Devil of a Dream

Devil of a Dream

Track Listings

1. Things I've Learned

2. Five Rooms

3. Green Summertime

4. Rolling and Rambling (The Death of Hank Williams)

5. Men With Guns

6. Genius

7. I Wonder If I Care as Much

8. Walking Like a Man

9. While I'm Waiting for You

10. So, It's Like This, Man...

11. Falls from the Sky

12. At the Crossroads Again

13. Letter That I Wrote

Editorial Reviews
Country Music
Though their roughhewn but pristine harmonies are indeed what first jump out at you, Robin and Linda's songwriting is just as noteworthy. Stark, painful loneliness is the emotion sharpened to a fine point by the haunting imagery and plaintive harmonies of "Five Rooms" ... "The Genius" takes a long, very skeptical look at the way we subtly encourage bad behavior in self-destructive, dope-addled singing stars.

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Song Of The Liberty Bell
Johnny Has Gone For A Soldier
Surrender The Sword
Soldier's Joy
When Bidden To The Wake Or Fair
The World Turned Upside Down
Bunker Hill
Freedom
The Flowers Of Edinburgh
Brave Wolfe
Devil's Dream
Song Of The Liberty Bell

Customer Reviews:

OK.......2005-03-17

Good CD, especially if you're a fan of Mark O'Conner. I have to admit that a couple of the tracks seem rather directionless (in a Vaughn Williams sort of way) and I tend to lose interest, but other tracks are fun, even exciting. The production is excellent throughout.

Great Music.......2004-02-27

I watched the documentary and heard Mark O'Connor play this piece in a concert and loved it immediately. The music is great to help the battles come alive but great for just listening to anyway.

GREAT SOUNDTRACK!.......2003-07-04

Fine CD full of great pieces of music from a great miniseries! Full of patriotism! I highly recommend it! Grade: A+

Finest Music Ever Heard.......2002-03-27

I heard this music on the excellent P B S Documentary: "Liberty - the American Revolution" and I knew I had to have it! It is the finest music I have heard, capturing the heart and soul of the American Revolution. The documentary "Liberty" was a masterpiece that was beautiful and moving. So too this music with its most wonderful arrangements and accompaniment. I love it! I could hardly wait to get it in the mail. It framed the documentary (which I also bought) like a great frame compliments a beautiful canvas painting. Superlatives fail me. This music must be experienced by first watching the great series on the American Revolution and then by listening to it apart. This is some of the most wonderful music I have ever heard. It reminds me of the genius of Aaron Copland who wrote the Applachian Spring and Rodeo suites.

Stirring Americana.......2001-11-10

This CD stands on its own merits as good music, not simply as music for a TV show. It evokes images of America old and new. O'Connor's violin carries us from the dance hall to the battlefield to the sorrow of lover's lost. Simple melodies twist and turn, rising up from their solid American roots. James Taylor's solemn rendition of "Johnny's Gone for a Soldier"is as true a telling of the grief of the soldier lost to war today as it was hundreds of years ago. Sit in a comfortable chair in the warm light of evening and let it surround you. To know where we have come from offers hope that the magic of freedom and liberty will not desert us in these troubled times.

Average customer rating:

More than the sum of the parts.
A Great First CD
The sublime collection
Ultimate Collection is Gross Understatement

The Ultimate Recorder Collection

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
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Handel: The Complete Sonatas for Recorder
Complete Recorder Concertos
Michala Petri - Scandinavian Moods
Bach: Six Sonatas
The Recorder: 4 Centuries of Recorder Music

ASIN: B00000J916
Release Date: 1999-06-15

Tracks:

Concerto In E, Op. 8 No. 1, RV 269 - Spring: Allegro
Concerto In E, Op. 8 No. 1, RV 269 - Spring: Largo e pianissimo
Concerto In E, Op. 8 No. 1, RV 269 - Spring: Allegro - Danza pastorale
Gymnopedie No. 1
Op. 55 No. 4: Solveig's Song
Op. 46 No. 3: Anitra's Dance
Sonata In G Minor, Op. No. 2, HWV 360: Larghetto
Sonata In G Minor, Op. No. 2, HWV 360: Andante
Sonata In G Minor, Op. No. 2, HWV 360: Adagio
Sonata In G Minor, Op. No. 2, HWV 360: Presto
Moonchild's Dream (Conlusion)
Sonata No. 3 In F Minor: Triste
Sonata No. 3 In F Minor: Allegro
Sonata No. 3 In F Minor: Andante
Sonata No. 3 In F Minor: Vivace
Conerto Grosso Op. 6 No. 8 - 4th Movement: Vivace - Allegro - Pastorale ad libitum
Melody And Dance Of The Blessed Spirits
Op. 43, No. 4: Little Bird
Op. 43 No. 1: Butterfly
Sonata No. 5 In D Minor - For Treble Recorders: Largo
Sonata No. 5 In D Minor - For Treble Recorders: Vivace
Sonata No. 5 In D Minor - For Treble Recorders: Grazioso
Sonata No. 5 In D Minor - For Treble Recorders: Allegro
Concerto For Recorder And Orchestra, Op. 133: Lento
Concerto Op. 10 No. 3 In D: II Gardellino - III. Allegro

Tracks:

Two Norwegian Dances, Op. 35: No. 1
Two Norwegian Dances, Op. 35: No. 2
Air From Suite In D
Concerto In F For Soprano Recorder: Allegro
Concerto In F For Soprano Recorder: Andante
Concerto In F For Soprano Recorder: Allegro assai
Variations
Sonata In E Flat, BWV 1031: Allegro moderato
Sonata In E Flat, BWV 1031: Siciliano
Sonata In E Flat, BWV 1031: Allegro
Nele's Dances: No. 15
Nele's Dances: No. 16
Nele's Dances: No. 17
Nele's Dances: No. 18
Dance Suite, Op. 29 - V -: Molto Vivace
Sonata In G Minor - Devil's Trill: II. Allegro
Zion Hears The Watchmen's Voices
Concerto No. 2 In G Minor: Largo
Concerto No. 2 In G Minor: Presto 'Fantasmi'
Concerto No. 2 In G Minor: Largo
Concerto No. 2 In G Minor: Presto
Concerto No. 2 In G Minor: Largo 'Il sonno'
Concerto No. 2 In G Minor: Allegro
Op. 54, No. 3: March Of The Trolls
Op. 71, No. 1: Once Upon A Time
Souvenir: An Encore For Michala

Customer Reviews:

More than the sum of the parts........2001-02-04

I bought this as wallpaper music - and got a very pleasant surprise!

Several of the pieces stopped me in my tracks, made me sit down and forced me to listen.

Michala Petri demonstrates a masterly control of her instrument and a high level of musicianship in a wide ranging selection of material - from reconstituted Bach to specially composed 20th Century pieces.

Outstanding for me was the Sammartini Concerto: Ms Petri shows a lightness of touch combined with serious enthusiasm and an obvious delight that literally stopped me from working and made me listen. The support given by the Moscow Virtuosi also deserves mention.

Koppel's pieces are fun, as are the arrangements from Grieg and Satie.

Overall, although this could be taken as a glorified sampler... it is much more - there are complete works played intelligently and lighter, throw away pieces you'll want to chase after and listen to again.

A Great First CD.......2000-06-22

After falling in love with the recorder, I started searching for CDs and this was the first I bought. It quickly became a favorite CD. I like the fact that it ranges over a wide period--Baroque to Modern, and showcases the instrument in different settings. The liner notes are quite comprehensive as well. In a word--enchanting.

The sublime collection.......2000-06-18

I must confess up front to being a Michala Petri fanatic. I also play the recorder, although after listening to this album, I feel like throwing my instruments into the nearest dumpster.

Michala Petri is a national hero in Denmark, and a recognized name among classical music fans in Europe, Asia, and Canada. If you listen to this album, you will ask yourself how the music business in the USA can frantically promote "The Three Tenors" while mostly ignoring the genius of this amazing young woman.

This is not your kid's recorder. Ms Petri's complete technical and musical mastery of her instrument transforms the recorder into the equal of other familiar solo instruments, but with its own peculiar sound, penetrating but sweet, that sets it apart.

This album is made up mostly of tracks from her many earlier recordings. Some are transcriptions of well-loved piano miniatures (the Grieg numbers are perhaps more charming here than on the piano, if that is possible); of baroque works for flute, recorder, or strings; of modern recorder music written for Ms Petri by contemporary masters. Some are accompanied by small orchestra and others by Ms Petri's husband, the excellent guitarist and lutist Lars Hannibal. The combination of recorder and guitar is an intimate match made in heaven, and I recommend also this duo's complete album, 'Air'.

Ultimate Collection is Gross Understatement.......2000-03-28

This is by far the best "sampler" I have ever heard. The playing is so superb and the recorder so perfect a vehicle that I found myself listing to too often played pieces like Satie's Gymopedie No.1 as if for the first time. Same for the Grieg. It is very hard to believe these renderings aren't the original intention of the composers. This is a guaranteed winner.

Average customer rating:

Good music out of the past!
Lots of great songs
quality western swing from CA
Excellent career survey of the King of Western Swing

Swinging the Devil's Dream
Spade Cooley
Manufacturer: Proper
ProductGroup: Music
Binding: Audio CD

General | Country | Styles | Music

Western Swing | Country | Styles | Music

Country | Imports | Stores | Music
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Stompin' Singers & Western Swingers: More from the Golden Age of Western Swing

ASIN: B000099O4H
Release Date: 2003-05-26

Tracks:

Tell Me Why
Haas Stomp
Time Changes Everything
Sweethearts or Strangers
Worried Mind
You Waited Too Long
Forgive Me One More Time
Shame on You
I Guess I've Been Dreaming Again
I've Taken All I'm Gonna Take from You
Pair of Broken Hearts
Troubled Over You
You'll Rue the Day
You Can't Break My Heart
Detour
Crazy 'Cause I Love You
Hide Your Face
I Can't Help the Way You Feel
Three-Way Boogie
Oklahoma Stomp
Cow Bell Polka
Steel Guitar Rag
You Better Do It Now
You Never Miss the Water
Spadella
Swinging the Devil's Dream

Tracks:

It's Dark Outside
Minuet in Swing
All Aboard for Oklahoma
Texas Steel Guitar
You Can't Take Texas Out of Me
Three Fiddle Rag
Call Me Darlin' Do
Tuesday Two-Step
Fickle Woman
Lord Nottingham's War Dance
Big Chief Boogie
Whistle Bait
Four Fiddle Polka
Topeka Polka
Wagon Wheels
Last Round Up
Hillbilly Fever
Chew Tobacco Rag
Hitsitty Hotsitty
Cowboy Waltz
Down Yonder
Horse Hair Boogie
Crazy 'Cause I Love You
Swinging the Devil's Dream
Carmen's Boogie
One Sweet Letter from You

Album Description

This 52 track CD opens with Cooley's first recordings with Cal Shrum's Rhythm Rangers in 1941 and then covers all of the essential recordings from the top of his career to 1952. Proper. 2006

Album Details

This 52 Track CD Opens with Cooley's First Recordings with Cal Shrum's Rhythm Rangers in 1941 and Then Covers all of the Essential Recordings from the Top of his Career to 1952.

Customer Reviews:

Good music out of the past!.......2005-08-21

This is sometimes hard to find music from my past, that I grew up on and enjoyed so much on a disk that sounds so good, thanks!

Lots of great songs.......2005-08-09

CD 1 is better than side 2. Both are what I wanted. Great western swing.

quality western swing from CA.......2004-09-30

This release covers an extended stretch and seems to document/sample the duration of Cooley's career pretty well. There is some really hot stuff in this collection, specifically 'three way boogie' and 'spadella'. The accordion play throughout sounds terrific. I will say, however, that much of this is a somewhat stark contrast to what Bob Wills was putting out in the same time period. Spade Cooley's sound seems to be MUCH more polished...hardly any fiddle improvisation, in fact, it is mostly fiddle in groups of 3. In my opinion, much more polished, than the Wills, Milton Brown, Adolph Hofner, or Cliff Bruner stuff that was coming out in the same era. Truthfully, some of the fiddle parts -- specifically the orchestration -- tends to sound a bit like the very last recordings of Oscar Aleman. hot stuff -- just not very "folksy".

Anyways, Tex Williams does have a golden voice, the standard guitar work is very respectful and entertaining throughout and Cooley's playing on the earlier stuff is also very respectful/refined. a good collection from Prosper records.

Excellent career survey of the King of Western Swing.......2003-07-02

Cooley was the first proclaimed "King of Western Swing," though Bob Wills came before him. Cooley established his career on the west coast during the Second World War and became an early star of televison after the war. Cooley's brand of Western Swing was sophisticated and at times approached the experimental, making him something of a Stan Kenton of the genre. His "Swinging the Devils Dream" opens with a sweeping floor harp and then segues into rapid, yet fluid, twin fiddling. Cooley was never as funky as Wills or Milton Brown, but he was clearly cutting his own path with a smooth sound. Unfortunately, his later recordings were rather lackluster and reflected a move toward mainstream pop and occasional cornball treatment of material. But during the period of the war and immediately after, Cooley swung beautifully. This collection is essential and is the best introduction to Spade. Let's hope there is a box set in future!

Average customer rating:

Devil of a Dream
Robin & Linda Williams
Manufacturer: Sugarhill [Country]
ProductGroup: Music
Binding: Audio CD

General | Contemporary Folk | Folk | Styles | Music

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In the Company of Strangers
Visions Of Love
Deeper Waters
Close as We Can Get/Nine 'Til Midnight
Sugar for Sugar

ASIN: B000000EXV
Release Date: 1998-01-20

Tracks:

Things I've Learned
Five Rooms
Green Summertime
Rolling & Rambling (The Death Of Hank Williams)
Men With Guns
The Genius
I Wonder If I Care As Much
Walking Like A Man
While I'm Waiting For You
So, It's Like This, Man...
Falls From The Sky
At The Crossroads Again
Letter That I Wrote

The Devil's Dream - Musical Miniatures in Shakespeare's England

Average customer rating:

The Devil's Dream - Musical Miniatures in Shakespeare's England

Manufacturer: Harmonia Mundi
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
ASIN: B000H0MK10
Release Date: 2006-12-12

Tracks:

Division To A Ground
Plaine Song
Why Nont Here, M. Crosse His Choice
My Lord Willoughby's Welcome Home
Divisions Upon A Ground
Come, Heavy Sleep
Lady Layton's Almaine
Barrow Forster's Dreame
The Queen's Goodnight
Whether Men Do Laugh Or Weep
Solus Cum Sola
Divisions On The Polewheele's Ground
Little Dew, Little Light
The New Cat
Queen Elizabeth's Galliard
The Duke Of Norfolk, Division On A Ground
Cate Of Bardy
My Lord Chamberlain, His Galliard
Divisions Upon A Ground
The Devil's Dream
Fantasy
Come, Pretty Babe
A Souldier Galliard
Your Hay, It's Mow'd (en King Arthur)

Julie Wilson Sings the Harold Arlen Songbook

Average customer rating:

An excellent exploration of Arlen
fascinating, multi layered performance, never boring

Julie Wilson Sings the Harold Arlen Songbook
Harold Arlen , Julie Wilson , and William Roy
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

General | Soundtracks | Styles | Music

Cabaret | Broadway & Vocalists | Styles | Music

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Traditional Pop | Oldies | Pop | Styles | Music
ASIN: B000000PFE
Release Date: 1992-06-30

Tracks:

Blues In The Night
Fun To Be Fooled/This Time the Dreams On Me
Buds Won't Bud/You're A Builder Upper/Between The Devil And The Deep Blue Sea..
Last Night When WE Were Young
One For My Baby/The Man That Got Away
Lydia The Tatooed Lady
Out Of This World/That Old Black Magic
I've Got The World On A String
Mianin' In The Mornin'/Down With Love
A Sleepin' Bee
It's only A Paper Moon
Push De Button
I've Got A Right To Sing The Blues/Stormy Weather/When The Sun Comes Out
Stay Out Of My Dreams
horray For Love/Ac-cent-tchu-ate The Positive
Anyplace I Hang My Hat Is Home, Come Rain Or Come Shine, I Had Myself A True Love

Customer Reviews:

An excellent exploration of Arlen.......1999-07-20

Julie Wilson offers another masterclass performance of songs by Harold Arlen with his numerous lyricists. Arlen's name is not as well known as some of his contemporaries, but his talents as a songwriter were magnificent. Julie Wilson and William Roy mine the Arlen songbook to produce an album of sterling quality, delivering delightful duets on such gems as 'Push De Button' and 'Lydia The Tattooed Lady'. Wilson offers brilliant readings of ballads and rhythm songs, capturing the mood and flavour of each song perfectly. Her sensuous take on 'Last Night When We Were Young' is particularly compelling. Roy's piano embellishments are, as ever, full of wit, sensitivity and formidable musicianship. A stunning offering.

fascinating, multi layered performance, never boring.......1999-03-15

no matter how many time you listen to her, you'll hear something new each time. Julie Wilson is the consumate cabaret singer.

Average customer rating:

The Music of Charles Williams

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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Motion Picture Classics, Vol. 1

ASIN: B0000DJENV
Release Date: 2004-04-06

Tracks:

High Adventure (Friday Night Is Music Night)
Model Railway
Young Ballerina (The Potter's Wheel)
The Bells Of St Clements
The Dream Of Olwen
Cutty Sark
Nursery Clock
The Night Has Eyes
Devil's Galop
Stralings
The Voice Of London
The Music Lesson
Girls In Grey (TV Newsreel)
The Humming Top
Destruction By Fire
The Old Clockmaker (Jennings At School)
Little Tyrolean
Throughout The Years
Blue Devils
Jealous Lover (The Apartment)
Rhythm On Rails
Sally Tries The Ballet
Cross Country
London Fair

Keep On Smiling: Songs By Irving Berlin, 1915 - 1918

Average customer rating:

Great for home and classroom

Keep On Smiling: Songs By Irving Berlin, 1915 - 1918
Benjamin Sears , and Bradford Connor
Manufacturer: Original Cast Record
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Pop | Styles | Music

General | Oldies | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

Tin Pan Alley | Oldies | Pop | Styles | Music

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ASIN: B000004CRG
Release Date: 1996-09-17

Tracks:

The Circus Is Coming to Town
Araby
I've Got a Sweet Tooth Bothering Me
Until I Fell in Love With You
Cohen Owes Me Ninety Seven Dollars
When I Leave The World Behind
Down Where The Jack O'Lanterns Grow
Polly Pretty Polly (Polly With A Past)
The Eyes Of Youth See The Truth
The Sterling Silver Moon
While The Band Played An American Rag
The Voice Of Belgium
The Devil Has Bought Up All The Coal
They Were All Out Of Step But Jim
Smile And Show Your Dimple
Dream On Little Soldier Boy
When I Get Back To The U.S.A.
I'm Gonna Pin My Medal On The Girl I Left Behind
Yip-Yip-Yaphank Medley: Oh, How I Hate to Get Up in the Morning/Kitchen Police (Poor Little Me)...
We're On Our Way To France

Customer Reviews:

Great for home and classroom.......1999-03-21

No other composer so closely kept his fingers on the pulse of American thinking and gave the country so much of what it thought it wanted. "Yiddle on Your Fiddle" tells us more of the second-generation immigrants' desire to become Americanized than all the history and sociology books can ever do. So it is a double pleasure to announce the appearance of "Come on and Hear!: Early Songs by Irving Berlin, 1909-1915" and "Keep on Smiling: Songs by Irving Berlin, 1915-1918," two fantastic CDs or tapes on Oaktown label and released through a friendly little Connecticut company calling itself Original Cast Records. Between the two sets, you have 41 tracks of the Berlin output from "Everybody's Doing It Now" to "We're on Our Way to France." The soloist is Benjamin Sears, who with pianist Bradford Conner has something of a reputation around the Boston area. Now some of this material is duplicated by the more widely known Joan Morrison on two RCA Victor releases, possibly out of print by now; and like those discs could use another voice now and then. (Conner does join in where a duet is called for, but my point remains.) Sears is a capable if not an outstanding baritone, who does justice to these historic expressions of Americana. So not only do I recommend both of these sets for their enjoyment value, but I wish to continue to point out to Social Studies teachers how valuable sets like this would be to classes who have no concept of how people really felt (as opposed to what they merely said and did) "way back when." And I might even stick out my neck so far as to offer to come to any school (in reasonable distance of where I live) to give a sample lesson on how these sets can be used.

Average customer rating:

Love it
Medicine, Polara, My Bloody Valentine all here
All I ever got was a really cool album
The best new rock I've heard all year

Snow Gas Bones
Meow Meow
Manufacturer: Devil in the Woods
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

Dream Pop | Indie & Lo-Fi | Alternative Rock | Styles | Music
ASIN: B0001LY9OG
Release Date: 2004-03-16

Tracks:

Cracked
Sick Fixation
The Killing Kind
Amaurosis
Finis
All I Ever Got
Disaffected
Amplified Breathing Appartus
Known To Man
Wear You Down

Customer Reviews:

Love it.......2004-05-09

Different... and I love it!
The lyrics Are fantastic, tHe noise is greaT, and I lOve that I can heaR influences from other Bands in such a unique album. They played last year in Los Angeles with a few other bands, but these guYs really stood out.
Find thE time to really listen to tHis album!

Medicine, Polara, My Bloody Valentine all here.......2004-04-02

I bought Snow Gas Bones after hearing one song on a Real Audio channel and reading the reviews here. This album solidly follows in the tradition of Medicine, Polara (first album, available on Amazon used for less than $3--try it if you like Medicine or MBV!), and My Bloody Valentine. Vocal and guitar distortions predominate mixed with some slower vocals. I miss this type of music with the demise of MBV and the older Medicine material.

All I ever got was a really cool album.......2004-03-08

Around track 6, "All I ever got", I realized one undeniable truth: Meow Meow kicks butt! Snow Gas Bones is the perfect blend of mellow songs and blazing alt-rock. I recommend this album to anybody interested in a new and exciting music. For those about to buy this album, I salute you.

The best new rock I've heard all year.......2004-03-08

Meow Meow combines the best of experimental rock with a pop/rock emphasis on harmony vocals and multitracked instruments. Because of the multiple layers of guitar, listeners can always expect something new. I found myself constantly repeating tracks trying to figure out how Kirk Hellie (lead guitar) played such inventive guitar breaks. An excellent all around album with great production, singing, arranging, ect. I think Kirk Hellie may be the future alt-rock guitar hero.

Music Review:

Music Review

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