Fatal Love
Fatal Love
Track Listings
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1. Oh Brother
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2. You
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3. House of Cards
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4. Silver Tongue Devil Saloon
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5. Leave the Light On
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6. It Takes Time
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7. Welcome Home
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8. Fatal Love
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9. Waste of Time
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10. San Francisco Bay Blues
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Editorial Reviews
About the Artist
Donna Colton has been a singer all her life. Born in Lafayette, NY she lived on Colton Road. It used to be taboo to watch TV in the daytime, so she grew up listening to her mom's records playing on the stereo; Nat King Cole, Hank Snow, Marty Robbins, The Everley Brothers, Barbara Streisand and many others played and played all day. Soon Donna began playing guitar and singing at school in chorus and in talent shows. When she got to High School, she'd already been playing in local upstate NY clubs accompanied by her parents. She started writing songs and performing them for audiences. Eventually, she had to get a real job and even tried to stop performing to take the day job on as a serious career. Not happening. Everytime I tried to quit, I couldn't stay away. She continued to play part time and with various family members in duo's or band configurations. Usually playing cover tunes in bars. Finally, she went solo and started playing more concert venues, colleges, etc. She recorded and released her first CD called "Black and Blue Elaine", the title cut, a song that she co-wrote with a friend, Ted Wellenc, about domestic violence. The CD helped open doors and tours that in turn helped build her audience. Today, Donna Colton plays with her duo partner, Sam Patterelli, who also recorded and co-produced her second CD, "Fatal Love". Colton and Patterelli are writing new songs together and the live show can also include a talented percussionist, Julius Williams, when the rhythm has got to be there! To wrap, Donna Colton has come a long way from the days when her toughest act to follow was a stripper with a snake! She just keeps getting better and the songcraft continues to show and grow. Big, Red, Wet Ones To All!!!
Product Description
Fatal = proceeding from or decreed by fate; destined. Love = a profoundly tender, passionate affection for a person. This cd is about relationships; couples, happy and sad, brothers and sisters, parents and children. Some are fatal as in deadly, some are fatal as in inevitable. The music is a mish-mash of pop/rock/folk/R&B that I like to call 'Chick Rock'. You know that not-so-easily-categorized-music-stuff-that-people-like. This is a studio CD and takes full advantage of using all kinds of musicians, electric and acoustic instruments, drums and percussion, horns, violins, piano, accordian and backup vocals and harmonies. Also, the emphasis is on the vocal! I don't know about you, but I like to hear the words. In this record, you can! This is one you'll want to play over and over and over...
Fatal Love,Donna Colton,Red Lip Records,Red Lips, Low-cut, High Heeled Music to be enjoyed with expensive adult beverages.
Average customer rating:
- Great Movies have Great Soundtracks!
- Only Disc 1 Is Worth Anything
- More of a propaganda CD
- Great selection of Film Hits!
- Older recordings, main themes only
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Paramount 90th Anniversary Collection: Scores
Various Artists
Manufacturer: Sony
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Similar Items:
- Varese Sarabande 25th Anniversary Celebration
- Simply the Best Movie Themes
- Hollywood's Greatest Hits, Vol. 1
- The Essential Elmer Bernstein Film Music Collection
- The Incredible Film Music Box
ASIN: B000068TN9
Release Date: 2002-07-02 |
Tracks:
- Saving Private Ryan 'Hymn To The Fallen' - John Williams
- Double Indemnity 'Prelude' - Miklos Rozsa
- The Lost Weekend 'Finale' - Miklos Rozsa
- The Heiress 'Departure/Morris Suggests Love/The Proposal/Finale' - Aaron Copland
- Sunset Boulevard 'Prelude' - Franz Waxman
- The Ten Commandments 'Prelude' - Elmer Bernstein
- Breakfast At Tiffany's 'Moon River' - Henry Mancini
- Hatari! 'Baby Elephant Walk' - Henry Mancini
- Rosemary's Baby 'Main Title (Vocal)' - Christopher Komeda
- Romeo & Juliet 'Love Theme From Romeo & Juliet' - Nino Rota
- Once Upon A Time In The West 'Once Upon A Time In The West' - Ennio Morricone
- Love Story 'Theme From Love Story' - Francis Lai
- The Godfather 'Main Title (The Godfather Waltz)' - Nino Rota
- The Godfather 'Love Theme From The Godfather' - Nino Rota
- Chinatown 'Love Theme From Chinatown (Main Title) - Jerry Goldsmith
- The Godfather - Part II 'End Title' - Nino Rota
- Star Trek: The Motion Picture 'End Title' - Jerry Goldsmith
- Raiders Of The Lost Ark 'Raiders Of The Lost Ark' - John Williams
- Terms Of Endearment 'Theme From Terms Of Endearment' - Michael Gore
- Flashdance 'Love Theme From Flashdance' - Giorgio Moroder
- Beverly Hills Cop 'Axel F' - Harold Faltermeyer
Tracks:
- Witness 'Building The Barn' - Maurice Jarre
- Children Of A Lesser God 'Main Title' - Michael Convertino
- The Untouchables 'The Strength Of The Righteous (Main Title)' - Ennio Morricone
- Fatal Attraction 'Fatal Attraction' - Maurice Jarre
- The Addams Family 'Main Title' - Marc Shaiman
- Dead Again 'Winter 1948' - Patrick Doyle
- Indecent Proposal 'Flashback & Photos' - John Barry
- The Firm 'How Could You Lose Me?-End Title' - Dave Grusin
- Clear And Present Danger 'Main Title/A Clear And Present Danger' - James Horner
- Braveheart 'For The Love Of A Princess' - James Horner
- Primal Fear 'Courtroom Montage' - James Newton Howard
- Mission: Impossible 'Zoom B' - Danny Elfman
- Star Trek: First Contact 'End Credits' - Jerry Goldsmith
- Titanic 'Hard To Starboard' - James Horner
- The Rugrats Movie 'Baby Shower Happenings' - Mark Mothersbaugh
- The Talented Mr. Ripley 'Italia' - Gabriel Yared
- Rules Of Engagement 'Semper Fidelis (Always Faithful)' - Mark Isham
- Mission: Impossible 2 'The Bait' - Hans Zimmer
- Lara Croft: Tomb Raider 'Main Titles' - Graeme Revell
- Vanilla Sky 'To The Roof' - Nancy Wilson
- The Sum Of All Fears 'The Mission' - Jerry Goldsmith
- Forest Gump 'I'm Forrest...Forrest Gump' - Alan Silvestri
Amazon.com
Granddaddy of the Hollywood studios, Paramount Pictures is rightfully proud of its century of contributions to both American cinema and the art of film scoring. But the first disc of this 43-track double-CD anthology merely hints at the studio's musical peaks, blithely skipping through its first seven decades in just 17 tracks. Indeed, the package as a whole seems more interested in marketing its post-'70s catalog of hits and blockbusters than it does in paying real homage to history and roots. Even rarities like Double Indemnity and The Lost Weekend are served up via modern budget-line rerecordings, as is Ennio Morricone's epochal Once upon a Time in the West). Contemporary recordings of Aaron Copland's rare score to The Heiress and Franz Waxman's great Sunset Blvd. fare better, but soundtrack fans may miss the originals. The studio's rich pop-crossover successes in the '60s are documented via Breakfast at Tiffany's "Moon River" and excerpts from Romeo and Juliet and Love Story, while successful franchises like Star Trek and Raiders also get their due. Too often the '90s-focused second disc only underscores some uncomfortable trends in contemporary scoring--orchestral nervous tics punctuated by booming crescendos, treacly piano Muzak--and makes one wonder if the music of The Rugrats Movie and Lara Croft: Tomb Raider are really film music milestones. --Jerry McCulley
Customer Reviews:
Great Movies have Great Soundtracks!.......2007-05-10
If you love movies and movie music, you can't go wrong with this two cd Paramount Anniversary set.
Only Disc 1 Is Worth Anything.......2006-07-19
Normally I have a lot to say in my reviews, but not this time. The main problem with this collection is that all the most memorable film scores are just on one disc, with the second used mostly to play out stuff from the last ten years that, really, musically isn't very memorable and only includes three pieces anyone will recognize just because, like the movies they come from, they're based on old TV shows - The Addams Family, Star Trek, and Mission: Impossible.
And that brings up another problem. With all due respect to the late Jerry Goldsmith, who has provided some truly great classic movie scores, was it REALLY necessary to include TWO versions of the SAME Star Trek march in this collection? This seems evocative of the milk-it-for-all-its-worth attitude Paramount has had lately toward its now-tarnished crown-jewel franchise. Where's James Horner's theme music from Star Trek II and III? If they're gonna put Star Trek on here twice, they should have provided a little diversity. It wouldn't have taken much, I'm sure.
I'm sure that Paramount's had other films with far more memorable music (even Harold Faltermeyer's Top Gun Anthem could have helped on Disc 2). This just seems like a lazy attempt at something that really could have been great.
More of a propaganda CD.......2002-10-30
There are some really great songs on this 2 CD set. However, those really great songs seem to be lightly interspersed amongst a large number of forgettable songs whose main purpose seems to be to remind you of those movies you enjoy(ed) so much.
It seems a little odd to me that out of 90 years of film making the most memorable scores have been largely released within the last few years. I was pleased to find themes from the Godfather, Indiana Jones and Witness. I was perplexed with the inclusion of songs from Rugrats, both Mission Impossible movies (one would have been more than enough) and Tomb Raider (memorable???).
This is my own personal bias, but I do prefer movie soundtracks that evoke a feeling of excitement. With this collection I just couldn't get excited. I kept finding myself being let down by songs that didn't in some way complement the preceeding song.
There are certainly some great tracks here, but overall I was disappointed. My advise would be to look elsewhere.
Great selection of Film Hits!.......2002-09-25
This one was a pleasant surprise! I thought- how could any CD that had "Baby Elephant Walk" be all that good? This one is. Lots of great scores- classics and a few hidden treasures. After hearing the beautiful title score for "Children of a Lesser God", I had to buy the entire soundtrack - very soothing. There are a few that may seem too overplayed ("Love Story", "Raiders of the Lost Ark",), but most are a welcome addition to any compilation. Try NOT loving "Building the Barn" from "Witness" or the "Hymn to the Fallen" from "Saving Private Ryan". Hours of great listening.
Older recordings, main themes only.......2002-08-27
This is a great album concept, but I really wish Paramount had re-recorded these scores as they deserve to be heard. The tracks range from 1944 to the present, and the older recordings sound just like the cleaned-up older recordings that they are.
I would also personally have enjoyed more "secondary" music themes (otherwise it becomes like reading book summaries that always only quote the opening paragraph), and I could easily have done without the "pop" tunes (like Baby Elephant Walk and the Rugrats theme). In fact, it would have been very nice to listen to an album comprised of tracks chosen for their strong musical value rather than apparently for their box office and/or hit song popularity. But, to be fair, that may be precisely what draws some people to this CD set.
Film score music constitutes the single most significant body of classical music of our time. I hope some of these tracks will entice listeners to buy entire soundtracks and listen to some of these works as a whole.
Average customer rating:
- La Stupenda at her best
- this is the one to buy
- La Stupenda lives up to her name
- La Stupenda, Amore, amore, amore
- La Stupenda - well deserved title for Joan
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La Stupenda ~ The Supreme Voice of Joan Sutherland
Gaetano Donizetti , Jules Massenet , Giuseppe Verdi , Richard Bonynge , and Joan Sutherland
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Similar Items:
- Joan Sutherland - The Greatest Hits
- The Art of the Prima Donna
- The Great Recordings
- Great Duets & Trios / Sutherland, Horne, Pavarotti
- Joan Sutherland: BBC-Recitals 1958, 1960, 1961
ASIN: B00005OC0E
Release Date: 2001-10-09 |
Tracks:
- Attila: Santo Di Patria... Allor Che I Forti Corrono - Joan Sutherland
- Lakme: Viens, Mallika... Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
- Les Contes D'Hoffmann: Les Oiseaux Dans La Charmille - Joan Sutherland
- Die Zauberflote: O Zittre Nicht, Mein Lieber Sohn... Zum Leiden Bin Ich Auserkoren - Joan Sutherland
- Linda Di Chamounix: Ah! Tardai Troppo... O Luce Di Quest'anima - Joan Sutherland
- Semiramide: Serbami Ognor Si Fido - Joan Sutherland/Marilyn Horne
- Beatrice Di Tenda Bellini: Eccomi Pronta... Deh, Se Un'urna - Joan Sutherland/Ambrosian Singers
- La Fille Du Regiment Donizetti: Pour Ce Contrat Fatal... Ah! Salut A La France - Joan Sutherland/Chor Of The ROHCG
- La Traviata: Un Di Felice - Joan Sutherland/Carlo Bergonzi
- The Bohemian Girl: I Dreamt I Dwelt In Marble Halls - Joan Sutherland
- Home Sweet Home - Joan Sutherland
- Casanova: Nuns' Chorus - Joan Sutherland/Ambrosian Light Opr Chor
- Lucia Di Lammermoor: (O Giusto Cielo!)... Il Dolce Suono Mi Colpi Di Sua Voce!... Ardon Gl'incensi.. - Joan Sutherland/Chor De L'Opera De Paris/Rene Duclos
Tracks:
- Norma: Sediziose Voci... Casta Diva - Joan Sutherland/Chor Of The ROHCG/Douglas Robinson
- Alcina: Tornami A Vagheggiar - Joan Sutherland
- Con For Coloratura Soprano, Op.82: Andante - Joan Sutherland
- Con For Coloratura Soprano, Op.82: Allegro - Joan Sutherland
- Lucia Di Lammermoor: Sulla Tomba... Ah! Verranno A Te Sull'aure - Joan Sutherland/Luciano Pavarotti
- Rigoletto: Gualtier Malde... Caro Nome - Joan Sutherland/Riccardo Cassinelli/Christian Du Plessis/John Gibbs/Ambrosian Opr Chor
- Esclarmonde Massenet: Esprits De L'air! Esprits De L'onde! ... Roland! Roland! Roland! - Joan Sutherland/Huguette Tourangeau/John Alldis Chor
- Operette: Where Are The Songs We Sung? - Joan Sutherland
- The Boys From Syracuse: Falling In Love With Love - Joan Sutherland/Ambrosian Light Opr Chor
- I Puritani: Son Vergin Vezzosa - Joan Sutherland/Margreta Elkins/Pierre Duval/Ezio Flagello
- Turandot: In Questa Reggia - Joan Sutherland/Luciano Pavarotti/John Alldis Choir/Wandsworth School Boys' Choir/Russell Burgess
- Tristan Und Isolde: Mild Und Leise Wie Er Lachelt - Joan Sutherland
- Adriana Lecouvreur: Poveri Fiori - Joan Sutherland
- La Sonnambula: Ah! Non Giunge Uman Pensiero - Joan Sutherland/London Opr Chor/Terry Edwards
Customer Reviews:
La Stupenda at her best.......2007-05-06
This 2 CD set is entitled "La Stupenda," which creates extremely high expectations. Joan Sutherland meets those expectations on this CD; she is, indeed, "La Stupenda." One of the interesting aspects of this set is Dame Joan's singing some non operatic works (such as "Home Sweet Home" or "Where Are the Songs We Sung?" or "Falling in Love with Love"). In the end, this is a wonderful compilation of the art of Joan Sutherland.
First, let's consider a sampling of the cuts on these CDs.
"O Zittre Nicht" is from Mozart's "Magic Flute" and it is a challenge to sopranos, with its series of staccato high notes. Sutherland essays this well. There are some nice trills; she hits the high notes well. The series of (treacherous) high notes toward the end is handled very nicely by Sutherland. In short, she scintillates, with a closing high note well hit.
From Donizetti's "Linda di Chamounix," she sings "O luce di questi'anima." Her voice and technique are well suited for Donizetti (and Bellini). The cantabile is smoothly sung. The cabaletta is rollicking. Her coloratura technique is on target; the ornamentation is compelling. There are trills, runs, high notes and other ornamentation well done. The close is nice (although there may be a bit of a scoop on the final high note).
From "Beatrice di Tenda" (by Bellini), we hear ""Eccomi pronta. . .Deh, se un'urna." The cantabile is sung well. She hits notes clearly. The spirited cabaletta follows. Sutherland exhibits somewhat less ornamentation than usual, but trills are well done and, overall, the piece is nicely sung. The close features clean high notes.
"Home Sweet Home." This kind of illustrates Joan Sutherland's work nicely. I can hardly make out the words (and it is sung in English). But it is an interesting version. She sings the song straight, without overpowering the song with operatic technique (an occasional trill actually works out well).
Elsewhere, I have commented on her 1959 version of the "Mad Scene" from "Lucia di Lammermoor" (from her album "The Greatest Hits").
"Falling in Love with Love" is an interesting cut. This is a classic Rodgers and Hart song. Sutherland sings it pretty well, and one can pick up the words cleanly. However, one might compare this with Anna Moffo's version, which is more musical. Sutherland's version is a bit too operatic for what the song is about.
Finally, "Ah non giunge" from Bellini's "La Sonnambula," a great coloratura tune! This is taken at a sprightly pace. Sutherland exhibits good coloratura technique. There is nice ornamentation. She precisely nails high notes. In the repeat, the florid singing ramps up. This is a compelling version, with series of staccato high notes to close the work out.
Thus, this 2 CD set is a welcome entrée to the body of work of Dame Joan Sutherland. Sometimes (as with "Home Sweet Home") one has a hard time picking out the words. But with Sutherland, the skills and techniques create a compelling oeuvre that is well worth attending to.
this is the one to buy.......2007-04-18
I'm not an opera expert I just enjoy it. La Stupenda has the best of Joan Sutherland in a two CD set and it's amazing. She looked like a nice, quiet housewife but an indescribalbe voice. Her aria from Norma gave me chills and her version of "I Dreamed I Dwelt in Marble Halls" is flat out one of the prettiest things I've ever heard.
La Stupenda lives up to her name.......2006-11-12
Joan Sutherland was undeniably one of the greatest operatic sopranos of the 20th century. This comprehensive two-CD retrospective of her long career will delight her many fans, and serve as a fitting introduction for those unfamiliar with her artistry. The two CDs span a period of nearly thirty years, from 1959 to 1988, with the majority of the 27 tracks recorded during the 1960s and 1970s, when her voice was at its' astounding best. Sutherland was renowned first and foremost as a dramatic coloratura, and her supple technique is brilliantly illustrated in selections such as the Mad Scene from Lucia di Lammermoor; Doll Song from The Tales of Hoffmann; Queen of the Night aria from The Magic Flute; and the seldom-performed Concerto for Coloratura Soprano by Gliere. As her career progressed, her voice became larger and more powerful, as demonstrated by the Liebestod from Wagner's Tristan and Isolde, and In Questa Reggia from Puccini's Turandot. Lastly, Sutherland was a diva who was not afraid to let her hair down once in a while, and we are treated to lighter selections such as Where are the songs we sung? by Noel Coward, and Falling in love with love, by Rogers and Hart. Highly recommended for all lovers of great singing.
La Stupenda, Amore, amore, amore.......2006-01-28
I adore this woman's voice. And I love this cd. I was really happy to find an aria of "Esclarmonde" which is virtually impossible to find as well as some of the more lesser known works of hers such as Mozart's Queen of Night, although I wish she had done a recording of the revenge aria (Der Holle Roche) The whole cd was wonderful to hear but if I had to make on complaint it's that I didn't buy her Isolde's Liebestod but the woman can sing Lucia better than just about anyone so I'll forgive her for not sticking with the Wagner. In fact I am thrilled that she chose Lucia over Isolde because frankly acting and interperation was never her strong suit, it was the pure beauty of her voice. It's always a grand pleasure to listen to Joan kick butt in any coloratura arias but of course she set the bar so high that there is yet a coloratura since her that can do those arias half as well. She has spoiled me for life and that's why she is La Stupenda.
La Stupenda - well deserved title for Joan.......2006-01-12
I am not an opera expert by any stretch of the imagination - but I love opera. I love the expertise and beautiful voices of these hardworking singers. When I first heard Joan sing, it was from a recording she made late in her career and I honestly thought, what's the big deal about her? So, I decided to get The Art of Prima Donna album, and all I have to say is WOW! In her prime, this woman was a fantastic singer! While she wasn't the dramatist like Callas was (I also love Callas), her range and the way she hit each note so precisely was amazing! So, I bought La Stupenda. I loved the piece she did from Handel's Alcia and the fantastic Rossini duet she did with Marilyn Horn. The entire album is wonderful. I particularly like how Joan's high notes are never screechy - she makes those high notes sound so effortless. I also appreciate how she had such control over her vibrato - not too trilly (I like trilly - especially by Beverly Sills - however, not every song should be all trill). Finally, I think that Joan was one of the few sopranos that didn't try to drown everyone out. When she sang a duet, she blended with the other singer - how rare! Not all singers seem to be able to accomplish that - duets shouldn't be a competition. This album is worth every penny. Joan was one of the great singers of the 20th century and she deserves her title of La Stupenda!
Average customer rating:
- Valuable compendium
- Rareties available on CD at last!
- Heavenly
- WHO ELSE CAN SING LIKE THIS TODAY?
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The Art of Joan Sutherland
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Joan Sutherland: BBC-Recitals 1958, 1960, 1961
- The Art of the Prima Donna
- Serate Musicali
- The Voice of the Century
- La Stupenda ~ The Supreme Voice of Joan Sutherland
ASIN: B000654OUQ
Release Date: 2005-03-15 |
Customer Reviews:
Valuable compendium.......2007-01-24
This set is extremely valuable, not only as an overview of Dame Joans career but because it contains three complete LP sets that have been very hard to find. The sets are the 2 LP French opera (operetta) set, the Mozart album and the Wagner album. Although some of these do not show her to her best advantage (the Wagner set) they all have some very beautiful things and the French items are superb. The annotations and photos are interesting as well and there are some piano songs with Bonynge that are released here for the first time along with a scene from a live Covent Garden Norma.
Rareties available on CD at last!.......2006-03-29
While Joan Sutherland has recorded a number of impressive aria collections throughout the many years of her recording career, they tend to get lost in the shuffle of the countless reissues Decca/London has endlessly repackaged. While some of the original collections have appeared intact on CD--"The Art of the Prima Donna," "The Age of Bel Canto," "Love Live Forever" (her operetta collection that was originally titled "The Golden Age of Operetta"), to name a few--others are currently represented in the CD catalogue by only a few selections on discs that also include excerpts from complete opera recordings or duplicates of selections from other original collections. As a result, it has been impossible to assemble a CD collection of her recordings without a LOT of duplication, and some of the most interesting collections are still unavailable (e.g. "Command Performance" and "Serate Musicale").
While this newest set does include a lot of bits of this and that, ranging from her very first LPs to excerpts from complete recordings most Sutherland fans already have and a few "live" performances, what is perhaps most significant about it is that it features the complete contents of the "Sutherland Sings Wagner" LP--a real repertoire departure for her--and the double-LP album called "French Opera Gala" (in the U.S.--the British title was "Romantic French Arias"), neither of which, to the best of my knowledge, has been available on CD before. "Opera News" magazine once ran an article in which they asked various stars to name the one album that they felt best represented their artistry for future generations, and Dame Joan selected the "French Opera Gala," so for Sutherland fans, this is a long-awaited treat.
I'm not going to waste space saying how miraculous I consider Dame Joan's artistry. If you are familiar with her work already, you know whether you adore her or not; and if you aren't, this massive set is probably not the best place to start (that would be "The Art of the Prima Donna" album that introduced her to most listeners decades ago)--especially since this newest set doesn't contain the lyrics, a must for newcomers. Let's hope Decca/London gets around to releasing the rest of her recordings intact instead of endlessly scrambling and repackaging the same selections over and over.
Heavenly.......2006-01-31
I first heard of Dame Sutherland while on the internet while listening to a internet radio station. I was instantly a fan, her control, technique, and tone is perfectly executed and rivals the equally fantastic Maria Callas. She has a powerful voice and presence that will evoke every emotion from her listeners. Highly recommended to all Opera Diva fans.
WHO ELSE CAN SING LIKE THIS TODAY?.......2005-04-10
This is Decca's second multi disc evaluation of this fantastic singer's long career and many recordings. True that a lot on the first set is duplicated here, but there are a few exceptions here and there that make it a worthy addition. Of particular interest are the very early items of Handel and Italian baroque arias, some forgotten song recordings and a live performance of the duet from Norma. It can't be said too many times - who can sing like this today? For sheer vocalism it's hard to find anyone on the same wavelength. This set will give very young opera goers an idea of what they missed.
Average customer rating:
- Nice Collection
- PERFECT!
- Great singing and excellent value for money
- More than two hours of beautiful 17th century 'ayres'
|
Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
Henry Purcell , Nancy Argenta , and Nigel North
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Purcell, Henry
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Similar Items:
- Purcell: The Fairy Queen
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- Bach: Cantatas
- Gabrieli · Monteverdi · Vivaldi - Venetian Church Music / Taverner Consort, Choir & Players · Andrew Parrott
ASIN: B000059LOH
Release Date: 2001-06-05 |
Tracks:
- O Solitude - Nancy Argenta/Nigel North
- Ah! How Sweet It Is To Love - Nancy Argenta/Richard Boothby/Paul Nicholson
- Not All My Torments - Nancy Argenta/Nigel North/Paul Nicholson
- Stripp'd Of Their Green - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Tell Me, Some Pitying Angel - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- If Music Be The Food Of Love - Nancy Argenta/Richard Boothby/Paul Nicholson
- Hark! Hark! The Echoing Air - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- The Fatal Hour Comes On Apace - Nancy Argenta/Nigel North
- Incassum, Lesbia - Nancy Argenta/Nigel North/Paul Nicholson
- Sweeter Than Roses - Nancy Argenta/Nigel North/Richard Boothby
- Cupid, The Slyest Rogue Alive - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- From Silent Shades - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Dear Pretty Youth - Nancy Argenta/Nigel North/Richard Boothby
- From Rosy Bow'rs - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Now That The Sun Hath Veil'd His Light - Nancy Argenta/Paul Nicholson
- Beneath A Poplar's Shadow - Nancy Argenta/Nigel North/Richard Boothby
- I Attempt From Love's Sickness To Fly - Nancy Argenta/Paul Nicholson
- Let Us Dance - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Fairest Isle - Nancy Argenta/Nigel North
- O Solitude - Nancy Argenta/Richard Boothby
Tracks:
- Nymphs And Shepherds - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
- Amidst The Shades And Cool Refreshing Streams - Nancy Argenta/Nigel North
- Love In Their Little Veins Inspires - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/Nigel North
- Fly Swift, Ye Hours - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- They Tell Us That Your Mighty Powers - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
- The Plaint: O Let Me Weep - Nancy Argenta/Pauline Nobes/Richard Boothby/Nigel North/John Toll
- In The Black, Dismal Dungeon Of Despair - Nancy Argenta/Nigel North/John Toll
- See, Even Night Herself Is Here - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones
- Why Should Men Quarrel? - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/John Toll
- Seek Not To Know - Nancy Argenta/Paul Goodwin/Sophia McKenna/Richard Boothby/Nigel North/John Toll
- Retir'd From Mortals' Sight - Nancy Argenta/Nigel North
- To Arms, Heoric Prince - Nancy Argenta/Mark Bennett/Richard Boothby/Nigel North/John Toll
- O Lead Me To Some Peaceful Gloom - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- Halcyon Days - Nancy Argenta/Paul Goodwin/Pauline Nobes/Richard Boothby/Nigel North/John Toll
- Bid The Virtues - Nancy Argenta/Paul Goodwin/Richard Boothby/Nigel North/John Toll
- Lord, What Is Man? (A Divine Hymn) - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- Music For A While - Nancy Argenta/John Toll
- If Music Be The Food Of Love (1st Setting) - Nancy Argenta/Richard Boothby/John Toll
- Sawney Is A Bonny Lad (A Scotch Song) - Nancy Argenta/Nigel North
- When I Have Often Heard Young Maids Complaining - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Richard Boothby/Nigel North/John Toll
- Ah! Cruel, Bloody Fate - Nancy Argenta/Nigel North/John Toll
- Thy Hand, Belinda... When I Am Laid In Earth - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North
Customer Reviews:
Nice Collection.......2007-03-05
I have many collections of Purcell's Music. This collection stands up to them at half the price. Solid buy.
PERFECT!.......2006-10-26
There is only a word with which I can describe this set of discs: perfect!
The only flaw there is, is not related to the singing or playing: no text enclosed.
Great singing and excellent value for money.......2004-09-19
This is probably one of the best anthologies of Purcell songs around, and not just because it's two-for-one pricing means it contains twice as much music (CD1:74'24" & CD2: 77'41")! Nancy Argenta has an irrepressible sense of style and crystal clear diction. But unlike Emma Kirby, whose vocal purity can become tiresome, these renditions radiate warmth. She is also, I have found, more consistently involving than any one of the singers in Hyperion's three disc survey of Complete Secular Songs (recently reissued as a single set). One marvels at how she judiciously balances restraint and emotional forthrightness. The accompaniments (archlute, viola da gamba, harpsichord, and organ) are well judged and blend with the voice, all helped by an excellently defined recording acoustic. This is an absolute winner at any price!
More than two hours of beautiful 17th century 'ayres'.......2001-08-02
Two CDs, totaling more than 150 minutes of sparsely-arranged (never more than 3-5 instruments at a time), sweetly-sung, 350 year old 'ayres' (a typically English form of secular music). Nancy Argenta's soprano voice is lovely, silvery indeed as her name implies. The instruments are a discreet but friendly accompaniment to her solo voice. Perhaps the instruments are a little too discreet -- there are times when I wish they were a touch more prominent. But that is a very, very minor complaint. A beautiful collection, and quite well worth the money.
Average customer rating:
- One of my favorite recordings
- Beautiful voice, beautiful music
- Anne Sofie von Otter- The Artist's Album
- A fantastic CD collection of arias!!
- Amazing versatility and unparalleled emotion
|
Anne Sofie von Otter - The Artist's Album
Gustav Mahler , Johannes Brahms , Edvard Grieg , Richard Strauss , Erich Wolfgang Korngold , Robert Schumann , Kurt Weill , Ture Rangstrom , Hugo Alfven , Maurice Delage , Gabriel Fauré , Franz Schubert , George Frideric Handel , Wolfgang Amadeus Mozart , Claudio Monteverdi , Christoph Willibald Gluck , Pyotr Il'yich Tchaikovsky , Gioachino Rossini , Hannover North German Radio Orchestra , Dresden Staatskapelle , Frankfurt Opera House and Museum Orchestra , John Eliot Gardiner , Reinhard Goebel , Trevor Pinnock , Marc Minkowski , James Levine , Cord Garben , and Ralf Gothoni
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Anne Sofie von Otter - Love's Twilight (Late Romantic Songs by Berg, Korngold, Strauss)
- Anne Sofie von Otter - Schumann: Frauenliebe und -leben / Forsberg
- Anne Sofie von Otter - Johannes Brahms Lieder
- Peter Lieberson: Neruda Songs
- Lorraine Hunt Lieberson: Handel Arias
ASIN: B00000613V
Release Date: 1998-04-14 |
Tracks:
- Serenade
- Sonntag, Op. 47 No.3
- Elsk, Op. 67 No. 5
- Meinem Kinde, Op. 37 No. 3
- Gefasster Abschied, Op. 14 no. 4
- Lust der Sturmnacht, Op. 35 No. 1
- Dein Angesicht, Op. 127 No. 2
- One Touch of Venus: I'm A Stranger Here Myself
- Berlin im Licht
- Vingar i natten
- Skogen sover, Op. 28 No. 6
- Lahore: Lahore: 'Un sapin isole se dresse'
- La Bonne Chanson, Op. 61: 'La lune blanche luit dans les bois'
- Der Wanderer an den Mond, D 870
- An Silvia, D891
- Il pianot di Maria: 'Giunta l'ora fatal' HWV 234: 'Se d'un Dio fui fatta Madre'
- 'Komm, liebe Zither' K. 351, 367
- Don Giovanni: 'In quali eccessi' - 'Mi tradi', No. 21B: Accompanied Recitative And Aria
- La Clemenza di Tito: 'Quello di Tito e il volto!', No. 18 Trio
- L'Incoronazione di Poppea: 'A Dio Roma!, a Dio, patria! amici, a Dio!'
- Ariodante: 'Tu, preparati a morire', Aria
- Paride ed Elena: 'Oh, del mio dolce ardor': Aria
- 5 Lieder: Liebst du um Schonheit
- Eugene Onegin: 'Kak ya lublyu pod zvuki pesen etikh' - 'Uzh kak po mostu, mostochku': Scene And Aria
- La Cenerentolla: 'Nacqui all'affanno
Customer Reviews:
One of my favorite recordings.......2005-10-01
This recording is sublime!!! This is a compilation of Anne Sofie von Otter's favorite pieces. She chose such diverse and lovely music. Her diction is incredible. Her expressive voice moved me to tears in "A dio Roma," by Monteverdi. Her Handelian arias were also wonderful. My favorites from this CD are: all of the German lieder pieces, "A dio Roma" (Monteverdi), "Un sapin isole' se dresse" (Lahore), "I'm a Stranger Here Myself" (Weill), "In quali eccessi...Mi tradi" (Mozart), and "Non piu mesta" (Rossini). She is such an amazing Lyric Mezzo soprano. I love her so much. I also reccomend the Mass in C minor with Anne Sofie von Otter and Kiri te Kanawa, Cosi fan tutte with Renee Fleming (Mozart), and Ariodante (Handel). I strongly advise anyone to purchase this recording!!!
Beautiful voice, beautiful music.......2005-09-10
Superior quality recording! Gorgeous vocal production and sound. Terrific choice of material. Top of the line recording.
Anne Sofie von Otter- The Artist's Album.......2005-08-06
Some of the songs are a little too obscure for me, but I like her singing. However, I like Renee Fleming's singing better.
A fantastic CD collection of arias!!.......2005-01-06
Anne Sofie Von Otter's mezzo voice is amazing!! Her selections of Handel's Ariodante and Rossini's La Cenerentola were amazing!! This CD is amazing and if you're a huge fan of Von Otter, you should get this CD!!
Amazing versatility and unparalleled emotion.......2004-02-09
OK, so I own almost everything she's done. I am particularly fond of songs/lieder and, having listened to a great number of both male and female song singers, I can find no singer in the same universe. The intelligence of her approach, the control of her vocal color and vibrato to match the notes and lyrics, the playfulness with which she approaches the music are without equal.
This is an interesting disc and I didn't buy it until recently since I already had a lot of it and prefer songs to arias. But it was quite a revelation. The Handel and Weill are wonderful. For something completely different, try the Delage "Lahore" Track 12. Eerie and beautiful.
If Track #11, Skogen Sover, doesn't make you cry you have no heart. It may be the most beautiful use of the human voice I've ever heard. Listen carefully to the way she changes vowel sounds in the word 'juninatt' throwing in the 'n' both times so you barely hear it and it doesn't disrupt the vowel color change. At the end, turn up the volume and listen to her fade out with no vibrato until she's barely audible, then add just a touch of vibrato as she finishes with the final 't' of 'juninatt'.
There may be better aria singers, with some voices better for some types of opera. But this woman's incredible versatility is well-reflected here and a delight to listen to. Even a Rossini at the end, gynmastics and all. Has there ever been a singer with a wider repertoire matched with such gorgeous emotion? Now, if we could only get the UK version of this disc, with more and different offerings, here on Amazon USA...
A great intro to this powerful, emotional singer. Take it as a starter and buy the full discs that have the tracks you like best. You'll be captivated and not disappointed.
Average customer rating:
|
The Complete Caruso
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B0001TSWQO
Release Date: 2004-11-09 |
Average customer rating:
- Fine reissue of a classic set
|
Purcell: Theatre Music
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Purcell, Henry
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ASIN: B0001Y4JHA
Release Date: 2004-10-12 |
Customer Reviews:
Fine reissue of a classic set.......2006-05-24
Think about the stupidest, most formulaic Hollywood movies you can think of: cheesy action pictures, fluffy, unfunny comedies, big but stiff epics. Now imagine that one of the greatest living composers was working in Hollywood, turning out astonishing, hauntingly beautiful and stirring musical scores for these throwaway movies. That's what you get with this set: music Henry Purcell composed for some two dozen often utterly forgettable plays (trust me--I've read a number of them!) Occasionally, when he teams up with a playwright worthy of his stature, such as John Dryden, Aphra Behn, or William Congreve, the results are even better, but for the most part you can enjoy the music here without knowing anything about the original plays.
This set originally appeared as separate LPs in the 70s and 80s, and has been long out of print. That's a pity, since Purcell spent a good deal of his short professional life in the theatre, either writing the incidental music contained on these CDs, or the music for his larger works, the semi-operas (King Arthur, The Fairy Queen, and the like). Almost all of these works are enjoyable gems; certainly, they represent a pinnacle of English 17th century music. Purcell had a genius for spinning musical gold out of the most leaden lyrics (check out his Odes and Welcome Songs on Hyperion if you don't believe me), and he does the same with the song texts in these plays.
Hogwood and the AAM offer clean, listenable performances, and the sound on these old analog discs has been cleaned up and brightened--although they were pretty good, even in the late 70s. As with most Hogwood, emotional extremes are kept to a minimum, so the "otherworldly" nature of late 17th century music, so often emphasised in more recent Baroque performances, doesn't come across here. It would be interesting to see what a group like The King's Consort would do with this music, but this set fills the major gap in the Purcell canon quite nicely.
My only beef with the reissue, as with many reissues, is that the liner notes are rather thin for a 6-cd set--the lyrics to the songs, for example, are especially missed. Still, it's a worthwhile set, and a must for fans of Purcell, English Baroque music, or anyone who just wants to experience a taste of the last days of the Restoration stage.
Average customer rating:
- Marston Does it Again - and Again
- terrible sound quality
- An excellent preservation of a remarkable voice.
|
Victor Recordings, Vol. 1 (1903-1909)
Manufacturer: Marston
ProductGroup: Music
Binding: Audio CD
All Works by Gounod
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ASIN: B000004BOE
Release Date: 1997-10-14 |
Tracks:
- Dich, teure Halle
- Ho-jo-to-ho
- O patria mia
- Du bist die Ruh'
- O patria mia
- Einsam in truben Tagen
- Der Nussbaum
- Aus meinen grossen Schmerzen
- Liebchen ist da!
- Ave Maria
- Einsam in truben Tagen
- Ho-jo-to-ho
- Ave Maria
- Erlkonig
- Verborgene Wunden
- Like The Rose Bud
- O patria mia
- Allmacht'ge Jungfrau
- Dich, teure Halle
- Mild und leise
- Inflammatus et accensus
Tracks:
- Widmung
- Standchen
- How Much I Love You
- The Year's At The Spring
- Standchen
- Gretchen am Spinnrade
- Ritorna Vincitor
- Traft ihr das Schiff
- Selig, wie die Sonne, Take 1
- Selig, wie die Sonne, Take 2
- Voi lo sapete
- Irish Folk Song
- Ich weiss Euch einen lieben Schatz
- War es so schmahlich?
- Fort denn eile
- Dein Werk
- Jochanaan, ich bin verliebt
- Fliegt heim, ihr Raben
- Ewig war ich
- Fu la sorte...Alla pompa
- La fatal pietra...O terra addio
Customer Reviews:
Marston Does it Again - and Again.......2002-03-13
Ward Marston has developed an amazing ability to bring old recordings back to life. The Gadski collections - there are two of them on his label - are amazing preservations of one of the great but neglected dramatic sopranos of the first 50 years of the 20th century. Listeners brought up on modern sound will have trouble with the surface noise; but learn to listen beyond it. Nobody sings like this today.
terrible sound quality.......2002-01-05
Although this CD has its place as a historic recording of Johanna Gadski, the sound quality is so terrible it is practically impossible to even evaluate Gadski's voice. If you buy this CD, do it only to have a recording of hers in your collection. DO NOT buy this CD for the great repertoire on it. It is not something you will listen to for enjoyment when wanting to hear beautiful music.
An excellent preservation of a remarkable voice........1998-09-23
Here is the "Golden Age" dramatic soprano, captured at her best in excerpts from the German and Italian operas in which she excelled, with some truly exquisite recordings of songs thrown in for good measure. This long-neglected artist has finally achieved the recognition she has so long-since deserved.
Average customer rating:
- Get It While You Can
- Essential edition for opera lovers
|
The Complete Recordings, 1902-1920 (Box Set)
Manufacturer: Naxos
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Binding: Audio CD
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ASIN: B00030B92K
Release Date: 2004-11-23 |
Album Description
The Complete Caruso: Volumes 1 - 12
The Italian tenor Enrico Caruso holds a unique place in musical history, as the first operatic singer whose recordings sold in millions, and who created an international reputation on the strength of these. Caruso's robust tone and musical sincerity made him both an ideal stage and recording artist, whose voice the primitive acoustic recording technology of the early twentieth century was able to reproduce with startling fidelity. The Naxos Historical Caruso edition constitutes the complete cycle of all Caruso's recordings issued in chronological order. In addition, the transfers have been immaculately undertaken by top sound engineer Ward Marston, unrivalled for his knowledge of the specialized world of acoustic opera recordings, and his rare ability to retrieve all of the music lying in the grooves of the original recordings. Naxos Historical's incredible price (12 CD'S FOR THE PRICE OF 10) puts this unique legacy of great singing within the reach of all music-lovers. This! complete cycle of recordings represents a major document in the history of sound recording, and one which no collector and enthusiast of great singing will wish to be without. "There is no series of vocal records that have a greater documentary value, that meant more to the development of the phonograph record, or that are as consistently capable of providing pleasure to lovers of great singing. ...One of the most significant recording industry events of the decade." Fanfare
Customer Reviews:
Get It While You Can.......2006-10-13
This may not be easy to get in the USA for very long.....don't miss it.
Essential edition for opera lovers.......2005-02-01
This set gives you the opportunity to follow the entire recording career of one of the greatest singers in Operatic History. Enrico Caruso was the first superstar of the 20th century -- and this without the benefit of mass media. His person and his records were his greatest publicity.
The set begins with Caruso's Italian made recordings. They show a great raw talent. The artistry is lacking with many sobs, over acting and mistaken cues. The 1902 and 1903 clearly show a tenor with a lot to learn. But learn it he did. His 1904 sessions show a mature artist on par with any heard since. His voice matures before your very ears and by 1910, you wonder if you will ever listen to any other tenor the same way again.
The engineering used for this set is wonderful. There is no attempt at all to use the soundstream process of computer sound enhancement as heard on the RCA issued sets. These are near perfect mint conditioned discs copied by engineer extraordinary Ward Marston. They sound like natural 78s, they way Caruso himself must have heard the playbacks at the (RCA) Victor studios.
Also included are outtakes and extra takes. There is a "Celeste Aida" from 1908, complete with a broken high note, previously released by RCA in a 1973 set commemorating the tenor's centenary birthday. But there are new treasures here as well, including extra takes of two of Caruso's greatest recordings, the Italian song "L'Alba separa dalla l'uce ombra" and an aria from Rubinestine's Nerone. Listening to them, one wonders what Caruso could have possible thought inadquate in those long lost altenative takes.
Finally, there is the simple joy of hearing so many things so well sung. Caruso was the pinnacle of the tenor art. He can be compared to no other single tenor since ... he has the brilliant ring of Bjorling, the passion of Gigli, the beauty of Gedda, the youthful enthusiasm of Lanza, the warm tonal quality of Tucker, the pure strength of Corelli, the charasma of Pavarotti and the artestry of Domingo.
Whether you are an opera fan, a voice fan or just a music lover. This set is worth every penny.
Todd Kosovich
Average customer rating:
- Wonderful Surprise
- One of my favorite CDs
|
Sylvia McNair - The Echoing Air ~ The Music of Henry Purcell / AAM, Hogwood
Henry Purcell , The Academy of Ancient Music , Sylvia McNair , Christopher Hogwood , Laurence Dreyfus , and Paul O'Dette
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
Purcell, Henry
| ( P )
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ASIN: B0000041BF
Release Date: 1995-03-14 |
Tracks:
- Part I: Staircase: Overture
- Part I: If Music Be The Food Of Love
- Part I: Cebell
- Part I: To Arms, To Arms, Heroic Prince
- Part I: To Arms
- Part I: Tell Me, Some Pitying Angel
- Part I: Slow Air
- Part II: We Come To Sing
- Part II: Oh! Lead Me To Some Peaceful Gloom
- Part II: O Solitude
- Part II: Hark! Hark! The Echoing Air
- Part II: Trumpet Tune
- Part III: Sweeter Than Roses
- Part III: Fairest Isle
- Part III: She That Would Gain A Faithful Lover
- Part III: Cupid, The Slyest Rogue Alive
- Part III: I Attempt From Love's Sickness To Fly
- Part III: Jig
- Part IV: Music For A While
- Part IV: The Fatal Hour Comes On Apace
- Part IV: Hear, Mighty Love
- Part IV: Plainte: O, Let Me Weep
- Part IV: Chacony In G Minor
Amazon.com
The stars of this recording are Christopher Hogwood and the Academy of Ancient Music, entertaining us with rarely-heard instrumental pieces receiving their first modern performances with the endearing poignancy inherent in Purcell's music. McNair's gracile voice and accurate, easy-going coloratura capture the lyricism of Purcell's songs, but none of the subtext's vibrant passion. Emotional variety and vocal color are lacking when she repeatedly calls for Gabriel in "Tell Me, Some Pitying Angel." Still, McNair's light and pure soprano is enjoyable in small doses. When three or four plaintiff songs are programmed back to back, however, the monotony presents a fabulous opportunity to lull insomniacs back to sleep. --Barbara Eisner Bayer
Customer Reviews:
Wonderful Surprise.......2006-01-01
Normally I run in the opposite direction of any baroque music - thought I had heard it all and had enough, but I love Slyvia McNair and I wanted to hear more of her recordings. This recording was such a wonderful surprise, not only interms of McNair's performance but interms of the overall presentation (organization of the pieces) and the energy of the performances by the AAM. I have new-found appreciation of Purcell's music!
One of my favorite CDs.......2003-01-12
When I listened to this CD, I fell in love with Sylvia McNair's artistic and beautiful voice along with Henry Purcell's music. This CD offers a style of music that I love to listen to and sing with. There is a mixture of instrumental only and vocal pieces. When I listen to this CD I feel like I have been transported to the late 1600s. The title "The Echoing Air" appropriately describes the beauty of this music.
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