Fantasie/Hommage

Fantasie/Hommage

Track Listings

1. Dreams

2. Paddy Ryan's Dream

3. An Old Scottish Air

4. Straight Jig Medley

5. On An Air By James Scott Skinner

6. Reel Du Pendu

7. Memories

8. Hommage

Tracks:

Erik Satie: Gymnopidie No.1 - Lent et douloureux
Franz Liszt: Rjve D'Amour No. 3 in A-flat major
Peter Ilyitch Tchaikovsky: Octobre - Chant D'Automne
Wolfgang Amadeus Mozart: Sonata in A minor, Ks. 310 - II. Andante catabile con espressione
Ludwig van Beethoven: : Sonata No.14 in C-sharp minor, Op. 27 No. 2 Moonlight - I. Adagio sestenuto
Robert Schumann: : Fantaisie in C major, Op. 17 III. Langsam getragen. Durchweg leise zu halten
Sergei Rachmaninov: Eligie in E-flat minor, Op. 3 No.1
Paderewski: Nocturne in B flat, Op. 16 No. 4
Erik Satie: Gnossienne No.1
Maurice Ravel: Pavane pour une infante difunte
George Gershwin: Prelude No. 2
George Gershwin: Love Walked In

Tracks:

Claude Debussy: Clair de lune (from Suite Bergamasque)
Edvard Grieg: Notturno in C major (Pihces lyriques, Op. 54 No. 4)
Alexander Scriabin: Prilude in F-sharp minor, Op. 11 No. 8
Frederic Chopin: Nocturne in C minor, Op. 48 No.1
Frederic Chopin: Nocturne in C-sharp minor
Franz Liszt: Au lac de Wallenstadt (Annis de phlerinage, I. La Suisse)
Claude Debussy: La soiree dans Grenade
Artur Rubinstein: Melody In F
Maurice Ravel: Ondine (from Gaspardde la nuit)
Francis Poulenc: Improvisations in C minor, FP 176 No.15- Hommage A Edith Piaf
Sergei Rachmaninov: Prelude in F- sharp minor, Op. 23
Gabrilovich: Melodie in F
Leos Janacek: On the Overgrown Path
Samuel Barber: Sonate Op. 26 - III. Adagio mesto
Roger Quilter: The Crimson Petal
Henri Dutilleux: D'ombre et de silence (from 3 Preludes)

Customer Reviews:

Piano/Dreams.......2003-02-24

I love this cd so much I been play in my store all time and so many customers come up to ask what's cd are we playing and where to get it, i give them all information I know. we love it.

Walter Gieseking: Previously Unissued Public Performances and Broadcasts

Average customer rating:

Walter Gieseking: Previously Unissued Public Performances and Broadcasts
Johann Sebastian Bach , Ludwig van Beethoven , Franz Schubert , Felix Mendelssohn , Robert Schumann , Johannes Brahms , Claude Debussy , Alexander Nikolayevich Skryabin , Maurice Ravel , Walter Gieseking , and Scriabin
Manufacturer: Music & Arts Program
ProductGroup: Music
Binding: Audio CD

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Tracks:

Partita No.1 in B flat, BWV825: Movt 1. Prld
Partita No.1 in B flat, BWV825: Movt 2. Allemande
Partita No.1 in B flat, BWV825: Movt 3. Courante
Partita No.1 in B flat, BWV825: Movt 4. Sarabande
Partita No.1 in B flat, BWV825: Movt 5. Minuet I/II
Partita No.1 in B flat, BWV825: Movt 6. Gigue
Partita No.2 in c, BWV826: Movt 1. Sinf. Grave. Adagio
Partita No.2 in c, BWV826: Movt 2. Allemande
Partita No.2 in c, BWV826: Movt 3. Courante
Partita No.2 in c, BWV826: Movt 4. Sarabande
Partita No.2 in c, BWV826: Movt 5. Rondeau
Partita No.2 in c, BWV826: Movt 6. Capriccio
Partita No.5 in G, BWV829: Movt 1. Preambulum
Partita No.5 in G, BWV829: Movt 2. Allemande
Partita No.5 in G, BWV829: Movt 3. Courante
Partita No.5 in G, BWV829: Movt 4. Sarabande
Partita No.5 in G, BWV829: Movt 5. Temp Di Minuetto
Partita No.5 in G, BWV829: Movt 6. Passepied
Partita No.5 in G, BWV829: Movt 7. Gigue
English Ste 6 in d, BMV811: Movt 1. Prld
English Ste 6 in d, BMV811: Movt 2. Allemande
English Ste 6 in d, BMV811: Movt 3. Courante
English Ste 6 in d, BMV811: Movt 4. Sarabande
English Ste 6 in d, BMV811: Movt 5. Double
English Ste 6 in d, BMV811: Movt 6. Gavotte I/II
English Ste 6 in d, BMV811: Movt 7. Gigue
Son No.14 in c#, Op.27 No.2: Movt 1. Adagio Sostenuto
Son No.14 in c#, Op.27 No.2: Movt 2. Allegretto
Son No.14 in c#, Op.27 No.2: Movt 3. Presto Agitato

Tracks:

Son No.16 in G, Op.31 No.1: Movt 1. Allegro Vivace
Son No.16 in G, Op.31 No.1: Movt 2. Adagio Grazioso
Son No.16 in G, Op.31 No.1: Movt 3. Rondo. Allegretto/Adagio/Presto
Son No.27 in e, Op.90: Movt 1. Mit Lebhaftigkeit Und Durchaus Mit Empfindung Und Ausdruck
Son No.27 in e, Op.90: Movt 2. Nicht Zu Geschwind Und Sehr Singbar Vorgetragen
Son in D, Op.53: Rondo: Allegro Moderato
Son in G, Op.78: Movt 1. Molto Moderato E Cantabile
Son in G, Op.78: Movt 2. Andante
Son in G, Op.78: Movt 3. Menuetto/Trio. Allegro Moderato
Son in G, Op.78: Movt 4. Allegretto
Rondo Capriccioso in E, Op.14: Andante/Presto

Tracks:

Songs Without Words in A, Op.19, No.3: Hunting Song: Molto Allegro E Vivace
Songs Without Words in B flat, Op.67 No.3: Song Of The Pilgrim: Andante Tranquillo
Songs Without Words in A, Op.102 No.5: The Joyous Peasant: Allegro Vivace
Son in f#, Op.11: Movt 1. Intro. Un Poco Adagio/Allegro Vivace
Son in f#, Op.11: Movt 2. Aria (Andante Cantabile)
Son in f#, Op.11: Movt 3. Scherzo E Intermezzo. Allegrissimo
Son in f#, Op.11: Movt 4. Finale. Allegro Un Poco Maestoso
XII Symphonic Etudes, Op.13
Fant in C, Op.17: Movt 1. Allegro Molto Appassionato
Fant in C, Op.17: Movt 3. Lento Portamento. Generalmente Dolce
Intermezzo in C, Op.119 No.3

Tracks:

Intermezzo in A, Op.118 No.2: Andante Teneramente
Romanze in F, Op.118 No.5: Andante/Allegretto Grazioso
Estampes: Movt De Habanera: La Soiree Dans Grenade
Images I: Hommage A Rameau: Lent Et Grave
Images I: Movt: Anime
The First Book Of Prlds: Feux D'Artifice: Profondement Calme
The Second Book Of Prlds: Feux D'Artifice: Moderement Anime
Son No.3 in f#, Op.23: Movt 1. Drammatico
Son No.3 in f#, Op.23: Movt 2. Allegretto
Son No.3 in f#, Op.23: Movt 3. Andante
Son No.3 in f#, Op.23: Movt 4. Presto Con Fuoco
Son No.5 in F#, Op.53: Allegro. Impetuoso. Con Stravaganza
Son No.9 in F, Op.68: Moderato Quasi Andante
Mirrors (V): La Vallee Des Closches
Mirrors (IV): Alborada Del Gracioso
Gaspard De La Nuit: Ondine

The Rubinstein Collection (Limited Edition) [Box Set]

Average customer rating:

There were greater talents.
This Is No Lesson in Economics...
CLASSICAL MUSIC AT ITS MOST EXPENSIVE (AND BEST)
It's actually not so expensive
A Superb Reissue

The Rubinstein Collection (Limited Edition) [Box Set]

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

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ASIN: B00001O2XZ
Release Date: 1999-10-26

Amazon.com

A retail price of $1,600 for a box set? Granted, it's not something most of us can afford. But, for piano buffs and fans of Artur Rubinstein, this mammoth limited-edition 94-CD set might be an investment to consider. For starters, BMG has collected all of the approved studio recordings of Rubinstein (including 200 or so that have never been on CD) and added a handful of previously unreleased recordings and some interviews. The lot has been remastered for this collection using the latest technology (RCA's disc-and-a-half Highlights sampler actually showcases some of the more dramatic remasterings)--a good thing, when you consider that many of these master tapes have a lifetime's worth of surface noise. You get a lavishly illustrated book with essays and photographs and a nice case to store the works; everything but the credit plan is included, really. Of course, it's up to you to decide whether you want 706 recordings of 347 pieces played by the same great pianist. And, though owning Rubinstein's three complete cycles of Beethoven's concertos might sound tempting, will you really listen to each of them? Probably not, but if you need 'em, here they are. (His Chopin cycles, on the other hand, you will listen to repeatedly!) It's easily one of the most impressive and comprehensive box sets that classical music has seen: a true career overview with excellent remastering and handsome packaging that reflects the collection's price tag (unlike some box sets that are just that: CDs in boxes). Do you need it? Probably not. Will you want it? You bet. --Jason Verlinde

Customer Reviews:

There were greater talents........2005-05-30

I must confess that I hate Rubinstein's sound as a pianist, but his dedication and verve were notable. Think though of Claudio Aurru's gifts, remarkable... I feel that to love Rubinstein one must love a world of safe emotional borders and sameness; sorry A.R fans. jb

This Is No Lesson in Economics..........2004-10-10

It is a natural tendency when reviewing items in this price-point to contemplate cost-effectiveness first and foremost. Considering that CDs have no nutritional value and cannot keep kids off crack, I am uncomfortable recognizing, much less crossing, some line in the sand where space ordinarily reserved for record-reviews must yield to amateur musings on the evils of conspicuous consumption or macroeconomic conceptions of social justice. Let's assume for the moment that this box set is free, removing from our purview the materialistic thrill or global economic blight one might seek and/or wish to stave off in purchasing it.

Rubinstein's "official" recorded output is astounding. It spans 5 decades, and encompasses significant forays into the oeuvre of dozens of composers. Though technique is generally expected to decline with age, few pianists live to be 96 years old. Rubinstein the pianist and Rubinstein the musician reached their highest collective summit when Rubinstein the man was well into his 60s. The "late-bloomer" aspect of his career places a considerable quorum of his most polished recordings squarely within the stereo era. Some of this material had made its way onto CD prior to this release, most notably his Chopin. Unfortunately, Rubinstein's well-deserved public acclaim as Chopin's supreme torchbearer unjustly limits his reputation along "expresio unius est exclusio alterius" lines. For example, though Rubinstein chose to record only a small handful of Beethoven sonatas, it is doubtful that one might hear them better played, even by his Beethoven specialist contemporaries Schnabel and Kempff. Rubinstein also ardently championed French and Spanish music, and is said to have loved performing Brahms most of all. This release places many of his most accomplished recordings before the ears of the listening public for the first time since their original release on vinyl.

I am frequently intoxicated by the earliest recordings from the 30s and 40s. Some of them, like his first traversal of the Chopin scherzi, are bite-your-nails-til-they-bleed thrilling. On the other hand, the initial limitations of the recording process required this (and every) pianist to make bothersome compromises with respect to tempi and dynamics at times. Ultimately, it comes down to personal taste. I am more consistently drawn to Rubinstein the wise-master than Rubinstein the young Turk.

RCA invested undisclosed sums of time and money into restoring, remixing, and remastering all of the recordings for this release. Some of the earlier recordings have been available on CD for quite some time (e.g. Chopin's Op. 28 Preludes, the Ormandy/Philadelphia Grieg concerto). Despite the intervention of acoustical restorationist-par-excellence Ward Marston, the remastering undertaken in the course of this project has not dramatically improved the sound on these releases. Short of traveling several decades into the past and placing more sensitive microphones in more strategic locations, there was probably little else that could have been done. Marston's brilliance is far more obvious in restoring to near original luster many deteriorating tape recordings from the late 40s and early 50s. The stereo recordings also sound fuller.

I am pleased with my purchase because having access (and, most importantly, having listened to) all of these recordings is a moving experience. It allows me to contemplate this extraordinary artist as a man, whose performance is inevitably colored by the accumulation of experience, the expanding flexibility of the recording process, the onset of maturity, and (perhaps sadly) declining physical powers. There are multiple recordings of most pieces in this collection, but I rarely find it difficult to cull a favorite among them. At this point, I play some of the records frequently, and others rarely. If your aim is to hear Rubinstein at his best, this set provides the resources you need to make what are at turns obvious, and others hopelessly personal choices. This set includes detailed (and mostly newly written) liner notes for each record as a well as an engaging hardcover book providing no fewer than 3 complete indices to the recordings (by date of recording, Composer, and Volume number). The box itself is a work of art, looks stunning on a shelf, and never requires polishing. Most of the 81 volumes are sold separately, and have been made available for download on the Apple Music Store.

While I will not claim that Rubinstein's interpretations are equally effective, I cannot think of any other pianist, now living or forever deceased, who could approach such a broad repertoire with the unwaivering technical finesse and prophetic musicianship evident in the bulk of his recorded output. If you never see the likes of a "Rubinstein Collection" on the shelf again, do not dismiss it as another textbook illustration of price elasticity. To do so is to dwell on on the vagaries of consumerism when the more important issue is that the next Rubinstein may never be.

CLASSICAL MUSIC AT ITS MOST EXPENSIVE (AND BEST).......2003-05-30

You have two choices: Starve the kids or skip the mortgage payments for a month or two. How else can you afford this 94 (!) disc set that captures every studio recording the classical icon ever recorded. Trust us: The kids are fat enough.

It's actually not so expensive.......2001-06-06

Provided you have the time, listening to this collection not only helps you better appreciate Rubinstein's supreme talent but also gives you some idea of his unfolding genius--how his technique and interpretation changed through the years. There's enough room in music for every kind of interpretation, as long as you take the music first, and all the interpretations Rubinstein offered are interesting. Of course this set is expensive, but it's nearly 100 CDs plus liner notes, so the price is not that bad. Besides, if you decide to really listen to this set the way it deserves, it's going to be years before you buy another CD.

A Superb Reissue.......2000-04-30

A friend of mine was able to aquire the Rubinstein Collection and I have been borrowing from it liberally.

RCA deserves to be commended on going the extra mile and releasing ALL of the authorized Rubinstein recordings, well organized and superbly remastered in this comprehensive edition. Hopefully, RCA will also release the individual volumes for those who are not completists or who simply cannot afford the entire set. True, this set is at full price. A source who was connected with this reissure has told me that RCA planned to issue the set at mid price, but the cost of this mammoth edition went far overbudget--and the full price was dictated by their production costs. Certainly, the money was well spent. The ramastering, particularly in the earlier recordings, must be heard to be believed. The packaging, documentation, and liner notes are all first class.

It is fascinating to trace Rubinstein's evolution as an interpreter--from the devil-may-care early days through the mature recordings of the 1950s, into the 1970s, when his playing on record tended to be a bit cautions.

Hopefully, the cost of producing this magnum opus and the reported slow sales it has been getting will not deter RCA from producing more boxed sets of Horowitz and many of the other artists in the RCA vaults. Bravo, RCA!

Fantasie/Hommage
Average customer rating:
Fantasie/Hommage
Jean Carignan
Manufacturer: The Orchard
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004SBZG
Release Date: 2000-04-25