Hole in the Day

Hole in the Day

Track Listings

1. Too Much Trouble

2. Hindsight

3. Some Hearts

4. Miles Home to You

5. Hole in the Day

6. What a Pity

7. Somethin' to Do With You

8. Tired Old World

9. I Don't Like It

10. No Road to Juneau

11. Heroes

12. Even in Reunion

Hole in the Day,Ann Reed,A Major Label,Folk & Traditional,Pop

The Science Fiction Album
Average customer rating:

The penultimate collection ...

Muisic of the Spheres

The Ulllllltimate Sci-Fi Music Collection

SciFi Album gift

Away From to be a Collectible Peace

The Science Fiction Album
Various Artists
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music
Star Wars | Soundtracks | Styles | Music
Star Trek | Soundtracks | Styles | Music
General | Soundtracks | Styles | Music
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The Fantasy Album

ASIN: B000066HE5
Release Date: 2005-02-08

Tracks:

2001: A Space Odyssey
Aliens
Sound Effect - The Nostromo
Alien
A.I.
Armageddon
Sound Effect - Apollo 13 Lift-off
Apollo 13
Back To The Future
Battle Beyond The Stars
Battlestar Galactica
The Black Hole
Contact
Capricorn One
Close Encounters of the Third Kind
The Day The Earth Stood Still
Dune

Tracks:

Galaxy Quest
Sound Effect - Dogfight in Space
Enemy Mine
Ghostbusters
Gremlins
Heavy Metal
Independence Day
E.T.
Judge Dredd
The Last Starfighter
Lifeforce
Sound Effect - Crash Landing
Lost In Space
Mars Attacks
The Matrix
Predator
The Right Stuff

Tracks:

Moonraker
Robocop
Silent Running
Sound Effect - Alien Organism
Species
Stargate
Starship Troopers
Starman
Star Trek - TV Theme
Star Trek: The Motion Picture End Title
Klingon Attack
Sound Effect - Warp Drive
Star Trek II: The Wrath of Khan
Star Trek: Deep Space Nine
Star Trek: Generations
Star Trek IV: The Voyage Home

Tracks:

Star Trek VI: The Undiscovered Country
Sound Effect - Transporter Crew
Star Trek: Deep Space Nine - Main Theme
Star Trek First Contact
Star Wars
The Empire Strikes Back
The Empire Strikes Back
Return of the Jedi
Sound Effect - Battle Stations
Star Wars Episode 1: The Phantom Menace - The Flag Parade
Anakin's Theme
The Adventures of Jar Jar
Duel of the Fates
The Time Machine
Things to Come
The Thing From Another World
War of the Worlds
When Worlds Collide
Total Recall
You Only Live Twice
Superman

Customer Reviews:

The penultimate collection ..........2006-12-07

Generally I agree with Strategos in his ecstatic Spotlight Review above. It is a joy to here some of the most memorable themes and cues from some of the most memorable science fiction and fantasy movies (re)recorded in great sound and in lavish (re)orchestrations, played by renowned classical orchestras, namely the City of Prague Philharmonic Orchestra, the Royal Philharmonic Concert Orchestra and the Philharmonia Orchestra, no less.

I have always had a weak spot for (good, or maybe even intelligent) science fiction/fantasy and film music, especially its way of evoking mystery, grandure and wide open spaces. Call it a weakness if you want. But it was maybe really kick started off, for as far as I can remember, with Star Trek. But especially Star Trek II, III and IV - essentially a trilogy - because of their very romantic but very warm, human core, set on the broadest canvasses of unlimited and mysterious outer space. But then there was the music for adding that essential extra dimension of emotion and atmosphere. I am happy that much of the music on this album is from the Star Trek series and films, often equaling or sometimes even outclassing the original recordings.

This kind of music (for the movies) should be seen as an art on its own rights with its own merits and qualities. As such, the musical sequences on these CD's are a beautifully played cross section of some of the most evoking orchestral music for science fiction/fantasy film ever created. And I very much like the nicely blended, wide and deep orchestral soundpicture with enough reverberation to evoke a sense of wide open spaces.
I am quite thrilled by tracks like the evocative music from Dune, truly transporting one to the vastly sands of Arrakis (the music is wonderful, but to my great regret I think the movie itself is a flawed masterpiece at best, alas.). And then there is the very different, goofy music for Ghostbusters (memories of childhood), the spoofy but electrifying music from Mars Attacks (lovingly parodist music, this, with not a little touch of irony) and the happily adventurous, forward driving Theme from Galaxy Quest ('Never give up, never surrender!'), now also used for the internet-based fan-series Star Trek: The Hidden Frontier. On the other side of the spectrum we have the atmospheric music for Enemy Mine (an underestimated 'little' movie), the Theme from The Right Stuff (actually science FACT, not fiction, this film, just like Apollo 13, of course), the eerily attractive music for Species, the original End Title for Alien (not used in the theatrical version of the movie, where it was replaced by music from howard Hanson's Second Symphony), the exquisitely exotic music for Stargate, the sweet and warmly sympathetic, beautifully re-orchestrated, theme for Starman, the title cue for Star Trek: TOS (much more melodiously played than the original! If only a series nowadays could continue to be as thought provoking and as original as Star Trek was during its launch, fourty years ago ...) and a truly overpowering End Titles Suite from Star Trek VI: The Undiscovered Country. I especially like the thrillingly grandiloquent rendition here of the music for Star Trek II: The Wrath of Khan. And how nice it is to hear the (thematic) similarities between James Horner's music for The Wrath of Khan, his great break-through as a film music composer, and his (two years) earlier music for Battle Beyond the Stars (which did indeed help him earn the job for writing the music for Star Trek II) ...

But on the 'down side', if one is looking for - for example - the gorgeously expansively played End Titles from Cocoon, it is not included here: one has to acquire the album that 'kicked it all off', so to say, namely 'Space and Beyond', also on Silva Screen. I was very pleased also with the inclusion on that album of some of the music from the series Star Trek: The Next Generation, namely where one of the characters, Tasha Yar, in one of the episodes (Skin of Evil) is saying goodbye to her crewmmates: sweetly sentimental and simple music which I have always wanted to own on CD. I guess that a few cues from the other two sequals ('Alien Invasion: Space and Beyond II' and 'Space3: Beyond the Final Frontier') didn't make it onto this 4 CD collection-album as well, but I guess that it would be the 'better part of the bargain' to opt to buy this 'The Science Fiction Album' instead of buying all three albums separately. Well, of course it is for yourself to ultimately decide what you really want ;-)

If I were to nitpick (which is not easy with such a marvellous project as this one), then I would say that while all music is performed with magnificent grandure and with style, some of it is not performed as crisply and as technically 'on the spot' as some of the original recordings: ensemble is a little slack and the playing somewhat stilted sometimes, losing some of the edge and the originality of the writing. ET and Star Wars spring to mind, but then the soundtracks for Star Wars are traditionally recorded with the magnificent London Symphony Orchestra, conducted by maestro John Williams himself, and these superior recordings (especially the ones for Episode I, II and III) can't really be bettered, IMHO. Likewise for the music from Star Trek: The Motion Picture, I believe that in the end one really has to resort to the ultimate reference, namely the original recording (which is true in many other instances of 'original recordings'), and then the 20th anniversay colector's edition of this soundtrack on Columbia/Legacy (truly unmissable, this veritable classic of sci-fi/film music soundtracks!).

But all in all this 4CD-collection amounts to probably being the penultimate high quality sci-fi music album collection (I certainly know of no other project that comes as close quality as well as quantity wise), with some of the most memorable musical moments from classic to modern sci-fi/fantasy film captured in lavish orchestrations.
Collection-wise: five *stars*. Playing: generally four *stars*, sometimes more. The recording quality: five *stars*. The music (qualified on its own merits as film music) and its (re)orchestrations: generally five *stars*. In the end this is all highly recommended, and certainly not to be missed by science fiction and fantasy film music fans. Klaatu barada nikto.

Muisic of the Spheres.......2006-11-06

You wonderful four disk collection of SF music. It startsa up the the grand master of SF music, 2001: A space Odyssey all the way to Superman. This is all American SF music and several themes I would have liked to have included are not there. All in all though, a collection you will enjoy.

The Ulllllltimate Sci-Fi Music Collection.......2005-10-23

If one person gives great gifts, it's the illustrious Codemaster Talon. I've received a fair number of gifts in my lifetime, but so far, my older sister's take the cake. Take this one for instance. I'm real big on orchestral music, to the point where I listen to them more than any other kind of music. I've got orchestral versions of video game themes, orchestral soundtracks to truck-loads of anime shows (Big O, Escaflowne, and Giant Robo are incredible), and could probably spend the rest of my life just trying to study the nuances of all the classical music I've got. Being such a huge fan of orchestral music, I also have come to believe that orchestra music produced for movies and television is the new classical music (or as someone once said, Mozart would be making music for movies if he were alive today). Being a huge sci-fi fan, that kind of music has always been particularly near and dear to my heart. But were I to buy each and every soundtrack for every sci-fi I liked it would cost quite a bundle, and would include a lot of sub-par music along with the grandiose and fantastic main and memorable themes. That's where this beauty comes in.

The moment I ripped off the shrink-wrap and popped it into my cd player was a moment of great trepidation. Believe me when I tell that I've seen my fair share of sub-par orchestral recording in my lifetime. Very often they are in those big super-packs of music, and suffer from poor direction, improper mastering, and sometime even pathetic orchestration (or worse yet have something sounding like a cheap synthesizer and a kazoo in place of a full orchestra). I needn't have worried though. This sucker is fantastic.

Many people who are not audiophiles will probably miss the point of this cd collection. It is not the original versions of the pieces. It is re-orchestrations, mostly by the phenomenal Prague Symphony Orchestra. Many of these themes didn't sound all that hot in there original versions because they were low budget films or were not recorded in high-fidelity. Here they are given the full treatment, mastered with the most loving care imaginable. Often the version found in these cds is SUPERIOR to the original.

Remember the theme from 2001: A Space Odyssey? Of course you do. But how many times have you heard a cheap imitation of the original version from the movie, starting too low in volume and ending too high (and missing the essential pipe-organ that gives it that extra oomph)? Well, this first track in the entire collection is not only everything it should be instrumental and timing-wise, but it also has been oh-so-carefully adjusted during the mastering process so that at no time is the music either too low or too high in volume (surely a benchmark for every other recording ever to be made of the piece).

Or what about the theme from the (at-the-time) uber-creepy The Black Hole? The orchestration of this piece of music goes from tiumphant to terrifying and back again, with a splendor and cleanness that I CERTAINLY don't remember being in the original recording.

Then there's the new version of the theme from Independence Day, complete with a violin solo, a far more electrifying ending climax, and a chorus so thunderous that you feel like applauding at the end. Simply indescribable. Kind of like the MIND-BLOWING rendition of the theme from The Last Star Fighter. This has been one of my favorite themes for a long time now, but I've never heard it played like this. I think the original version of the theme is something like 1 minute long, but this new version doesn't just fade out (HAHAHAHA!!!!) THIS version is THREE minutes long, goes through the main theme THREE times, with the final strains being so triumphant and joyous I could not help but feel an electrifying charge the first dozen or so times (come to think of it, I still feel that way). This is superior to the original in EVERY way. AWESOME.

And let's not forget the incredible new rendition of Stargate with it's heavy use of clarinets (for Egyptian effect!) and a triumphant new ending (completely lacking the chanting from the original version. This version is so different that for the first minute it is very hard to tell that it is in fact Stargate. But then the main theme kicks in, and then you get this incredible flute solo for my favorite part of theme (the whole thing is played slower, but arguably more powerfully than the original). My goodness. At first I found the thing so different I didn't like it. But then I listened to it again. And again. And again.

I could go on and on, talking about the fantastic new rendition of Moon Raker, the ear-popping Battlestar Galactica, the classic Star Trek (First Contact has a minute or two of the theme from Star Trek:The Motion Picture before going into the main theme), or the sweet renditions of music from the Star Wars movies (or the music from E.T.).

I have to mention though that this collection was not picked based merely on what people want, or on what is popular. No, the people who made it obviously thought a GOOD music collection was better than a popular one. That's why you get a heartbreakingly beautiful theme from A.I. instead of the main theme. It's why you get music from movies that you probably never gave a second thought to the music (because the movie was lousy). It's why you get Armageddon, Judge Dredd, and Robocop (who would have guessed their music was so COOL when there was all that crazy action and bad-acting going on on-screen).

I said it before and I'll say it again. This cd-set was mastered with tender-loving-care, and it shows BIG-TIME. High-fidelity the likes of which I have not seen since the days when cds were brand-new in the world. Dolby Surround. Perfectly balanced. BEAUTIUFL orchestrations. About the only thing that makes me scratch my head is the weird sound-effect tracks (Oooookay.....). Other than that, it's PERFECT. Obviously they could not include every sci-fi theme ever (no one can), but this collection is REALLY GOOD. A lot of great themes that got away (forgotten gems :), new versions of old favorites, and under-appreciated classics aplenty, but ALWAYS the full and complete versions with nothing cut-out (the theme from Dune is quite extended).

If you love movie music (and sci-fi movie music in particular) you MUST buy this awesome collection). It is not the original recordings. Almost always the new ones are better (if they aren't better they're just equal). This is what you have been waiting for. I for one am going to be buying quite a few cds from this company in the future. Give your ears the treat they deserve. Buy it NOW.

SciFi Album gift.......2005-07-20

I bought the Science Fiction Album as a gift for my son who is twenty-one years old. He is a musician, and also a huge fan of many SciFi shows and movies. I thought this would be the perfect thing for him and I was right. He loves it!

Away From to be a Collectible Peace.......2004-12-16

If you like Sci-Fi movies and want a compilation of their important scores, this is the CD-set to buy. But let me warn you about that very few songs in the cds are from the original soundtracks. Most of them is re-recorded by The City of Prague Philharmonic Orchestra. But the sound quality of cds are very good, because they have HDCD and Dolby Surround labels. This set is away from to be a collectible peace, but it is a good general compilation of favorite Sci-Fi movie scores.

The Legend of Bagger Vance: Music from the Motion Picture (2000 Film)

Average customer rating:

A soundtrack as wonderful as the movie!
Why is this soundtrack so hard to find?
The Legend of Bagger Vance
This soundtrack was worthy of an oscar.
This is my favorite CD

The Legend of Bagger Vance: Music from the Motion Picture (2000 Film)

Manufacturer: Chapter III Records
ProductGroup: Music
Binding: Audio CD

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The Cider House Rules: Music from the Miramax Motion Picture
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The Legend of Bagger Vance: A Novel of Golf and the Game of Life
End Your Carpal Tunnel Pain Without Surgery: A Daily 15-Minute Program to Prevent & Treat Repetitive Strain Injury of the Arm, Wrist, and Hand

ASIN: B0000508VR
Release Date: 2000-11-07

Tracks:

My Best Wishes - Fats Waller
The Legend Of Bagger Vance
Savannah Needs A Hero
Bagger Offers To Caddy For Junuh
Bagger & Hardy Measure The Course At Night
The Day Of The Match Dawns
Birdie
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Hole In One
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Bagger Leaves
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Bluin' The Blues - Muggsy Spanier
Mood Indigo - Duke Ellington

Amazon.com

Robert Redford's fable of a cynical, young, white war veteran (Matt Damon) learning the perfect golf swing--and the meanings of life--from a mysterious black caddy (Will Smith) is typically rich in subtexts, from racial discrimination to armchair existential philosophy. As she did for the period dramaThe Cider House Rules, English composer Rachel Portman imbues Vance with an American sense of time and place. Bookended by the bluesy jazz of Fats Waller, Mugsy Spanier, and Duke Ellington, Portman's elegant orchestral score is rich in powerful brass and string-driven melody and emotional nuances. Portman once again displays a strong affinity for the plaintive resolve and emotionally longing colors of Aaron Copland's most familiar works, and there are moments here that subtly evoke passages of that composer's Lincoln Portrait. It's a fine irony of modern film that one of Copland's spiritual heirs and most effective practitioners of his essentially male American musical ethos is a soft-spoken Englishwoman. --Jerry McCulley

Customer Reviews:

A soundtrack as wonderful as the movie!.......2005-08-17

When I first saw the picture, the music was one of the two bigger impacts it had on me (cinematography being the other). I had one of those experiences where as soon as the credits were finished I was already planning on purchasing the soundtrack. Problem is the average CD store did not hold it. Lucky for all of us there is Amazon.com!
The music composed by Rachel Portman is nothing short of wonderful! Very American in its orchestration and has often reminded me of the score to JFK (John Williams) & The Natural (Randy Newman/ironically another Redford film). From the scenes where Damon's on the golf course and the camera performs its classic Hitchcock maneuver, to the humorous driving sound as Theron's character takes on the city councilmen, this score proves to be one that must be cherished by all movie music goers.
This is a soundtrack that can inspire people with imagination and heighten the experience of outdoor activities. I myself have played this score while hiking back home and it has performed beautifully. When I play this in my free time it has allowed me to drift away from troubles and distress.
As for the tracks that aren't Portman's composition, they are equally enjoyable. The sound of Muggsy Spanier, Ellington, & Fats Waller are just pure boogie, woogie, oogie know what I mean? Makes you wanna swing.
It's a good soundtrack, one that I am lucky to have in my horde. If you can get it, I highly recommend it.

Why is this soundtrack so hard to find?.......2004-02-18

It goes without saying that a good score can either brilliantly enhance or possibly downright destroy a movie. With the film "The Legend of Bagger Vance" you have a beautiful story accented by beautiful scenery and beautiful period sets and costumes. Anything less than a beautiful score could lessen the appeal and, ultimately, the certain quality that could make this good movie great. Rachel Portman has developed a reputation for making okay movies unforgettable. Any less of a score could have ruined "The Cider House Rules" or even more so "Chocolat". Ms. Portman's score is a perfect example of how image and sound should come together to create something beautiful. In addition to the evocative and nostalgic opening fanfare-like theme, Ms. Portman welds together at least three other prominent themes, as well as a virtual abundance of recurring motifs. But, unlike her recent score CD for "The Human Stain", this album contains a much more varied mix of music that, most times, leaves the listener simply wanting more, but at the same time feeling totally satisfied. Unfortunately, if this review has successfully whet your appetite for this album, all you have to do now is find a copy for a reasonable amount of money. This soundtrack is highly reccommended, but good luck finding it.

The Legend of Bagger Vance.......2003-02-20

Great soundtrack, very relaxing and emotional. Very pleased with the cd music, but disappointed in what I had to pay for it. Also, the seller represented it as NEW and it was not. It had been resealed!

This soundtrack was worthy of an oscar........2002-11-07

When I saw this film I remember thinking, "what an extraordinary soundtrack" and I immediately went out and got the cd. And now a few years later it almost always is in my cd player. I love, love, love soundtracks and this is a homerun to me. I don't remember what the competititon was for the oscars that year but I wish it would have won. I don't even remember if it got a nomination. If you like Randy Newman's work, Aaron Copeland and maybe Hans Zimmer, you will like this cd. She did a really wonderful job. I wish I knew more about the composer.

This is my favorite CD.......2001-11-04

I purchased this CD to find a music selection for my daughter's skating routine. I had previously purchased "Cider House Rules" soundtrack and thoroughly enjoyed it, so we purchased this after listening to the samples on Amazon.com. This soundtrack has to be the best one I have heard! I watched the movie after I had listened to the CD, and I must say that Rachel Portman's music brings the movie to a whole new emotional level. I, too, wonder why this was not nominated for an Oscar. Rachel Portman has that special gift to communicate through her music. I look forward to purchasing more of her works.

The Day They Shot a Hole in the Jesus Egg - The Priest Driven Ambulance Album, Demos and Outtakes

Average customer rating:

Grows on you like a patch of wildflowers
Give it a second spin
WOW
The Flaming Lips get...good? Whoa.
Hot to Trot for them Flaming Lips

The Day They Shot a Hole in the Jesus Egg - The Priest Driven Ambulance Album, Demos and Outtakes
The Flaming Lips
Manufacturer: Restless Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006GSFF
Release Date: 2002-10-01

Tracks:

Shine On Sweet Jesus
Unconsciously Screamin
Raining Babie
Take Me Ta Mars
Five Stop Mother Superior Rain
Stand In Line
God Walks Among Us Now
There Your Are
Mountain Side
What A Wonderful World
Lucifer Rising
Ma, I Didnt Notice
Le Me Be It
Drug Machine In Heaven
Strychnine/ Peace, Love & Understanding

Tracks:

Take Me Ta Mars
Mountain Side
There You Are
Five Stop Mother Superior Rain
Raining Babies
Unconsciously Screamin
Stand In Line
Gods A Wheeler Dealer
Agonizing
One Shot
Cold Day
Jam
Shes Gone Mad
Golden Hearse
Unconsciously Screamin
Stand In Line
I Want To Kill My Brother
Five Stop Mother Superior Rain

Album Description

Full Title - The Day They Shot A Hole In The Jesus Egg. A two-disc set of Flaming Lips recordings from 1989 to 1991, reissues the complete In a Priest Driven Ambulance and adds (in effect) 23 bonus tracks - comprising B-sides (from the singles 'Drug Machine' and 'Unconsciously Screamin') plus a collection of four-track demos often bootlegged as The Mushroom Tapes. Of the extra material, the B-sides are best, especially a pair of covers - one of the Sonics' sullen garage nugget 'Strychnine' and the other of Elvis Costello's '(What's So Funny 'Bout) Peace, Love and Understanding.' Restless Records. 2002.

Customer Reviews:

Grows on you like a patch of wildflowers.......2007-01-04

This is an incredible collection of Lips early stuff. The other companion collection, "Finally The Punk Rockers Are Taking Acid", discs 1-3, are the first recordings by the Flaming Lips, and it is very good. If you are a huge fan of the Flaming Lips like I am, both of these are good to have for historical purposes. The Flaming Lips have a rich history of inventive music and if you just start at The Soft Bulletin, arguably where they are roughly at stylistically, and have the three most recent recordings, that one and Yoshimi, and At War With The Mystics, then wouldn't you be a bit curious as to how they arrived at this point?

I was curious, and I live in the area where they grew up in central Oklahoma, and pretty much ignored them up until about a year ago. Now I have all of their CDs except for one of them.

You should be curious if you consider yourself to be an explorer of artistically viable music. The Flaming lips have obvious influences from the classic/acid-rock era including Pink Floyd, the Beatles, and many others. But this collection reveals how they developed their ideas from a Punk Rock Acid Rock perspective, and, depending on your frame of mind, and how receptive you are to noise/Acid/punk and their newer musical ideas, you should find The Day They Shot A Hole In The Jesus Egg rewarding--I did.

Disc one includes the "Preist Driven Ambulance" album, which was their last pre-Warner Bros. album, and also their last album without Steven Drozd on the drums. It is looser, and much more guitar driven than their recent recordings, although all the recordings prior to Soft Bulletin are more guitar/noise driven. There are plenty of mind-blowing ideas and many beautiful songs. The bass is more prominent in the mix. The rawness is there but the punk-influenced Acid sound is there and it plays very well. Some of the stand-out songs from disc one are played again as out-takes, different versions and they are on Disc Two, the Mushroom Tapes. This disc took me a few plays to enjoy but I now listen to it more than the others. There are some songs that are beautiful, such as the Stones-influenced Five Stop Mother Superior Rain, with its slide guitar work, harking back to Stones Wild Horses, or Pink Floyd.

Anyway, I won't go into the details. Listen and experience this collection on your own. With an open mind, you'll be richly rewarded.

Give it a second spin.......2006-01-28

Im not going to lie, when i bought this album (blind) I hated it. I felt like I had to like it cause I like the band, but i really didnt like it. But after giving it another try recently, I found that it was about ten times better than I originally thought. After my third time through it, I actually greatly enjoyed it. It can be hard at times, because of their drug induced lyrics and music, but still a credit to Wayne Coynes upbeat and silly styl. So dont be fooled by the 30 second clips, cause this album has more than meets the initail eye.

WOW.......2005-07-15

The first time I listened to this album, it sounded like a bunch of lo fi noise. But once I sat down with a nice pair of head phones and just listened, I was able to appreciate what a mature, gorgeous album this is.

Yes, there is a lot of guitar noise. But the noise is not an end in itself. It is a tool that the Flaming Lips deploy with surgical precision. In this album's best moments, feedback effects laden guitar riffs alternate with periods of unsettling quiet to create a heightened sense of dramatic tension. This tension, which is sustained for most of the album, turns what would otherwise be a bunch of very catchy country and blues inspired melodies into an edgy psychedelic masterpiece.

It may take a few listens to really appreciate what the Lips are doing here; but, in my opinion, the reward is well worth it.

The Flaming Lips get...good? Whoa........2005-01-27

Although it's loaded with demos and outtakes, the main reason you want to own "..Jesus Egg" is for "In a Priest Driven Ambulance". I think the actual album is out of print, so you might as well get it here with the nice packaging and what not.

"Ambulance" is The Flaming Lips' fourth album (released in 1990), and it's a major improvement. The haze of psychedelia, punk, and white noise that made up their previous three albums is still in tact..but now they've injected the music with a heavy dose of pop. In other words, these songs actually have distinguishable melodies and hooks!

"Shine on Sweet Jesus" combines caterwauling guitar feedback and Wayne Coyne's shrill vocals with an irrestiable singalong hook. It's like white noise meets bubblegum pop.

"Unconsciously Screamin" is a glorious psychedelic mess, as are the noisy assaults "God Walks Among Us Now" and "Mountain Side".

There's actually a lot of quieter moments on the album too. "Rainin' Babies" is a really gorgeous ballad; it's like a lo-fi precursor to "The Soft Bulletin". The majestic "Five Stop Mother Superior Rain" is similar fare that also works well.

Other highlights include the thumping bass weirdness of "Take Meta Mars", the trippy "Stand In Line", the unsettling, parking-lot folk of "There You Are" and their cover of "What a Wonderful World" (which surprisingly stays pretty true to the original).

The outtakes are hit or miss. There's some decent stuff on there. And the demos are interesting, but not something you'll probably listen to over and over again. But "In a Priest Driven Ambulance" is a true gem; not only their best early work, but one of their best altogether. And that's why "..Jesus Egg" is an essential purchase.

Hot to Trot for them Flaming Lips.......2004-05-21

To abstain from any superfluous felicitations that would hinder the evident brilliance of this album and to put lucidly my feelings on this particular effort, I shall simply state that In a Priest Driven Ambulance is one of the greatest sonic excursions I have been privy to hear in some time. Given that I was an ardent Lips fan prior to listening, my adoration was perpetuated to the nigh crux of hysteria when attaining a copy of my own. I suppose one could make the rather impotent attempt at actually delineating all the myriad components that make this album an astonishingly addictive substance, but such puerile plying would be immediately reduced to an ashen cinder because this album (as with nearly every other Lips album) evades all proper articulation. The vertiginous furrows of relentless feedback and white noise (that seem to ebb and swoon upon the nubile shoals of your ears), the imperious obfuscation of the Dadaist lyrics (slurred and howled in the most strained and salient pronunciations), the volutary movement of the music (i.e. the way the whole composition seems to impel the listener's volitation - incensing a feeling of flight), and all the innumerable idiosyncrasies make this one of the most impressive records of the 90s (compare this to that apathetic dive bomb dirge of bloated noise and unctuous production known as Nevermind to get my point). An aberrant to the pervasive ennui inspired by their contemporaries, In a Priest Driven Ambulance not only deviated from the prevailing miasma of alternative music by the promulgation of an album that prominently featured antipodean doses of noise terror and acoustic subtlety (the two often managing to coincide like in the wonderful "Five Stop Mother Superior Rain") but also marked an unprecedented turn in the Lips' own catalogue. Their preceding work had been infamous for its layers of feedback and white noise, and even though they still incorporated those elements into the "Priest" album, they had been reluctant to produce anything that dared veer from their course. Though their aptitude for bizarre melody had been brusquely exerted on tracks from Ow My Gawd the Flaming Lips and some parts of the cacophonous feedback symphony of Telepathic Surgery, it is here that the band began to intersperse their sense of musical competency. Restraining from the stentorian deluge of noise that made itself present on Telepathic Surgery, the Flaming Lips opted to create an album that deftly compounded all of those aspects and more - thus making this their first masterpiece (an echelon of which they now can amend with Transmissions From the Satellite Heart, The Clouds Taste Metallic, and the orchestral genius of the Soft Bulletin). But commending the album with such adulation is irreparably futile. I cannot put into words (nor would I try) the overwhelming sense of appeasement that fills every pore of my being when I hear the Lips' sardonic cover of "What a Wonderful World" or the obtuse hilarity (I sense I'm missing the joke) of "Shine on Sweet Jesus." Given the fact that they supported bands like the Butthole Surfers and Sonic Youth (neither of whom have come close to approaching this summit of plangent perfection), it is somewhat surprising to note the psychedelic pop they have chosen to adopt (though that in no way denigrates their eminence). But the result from their predilection of musical evolution is a strong track record that has currently failed to disappoint me (unlike the aforementioned Buttholes). Someone recently inquired as to the sound of the Flaming Lips, to what bands were they consanguineous. I had no answer, try as I did, all of my syllables dissipated and dissolved into indecipherable prate. To adequately describe this music for someone who has never heard it is a formidable challenge. All I can say is that I love the Flaming Lips, and even though some may be disconcerted by their bumptious conviviality, I can only retort that you have to give reverence to a band that can form a lyric like "I was born the day they shot a hole in the Jesus egg/ I was born the day they shot John Lennon's brain/ The way you look at me sucks me down the sidewalk."

Average customer rating:

The Ultimate Cole Porter, Vol. 3

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music
Similar Items:

Ultimate Cole Porter, Vol. 4
Ultimate Cole Porter, Vol. 1
Ultimate Cole Porter, Vol. 2
Rodgers & Hart, Vol. 1
The Ultimate George Gershwin, Vol. 1

ASIN: B00008XS3Q
Release Date: 2003-05-20

Tracks:

Goodbye, Little Dream, Goodbye (Orig. Cast) [O Mistress Mine] - Pierre Fresnay,
Who Knows? ( of Orig. Cast) [Rosalie] - Nelson Eddy
I've a Strange New Rhythm in My Heart ( of Orig. Cast) [Rosalie] - Marjorie Lane
Rosalie ( of Orig. Cast) - Nelson Eddy
It's De-Lovely ( of Orig. Cast) [The Fleets Lit Up] - Frances Day
River God - Todd Duncan
Most Gentlemen Don't Like Love ( of Orig. Cast) [Leave It to Me] - Mary Martin
My Heart Belongs to Daddy ( of Orig. Cast) [Leave It to Me] - Mary Martin
Do I Love You? [Dubarry Was a Lady] - Frances Day
But in the Morning, No! [Dubarry Was a Lady] - Frances Day, Bud Flanagan
Friendship [Dubarry Was a Lady] - Bert Lahr, Ethel Merman
Most Gentlemen Don't Like Love (Of Orig. Cast) [Black Velvet] - Pat Kirkwood
My Heart Belongs to Daddy ( of Orig. Cast) [Black Velvet] - Pat Kirkwood
My Mother Would Love You (Of Orig. Cast) (Panama Hattie) - Ethel Merman
I've Still Got My Health (Of Orig. Cast) (Panama Hattie) - Ethel Merman
Let's Be Buddies (Of Orig. Cast) (Panama Hattie) - Joan Carroll, Ethel Merman
Make It Another Old Fashioned, Please (Of Orig. Cast) (Panama Hattie) - Ethel Merman
Everything I Love (Of Orig. Cast) [Let's Face It] - Mary Jane Walsh
I Hate You Darling [From Let's Face It] - Mary Jane Walsh
Farming (Of Orig. Cast) [Let's Face It] - Danny Kaye
Let's Not Talk About Love (Of Orig. Cast) [Let's Face It] - Danny Kaye
Ace in the Hole (Of Orig. Cast) [Let's Face It] - Mary Jane Walsh
Farming (Of Orig. Cast) [Let's Face It] - Mary Jane Walsh
Let's Be Buddies [Black Vanities] - Chesney Allen, Bud Flanagan

Average customer rating:

Fill a Hole in Your Collection

Hole in the Day
Ann Reed
Manufacturer: A Major Label
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music

Traditional Folk | Folk | Styles | Music

General | Folk | Indie Music | Stores | Music
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Road of the Heart
Gift of Age
Through the Window
Telling Stories

ASIN: B000008RPH
Release Date: 1994-06-29

Tracks:

Too Much Trouble
Hindsight
Some Hearts
Miles Home to You
Hole in the Day
What a Pity
Somethin' to Do With You
Tired Old World
I Don't Like It
No Road to Juneau
Heroes
Even in Reunion

Customer Reviews:

Fill a Hole in Your Collection.......2002-11-13

This is a wonderful CD. If you aren't familiar with Ann Reed, you need to be. She writes and sings topical songs, songs about relationships and funny songs. She has a beautiful, alto voice. This CD is worth the purchase price just for the song "Heroes", which ends with a list of women who have done noteable things--although some are not especially well known. She tackles homeless, in a disturbing song about a woman living on the street ("I Don't Like It"), and lack of responsibility by athletes and business leaders ("What a Pity"). This is one my all-time favorite CDs.

Average customer rating:

From the Black Hole Peace

Manufacturer: Lrrastamumla SF
ProductGroup: Music
Binding: Audio CD

General | Rap & Hip-Hop | Styles | Music
ASIN: B000CA7AK6
Release Date: 2005-01-25

Average customer rating:

PERFECT PORTER
Best CD ever!!

George Feyer Plays Cole Porter

Manufacturer: Vanguard Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

General | Easy Listening | Pop | Styles | Music
ASIN: B0000023E0
Release Date: 1993-05-12

Tracks:

Anything Goes
Miss Otis Regrets
Begin The Beguine
It's De-Lovely
Night And Day
In The Still Of The Night
I Love Paris
It's All Right With Me
Don't Fence Me In
Ridin' High
From This Moment On
True Love
Why Can't You Behave
Wunderbar

Customer Reviews:

PERFECT PORTER.......2001-06-27

It will be a remarkable feat indeed if this recording of Porter standards is ever surpassed. Feyer, a classically trained pianist, has a remarkably deft touch and an uncanny knack for the driving, rhythmic vitality of Porter's music. Acoustic guitar, drums, and other percussive instruments provide an essential, but unobtrusive, rhythmic foundation throughout. Thirty-four pieces are packed onto the disc, one often merging skillfully into the next, to form a series of three colossal medleys. Although recorded in the pre-digital era, the sound quality of this Vanguard Classics disc equals or surpasses the best contemporary recordings. If you like Porter, this one's a sure bet; if you think you don't like Porter, this one will change your mind.

Best CD ever!!.......1998-11-26

If you like Cole Porter and piano you will love this

Average customer rating:

One Day
Kat Maxwell
Manufacturer: Good Girls Say No Records
ProductGroup: Music
Binding: Audio CD

Pop Rock | Pop | Styles | Music

Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music
ASIN: B000CA2SDA
Release Date: 2003-12-09

Tracks:

Run
Blow
Picture
I'll Be There
Suffocated
Joey
It's OK
Picture Acoustic

Stallone: Music From The Films Of Sylvester Stallone

Average customer rating:

Heroic, Powerful, Breathtaking

Stallone: Music From The Films Of Sylvester Stallone

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

1990s | By Decade | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music

General | Soundtracks | Indie Music | Stores | Music

Movie Soundtracks | Soundtracks | Indie Music | Stores | Music
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First Blood: Original Motion Picture Soundtrack (1982 Film)

ASIN: B000004BPI
Release Date: 1994-01-01

Tracks:

Rocky: Fanfare/Gonna Fly Now... - The London Screen Orchestra with Mike Townend
F.I.S.T. Main Theme - The City Of Prague Philharmonic with Nic Raine
Paradise Alley-Victor's Big March - The London Screen Orchestra with Mike Townend
Rocky II-Redemption - The London Screen Orchestra with Mike Townend
Nighthawks Main Theme - The London Screen Orchestra with Mike Townend
Rocky III-Eye Of The Tiger - The City Of Prague Philharmonic with Nic Raine
First Blood-It's A Long Road - The City Of Prague Philharmonic with Nic Raine
Rambo:First Blood Part 2 Suite - The City Of Prague Philharmonic with Nic Raine
Cobra Main Theme and Chase - Mark Ayres
Over The Top: In This Country/The Fight... - Mark Ayres
Rambo III-Questions - The City Of Prague Philharmonic with Nic Raine
Lock Up: Main Theme/Breaking Point/Release - Mark Ayres
Cliffhanger: Main Theme/Rabbit Hole/End Title - The City Of Prague Philharmonic with Nic Raine

Customer Reviews:

Heroic, Powerful, Breathtaking.......2000-06-17

The above title sums it up wonderfully. This cd is a must own for any person interested in gaining film music from some of Stallones greatest films. The music alone is what always accompanied a great stallone film. For instance, what would 'Rocky' be without Bill conti's extradinary cult hit' Gonna fly now"? Or the heart - rendering and heart wrenching theme from 'lock - up', or the beauty and Majesty of the 'Cliffhanger' themes.

The best thing is that you don't have to be a serious soundtrack collector to admire the magic of these songs. They all exhibit their own unique characterstics; musical pieces designed to inspire, encourage, relax and awe. Many of these tracks from stallone's films are not widely avlaiable; some like 'Lock-up' are indeed a rare gem. I love this soundtrack for its unique varitey, its warm and emotive film scores.

Tracks:

2001: A Space Odyssey: Also Spach Zarathustra
Star Wars: Main Title
The Empire Strikes Back: Han Solo And The Princess
The Empire Strikes Back: The Imperial March
Return Of The Jedi: Forest Battle
The Phantom Menace: The Flag Parade
The Phantom Menace: Anakin's Theme
The Phantom Menace: The Adventures Of Jar Jar
The Phantom Menace: Duel Of The Fates
Apollo 13 Lift Off
Apollo 13: Main Title
Capricorn One: Overture
The Right Stuff: Main Themes
Battlestar Galactica: Main Themes
The Nostromo
Alien: End Title
Independence Day: End Title Suite

Tracks:

Aliens: Prelude/Ripley's Rescue
Mars Attacks: Introduction & Main Title
The Thing From Another World: Main Theme
War Of The Worlds: Main Title/Martian Man Dies
When Worlds Collide: Main Title/The New World
Armageddon: Suite
Crash Landing
Lost In Space: End Title
Back To The Future: Main Title
The Black Hole: Overture
A.I.: Where Dreams Are Born
Lifeforce: Main Theme
Predator: Main Titles
Dogfight
Starship Troopers: Klendathu Drop
E.T.: The Flying Theme
Close Encounters Of The Third Kind: Suite

Customer Reviews:

its not that the material is bad, it is simply repeated.......2005-05-17

The entire first disc is available on other Silva America CDs, (at the time the star wars songs were the first release, but now they are on Music from the Star Wars saga), the rest on "Space and Beyond" "Space and Beyond 2: Alien Invasion", "The Cult Files" and "Battlestar Galactica A-Z of SciFi/Fantasy TV Themes". The re-recordings are cool but this is mainly a rehash of other cd's, as I said, the entire first cd is available on other Silva collections, and only 9 of the 15 tracks on cd 2 are not available on any other cd i own from Silva. (I don't have Cult Files re-opened or Space and beyond 3, who knows they might be on there)

Obviously, when this album was originally released, the main appeal was the newly recorded star wars tracks, this cd has become more or less obsolete, its still a nice collection, but if you own the other Silva cd's. you don't really need this.

"Silva takes film-score-buffs to the far reaches of space".......2002-05-17

Just in time for the latest George Lucas "Star Wars-Episode II:Attack Of The Clones"(5/16)(John Williams) ~ Silva America and James Fitzpatrick have gathered eight cues from previous Star Wars films to thrill us again. Get ready for another chapter in the ongoing saga of inner planetary tales, all collected for your listening pleasure in Silva's latest release ~ "The Science Fiction Album Volume 1" with 34 tracks on a futuristic 2-CD-Set(with a 3-D cover insert), much like the science fiction pulp covers from the '40s, inticing the reader to purchase, read and dive into another world of aliens and creatures from far reaches of space and planets.

This collection features the best of the best composers and film scores ~ David Arnold(INDEPENDENCE DAY)~ John Barry(THE BLACK HOLE)~ Bruce Broughton(LOST IN SPACE)~ Bill Conti(THE RIGHT STUFF MAIN THEMES)~ Danny Elfman(MARS ATTACKS)~ Jerry Goldsmith(CAPRICORN ONE/ALIEN)~ James Horner(APOLLO 13 MAIN TITLE)~ Glen Larson & Stu Phillips(BATTLESTAR GALACTICA MAIN THEMES)~ Henry Mancini(LIFEFORCE)~ Basil Poledouris(STARSHIP TROOPERS)~ Trevor Rabin(ARMAGEDDON)~ Alan Silvestri(BACK TO THE FUTURE/PEDATOR)~ Leith Stevens(WAR OF THE WORLDS/WHEN WORLDS COLLIDE)~ Dimitri Tiomkin(THE THING FROM ANOTHER WORLD)~ John Williams(STAR WARS MAIN TITLE/HAN SOLO AND THE PRINCESS/THE IMPERIAL MARCH/FOREST BATTLE/THE FLAG PARADE/ANAKIN'S THEME/ADVENTURES OF JAR JAR/DUEL OF THE FATES/ARTIFICIAL INTELLIGENCE/E.T.-THE EXTRA-TERRESTRIAL/CLOSE ENCOUNTERS OF THE THIRD KIND).

No doubt the above composers excel in the world of film music, notice how many John Williams scores appear in this collection. Williams is without a doubt one of the major players in this genre, but there are many other composers who can stand up to his high marks when it comes to bringing the full force of a story through music. One such composer is Henry Mancini, if you ever had any doubts about this mans ability to score any film, whether it be drama, comedy, action or sci-fi...this question is answered here with "LIFEFORCE", gives the audience a cinematic education tightly coiled around directors Tobe Hooper's story of outer space vampires. Within each cue of the film, Mancini's score takes over and we are pleasantly surprised with the results.

If you're a "film-score-buff", like I am...then this collection from the '50s', '60s, '70s, '80s and '90s is an absolute must. As an added bonus we feature the world renowned ~ The City Of Prague Philharmonic Orchestra with conductors Paul Bateman, Nicholas Dodd and Nic Raine, plus, yes plus the Crouch End Festival Chorus and one of my favorite sopranos Charlotte Kinder. When it comes to releasing compilations of this magnitude, most labels tend to become much safer in their choices, afraid to make a mistake. Silva America takes the risk and it always pays off, this is one of those times ~ looking forward to "The Science Fiction Album Volume 2", gotta love it!

Total: Disc One 62:45 on 17 Tracks & Disc Two 66:10 on 17 Tracks ~ Silva America
SSD-1139 ~ (2002)

Music Review:

Music Review

music review

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