On Stage [Original recording remastered] [Live]

On Stage [Original recording remastered] [Live]

Editorial Reviews
Amazon.com
When Ritchie Blackmore left Deep Purple, they barely skipped a beat replacing him. And he barely skipped a beat forming Rainbow, a mirror image of his old band. Vocalist Ronnie James Dio, though, provided Blackmore with a clipped, howl-free voice, hardening Rainbow's sound considerably despite the presence of Mellotron, organ, and other keyboards. By the time it released On Stage, the band had developed its dominion: songs about killing kings, men on silver mountains, and women locked in towers. Subjects were grandiose and the execution heavy, even ponderous. But there's charm in the way Dio intones, "Do you waaant some love? / Well, here we are to give you love," as Blackmore strums in the background. But Dio and Blackmore turn to hard, hard rock with the sprawling "Man on the Silver Mountain" and slow, sad-sack blues with "Mistreated." For gearheads, there's a full accounting of the band's equipment on the back cover. This remastered edition boasts a warmer sound, but who needs warmth with that big guitar spilling over onto your shirt and shoes while the crowd claps along? --Andrew Bartlett

Tracks:

Tush Tush Tush (A Token Of My Extreme)
Stinkfoot
Inca Roads
RDNZL
Village Of The Sun
Echidna's Arf (Of You)
Don't You Ever Wash That Thing?
Pygmy Twylyte
Room Service
The Idiot Bastard Son
Cheepnis

Tracks:

Approximate
Dupree's Paradise
Satumaa (Finnish Tango)
T'Mershi Duween
The Dog Breath Variations
Uncle Meat
Building A Girl
Montana (Whipping Floss)
Big Swifty

Customer Reviews:

"THE HELSINKI CONCERT - SEPTEMBER 22nd, 1974".......2006-02-06

This is the 1974 line-up of The Mothers, so far removed from the original band that paved the way, clear back in 1965, but still a stellar example of how Frank Zappa's music is to be played on stage, per September 22nd, 1974. The music is complex, with lots of arrangements, and even though there are only six musicians on stage for this performance, it sounds at times like many more. There is silly interplay between the members of the band, and as I said earlier, there are no original members of The Mothers Of Invention on these two discs, but, as talented as they were, I believe most of this material does push itself past the capabilities of the original line-up. This is in no way to disparage the original band, I loved what they did, all of it, but the chops the members of this particular band display, are in a league all their own; the definitive jazz-fusion line-up. George Duke, Chester Thompson, and Tom Fowler are a complete jazz combo themselves, and when you add percussionist Ruth Underwood and lead vocalist Napoleon Murphy Brock, with his abilities on sax and flute, this is an intimidating roster of talent. Frank Zappa has always used outstanding musicians in his touring and recording ensembles, and as I have already said, this is no exception.

This volume of the series is unique, in the fact that this is the only installment in the whole series featuring one band, on one stage, recorded on one particular day. All the others feature various line-ups at different stages of Zappa's career. So you get to hear the momentum of the show (some say it's the best of two separate performances in one day; possible, given FZ's penchant for editing the best segments of various perfomances together).

The Mothers play Zappa's live standards such as Apostrophe's "Stinkfoot" with such ease, they make it sound like it's a mind-numbingly simple song to play. Not his most difficult, by any standard, but they show what true PROFESSIONALS they really were, because songs like "Stinkfoot" sound easy, and so do incredibly difficult arrangements such as "Echidna's Arf." Don't let the silly titles fool you; songs named "Tush, Tush, Tush," "Stinkfoot," "Cheepnis," and "Building A Girl," are only the names these selections have. They are incredibly intricate, complex arrangements that most bands, then and now, could not approach.

One priceless bit of FZ history is included here, the reason Zappa's band included "Whippin' Post" in their repertoire after this tour. Someone in the audience called out "Whippin' Post!" The band at this juncture didn't know this song, so Zappa toyed with the heckler, asking him to sing it, and cut him off after about one second. Some people really step into it when they don't know who they are messing with. This exchange is at the beginning of "Montana," and FZ changed the lyrics on the spot, to make references to the heckler's request for "Whippin' Post," and the rest is history. To hear the conviction that he covered this with, check out the last track on 1984's "Them Or Us." It's the 1984 touring band playing "Whippin' Post," and even though nobody can do it like The Allman Brothers Band, the arrangements played by Zappa's touring band at the time, are a phenomenal job. There is video of this song on "Does Humor Belong In Music?," the 1985 video, and it has some changes in the middle, but it all began with the guy in the audience at Helsinki, way back in 1974.

In all, this is the most consistent volume, as I have already said, because this is all one band, on one stage, on one day. It's many people's favorite, and I can clearly see why.

Maybe not "really" a complete show, but who cares?.......2006-01-08

A little bit of research on the 'net will tell you that this is, regardless of what the liner notes say, likely edited - some Finnish fans who were at the concert say that the "Finnish Tango" was actually performed during the second day's show on the 23rd rather than during the show on the 22nd as stated here. It hardly matters, though. This was an incredible band, and the playing will leave you breathless. Some of the highlights that I think haven't been touched on by others include:

- The "Inca Roads" solo is beautifully melodic in a "conventional" sense and a perfect example of improvisational composition.

- "Cheepnis" is the single best song, with an incredibly funky middle section.

- George Duke has a great voice and, like everyone else in the band, is obviously totally committed to the music. Even better, everyone (including Frank) sounds like they're having fun. Check out the articles on the 'net from Finnish correpsondents - it's clear that, despite the hassle of touring (and towels), Helinski turned out to be a great experience.

- Poor Suzi Quattro.

- There are mistakes, or better, accidents. That may sound bad, but for me those can be the best thing about live performance. Best examples - Ruth can't keep up on the opening of "Montana" and Frank, after some surprisingly good-natured ribbing, slows the song down, and George changes "Tush Tush Tush" to "squeek squeek squeek" at the inadvertent feedback squeal going into "Stinkfoot."

- Finally, the band playing the "Finnish Tango" (they aren't sight-reading - a photo is published from rehearsals earlier that day that shows Finnish percussionist Matti Koskiali helping the band learn the song) absolutely straight, until Napoleon Murphy Brock enters with a horribly mangled vocal in bad phonetic Finnish.

Wow. Too much detail, maybe, but this is a great recording. If you get nothing else of Zappa playing live, this should be it.

great concert from Zappa at his best........2005-12-17

I own just about every album Zappa released, and this one has become one of my favorites. Taken from the "Roxy and Elsewhere" tour. Newcomers to Zappa should get "Roxy and Elsewhere" first, but they'll want to get this one eventually for a number of reasons.

First of all, it's one of Zappa's best bands in top form. This includes early versions of RDNZL, Approximate, Dupree's Paradise, Token of My Extreme played with great virtousity. The "Room Service" skit is hilarious. The astute listener will recognize that the guitar solo on the "studio" version of "Inca Roads" is actually an edited version of the solo from this concert - he actually mentioned it in the liner notes of OSFA. Also of "conceptual continuity" interest is "Montana", which explains why Zappa performed "Whipping Post" 10 years later.

The version of "Idiot Bastard Son", while very different from the WIFM version, is absolutely wonderful.

I disagree with the editorial review that says that this version of "Village of the Sun" is the best. They play it too fast here and spoil it a bit. I much prefer the more soulful version on "Roxy".

Still, a must-have for Zappa fans.

20 Stars if I Could..........2005-01-07

A perfect concert, they jam, they do a finnish folk song for the folks in Helsinki, some hilarious montana hijinks, and proof that zappa could hold his own with weather rpt, return to forever, and mahavoshnu...make this you first live zappa disc. you will love it

As good a chronicle of this band as you will ever hear.......2004-10-07

Seeing as the 30th anniversary of this show's performance recently came and went, I thought I'd take it out and give it a listen since I hadn't in a while.

Wow.

If you ever saw FZ in concert, then you know that his bands were highly-disciplined, rigidly-timed machines that could bend, stretch, improvise and create at Zappa's every whim.

In the band presented here, Zappa had what he later described as "the band that could play anything." You get the feeling that he knew he was never gonna have it this good again, and in some ways that's probably true.

Here you get the entire show from the '74 band's concert in Helsinki, Finland. Highlights include some blistering guitar solos, plus fantastic soloing by other members of the group.

My favorite cut, though, has to be "Montana," the "Dental Floss" song, which Frank mutates a bit after someone in the audience calls out a request for the Allman Brothers' song, "Whipping Post." (This band didn't know the song, but on future tours, he made SURE the band knew how to play it, and they did!)

Pop on the headphones and go back 30 years to one of the best Zappa shows you're ever gonna hear. It's all here and it's all great.

Average customer rating:

Fabulous
Dream Come True
IT DESERVES 6 STARS
Show Boat

Show Boat (1988 Studio Cast Highlights)
Jerome Kern , Jerry Hadley , Bruce Hubbard , Teresa Stratas , David Garrison , Frederica von Stade , John McGlinn , and London Sinfonietta
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta
Jerry Hadley and Thomas Hampson - Famous Opera Duets (Tenor/Bass)
In the Real World
Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn
Send in the Clowns: The Ballads of Stephen Sondheim

ASIN: B000002RR9
Release Date: 1990-05-08

Tracks:

Show Boat: Overture
Show Boat: Cotton Blossom
Show Boat: Where's The Mate For Me?/Make Believe
Show Boat: Ol' Man River
Show Boat: Can't Help Lovin' Dat Man
Show Boat: Life On The Wicked Stage
Show Boat: Till Good Luck Comes My Way
Show Boat: I Might Fall Back On You
Show Boat: Queenie's Ballyhoo
Show Boat: You Are Love
Show Boat: Finale Act One
Show Boat: At The Fair
Show Boat: Why Do I Love You?
Show Boat: Bill
Show Boat: Goodbye, My Lady Love
Show Boat: After The Ball
Show Boat: Hey, Feller!
Show Boat: Finale Ultimo

Amazon.com

This one-disc reduction of John McGlinn's monumental three-CD version of Show Boat provides 75 minutes of highlights in a package dubbed the "Broadway Show Album." McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including the original orchestrations, and conducts a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly-wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." John McGlinn's full version is a staggering achievement and a recording for the ages, but this single disc is also splendid listening. --David Horiuchi

Customer Reviews:

Fabulous.......2002-10-03

Let me start off by saying that my first experiences with Show Boat came through the splendid 1951 MGM movie version. Having never seen Show Boat performed live on stage, this CD pretty much brings the live experience home (and note I said 'this' CD; the full 3-disc set would be just short of actually being front row center). The immortal Kern/Hammerstein score is one of my favorites (right up there with My Fair Lady, The Sound of Music, Annie Get Your Gun, and Brigadoon) and is definately one of the greatest ever written for the musical theater.

Since Show Boat does not have an official original cast album, I suppose that this one suffices quite well. All original orchestrations are used here and the music is as it was on opening night in 1927. This is the most complete version available (whether you go with the full set or just this disc). The 1946 revival cast album is the oldest 'complete' album and is nice when paired with this disc to give one a sense of how Show Boat sounded in the early days.

I really didn't care much for this CD at first, but after listening to it a couple more times, I like it better and better each time. McGlinn certainly did right by this one! I'm not too familiar with most of the cast (save for Frederica Von Stade and Paige O'Hara), but they're all great. You'd think that this is a recording of a live performance, not just a studio album. Fantastic singing is had thoughout. McGlinn also did a great job with Brigadoon 3 years later, and did he not have a similar effort with Annie Get Your Gun as well?

I still think that the MGM movie version and its soundtrack album are the best but this rendition is definately not bad! Highly recommended. But if you can, pick up a copy of the movie soundtrack or of the 1946 revival album for comparison.

Dream Come True.......2002-08-22

First, "Showboat" is my all time favorite Musical, from the '40's and '50's when my mother took us to the movies every Sunday. I have video tapes of the 1951 MGM version with Howard Keel and Kathyrn Grayson, as well as the earlier movie version. A few years ago, I saw a TV special on the making of the three Disc complete remake of Showboat, true to the original score. I tried to get a cy of it but no local store could help me. Then through the magic of computers and AMAZON.com, I obtained the three disc set plus this single CD, which I treasure. This one is the best, without doubt. Now I have the complete version of songs and music I only vaguely remembered from the TV special. I wish someone would make a movie just like this version so I could have it on DVD. The whole cast and orchestra are awesome, especially Frederica von Stade. I have since bought other CDs of her work. Buy the three disc set if you can afford it, it has a thick booklet with the actual score and dialogue. But if you cannot, buy this CD. This is the ultimate, the prototype Broadway musical.

IT DESERVES 6 STARS.......2001-06-29

I can't thank enough all the people responsable for this terrific revival cast album.Here is a perfect example of how you should do a classic show and maintain the original intentions of the writer and the composer.If they were alive,JEROME KERN and OSCAR HAMMERSTEIN would have been proud of the way their masterpiece have survived them.It is impossible to imagine a better version of the show;this is the definitive one.It's funny when you think of it,most people know the songs by heart,yet it seems that we rediscover the show with this version.Suddently ,we are in 1927 and mister ZIEGFELD is scared like hell that he will loose a lot of money with this;but that's strangely the situation in which the modern AMERICAN musical was born.

Show Boat.......2000-09-10

I really like this recording! The voices are really great. I especially liked "Can't Help Lovin' Dat Man." I would recommend this CD to everyone who likes the show and musical theatre.

Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn

Average customer rating:

The Best American Musical
An American Treasure
DON'T DESPAIR. IT'S BEEN REISSUED!!!!!
An American tragedy....
Gorgeous!

Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn
Frederica von Stade , Jerome Kern , Jerry Hadley , Bruce Hubbard , Teresa Stratas , David Garrison , Leslie Fyson , John McGlinn , and London Sinfonietta
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Carousel (1987 Studio Cast)
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Pal Joey: 1995 Original New York Cast Recording
Kiss Me, Kate (1948 Original Broadway Cast)
Show Boat (1936)

ASIN: B000002SJL
Release Date: 1990-10-25

Tracks:

Overture
Show Boat: Act One, Scene One - Cotton Blossom: Niggers all work on d Mississippi... (Stevedores, Gals, Queenie, Steve, Pete, 1st Mincing Miss, 2nd Mincing Miss, Beaux, Girls & Boys)
Show Boat: Act One, Scene One - Cotton Blossom: 'Andy!!!...' (Parthy, Windy, 1st Mincing Miss, 2nd Mincing Miss)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Here comes the Show Boat parade!...' (Boy, Girls, Boys, Andy, Parthy)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Hey Julie...' (Pete, Julie, Steve, Parthy, Andy, Ellie)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'It's a man...' (Ellie, Ravenal, Vallon)
Show Boat: Act One, Scene One - Where's the Mate for Me?: Who cares if my boat goes upstream... (Ravenal, Magnolia)
Show Boat: Act One, Scene One - Make Believe: Only make believe I love you... (Ravenal, Magnolia, Vallon)
Show Boat: Act One, Scene One - Ol' Man River: 'Oh, Joe!...' (Magnolia, Joe, Men)
Show Boat: Act One, Scene Two - Can't Help Lovin' Dat Man: 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Act One, Scene Three - Life on the Wicked Stage: Why do stage struck maidens clamor... (Ellie, Girls)
Show Boat: Act One, Scene Three - Till Good Luck Comes My Way: The man who ventures with chance... (Ravenal, Men)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': Mis'ry's comin' aroun'... (Queenie, Women, Joe Magnolia, Julie, Men, Solo Bass)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Take her up, Rubberface!...' (Andy, Julie, Steve, Magnolia, Parthy, Ellie, Windy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Hello, Windy...' (Vallon, Andy, Magnolia, Steve, Julie, Windy, Ellie, Parthy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'You needn't all look at us...' (Steve, Colored Chorus, Andy, Parthy, Magnolia, Ellie, Frank)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Looks like a swell...' (Andy, Parthy, Frank, Ravenal, Julie, Magnolia, Steve, Joe)

Tracks:

Show Boat: Act One, Scene Five - I Would Like to Play a Lover's Part: Her face is fair to look upon... (Boys, Girls, Ellie, Frank)
Show Boat: Act One, Scene Five - I Might Fall Back on You: Little girl, you are safe with me... (Frank, Ellie, Girls)
Show Boat: Act One, Scene Five - Queenie's Ballyhoo: 'Is de theatre fillin' up, Cap'n Andy?...' (Queenie, Andy, Colored Chorus)
Show Boat: Act One, Scene Six - Villain Dance
Show Boat: Act One, Scene Seven - You Are Love: 'That you, Nola?...' (Ravenal, Windy, Magnolia, Parthy)
Show Boat: Act One, Scene Eight - Finale Act One: Oh tell me, did you ever!... (Firls, Boys, Chorus, Andy, Women, Men, Negro Women, Magnolia, Parthy, Vallon, Pete)
Show Boat: Act Two, Scene One - At the Fair: When we tell them about it all... (All, 1st Barker, Boys, Girls, Chorus, 2nd Barker, Men, 3rd Barker)
Show Boat: Act Two, Scene One - Why Do I Love You?: I'm walking on the air, dear... (Magnolia, Ravenal, Chorus, Andy)
Show Boat: Act Two, Scene One - In Dahomey: Dyunga doe!... (Dahomey Villagers, White Chorus)
Show Boat: Act Two, Scene Three - Convent Scene: Alma Redmptoris Mater... (Nuns, Mother Superior, Ravenal, Kim)
Show Boat: Act Two, Scene Four: 'All right, Jake...' (Jim, Jake, Julie)
Show Boat: Act Two, Scene Four - Bill: I used to dream... (Julie)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): Fish gotta swim, birds gotta fly... (Magnolia)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): 'Whaddaya say, boss?...' (Frank, Jim, Magnolia, Jake)
Show Boat: Act Two, Scene Six - Trocadero Opening Chorus: Let's make the new year... (Chorus)
Show Boat: Act Two, Scene Six - Apache Dance
Show Boat: Act Two, Scene Six - Goodbye, My Lady Love: So you're going away... (Frank, Ellie)
Show Boat: Act Two, Scene Six - After the Ball: 'Ladies and Gentlemen...' (Jim, Drunk, Andy, Magnolia, A Man, All)
Show Boat: Act Two, Scene Seven - Ol' Man River (Reprise): Ol' Man River... (Joe)
Show Boat: Act Two, Scene Seven - Hey, Feller!: When you yen for a gent... (Queenie, Chorus)
Show Boat: Act Two, Scene Eight - You Are Love (Reprise): 'That you, Nola?...' (Ravenal)

Tracks:

Show Boat: Act Two, Scene Nine: Cottom Blossom (Reprise): Cotton Blossom... (Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: Now up in the northern land... (Kim, Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: 'Say, Cap'n Andy...' (Frank, Ellie, Andy)
Show Boat: Act Two, Scene Nine - Finale Ultimo: 'Hello, Gay...' (Andy, Hope, Ravenal, Girl, Man, Magnolia, Old Lady, Chorus)
Show Boat: Appendix - Pantry Scene (Act One, Scene Two; deleted - 1927): 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Appendix - Waterfront Saloon Scene (Act One, Scene Three; deleted - 1927): 'Number four, black!...' (Voice (off), Ravenal, Loungers, Gambler)
Show Boat: Appendix - Yes, Ma'am (Act One, Scene Three; unused - 1927): Bet your hat... (Girls, Ellie)
Show Boat: Appendix - Kim's Imitations (Why Do I Love You?): (Act Two, Scene Nine; Ziegfeld Production - 1927): Why do I love you?... (Kim, Chorus)
Show Boat: Appendix - Dance Away the Night (Act Two, Scene Nine; London - 1928): Music in the air... (Kim, Girls, Boys)
Show Boat: Appendix - A Pack of Cards (Act One, Scene Six?; unused - 1927): One night as I sat by my fireside so weary... (Magnolia)
Show Boat: Appendix - The Creole Love Song (Act One, Scene Seven; unused - 1927): 'That you, Nola?...' (Ravenal, Windy, Magnolia)
Show Boat: Appendix - Out There in an Orchard (Act Two, Scene Four; unused - 1927): There was a sun sinking slowly in the west... (Julie)
Show Boat: Appendix - Gallivantin' Aroun' (Universal Film - 1936): Liza Matilda HIll... (Magnolia, Chorus)
Show Boat: Appendix - I Have the Room Above Her (Universal Film - 1936): 'Seems to me I've seen that stocking someplace...' (Ravenal, Magnolia)
Show Boat: Appendix - Ah Still Suits Me (Universal Film - 1936): 'Joe! Dere you go again!...' (Queenie, Joe)
Show Boat: Appendix - Nobody Else But Me (Act Two, Scene Nine; 1946 Revival): I was a shy, demure type... (Kim, Chorus)

Amazon.com

John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number "Mis'ry's Comin' Aroun'," as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening night and every song subsequently written for the show's many productions, most notably the love duet "I Have the Room Above Her," written for the 1936 film. (The recording is also available in a one-disc reduction called the "Broadway Show Album.")

Rest assured this 221-minute blockbuster is not just dry scholarship; it's also terrific listening, with McGlinn conducting a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." Also included are exhaustive production notes, a history of the show, a detailed synopsis, and a libretto. John McGlinn's Show Boat is a staggering achievement and a recording for the ages. --David Horiuchi

Customer Reviews:

The Best American Musical .......2007-07-29

The CD is the best American musical ever! The performances by Von Stade,Hadley etc are magnificient!

An American Treasure.......2007-03-03

When PBS showed the 1989 Paper Mill Playhouse production of Showboat, my five year old daughter fell in love with musical theater. To this day we never miss a production of Showboat, West Side Story, Music Man, Oklahoma or the rest of the great American musicals. These 3 discs are the closest you can ever hear to the original in 1927 and the recordings are leaps and bounds above any movie version or revival cast. Listening to Bill or Make Believe you almost want to cry at what Kern and Hammerstein were able to create.

I defy anyone to come up with another Broadway production that has three songs in a row better than Make Believe, Ol' Man River and Can't Help Lovin' Dat Man (West Side Story's Maria, America and Tonight are the best three in a row of a movie musical) and it's a shame that no movie version of Showboat can compare to this version. The first act is full of songs that are as good as any ever sung on a stage and I can't think of another production with a first act that compete against the big 3 plus Cotton Blossom, Where's The Mate For Me, Life On The Wicked Stage, Till Good Luck Comes My Way, Misry's Comin' Aroun', You are Love, Act One finale and Why Do I Love You?. You just don't want to have the music stop.

If you don't like opera you won't like this version. Sung the way Kern and Hammerstein wrote them, you can't help but feel the operatic nature of these songs. Tough noogies because Showboat is above all an opera disguised as a Broadway play and no sweetening should be allowed.

The four leads are all superb, Frederica von Stade as Nola especially. The booklet contains the complete libretto and allows a different way to appreciate the music.

If you buy just one version of Showboat you need this one. If you have other versions of Showboat you need this one. As a matter of fact, anyone with ears to hear needs this version. A true American treasure.

DON'T DESPAIR. IT'S BEEN REISSUED!!!!!.......2006-11-16

One of the great recordings of musical theatre ever. Although it's no longer available on EMI Angel, it was reissued in October, 2006, as an EMI Classic's "Great Recordings of the Century." It's been "Digitially Remastered at Abbey Road Studios from the Original Masters" and "noise-shaped via the Prism SNS system for optimum sound quality." If ART remastering does for this recording what it has done for other EMI Classics in my library, then it should sound superb. However, I understand the booklet is not as detailed as the one in the original 3-disc release.

Thank you, EMI.

I would hope other labels would follow suit and remaster and reissue other examples of classic American musical theater. It would be a pity if our children, grandchildren, and future generations were unable to savor "110 in the Shade" or "Little Mary Sunshine" or . . . . . . . . . (fill in the blanks.)

An American tragedy...........2006-02-06

This is the first of the great American musical plays, and probably remained unchallenged until the mid-1950s when West Side Story appeared. The term "musical comedy" does not apply. The few laugh lines are subsumed by the terrible sense of loss and disaster that work throughout the story. At its core is homelessness, the destruction wrought by racism, bad choices, human weakness, and reconciliation. The cast?--this was one of the few crossover recordings I've ever heard that actually worked. The trio of Jerry Hadley, Frederica von Stade, and Teresa Stratas is a marvel; Stratas in particular seems to have had a patented Dark Cloud that shadowed her. It's perfect for Julie Dozier Laverne. And the late Bruce Hubbard brings a magnificent dignity and voice to Joe--his singing of "Ol' Man River" amy not efface Paul Robeson, but can stand beside it.

Gorgeous!.......2005-08-26

Simply gorgeous! The most unforgetable music and the best voices! An album for all time!
M. J. Conrades

Singin' in the Rain (1952 Film Soundtrack) (Deluxe Edition)

Average customer rating:

the perfect movie
I LOVE MY FAVORITE SONG, AND THANKS TO THIS CD I CAN LISTEN TO IT ALL DAY LONG!!
Wonderful Soundtrack to a Wonderful Movie
Great CD
musical memories

Singin' in the Rain (1952 Film Soundtrack) (Deluxe Edition)
Nacio Herb Brown , Gene Kelly , and Arthur Freed
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Singin' in the Rain (Two-Disc Special Edition)
An American in Paris (1951 Film Soundtrack)
Easter Parade: Original Motion Picture Soundtrack
Seven Brides for Seven Brothers (1954 Film Soundtrack)
M-G-M's Brigadoon: Original Motion Picture Soundtrack (1954 Film)

ASIN: B00006JOF3
Release Date: 2002-10-01

Tracks:

Main Title/Singin' In The Rain - Gene Kelly
Fit As A Fiddle (And Ready For Love) - Gene Kelly
Tango (Temptation) - MGM Studio Orchestra
All I Do Is Dream Of You - Debbie Reynolds
All I Do Is Dream Of You (Outtake) - Gene Kelly
Make 'Em Laugh - Donald O'Connor
Beautiful Girl Montage - MGM Studio Orchestra & Chorus
Beautiful Girl - Jimmie Thompson
You Were Meant For Me - Gene Kelly
You Are My Lucky Star (Outtake) - Debbie Reynolds
Moses - Gene Kelly
Good Morning - Gene Kelly
Singin' In The Rain - Gene Kelly
Would You? - Betty Noyes
Broadway Melody Ballet - MGM Studio Orchestra & Chorus
Would You? End Title - Gene Kelly
Singin' In The Rain (In A-Flat) - Debbie Reynolds
Finale - Gene Kelly
Main Title (Alternate Version) - MGM Studio Orchestra
Beautiful Girl (Alternate Version/Tempo Track) - Gene Kelly
Would You? (Unused Version) - Debbie Reynolds
Would You (Duet) (Unused Version) - Gene Kelly
Beautiful Girl (Unused Original Version) - Jimmie Thompson
Singin' In The Rain (Alternate Vocal) - Gene Kelly
Should I (Unused Instrumental) - MGM Studio Orchestra

Tracks:

The Broadway Melody - Charles King
You Were Meant For Me - Charles King
The Wedding Of The Painted Doll - James Burroughs
Singin' In The Rain - Cliff Edwards
Should I - Charles Kaley
Beautiful Girl - Sam Ash
All I Do Is Dream Of You - Gene Raymond
Broadway Rhythm - Frances Langford
I've Got A Feelin' Your Foolin' - Robert Taylor
You Are My Lucky Star - Marjorie Lane
Would You - Jeanette MacDonald
Good Morning - Judy Garland
Singin' In The Rain - Judy Garland
All I Do Is Dream Of You - Judy Garland
Dignity - MGM Studio Orchestra
Stunt Montage (Extended Version) - MGM Studio Orchestra
First Silent Picture (Extended Version) - MGM Studio Orchestra
Have Lunch With Me - MGM Studio Orchestra
Dancing On A Rainbow - Arthur Freed
Singin' In The Rain (Radio Broadcast) - Arthur Freed
Broadway Melody Ballet (Original Version) - Gene Kelly

Amazon.com

A vibrant tribute to MGM's legendary confluence of brains, talent, hard work, ambition--and dare we say it?--massive egos, Singin' in the Rain long ago took its rightful place among the first rank of the studio's dizzying catalog of film musicals. This double-disc, 46-track 50th-anniversary edition features all of the film's familiar songs, as well as numerous outtakes and extended versions, many culled directly from the film's original recording masters. Its second disc also chronicles the film's clever--if studio imposed--self-referential musical gambit of recycling a slate of Arthur Freed/Nacio Herb Brown songs from Metro's first decade by including 14 of the originals, including performances by Jeanette McDonald, Judy Garland, Mickey Rooney, and Freed himself. Featuring a dozen previously unreleased recordings and an illustrated booklet containing the insightful reminiscences of the film's original writers, Betty Comden and Adolph Green, it's the ultimate musical companion to one of cinema's magical, enduring masterpieces. --Jerry McCulley

Album Description

The complete 50th Anniversary Edition and a bonus disc featuring the original recordings that inspired the 1952 MGM classic! Includes 12 previously unreleased tracks 'Would You?' (duet) (unused version), 'Beautiful Girl' (unused original version), 'Singin' In The Rain' (alternative vocal), 'Should I' (unused instrumental), 'You Were Meant For Me', 'All I Do Is Dream Of You', 'Broadway Rhythm', 'You Are My Lucky Star', 'Would You?', 'Dancing On A Rainbow' plus 'Broadway Melody Ballet' (original version). Rhino. 2002.

Customer Reviews:

the perfect movie.......2007-03-10

My old Gene did it: the perfect movie, the perfect american history, the perfect music. Some people think musicals are "B" movies. I say them: look about the dream, the performance, the music.
Who can say what is beatiful? Look at faces of Gene and Stan during the shooting on the set: whole concentration and attention for everything.
This is a unique moment in their story, and in the story of cinema.
Unforgettable.

I LOVE MY FAVORITE SONG, AND THANKS TO THIS CD I CAN LISTEN TO IT ALL DAY LONG!!.......2007-01-28

I love Singin' in the Rain. It was the movie that made me like musicals, not those simple, mellow movies like South Pacific and the Sound of Music, but REAL musicals, with people like Fred Astaire or Eleanor Powell tapping their hearts out, or great singers like Frances Langford or Dick Powell putting over a song like they mean it.The Singin' in the Rain 2disc special edition introduced me to my favorite movie, the Broadway Melody of 1936, the MOST AMAZING MOVIE EVER! So I was so glad when my parents got me the soundtrack to Singin' in the Rain, and besides the music of the 1951 versions of the Nacio Herb Brown/Arthur Freed, there are also the original versions of the songs in their original movies. I am so glad that Rhino put the duet of Robert Taylor and June Knight singing I've Got a Feelin' You're Foolin' on this CD set! It's my favorite song, and now I can listen to it! Hooray!! It's the best song EVER!! There's also vocals of Charles King singing the Broadway Melody, which is great! And many more, like Bing Crosby, Frances Langford, Jeanette MacDonald, and other great singers I can't think of right now. This CD set is great, the sound is nice and un-staticy (mostly), there are 30-plus songs, and the price is phenomenal. I love my favorite song, and now I can listen to it all day long!! Yay! :)

Wonderful Soundtrack to a Wonderful Movie.......2006-06-16

Yes, this is it--the first real musical I ever saw. Okay, I saw "Wizard of Oz" and "The Sound of Music", and I love both of those musicals dearly. I had even seen "My Fair Lady." I thought musicals were all like those. Until this one. I had never seen such dancing. And this CD causes me to relive the joy of the musical each time I listen to it. Complete with the tap sounds. I love that they included even the deleted songs. Now we just need a DVD that has all the deleted scenes in context. But the studio probably threw all those away. Oh well, our imaginations can take care of what is missing.

Great CD.......2006-03-20

This is a great CD of music for your family to listen to. Our family enjoys it very much.

musical memories.......2006-03-14

I enjoyed this CD very much, as I remember seeing the movie years ago. I grew up watching MGM musicals and this was one of the best. I loved all of the wonderful songs that came from this movie. Great sound on this CD.

You Can't Do That On Stage Anymore - Vol. 1

Average customer rating:

A Good Place To Start.
Zappa does the Grateful Dead thing, only better.
absolute greatness
Send in the diseased musicians
You'll like it

You Can't Do That On Stage Anymore - Vol. 1
Frank Zappa
Manufacturer: Zappa Records
ProductGroup: Music
Binding: Audio CD

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You Can't Do That On Stage Anymore - Vol. 2
You Can't Do That On Stage Anymore - Vol. 3
You Can't Do That On Stage Anymore - Vol. 4
You Can't Do That On Stage Anymore - Vol. 6
You Can't Do That On Stage Anymore - Vol. 5

ASIN: B0000009TN
Release Date: 1995-05-16

Tracks:

The Florida Airport Tape
Once Upon A Time
Sofa #1
The Mammy Anthem
You Didn't Try To Call Me
Diseases Of The Band
Tryin To Grow A Chin
Let's Make The Water Turn Black/Harry, You're A Beast/The Orange County Lumber Truck
The Groupie Routine
Ruthie-Ruthie
Babbette
I'm The Slime
Big Swifty
Don't Eat The Yellow Snow

Tracks:

Plastic People
The Torture Never Stops
Fine Girl
Zomby Woof
Sweet Leilani
Oh No
Be In My Video
The Deathless Horsie
The Dangerous Kitchen
Dumb All Over
Heavenly Bank Account
Suicide Chump
Tell Me You Love Me
Sofa #2

Customer Reviews:

A Good Place To Start........2006-02-02

In the late 1980's Frank Zappa went into his vault, and began work on a mammoth retrospective of every phase of his professional career, from the early recordings of the scandalous Mothers Of Invention, all the way through to what would be his final touring ensemble, the 11-piece backing band that, due to infighting, wound up disbanding before the tour was completed. There is a lot, and I mean A LOT of music in this series. Every line-up has something to offer, and this volume, the first in the series, gives the listener twenty-eight tracks, all live, recorded on different stages all over the world. The opening number, "The Florida Airport Tape," is a candid recording Zappa made on his portable tape recorder, of Mark Volman telling the other guys in the Mothers, circa 1970, that he had vomited on stage ("puked onstage," in his words), and wanted to know if anybody else had noticed this. Of course, poor-taste jokes follow, and this segues to a 1971 performance of the band, with most of the guys from the 1970 Florida tape, playing part of a forgotten suite,"Once Upon A Time," that leads into an early version of "Sofa (sung in German)." This leads right into a recording of the 1982 band playing an instrumental version of what would, with lyrics, appear on "Thing-Fish," two years later, as "The Mammy Anthem." And so forth, all through this disc, ending with a 1979 performance of "Don't Eat The Yellow Snow." FZ himself referred to this as a "totally stupid" song, but the version included here, is a first-class live performance, and worth buying the disc for. It depicts the band, in top form, recreating the music from the original as heard on "Apostrophe'," but with a lot added, most notably, the unreleased "Rollo."

Disc Two follows the same format, starting with the original Mothers Of Invention playing in a bar in the Bronx, New York, Spring tour, 1969, replete with stage announcements by Frank Zappa, telling the owner of a green Chevy, that his car needs to be moved, and the listener is transported through time and space, from the 1960's, through the 1970's, and into the 1980's, ending with the 1981 band's MTV special, before MTV turned into what it is now; it actually had MUSIC, played by MUSICIANS back then, and to give this volume a sense of beginning, main body, end, it closes with the MTV special's clip of the 1981 band playing an instrumental version of "Sofa," the track near the beginning of the first disc that had Howard Kaylan and Mark Volman singing in German.

Bottom line, this is a THOROUGHLY enjoyable cross-section of Frank Zappa's music, all live, and an excellent first volume of the series. In time, I aim to write reviews of all six volumes.

Zappa does the Grateful Dead thing, only better........2005-10-23

This is the first of six volumes of two disks per volume of live material done by various Zappa bands, including the original 'Mothers of Invention', the augmented band including former Turtles, Mark Volman and Howard Kaylen, and later groups simply performing under Zappa's name.

The material in the whole series covers twenty years of performing, and the notes say that great care was taken to select the best version of each piece.

I have so far only heard this first volume and as a long time Zappa fan, I believe this material is as good or better than what you will find in many of the earlier albums done by the original 'Mothers' group. The tracks include a rather large amount of Frank and other band members interacting with the audience and relatively few purely instrumental tracks. This is just fine with me. If you want instrumental, get 'Hot Rats' or 'Shut Up 'n Play Yer Guitar'.

There is a fair amount of overlap with some well-known albums such as the 'Filmore East, June, 1971' album but most of the material, unlike so many Grateful Dead live albums, is different enough to make the comparison interesting.

Great value for Zappa fans, except that it makes us miss Frank all the more!

absolute greatness.......2005-10-10

This compilation of live tracks from 1969-1984 represents almost every style zappa did. It has just so much good. It has the Flo&Eddie 1971 band play "Sofa #1", "Once Upon A Time" is a prelude to it, and "The Groupie Routine" which is almost the same thing as "Do You Like My New Car?" from "Fillmore East, June 1971". There's also a conversation where someone talks about puking on stage called "The Florida Airport Tape". The Roxy band here plays "Big Swifty", "I'm The Slime", "Babette", "Ruthie-Ruthie". The 1969 Mothers of Invention have a great medley "Let's Make the Water Turn Black/Harry You're A Beast/Orange County Lumber Truck". As well as an absolutely awesome version of "Oh No", and "Plastic People" played in the riff of "Louie, Louie". "Ruthie-Ruthie" is also played like that. The M.O.I also play "Sweet Leilani", a cover of some old folk tune and then break into avant-garde. The 1976 band plays "The Torture Never Stops" which is good, but it's too long (15 minutes). There's also the 1982 band playing "Fine Girl", and "Zomby Woof" where mosquitos kept on biting them. Also "The Mammy Anthem", "Tell Me You Love Me" and "Sofa #2". The 1981 band plays 3 songs, "Dumb All Over", "Heavenly Bank Account", and "Suicide chump" which are great. They're all from "You Are what You Is". The '84 band plays "Be In My Video" which is better than the studio version, and "The Dangerous Kitchen", and "The Deathless Horsie". The 1979 band plays "Don't Eat The Yellow Snow" which goes on for 20 minutes because they also play "Nanook Rubs It", "St. Alfonzo's Pancake Breakfast", and "Father O'Blivion" and there's another song which I don't know, and crowd participation. He also called the yellow snow lyrics stupid. The 1979 band also has "You Didn't Try to Call me", "Diseases of the Band" where FZ talks about how some band members are sick, and "Tryin' To Grow A Chin" which is very catchy, and it's sung by Denny Walley, because Terry Bozzio was no longer in the band. That's all the songs. The previously unreleased titles are "The Florida Airport Tape", "Once Upon A Time", "Diseases Of The Band", "The Groupie Routine", "Babette", "Ruthie-Rithie", and "Sweet Leilani". This without any doubts for me is the best of the series of YCDTOSA. Definetly highly recommended.

Send in the diseased musicians.......2002-11-05

I have still yet to hear Vol. 5. However, I risk saying that besides the special case of Vol. 2 (a single concert by the much beloved '74 Mothers), this one is probably the most successfull installment of the series. Read, something for everyone. No matter how you may dislike some Zappa line-up or other, it is unlikely that no part of this double CD at all won't give you immense listening pleasure (if you enjoy Zappa's music, of course). I am tremendously thrilled by the Roxy band (1973) version of "Big Swifty", one of the hottest pieces of jazz-rock music I have ever heard, anywhere... very different from the original studio version. Three words: GEORGE DUKE SMOKES! (And we all know that if Duke smokes, then so will the Zapper!) Spend the dough for this ditty alone, and listen to 'em go... It is that good! I am also fond of the lovely minuet groove of "Once Upon a Time" (a prelude to "Sofa"), with Jim "The Lord" Pons' nasal bass voice that is so funny... The London 1978, 20 minute version of "Don't Eat the Yellow Snow" includes an otherwise unavailable "classical" composition called "Rollo", that features striking 12-tone style vocals by Tommy Mars, and an overall impressive performance by an eight-piece band, half of whom were affected with various road diseases and ailments... That is quite historical and has "MC" Zappa giving one rather snide shot at the English people's eating habits (though one cannot help but question here the American composer's own notorious Wiener-based diet...) and having punters come on stage to recite poetry. Which is... enlightening!... Lastly, I will second the "molten metal" metaphor by the other reviewer with regard to the instrumental "Mammy Anthem", performed as it is in Palermo ('82). That was recorded in the middle of an actual riot in the audience, complete with tear gas bombs (which can be overheard here), that says quite a lot about the band leader's guts and work ethics! One other beautiful tune!

You'll like it.......2002-02-16

You Can't Do That On Stage Anymore (Part 1) is the first of six double CD's that include 28 tracks of live performances. The quality of the sound engineering is quite impressive. I was particularly impressed with the bass on "One Upon a Time." In addition, I believe that Zappa fans will not be able to find the following tracks in any other location (at least Zappa didn't authorize such productions) "One Upon a Time," "Ruthie-Ruthie," "Babbette," and "Sweet Leilani." I listened to these four tracks with great fascination. If there are other copies, I doubt they could achieve the same level of quality found on this CD. Excluding these four, the other tracks can be found on various CDs and LPs. However, the renditions on this CD are live and offer a different interpretation of the music. I enjoyed listening to familiar music executed in a different manner. I think all Zappa fans will enjoy this CD and the others in the set.

Average customer rating:

Loggins & Messina at their best.
Loggins & Messina On Stage
The Gift That Keeps on Giving!
A Lost Gem
ON STAGE LOGGINS AND MESSINA

On Stage
Loggins & Messina
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Mother Lode
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Loggins & Messina
Live: Sittin' in Again at Santa Barbara Bowl
Sittin' In

ASIN: B0000062FH
Release Date: 1998-03-03

Tracks:

House At Pooh Corner
Danny's Song
You Could Break My Heart
Lady Of My Heart
Long Tail Cat
Listen To A Country Song
Holiday Hotel
Just Before The News
Angry Eyes
Golden Ribbons
Another Road

Tracks:

Vahevala
Back To Georgia
Trilogy: Lovin' Me/To Make A Woman Feel Wanted/Peace Of Mind
Your Mama Don't Dance
Nobody But You

Amazon.com

Even those around for the decade may find it hard to believe that Loggins & Messina were an excellent live act throughout the '70s. Some might argue they were superior to Crosby, Stills & Nash onstage in their ability to leap between introspective singer/songwriter and rock & roll modes. (Lest we forget, Messina was a Buffalo Springfield alumnus who'd agreed to produce the lesser-known Loggins's debut LP). Which is why On Stage--featuring a crack band, the hits from "House at Pooh Corner" to "Your Mama Don't Dance," and extended versions of all the other faves--was not only the duo's highest charting album, but, along with the Sittin' In debut, their best effort. --Bill Holdship

Customer Reviews:

Loggins & Messina at their best........2007-07-29

This is a really fine album. I used to listen to this when i was 16 yrs old. I played it over and over. I had forgot all about this album until i was browesing through amazon. So i bought it and it is still as good as i rememberd it. This is a must buy, You wont be dissapointed.

Loggins & Messina On Stage .......2007-01-05

Brings back many memories. I was fortunate enough to see the duo play in concert many, many years ago and this recording is like the memory. Much of the music is rather soft, but they rock the house with Angry Eyes, Vahevala, and stir up warm fuzzies with the trilogy: Lovin' Me/To Make a Woman Feel Wanted/Peace of Mind. This album rated a 5 stars primarily due to it's memory provoking music. The CD recording is great and allows for the feeling of being at the concert. By the way, they were recently on tour together and did a wonderful show. Therefore, we had to purchase the CD cause my album is too delicate to play.

The Gift That Keeps on Giving!.......2007-01-04

For Christmas, 1976, my best friend Janet gave me this double-live album set. Thirty years later, I returned the favor by giving this to her for her birthday. I told her that I was just returning the 30 years of pure
joy she had given me.

Loggins and Messina celebrate love and friendship with their gloriuous use of diverse instrumentation (mandolin, flutes, violins and fiddles, percussions, horns); powerful lyrics; harmonies (w/Al Garth and Lou Simms); observations of relationships and American life that with send your spirit soaring. Pay special attention to "Golden Ribbons" which is an ode to the lost soldiers of Vietnam, that is as poignant and meaningful today.

"On Stage" is one of the best live Rock-n-Roll albums ever recorded which still resonates today. If you want to see what two master singers/songwriters/performers do with such beauty and grace, RUN, don't walk to the checkout box and click, BY NOW!

A Lost Gem.......2005-04-14

It's a shame so few people know about this recording. I've long since discarded my old "classic rock" collection ... paring it down to a bare handful of "essentials." This ranks as one of those handful of "essentials" in my collection ... For me it's right up there with the Byrd's "Sweetheart of the Rodeo" album or CSN&Y's 4 Way Street ... this band jams - with deliberate passion, and consumate skill.

ON STAGE LOGGINS AND MESSINA.......2003-02-09

I THOUGHT THIS WAS A GREAT ALBUM WHEN I HAD IT YEARS AGO BUT NOW ON THIS C'D AND WITH EXTRA TRACKS THE RECORD NEVER HAD WOW I CAN ONLY SAY WOW THIS IS ONE OF THE BEST LIVE RECORDINGS EVER THIS IS A MUST HAVE IF YOU LOVE LOGGINS AND MESSINA IF YOU DO NOT HAVE THIS IN YOUR MUSIC COLLECTION THEN BUY IT NOW...WHAT ARE YOU WAITING FOR ITS THAT GOOD

Doc Watson on Stage (Featuring Merle Watson)

Average customer rating:

Flatpicking guitar at its best
Honest Representation of Doc and Merle Live
Good intro to Doc
Each time I listen to DOC, I'd like to be American!
Love it when they put my favorite LP albums on CD

Doc Watson on Stage (Featuring Merle Watson)
Doc & Merle Watson
Manufacturer: Vanguard Records
ProductGroup: Music
Binding: Audio CD

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The Essential Doc Watson
Sittin' Here Pickin' the Blues
The Best Of Doc Watson 1964-1968
Black Mountain Rag
Trouble in Mind: Doc Watson Country Blues Collection

ASIN: B000000EB9
Release Date: 1990-05-24

Tracks:

Brown's Ferry Blues
The Wreck Of The 1262
Spikedriver Blues
Deep River Blues
Life Gets Teejus Don't It
Lost John
Hold The Woodpile Down
Billy In The Low Ground
I Am A Pilgrim
The Clouds Are Gwine To Roll Away
Windy And Warm
Doc's Guitar
Open Up Them Pearly Gates For Me
The Preacher And The Bicycle
Jimmy's Texas Blues
Banks Of The Ohio
Roll On Buddy
Southbound
Wabash Cannon Ball
When The Work's All Done This Fall
Little Sadie
The Quaker's Cow
Salt River/Bill Cheatham
Don't Let Your Deal Go Down

Customer Reviews:

Flatpicking guitar at its best.......2006-07-09

Doc Watson is well known as one of the best flatpicking guitarists in the genres of Old Time, Bluegrass and Folk. He is possibly the one who is responsible for transfering the guitar from only a rythm instrument into a soloinstrument in these kinds of music, by learning how to do the old fiddletunes on the guitar. And how he does it? He is a virtuoso on his instrument.
On this live recording, first released in 1982 as a dobbel LP, he is joined by his son Merle, and it is possibly one of the most beautiful records he has ever made. Doc sings and plays the guitar, and on some numbers the mouthorgan too. Merle accompanies him on guitar, and gets the chance to kick in a couple of numbers of his own.
There is a nice and warm and relaxed atmosphere in the concert. Doc tells a few jokes and you get the feeling that you are sitting around in his livingroom.
I first bought this record in 1982, and now I have bought it again on CD. It is simply a must in my personal collection. It is this record that woke my interrest for bluegrass, and learning how to flatpick on the guitar. And I am greatfull, though I'll never reach Doc's level. In fact very few people do.
Should I compare his playing to any younger generation flatpickers, the first one I can think of is Tony Rice.
And finaly, should you be interested in seeing Doc in action I can strongly recomend the DVD The Three Pickers, a concert in which he plays with Earl Scruggs and Ricky Skaggs, and Allison Krauss appears as a guest. That is very very beautyfull.

Honest Representation of Doc and Merle Live.......2005-10-29

I was fortunate to be able to see Doc and Merle live a couple of times before Merle's premature death. This disc is an accurate representation of the live Doc and Merle I saw - excellent musicianship applied to a broad sweep of American folk, blues and fiddle tunes played in Doc's unique way. Doc has a great sense of humor and it always comes through when he plays live, just as it done on this disc. Check out "Life Gits Teejus Don't It" for an example. Merle was an absolutely incredible guitarist but the most important gift he brought to the music was his innate sense of when and how to accompany and when and how to lead. He integrated himself into a song and played his part exceedingly well. I miss him. This disc has a great mix of tunes with enough instrumentals to please the pickers and plenty of story songs for the folkies. The sound quality is warm and clear and best of all, it doesn't get in the way of the music. This is a true 5 star disc in every regard. Classic!

Good intro to Doc.......2003-09-14

A very good introduction to the music of Doc Watson. This album contains samples of his blues, ballads, and old mountain songs. Of his albums that I currently have, moreover, this one reminds me most of the time I saw him in concert (early '90s) and the variety of songs he played then. I would highly recommend this as a first purchase of Doc's music.

Each time I listen to DOC, I'd like to be American!.......2003-08-01

A message to the American people: Americans, in case you don't know: DOC is not only one of the world's best guitarists, but also the best embassador that the US has ever had. This 1971 live recording (24 tracks, over 70 minutes, good sound quality) offers a generous helping of his art. Together with his late son Merle, Doc presents a collection of impeccably played folk songs. From 'Brown's Ferry Blues' to 'Don't let your deal go down', the singing and the picking are superb, so are Doc's comments and the audience's reactions. His are a voice and a PERSONALITY that you cannot help but love, someone you like listening to in your living-room for the sheer warmth his music exudes. And, what's more, his music integrates so many different voices, stories, influences, experiences that in my book he's the true Voice of America. Of course, there are numerous other fantastic recordings by Doc Watson -some dificult to come by here in Europe. Each record produced in his long career -and I own quite as lot, not a single one disappointing- is definitely worth checking out.

Love it when they put my favorite LP albums on CD.......2002-08-19

This is another CD version of an LP album put out several years ago, and I am sure glad they picked this one so I can stop trying to put a needle through my old LP. Doc Watson and his Gallagher guitar are simply awesome--the prototype folk guitar, both flat and fingerpicking style, supported superbly by Merle Watson. The audience is knowledgeable and appreciative, and their reactions augment the enjoyable music a lot. This is another album that you should just sit and do nothing but listen to. Close your eyes and imagine you are at the concert.

The Carl Stalling Project, Volume 2: More Music From Warner Bros. Cartoons 1939-1957

Average customer rating:

The Carl Stalling Project Vols 1 & 2
Better Stalling's CD
The Carl Stalling Project Volume 2
A nice follow up
Now, every time I watch cartoons, I listen to the music!

The Carl Stalling Project, Volume 2: More Music From Warner Bros. Cartoons 1939-1957

Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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The Carl Stalling Project: Music From Warner Bros. Cartoons, 1936-1958
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ASIN: B000002MN3
Release Date: 1995-02-28

Tracks:

Zoom And Bored
Stage Fright
The High And The Flighty
Bad Swiss Band
Marching Pink Elephants
The Slap Hoppy Mouse
Orchestra Gag
Variation On Grandfather's Clock
Variation On Chinatown My Chinatown
Variation On Lucky Day
Wind-Up Doll
Guided Muscle
Fall And Splat-SFX
Ghost Wanted (1940)
The Unexpected Pest
Drunk La Cucaracha
Flea-Ridden Sheep Dog
Golf Cue
Barbary Coast Bunny
Satan's Waitin' (Excerpt)
Rubber Dog
Pappy's Puppy
Variations On La Danza
Variations On Johann Strauss
Kangaroo-SFX
Mouse-taken Identity
Variations On Mexican Hat Dance
Frazzled Coyote

Amazon.com

The second volume of the master Warner Bros. cartoon composer's work downplays the head-spinning montage of the first in favor of just-as-head-spinning complete scores. They aren't from the studio's best-known cartoons but from some of Stalling's most impressive tempo-warping, all-systems-go pieces, augmented by a few mini-pieces that illustrate the way he could transform barely familiar show tunes and classical themes into wild, rubbery jokes. Even without images, Stalling could make an orchestra suggest a "Flea-Ridden Sheep Dog" in 24 seconds flat and run enough changes on Stephen Foster's "Camptown Races" to match every mood in a Foghorn Leghorn cartoon. The head-snapping reversals of his scores anticipate much later avant-garde music. --Douglas Wolk

Customer Reviews:

The Carl Stalling Project Vols 1 & 2.......2007-01-11

Are the names Mel Blanc, I. Freleng or Chuck Jones familiar to you? Then you will get a charge out of these albums as they remind you of Warner Brothers cartoons you saw. I even used these albums instead of "spooky music" for the trick-or-treaters at Halloween, and got appreciative comments from the parents who recognized the music. Definitely worth the price of admission.

Better Stalling's CD.......2006-05-09

As well as Stalling Project Part I, These recordings are more modern fidelity, less classic and more musical techniques. The improvisations appreciate me more than Part I. I like all tracks especially one from "Zoom and Bored" Salute Maestro!!!!
jlipipun

The Carl Stalling Project Volume 2.......2005-09-12

More music from Warner Brother Cartoons 1936 to 1958.
Carl Stalling was one of the foremost composers of music for cartoons and wrote virtually all of the scores for Warner Brothers cartoons from 1936 to 1958. This is a compilation of some complete soundtracks and other snippets. In my opinion, this disk is not quite as well done as "The Carl Stalling Project Volume I."

A nice follow up.......2003-03-09

I really did like the slice-and-dice format of the first disc : I think it helped keep that cartoon zaniness without the visuals. I would recommend both volumes - I listen to them alot while I'm programming!

Now, every time I watch cartoons, I listen to the music!.......2001-08-07

Carl Stalling. We all know who he is, but we don't know that we know. Who is he? The guy who did cartoon background music for Looney Tunes and Merrie Melodies for more than 20 years, that's who. Maybe you're thinking, "Oh, come on! Cartoon background music??! How good could something so trivial be?!" The answer to that question is.. VERY. Very entertaining. I just love Carl Stalling's great "scores". When you take away the context of it's being CARTOON music and just sit and listen to the damn thing, it's WONDERFUL music in and of itself! He goes from violins and a piano playing "agitato" simultaneously to a single oboe note and back again in five seconds. Not only that. He does that and, as random as it may sound, he mannages to segue it together beautifully. Now, every time I watch cartoons, the thing I pay most attention to is what aural miracles Mr. Stalling sneaked in. Maybe, after listening to this, you will too. If anything will change after you listen to this, it would be that you'll never think of cartoon music as trivial again........That's a GOOD thing.

Average customer rating:

Elvis at his best
The whole release is even better with the extra songs
The King On Stage!
The King Rules!
out standing polk salad

On Stage February, 1970
Elvis Presley
Manufacturer: Bmg / Elvis
ProductGroup: Music
Binding: Audio CD

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Elvis as Recorded at Madison Square Garden
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ASIN: B00000IYWL
Release Date: 1999-05-18

Tracks:

See See Rider
Release Me
Sweet Caroline
Runaway
The Wonder Of You
Polk Salad Annie
Yesterday/Hey Jude
Proud Mary
Walk A Mile In My Shoes
In The Ghetto
Don't Cry Daddy
Kentucky Rain
I Can't Stop Loving You
Suspicious Minds
Long Tall Sally
Let It Be Me

Customer Reviews:

Elvis at his best.......2007-07-08

There is nothing like hearing elvis perform live.And it didn't get better than these live vegas shows from the early 70s.He sang with amazing power and passion.Can't Stop Loving You,Sweet Caroline,Release Me are but a few examples of Elvis grabbing a song from his gutt and making it his.The standards Suspicious Minds and Polk Salad Annie allow him to put it all out there for all to hear why he is forever the single greatest singer of anyones lifetime.Runaway,Kentucky Rain are rare gems not apart of the original album.But for me the version of See See Ryder is probably his best.Turn it up and enjoy.

The whole release is even better with the extra songs.......2005-09-19

Here is a nice snapshot of Elvis before it all went downhill .
He is backed by his versatile band who are able to create the perfect setting in a number of musical styles - Elvis puts them through a lot .

This CD shows that there was a lot more to Elvis than the casual observer / listener may have thought .

After you've bought the Greatest Hits , this should be your next stop .

This is a whole lotta music , played with a whole lotta attitude . Well recommended .

The King On Stage!.......2005-01-29

In the mid-1980s, during my childhood, I saw Kurt Russell star in the movie "Elvis - True Story". I liked the music so much I wanted to buy a soundtrack album. However, my Granddad had a copy of "Elvis: 40 Greatest," so I borrowed that instead.

Reading the sleevenotes of that album and listening to that album, I was blown away. I had enjoyed great Country Music and the hit's of The Beatles before that, but this was different. I felt i had travelled back in time to the 1950s and 60s and was sitting in an American diner listening to the great Elvis hit's on a jukebox, as hit followed hit.

Pretty soon I saved up my pocket money and bought "The Sun Sessions", "20 Rock N Roll Greats" and then the "On Stage" collections. This was all before Compact Discs, so there was vinyl and tape.

This album originally continue no tracks for the concert that were on previous Elvis albums. They were all new songs or covers from the show that hadn't appeared on any of his previous work (unlike much later live albums which contained alot of the hit's).

Nowadays, in the CD age, this CD contains several bonus tracks, which feature some of the hit's Elvis sang at that concert ("In The Ghetto", "Kentucky Rain", "Long Tall Sally", etc, etc).

The opening track called "C.C. Rider" on the original LP (or "See See Rider" as it is credited as here) is a song Elvis sand at many concerts and it's just a good as opening as any album ever recorded.

Elvis then treats us to a version of Englebert Humperdincks "Release Me" (better than the original!) and then pays tribute to Neil Diamond with "Sweet Caroline (good times never seemed so good)". He does justice to Del Shannon's "Runaway" (a song in the style of many of Elvis' early rockers).

My favourite song on the album has to be "The Wonder Of You" a tender love song, sung as only Presley can, that was released as a single.

"Polk Salad Annie" is a great song with a novelty element. About a no good lying and stealing family, who have nothing better to do that steal watermelons. (lol)

Elvis then disproves any claim he hated the Beatles with a wonderful tribute to them, his version of "Yesterday". Not as good as Paul McCartney's original, but better than most of the other 50,000 cover versions!

On the CD Elvis then goes into a brief version of another Beatles classic "Hey Jude" (that was edited off the original album). It's a shame he didn't sing the whole song as he was doing such a great job!

Country music is where Presley's roots are and that's why songs like "Proud Mary", "Let it be me", "Kentucky Rain" (a pure classic!) and "Walk a mile in my shoes" (another pure classic!)
fit so well on this collection.

The versions of "long tall sally" and "in the ghetto", included a bonus tracks on this CD are just as good as the ones on the original studio albums by Presley.

"On Stage" was recorded at the beginning of the 1970s, a decade which saw many live albums by him. It ranks as one of the best.

The King Rules!.......2004-12-28

Bolstered by a half-dozen bonus tracks which focus heavily on Elvis' famed 1969 American Studios sessions, this expanded edition of ON STAGE is an essential link between the King's late sixties comeback and his sumptuously orchestrated pop outings of the early seventies. It's also a hell of a show, even if it is assembled from numerous performances recorded over a period of half a year.
The focus here (and henceforth) is on "new" material, rather than the rock & roll songs that made Elvis a star, with big but remarkably supple arrangements backing the finest set of vocal cords ever recorded. Elvis tackles a range of eras and styles, finding new things to do with CCR's "Proud Mary," Neil Diamond's "Sweet Caroline," Del Shannon's "Runaway" and a saccharine staple like "Let It Be Me" literally without missing a beat. But it's the additional cuts that really make this set. "Walk a Mile in My Shoes" is in itself worth the price of the disc, but hearing the band slow its groove down in the closing moments and effortlessly turn it into "In the Ghetto" is a bit of concert magic on a par with anything anyone else was doing in 1970, and that's saying a lot. Even the schmaltzy "Don't Cry Daddy" gains a certain magic in this context, paving the way for a show-stopping workout on "Kentucky Rain" that manages, against all odds, to equal if not better the stellar original version. "Suspicious Minds" is given a similarly mammoth treatment, though perhaps less so than would be the case a few months later in the THAT'S THE WAY IT IS period. Only on "Yesterday" (a song I've never much cared for) does the King stumble a bit, fudging the lyrics before putting things right with a bit of the coda from "Hey Jude."
In short, ON STAGE is a fine way to hear rock's most important figure at the height of his powers, covering a broad spectrum of excellent material with outstanding support from his band. Not to be missed!

out standing polk salad.......2003-12-07

with is 1970 release we get extra bonus tracks...which gives the listener his money's worth. i bought the album when 1st released, however, this album was released on quadraphonic 8 track, this version should be the version that was reeleased on to c.d...elvis is in fine form, lot's of energy and bmg-rca has mad good efforts to clean up the soundtrack.

You Can't Do That On Stage Anymore - Vol. 4

Average customer rating:

Get it together, Amazon!
I don't really like this that much
Better of the series
Blown Away
Nice job

You Can't Do That On Stage Anymore - Vol. 4
Frank Zappa
Manufacturer: Zappa Records
ProductGroup: Music
Binding: Audio CD

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You Can't Do That On Stage Anymore - Vol. 1

ASIN: B0000009TQ
Release Date: 1995-05-30

Tracks:

Little Rubber Girl
Stick Together
My Guitar Wants to Kill Your Mama
Willie The Pimp
Montana
Brown Moses
The Evil Prince
Approximate
Love of My Life (Mud Club Version)
Let's Move To Cleveland Solos (1984)
You Call That Music?
Pound For A Brown Solos (1978)
The Black Page (1984)
Take Me Out To The Ball Game
Filthy Habits
The Torture Never Stops (Original Version)

Tracks:

Church Chat
Stevie's Spanking
Outside Now
Disco Boy
Teen-Age Wind
Truck Driver Divorce
Florentine Pogen
Tiny Sick Tears
Smell My Beard
The Booger Man
Carolina Hard Core Ecstasy
Are You Upset?
Little Girl of Mine
The Closer You Are
Johnny Darling
No, No Cherry
The Man From Utopia
Mary Lou

Customer Reviews:

Get it together, Amazon!.......2006-02-20

Since the all-knowing, all-caring folks at Amazon.com are seemingly refusing to post my review of Volume 3 in this series (I wrote a good review of Volume 3, submitted it, and waited, and waited, and waited. With no results, I wrote another. And waited, and waited, and waited again. Still, nothing.), I'll press on ahead, and, this time, submit a review of Volume 4.

This edition follows the same premise of Volume 1, in that it spans Zappa's whole live career, without any apparent underlying theme. Where Volume 2 is only from the 1974 Helsinki Concert, Volume 3 is focused on the vocal abilities of the 1984 touring band, Volume 5 contrasts the original Mothers Of Invention (1965-1969) with the 1982 touring band, and the first disc of Volume 6 is focused on sexual themes, with the finale (disc two) being odds and ends to wrap it all up, this is a pot-pourri going back to the spring tour of 1969, spanning forward through the 1988 "Broadway The Hard Way" tour. Some real gems are included here, most notably, the '84 band's version of "The Evil Prince." The original, from "Thingfish," features Napoleon Murphy Brock singing this lengthy selection, in a sinister, chilling voice during that particular version of "The Torture Never Stops." I didn't feel there was room for improvement. Ray White sings it here, with the full band accompanying him, a far more complex arrangement than the studio version, and it is to be heard to be believed. Awesome band, contrary to what some detractors may think. The "Pound For A Brown Solos" are flowing with sweet-sounding keyboard arrangements, very nice, "Brown Moses" shows that Zappa hired some fantastic vocalists for his tours, and Disc One ends with the first version of "The Torture Never Stops," from the "Bongo Fury" sessions, Austin, Texas, 1975. This version is signifigantly different from the one everybody's familiar with. It's gritty and bluesy, the 1975 line-up of The Mothers, with Captain Beefheart singing, a perfect vehicle for this particular delivery of this number.

Disc Two begins with Zappa's "sermon" about Hell, and he tells the French audience, "THERE IS NO HELL, THERE IS ONLY...FRANCE!"
This kicks off a lengthy guitar duel between Zappa and Steve Vai, in the song "Stevie's Spanking." This is what live shows used to be made of. Too bad, look at what's out there these days. Things really have gone downhill.

Once again, you are treated to different performances over the years, some really old Mothers gems, "Are You Upset?" having gotten its title from the question Zappa asked a heckler in the audience during the recording of this piece. They lampoon The Doors in "Tiny Sick Tears" with a part of Zappa's monologue being modeled after the Oedipal section of "The End," only here there is no mother, just an embarrassed father. Really tacky, but funny, nonetheless. "Carolina Hardcore Ecstasy" just shines, it is so well done. And the set ends with a medley of old Rock-n-Roll songs from yesteryear. You don't have to like that kind of thing to see just how much fun the band had playing this sequence, and its inclusion is all part of the experience of Frank Zappa on stage. He never limited himself to one genre, and along with Volume 1, this is the most variety you will find in this series.

I don't really like this that much.......2005-10-25

This is songs recorded 1969-1988. Ends with a 50's doo-wop medley recorded in the 80's. Even though this does have a lot of great songs, it's just that I already have most of the popular songs and the verions are not better, some of them are worse. Like "Willie The Pimp", "My Guitar Wants To Kill Your Mama". Those are great but here they kind of suck. Same goes for a lot of the songs. But I really do enjoy "The Torture Never Stops Original Version", "You Call That Music?", "Are You Upset?", "Filthy Habits". There's a problem with "Montana". The first half is from the 1973 Roxy, Hollywood concert, then right after the solo it goes into a lame 1984 performance. Basically this album is full of popular songs with worse than original versions. So I don't really like it that much. But the songs I listed that I like are great.

Better of the series.......2005-08-15

This is one of the best of the six volume series (You Can't Do That On Stage Anymore). This is a 2 CD set. The first is 70 minutes and the second is 63 minutes. The sound quality varies but it is mostly very good to excellent, especially for live recordings.

I like this because much of it I had not heard before in any form. There is also much more variation in the music and the playing. There are some great keyboard and sax solos from other musicians.

This set is just a good compilation of tracks throughout the years. Some of the other volumes concentrate on one band (vol 2 is a complete concert) or period of time.

Blown Away.......2004-03-05

I've listened to tons of Zappa, and seen him many times...this is my favorite so far........too much good here...the playing is awesome...every song is great...if you want to hear the best of Zappa, buy this cd...you will not be disappointed...

Nice job.......2002-02-16

You Can't Do That On Stage Anymore (Part 4) is the fourth in a series of six double CD's that include 26 tracks of live performances. With the exception of "You Call That Music," "Take Me Out To The Ball Game," "Tiny Sick Tears," "Smell My Beard," and "The Booger Man" all of the other tracks can be heard elsewhere. These four, according to the liner noted are unreleased. I particularly enjoyed, "My Guitar Wants to Kill Your Mama." That song - regardless of who does it - brings a smile to my. It reminds me of visiting a girlfriend's house while I was in high school. Nearly 30 years later, it comes back into my mind each time I hear that song. Music brings flashbacks to most people. The CD is good for that.

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