Two Birds [Import]
Two Birds [Import]
Track Listings
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1. Thankyou
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2. Fresh Water
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3. Alchemy
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4. India
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5. Lazy Eye Blues
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6. One Star
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7. Heart
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8. Right Way Home
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9. Chicory
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10. Brittle
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11. Steady
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12. Static
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Editorial Reviews
Product Description
An ex road-protester with a passion for hitch-hiking; an urban song-writer with a penchant for the pastoral Life for Kirsty McGee is full of quirks and contradictions. Her bittersweet songs, which can only be described as 'folk noir', are as much informed by Tom Waits, as by English folk music. Best Original Song Nomination BBC Radio 2 Folk Awards.2005
Two Birds,Kirsty McGee,Park,Folk,Pop
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- not enough Galway
- Too Good to Last
|
Henry Mancini -The Ultimate Collection
James Galway
Manufacturer: Bmg Int'l
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
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Similar Items:
- Greatest Hits
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- The Very Best of James Galway
ASIN: B0000071UZ
Release Date: 1995-12-06 |
Tracks:
- Pink Panther Theme - Plas Johnson, Henry Mancini & His Orchestra
- Moon River
- Days of Wine and Roses
- Baby Elephant Walk
- Theme from Hatari
- Charade - Henry Mancini, Henry Mancini
- Thorn Birds Theme - National Philharmonic Orchestra
- Blue Satin
- Two for the Road
- Mr Lucky
- Theme from the Molly Maguires - National Philharmonic Orchestra
- Moment to Moment
- As Time Goes By - Henry Mancini, Henry Mancini
- Shot in the Dark
- Misty
- Theme from Love Story
- Pennywhistle Jig - National Philharmonic Orchestra
- Everything I Do (I Do It for You) - Henry Mancini, Henry Mancini
- Moonlight Sonata
- Tender Is the Night - Henry Mancini, Henry Mancini
- Theme from "Mommie Dearest" - Henry Mancini, Henry Mancini
- Raindrops Keep Falling on My Head
- Crazy World
- Mona Lisa
Tracks:
- Peter Gunn
- Unchained Melody - Henry Mancini, Henry Mancini
- Summer Knows
- Experiment in Terror
- Windmills of Your Mind
- Till There Was You
- Speedy Gonzales - Henry Mancini,
- Sweetheart Tree
- Love Theme from Romeo and Juliet
- Dream a Little Dream of Me
- Lonesome
- Pie in the Face Polka - National Philharmonic Orchestra
- Love Is a Many Splendored Thing
- By the Time I Get to Phoenix
- Dear Heart
- Charade [Opening Titles]
- Shadow of Your Smile
- One for My Baby (And One More for the Road) - Henry Mancini, Henry Mancini
- Breakfast at Tiffany's
- That Old Black Magic
- Evergreen
- Midnight Cowboy
Album Description
1995 compilation on RCA Victor featuring 46 of the composer's finest & most memorable recordings from 1956-1991on two digitally remastered, full color picture CDs. Contains 'The Pink Panther Theme', 'Moon River', 'A Shot In The Dark', Wine And Roses', 'Baby Elephant Walk', 'Peter Gunn', 'Everything I Do (I Do It For You)', 'Mona Lisa', 'Unchained Melody', 'Midnight Cowboy' and much more. Well over two hours of easy listening ecstasy! Double slimline jewel case. The full title is 'In The Pink: The Ultimate Collection'.
Album Details
Digitally Remastered Double Anthology of the Pop and Soundtrack Composer from the 50's and 60's. Perhaps his Best Counterpart of Today Would Be John Williams. A Film Maker Could Always Rely on Mancini to Deliver a Composition that Hit the Mark for a Film and Conveyed Exactly What was Required and More. He also Filled the Role of an American Mantovani, Recording 'muzak' Versions of Popular Hits. He was Handsome, Personable, but Most of All, Well Respected for his Craft.
Customer Reviews:
not enough Galway.......2003-10-02
There are only four songs with James Galway. The way this recording is presented is misleading and buyers should be aware that this is NOT a joint effort between these two great artists.. I was totally disappointed. I think Henry Mancini is wonderful but was expecting to hear a collaboration. So if you're looking for flute music this isn't it. However it's a great collecton of Henry Mancini's work.
Too Good to Last.......2000-03-03
I heard this on PBS. Galway and Mancini may be two of the most talented musicians of our century. Galway for his complete mastery of the flute and Mancini for his ability to arrange , produce and in this instance direct the orchestra while Galway performs. They do several duets of a comical nature as well. This is important because it is one of Mancini's last efforts prior to his unfortunate passing.
Average customer rating:
- More than just choral works
- Get This For the Hymn of Jesus
- An important record of lesser known choral works . . .
|
Holst: The Cloud Messenger; A Choral Fantasia; Part-Songs
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
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- Holst: Orchestral Works
- Holst: St. Paul's Suite
- Holst: St. Paul's and Brook Green Suites; A Fugal Concerto; A Somerset Rhapsody
- Vaughan Williams: Over hill, over dale
- Holst: Hammersmith / Moorside Suite / Suite No. 1 in E flat / Suite No. 2 in F
ASIN: B00000IYN5
Release Date: 1999-05-18 |
Tracks:
- The Cloud Messenger, H111: 'O Thou, Who Com'st From Heaven's King' - G. HOLST
- The Cloud Messenger, H111: 'Tarry Not, O Cloud, Tarry Not. Rushing Northward ...' - - G. HOLST
- The Cloud Messenger, H111: 'Tarry Not, O Cloud, Tarry Not.' - G. HOLST
- The Cloud Messenger, H111: 'Tarry Not, O Cloud. Bow Thy Head' - - G. HOLST
- The Cloud Messenger, H111: 'When The Dancers Are Weary ...' - G. HOLST
- The Hymn Of Jesus, H140: Prelude - - G. HOLST
- The Hymn Of Jesus, H140: The Hymn - G. HOLST
- Ave Maria, H49 - G. HOLST
- The Evening-watch, H159 - G. HOLST
Tracks:
- Seven Part-Songs, H162: Say Who Is This? - Gustav Holst
- Seven Part-Songs, H162: O Love, I Complain - Gustav Holst
- Seven Part-Songs, H162: Angel Spirits Of Sleep - Gustav Holst
- Seven Part-Songs, H162: When First We Met - Gustav Holst
- Seven Part-Songs, H162: Sorrow And Joy - Gustav Holst
- Seven Part-Songs, H162: Love On My Heart From Heaven Fell - Gustav Holst
- Seven Part-Songs, H162: Assemble, All Ye Maidens - Gustav Holst
- A Choral Fantasia, H177 - Gustav Holst
- City Of London Sinfonia: A Dirge For Two Veterans, H121 - Gustav Holst
- Ode to Death, H144 - Gustav Holst
- This Have I Done For My True Love, H128 - Gustav Holst
- Four Part-Songs: O Lady, Leave That Silken Thread - Gustav Holst
- Four Part-Songs: Soft And Gently - Gustav Holst
- Four Part-Songs: The Autumn Is Old - Gustav Holst
- Four Part-Songs: Winter And The Birds - Gustav Holst
Customer Reviews:
More than just choral works.......2006-04-20
These choral works from Gustav Holst are as striking as the Planets. They are like two dozen angels singing with heavenly glory. A Choral Fantasia, The Cloud Messenger and The Hymn of Jesus are excellent; superb playing from the London Symphony, breathtaking and articulate singing from the Chorus. Ode to Death & A Dirge for Two Veterans are absolutely haunting. The Part-songs are worth the listen, and the Ave Maria and the Motets sound fresh and fabulous.
If you are a fan of Holst's Planets, then you'll be an immediate fan of his choral works once you start listening to The Cloud Messenger.
Get This For the Hymn of Jesus.......2002-09-07
How many of you are sick of the Planets! I know I am, as marvelous as I find that work. Holst was a much more varied and talented composer than that work reveals. On this disc you can hear a wide variety of Holst's choral music and judge for yourself.
I can only comment on half this disc, as I own the Cloud Messanger and the Hymn of Jesus only in an earlier incarnation. The Cloud Messanger is a massive work based on an Hindu text. It is of variable quality...Holst himself flet that it was not wholy a success and supressed further performances of it in his lifetime. But the passages that are good are stunning indeed, and Hickox and crew make a strong case for the work.
The reason to get this CD is for the Hymn of Jesus. This is the best performance of the best work that Holst composed. The Hymn of Jesus is based on Holst's own translation of a passage from the Gnostic Gospel of Thomas ( some sources claim the Acts of John as the origin of this text, but I'm pretty sure I have it in my copy of the Gospel of Thomas, which had recently been discovered at the time.)These Gnostic texts so intrigued Holst that he studied Greek just to be able to read it in the original. The work begins with a beautiful, atmospheric prelude based on two Sarum chants, Panea Lingua and a resplendant Vexilla Regis in the boy choir. Then there is a massive choral invocation to God and the Hymn is sung. This text is also known as the Round Dance of Jesus, and Holst goes for the dance in the piece, with a splendid section in 5/4 which must have frightened the Edwardian audience at the work's premiere. Tightly organized and stunning in it's choral effects, this version of the work surpasses even the fine old recording by Sir Charles Grove.
I can't comment on the performances of the other works on the second disc, but know that the Ode to Death is haunting and the Choral Fantasia is a major work worth hearing. But the reason to buy this album is for the Hymn. It's a stunning and neglected masterpiece in the English choral tradition.
An important record of lesser known choral works . . ........2000-08-08
. . . but I wish they'd used a large choral force.
My primary interest in this CD was the recording of the relatively recently re-discovered (1984) major choral work "The Cloud Messenger." From Holst's "India" period, this is a stunningly beautiful "painting" of the Khalidasa 6th Century A.D. lyric poem, "Meghaduta" ("Cloud Messenger"), the lament of an exiled yaksa who is pining for his beloved on a lonely mountain peak. When, at the beginning of the monsoon, a cloud perches on the peak, he asks it to deliver a message to his love in the Himalayan city of Alaka. Most of the poem consists of a description of the landmarks, cities, and terrain on the cloud's route to Alaka, interspersed with admonishments to the cloud to "Tarry not!" It is only at the end that we are finally aware of the message itself -- one intended to comfort the yaksa's wife in her loneliness.
I had the privilege of singing the U.S. premiere of this work in 1996 with Masterworks Chorale in San Mateo, CA, a chorus of about 150 auditioned singers. This work needs such a large choral force, and a conductor who can deal with the inherent drama in the text. We had both, and the performance was a stunning success. (It was the final work on a program that opened with Debussy's "La damoiselle Elue" for women's voices and mezzo-soprano and soprano soloists; and Brahms' "Alto Rhapsody" for men's voices and mezzo-soprano soloist. "The Cloud Messenger" also includes a mezzo-soprano soloist.)
My biggest complaint with this recording is the dynamics. The entire work seems to be performed at about mf+, occasionally venturing into f and mp. Unfortunately, this doesn't do justice to the drama. The opening, for example, needs to grow from the first ppp gentle raindrops, building as the cloud builds in strength, to a glorious ff choral introduction of the main character, the cloud: "O Thou, who com'st from heaven's king! scion of a noble race! who wearest wondrous forms at will!"
There are parts of this work that beg for a lush warm sound; what we hear on this recording is the British "boy choir" sound in the treble range, while the men have a warmer (albeit somewhat watered down) tone. This is a highly sensuous work, full of luscious ripe sensual imagery: "Where e'er thou goest, lonely wives, who pine in solitude with close-bound hair, will arise and go along the road. Thou bringest home their absent husbands, who will loosen their tresses and fill their hearts with joy!" The "flat" sound of pre-pubescent boys just doesn't do this music, or mature text, justice.
That said, however, this is an important recording of a little-known work. You'll get the feeling of the piece, a sense of the promise. Let's hope that a large chorus paired with a sensitive conductor will have an opportunity at another recording of this in the not-too-distant future (Atlanta? Chicago?).
Contrast this with "The Hymn of Jesus" -- Hickox fares much better with this material, playing up the dance rhythms (Holst knew what he was doing -- at the climax of the piece, the words are: "Ye who dance not, know not what we are knowing.") It really is a first-rate performance of this work.
Other works deserving special mention are "Dirge for Two Veterans," in which one can hear hints of "Mars" from "The Planets"; "Ode to Death," a setting of Walt Whitman's "When Lilacs Last in the Dooryard Bloom'd," which contains allusions to "Saturn." The Four Partsongs on the second disk are among Holst's earliest works, written in 1894, when he was barely 20 yrs old and in his second year at the Royal College of Music; and the Choral Fantasia is among his later choral works, written in 1931.
Highly recommended, even with its flaws.
Average customer rating:
- Fantastic choice for Galway & Mancini fans!
- awesome!
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James Galway & Henry Mancini In The Pink
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
Galway, James
| ( G )
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Similar Items:
- Henry Mancini -The Ultimate Collection
- Galway at the Movies
- Greatest Hits, Vol. 3
- James Galway - Dances for Flute
- James Galway - Greatest Hits
ASIN: B000002W83
Release Date: 1990-10-25 |
Tracks:
- The Pink Panther
- Meggie's Theme
- Breakfast At Tiffany's
- Pennywhistle Jig
- Crazy World
- 'The Thorn Birds' Theme
- Pie In The Face Polka
- Baby Elephant Walk
- Two For The Road
- Speedy Gonzales
- Theme From 'The Molly Maguires'
- Medley: Days Of Wine & Roses/Charade/Moon River
- Cameo For Flute '...for James.'
Customer Reviews:
Fantastic choice for Galway & Mancini fans!.......1999-03-08
For those who are fans of Galway or Mancini, (or even those who are not) this is a fun, upbeat CD that will bring back a lot of movie memories. This combination of the talents of this pair make for a great listening experience. I have had this work in my music library for a long time, and am grateful that it is still available since my ex and I both wanted custody of it!
awesome!.......1999-01-02
Galaway has awesome talent! This album isn't just for the classical type. It has a lot of fun, up-beat familiar tunes that everyone will enjoy. It's definetly one of Galaway's best. If you don't have it, go buy it now!
Average customer rating:
|
50 Kids Favorites
Manufacturer: Vox (Classical)
ProductGroup: Music
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Similar Items:
- Classics for Kids (Box Set)
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- 25 Thunderous Classics
ASIN: B000AAF23U
Release Date: 2005-08-02 |
Tracks:
- Rondo in C Major
- Canonic Adagio in F,
- Clarinet Quintet in A/Larghetto
- Divertimento in D, K. 205/Movt. 3
- "Musical Sleigh Ride"/Andante Molto
- Flute Concerto No. 1 in G/Minuet
- Flute Concerto No. 2 in D/Minuet
- Concerto for Flute and Harp/Allegro
- Clarinet Quintet in A/Finale
- Gran Partita/Serenade No. 10 in B
- Magic Flute/Overture
- Piano Concerto No. 23 in A/1. Allegro
- Piano Concerto No. 20 in D Minor/3rd Movt.
- Symphony No. 25 in G Minor/1st Movt.
- Rondo Alla Turka
- Piano Sonata No. 20 in G/Tempo de Menuetto
- Variations on "God Save the King"
- Variations on a Swiss Air in F
- 6 Eccossaises
- Fur Elise
- Quintet for Piano and Winds/Rondo
- Quintet for French Horn and Strings/3. Allegro
- Eine Kleine Nachtmusik/4. Presto
- Symphony No. 29 in A/1. Allegro
- Symphony No. 34 in C/Finale
Tracks:
- March of the Tin Soldiers
- Variations on "Twinkle Twinkle Little Star"
- Nutcracker/Dance of the Reed Flutes
- Nutcracker/Dance of the Sugar Plum Fairy
- Sorceror's Apprentice
- Peter and the Wolf/(extract)
- Invention No. 8 in F
- Invention No. 11 in G Minor
- Invention No. 13 in a Minor
- Prelude and Fugue No. 21 in BB (Book 1)
- Sonata for 2 Pianos in D, K 448/1st Movement
- Piano Concerto No. 17 in G K. 543/3. Allegretto
- (Kinderszenen)/Of Strange Lands and People
- (Kinderszenen)/Curious Story
- (Kinderszenen)/Entreating Child
- (Kinderszenen)/Perfect Happiness
- Carnival of the Animals/Introduction and Royal March
- Carnival of the Animals/The Elephant
- Carnival of the Animals/Kangaroos
- Carnival of the Animals/The Aquarium
- Carnival of the Animals/Cuckoo in the Woods
- Carnival of the Animals/Birds
- Carnival of the Animals/Fossils
- Carnival of the Animals/The Swan
- Carnival of the Animals/Finale
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Litania - Margaret Leng Tan plays Somei Satoh
Manufacturer: New Albion Records
ProductGroup: Music
Binding: Audio CD
Chamber Music
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- Daughters of the Lonesome Isle
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ASIN: B000000R28
Release Date: 1994-04-05 |
Tracks:
- The Heavenly Spheres Are Illuminated By Lights - Margaret Leng Tan/Lise Messier/Michael Pugliese
- Birds In Warped Time II - Margaret Leng Tan/Frank Almond
- Incarnation II
- A Gate Into The Stars
- Litania
Customer Reviews:
Cosmic Zen.......2003-10-25
"What are you playing?" she asked. "It's driving me insane" as we drove down Ocean Blvd in my 1969 convertible Mustang. "It's Margaret Lang Tan playing Somei Satoh" I replied as I hit the eject button on the CD player saving the music for myself later on...Do you want to hear something different? Profound? Cosmic? er...Zen? This is the CD for you but be careful who you play it with. Somei Satoh has several hard to find CD's all in a modern multi-cultural (East meets West) minimal Classical music with tape loops & sound effects. Highlights are: "The Heavenly Spheres Are Illuminated By Lights" sounds like the western theory of Universal Big Bang meets Zen Buddhism with prepared piano in tape loops birthing the human voice. "Birds In Warped Time II" again with prepared piano in tape loops setting free Jonathan Living Seagull expressed as a violin. If you like this CD, check out other Margaret Lang Tan or Somei Satoh CD's.
Average customer rating:
- great music, but not a great recording
- BEST OF BRITISH
|
Britten: Ceremony of Carols
Manufacturer: Naxos
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| Britten, Sir Benjamin
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ASIN: B00000145U
Release Date: 1995-08-22 |
Tracks:
- Friday Afternoons, Op. 7: 1 - Begone, dull care!
- Friday Afternoons, Op. 7: 2 - A tragic story
- Friday Afternoons, Op. 7: 3 - Cucko!
- Friday Afternoons, Op. 7: 4 - Ee-oh!
- Friday Afternoons, Op. 7: 5 - A New Year Carol
- Friday Afternoons, Op. 7: 6 - I mun be married on Sunday
- Friday Afternoons, Op. 7: 7 - There was a man of Neingtoon
- Friday Afternoons, Op. 7: 8 - Fishinf song
- Friday Afternoons, Op. 7: 9 - The useful plough
- Friday Afternoons, Op. 7: 10 - Jazz-Man
- Friday Afternoons, Op. 7: 11 - There was a monkey
- Friday Afternoons, Op. 7: 12 - Old Abraham Brown
- Sweet was the song
- King Herold and the Cock
- The Oxen
- Francie
- The Birds
- Three Two-Part songs: 1 - The Ride-by-nights
- Three Two-Part songs: 2 - The Rainbow
- Three Two-Part songs: 3 - The Ship of Rio
- A Wqalden Trio: Christmas song of the women
- A Cermony of Carols, op 28: 1 - Procession
- A Cermony of Carols, op 28: 2 - Wolcum Yole!
- A Cermony of Carols, op 28: 3 - There is no Rose
- A Cermony of Carols, op 28: 4 - That yonge child
- A Cermony of Carols, op 28: 5 - Balulalow
- A Cermony of Carols, op 28: 6 - As dew in Aprille
- A Cermony of Carols, op 28: 7 - This littl Babe
- A Cermony of Carols, op 28: 8 - Interlude Andante pastorale
- A Cermony of Carols, op 28: 9 - Im Freezing Winter Night
- A Cermony of Carols, op 28: 10 - Spring Carol
- A Cermony of Carols, op 28: 12 - Adam lay i-bounden
- A Cermony of Carols, op 28: 13 - Recession
Customer Reviews:
great music, but not a great recording.......2006-07-17
This is a recording of treble-choir music by Benjamin Britten, performed by the New London Children's Choir and directed by Ronald Corp.
I love Britten's music, and having sung several of these songs as a treble-choir chorister myself, I am very familar with a lot of the music presented here. But I'm not completely happy with this recording. While it is sometimes very nice, overall, there are problems with the performance that detract from this CD.
One issue I have is with the ensemble. The choir hasn't achieved a very blended sound. I frequently hear five or more distinct vowel-sounds, when there should only be one. This is particularly obvious in the unison songs, which make up about 50% of this CD, but is also noticable in the Ceremony of Carols in some of the higher first soprano passages. And in the opening and closing Hodie.
There are also occaisional problems with the tuning throughout the recording, one section in Welcome Yol, in particular, becoming quite flat.
One or two of the songs on this disc are performed beautifully, I liked the recording of "Sweet was the Song" for example. Some of the soloists do a good job, but in general, the lack of togetherness and iffy tuning on this CD makes it difficult to enjoy.
BEST OF BRITISH.......2004-05-14
This disc can be recommended enthusiastically to all admirers of Britten's work and also to newcomers. His genius and originality often show up most clearly when he writes for small forces. There are 33 items in total here, twelve in the Ceremony of Carols itself and twelve more songs in the collection entitled `Friday afternoons' because that was when they were first rehearsed by his brother's pupils. Three others form a single group of settings of the highly individual and atmospheric Walter de la Mare, and the remaining six are isolated compositions from various stages of Britten's life, the Shakespeare number being accurately `Fancie' and not `Francie'. The Ceremony itself is set for trebles with a virtuosic harp accompaniment despatched with enormous panache by Skaila Kanga. The other items are occasionally unaccompanied a capella but mainly with a simple but resourceful piano accompaniment provided by a specialist in such work Alexander Wells, and the 1994 direction is from Ronald Corp, founder of the London Children's Choir.
Britten had exquisite literary taste. His knowledge of the byways of English poetry would have shamed many a professor of literature. His instinct for what poetry goes to music and what does not was unerring and to the best of my knowledge he never commits the deadly sin of trying to set Housman, a source of great distress to that poet and no wonder. There is no particularly strong Christmas theme in the Ceremony, although A Wealden Trio for two sopranos and alto is specifically `a Christmas song'. So far as I can detect, all the vocal parts are such as amateurs, in many cases children, can handle, the only thing calling for a professional being the harp part in the Ceremony. What one needs to sense is that the performers understand the music with the marrow of their bones. That understanding is largely communicated by the choirmaster, and Ronald Corp's cv as outlined here confirms what my ears tell me anyway, namely that this kind of music is his line of country. One thing I find particularly pleasant is that Britten does not patronise children in his music for them, just as Bach did not.
Once again I feel we are indebted to Naxos for a production like this. Presumably it required only a low budget, and it is a heartening confirmation of my own conviction that financial restrictions are fully compatible with high quality and with some sense of adventure and discovery rather than yet more complete sets of Beethoven and Brahms. This collection dates from a time when people still made their own music as best they could without technical support, and it is encouraging to find how strong the tradition remains. Words are not provided, but the diction and recording are clear enough for one to get a very fair idea of each song even at first hearing. The leaflet provides information regarding the performers, and the short commentary on the music by Ates Orga is notably sensitive and knowledgeable. Obviously the ideal thing would be to organise one's own performances of this music. Pending that unlikely event in my own case I am more than happy to have it done so well for me.
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The British Music Collection: Peter Warlock
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005QDYO
Release Date: 2004-03-09 |
Tracks:
- I. Basse Danse - Nicholas Kraemer
- II. Pavane - Nicholas Kraemer
- III. Tordion - Nicholas Kraemer
- IV. Bransles - Nicholas Kraemer
- V. Pieds-En-L'air - Nicholas Kraemer
- VI. Mattachins (Sword Dance) - Nicholas Kraemer
- Serenade For Strings - Nicholas Kraemer
- Lullaby My Jesus (Transfer. Carter) - David Hill
- Youth (Robert Weaver)
- As Ever I Saw
- There Is A Lady Sweet And Kind (Thomas Ford)
- Whenas The Rye Reach To The Chin (George Peele)
- Sigh No More, Ladies (William Shakespeare)
- Sleep (John Fletcher)
- Pretty Ring Time (William Shakespeare)
- Jillian Of Berry (Fletcher Beaumont)
- The Bayley Berith The Bell Away (Anon)
- Passing By (Anon)
- The Frostbound Wood (Bruce Blunt)
- Robin Goodfellow (Anon)
- Twelve Oxen (Anon)
- Yarmouth Fair (Hal Collins)
- Romance (Robert Louis Stevenson)
- To The Memory Of A Great Singer (Robert Louis Stevenson)
- After Two Years (Richard Aldington)
- The Droll Lover (Anon)
- Ha'nacker Mill (Hilaire Belloc)
- My Own Country (Hilare Belloc)
- The Birds (Hilaire Belloc)
- Elore Lo (Anon)
- The Fox (Bruce Blunt)
- Fair And True (Nicholas Breton)
- Roister Doister (N. Udall)
- The Criketers Of Hambledon (Bruce Blunt)
Average customer rating:
- Awesome musicality
- Fabulous? Yes!!!
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The Fabulous Victoria De Los Angeles
Manufacturer: EMI Classics
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ASIN: B000002S5G
Release Date: 1994-02-15 |
Tracks:
- Sheherazade: Asie
- Sheherazade: La Flute enchantee
- Sheherazade: L'Indifferent
- Cinq Melodies populaires grecques: Le Reveil de la mariee
- Cinq Melodies populaires grecques: La-bas vers l'eglise
- Cinq Melodies populaires grecques: Quel galant m'est comparable
- Cinq Melodies populaires grecques: Chanson des cueilleuses de lentisques
- Cinq Melodies populaires grecques: Tout gai!
- Duex Melodies hebraiques: Kaddisch
- Duex Melodies hebraiques: L'Enigme eternelle
- L'Invitaiton au voyage
- Phidyle
- L'Enfant Prodigue: Recit. & Air de Lia: L'annee en vain chasse l'annee
- Poeme de l'amour et de la mer: La Fleur des eaux
- Poeme de l'amour et de la mer: Interlude
- Poeme de l'amour et de la mer: La Mort de l'amour
Tracks:
- Cinco Canciones Negras: Cuba dentro de un piano
- Cinco Canciones Negras: Punto de habanera
- Cinco Canciones Negras: Chevere
- Cinco Canciones Negras: Cancion de cuna para dormir a un negrito
- Cinco Canciones Negras: Canto negro
- Coleccion de canciones amatorias: Llorad corazon
- Coleccion de canciones amatorias: Iban al pinar
- Cuatro madrigales amatorios: Con que la lavare?
- Cuatro madrigales amatorios: Vos me matasteis
- Cuatro madrigales amatorios: De donde venis, amore?
- Cuatro madrigales amatorios: De los alamos vengo, madre
- Cinco canciones playeras espanolas: Rutas
- Cinco canciones playeras espanolas: Pregon
- Cinco canciones playeras espanolas: Las 12
- Cinco canciones playeras espanolas: El pescador sin dinero
- Cinco canciones playeras espanolas: Coplilla
- Quatre cancons: Canco de grumet
- Quatre cancons: Cancon incerta
- Quatre cancons: Maig
- Quatre cancons: Anacreontica
- La Dama d'Arago
- El can dels ocells
- Canco de Sega
- El combat del somni: Damunt de tu nomes les flors
- El combat del somni: Aquesta nit un mateix vent
- El combat del somni: Jo et presentia com la mar
- Triptic de Mossen Cinto: L'Harpa Sagrada
- Triptic de Mossen Cinto: Lo violi de Sant Francesh
- Triptic de Mossen Cinto: Sant Fransech i la cigala
Tracks:
- Chansons de Bilitis: La Flute de Pan
- Chansons de Bilitis: La Chevelure
- Chansons de Bilitis: Le Tombeau des Naiades
- Fetes galantes: En sourdine
- Fetes galantes: Fantoches
- Fetes galantes: Clair de lune
- Noel de enfants qui n'ont plus de maisons
- Chants populaires: Chanson espagnole
- Chants populaires: Chanson francaise
- Chants populaires: Chanson italienne
- Chants populaires: Chanson Herbraique
- Trois jours de vendange
- Le Rossignol des lilas
- Tristesse, Op. 6, No. 2
- Au bord de l'eau, Op. 8, No. 1
- Les Roses d'Ispahan, Op. 39, No. 4
- Troujours (No. 2 de Trois Poemes d'un jour, Op. 21)
- Siete Canciones populares espanolas: El pano murano
- Siete Canciones populares espanolas: Sequidilla murciana
- Siete Canciones populares espanolas: Asturiana
- Siete Canciones populares espanolas: Jota
- Siete Canciones populares espanolas: Nana
- Siete Canciones populares espanolas: Cancion
- Siete Canciones populares espanolas: Polo
- Doce canciones gallegas: As florinas dos toxos
- Triptico, Op. 45: Farruca
- Villancicos: Pastorcito santo
- Psyche
- Soneto a Cordoba
Tracks:
- Proserpina: E dove t'aggiri
- Le violette
- Joshua: Oh! had I Jubal's lyre
- Der Tod und das Madchen, D. 531
- Die schone Mullerin, D. 795: No. 2: Wohin?
- D. 547: An die Musik
- Op. 59, No. 8: Dein blaues Auge
- Op. 84, No. 4: Vergebliches Standchen
- Op. 27, No. 1: Chanson d'amour
- Op. 46, No. 2: Clair de lune
- Let Us Wander
- Lost Is My Quiet
- Schlaf in deiner engen Kammer
- Ah! lamenta, oh bella Irene
- Irish Songs: Oh! Would I Were But That Sweet Linnet
- Irish Songs: He Promised Me At Parting
- Irish Songs: They Bid Me Slight My Dermot Dear
- Welsh songs: The Dream
- Mignon und der Harfner, D. 877: Nur wer die Sehnsucht kennt
- Les Fleurs des landes: Le Trebuchet
- Moglichkeit
- Der Apfel
- Schottische Ballade
- Pastorale
- Pleurs d'or
- Sapphische Ode
- La Partenza
Amazon.com
The word "fabulous" seems vulgar when applied to the Spanish diva whose delicately shaded voice encompassed music from the middle ages to the present. This four-disc compilation emphasizes her song repertoire, to which she brought warmth, intelligence, linguistic integrity and irresistible sincerity. Her dignity makes listeners want to come to her, and she rewards them with an intimate, personal experience, especially in this small-scale repertoire by Ravel, Debussy, Duparc, Fauré, lots of Spanish composers and German masters such as Schubert and Brahms. --David Patrick Stearns
Customer Reviews:
Awesome musicality.......2006-07-26
This 4-CD set is a tribute to the concert career of the great Victoria de Los Angeles. The first 3 CDs show her totally at home in the art song of France and of her native Spain. In the French art songs, her silvery, creamy tone, her legendary legato and her perfect French diction make for wonderful and unforgettable performances. These include a sensual Scheherazade, magnificient singing in the Duparc songs and a phenomenal Poeme de L'amour et de la mer of Chausson (try to keep your eyes dry by the end of La mort de l'amour). In the Chausson, while de Los Angeles does not opt for the intensely Wagnerian approach, her sensitive singing more than does justice to the poetry and the feelings of the character. The Spanish songs showcase de Los Angeles at her most natural, flamboyant and attractive singing. The tunes are catchy, full of bouncy rhythms and De Los Angeles's fabulous voice never ceases to amaze. The 4th CD shows the wonderful chemistry between de Los angeles and the great Gerald Moore. While she does not erase memories of Fischer-Dieskau and Schwarzkopf in the Schubert selections, the Brahms songs are excellent and her Faure songs here are earth shaking in their elegance and refinement. The Italian and the famous Handel aria helps to prove De Los Angeles's reputation as an excellent bel canto singer. Her duets with Fischer-Dieskau are absolutely memorable and gorgeous.
The set comes with booklet including full words plus translations, helpful notes on De Los Angeles's concert career and a dozen of beautiful and rare black and white photos. Victoria de Los Angeles's concert career was as prolific as her legendary operatic performances and continued well after her retirement from the operatic stage. This introspective and almost encycopledic release is a real treat and is absolutely recommended. I totally agree with the editor's review who states that the word "fabulous" fails in every respect to fully capture the artistry of the Spanish soprano. Victoria de Los Angeles is definitely one of the most wonderful lyric sopranos of the 20th century and is one of the most heavenly artists to have ever graced the concert scene. A must-have for any collection.
Fabulous? Yes!!!.......1999-09-13
The album is a marvelous sampling of this great singer's artistry. Her performances of the French and Spanish composers are something special. The De Falla "Seven Popular Folksongs" are powerful, passionate; the last song, "Jota," raised the hair on the back of my neck.
I was delighted to see Faure's "Claire de lune" on the album, and equally delighted with De Los Angeles' elegant rendition of this work. The only recording of the song I've liked better is from an LP featuring Frederika Von Stade.
As an added bonus, several duets with the great baritone Dietrich Fischer-Dieskau are featured on Disk #4. These include some charming settings of Irish songs by Beethoven, and a gorgeous arrangement of "Let Us Wander" by Henry Purcell. I remember hearing these duets years ago on an LP recording, and it was a pleasure to hear them again.
Average customer rating:
|
Stephen Albert: In Concordiam; TreeStone
Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Albert: Symphony RiverRun/To Wake the Dead
ASIN: B0000006WJ
Release Date: 1992-12-11 |
Tracks:
- In Concordiam, For Violin And Orchestra
- TreeStone, For Soprano, Tenor And Chamber Orchestra: Part I: I Am Leafy Speafing
- TreeStone, For Soprano, Tenor And Chamber Orchestra: Part I: A Grand Funferall
- TreeStone, For Soprano, Tenor And Chamber Orchestra: Part I: Sea Birds
- TreeStone, For Soprano, Tenor And Chamber Orchestra: Part II: Trisopher Tristan
- TreeStone, For Soprano, Tenor And Chamber Orchestra: Part II: Fallen Griefs
- TreeStone, For Soprano, Tenor And Chamber Orchestra: Part II: Anna Livia Plurabelle
Music Review:
- Very Best of Irish Folk Collection [Import]
- Very Best of Irish Pub Songs [Import]
- Very Best of Irish Songs of Freedom [Import]
- Wait on the Moon
- Want Two [Explicit Lyrics]
- Water Calls
- Willie Hunter Sessions [Import]
- Women of Brittany
- Wooden Boat
- World Music Festival: Chicago '99
Music Review
music review
Recommended Music:
Assorted Lovetoys
French Masterpieces - Ravel: Alborada del Gracioso; Rapsodie Espagnole; Bolero / Debussy: Prelude to "The Afternoon of a Faun"; Printemps
In Hassidic Mood - Compositions for Cello and Piano by Joachim Stutschewsky
Music: Happy Love
History of Rock: The 60's, Pt. 2 - WCBS FM-101
Intro
Hosanna! Music: America's 25 Best Praise & Worship Songs, Vol. 1
McCaul Vaillant
Pop Music: A Nation Once Again
Dvorák: Concerto pour violon et orchestra Op. 53, Trio Op. 65
Galileo
Flamenco Rumba Gitana
Funny Bunny Boy [CD-single]
Traditional Cantoral and Concert Favorites
World's Greatest Jazz Concert #1