they surely have at least a de-facto rehearsal leader) Their sound is clear and beautiful, and they display exquisite musicianship without being overly technical or icy. They are able to share their fresh (though informed) perspectives on early music with each other to create an organic sound, so not having a conductor actually turns out to be an asset for these young musicians.

Fans of the Tallis Scholars will love this CD. Arguably, Stile Antico is better than the Tallis Scholars in some ways. To elaborate, the Tallis Scholars, as good as they are, can come across as technical and icy, whereas Stile Antico never does, at least not to my ears. On the contrary, they have a warm, authentic sound. Not that I have anything against the Tallis Scholars.

In conclusion, for everyone who loves sacred choral music, or beautiful music in general, "Music for Compline" is a must-have. The musical serenity will be a refuge from stress, and will uplift your spirits.

Music for Compline.......2007-02-05

One is somewhat spoilt for choice these days when it comes to recordings of specialist 'early music' vocal ensembles. In Britain alone, 'brand' names such as 'The Sixteen' and 'The Tallis Scholars', however different their respective approach, have become equally synonymous with excellence in ensemble, intonation, balance and blend. On this basis alone, one might be forgiven for mistaking this CD for another release from one of these fine, long-established choirs. However, this debut recording from 'Stile Antico' has something rather distinctive and individual to offer the listener. Working as a vocal consort without conductor, these are performances born out of an internal commitment and universal understanding within the group, together with an obvious love for this repertoire which they perform so admirably. It is deeply refreshing, in a professional environment where 'time is money', to hear an ensemble who have so noticeably spent a great deal of time 'living' with the music, no doubt both as individuals and collectively as a group. This crucial element of music-making, so often over-looked, is perhaps above all what makes this recording stand out. In fairness, the result is not necessarily superior to that of a conducted ensemble, where a different style of direction in the performances can be attained. But whatever one's preferences - 'Stile Antico' have certainly achieved a winning combination - communicative performances which are simultaneously meditative and emotionally uplifting.

Impeccable ensemble is evident throughout the disc, and this is especially impressive when accomplished within various well-judged slow tempi. Highlights in this regard include a wonderfully ethereal and sonorous performance of Tallis' rarely heard seven-part 'Miserere nostri', and Sheppard's intoxicating 'Libera nos I & II' whose marvellous longing dissonances are given just the right amount of time to register. Byrd's 'Miserere mihi' also receives a fine performance, and the same composer's exquisite homophonic setting of 'Christe lux es et dies' serves to demonstrate these singers' aptitude for naturally shaped phrasing and beautifully paced cadences.

The programming is cohesive throughout, combining familiar, celebrated settings with some rare gems, notably Hugh Aston's giant antiphon 'Gaude, virgo mater Christi', of which this is the first recording made available on CD.

Congratulations are also due to Harmonia Mundi for their superb recording quality, which captures splendidly not only the clarity of the voices, but also the magnificent acoustics of All Hallow's, Gospel Oak. Beautiful packaging together with intelligent, informative programme notes completes this excellent debut release.

Average customer rating:

Best of 2007, their best album too
best album from a great band
Hypnotic and lush
slow show
Speechless...

Boxer
The National
Manufacturer: Beggars Banquet Us
ProductGroup: Music
Binding: Audio CD

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ASIN: B000O5AYCA
Release Date: 2007-05-22

Tracks:

Fake Empire
Mistaken For Strangers
Brainy
Squalor Victoria
Green Gloves
Slow Show
Apartment Story
Start a War
Guest Room
Racing Like a Pro
ADA
Gospel

Amazon.com

With Boxer, the National have reached four albums into their increasingly lauded career, never hurrying the tempo, never over-reaching in volume or instrumental density. Instead, the quintet's balanced on a pin, emotionally austere, if not utterly downhearted, finding brilliantly dusky ways for Matt Berninger's lovelorn voice to mesh with a pair of unobtrusive guitars and, here, an occasional phalanx of piano, horns, and strings. The tunes roll off slowly, Berninger's lyrics hugging the instruments with a sad brawn, rough-hewn as the drums and bass toy with angularity (try "Mistaken for Strangers," for one) but end up woven by that voice. Drummer Bryan Devendorf presses the songs forward repeatedly, as on "Start a War," where he gently thumps the time as the acoustic guitars frame and dot the melody, coalescing as the drums starkly chisel the melody. Nary a distortion pedal is harmed on Boxer, giving the National a magnetism so forlorn that you can't stop listening. --Andrew Bartlett

Album Description

The follow-up to 2005's "Alligator" is filled with lush arrangements and sees the band incorporating new instrumentation and expanded musical elements such as piano, trumpet, and more prominent background vocals.

Customer Reviews:

Best of 2007, their best album too.......2007-07-30

Along with Canada's The Besnard Lakes and Stars, The National are by far above the rest of the musical spectrum this year. But not only have they outdone other bands: compared to their previous works, "Boxer" scores easily as their best album too.

While their sound will remind you of numerous other groups (Joy Division, Radiohead, The Cure, Interpol), Matt Berninger's voice gives them a uniqueness that you will long for while the album is out of your reach.

best album from a great band.......2007-07-25

I don't listen to much mainstream music (preferring orchestral) but I gave The National a listen because the members are friends of my brother. I loved their music, which amazingly seems to get better with each album. Boxer continues this trend.

There are plent of comments above about the music, so I would like to comment on the lyrics, which I think demonstrate a far greater maturity than what one typically hears on the radio. There's a focus on the mundane of everyday life and frequent poetic abstract imagery that makes it very fun to sing along.

Hypnotic and lush.......2007-07-22

I'm a new fan of The National but the strength of this album has convinced me to get their back catalog. Having just heard snippets of different songs I was unprepared for how much stronger their songs are in the context of the whole album. The first time I popped the album in I was taken back by the deep baritone of Matt Berninger's voice coming through my speakers. Ten seconds later the deep hypnotic drawl of his voice had grabbed me and dragged me deep into the National's sonic landscape. "Fake Empire" starts out catchy and strong and while the drums initially sound as if the drummer is pounding away to the wrong song, it quickly coalesces into one of the best tracks on the album. Another early favorite is the quiet, beautiful "Start a War" with one of my favorite chord progressions of all time. Overall the whole album is a somewhat subdued affair although the phenomenal drumming of Bryan Devendorf drives the music forward with intensity and urgency. Easily a pick for one of the top 10 best of 2007.

slow show.......2007-07-22

"29 years" ago (Slow Show)... actually, 3 years ago I came upon this majestic piece of music craftmanship titled "Wasp Nest" while surfing the Net. Wow! Ithought to myself what a great song that was, champagne glasses and all. Come this year, I stumbled upon this beatiful CD titled Boxer by the same band who wrote "Wasp Nest". Honestly, it is just absolutely perfect. I rarely buy CDs lately, but The National has done such a magnificent piece of art which made me reconcile with all the lost feelings I had about the music industry these days.... hands down, this is the CD to buy this year thus far. My prediction is that it will occupy the number #1 spot in many critics' lists at the end of the year (alongside LCD and Feist.) Well done guys! Keep up the good work!

Speechless..........2007-07-20

I had heard Alligator and thought it was great, but....
From start to finish this is the most excellent, most wholly beautiful album I have heard in a long long time.
THE BEST ALBUM OF THE YEAR. bar none.
The first time and everytime after I listen to this I feel as though I have been hit by a bus.
I just didn't think music could make feel like I did when I was young(er) but I was wrong.

Average customer rating:

What you hope for if you've ever heard "Bring Me to Life"
Indispensable
Light in the Darkness
Amy Lee: The most underrated voice in music today
smart people BUY THIS CD

Fallen
Evanescence
Manufacturer: Wind-Up
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Binding: Audio CD

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The Open Door
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Hybrid Theory

ASIN: B000089RVX
Release Date: 2003-03-04

Tracks:

Going Under
Bring Me To Life
Everybody's Fool
My Immortal
Haunted
Tourniquet
Imaginary
Taking Over Me
Hello
My Last Breath
Whisper

Amazon.com

The Daredevil soundtrack provided a nice boost for this previously unknown quartet from Little Rock, Arkansas. Evanescence's songs "My Immortal" and the imposing "Bring Me to Life" are clear standouts in the film, mainly because they work so well with the dramatic, eerie undertones of the storyline. They reappear here on the band's debut, alongside a selection of similarly brooding tracks that evoke pensive artists like Tori Amos and the Cranberries. Vocalist Amy Lee has the kind of voice that can cause weeks of insomnia, but on songs like "Tourniquet" and "Haunted" she belies the music's sinister mood with evenhanded spirituality, thoughtfully letting some light shine through the tempest. --Aidin Vaziri

Customer Reviews:

What you hope for if you've ever heard "Bring Me to Life".......2007-07-16

What you hope for if you've ever heard "Bring Me to Life", it delivers more of same from start to finish. However, clearly one-upped by nearly every track on "The Open Door".

Indispensable.......2007-07-09

This is one of the very best CDs ever made, and one of the ONLY ones I've ever found that I can listen to from beginning to end and never skip past a single song. I think there's maybe four or five others in the world that I can say that about, and I listen to almost all types of music, from Mozart to Enya to Tool to Billie Holiday to Simon and Garfunkel to Staind to... anyway, it's a masterpiece. Some music snobs like to turn up their noses at Evanescence and mock those who listen to them because they're generally thought of as "Teenage Goth", but I have a message for them: GET OVER YOURSELVES!! BY BEING NARROW MINDED YOU ARE ONLY DEPRIVING YOURSELVES OF SOME OF THE BEST, MOST HAUNTING MUSIC YOU COULD ASK FOR!! I listen to this CD ALOT and I never get tired of it. Amy Lee is amazing! TRY IT!!!

Light in the Darkness.......2007-07-03

Fans of bands like Nightwish, The Gathering, Lennon Murphy and Lacuna Coil are either rejoicing or cursing Evanescence. Their brand of atmospheric gothic rock / metal is quite comparable to all bands mentioned above yet they are the ones in the Billboard Top 10 Album chart.

"Bring Me To Life" is a stunning track on its own merit that could stand to lose the male pseudo rap-rock vocal yelling "Wake Me Up". (If you hear the demo version without the male vocal you will understand) I find it amusing that fans of bands like Linkin Park and Limp Bizkit are buying this disc just on the basis of this track alone only to realize that the rest of the disc is moody, dark journey into the belly of various beasts. Nevertheless, Amy Lee has a haunting voice that layers beautifully over gothic rock/metal passages much like Tarja, Anneke, Christina, and Tori Amos. "Haunted" is a short, but remarkable track that allows Amy's vocals to breathe chilling words of despair. Just read the cold words to "Imaginary" and you wonder what exact demon tortures the writer's (Ben Moody) soul.

Overall, this disc is way too deep and thought provoking for its target audience. For those of us that have supported this style of music for years, please don't pass judgment against this disc until you have experienced the overall enchantment within its 11 tracks.

Amy Lee: The most underrated voice in music today.......2007-06-27

I remember when "Bring me to life" started playing regularly on a local rock station a few years ago. I thought it was a pretty cool song and liked the vocals of female singer Amy Lee, who seemed to have a wide range and yet still able to have somewhat of an overall mystique to her sound that I still have a hard time describing to this day. At that point a friend of mine loaned me the CD, but upon the first couple of listens I put it back without a second thought.

After selling 14 million copies worldwide and having a strong sophomore release with "The Open Door", I decided to give Evanescence another chance, returning to the debut album "Fallen". Sometimes it takes giving an album a second chance to make a first impression, and this time around I guess I was ready to embrace a band that was deemed as Goth Metal by the masses, but had a female vocalist that was able to help them rise above the all too familiar growl and dirge vocal efforts that usually fall into this category. Strong singles that stand out to me start out with Track 1 in "Going Under", which has a nice, simple guitar piece that has enough grind to stay down in the darker, more brooding sounds of this style of music. Track 6 is a tune called "Tourniquet" and has some eerie tones that help it start out before breaking into a clean, balanced attack of guitars and percussion. The overall structure of this album is great, and although I said there are several singles I like, I will just sum it up by saying there is something great about every song on this album.

What really is a selling point for me, however, is the lead singer Amy Lee. Amy's voice is poetic in deliverance of the songs and has a great overall emotional connection with the music, while at the same time her range allows her to add a lot of diversity to each and every song throughout the album. Overall you have a powerful set of music that rocks when it has to, and has some piano melody to add to the mix (Track 6 and 9 in particular) that I feel sets it apart from a lot of the genre's and classifications that people have been trying to put it in. If you are not much into newer "Nu-Metal" or what have you, but enjoy some of the progressive metal sounds and intricate approaches of such musicians, you just might find Evanescence to your liking. As stated before, it took me a few years to "come back" and discover them, but the wait was worth it and I look forward to any new releases this band has to offer.

smart people BUY THIS CD.......2007-06-24

This CD is the best i have ever Heard. now if you like screaming bands you might not like them [FYI a girl is singing] but they are great.

lets start with Going under great rock i would give it a 9/10
every one knows this song Bring me to life AWSOME all around 10/10
the everybodys fool was a good try good message to i would give it a 7.5/10
the 4th one was also very nice not for rock fans but nice 8.5/10
haunted was my Lest liked did not do what Amy does best 5.10
The 6th one Very very nice not the best but not the best 8/10
the 7th one nice strings very nice to 8.5/10
the 8th one rock on 9/10
hello tryed to be like the 4th one BUT failed badly 6.5/10
we are allmost done My last breath they did it again Very nice 9/10
last one whisper 9/10
and it wont tell you but theres 1 more its number 4 again but with guitars again BUY THIS CD

Songs from the Labyrinth (Music by John Dowland)

Average customer rating:

great CD
Very disappointing
*sigh*
Elizabethan Music
Vibe shift

Songs from the Labyrinth (Music by John Dowland)

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Not Too Late
An Ancient Muse
Wintersong
James Taylor at Christmas
Fields of Gold: The Best of Sting 1984-1994

ASIN: B000HXDESU
Release Date: 2006-10-10

Tracks:

Walsingham
Can she excuse my wrongs?
Ryght honorable: as I have bin most bounde unto your honor
Flow my tears
Have you seen the bright lily grow
Then in time passing on Mr. Johnson died
The Most High and Mighty Christianus the Fourth, King of Denmark
The lowest trees have tops
And accordinge as I desired ther cam a letter
Fine knacks for ladies
From thenc I went to the Landgrave of Hessen
Fantasy
Come, heavy sleep
Forlorn Hope Fancy
And from thence I had great desire to see Italy
Come again
Wilt thou unkind thus reave me
After my departure I caled to mynde our conference
Weep you no more, sad fountains
My Lord Willoughbys Welcome Home
Clear or cloudy
Men say that the Kinge of Spain is making gret preparation
In darkness let me dwell

Amazon.com

In choosing to cover the music of John Dowland (1563-1626), who is known as the "melancholy madrigalist" from his output of cheerful ditties like "Flow My Tears," Police bandleader Sting has entered into a whole new realm of austere eeriness. Originally inspired by the gift of a lute, the rock superstar and activist sings the songs, deliciously sweet and tender or spirited by turn, accompanying himself, with Edin Karamazov sitting on lute and archlute. For listeners accustomed to hearing material of this period interpreted by rigorously trained early music stylists, especially countertenors and the like, Sting's sometimes tight-jawed, chest-heavy vocals may seem amateurish. It's undeniable that in four-part harmonies, the singer, tightly overdubbed, comes across like a combination of the Swingle Singers and Queen (meaning Freddy Mercury and crew, NOT the first Elizabeth). But it's important to remember that music of this period was routinely heard as a casual diversion in private homes, even more often than at Court. It was considered a crucial social skill to be able to join in with an adequate degree of skill, but not everyone was able to negotiate the perilous melodic twists and turns typical of the era's music. With this in mind, the overall effect is of a candle-lit, postprandial entertainment in the home of an English gentleman. Muttered readings from Dowland's letters and brief snippets of sampled birdsong aside, it is a courageous effort, displaying heartfelt admiration for the composer and a considerable degree of earnest charm. --Christina Roden

Album Description

StingÂ's Songs From The Labyrinth is an album of 17th century music composed by John Dowland and performed on the lute, an ancient acoustic guitar. After being given a lute nearly two years ago as a gift, Sting became fascinated and immersed himself with the instrument and the history of lute music. Reminded of his almost 25 year long enthrallment with the works of John Dowland, the Elizabethan composer who wrote songs for the lute, Sting has recorded a new album of vocal and lute music. All songs were composed by Dowland in the 17th century, but have been given new life in these fresh new recordings by Sting. Sting not only sings all the songs (accompanied by leading lutenist Edin Karamasov, who appears on two Andreas Scholl albums), but also plays lute on two instrumental duets with Edin and reads short extracts from a fascinating autobiographical letter by Dowland. Sting has also written a brilliant account of the album's genesis, along with notes on the individual tracks, which serves as the CD booklet.

Customer Reviews:

great CD.......2007-07-23

As usual, this is a great STING's cd. Wonderful music and interpretation. Its amazin these songs were written on the 16 century.
I will completely recomend anyone this CD.

Very disappointing.......2007-07-19

As we all know, the music of John Dowland is lovely. When played by Paul Odette or Julian Bream it is exquisite. However, this production is almost depressing. Sting's gravelly voice finally grated on me and I probably won't play this again. The lute performance is mediocre also. The best song is that which they use to promote the album. Pass on this one.

*sigh*.......2007-07-16

I am a lutenist myself, who had experience as both a rock guitarist and a classically trained clarinetist before also picking up the lute. I have a great love for Dowland that comes from years of playing his songs myself as well as hearing great musicians (like Paul O'Dette) play them. And this CD makes me sad.

In a way, it doesn't surprise me that Sting would do this. For years now he's been trying to gain cred in the classical music world (I have a 1988 recording of him doing Stravinsky's A Soldier Tale that delighted me when I was 16 and musically ignorant, but now makes my eyes roll into the back of my head). What upsets me is he had to do something that's initimately important to me as a musician. The is problem is that when it comes this kind of music, as others have said, he IS an amatuer, and all his heavy-handed, juvenile earnesty and clumsy, misplaced intensity just drains out all the joy I would normally experience from these songs. Moreover, he's voice isn't merely "untrained" - it's *shot* from years of strain caused by bad "rock" vocal technique. It's just pitiful to listen to in such an exposed context. If you think this is how these songs ought to be intrepreted, you're sadly mistaken.

There are people who would call Sting a "pop genius, " laud him and hand him all sort of impressive looking awards and honors, but this is the music of a real genius, someone who knew not just how to write lyrics that hit home with his audience, but as how to compose songs with unparallel grace, form and sophistication in an idiosyncratic style that bridged convention and innovation. And Sting simply cannot do Dowland's music justice. He just doesn't have the chops or the insight. It's great he's supposedly "studied" this music and that he wrote lengthy, flowery liner notes, but did he really need to record this CD for any reason that his own self-satisfaction? It's far too obvious he hasn't done the same level of groundwork of countless Early Music musicians who don't do this a hobby or avocation from political causes or high-profile celebrity, but as their sole passion. Why couldn't he simply support those musicians, without trying to grab some spotlight for himself? Having a decent lutenist as a sidekick just isn't enough to pull him up from his amatuerly, self-important bog, either. Frankly, he just doesn't get it, and at this stage, I don't think he will.

Early music lovers don't need someone like Sting to bring this music to us - we've been doing just fine without him because we have so many other, really wonderful musicians around to keep this music alive. Someone else recommended Nigel Rogers and Paul O'Dette, and I would gladly recommend them over this celebrity-fuel nonsense as well. Yes these are both musicians with academic backgrounda, but that doesn't mean they are academic musicians - far from it. They just have to hold down teaching positions and do master classes because they don't have a pop career to play the bills. Musicially and professionally, they're what Early Music musicians ought to be - dedicated, educated, passionate and yet they don't have any need to take themselves this deathly seriously.

Elizabethan Music.......2007-07-12

This is the audio component of an hour long video made by Sting on the work of Elizabethan composer John Dowland. (The video does adds greatly to the value as it places the music against the background and age (16th C) for which it was written.) Sting's voice is light tenor and right for these poems set to music about everlasting human concerns that persist to our day. But you'll not see those wonderful lutes that accompany the words, so complex to play with a beauty of sound not heard today. Between his music Sting gives an excellent spoken commentary to complete an attractive presentation of esoteric classical music with a modern undertone.

Vibe shift.......2007-07-10

Why bother? Still would like to say i love the 'shift' it takes to get into this music and how i (and my home) feel when i've enter this rather rarified realm of listening.

Average customer rating:

I love, love, love this C.D.
Brilliant Score, Brilliantly Performed by Thibaudet!
=)
Just lovely
Piano Enthusiasts - rejoice!!!

Pride & Prejudice
Caroline Dale , Benjamin Wallfisch , William Lyons , English Chamber Orchestra , Jean-Yves Thibaudet , and Aidan Broadbridge
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

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Pride & Prejudice
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Pride and Prejudice: The Original Soundtrack from the A&E Special Presentation

ASIN: B000BEZQ0Y
Release Date: 2005-11-15

Tracks:

Dawn
Stars And Butterflies
The Living Sculptures Of Pemberley
Meryton Townhall
The Militia Marches In
Georgiana
Arrival At Netherfield
A Postcard To Henry Purcell
Liz On Top Of The World
Leaving Netherfield
Another Dance
The Secret Life Of Daydreams
Darcy's Letter
Can't Slow Down
Your Hands Are Cold
Mrs. Darcy
Credits

Amazon.com

The year 2005 was big for Italian composer Dario Marianelli. His score for The Brothers Grimm received much applause (probably more than the film itself) and a few months later he came back with another batch of compositions for a period film. This time around, the plaudits are reversed: The film is better than the score. And that's not the only reversal: Since several of his compositions were to be performed by some of the characters on screen, Marianelli wrote parts of the music before the movie was shot, switching the order in which these things are usually done. The onscreen pieces are for solo piano, and Marianelli got a huge leg up by having them played by famed classical performer Jean-Yves Thibaudet. Marianelli was instructed by director Joe Wright to think along the lines of Beethoven (tall order!) but unlike The Brothers Grimm, which cleverly mixed and matched its classical influences, Pride & Prejudice fails to acquire a personality of its own. A few tracks, such as "Arrival at Netherfield," even border on George Winston territory. The intervention of the English Chamber Orchestra usually helps, but overall the score's palette sticks too much to a monochromatic beige. --Elisabeth Vincentelli

Customer Reviews:

I love, love, love this C.D........2007-07-24

I'm listening to this wonderful music while I work. I'm reliving the great movie version 2006. Listening to this music completely relaxes me and I go into a semi-dream state. Love that "Mr. Darcy."

Brilliant Score, Brilliantly Performed by Thibaudet!.......2007-07-13

I have always loved the Pride & Prejudice story, and both previous major versions of film adaptation. I fell in love with this particular version right from minute one, and was immediately captivated by the wondrous music, primarily centered on the piano. It is brilliantly performed by Jean-Yves Thibaudet.

If more modern music was of this caliber, the world would be a more noble place. No film score collection is complete without this item.

=).......2007-07-01

I gotta tell you, the only thing better than Mr. Darcy confessing his love to Lizzy in the rain is listening to this score. I absolutely love it--I espeically love picturing the scenes, which one can see so vividly while listening to the music. It's beautiful. My favorite tracks are 9 and 11. Enjoy!

Just lovely.......2007-06-12

I think this soundtrack is absolutely fantastic and the composer should have won the Oscar in 2006 (at least it was nominated).

Piano Enthusiasts - rejoice!!!.......2007-06-01

I purchased this album some time ago, following having seen the dvd of the movie. What I had really wanted was the sheet music so I could play the beautiful piano pieces as heard in the film. It took a few months for the music to be published - Dario Marianelli is the composer - but until that time I listened to the c.d., which, I believe any lover of classical music will enjoy whether they play piano or not. Mr. Marianelli has crafted a hybrid blend between the best of classical form in musicianship with a more modern aesthetic. His music is cleaner, less fussy . . . and therein lies the beauty - you can hear the melodies singing out above all else, and they are rich, lovely melodies! Grab a cup of tea and the newspaper, or head out in the early morning dew to fuss with your garden . . . with P & P playing as your soundtrack. Hugely satisfying!!!

Average customer rating:

Osvaldo Golijov: Oceana

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music
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Osvaldo Golijov: Ainadamar
Songs by Mahler, Handel & Peter Lieberson
Peter Lieberson: Neruda Songs
The Dreams and Prayers of Isaac the Blind
Vladimir Godar: Mater

ASIN: B000PDZQS8
Release Date: 2007-07-10

Tracks:

Call
First Wave: 'Oceana Nupical, Cadera De Las Islas' - Rain Train Interlude
Second Wave: 'Quiero Oir Lo Invisible'
Second Call
Third Wave: 'Oceana, Reclina Tu Noche En El Castillo'
Aria: 'Tengo Hambre De No Ser Sino Piedra Marina'
Chorale Of the Reef: 'Oceana, Dame Las Conchas Del Arrecife'
I
II
Night Of the Flying Horses: Close Your Eyes - Doina - Gallop
Lua Descolorida
How Slow the Wind

Amazon.com

This stunning new CD of music by Argentine composer Osvaldo Golijov is a beauty. The title work, Oceana, is scored for instruments (with prominent guitars and percussion), chorus, and solo vocalist (here, the remarkable samba and jazz stylist Luciana Souza). It sets a poem by Pablo Neruda that praises the transcendent power and beauty of the ocean. Filled with dancing rhythms, the work ebbs and flows, ever-moving and fascinating at every turn. The Kronos Quartet then plays Tenebrae, a two-movement lamentation with long, almost Verdian melodies. Three Songs, sung by Dawn Upshaw, ends the CD. One is a tale about the sad fate of Jews and Gypsies during World War II. The second, "Colorless Moon," is a stunning dirge, and the last, a poem by Emily Dickinson, is also a lament about the inevitability of death. Please don't assume from these descriptions that this disc is depressing. This is stunning, original music that uplifts, and it is performed superbly by all involved. A must. --Robert Levine

Album Description

Oceana is the key work of this album, a composition for orchestra, three guitars, harp and voice, filled with Latin and jazz sounds. It is performed by the acclaimed Los Angeles Guitar Quartet, the Atlanta Symphony Orchestra under conductor Robert Spano (also on Ainadamar), and the multiple GrammyÂ® nominated Brazilian jazz singer Luciana Souza. This piece was Golijov's first commission of a choral work in the spirit of J.S. Bach and became a source of inspiration for La PasiÃ³n segÃºn San Marcos (St. Mark Passion), a future release on DG.

Tenebrae is a collaboration with the famous Kronos Quartet--one of the most influential ensembles of our time. The meditative work in two movements "is about pain," says Golijov, "but pain seen from inside and from a distance." Despite being Golijov's reflection on today's tormented world, Tenebrae is a work of radiant beauty that offers consolation and a prayer for peace.

Just Before Sunrise
Average customer rating:
Just Before Sunrise
Nathan Gunn
Manufacturer: SONY CLASSICS
ProductGroup: Music
Binding: Audio CD

Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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Il Divo - Live at the Greek

ASIN: B000PC8AG4
Release Date: 2007-08-07

Tracks:

Just Before Sunrise
The Briar And The Rose
Polka Dots And Moonbeams
In The Dark Pine-Wood
It Feels Like Home
Say Anything
Time
The Dance Of Love
And So It Goes
Innocent When You Dream
The Secret Marriage
When You Are Old And Gray
Jam Tart
This Heart That Flutters
I Have Loved Hours At Sea

Amazon.com

American baritone Nathan Gunn has been earning kudos in the world of opera for his handsome voice and appealing looks in operas by Britten and Mozart and as Clyde Griffiths in the world premiere of Tobias Picker's An American Tragedy. For his solo debut album, however, he has turned his attention to a program of introspective contemporary songs by the likes of Sting, Tom Waits, Gene Scheer (better known as a librettist), Billy Joel, and others. He's assisted by Kristin Chenoweth in a song by John Bucchino and backed by prodigy jazz pianist Eldar on some cuts. The intimate arrangements throughout are by David Cullen. The songs are lovely: romantic, nostalgic, and gentle (Jimmy van Heusen's "Polka Dots and Moonbeams," a veritable Norman Rockwell painting in song, is included). Fans of easy listening will appreciate Gunn's nonchalant, pitch-perfect, thoroughly non-operatic renditions of them all. There is nothing classical about this release, however, and Gunn's true gifts are better heard in opera. --Robert Levine

Product Description

From Sting, Billy Joel, and Tom Waits to W.H. Auden, James Joyce and Jimmy van Heusen, Just Before Sunrise is a collection of romantic and intimate songs of today. Musically capturing the in-between time before sunrise, Nathan Gunn sings music for life s special moments and offers a musical reflection on the soul and spirit of one of today's finest singers.

Mozart for Mothers-To-Be: Tender Lullabies for Mother and Child

Average customer rating:

Wonderful
Great for putting kids to sleep!
Very Relaxing
A Must Have for all Parents of Little Children !!!
Inspire the baby-within

Mozart for Mothers-To-Be: Tender Lullabies for Mother and Child

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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More Mozart for Mothers-to-Be

ASIN: B0000041EV
Release Date: 1996-04-09

Tracks:

Divertimento In B-Flat (Adagio)
Cassation (Final-Musik) In G - Adgio
Divertimento In G Minor (Andante)
String Quartet No. 12 In B-Flat - Adagio
Divertimento In D, KV 131 - Adagio
'Eine Kleine Nachtmusik' - Romance (Andante)
Divertimento In D, KV 136 - Andante
Serenade In B-Flat 'Gran Partita' - Adagio
Prelude No. 3 In F
String Quartet No. 1 In B-Flat - Adagio
Violin Concerto In D - Andante cantabile
Divertimento In B-Flat - Adagio

Customer Reviews:

Wonderful.......2007-06-26

I bought this CD to listen to at work (I am 6 months pregnant). The quality is awesome and the choice of songs is perfect I can listen to it over and over.

Great for putting kids to sleep!.......2007-06-08

I absolutely love this CD! In fact this is our second one because we wore out the first since we played it so much. It is very soothing, and in fact we used it to help both our kids (now 4 and 18 mo) go to sleep since they were babies. I highly recommend it!

Very Relaxing.......2007-04-10

It is very soothing and really helps you relax. I enjoy listening to it in the car during my high stress commute.

A Must Have for all Parents of Little Children !!!.......2006-11-25

I bought this when my first baby was...well, a baby. That was 8 years ago. Now I am on my 4th copy of this cd (Mozart For Mothers to Be) and my 3rd child. Nothing works better. I'm on here to buy my 4th copy becasue I've worn them out over the years and have to keep replaceing them. My 8 and 3 year old still use it, and now the new baby, also. Make it part of your nightly bed time routine and you'll have good little sleepers in no time. I swear by it. It is very soothing, calming and not distracting so it won't drive you bonkers if you can hear it a little from the next room.

A truely great gift for new parents, or if you have a sleepless little one at home. Turn on the cd, turn down the lights and let it sooth them to sleep.

Inspire the baby-within.......2005-12-13

Beyond sheer musical appreciation and enjoyment, Mozart's music in general is ideal for gently stimulating the "creative centers" as well as instilling a sense well-being. While there is much academic disagreement about the extent or reality of the so-called "Mozart Effect," it doesn't take a genius to observe how Mozart's music puts most people (and probably babies-to-be) in a happy mood ready to take on the day's challenges. There is a simplicity - yet elegance and musical brilliance - in his music that is also well-suited for the youngest of children.

The selections on this CD are all excellent and represent a nice range of Mozart's compostions, emphasising those that are ideal for creating a pleasant backdrop for leisure, dining and social occasions ("divertimentos"). The recordings are from the creme of musicians famous for their Mozart. Few works are as elegant and soaring as the Serenade #10 for winds - an astonishingly beautiful tune made famous from the early scenes of the movie, "Amadeus." Mozart supreme gifts of music are even seen in such humble "background music" as these pieces. And such continuity of warm, leisurely tones as these over 70 minutes is ideal for inspiring the baby to-be if that is why you are considering this CD. Better to expose a baby to the gentile, lyrical music of Mozart than to the dissonant, loud and disturbing tones of some classical music written well after Mozart.

As the reviewer below rightfully notes, compilation CD's of various unrelated works like this one is not quite how classical music is best meant to be heard. But in a way it is better for many to start with such collections like this - especially for those who just want the more quiet selections that are unintrusive. In that respect, this collection can be satisfying for most anyone (not just moms or babies). I have a huge classical music collection, but still really enjoy listening to one full CD of similar-temperament music like this one that flows easily and smoothly that doesn't demand my attention but only seeks to delight. And, in the end, that was the simple and primary goal of many of Mozart's compositions - to be purely enjoyed and delighted.

Music Track:

Music Track

music track

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