Welcome to Hell [Import]

Welcome to Hell [Import]

Track Listings

1. Sons of Satan

2. Welcome to Hell

3. Schizoid

4. Mayhem With Mercy

5. Poison

6. Live Like an Angel

7. Witching Hour

8. One Thousand Days in Sodom

9. Angel Dust

10. In League With Satan

11. Red Light Fever

12. Angel Dust [Lead Weight Version] [*]

13. In League With Satan [7" Version][*]

14. Live Like an Angel [7" Version][*]

15. Bloodlust [7" Single][*]

16. In Nomine Satanas [7" Single][*]

17. Angel Dust [*][Demo Version]

18. Raise the Dead [*][Demo Version]

19. Red Light Fever [*][Demo Version]

20. Welcome to Hell [*][Demo Version]

See all 22 tracks on this disc

Editorial Reviews
Product Description
UK remastered reissue of 1985 album with 12 added bonus tracks, 'Angel Dust' (Lead Weight version), 'In League With Satan' (7 inch version), 'Live Like An Angel' (7 inch version), 'Bloodlust' (7 inch version), 'In Nomine Satanas' (7 inch), 'Angel Dust' (demo), 'Raise The Dead' (demo), 'Red Light Fever' (demo), 'Welcome To Hell' (demo), 'Bitch Witch' (outtake) & 'Snots Shit' (outtake). Housed in a embossed slipcase. 2002.

Tracks:

Birthday Ode For Queen Mary: Soun The Trumpet
The Indian Queen: Let Us Wander, Not Unseen
King Arthur: Shepherd, Shepherd, Cease Decoying
Ottone: Spring Is Coming
Ottone: Come To Me, Soothing Sleep
Orfeo ed Euridice: Chiamo il mio ben cosi (Act 1)
Orfeo ed Euridice: Deh! placatevi con me (Act 2)
Orfeo ed Euridice: Che puro ciel! (Act 2)
Orfeo ed Euridice: Che feci mai?...Che faro senza Euridice? (Act 3)
O Praise the Lord
I will lay me down in peace
I would that my love, Op. 63 No. 1 - Felix Mendelssohn
Greeting, Op. 63 No. 2 - Felix Mendelssohn
Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n
Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen
Kindertotenlieder: Wenn dein Mein tritt zur Tein
Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen!
Kindertotenlieder: In diesem Wetter, in diesem Braus

Amazon.com essential recording

Even before her tragic death at 41 (in 1953), Kathleen Ferrier became a legend for her incomparable voice, her simplicity and sincerity of expression, and her indomitable courage. This compilation of recordings originally made in the 1940s includes four arias from Gluck's Orfeo ed Euridice recorded live in Holland, which show why Euridice was one of her signature roles. Two beautifully sung Handel arias, two sacred songs by Maurice Greene, and delightful duets by Purcell and Mendelssohn (sung in English with another beloved English singer, Isobel Baillie) are greatly enhanced by the inimitable pianist Gerald Moore. But the core of this recording is the Mahler cycle. Here, Ferrier's voice takes on a new warmth and intensity; her deeply inward, direct expressiveness gives the bereaved parent's grief and anguish a devastating impact. Her reading of the last song could be a bit more spooky, but the end is heartbreaking in its submissive resignation. The Vienna Philharmonic and Bruno Walter are in their native element. --Edith Eisler

Customer Reviews:

Buen documento para conocer y disfrutar a Kathleen Ferrier.......2004-03-27

Este disco realiza un repaso bastante acertado a la carrera de la mitica contralto Kathleen Ferrier, una de esas voces que hicieron historia y que pasaron a la historia, y con razon.
Junto a unos duetos de Purcell y Mendelshon, y otras canciones, asi como unas arias de Haendel, en las que Ferrier ya va mostrando su gran talento, lo mejor de este disco esta indudablemente en la seleccion del 'Orfeo ed Euridice' de Gluck, tomada de unas funciones en directo a principios de los 50. La Ferrier sienta catedra en la interpretacion del personaje: lo lleva dentro, y lo canta de una forma admirable. Sin duda esta es una de las mejores encarnaciones de 'Orfeo' jamas escuchadas.
El otro pilar del disco son los 'Kindertotenlieder' de Mahler, otra de las maximas especialidades de Ferrier, de los que realiza una version antologica, por voz, diccion y expresion, magistralmente dirigida por Bruno Walter. Un lujazo, vamos.
El disco se consigue actualmente a precio medio, y las remasterizaciones son de calidades variadas (puesto que las grabaciones son de años diferentes) pero el nivel general de las mismas es bastante bueno.
Indudablemente este es un disco que hay que poseer, ya que quizas se trate de uno de los mejores documentos existentes para apreciar el tremendo talento de la gran Kathleen Ferrier.

The incredible Kathleen Ferrier recordings!.......2003-05-20

Voice fans, rejoice -- EMI has finally remastered these recordings and released them as one CD at budget price!
While Mahler's "Kindertotenlieder" would be the chief reason for purchasing this CD right away, it also contains several morsels, equally fascinating. Purcell and Mendelsohn's duets, Handel's arias, Greene's spirituals, and 3 live arias from Gluck's "Orfeo ed Euridice". In general, particularly Mahler, the sound is nothing short of phenomenal. BUT why could not these engineers do the same for "Orfeo" selections? There's a lot of noise on these. On all the selection Ferrier's exceptionally dark mezzo (or contralto with a huge upper register) shines brilliantly. Of course, Mahler's songs bemoaning the death of children are not an easy listen by any means. But the melodies are amazingly harmonious and Bruno Walter's superb orchestra provides ideal background for them, with Ferrier's voice blending gorgeously with strings. Only Mussorgsky could take a subject such as this and make it so breathtakingly captivating. It's actually frightening in by itself. Gerald Moore (well-known for his collaboration with Dietrich Fischer-Dieskau) accompanies expertly on Purcell and Mendelsohn's selections.
It would be a treat to hear Ferrier in more alto repertoire; I am just not sure how many were commercially available at the time. Right now, Vivica Genaux is the leading artist in this area, but it would be fascinating to compare these two.
For the sheer vocal marvel experience, do not delay in getting this CD.

A Terrible Beauty.......2002-11-14

Nothing will change my opinion that Mahler should be approached with caution. Like Wagner, the scale and power of his work means that it is simply not for everyone, but inspite of that, this recording is an indespensible part of any serious music lover's collection. Music like this simply is not made any more, but rather this is a glimpse into a past where artists and not accountants ran the music industry.

Mahler's wife Alma bitterly opposed his setting of Ruckert's Kindertotenlieder to music and considering the death of their daughter soon after, it's doubtful if she ever forgave him for it. But the finished work has an indescribable beauty that Kathleen Ferrier and Mahler's protégé Bruno Walter give full expression to in away that no other interpreter's have even approached. More than 50 years on this is both a lasting tribute to the artists involved and an indictment of the decline in standards since.

What is to say - It's Ferrier..........2002-03-31

I bought the CD for the Kindertotenlieder and that's what I am going to write about (though the rest of the program is equally impressive). Ferrier's Mahler interpretations are always in the 5+ star area. When Walter is accompanying her the results are even better (unlike the case of Klemperer). The first song - Nun Will Die Sonn'... the darkness of the music is so prominent, it's breathtaking. All the rest Kindertotenlieder come in the same fashion. If interested in a release with better sound but not these Olympian contritutors, Janet Baker and Christa Ludwig have made some very good discs

How can you go wrong?.......2001-10-22

I said it before, in my review of the Ferrier/Walter performance of Das Lied von der Erde, recently rereleased by Decca; Ferrier is the authoritative interpreter of Mahler songs--and I have never heard anything to equal this performance of Kindertotenlieder.

Average customer rating:

Velcome!
old school kick a$! metal
Black Metal Made By Sub-par retards
O My..
The Godfathers of extreme metal

Welcome to Hell
Venom
Manufacturer: Phantom Sound & Vision
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

British Metal | Hard Rock & Metal | Styles | Music

Death Metal | Hard Rock & Metal | Styles | Music

General | Hard Rock & Metal | Styles | Music

Hard Rock | Hard Rock & Metal | Styles | Music

Thrash & Speed Metal | Hard Rock & Metal | Styles | Music

Hard Rock & Metal | Imports | Stores | Music

Rock | Imports | Stores | Music
Similar Items:

Black Metal
Morbid Tales/Emperor's Return
To Mega Therion
Apocalyptic Raids
At War with Satan

ASIN: B00005V331
Release Date: 2002-03-11

Tracks:

Sons of Satan
Welcome to Hell
Schizoid
Mayhem with Mercy
Poison
Live Like an Angel
Witching Hour
One Thousand Days of Sodom
Angel Dust
In League with Satan
Red Light Fever
Angel Dust [Lead Weight Version][*]
In League with Satan [7" Version][*]
Live Like an Angel [7" Version][*]
Bloodlust [7" Single][*]
In Nomine Satanis [7" Single][*]
Angel Dust [*][Demo Version]
Raise the Dead [*][Demo Version]
Red Light Fever [*][Demo Version]
Welcome to Hell [*][Demo Version]
Bitch Witch [*][Outtake]
Snots Skit [*][Outtake]

Album Description

UK remastered reissue of 1985 album with 12 added bonus tracks, 'Angel Dust' (Lead Weight version), 'In League With Satan' (7 inch version), 'Live Like An Angel' (7 inch version), 'Bloodlust' (7 inch version), 'In Nomine Satanas' (7 inch), 'Angel Dust' (demo), 'Raise The Dead' (demo), 'Red Light Fever' (demo), 'Welcome To Hell' (demo), 'Bitch Witch' (outtake) & 'Snots Shit' (outtake). Housed in a embossed slipcase. 2002.

Customer Reviews:

Velcome!.......2007-05-04

If you're going to criticize Venom by saying that they lack musical finesse, you might as well criticize Ramones for the same reason. Go ahead - - Venom gladly welcomes such pinheads to the place they should darned well know they can go. And I bet they like Ramones, too.

old school kick a$! metal.......2007-01-25

If you're a fan of old school death and want to hear a huge influence on almost every extreme band than look no further. Venom may not have been the greatest musicians in the world but what they did they did extremely well. Namely pissing alot of parents off and offending every bible thumper that saw this album,notice I say saw and not heard, as I'm sure the holy rollers s?!t themselves when they saw the cover art. When me and my wife were dating her holy roller aunt use to come over to try and "save" me, so I'd slap this cassette (I'm old!) on the stereo and turn it to "11" (ha,ha) you would think she was on fire as fast as she would run out of the house....ahhh memories! anyway, if you like old school thrash, death, black, white purple or whatever color they call it nowadays you need to pick this album up and take it for a spin, give it a few listens and then move on to their second album "Black Metal!!" But probably don't look any farther than that as the magick(?) disapears after that one. Although I haven't listened to "metal black" yet. oh well, some other day. Now I have to get back to playing my cardboard cut out guitar along to number of the beast, c-ya!

Black Metal Made By Sub-par retards.......2006-12-31

Venom are total posers. Anybody who believes the stupid things these "Musicians" say are imbeciles. None of the "songs" on this album are worth remembering because VENOM ARE NOT REALLY SATANISTS! They are posers. They pose as satanists, thats the definition of posers. They did this to trick dumbasses into buying records. Welcome to Hell is a boring listening experience that a 12 year old would find scary. People were stupid back then for believing that Cronos was a satanist. Venom < Warrant

O My.........2006-12-18

This is a bit of a mix of punk and 60's into 70's metal isn't it? I can drink tea with this, it'S Brittish. This is really considered one of the first Satanic bands.If not the first. tongue and cheek songs about tearing babies and is there a line or something about "tearing into her flesh I insist"? Or some such thing on one of their albums? Punk Bass and heavy trippy rock, one of the best albums ever I'm afrAid. A teacher would have been hit in the back of the head with a pencil propelled by a rubber band in the early days of their upbringing..Evil in League with Satan I guess. I Love this, and I'm afraid I have to give it quite a good rating. Tea. I think it's time..

The Godfathers of extreme metal.......2006-09-23

Yes, as you probably know this album kicked started the wonderful genre of extreme metal. So you like Suffocation? You like Emperor? You like SLAYER? If you didn't have this band you might not have those other great bands, Venom are basically the "Atari/Nintendo" of EM. Everything that is METAL is here too; pure evilness, chock full of Satanic lyrics, rebellion and angst, raw production (probably the rawest album at the time in 1981), and even chicks! They took that "live life in fast lane" attitude of Motorhead that I love and added their blend of evil that had never even been fathomed. The album may have a few flaws but it is one of the top 10 most groundbreaking metal albums ever.

These songs are awesome people. First you have Sons of Satan which is evil speed metal goodness, the title track with that seething voice of Cronos and even has a nifty instrumental interlude in Mayhem With Mercy which has a very eerie and ambient feel to it, perhaps it was can be called a precursor to future ambient black metal bands. Other highlights are Poison with sick riffs and great lyrics about being with wh*res (which I have experience with), the early BM classics Witching Hour with it's sweet solo and catchiness and my personal fave here IN LEAGUE WITH SATAN! F*ckin' right doggie! The song comes complete with a backwards Satanic intro, tribal-like drums, and slow brooding riffs. I literally feel I'm 'south of heaven' when this song is one. One last thing worthy of noting is the opening riff to the album's closer I believe to the HEAVIEST riff in 1981 hands down.

The album is another rarity in the fact that the bonus track DO NOT BLOW! Yes, it's true! You get the usual group of 'demo versions' of songs but you also get cool singles from the day like Bloodlust.

All in all a sick album, and of course the 'E' word comes to mind. You know what word I'm talking about. Go get it to see the roots of extreme metal. I also agree with Marxist Matt that their next album Black Metal is much better, however.

P.S. Ok so it's not trve kvlt black metal but so what? This OWNS most kvlt junk I've heard.

Average customer rating:

Welcome to Hell
Xtyrantx
Manufacturer: Tragic Hero Records
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music

General | Hard Rock & Metal | Styles | Music
ASIN: B000Q7ZC6O
Release Date: 2007-06-05

Tracks:

Bravo One Two
Nevermore
Ruthless
Sincerely Yours
Til My Last Drop
Gone Tomorrow
Xdeviantx
Lesser Man
Our Call
With Spite Comes Power
[CD-Rom Track]

Album Description

When a well-known straight edge band like Throwdown doesn't include the word straight edge in their biography for Trustkill Records, you know its time for a new band to step up and take their place. And after listening to xTyrantx's debut full-length, theres no question whether the band would include a contentious label like straight edge in their bio. With lyrics like, "I kill for straight edge" and "strong I stand", with no shame, the band wears their lifestyle on their sleeve, something too many bands abstain from these days in favor of commercial success. This Motor City hardcore band formed in 2003 from the ashes of xTrephinex, Driven by Fire, Provoke, and King of Clubz and quickly became one of the most brutal and polemical bands in the area. Although not touring extensively, they've left their mark locally and promise to bring their heavy breakdowns and confrontational lyrics to any scene they play. A unique six-member line up ensures not only a crushing wall of guitars, but also a diverse vocal arrangement that delivers the bands militant straight edge stance with ferocity. After hearing the bands self-titled demo in 2004, Seventh Dagger Records quickly made plans to release a full-length the following year. The marriage between Seventh Dagger and xTyrantx was consummated by a passion for straight edge and Welcome to Hell was the couples hate-filled offspring. In an increasingly glamorized and commercialized hardcore scene, where bands would rather parade around on stage like David Bowie instead of confronting the morally bankrupt society that we live in, xTyrantx will be a welcome despot to the angry youth that still remain.

Average customer rating:

Katie
SWeet movie
My Little Box Rocks
suburbanwolf got it right!
"My Little Box" is not sung by Trent Reznor

Ghost Ship (Score)
John Frizzell
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Thirteen Ghosts
Ghost Ship (Widescreen Edition)
Slither: Original Motion Picture Score
The Reaping
Cinema Paradiso

ASIN: B00006WL42
Release Date: 2002-11-05

Amazon.com

If the idea behind director John Beck's nautical frightfest isn't exactly new--long-lost ship is mysteriously found floating at sea--the filmmaker invests it with a smart sense of style and tension that lifts it above its horror-exploitation roots. The brooding orchestral score from composer John Frizzell (13 Ghosts, Beautiful, Alien Resurrection) conjures up the appropriate atmosphere of foreboding and unease, while largely steering clear of the genre's inherent cheese quotient. Indeed, the composer invokes an often surprising sense of emotional strain and weariness, injecting some welcome human dimensions amid the expected shrieking strings and rumbling brass and percussion. While certain genre clichés are paid heed, Frizzell's efforts here often as not eschew orchestral thunder for more subtle, intimate music that lifts the film from mere floating haunted-house gambit into something more emotionally gripping. --Jerry McCulley

Customer Reviews:

Katie.......2007-04-11

I love the music from this movie. I really love this movie because of the little girl. Katie is very sweet. You would love to have a friend like her. Katie will be there for you. Katie will take care of you.

SWeet movie.......2006-04-09

also THE MUDVANYE SONG RULES!!!!!!!!!!!!!! "NOT FALLING" I'M PLAYING IT RIGHT NOW, I KNEW THIS BAND SOUNDED FAMILIAR. THEY ROCK BABY. :)

My Little Box Rocks.......2005-02-13

The great song from the "flashback scene" in the movie, is track 23, My Little Box. Simply a must-have song. Dark and dry, the lyrics accompany the hollow and spooky beat. "I live safe inside my cell, in the darkness that surrounds me, I see my own special hell. Compliment my suffering, feeling warm inside this pain, four walls comin' down on me, are coming down again."

suburbanwolf got it right!.......2004-12-30

the song for flashback(night of slaughter)scene is "superhoney" by edwin and the pressure. it can be purchased on amazon canada or go to the edwin and the pressure website and click on links for purchase. And there it is!

"My Little Box" is not sung by Trent Reznor.......2004-06-10

"My Little Box" is sung by Gabriel Mann, not Trent Reznor like someone suggested.

Average customer rating:

Another feast for Handelians
Excellent music

Handel: Saul
John Eliot Gardiner , Ruth Holton , Lynne Dawson , John Mark Ainsley , Donna Brown , Derek Lee Ragin , English Baroque Soloists , Philip Salmon , and Neil Mackie
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B00000412J
Release Date: 1991-09-12

Customer Reviews:

Another feast for Handelians.......2003-12-25

Here's another astonishing piece for all Handelians. Many of Handel's great pieces have sadly been neglected - just like many of Richard Strauss' operas which have only recently received attention from people like Botstein, Korsten and Sinopoli (deceased). Thankfully, Gardiner and his team took the trouble to record this astonishing masterpiece. I simply love this piece - Saul!! The Monteverdi choir is the best in the world - listen to their stunning virtuosity here. Thank you, Gardiner!!

Excellent music.......2003-09-14

Saul is one of those lesser known works by Handel. I certainly prefer Solomon, the Messiah or Israel in Egypt. Nevertheless, there is plenty of glorious music in Saul. The Monteverdi sings with their customary virtuosity. Casting of solo parts is superb. A bit on the pricey side but this is an investment that will yield rich dividends over a long period of time. Instead of listening to the Messiah all the time, or Solomon or Jephtha, why not be more daring and explore this lesser known work by Handel?

Average customer rating:

The Ultimate Lotte Lenya Collection

Manufacturer: Bear Family
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Vocal Jazz | Jazz | Indie Music | Stores | Music
ASIN: B0000251AF
Release Date: 1999-03-22

Tracks:

'Happy End': Surabaya-Johnny (1929)
'Happy End': Bilbao-Song (1929)
'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1930) - Lotte Lenya/The Three Admirals
'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1930) - Lotte Lenya/The Three Admirals
'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1930)
'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1930)
'Die Dreigoschenoper': Ouverture/Moritat/Ballade Vom Angenehmen Leben (1931) - Kurt Gerron/Willy Trenk-Trebitsch
'Die Dreigoschenoper': Liebeslied/Kanonensong (1931) - Kurt Gerron/Erika Helmke/Willy Trenk-Trebitsch/Chorus
'Die Dreigoschenoper': Die Seerauberjenny (1931) - Kurt Gerron/Lotte Lenya
'Die Dreigoschenoper': Erstes Dreigroschen-Finale (1931) - Kurt Gerron/Lotte Lenya/Erika Helmke/Erich Ponto
'Die Dreigoschenoper': Barbarasong/Eifersuchtsduett (1931) - Kurt Gerron/Lotte Lenya/Erika Helmke
'Die Dreigoschenoper': Abschied/Zweites Dreigroschen-Finale (1931) - Kurt Gerron/Erika Helmke/Willy Trenk-Trebitsch/Chorus
'Die Dreigoschenoper': Zuhalter-Ballade/Lied Von Der Unzulanglichkeit Menschlichen Strebens (1931) - Kurt Gerron/Willy Trenk-Trebitsch/Lotte Lenya/Erich Ponto
'Die Dreigoschenoper': Moritat/Schlusschoral (1931) - Kurt Gerron/Lotte Lenya/Chorus
Querschnitt, 1. Tiel: 'Aufstieg Und Fall Der Stadt Mahagonny' (1932)
Querschnitt, 2. Tiel: 'Aufstieg Und Fall Der Stadt Mahagonny' (1932)
'Happy End': Surabaya-Johnny (1943) - Lotte Lenya/Kurt Weill
'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1943) - Lotte Lenya/Kurt Weill
Complainte De La Seine (1943) - Lotte Lenya/Kurt Weill
J'Attends Un Navire (1943) - Lotte Lenya/Kurt Weill
'Lost In The Stars': Lover Man (1943) - Lotte Lenya/Kurt Weill
'Lost In The Stars': Lost In The Stars (1943) - Lotte Lenya/Kurt Weill
'I've Got The Tune': And So The Last Thing, Too (1937 Interview) - Lotte Lenya/Marc Blitzstein/Shirley Booth

Tracks:

'Die Dreigoschenoper': Moritat (1955)
'Die Dreigoschenoper': Barbara-Song (1955)
'Die Dreigoschenoper': Seerauberjenny (1955)
'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Lied (1955)
'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1955)
'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1955)
'Happy End': Bilbao-Song (1955)
'Happy End': Surabaya-Johnny (1955)
'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1955)
'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1955)
'Der Silbersee': Ich Bin Eine Arme Verwandte (1955)
'Der Silbersee': Casar-Ballade (1955)
'Die Sieben Todsunden': Prolog/Introduktion (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
'Die Sieben Todsunden': Faulheit (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
'Die Sieben Todsunden': Stolz (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
'Die Sieben Todsunden': Zorn (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
'Die Sieben Todsunden': Vollerei (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
'Die Sieben Todsunden': Unzucht (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
'Die Sieben Todsunden': Habsucht (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
'Die Sieben Todsunden': Neid (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
'Die Sieben Todsunden': Epilog (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen

Tracks:

'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 1 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 2 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 3 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 4 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 5 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 6 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 7 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 8 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 9 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 10 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 11 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 12 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 13 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn

Tracks:

'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 14 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 15a (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 15b (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 16 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 17 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Szene 18 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Szene 19 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Finale (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn

Tracks:

'Knickerbocker Holiday': September Song (1957)
'Knickerbocker Holiday': It Never Was You (1957)
'Lady In The Dark': Saga Of Jenny (1957)
'One Touch Of Venus': Foolish Heart (1957)
'One Touch Of Venus': Speak Low (1957)
'The Firebrand Of Florence': Sing Me Not A Ballad (1957)
'The Eternal Road': Song Of Ruth (July Version) (1957)
'Street Scene': Lonely House (1957)
'Street Scene': A Boy Like You (1957) - Lotte Lenya/Darryl Richard
'Love Life': Green-Up Time (1957)
'Lost In The Stars': Trouble Man (1957)
'Lost In The Stars': Stay Well (1957)
'Lost In The Stars': Lost In The Stars (1957)
'The Eternal Road': Song Of Ruth (August Version) (1957)
'The Threepenny Opera': Pirate Jenny (1954)
'The Threepenny Opera': Solomon-Song (1954)
'The Threepenny Opera': Tango-Ballad (1954) - Lotte Lenya/Scott Merrill
'The Threepenny Opera': Lenya & Blitzstein TV Interview (1954) - Lotte Lenya/Marc Blitzstein
'Johnny Johnson': Mon Ami, My Friend (1956)
Young Blood (1969)
Welcome Home (1969)

Tracks:

'Die Dreigoschenoper': Ouverture (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Moritat (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Morgenchoral Des Peachum (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Anstatt-Dass-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Hochzeitslied Fur Armere Leute (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Kanonensong (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Liebeslied (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Barbara-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Erstes Dreigroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Der Pferdestall (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Abschiedslied Der Polly (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Zwischenlied (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Ballade Von Der Sexuellen Horigkeit (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Die Seerauberjenny (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Zuhalter-Ballade (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Ballade Vom Angenehmen Leben (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Eifersuchtsduett (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Arie Der Lucy (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Zweites Dreigroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Lied Von Der Unzulanglichkeit Menschlichen Strebens (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Solomon-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Ruf Aus Der Gruft (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Ballade In Der MacHeath Jedermann Abbitte Leistet (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Der Reitende Bote (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Drittes Driegroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Schlusstrophen Der Moritat (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...

Tracks:

'Happy End': Introduktion (Hosiannah) (1960)
'Happy End': Bilbao-Song (1960)
'Happy End': Der Kleine Leutnant Des Lieben Gottes (1960)
'Happy End': Geht Hinein In Die Schlacht (Heilsarmee-Lied 1) (1960)
'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1960)
'Happy End': Bruder, Gib Dir Einen Stoss (Heilsarmee-Lied 2) (1960)
'Happy End': Das Lied Vom Branntweinhandler (1960)
'Happy End': Der Song Von Mandelay (1960)
'Happy End': Furchte Dich Nicht (Heilsarmee-Lied 3) (1960)
'Happy End': Surabaya-Johnny (1960)
'Happy End': Das Lied Von Der Harten Nuss (1960)
'Happy End': In Der Jugend Gold'Nem Schimmer (Heilsarmee-Lied 4) (1960)
'Happy End': Die Ballade Von Der Hollen-Lili (1960)
'Happy End': Der Kleine Leutnant Des Lieben Gottes (1960)
'Cabaret': So What? (1966)
'Cabaret': It Couldn't Please Me More (1966) - Lotte Lenya/Jack Gilford
'Cabaret': Married (1966) - Lotte Lenya/Jack Gilford
'Cabaret': What Would You Do (1966)
'Cabaret': Finale (1966) - Lotte Lenya/Bert Convy/Jill Haworth/Jack Gilford/Joel Grey

Tracks:

Unter Der Linde (1958)
Menschlich Elende (1958)
Das Rosenband (1958)
Der Tod Und Das Madchen (1958)
Abendlied (1958)
Der Bauer (1958)
Lebenspflichten (1958)
Gesang Der Geister Uber Den Wassern (1958)
Aus 'Romische Elegein' (1958)
Gefunden (1958)
Wo Bist Du Itzt (1958)
Der Handschuh (1958)
Hyperions Schicksalied/Aus 'Hymnen Der Nacht' (1958)
Mondnacht (1958)
Das Schloss Boncourt (1958)
Kommen Und Scheiden (1958)
Auf Geheimem Waldespfade (1958)
Der Weiher (1958)
Das Verlassene Magdlein (1958)
Der Wirtin Tochterlein (1958)
Mit Dummen Madchen (1958)
Im Wunderschonen Monat Mai (1958)
Ich Wollte Meine Lieder (1958)
Nachtlich Am Busento (1958)
Kehr Ein Bei Mir! (1958)
Altassyrisch (1958)
Die Musik Kommt (1958)
Wer Weiss Wo (1958)
Der Romische Brunnen (1958)
Vereinsamt (1958)
Der Werwolf (1958)
Der Arbeitsmann (1958)
Die Bieden (1958)
Du Schlank Und Rein Wie Eine Flamme (1958)
Spanische Tanzerin (1958)
Ich Liebe Frauen (1958)
An Den Leser (1958)
Die Entwicklung Der Menschheit (1958)
Der Vater (1958)
Erinnerung An Die Marie A (1958)
Von Der Freundlichkeit Der Welt (1958)
Kinderkreuzzug (1958)

Tracks:

A Hunger Artist (1959)
An Imperial Message (1959)
A Fratricide (1959)
The Care Of A Family Man (1959)
Up In The Gallery (1959)
A Dream (1959)
The Bucket Rider (1959)
Vergnugungen: What I Enjoy (Last Song) (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
Inscription On A China Lion (The Lion) (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
'Die Dreigroscheneroper': The Solomon Song (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
'Buckower Elegien': Changing Wheels (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
Burning Books (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
Written On The Wall (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
Lied Der Courage (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
Song Of A German Mother (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
'Buckower Elegien': The Dog (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
To The Next Generation (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
Bad Times For Poetry (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
Und Was Bekam Des Soldaten Weib (1943) - Lotte Lenya/Kurt Weill
Wie Lange Noch (1943) - Lotte Lenya/Kurt Weill
Lied Einer Deutschen Mutter (1943) - Lotte Lenya/Kurt Weill

Tracks:

'Die Dreigroscheneroper': Moritat Von Mackie Messer (1960)
'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Leid (1960)
'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1960)
'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1960)
'Das Berliner Requiem': Zu Potsdam Unter Den Eichen (1960)
'Die Dreigroscheneroper': Die Seerauberjenny (1960)
'Happy End': Bilbao-Song (1960)
Carnegie Hall Introduction (1965)
'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1965)
'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Song (1965)
'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1965)
'Das Berliner Requiem': Zu Potsdam Unter Den Eichen (1965)
'One Touch Of Venus': Speak Low (1965)
'One Touch Of Venus': Foolish Heart (1965)
'One Touch Of Venus': Bilbao-Song (1965)
'One Touch Of Venus': Surabaya-Johnny (1965)
'Love Life': Love-Song (1965)
'Love Life': Susan's Dream (1965)
'Happy End': Was Die Matrosen Sagen (Matrosen-Tango) (1965)
'Happy End': Der Song Von Mandelay (1965)
'Happy End': Das Lied Von Der Harten Nuss (1965)
'Happy End': Lilli Of Hell (1965)
'Knickerbocker Holiday': September Song (1965)
'Die Dreigroscheneroper': Barbara Song (1965)

Tracks:

Moritat (1965)
Moritat (German Version) (1965) - Lotte Lenya/Turk Murphy
Mack The Knife (1965) - Lotte Lenya/Louis Armstrong
Mack The Knife (1965) - Lotte Lenya/Louis Armstrong
Lied Der Courage I (1965) - Lotte Lenya/Harry Buckwitz
Das Lied Vom Weib Und Soldaten (1965)
Lied Von Der Grossen Kapitulation (1965)
Lied Der Courage II (1965)
Lied Der Courage III (1965)
Eia Popeia, Was Ras Im Stroh (1965)
Lied Der Courage IV (1965)
The Dick Cavett Show (1975) - Lotte Lenya/Dick Cavett
Start (1975) - Lotte Lenya/Dick Cavett
American Films (1975) - Lotte Lenya/Dick Cavett
The Opening Night Ot The Rise And Fall Of The City Of Mahagonny (1975) - Lotte Lenya/Dick Cavett
'One Touch Of Venus': I'm A Stranger Here Myself (1975) - Lotte Lenya/Dick Cavett
Anita Berber (1975) - Lotte Lenya/Dick Cavett
The Great Inflation (1975) - Lotte Lenya/Dick Cavett
Thoughts On 'Oh, Calcutta' (1975) - Lotte Lenya/Dick Cavett
Berlin Visit 1955 (1975) - Lotte Lenya/Dick Cavett
Introduction To 'Bilbao-Song' (1975) - Lotte Lenya/Dick Cavett
Bilbao-Song (1975) - Lotte Lenya/Dick Cavett
Introduction (1966)
'Knickerbocker Holiday': How Can You Tell An American (1966)
'Knickerbocker Holiday': September Song (1966)

Average customer rating:

Poison alone is worth two stars
Thrash starts here!
SILLY
4 stars, but...
From the very depths of hell...

Welcome to Hell
Venom
Manufacturer: Relativity
ProductGroup: Music
Binding: Audio CD

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Black Metal

ASIN: B000003C4M
Release Date: 1991-07-01

Tracks:

Sons of Satan
Welcome to Hell
Schitzo
Mayhem With Mercy
Poison
Live Like an Angel, Die Like a Devil
Witching Hour
1000 Days in Sodom
Angel Dust
In League With Satan
Red Light Fever
In Nomine Satanas
Burstin' Out

Amazon.com

The first black metal band, Venom's loose, hook-free offerings to Lucifer were amateurish, but thunderously heavy. Welcome to Hell featured indecipherable vocals, overdriven guitars, and frenetic drums that were rarely in sync, but which influenced a league of devil worshippers to follow. --Jon Wiederhorn

Customer Reviews:

Poison alone is worth two stars.......2005-10-24

Poison is one of the best all time metal songs!Not a big Venom fan but poison is just so good you can't argue is one of the gems of all metal/thrash!worth getting just for poison!

Thrash starts here!.......2005-03-18

These guys are responsible for starting the Thrash metal genre, inspiring and giving name to the Black Metal genre, and influencing the creation of Death Metal (although Slayer was more influential to death metal than venom). Many metal bands will name this trio from Newcastle, England as one of their biggest influences. And we are talking some big names here! Metallica, Megadeth, Slayer, Mayhem...the list goes on for miles and miles! the early 80's Venom released three albums which stand proudly alongside other great albums of that era: 1981's Welcome To Hell. While bands like Black Sabbath always toyed with occult lyrics and subjects, Venom took it to an almost comic level and one look at the cover will tell you why the band was such a big influence on not only sound but image. The riff of opening track "Sons of Satan" rips right through you like a knife ripping through flesh. Motorhead-esque guitar and drum artillery fire attack you relentlessly on this album from first note to last. The music is basically classic heavy metal in the vein of Motorhead, Deep Purple, and Black Sabbath, sprinkled with a punk influence and warp speeded to an intensity that was unheard of in 1981. No keyboards, no progressive interludes, no string sections, just pure thrashing heavy metal. Now go out and buy Venom's Welcome To Hell and hear the band which helped spawn three sub-genres of heavy metal!

SILLY.......2003-07-13

this album is so silly. venom are a comdey band nothing more.

4 stars, but..........2003-01-01

Oh Man! This is the benchmark for BAD production! Another reviewer mentions that the band treated this as a demo recording and didn't know it would be released. Did they think the recording sessions for the next two albums were demos too, because the mixes are laughable! Still, this is a fun album, and really the first of it's kind for Black Metal. You just can't listen to some of these tracks (1,000 Days, Red Light Fever, Angel Dust, Bursting Out) and not get a big grin on your face! For that I grant 4 stars, despite the production value. Good times, good times!

From the very depths of hell..........2002-11-24

The best Punk-metal album ever recorded.O.K. the sound is ugly, the musicians are just awful but it's just what Heavy metal needed at that time...a good kick in the balls!
Each song is a masterpiece rolled in mud and thrown at your face.
WELCOME TO HELL is the first black-trash-metal album released and is a reference to bands which would become bigger than VENOM-slayer, Metallica, etc...
It is the production or the lack of production that makes that album so thick (sick) and powerful.There's also a second degree humour in this one-Schizo, In league with satan, Red light fever and I don't think that Venom was really involved in any satanic crap, they were just using it for the image, to shock your mama and have some great fun.It surely worked and still does.