History of a Time to Come
History of a Time to Come
Track Listings
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1. Intro
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2. Cautionary Tale
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3. Hosanna in Excelsis
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4. Behind the Crooked Cross
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5. Horned Is the Hunter
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6. I for an Eye
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7. For Those Who Died
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8. Dad Man's Robe
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9. Church Bizarre
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History of a Time to Come,Sabbat,Noise,Heavy Metal,Pop,Rock,Thrash
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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History of a Time to Come
Sabbat
Manufacturer: Noise
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
General
| Hard Rock & Metal
| Styles
| Music
Thrash & Speed Metal
| Hard Rock & Metal
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- Dreamweavers
- Swallowed in Black
- Dreamweavers
- Zombie Attack/Chemical Invasion
- Killing Peace
ASIN: B000OCY72G
Release Date: 2007-04-24 |
Tracks:
- Intro
- A Cautionary Tale
- Rosanna In Excelsis
- Behind The Crooked Cross
- Horned Is The Hunter
- I For An Eye
- For Those Who Died
- A Dead Man's Robe
- The Church Bizarre
- Hosanna In Excelsis
- Behind The Crooked Cross
- I For An Eye
- For Those Who Died
- The Church Bizarre
Average customer rating:
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Israel, Oh Israel
Manufacturer: Finer Arts
ProductGroup: Music
Binding: Audio CD
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
ASIN: B000005OKR
Release Date: 1995-04-20 |
Tracks:
- Kol Yisrael - The LPO/R.J. Miller
- Ho Ree Dee - The LPO/R.J. Miller
- Debra - The LPO/R.J. Miller
- I Know When It's Raining - The LPO/R.J. Miller
- The Soft Touch Of You - The LPO/R.J. Miller
- Zelda - The LPO/R.J. Miller
- My People - The LPO/R.J. Miller
- The Six Day War: A. Blow The Shofar, Blow/B. The Six Day War/C. Israel, Oh Israel - The LPO/R.J. Miller
- Mama Lights A Candle - The LPO/R.J. Miller
- Miracles And Dreams - The LPO/R.J. Miller
- Shalom, Shalom - The LPO/R.J. Miller
- Anwar Sadat - The LPO/R.J. Miller
Tracks:
- Lust For Gold - The Leningrad PO/R.J. Miller
- Once Was Enough For Me - The Leningrad PO/R.J. Miller
- The Miracle Of Life - The Leningrad PO/R.J. Miller
- Time Will Make My Hurt Go Away - The Leningrad PO/R.J. Miller
- A Handful Of Dust - The Leningrad PO/R.J. Miller
- Shabbus Night - The Leningrad PO/R.J. Miller
- I Hurt So Bad - The Leningrad PO/R.J. Miller
- The Free Life Of A Whore - The Leningrad PO/R.J. Miller
- Baby, Come Home - The Leningrad PO/R.J. Miller
- Who Do We Turn To - The Leningrad PO/R.J. Miller
- A Time In History - The Leningrad PO/R.J. Miller
Average customer rating:
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History of a Time to Come
Sabbat
Manufacturer: Noise
ProductGroup: Music
Binding: Audio CD
General
| Hard Rock & Metal
| Styles
| Music
Thrash & Speed Metal
| Hard Rock & Metal
| Styles
| Music
Hard Rock & Metal
| Imports
| Stores
| Music
Similar Items:
- Dreamweavers
- Simple Mind Condition
- Manowar: Gods of War w/ Bonus DVD
ASIN: B000M3455Q
Release Date: 2007-02-19 |
Tracks:
- Intro
- Cautionary Tale
- Hosanna in Excelsis
- Behind the Crooked Cross
- Horned Is the Hunter
- I for an Eye
- For Those Who Died
- Dad Man's Robe
- Church Bizarre
Album Details
Sabbat were Easily the Most Original and Innovative British Thrash Metal Band of their Time. Instead of Following the Standard Thrash Formula, Sabbat Derived Inspiration from Old Pagan Legends and Folklores which Helped to Create Some Unique Imagery and Feel in their Music. The Band's Debut Release "History of a Time to Come" was Already a Strong Demonstration of this Style, Thrash Metal with a Very Distinctive Sound and Feel. This Remastered and Repackaged Lost Classic Thrash from the UK'S Pagan-metal Originators Includes Bonus Live Material Recorded in Berlin During 1990.
Customer Reviews:
All Time Classic.......2007-03-15
Definately shocked when I heard that they were going to re-release this album along with "Dreamweaver" repackaged and remastered. . The production is definately better and as I said on my review on "Dreamweaver" the live track production is not the greatest it's still nice to have. This is worth having even if you own the original version.
Average customer rating:
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History of a Time to Come
Sabbat
Manufacturer: Noise Int'l
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
General
| Hard Rock & Metal
| Styles
| Music
Thrash & Speed Metal
| Hard Rock & Metal
| Styles
| Music
Rock
| Imports
| Stores
| Music
ASIN: B000008KCN
Release Date: 1990-10-08 |
Tracks:
- Intro
- Cautionary Tale
- Hosanna in Excelsis
- Behind the Crooked Cross
- Horned Is the Hunter
- I for an Eye
- For Those Who Died
- Dad Man's Robe
- Church Bizarre
Customer Reviews:
Supreme British Thrash!.......2003-03-27
It's a shame that this album is so tough to find, because this is a true gem. Technical, precise British thrash metal meets razor-sharp vocals delivered with pure conviction. Brilliant songwriting... If you can find this one like I did, you MUST pick it up. Anyone who appreciates the fine art of thrash/speed metal will savor it for a time to come...
Average customer rating:
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Indoubliable Alfred Deller: A Portrait
Manufacturer: Harmonia Mundi
ProductGroup: Music
Binding: Audio CD
All Works by Dowland
| Dowland, John
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Purcell, Henry
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Incidental Music
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Purcell, Henry
| Composers
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Lute
| Instruments
| Early Music
| Historical Periods
| Classical
| Styles
| Music
Ballets & Dances
| Renaissance (c.1450-1600)
| Historical Periods
| Classical
| Styles
| Music
General
| Renaissance (c.1450-1600)
| Historical Periods
| Classical
| Styles
| Music
Lute
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Classical
| Box Sets
| Stores
| Music
ASIN: B00000074Z
Release Date: 1996-02-12 |
Tracks:
- The Plaint - Alfred Deller/Wieland Kuijken/William Christie/Roderick Skeaping
- If Music Be The Food Of Love - Alfred Deller/Wieland Kuijken/William Christie
- I Attempt From Love's Sickness - Alfred Deller/Wieland Kuijken/William Christie
- Fairest Isle - Alfred Deller/Wieland Kuijken/William Christie
- Sweeter Than Roses - Alfred Deller/Wieland Kuijken/William Christie
- Not All My Torments - Alfred Deller/Wieland Kuijken/William Christie
- Thrice Happy Lovers - Alfred Deller/Wieland Kuijken/William Christie
- An Evening Hymn - Alfred Deller/Wieland Kuijken/William Christie
- From Rosy Bow'rs - Alfred Deller/Wieland Kuijken/William Christie
- O Lead Me To Some Peaceful Gloom - Alfred Deller/Wieland Kuijken/William Christie
- Retired From Any Mortal's Sight - Alfred Deller/Wieland Kuijken/William Christie
- Music For A While - Alfred Deller/Wieland Kuijken/William Christie
- Since From My Dear Astrea's Sight - Alfred Deller/Wieland Kuijken/William Christie
- O Solitude - Alfred Deller/Wieland Kuijken/William Christie/Robert Elliott/Jane Ryan
Tracks:
- Miserere My Maker - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- Shall I Sue - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- I Care Not For These Ladies - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- Come Heavy Sleep - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- Of All The Birds - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- I Saw My Lady Weep - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- Wilt Thou Unkind - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- The Cypress Curtain - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- What Then Is Love - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- Rest Sweet Nymphs - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- The Fair Lover And His Black Mistress - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- The Self-Banished - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- The Glory Of The Arcadian Groves - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- Oh! The Mighty Pow'r Of Love - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- In Her Brave Offspring - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- My Time, O Ye Muses - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- O Ravishing Delight - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- A Hymne To God The Father - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- What Then Is Love But Mourning - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- Fine Knacks For Ladies - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
- Flow My Tears - Alfred Deller/David Munrow//Richard Lee/Desmond Dupre/Robert Elliott
Tracks:
- Flow, My Tears - Alfred Deller/Robert Spencer/The Consort Of Six
- Galliard - Alfred Deller/Robert Spencer/The Consort Of Six
- The Lady Laiton's Almain - Alfred Deller/Robert Spencer/The Consort Of Six
- Fortune My Foe - Alfred Deller/Robert Spencer/The Consort Of Six
- The Frog Galliard - Alfred Deller/Robert Spencer/The Consort Of Six
- Weep You No More, Sad Fountains - Alfred Deller/Robert Spencer/The Consort Of Six
- Me, Me, And None But Me - Alfred Deller/Robert Spencer/The Consort Of Six
- What If I Never Speed? - Alfred Deller/Robert Spencer/The Consort Of Six
- Lasso, Vita Mia - Alfred Deller/Robert Spencer/The Consort Of Six
- Toy: The Shoemaker's Wife - Alfred Deller/Robert Spencer/The Consort Of Six
- Galliard: Can She Excuse - Alfred Deller/Robert Spencer/The Consort Of Six
- Mistress White's Thing - Alfred Deller/Robert Spencer/The Consort Of Six
- The Round Battle Galliard - Alfred Deller/Robert Spencer/The Consort Of Six
- Wilt Thou, Unkind, Thus Reave Me - Alfred Deller/Robert Spencer/The Consort Of Six
- Come Away, Come, Sweet Love - Alfred Deller/Robert Spencer/The Consort Of Six
- Sorrow, Stay - Alfred Deller/Robert Spencer/The Consort Of Six
- If That A Sinner's Sights - Alfred Deller/Robert Spencer/The Consort Of Six
- Midnight - Alfred Deller/Robert Spencer/The Consort Of Six
- Say, Love, If Ever You Didst Find? - Alfred Deller/Robert Spencer/The Consort Of Six
- Lachrimae Pavan - Alfred Deller/Robert Spencer/The Consort Of Six
- Galliard: Can She Excuse - Alfred Deller/Robert Spencer/The Consort Of Six
- If My Complaints Could Passions Move - Alfred Deller/Robert Spencer/The Consort Of Six
- Katherine Darcy's Galliard - Alfred Deller/Robert Spencer/The Consort Of Six
Average customer rating:
- The Delights of the Countertenor
- Treasures to be discovered
- Mismatching.....
|
English Lute Songs
Manufacturer: Hyperion
ProductGroup: Music
Binding: Audio CD
Dances
| Ballets & Dances
| Classical
| Styles
| Music
All Works by Dowland
| Dowland, John
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Purcell, Henry
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Character Pieces
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
Incidental Music
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Purcell, Henry
| Composers
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
Lute
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Odes
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Classical
| Imports
| Stores
| Music
ASIN: B00003ZAC9
Release Date: 2000-01-11 |
Amazon.com
This disc of 30 English lute songs and solos by 10 composers features divine singing from countertenor Robin Blaze and exquisite lute playing from Elizabeth Kenny. The music covers the first century and a half of modern English history--from the artistic flowering, which followed political emancipation from Rome, to the Restoration of the monarchy after which the lute became obsolete (until its revival by bearded Romantics in the 20th century). Some of the tracks are a little labored. The opener, Robert Johnson's "Full Fathom Five" from Shakespeare's "The Tempest," almost grinds to a halt. "Where the Bee Sucks" from the same source is similarly leaden, and Purcell's lute solo on "Lilliburlero" expects no one to dance. On the other hand, the duo's measured approach perfectly suits Dowland's "Time Stands Still," and the same composer's most beautiful song, "In Darkness Let Me Dwell," features the singer's most expressive singing. Blaze's haunting tone is deathly cool. Besides those mentioned, the disc includes songs by Campion, Lawes, Danyel, Reggio, Banister, and Blow. Blaze lights up on Matthew Locke's air, "The Delights of the Bottle," which is the most eccentric track on the album. Of the six tracks by Henry Purcell, "'Tis Nature's Voice" is the most grippingly performed. Blaze moans so vividly that one almost does not know where to look. --Rick Jones
Customer Reviews:
The Delights of the Countertenor.......2006-07-12
Robin Blaze has a very sweet voice that is somewhat smaller than that of other notables in his field. It is exactly this type of voice that lends itself well to the genre of intimate music represented on this CD. There is nothing harsh or grating about Blaze's interpretations. On the whole this is a highly listenable and pleasant compilation of songs. I recommend this disc to anyone looking to expand, or start, their library of English song.
Treasures to be discovered.......2000-09-11
As much as I love Robin Blaze, I was a little reluctant to buy this CD, thinking: yet another disc of lute songs? - I already have a dozen. But as soon as I saw the track listing, I had no further doubts. The selection is wonderful. By combining the well known songs such as Dowland's In Darkness Let Me Dwell with the rarely performed songs by Robert Jones, Matthew Locke and John Banister, this disc is sure to satisfy both the connoisseur and the novice. Most of the songs are short - with one short melody following another, 70 minutes seems to fly by in a blink of an eye. Blaze's singing is splendid. His voice, with that inimitable woodwind quality and sweetness, is so good that it would sound good even singing drones, but there is more to it than just the beauty of tone. Blaze shows himself capable of a remarkable range of expression: from flamboyant (e.g., The Delights of the Bottle), to dramatic (e.g., 'Tis Nature's Voice or Why so pale), to lyrical (e.g., In Darkness Let Me Dwell or Can Doleful Notes), to stately (Be Welcome Then, Great Sir). In this regard, the selection here is more balanced that the selection on Daniel Taylor's Tears of the Muse, and the variety works to Blaze's advantage because, comparing the melancholy pieces alone, Taylor comes out a winner (in my opinion, of course). The most magical piece on this disc is Henry Purcell's By Beauteous Softness. "Magical" is the word. There is something about Blaze's singing of Purcell that captures the very essence of Purcell's style. In fact, the best three minutes of countertenor singing I've ever heard in my life was Blaze singing Purcell's Crown the Altar (no, it's not included here - I wish). In sum, this disc is a treasure. -- gggimpy@yahoo.com
Mismatching............2000-09-07
It is very important to balance between music and poet in English Lute Songs. And one more important thing is to make feelings based on language rather than based on music.
Blaze and Kenny are try to make expression of feelings more plentiful and vivid recitation of poet. But they fail in this point. Relationship between vocal and performer because combination of poet and music are required vocal's expression and impromptu and momentary variation of rhythm and tempo.
This performance don't have any technical problem externally. But, Blase and Kenny are making excessive expression of feeling and performers are going with rhythm and tempo but not following their expression of feeling.
But several solo lute performances are very well i think. For example, Henry Purcell's "Sefauchi's Farewell" is played by lute. This is usually performed by harpsicord, but in this album, they are making good performance with lute.
I would like to recommend Deller. Have you ever heard Dowland's "Happy" in "flow my tears" and Purcell's "touch" in "strike the viol"? He was excellent of many counterteners.
Average customer rating:
- Phenomenal 80's Thrash!
- there best album
- Not as great as people said but it's a nice 80' Thrash!
- Black Sun
- great debut album
|
History of a Time to Come
Sabbat
Manufacturer: Noise
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
General
| Hard Rock & Metal
| Styles
| Music
Thrash & Speed Metal
| Hard Rock & Metal
| Styles
| Music
Similar Items:
- Rigor Mortis
- Dreamweavers
- Shattered Existence
- The Force
- Nosferatu
ASIN: B00009KU61
Release Date: 2003-08-12 |
Tracks:
- Intro
- Cautionary Tale
- Hosanna in Excelsis
- Behind the Crooked Cross
- Horned Is the Hunter
- I for an Eye
- For Those Who Died
- Dad Man's Robe
- Church Bizarre
Customer Reviews:
Phenomenal 80's Thrash!.......2006-11-05
When you think about 80's thrash you can't forget to mention Sabbat!
They were fast, raw and violent!!! This album is phenomenal!
I love every song on this album, but my favourite will always be:
"Cautionary Tale"
"Hosanna in Excelsis"
"Behind the crooked cross"
"I for an eye"
I'm so excited that htey will be touring UK with Cradle of Filth... maybe they'll think about a re-union!!
there best album.......2006-03-24
well after listening to three sabbat albums history of a time to come is by far there best one in my opinion, the speed hooks on the guitar are very catchy and the rythim is nailed right on the head walkeirs vocals at his best. iv'e listen to dreamweavers and that album just is not opened up like history to a time to come. this album is a great masterpiece. you definely don't hear music like this these days so check it out if you like speed metal, you won't be dissapointed.
Not as great as people said but it's a nice 80' Thrash!.......2006-02-02
I heard lots of people saying this album is Great,
Someone label it as a Thrash Classic,
When I listen to it, I'm little bit disappointed,
It's a Good one but no classic in any way!
--------------------------------------------------
First, you gotta love Martin Walkyier's vocals,
He simply Kills!!!
Sharp, High Pitch, Brutal But sing all words clearly,
A very Unique Voice,
Only Chuck Schuldiner's vocals in Death - The Sound of Perseverance
sounds like him! [R.I.P. Chuck!]
and His Lyrics is based on some old tales,
which is very unique again in Thrash Metal,
and it's what people say the Folk element comes from!
The Production is alright,
Those guitar is not so Heavy and kind of Noisy!
But sounds nice when they bring out some nice fast riff!
A Cautionary Tale - A Fast opening song,
Good for Headbanging,
Nothing Special but sounds good! 4/5
Hosanna In Excelsis - Same as 1st track, but Better! 4.5/5
Behind The Crooked Cross - NOT A SLAYER COVER! 3/5
Horned Is The Hunter - Amazing and Beautiful Acoustic Guitar Intro
8mins song With some Good Riffs! Not my favorite one but vert nice! 3.5/5
I For An Eye - The Best song in this album,
Great Solo, Some Best Riff and Very Fast In The Middle of the song! 5/5
For Those Who Died - More Melodic than everything in this album,
sounds nice! 4/5
A Dad man's Robe - I'm not so into Thrash Metal Instrumental Song,
I only love the one from Sepultura 2nd album, Metallica Orion,
And The Day At Guyana of AGENT STEEL! 2.5/5
The Church Bizarre - Fast SOng, Nothing Special but nothing wrong with it! 3.5/5
-------------------------------------------------
I can't see why People say it's classic,
only the first two song,
I for An Eye and For Those Who Died sounds Great to me!
Their songwriting need some improve,
some song in this album can't catch my ears,
they need some more better riffs!
But Martin's Vocal is freaking Kills! \m/
It's still worth to check!
Since it's NOT easy to Get Dreamweaver,
History of a Time To Come is the easiest Sabbat Album to get!
So,
Get this and feel this Legendary Cult UK Thrash Band!
Black Sun.......2005-09-19
History of a Time to Come is a great thrash cd. Take the musical thrash of Dekapitator, the lyrical stance of Iced Earth, and the vocals of Overkill, roll it into one cd, and you get a great cd from a very under rated band known as Sabbat. It's a shame these guys are so obscure that one has to find out about them from word of mouth.
great debut album.......2005-09-08
I found out about Sabbat when the Dreamweaver album came out back in 1989. That album happens to be one of the best metal albums ever in my opinion. Not that I only loved this band when I first heard them, they changed the way I look at the way I look at bands, musically and lyric wise. I rushed out to find History of a Time to Come the next day. If you like real metal period both albums are a must in the collection.
Music Track:
- Hot Shots [Import]
- Hurricane Eyes [Explicit Lyrics]
- Hypocrisy
- Incipit Satan
- Infotainment [Enhanced]
- Inhuman Nature
- Innocence Is No Excuse [Import]
- Kill 'Em All
- Left Hand Path
- Legendary Harley-Davidson Road Songs
Music Track
music track
Recommended Music:
Techno Makina V.2 [Import]
Beethoven: Piano Concertos No. 5 "Emperor"; Mozart: Fantasia, K. 397; Schumann: Arabesque, Op. 18
Bouliane: La Musique Du Réalisme Magique Vol. II
Music: Nielsen: Quintet,Op.43/Loeffler: Two Rhapsodies/Proko
Black Rain [Soundtrack] [Import]
Da Devil's Playground: Underground Solo [Explicit Lyrics]
Building the Perfect Beast
Boces [Import]
Atencao Vocal 1 2 3 4 [Import]
Beethoven: Symphonies Nos. 4 & 5 [Import]
Christangelfox
Acapulco Cuerpo Y Alma
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Animalize