Safe [Enhanced] [Explicit Lyrics] [EP]

Safe [Enhanced] [Explicit Lyrics] [EP]

Editorial Reviews
Product Description
This EP pairs a remix 'Safe' by Sascha of KMFDM with recent live tracks and illustrates two distinct methods of reworking songs from both the current albums Oracle and Spit. Includes enhanced CD with live video footage. Artemis Records. 2002.

Tracks:

Lord of the Rings: The Fellowship of the Ring/Prologue: One Ring ...
Lord of the Rings: The Fellowship of the Ring/The Shire
Lord of the Rings: The Fellowship of the Ring/Bag End (Featuring ...)
Lord of the Rings: The Fellowship of the Ring/Very Old Friends
Lord of the Rings: The Fellowship of the Ring/Flaming Red Hair
Lord of the Rings: The Fellowship of the Ring/Farewell Dear Bilbo
Lord of the Rings: The Fellowship of the Ring/Keep It Secret, Keep ...
Lord of the Rings: The Fellowship of the Ring/A Conspiracy Unmasked
Lord of the Rings: The Fellowship of the Ring/Three Is Company
Lord of the Rings: The Fellowship of the Ring/The Passing of the Elves
Lord of the Rings: The Fellowship of the Ring/Saruman the White
Lord of the Rings: The Fellowship of the Ring/A Shortcut to Mushrooms
Lord of the Rings: The Fellowship of the Ring/Strider
Lord of the Rings: The Fellowship of the Ring/The Nazgul ...

Tracks:

Lord of the Rings: The Fellowship of the Ring/Weathertop
Lord of the Rings: The Fellowship of the Ring/The Caverns of Isengard
Lord of the Rings: The Fellowship of the Ring/Give Up the Halfling
Lord of the Rings: The Fellowship of the Ring/Orthanc
Lord of the Rings: The Fellowship of the Ring/Rivendell
Lord of the Rings: The Fellowship of the Ring/The Sword That Was ...
Lord of the Rings: The Fellowship of the Ring/The Council of ...
Lord of the Rings: The Fellowship of the Ring/The Great Eye
Lord of the Rings: The Fellowship of the Ring/Gilraen's Memorial
Lord of the Rings: The Fellowship of the Ring/The Pass of Caradhras
Lord of the Rings: The Fellowship of the Ring/The Doors of Durin
Lord of the Rings: The Fellowship of the Ring/Moria
Lord of the Rings: The Fellowship of the Ring/Gollum
Lord of the Rings: The Fellowship of the Ring/Balin's Tomb

Tracks:

Khazad-Dum
Caras Galadhon (featuring Lament for Gandalf, performed by Elizabeth Fraser)
The Mirror of Galadriel
The Fighting Uruk-hai
Parth Galen
The Departure of Boromir
The Road Goes Ever On (part 1)
May It Be (composed and performed by Enya)
The Road Goes Ever On (part 2. featuring In Dreams, perfomed by Edward Ross)
Lord of the Rings: The Fellowship of the Ring/Khazad-D
Lord of the Rings: The Fellowship of the Ring/Caras Galadhon ...
Lord of the Rings: The Fellowship of the Ring/The Mirror of Galadriel
Lord of the Rings: The Fellowship of the Ring/The Fighting Uruk-Hai
Lord of the Rings: The Fellowship of the Ring/Parth Galen
Lord of the Rings: The Fellowship of the Ring/The Departure of Boromir
Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...
Lord of the Rings: The Fellowship of the Ring/May It Be
Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...

Amazon.com

As fans of Peter Jackson's Lord of the Rings trilogy know, each film exists in two versions: the theatrical one and the extended one that appeared on DVD. This luxurious box set--which also comes with a detailed essay on the movie's musical themes--features the full extended score, so many cues not on the CDs of the individual movies are included. Granted, the majority of listeners will be perfectly happy with the shorter versions of the scores--it's a safe bet that most people can live without hearing, say, Ian McKellen's 35-second-long ditty "The Road Goes Ever On" at the beginning of "Bag End," or Viggo Mortensen's performance of his own composition, "The Song of Lúthien," within the track "The Nazgûl." But if you're a completist and/or a devotee of Howard Shore's pounding tympani and overwhelming choral compositions (featured particularly prominently on disc 3, a large chunk of which is devoted to a battle scene), then this set is a dream come true. Audiophiles should note that the fourth disc, a DVD, offers the score in Dolby Digital 5.1 Surround Sound. Fire up those speakers so the whole shire can hear. --Elisabeth Vincentelli

Album Description

An epic film score receives epic treatment with The Lord of the Rings: Fellowship of the Ring/Complete Recordings. Released for the first time on CD, the complete score for the first film in the Lord of the Rings trilogy contains more than 180 minutes of music on three CDs plus a DVD-Audio disc of the entire score in Surround Sound. Breathtaking and majestic, the 2001 Oscar and Grammy winning score compsted by Howard Shore also includes Enya's Oscar nominated "May It Be." For fans of any of The Lord of the Rings films, the Fellowship of the Ring/Complete Recordings is an essential experience.

Customer Reviews:

Beautiful.......2007-06-15

I picked up this set because I am both a LOTR fan, movies and books and I need music to help me work. There are some tracks that I skipped over, like the short little ditties in the bar, but many of the songs, such as the Elvish chants are easy to get lost in - its just too bad they don't last longer. The packaging really is well done, though the DVD disc was loose when I received it in the mail, but unharmed. I will have to wait until the price on the second set comes down a little more, but I can't wait for ROTK.

Awesome.......2007-06-12

This is by far the editon to get if you loved the lord of the rings soundtrack. It has every song on it from the extended edition. and the DVD-A version is very nice.

Excellent Music tracks from Movie.......2007-05-03

Brings the movie back as you listen to the full version of the track.

Complete?.......2007-04-07

This CD collection is wonderful; it has much of the material from the movie that was only included in the extended edition DVD, but it is far from complete. While it does have the complete version of "The Passing of the Elves" and two versions of "The Road Goes Ever On", many of the songs are highly incomplete and inferior to the originals. "Aniron," the theme for Aragorn and Arwen performed by Enya, is incomplete and the lyrics are hard to match to what is being sung. The sound quality for this song is even worse on the accompanying DVD, which is supposed to have all of the music in "superior sound". The song "Prophecy" is reduced to two barely-audible lines and "May It Be" is shortened and different than the original. $60 for this when there are more complete songs on the original soundtrack is ridiculous.

Great Collection, Poor Packaging.......2007-04-03

I realy can't add to what others have said about this set, the music is simply the best LOTR soundtrack collection out there! It is all here, and the contents of this set will make any LOTR fan happy and the music DVD is a great one disc addition if you want to hear the entire score in one sitting (to which I have done a number of times already).
My only complaint is the somewhat flimsy cardboard box that houses the contents of this musical treasure. Mine came damaged, and considering the price, I expected better packaging. This is a minor quabble on my part and NO, I havent returned it due to the fact that the music itself Is what I truly treasure, It just would have been nicer to have recieved it undamaged.

Music-5
Packaging-3

*for the record I had rated this Item 5 stars not the 3 stars that is showing at the top of my review*

Average customer rating:

The power of faith
This soundtrack....
Dances With Wolves in Japan
A Diverse Score from the Land of the Rising Sun
One of the best themes ever composed

The Last Samurai
Hans Zimmer
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

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Gladiator: Music from the Motion Picture
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Batman Begins

ASIN: B0000DZTIW
Release Date: 2003-11-25

Tracks:

A Way Of Life
Spectres In The Fog
Taken
A Hard Teacher
To Know My Enemy
Idyll's End
Safe Passage
Ronin
Red Warrior
The Way Of The Sword
A Small Measure Of Peace

Amazon.com

Whether Tom Cruise's portrayal of a 19th century American soldier cum samurai warrior will be remembered with the same pangs of pop-cultural bemusement that befell John Wayne playing Genghis Khan remains to be seen. But its musical soundtrack does mark an auspicious occasion: pop musician-turned-composer Hans Zimmer's 100th score since beginning his film career in 1988. A pioneer of fusing both the electronic and orchestral and the Westernized with the indigenous, Zimmer does both here with skill, drawing heavily on samples of the traditional Taiko (a massive Japanese drum) for its rhythmic action sequences, while constructing a melodic Western motif for Cruise's character that's both centerpiece and counterpoint for the score's transcultural intent. Aside from the brief, ominous thunder of the expected action/suspense boilerplate, Zimmer has constructed passages of gentle, Asian-inflected pastoralism that have parallels with much of his evocative work on The Thin Red Line. Those cues are the score's very soul, a canvas against which his more traditional themes reverberate all the stronger. --Jerry McCulley

Customer Reviews:

The power of faith .......2007-05-29

Sweet as lotus flower, strong as a the solid rock of the paith, sharp as a samurai sword... close your eyes and live in an magic ancient atmosphere

This soundtrack...........2007-04-24

...is really amazing, so deep and great. The movie would never be so good without this great music.

Dances With Wolves in Japan.......2007-04-10

If you liked Dances With Wolves this is it in Japan - I do think it is Tom C's best movie. The sound track is excellent - Zimmer also did Batman Returns which has a fantastic soundtrack - Hans is comming on

A Diverse Score from the Land of the Rising Sun.......2007-03-02

I always love it when composers branch out and write music that you would never expect them to write, yet retaining their own trademark sound. Here, Hans Zimmer utilizes his own, recognizable sound, where you know it's him with eastern instrumentation, such as Taiko drums, the shakuhachi (a staple in Horner scores lately), and the koto harp. It's east meets west, a route in which Tan Dun took on in the film "Hero", and Zimmer's score follows many of those same musical ideas, only not quite as eastern sounding as Dun's score.
The main theme is a powerful 7-note anthem which tends to build its way up each time, as in "A Way of Life", "Spectres in the Fog", "Idyll's End", and "Safe Passage". You can tell it is a Zimmer theme just by its sound, but with the oriental flavor thrown in, it really adds to the mix.
The action music in the score is exciting with energetic Taiko drums keeping the pulse moving. They do not get tiresome, as you might think because Zimmer uses them more like a heartbeat, not a heart attack! "Red Warrior" is a powerful anthem, consisting of japanese warrior chants, which really add to the scope of the sound. Other noteworthy tracks are "Ronin" and "The Way of the Sword", which are enjoyable pieces of music.
I was pleased of the results of Zimmer's work here. It showcases Zimmer's diversity with his music. I hope he gets the opportunity to write more diverse scores such as this. The Da Vinci Code is certainly one of them!

One of the best themes ever composed.......2007-02-28

This soundtrack is brilliant, and Hans Zimmer even more. He is truly one of the great film composers. The Last Samurai's sounds never fail to draw emotion from me.

Average customer rating:

Great, Great, Album; Shame About the Extras.
A mind-numbingly good debut.
von van
great debut
Abba Zabba ZOOOMMM!

Safe as Milk
Captain Beefheart
Manufacturer: Buddha
ProductGroup: Music
Binding: Audio CD

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The Mirror Man Sessions
Strictly Personal
Freak Out!
Hot Rats
Doc at the Radar Station

ASIN: B00000J7A2
Release Date: 1999-06-01

Tracks:

Sure 'Nuff 'N Yes I Do
Zig Zag Wanderer
Call On Me
Dropout Boogie
I'm Glad
Electricity
Yellow Brick Road
Abba Zaba
Plastic Factory
Where There's Woman
Grown So Ugly
Autumn's Child
Safe As Milk (Take 5)
On Tomorrow
Big Black Baby Shoes
Flower Pot
Dirty Blue Gene
Trust Us (Take 9)
Korn Ring Finger

Amazon.com essential recording

"I may be hungry, but I sure ain't weird," Don Van Vliet, a.k.a. Captain Beefheart, famously intones on this bright-sounding remastered version of the 1967 debut by Captain Beefheart and His Magic Band. Safe as Milk is a bold, tough-ass distillation of Delta blues stomp and '60s garage-punk swagger, fused with a radically polyrhythmic and tempo-shifting style that one might term "art rock." Listening to the delightfully playful, absurdist "Abba Zabba," it's easy to see why Lester Bangs called Beefheart "the only true dadaist in rock"; the song is a good indication of the intricate, rule-breaking music the Magic Band would continue to hone. But there are also formidable ballads (the psychedelic "Autumn's Child," the lachrymose "I'm Glad"), midtempo pop-soul tunes (the Otis Redding-ish "Call on Me"), and straight-ahead blues-rock workouts ("Plastic Factory"), all of which showcase the fretwork of a young Ry Cooder. Much has been made of Beefheart's multiple-octave vocal range; he sings menacingly on "Dropout Boogie" and allegedly broke a very expensive microphone on the eerie "Electricity." The last seven tracks on this reissue (for the most part fascinating, unfinished instrumentals) were recorded with a different lineup; they are outtakes from Mirror Man Sessions. --Mike McGonigal

Customer Reviews:

Great, Great, Album; Shame About the Extras........2007-07-31

Firstly I have to state that this is not just one of my all-time favourite Beefheart albums, it is one of my all-time favourite albums full-stop.

It has got it all, strange yet very easy to like, and with repeated listening it grows and grows. I never tire of hearing it.
Why was I going to give four stars, not five?
Well one reviewer says that a plus-point with this release is that it is 70+mins long whereas the original is 34 mins long.
Well the extra material added here adds NOTHING to the original. Worse it actually takes up valuable time you could spend listening to something worthwhile (like the proper album for example).
If you read the notes that come with the album they actually tell you that the tracks here belong with the "Mirror Man" LP and were tacked on to this album for no other reason than that there wasn't enough space on that CD for the material (clearly they realised that a double CD of (mostly) mediocre improvised pieces was not going to sell) so they, no doubt, figured that sticking an, apparent multitude, of 'previously unreleased bonus material' on the end of an established masterpiece might persuade some long-time lovers of the album to buy it again (yes I feel like a mug).

Here's the justification: The Captain recorded studio tracks at this time with the intention of producing a double LP which was to feature live material recorded later. For reasons unknown this didn't happen. So in adding this material, the suggestion is that it is somehow honouring the artist's original intent.
Phooey! The reason they didn't go ahead with the 'original concept' is that someone realised it would be a dreadful mistake. The material added here sounds completely out of keeping with the rest of the album, but does sound very much in keeping with the recordings on "Mirror Man" (a very much inferior album). Oh and let's not forget these are the rejects from THAT album.

As for the much-vaunted re-mastering, when played back-to-back this version does sound superior, on a first listen, to the previous CD version. That is until you realise that it is mostly due to the effect of ramping up the volume (as is the case with a lot of re-mastering jobs) a process that may actually reduce the dynamic range of the material, when the playing volume is adjusted to compensate there is no discernible improvement(or reduction) in quality.

In spite of the above I am forced to wholeheartedly recommend the album (unless you own or can obtain the earlier CD version in which case you can rest easy) as it is one of the greats. I would, however, suggest you familiarise yourself with the first twelve tracks and treat the interlopers present after them with extreme caution.

There is no way I could ever give less than five stars to any version of this album.

A mind-numbingly good debut........2007-05-22

Captain Beefheart's debut is a glorious mess of fractured Delta Blues, lopsided garage rock, and mind-expanding pop, a wonderfully offbeat record that still sounds fantastically original today. Every song resonates with the kind of wonky creativity and out-of-whack musicality that makes some albums an utter joy to listen to. Indeed, Safe as Milk sounds dazzling and fantastic on the first play and only gets better with each additional listen (fun fact: for a while, this was John Lennon's favorite album). The Cap'n certainly has the appropriate raw materials: A wonderfully deranged approach to songwriting, a deep love of blues and rock, some neat harmonica skills, and, most importantly, a monstrous bellow of a voice that rings with both deep emotion and sly humor. The guy sounds like an avant-garde Howlin' Wolf, a ragged maverick with a set of pipes that can match the afformentioned Chicago Blues legend for sheer throat-shredding catharsis. And how about that band! The Magic Band may very well be one of the sturdiest and most universally capable groups ever assembled, able to play rock, blues, country, soul, or pop with equal aplomb, to seamlessly combine them, or to turn stylistic corners on a dime.

The songs are almost uniformly fantastic- "Sure 'Nuff 'N Yes I Do" opens the record with a cheeky, affectionate slice of ramblin' country blues, picking up a galloping drumbeat on the way. "Plastic Factory" takes a different approach to the same genre, but its every bit as awesome: It boasts a mean, gritty guitar riff, some stuttering harmonicas, and one of Beefheart delivering some surreally bemused lyrics in a rough, hoarse bellow. "Zig-Zag Wanderer" and the acidic "Dropout Boogie" are rough, blistering garage rockers that could have sat quite comfortably on the Nuggets box. The latter, with its goonish backing vocals and razor-sharp fuzz guitar line, is particularly nasty. "Electricity," with its wailing guitars, acid-tinged melodies, pulverizing vocals, rabble-rousing chorus, and touches of psychotic psychedlia, is an all-out stunner, as is the primal percussion showcase that is "Abba Zaba." "Call on Me" and "I'm Glad" are fantastic soul songs- the latter is a genuinly affecting ballad with a deeply emotional vocal. "Where There's Woman" is quiet and tension-filled, with a creeping guitar line and echoes of percussion. Album closer "Autumn's Child" manages to sound like both earnest, otherworldly baroque-psychedlia and some of Frank Zappa's spacier numbers.

Put simply, Safe as Milk is an astounding album, an odd and engaging joy from start to finnish. You can play it from now until the day yoou die, and still find something to love each time you hear it. If you like music that's both original and accessible, you can't go wrong with this. Hey, if you listen to it enough, you may even be ready to experiance Trout Mask Replica! But that's another story...

von van .......2007-01-10

Excelent disc. very singular because it combines notes of blues with classic rock mainly and the estridente sound of the first guitar. all it contributed to being a very singular sort. I am proud of this purchase.

great debut.......2007-01-10

Discovering beefheart thru his work with the great Frank Zappa I of course started with Trout Mask. Don't get me wrong that album is a great piece of avant garde music, however it is not easy to listen to. Safe as Milk is much more accessible, Beefheart's vocals are more rythmic, and the band is excellent. This is truely a hidden gem for people who like classic rock and are interested in something diffrent than radio heavy bands.

Abba Zabba ZOOOMMM!.......2006-02-09

It was 1969, and I was a mere 13 years old when my Stoner older brother age 23 laid this one on me. One listen to this Orgy for the ears, and every other rock and roll album of the day just seemed to pail in comparison. I was that Jaded! After about 30th time around the ZENITH Record Player, I began to wonder, what makes this so addicting? That's easy, there's really nothing like it! So, again and again it plays... It's that addicting. Ok, pass the hash pipe! Hell, you don't even need drugs, beefheart's music is a very satisfying trip in itself. It's like the whole high desert opened up and belched a genuine boanfide masterpiece. From Yellow Brick Road to Electricity, this is pure gold. This is essentially Don's first Album. There's something so whimsically wonderful about every track. That's rare. Every song is like an abstract painting. Each cut is as riveting as the next. I know, many of these masterful tunes have a standard beat! Of course the Captain's later efforts are just as interesting and even more original. But, this is the record to get first. It opens the door and guides the listener into what follows. Don Van Vliet is a true original, an American Blues Genius. If the Devil Played this album in Hell, Baby it really would make you want to go!

Average customer rating:

The only problem is that it is not long enough
gram's 2nd best album
+ 1/2 stars...Blueprint for Country Rock

Safe at Home
The International Submarine Band
Manufacturer: Sundazed Music Inc.
ProductGroup: Music
Binding: Audio CD

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Another Side of This Life: The Lost Recordings of Gram Parsons, 1965-1966
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Hot Burritos! The Flying Burrito Bros. Anthology 1969-1972

ASIN: B00063MC48
Release Date: 2004-12-07

Tracks:

Blue Eyes
I Must Be Somebody Else Youve Known
A Satisfied Mind
Folsom Prison Blues And: Thats All Right
Millers Cave
I Still Miss Someone
Luxury Liner
Strong Boy
Do You Know How It Feels To Be Lonesome?
Knee Deep In The Blues

Album Description

Just before Gram Parsons cut a wide swath through American music with Sweetheart Of The Rodeo-era Byrds and the Flying Burrito Bros., he forged a new musical genre with the seminal 1967 country-rock sides he cut with his legendary International Submarine Band. Sundazed Music, in conjunction with Shiloh Records, is proud to present a compact disc release of the ISB's highly collectible Safe At Homealbum, taken for the first time from the pristine, two-track stereo LHI-label masters, now sporting accurate original artwork, rare photos and a revealing new essay by noted author Sid Griffin. We've added the last piece to the jigsaw puzzle by remarrying the originally unissued track "Knee Deep In The Blues" (recorded during the Safe At Homesessions) to this resoundingly important musical statement. It's a young, confident Gram Parsons here, showing the world he's ready for business and firing the first volley in an amazing—if too brief—career that would soon stand the! rock `n' roll world on its ear.

Customer Reviews:

The only problem is that it is not long enough.......2005-11-21

This is a fairly short album by today's standards, but this album shows that today's standards are pretty crappy. "Miller's Cave" stands out in my mind the most.

gram's 2nd best album.......2004-12-31

i love country rock. i mean real country rock, not the pre-fab stuff that comes out of nashville these days. this album is the real stuff. in fact it's the first country rock album ever recorded and gram parsons at his absolute best. he only topped this effort once, with the great "the gilded palace of sin" (the flying burrito brothers first album ). the cd's only drawback is that it's 28 minutes long (which was not unusual for albums in the late 1960s). it was recorded in 1967. before his stint with the byrds, before the flying burrito brothers, before he went solo, before drugs and alcohol got the better of him. everything he did on "the gilded palace of sin" he pioneered here. it turns out gram parsons made a prototype of his later masterpiece. this cd is it. i can't get enough of it.

+ 1/2 stars...Blueprint for Country Rock.......2004-12-11

Gram Parsons has as legitimate claim as anyone for recording the first country/rock album with this late-1967 recording by the International Submarine Band before jumping ship to join the Byrds on their SWEETHEART OF THE RODEO project.

The standout tracks are the self-penned gems like "Blue Eyes" (which was released as a single), "Luxury Liner" (which Parsons devotee Emmylou Harris would cover a decade later), and "Do You Know How It Feels To Be Lonesome" (which Parsons would revisit on the Flying Burrito Brothers' debut).

There are equally strong performances on covers of Merle Haggard's "I Must Be Somebody Else You've Known" and Johnny Cash's "I Still Miss Someone." The original album's nine tracks are augmented on this CD reissue by the bonus track "Knee Deep In the Blues" (a hit for both Marty Robbins and Guy Mitchell), which first appeared on the Gram Parsons anthology SACRED HEARTS & FALLEN ANGELS.

The band is joined on these recordings by Jay Dee Maness on pedal steel, Earl "Les" Ball on piano, and future Burrito Brother Chris Ethridge on bass. While the album is relatively short (it clocks in at just under 28 minutes), the pure, raw country sounds on this disc became the template for all country/rock bands that followed in their wake. HIGHLY RECOMMENDED

Average customer rating:

One of my fav CDs..
Best! "Best Of" Album From One Of The Best Bands Ever
Fitting tribute to one of the greatest bands ever
The best grunge band
Everything Unsafe: Best of Alice In Chains' Box Unleashed!!!

Nothing Safe
Alice In Chains
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Dirt
Sap
Live
Alice in Chains
Facelift

ASIN: B00000JH07
Release Date: 1999-06-29

Tracks:

Get Born Again
We Die Young (Demo)
Man In The Box
Them Bones
Iron Gland
Angry Chair
Down In A Hole
Rooster (Live)
Got Me Wrong
No Excuses
I Stay Away
What The Hell Have I
Grind
Again
Would?

Amazon.com

Although Alice in Chains singer Layne Staley dropped off the radar following 1995's Alice in Chains, it's amazing how good he sounds on 1998's "Get Born Again," the one new track on this 15-song best-of outing. Sounding like a Dirt-era offering, the band's trademark dirgeful sound and melodic, layered, and haunting vocals shine on this strong Staley-Cantrell composition. And there's other interesting material that makes Nothing Safe a safe bet for fans. A demo of "We Die Young" is faster and more metal than the version on 1990's Facelift, while a live "Rooster," lilting "Got Me Wrong" (from Unplugged) and "What Hell Have I" from the Last Action Hero soundtrack are all eminently listenable. --Katherine Turman

Customer Reviews:

One of my fav CDs.........2007-06-26

Like I said for Jar Of Flies, this is one of the best CDs of the genre.
Also like Unplugged for a little laid-back version of the songs... Also Unplugged is a nice way to (re-)introduce AIC to those that might have thought them too gritty or some such.
A required CD.

Best! "Best Of" Album From One Of The Best Bands Ever.......2006-04-25

Alice In Chains was one of the most influential bands ever walked the face of the earth that many bands wanted to copy,
but unfortunately all of them failed. Nobody can imitate the power, pain, and passion of Layne Staley's heartfelt vocal
delivery. Hell, this guy can move mountains. One of my favourite vocalists of all time. While Jerry Cantrell, the Axeman
of the band, he can shred your face into bits and also delivers insane mind-blowing chaotic solos. He wrote most of the
songs played by the band and he also wrote one of the most beautiful songs ever written and that's Would? Together, Layne
Staley and Jerry Cantrell as everyone have said are the Best Duo of the 90's. Alice in Chains is not purely a Grunge band
like Nirvana and Pearl Jam but they're also a Hard Rock and a Metal band. They are darker than Nirvana and heavier
than Pearl Jam.

Now, unto the album, this is the first ever "Best Of" album released by the band and this one is much better
compared to the "Greatest Hit" album released a year after because it has all the tracks except "Heaven Beside You" with
this album.

01. Get Born Again - The unreleased hit, good song
02. We Die Young (Demo) - This track is more Metalesque than the original album version, one of my fave
03. Man In The Box - One of my fave tracks
04. Them Bones - Metal \m/
05. Iron Gland - This track has Tom Araya in it, the Dream Sequence taken from the Dirt album
06. Angry Chair - Another fave track of mine
07. Down In A Hole - Beautiful song, also my fave
08. Rooster (Live) - Cool calm song
09. Got Me Wrong (MTV Unplugged) - One of my fave tracks taken from the MTV Unplugged sessions
10. No Excuses - Cool song
11. I Stay Away - Another cool song
12. What The Hell Have I - Nice guitar intro, another good track
13. Grind - This is also a cool heavy track.
14. Again - Cool Solo, cool song
15. Would? - The greatest track of all by Alice In Chains... I love this song... My favourite Song

Every song in this album is a Hit, so what are you waiting for? Highly Recommended.

Fitting tribute to one of the greatest bands ever.......2006-03-10

Though I own all the Alice in Chains albums, this one is the one that rarely leaves my car stereo. Every song here is awe-inspiring. Starting things off with Get Born Again, one of my favorite AIC songs ever, this album takes you through so much emotion. I remember what a gift this band was back in the 90s when I was that awkward, angry kid in high school who needed someone who understood. There will never be another AIC, and this CD is testament to that. Do yourself a huge favor and pick this up. If it hits you the same way it does me, I guarantee you'll pick up the other AIC albums as well.

The best grunge band.......2006-01-21

I'm not too much into grunge. I didn't really care for Pearl Jam and I only liked a few Nirvana songs. But Alice In Chains was diffrent from those bands. They were more darker and had way better solos. Jerry Cantrel is an amazing guitar player and probably the best one in grunge.Layne Staley also had an amazing voice. It's ashame that he's gone but may his spirit live on. This best of the box set has all of the famous Alice in Chains songs. Some of the best songs in my opinion are Man In The Box, Would, Them Bones, Rooster, and Down In A Hole. 17 songs all for anyone who likes Alice In Chains or maybe just a few songs.If your barley getting into this band than I start off with this collection album. Every song is original just like the band and that would never change.

Everything Unsafe: Best of Alice In Chains' Box Unleashed!!!.......2005-11-06

While this CD was to be the first in the sadly--because it loomed that the end of Alice In Chains the band was nigh, and started the affronting malpractice of Sony to re-release and re-release the same Alice In Chains songs with subtly different varieties over the period of 1999 to 2001 (recall the "Greatest Hits", "Music Bank" and "Live" CDs--degradingly drawn-out process of the record company taking advantage of fans' missing of Alice In Chains during their inactivity by exploiting their catalog on different "compilation" CDs, Nothing Safe is inarguably the best of the illicit, invented-sequence Alice In Chains CDs, if only just barely. The merit of the CD--no matter if the rest of the songs are already owned by most dedicated Alice In Chains aficionados--is the grating, one, new song FINALLY distributed after three to four years of Alice In Chains' rueful hiatus, Get Born Again, a monster of an impression-making reemergence!!!! On the flip side, somewhat sorrowfully, Nothing Safe isn't defensible of a purchase because everyone who's interested enough in Alice In Chains to buy the CD based on Get Born Again will already possess most, if not all, older songs.

However, to the most fanatically loyal Alice In Chains connoisseurs--the only kind of Alice In Chains fan around--Nothing Safe merits worth by Get Born Again alone, their newest song since 1996's Unplugged, "Killer Is Me". Beginning morosely and dreadfully with Cantrell's crypt-like, tomb-beckoning, whistling hooks, like doom looms on the horizon, Get Born Again appears to be a song best suited for someone's funeral--yet it's SO much more!!!! Get Born Again immediately segues into a metal-ly, hard-shredding number from its first lines of the first verse. Grating and rumbling with Inez's bass, Cantrell's piercing splintering, and Kinney's hard-hitting drums, the song begins with Staley's trademark frightfulness of reciting eerie poetry for verses in a sing-song fashion, where it then launches into an explosion of riffing before rather unexpectedly and smoothly settling down into the chorus, where Staley's patently ghostly warble under a high pitch takes over, rhyming in arcane intonations (oooh...denied all...and tied all the lies).

Get Born Again has Staley's voice returning to its Dirt-like quality of range, pitch and strength, although its despairingly looming theme fits just as perfectly on Tripod's sludge!!!! Staley's voice is versatile here; in the quieter/restrained parts, his voice affects a correspondingly ominous feel of portending eeriness, sounding at times frail and non-vital, yet in the louder parts of full-throttle shredding, affects the same rigorous screams like on Dirt. The result is a vocal performance that sounds unholy and menaces of some future apocalypse to come. Cantrell, too, is up to par, delivering one of Alice In Chains' most memorable solos, a breathtaking yet harmoniously crypt-like solo that agonizes the listener with some kind of sorrowful overtone exorcized only by the sonic intoxication from the pure dominance of Cantrell's skills. For their second last, new song, Alice In Chains at least delivers a five-and-a-half-minute masterpiece of precious rarity. Get Born Again is quite feasibly read into being about Staley's drug-junkie girlfriend who overdosed in 1996, and from that macabre basis produces a hauntingly unearthly song recalling imagery about betrayal, loss, insecurity, yearning, charades, gloom, pessimism and finally redemption--in short, the usual, thoughtful introspection of Alice In Chains material!!!!

I'm compelled to subtract value from Nothing Safe because of the aforementioned, stagnant rehashing of Alice In Chains' songs, but if you're a newbie, Nothing Safe remains the best, introductory material. All the other hits, minus several more they could've easily incorporated, are familiar to longtime aficionados, like the fast-paced We Die Young, the quintessential Man in the Box, the spastic Them Bones, the regretful Down in a Hole, the powerhouse live Rooster, the searching Got Me Wrong, the atoning No Excuses, the purging I Stay Away, the aggressive What the Hell Have I, the chugging Grind, the thunderous Again, and the retrospective Would?.

Average customer rating:

24 Soundtrack
LOVE 24 MUSIC
I wish...
A review from a soundtrack composer groupie
A excellent score for a excellent TV drama!

24
Sean Callery
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

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Similar Items:

24: Seasons Four and Five
24: The Official Companion Seasons 1 and 2 (24)
24 Declassified: Trojan Horse (24 Declassified)
24 Declassified: Veto Power (24 Declassified)
24: Behind the Scenes

ASIN: B0006J2G9S
Release Date: 2004-12-07

Tracks:

'24' Theme
Up And Down Stairs
L.A. At 9:00 A.M.
Jack On The Move
Jack's Revenge At The Docks
Kim And Terry's Escape From The Safe House
Jack In The Limo
In Pursuit Of Kyle
Salazar's Theme
'Copter Chase Over L.A.
Jack Tells Kim He's Not Coming Back
The Bomb Detonates
Palmer's Theme
Alexis
Coliseum Finale
Amnesia
Jack And Kim Trying To Reconnect
Season One Finale/Terry's Death
Season Three Finale/Jack's Humanity

Amazon.com

Creator/producer Joel Surnow's hit action-suspense series largely turns on an innovative fusion of real-time plot line delivered by aggressive camera work and multi-frame editing technique. But no small part of the show's intensely propulsive drive -- and much of its dramatic tension and atmospheric textures -- are consistently delivered by the music of young composer Sean Callery, who's won three straight Emmy nominations (winning once) for his contributions to the series. The composer personally selected and annotated the tracks for this anthology of his best work from the show's first three seasons, anchored by a complete version of the show's usually truncated theme. Though it shares similarities with Michael Giacchino's work on Alias, Callery's work here is consistently darker, an electro-organic fusion that spans tense, brooding orchestral passages and thrashing dollops of metallic-edged techno. Yet the composer also delivers moments of melodic, almost mournful solitude, while the third season's story line inspires some evocative Latin influences as well. Callery's background in sound effects editing contributes much to the rich sonic textures here, yielding a pioneering approach that portends a bright future for the composer. --Jerry McCulley

Customer Reviews:

24 Soundtrack.......2007-06-02

For fans of Sean Callery's work on 24, this CD is a must have. This soundtrack is also very enjoyable on long drives, and it brings you right into the show.

LOVE 24 MUSIC.......2007-02-11

It was wonderful. As alway Sean Callery's music is outstanding. When you listen to it you can remember the scenes from 24. I would highy recomend it.

I wish..........2006-12-04

Sean Callery wrote incredibly beautiful pieces of music to underline the Tony/Michelle relationship. These are not on the cd. Although there are wonderful pieces of music(my personal favourite is the truly moving "The bomb detonates") I wish it were more complete.

A review from a soundtrack composer groupie.......2006-11-15

As I am writing this review, I have already ordered the "24:Season 4 & 5" soundtrack. (The follow-up to this CD) I was so excited to find out that Sean Callery was producing a second CD for fans of "24".

As the title of this review indicates, I own several soundtracks from various TV series and movies. Out of all of them, I believe this is my favorite. It is no wonder that Sean has won two Emmy's for his work on "24".

One of the great things about this CD is being able to hear the show's theme in it's entirety. The other most noteable tracks for me are "Jack's Revenge At The Docks" and "The Bomb Detonates"....I guess because of the scenes that they accompanied. My other favorites...."Palmer's Theme" (reminds me of "Fanfare For A Common Man") and "Coliseum Finale" (when I listen to this one, I can actually see Mrs. Palmer running through the LA Coliseum....as fast as the beat will take her.)

If you are a fan or "24" or a fan of great music, you NEED to get this CD!!

A excellent score for a excellent TV drama!.......2006-11-12

This score is one of the most emotional and well composed scores there is. The upbeat track really get you excited, while the softer, quieter track really get you into the emotion of the show. This CD is a great addition to any collection. You will not be sorry for buying this CD!

Average customer rating:

Beautiful and infectious music
The music of the Gypsy soul
Unparalleled Journey into the World of Gypsies
A CD that captures the struggles and triumphs of the Rom
Travel With The Movie

Latcho Drom: Bande Originale Du Film
Various Artists
Manufacturer: Mercator
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

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Similar Items:

Latcho Drom
Taraf de Haïdouks
The Romany Trail, Part 1 - Gypsy Music into Africa
Vengo
The Romany Trail, Part 2 - Gypsy Music into Europe

ASIN: B000000HY6
Release Date: 1994-10-18

Tracks:

Sat Bhayan Ki Ek Behanadli I
Oh Kesario Hazari Gul Ro Phool
Kaman Garo Kanhaji
Sat Bhayan Ki Ek Behanadli II
Bambi Saidi
Ya Dorah Shami
Istanbul Drom
Hicaz Dolap Rom
Balada Conducatorolui
Rind De Hore
Cigany Himnusz
Gili (Bega Sitya)
Auschwitz
Kali Sara
Tchavolo Swing
Ramona
El Pajaro Negro
Latcho Drom

Amazon.com

This soundtrack from the stunning film Latcho Drom is a first-class introduction to the story of Gypsy music and culture. Tracing a chronological 1,000-year-old path of Gypsy migration from Rajasthan to Spain, these 18 tracks contain a myriad of different styles from the Indian subcontinent, Egypt, Turkey, Romania, Hungary, Slovakia, France, and the flamenco Gypsies of Barcelona. Many well-respected acts like Taraf de Haidouks and Hasam Yarim are featured as well as many unknown but extremely talented Gypsy artists. Whereas the film paints a picture of a struggling society, the collected music illustrates the resilience of these outcastes, with the majority of tracks being effervescent dance music echoing many cultures. There are reflections of tragedy and sadness, notably from Romania, but these are more than balanced by rocking Balkan block parties, Turkish cabaret, and French guitarists swinging as hard as Django Reinhardt. --Derek Rath

Customer Reviews:

Beautiful and infectious music.......2005-08-18

There are clear themes of love and pain in these songs. It should be hard to see gypsies as so many people do, when their music is so sincere and passionate.

The music of the Gypsy soul.......2003-03-05

Having seen the film twice, I looked forward to listening to the CD. Well, it's marvellous. A wonderful range, arising from the spread of the Rom (my ancestors) from northern India to western Europe. There are times when your foot won't stop tapping. But the most moving piece is the old woman singing the lament about Auschwitz. It brings tears to my eyes every time.

Unparalleled Journey into the World of Gypsies.......2002-04-17

Dispersed for reasons unknown from their original homeland believed by many to be Rajasthan (India), traveling unparalleled roads to the newly adopted homelands of Egypt, Turkey, the Balkans, and Central Europe, i.e., Romania and Hungary, the Romani have maintained their unique identity, heritage and cultural roots through their music. This CD manages to capture the diversity and unity of gypsy life through a wide variety of instruments, musical styles, and expressions: depicting the versatility and talents of this often misunderstood group of people. Amazing how the basic rhythm and beat of life of the Romani (gypsies) can be so well represented on one CD! Erika Borsos (erikab93)

A CD that captures the struggles and triumphs of the Rom.......2002-04-10

"Latcho Drom" was a most unusual film: a combination road film/documentary/music video that chronicled the journey of the Rom (Gypsies) from Rajathstan, India, to Egypt, Turkey, Slovenia, Hungary, Bulgaria, Germany, France and Spain. The selections on the CD represent centuries of musical absorption from this melange of cultures. A fabulous collection of Rom music spanning different styles and genres, this is a CD to be treasured for its uniqueness, variety, spirit, and testament to the survival of the Rom. There is lively flamenco, French guitarists jamming as hard as Django, Arabic dance tunes, an Auschwitz lament, Indian music, and Romanian and Hungarian melodies tinged with the sadness of outcasts and the wearisome roads the Rom have travelled. Buy the soundtrack, but above all see the movie "Latcho Drom" for an experience unlike any other!

Travel With The Movie.......2001-11-11

Because in some ways the movie Latcho Drom is the ultimate road film (roaming the world with the Rom people), a CD of the music to take with you wherever you go is the perfect complement to the film experience.

The music is clearly all live performance, spontaneous, and linked closely to the action of the film. For example, there is a haunting piece apparently performed in Romania where the violinist creates a unique sound by pulling on an apparently broken string of his violin to produce a soft wail. Therefore, I would expect this CD to have its largest audience among those who are already fans of the film.

There is no need to see the film, however, to appreciate the pure sensory experience of the music, the joy and the sadness expressed in languages most of us do not know. For those who find the Gypsy Kings a little too pat, this collection is the ultimate antidote.

Safe Return
Average customer rating:

"At Long Last"

Twenty six tracks and I still wanted more!

Jane Olivor's Melifluous Voice Is Timeless...

The best cd ever

Jane imitating Jane

Safe Return
Jane Olivor
Manufacturer: P.S. Classics
ProductGroup: Music
Binding: Audio CD

Vocal Pop | Live Albums | Pop | Styles | Music
General | Vocal Pop | Pop | Styles | Music
Cabaret | Broadway & Vocalists | Styles | Music
General | Broadway & Vocalists | Styles | Music
Similar Items:

The Best of Jane Olivor

Love Decides

Songs of the Season

First Night

Chasing Rainbows

ASIN: B0001IN0MG
Release Date: 2004-04-27

Tracks:

You
Warm
Let's Make Some Memories
Annie's Song
The Hardest Part Of Love
Daydreams
Carousel Of Love
Crowded Island
Brooklyn Roads
Run For The Roses
I Got The Sun In The Morning
Some Enchanted Evening
The Big Parade
The Last Time I Felt Like This
You Don't Know How Beautiful You Are
Sippin' Wine
How Are Things In Glocca Morra?/Ailein Duinn
Stay The Night
The Right Garden
Pretty Girl
Love Of Another Kind
One More Ride On The Merry-Go-Round
I Believe
Where There Is Love
Safe Return
L'Important C'est La Rose

Customer Reviews:

"At Long Last".......2007-05-13

I missed the deep passion that Jane Olivor put into her songs. Seeing this out was a blessing. The sultry tones of Some Enchanted Evening haunt the recesses of my mind. My first remembrance of Jane Olivor was "One More Ride on the Merry-Go-Round". A song that my brother said I "Had to Hear". I searched out any and every CD she ever did and sent them to him. One of our own special memories. My brother is gone now - but the haunting melodies of Jane Olivor keep him alive whenever I hear them.

Twenty six tracks and I still wanted more!.......2006-11-29

If you've never seen Jane Olivor in concert before, this CD may bother you a bit because you're used to hearing her flawless studio recordings. But having seen her in concert, this CD brings back how funny and personable she is on stage. She connects with her audience and you can hear her doing that on this CD and that makes this very special. With the exception of "Let's Make Some Memories", I loved every song on this CD and wanted more. (I didn't care for the few changes she made to the lyrics on that song). If you love Jane, buy this CD-you'll be glad you did!

Jane Olivor's Melifluous Voice Is Timeless..........2006-08-04

Jane Olivor's mellifluous voice is timeless and captivating and angelically majestic; unfortunately the production value of her live recording tracks of her 'cabaret' standards as well as some of her new songs incorporated in SAFE RETURN are disappointing. Why? For a gifted and unique singer as Ms. Olivor, I am surprised that a major investment firm or an extremely wealthy "benefactor" hadn't offered their support by investing/producing this particular live recording production CD by hiring a full orchestra such as The Chicago Symphony Orchestra or The Boston Symphony Orchestra, or whomever - to give Ms. Olivor a well deserved "icing on the cake" sound and quality that Ms. Olivor so richly deserves (Hint... Mr. David Foster? Mr. Richard Carpenter? - are you reading this?) Ms. Olivor deserves the best in production values because she is still in top notch vocal form along with an inherent centering of security and maturity to let us know that the show goes on - no matter what, and knows that we - her fans - will always adore her - no matter what.
I had the pleasure of attending her live concert with my cousin at The Henry Ford Theatre in Los Angeles a couple of years ago and it was superb - though again, limited in her orchestral arrangements and musicians.
Ms. Olivor - if I had the wealth as many of our fellow "artists" and "industry" people have who work within the entertainment industry (and they know who they are), I would have gladly supported your efforts with this CD. The help that we - fellow `cabaret' musicians and singers know about - such as investing in orchestral music charts including charts for real string players - all to enrich this particular "live" recording CD project that would have adequately complimented your gorgeous voice a hundred times more. Let's hope that some "heavyweight industry people" who are reading this will wake-up and know that another future "live" recording with a full orchestral production complimenting your voice will be a gamble well worth the effort with an excellent financial "payday" return for their investment as well as for you. Perhaps, these "heavyweight industry people" could also utilyze savy marketing techniques by including your future recordings within various television and motion picture feature film productions, etc.?

The best cd ever.......2006-04-20

This is must buy her voice is in rare form doent miss a note sings as beautifully as johnny mathis & barbra striesand put together shes has a aesome voice a once in a life of really recording. Best side of goodbye is awesome by her to.Every cd from 1979 to now shows how she just gets better & better. georgebretzlaff@sbcglobal.net

Jane imitating Jane.......2005-08-05

I would like my money back! I LOVE Jane Oliver's music but on this album she sounds out of breath, quick, and going through the motions. She has taken the purity of the songs and "played" with them adding useless and unnecessary tonal changes until I almost couldn't remember the reason I had loved them in the first place. I was sad and disappointed.

Average customer rating:

Uninspired
Not Entirely Sure I Want to Be This Safe
Okay enough....yes this is great stuff.
Beautiful
Forests in the Mist

In a Safe Place
The Album Leaf
Manufacturer: Sub Pop
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

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Similar Items:

Lifetime or More
Takk...
( )
Dead Cities, Red Seas & Lost Ghosts
Yesterday Was Dramatic - Today Is OK

ASIN: B00023B1SK
Release Date: 2004-06-22

Tracks:

Window
Thule
On Your Way
Twentytwofourteen
Outer Banks
Over the Pond
Another Day [Revised]
Streamside
Eastern Glow
Moss Mountain Town

Album Description

Jimmy LaValle, perhaps known best for his work in the contemplative dream-rock outfit Tristeza and San Diego's The Black Heart Procession, began releasing delicate, progressive instrumental work as The Album Leaf in 1999(the name comes from a Chopin piece). After years of labor-intensive touring and tinkering with complex tracks in his cramped bedroom studio, LaValle was repeatedly offered a rare invite from Icelandic phenoms Sigur Ros and Mum to record his newest solo opus in their Mosfellsbaer studio. He finally accepted and flew overseas to compose and record "In A Safe Place." With the addition of vocals (absent from previous Album Leaf releases) from The Black Heart Procession's Pall Jenkins, Sigur Ros' Jon Thor Birgisson, and LaValle himself, the songs on the new record are chillingly delicate and more pop-based than ever before. "In A Safe Place" masterfully negotiates the spaces between minimal electronica and neo-instrument rock.

Customer Reviews:

Uninspired.......2007-06-20

The best word I can use to describe this album is boring. I like this kind of music, but the way its done on this album is so dull. The beats are really old and tired and there is nothing new here. I felt embarassed for the artist at times.

Not Entirely Sure I Want to Be This Safe.......2007-02-28

The music on In A Safe Place is beautiful, but unlike the best of Sigur Ros -- the most obvious parallel -- there is no challenge here, nothing to shake you or stir you. That's fine, I guess, but take a cut like The Outer Banks. The real Outer Banks are not only beautiful and seducing, but also angry, terrifying and a graveyard for ships. It would have been nice to see some of that part of the place worked into the music.

In a Safe Place probably works best if you have cuts from it in a shuffle playlist to take in small doses, interspersed with other types of music. Fifty-one solid minutes of ambience, though I enjoyed every cut, collectively was a bit much for me.

On the other hand, if I were sitting in the dentist's chair awaiting a root canal, Safe Place would be just the thing...

Okay enough....yes this is great stuff........2006-11-17

Can I just say that this album is unique and amazing, along with all of Jimmy's other projects and albums - WITHOUT grotesquely trying to describe what music does to ME personally? If you're into the experimental San Diego alternative music scene, and like bands such as Tristeza, Pinback, Black Heart Procession, Three Mile Pilot - you will no doubt want to add this and the other Album Leaf tidbits to your collection. To those that go before me, please don't quit your day jobs...

Beautiful.......2006-08-02

I really feel "In a safe place" when I listen to this and let it wash over and through me. Beautifully melodic ambient music, and I love the beats.

Highly recommend.

Forests in the Mist.......2006-07-17

Imagine walking through a dense forest and happening upon a clearing where an organ is playing by itself in the mist. This is the mood of the first track which is so beautiful in clarity is starts to provoke a deep emotional response. You almost become the drops of rain falling from leaves, you become so involved in the moment. The first track is aptly named because it gives you a window into this world.

Thule is much more intense and wakes you up a little as vast oceans appear and you feel like you are flying out over the water into an exploration of islands. For me at least, this album was a very visual journey. By "On Your Way" I was literally on an inward journey. You may find yourself imagining yourself contemplating the lyrics that are all upside down in an amusing fashion.

"You swim against the tide
Yet you drowned in the sky"

The Outer Banks has delicate magical elements woven between static beats that are encased in chimes. Streamside still maintains a purity but seems more densely woven and melodious. Moss Mountain Town is a sweet ending that retains an innocence of structure.

~The Rebecca Review

Average customer rating:

A West Coast Classic (Rating: 10 out of 10- -5.0 stars)
OFFICAL HIP-HOP REVIEWER
A third straight classic from DJ Quik
A Classic
Dre Who?

Safe & Sound
DJ Quik
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD

General | Soul | R&B | Styles | Music

Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music

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West Coast | Rap & Hip-Hop | Styles | Music

Pop Rap | Rap & Hip-Hop | Styles | Music
Similar Items:

Way 2 Fonky
Rhythm-al-ism
Quik Is the Name
Balance & Options
2nd II None

ASIN: B00000GBZ1
Release Date: 1998-12-22

Tracks:

Street Level Entrance
Get At Me
Diggin' U Out
Safe + Sound
Somethin' 4 Tha Mood
Don't You Eat It!
Can I Eat It?
Itz Your Fantasy
Tha Ho In You
Dollaz + Sense
Let You Havit
Summer Breeze
Quik's Groove III
Sucka Free
Keep Tha 'P' In It
Hoorah 4 Tha Funk (Reprise)
Bonus Track 1

Customer Reviews:

A West Coast Classic (Rating: 10 out of 10- -5.0 stars).......2007-06-28

I've said it time and time again that west coast rap is one of my favorites. A lot of the albums that dropped in '94 and '95 were some of the best I've heard since I've been listening to rap music. Why? Because the west has came out with some of the most creative music at times. DJ Quik's third album "Safe & Sound" can be added to the classics that dropped back in '95, especially after the brilliant album Way 2 Fonky back in '92. I personally enjoy his west coast production, as it is something you can just groove with. Every song on this album is very unique in it's own way with it's outstanding production. As with a lot of songs he has made in the past, he talks a lot about getting some females in songs like "Diggin' U Out". Then there is a funny song about not going down on females on the song "Can I Eat It?". A personal favorite of mine is "Summer Breeze" as it's just a chill back type of song. Quik gets at his Compton rival MC Eiht on a couple of songs "Dollaz + Sense" and "Let You Havit". The fomer song also appeared on the soundtrack Murder Was the Case as Quik really showed Eiht what was up (hey I love Eiht as well, but Quik had the upper hand on that song). There are a few party tracks on here like "Tha Ho In You" and "Keep Tha 'P' In It" featuring various members like Hi-C, 2nd II None, Kam, Playa Hamm, and others. The bonus track is "Tanquray" as Quik rhymes about getting drunk at a party. And "Quik's Groove III" is part 3 of Quik's instrumentals series, another chill back track.

Anyting bad? None. I serouslly believe that there is not one wack track on this album.

Safe & Sound is a masterpiece in my opinion, and I rarely use the word "masterpiece". Filled with G-funk production and great rhymes can easily make it a summer soundtrack to bounce to. I personally recommend you listen to this, especially if you're a fan of west coast rap music like I do. Personally, It's albums like this that make me wish I lived in Cali. Peace!!

Lyrics: A+
Production: A++
Guest Appearances: A
Musical Vibes: A+

Top 5 Tracks:
1. Summer Breeze (personal favorite)
2. Dollaz + Sense
3. Keep Tha 'P' In It (featuring Hi-C, Playa Hamm, Kam, 2nd II None, and 2-Tone)
4. Get At Me
5. Tha Ho In You (feautring Hi-C, 2nd II None, Sexy Leroy & The Chocolate Lovelites )

Honorable Mention Tracks:
1. Quik's Groove III (only because it's an instrumental)
2. Get At Me

OFFICAL HIP-HOP REVIEWER.......2006-12-15

Once again it would seem likemy fello hip-hop fan "CTRX" the review below mine has hit the nail on the head AGAIN. this guy knows what he's talking about and i find my self looking at whats he's reviewed to see if theres any albums i might be missing from my cd rack.

keep it up mate.

A third straight classic from DJ Quik.......2006-03-20

DJ Quik is probably the most underrated talented producer in hip hop. For fifteen years, he's quietly been making some of the best beats and dropping great verses to not enough fanfare. He helped put west coast rap on the map and also ushered in g-funk to the mainstream. "Safe + Sound" is his third album, from 1995, and along with "Quik is the Name", I think it's his best, a little better than 1998's "Rhythmalism". "Safe + Sound" marks two big changes for Quik. His beats move away from the fast, bass heavy loops of his first two albums and more inclined to the low, slow and bouncing g-funk beats that would later define his sound. His lyrics also show progression, instead of the young rags-to-riches Blood from Compton we see a more mature, cocky, and even angry pimp. "Safe + Sound" was Quik's most ambitious album to that point and possibly the pinnacle of his long and successful career.

The album begins with a powerful intro over a good beat, where Quik talks of what he feels is wrong in 95 rap and his career to that point. "Get at Me" is a faster, bass carried beat similar to "Tonite" or "Sweet Black P**sy" with nice horn throws. "Diggin' U Out" contains a slowed down bass and keyboard loop with a scratch from his debut. "Safe + Sound" is a funky, guitar and keyboard beat where Quik chronicles his earlier days and talks of his philosophy. "Somethin' 4 Tha Mood" is a laid back classic with a good hook, and the best part is the instrumentals. You can hear a flute, synth, and the pipes in the last two minutes are excellent. "Can I Eat It" has a good beat with his signature synthed voices, and he raps all about a certain sexual practice he despises. "Itz Your Fantasy" is a very chilled out tune for the ladies. "Tha Ho in You" has a great guitar beat, and you can guess the subject matter. "Dollaz + Sense" is a highlight. It's one of the best diss tracks ever, Quik drops his laidback ladies style to lash out at MC Eiht, and this track ended Eiht's credibility, it's very convincing. The disses continue on "Let You Havit", and "Summer Breeze" is a great summer anthem. This album contains my favorite of the "Quik's Groove" series, and the bonus track is a great, funky party groove.

"Safe + Sound" is a very complete masterpiece. It has a whole range of different songs dealing with different topics and moods. Quik's style really shifts here and it's fresh and new, and his production is untouchable as always. You'll find your head bobbing the whole time. This is one of the best and underrated g-funk albums out there.

A Classic.......2006-01-12

I bought this album the week in came out (10 years ago). This is my second favorite Quik album (Trauma is #1). The song "Somethin 4 The Mood" is by far my favorite track--ESPECIALLY the last 2 minutes of it. To this day I still listen to it and it never gets old!

Dre Who?.......2006-01-02

Man oh man, how I lived in ignorance. I got suckered in, plain and simple. Like many other casual rap fans, I was tricked into believing that Dr. Dre was the best west coast producer. Luckily, I started to see the light after hearing a lot of Daz's songs. And then Quik came into the picture with his funky, confident "Safe + Sound" single. This song is amazing. I've blazed this at least 200 times, and each time is as good as the last. It has infinite replay value. So multi-layered. Each time you hear it, you notice another quirk. His lyrics actually have coherence, and tell a funny story, beginning to end. After a while I decided to check out the rest of his album, and found in it two other classics. "Somethin 4 the Mood" is nearly as astounding. The thing about Quik is that his lyrics fit perfectly to the beat. Most of Quik's beats are original, and you can tell because he shows off his musical sound with as much enthusiasm as he does his rapping ability. In the last 2 minutes of Somethin 4 the Mood, Quik stops rapping, and hits us with a brilliant musical solo, filled with light pipes. This is the best part of the song. There's nothing in rap that sounds quite like this. The next classic is "Tha Ho In You," a pimp anthem. It's vulgar, even for rap, but is also extremely melodic. With his high-pitched voice, not "hard" at all, and Motown feel, Quik challenges the listener to reconcile his potentially offensive lyrics with his ingenious rhythm. You just have to bob your head, even as you're calling the FCC.

The rest of the album is solid as well. A near classic is "Keep tha P in It," where the parliament influence is very obvious. At the end of the song, he asserts that "we represent that p funk." And he sure did, both in this album and in his others throughout the 1990s. Other memorable songs are "Bonus Track 1," "Dollaz + Sense" (which is a bit overrated in my opinion, but still good). What sets this album apart even more goes back to what I was describing with "Somethin 4 the Mood," where Quik lets the beat become the star. "Quik's Groove III" is a funky original track with no lyrics, perfect for sampling. How many rap albums have even attempted to do something like this? 50 cent is just a rapper, Quik is a musician. If you are a fan of funk, g funk or original, groundbreaking MUSIC, pick this one up now!

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