Real Songs

Real Songs

Track Listings

1. Fools Rush In

2. Nuages

3. Sunshine of Your Love

4. Quiero Saber

5. Blackbird

6. 'Round Midnight

7. Solace

8. Pineapple Rag

9. Star Dust

10. The Ash Grove

11. Medley:Manha de Carnival/Samba de Orpheus

12. Windows

13. Here, There, and Everywhere

14. Minuano

15. My Cup Runneth Over

Editorial Reviews
Guitar Player, Nov.1993
Paul Chasman weaves bits of Django, Chet, and Lenny Breau into a stunning new solo style....An essential solo acoustic disk.

Product Description
Solo guitar arrangements of songs from jazz, ragtime, rock, pop, and Latin sources. Guitar Player Magazine called Chasman's playing "stunning," and added, "His harmonics technique is simply astounding, as is his ability to execute two or three parts simultaneously. An essential solo acoustic disk."

Real Songs

Tracks:

Last Goodbye
Lover, You Should've Come Over
Forget Her
Eternal Life
Dream Brother
The Sky Is A Landfill
Everybody Here Wants You
So Real
Mojo Pin
Vancouver
Je N'en Connais Pas La Fin
Grace
Hallelujah
I Know It's Over

Amazon.com

Among the legions of rockers who died way too young--including Jeff Buckley's father, Tim--few have approached the artistic range and seemingly limitless potential on display here. In the decade since Buckley's death, there has been such a flood of posthumous releases that it might be hard to remember that he issued only a four-cut live EP and a studio debut album while he was alive. This anthology serves as an effective introduction for the initiate, showing how Buckley could rock with the slash-and-burn intensity of Led Zeppelin on "Eternal Life (Road Version)," turn rapturous with the reverie of "Lover, You Should've Come Ove," and cover the likes of Edith Piaf ("Je N'en Connais Pas La Fin") and Leonard Cohen (his by now iconic transformation of "Hallelujah"). Completists will need this for the live versions of "So Real" and the Smiths' "I Know It's Over," previously unreleased commercially. Whether Buckley would ever have been able to balance the control that mature artistry requires and the ecstatic abandon that distinguished him, such raw talent continues to startle. --Don McLeese

Album Description

Import 14-track pressing features tracks from his two studio albums and includes two rarities, 'So Real' (Live and Acoustic in Japan - non album version/ promo single) and 'I Know it's Over' . (Previously Unreleased - Smiths cover from a session at Sony Studios that was edited for broadcast on WNEW on April 6, 1995. It was not included on the radio broadcast.) Other highlights include 'Last Goodbye', 'Forget Her', 'Everybody Here Wants You' and more. All of the tracks lifted from Grace are pulled from the remastered tracks that featured on the Legacy Edition. Sony. 2007.

Customer Reviews:

when did i start writing reviews? .......2007-08-02

how did i live 38 years without knowing this voice, this sound? everytime i listen, it is different but... each time, it is affects me significantly. really feeling something from (having a reaction to), music... it doesn't happen all the time but, when it does... it's amazing. jeff buckley... wow. what else is there to say?

The Best Buckley Compilation .......2007-07-29

I have to admit that I'm at a bit of a loss to explain why Buckley fans wouldn't like this album.

So Real is essentially the best songs from Grace, plus a few of Buckley's best songs that never made it to a full studio album.

Its basically Grace plus a few extras, which to me is great! If you don't currently own any Buckley albums, this one's got you covered! Why buy Grace when you can get it all PLUS great songs like "Everybody Here Wants You" and "Je n'en connais pas la fin".

Jeff Buckley was so Awesome........2007-07-20

This latest issue of some of Jeff Buckley's best selections is a must have for fans. Included are some good Buckley standards -- like Hallelujah -- but also included is a live cover of Eternal Life and a moving rendition of one of Morrissey's (The Smiths) tear jerkers, I know it's Over.

Given that Jeff was tragically lost to the world almost 10 years ago, it is sadly gratifying to have the full range of his recordings so that we can at least celebrate his talent and remember him very fondly.

THE BEST INTRODUCTION TO A GIFTED BUT CHALLENGING ARTIST.......2007-06-01

One of the best things about reviewing music is that it compels the writer to listen hard and fair to everything that comes out of a speaker. If you attempt to write something based solely on your own preconceptions, then a) you aren't listening, and b) you are not qualified to inflict others with your words. Jeff Buckley was the type of artist that I knew had special qualities, but there were elements of his presentation that held me at arm's length. He singing range was extraordinary, but his dramatic tendencies often overwhelmed me. Sometimes, I even found myself recoiling as he floated freely in the ether, conveying a part of his spirit that eluded me entirely. Until I understood this aspect of his art, I knew I was unqualified to review his music, but "So Real: Songs from Jeff Buckley" has taught me how to listen.
The problem I had with most all previous product by Buckley - and I've heard most of them -is that they presumed you to understand Buckley's genius. "Live at Sin-e" "and "Sketches for My Sweetheart the Drunk" both overwhelmed me, for very different reasons. "...Sin-e" is concise, but it puts Buckley on display as a performer, and left me wondering if he was emotionally attached to the songs, or simply in love with the sound of his own voice. "...Drunk" was an embarrassment of riches, with way too much material for me to digest, especially since most of it was left unfinished in the wake of Buckley's untimely death. Only "Grace" conveyed a full picture of the man as a fully developed artist, and even that record demanded that you understand and accept his strange welding of Van Morrison's spirit with Robert Plant's histrionics.
"So Real" is by far the best place for a person to discover the beauty of Buckley's music. By culling the best bits of his recorded output and distributing them intelligently over one exceptional disk, it serves as a roadmap into the soul of an extremely gifted performer. Parts of this collection are merely brilliant; other parts are revelatory. The "Grace" selections sound every bit as good today as they did back in '94, while songs like "Forget Her" and "Eternal Life" (both from posthumous releases) are frighteningly intense and emotionally stunning. For reasons similar to those I mentioned at the beginning of this review, I recently indulged myself in the music of Leonard Cohen and I now find myself with a respect for his artistry that borders on awe. Re-hearing Buckley's version of Cohen's "Hallelujah" makes it obvious that this is a definitive performance, as if sung by a fallen angel who embraces the sanctity of this mortal coil. There are still moments of excess, but instead of histrionics, I now hear an artist utilizing every ounce of his ability to convey something that is spiritual and ethereal, but also `so real'. I know I waited too long to truly hear the elegance and raw emotion in Jeff Buckley's music. I hope you don't make the same mistake. A- Tom Ryan

Excellent CD for new and old J Buckley fans!!.......2007-05-29

This CD proves again that Jeff Buckley is the greatest musician that has ever recorded music. Not only does this CD give its reader an excellent mixture of some his best tunes but also adds two unreleased songs that are truly rare and excellent in choice. His version of "I Know It's Over" can send chills down anyone's spine and will make you stop and listen to each word. You will find yourself playing this song over and over, realizing what a beautiful voice he had and how he could take any song and make it his own. If you are new to Jeff Buckley and are wondering if this CD is a good choice, it does a wonderful job of introducing you to a rare talent that has yet to be mastered from anyone else in the music industry. And if you are new, after this CD, you will definitely become a Jeff Buckley fan. To the already Jeff Buckley fan, I highly recommend it and believe me, it is NOT a waste of money - it is worth every penny and more!

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

The Window
My World
My Hair Had A Party Last Night
Count On Me
18 Wheels On A Big RIg
Carry Me
Mine!
Pico De Gallo
Baby's Got The Car Keys
Lullaby
What I Want Is A Proper Cup Of Coffee
We Weary Deer
11 Easy Steps
Back When I Could Fly
I Can Dance
No Matter What Goes Right

Customer Reviews:

Fun Family Music.......2007-04-11

This is a fun musical experience for kids of all ages. My son (age 9) has memorized almost all of the songs and loves the humor in the music. we have given this CD as a gift numerous times and every one seems to love it.

Truly a Family Party.......2007-01-19

Good CD to listen to with the kids. Great change of pace for when the kids start to wear out one of their other favorite CDs. A few of the songs are geared more for the adults than the kids but a good mix of songs for everyone.

New Mom...New Trout Fan.......2005-09-08

OK,I admit it...I ordered this CD because of one song, My Hair Had A Party Last Night (The phrase has become a regular morning greeting in our house.) The great surprise about this CD...every song is a winner. No telling kids what to do or think, just great songs about cool stuff that sounds like fun! We love it!

Buy it!!!.......2004-05-30

Love, love, love!!! I have given this CD numerous times as a gift. Just a great collection of songs! I DARE you to NOT try to count along with 18 Wheels on a Big Rig!

For "adult" Trout, check out "Reel Life"...I listen to it all the time, even after owning it for about 7 years now. Enjoy!

kids music for adults.......2004-05-10

For everyone who has ever said "not AGAIN" when loading traditional "kids" music in the car, this is the album for your family. We got ours on cassette and wore it out; we're still not tired of it. Who can resist a group that counts to 18 in roman numerals and gets it right? The songs are singable, danceable, and great fun. It's got just the right mix of fast and slow, silly and serious, and none of the annoying frenetic goofiness often heard in kids albums.

Average customer rating:

Epic Journey
A beautiful singer with a beautiful voice.
estrella morente
Best CD I've Heard In A While
Rare, silky...sublime.....

My Songs and a Poem
Estrella Morente
Manufacturer: Real World
ProductGroup: Music
Binding: Audio CD

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Mujeres
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Almoraima
Morente Suena La Alhambra
Legends of Gypsy Flamenco

ASIN: B00005V99G
Release Date: 2002-03-26

Tracks:

Cockles
At The Top Of The Cerro De Palomares
Moguer
The Night
Bulerias Of The Bola
Alcazaba
For Pastora
Pilgrims
Why Do You Deny The Frenzy?
Pepico's Tangos
Solea Grana
Gallery
Let Sunday Come
The Flames Reach The Sky

Amazon.com

Perhaps flamenco legend Enrique Morente was prescient when he named his daughter Estrella (star in Spanish), because that's precisely what this singer is destined to become judging by the strength of this phenomenal debut album. Originally released in Spain, My Songs and a Poem speaks directly to the heart of classic flamenco with a selection of tangos, bulerías, and other styles, with music written mostly by her father. Yet she is not merely aping Enrique; rather, she makes this material entirely her own. From the aching sweetness of "Moguer" to the fire of the opening song "Cockles," the younger Morente shows off her virtuosic dexterity, her voice's color shifting from one end of the emotional spectrum to the other. Her sound is rich and round, yet she maintains an exacting precision in her delivery. Her worthy collaborators include a notable roundup of uncles and cousins, including the Carmonas (who perform as Ketama, a flamenco-rock-jazz-world hybrid). Another guest is guitarist Alfredo Lagos, whose razor-sharp articulation is a delight. The sound of these recordings, made in a variety of studios across Spain and in live performances, is uniformly rich and clear. The most striking fact about this album, though, is that it's the work of a 20-year-old. Estrella Morente is a fully formed artist, technically and emotionally, who embodies the soulful spirit of cante jondo, or "deep song." In picking up this album for international sale, Real World proves that it's still on the cutting edge of bringing local talent to wider audiences. --Anastasia Tsioulcas

Customer Reviews:

Epic Journey.......2007-06-29

Estrella provides us with the traditional flamenco music that has been upgraded to our tastes of today. I have used her music in many of my flamenco classes, I teach adult beginner flamenco, and all my students love it. She is an asset to the Flamenco community. As a dancer and teacher I appreciate her DUENDE FLAMENCA!

A beautiful singer with a beautiful voice........2007-05-13

Morente's voice is gorgeous and wonderful to listen to. Her songs are mostly quite enjoyable. This is flamenco that sounds traditional and yet modern. Good for mood music and easy listening while working around the house.

estrella morente.......2007-04-27

an amazing singer! she is fantastic and the entire album is wonderful. Great selection for lovers of flamenco and Spanish music.

Best CD I've Heard In A While.......2007-01-10

Sometimes words just can't describe how good a piece of work is. This is one of those times. This CD is A+++++++++++.

Rare, silky...sublime............2005-08-12

Estrella, at the begining of what will certainly be a long and important career, skillfully blends the deep tradition of canto jondo...with the vibrance, vigor and optimism of her relatively young age. The importance of this album will be more fully appreciated in the decades to come. For those NOT versed in flamenco....This is a beautiful, silky and dynamic introduction to the potential of the female flamenco voice.

Average customer rating:

A Treasure For Parents & Toddlers
Kids will love it, parents will love it
My kid LOVES this CD. Yours will too!!!
Songs relating to the lure and lore of trains

My Mama Was a Train

Manufacturer: Rounder Select/Idn
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music

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Come Ride Along with Me
I Love Toy Trains - The Music!
All Aboard!
Animal Groove
Lots & Lots of Trucks

ASIN: B000063CEB
Release Date: 2002-04-02

Tracks:

My Mama Was A Train
What Do You Hear?
That Little Red Caboose Behind The Train
Nine Hundred Miles
Counting Those Railroad Cars
Old Engine No. 9
Build A Bridge
Rock Island Line
Wabash Cannonball
New River Train
Im A Train
Casey Jones
Down At The Station
Little Red Caboose
Workin In The Railway Yard

Album Description

TOOT TOOT! JAMES COFFEY ARRIVES WITH A BOXCAR LOAD OF NEW SONGS WITH NEW RELEASE "MY MAMA WAS A TRAIN". Multi-Award-Winning Children's Recording Artist Introduces New Tunes, American Traditionals From America's heartland, an acclaimed family recording artist steams ahead with his second collection of railroad songs, "My Mama Was a Train." James Coffey includes 14 original and traditional songs, all relating to the magic and wonder of locomotives. Train lovers of all ages will delight at the real sounds and rhythms of locomotive engines accenting each of the 14 songs. Coffey's signature piano, acoustic guitar and harmonica stylings help evoke the feeling of riding the rails on such traditional favorites as "Nine Hundred Miles", "Rock Island Line", "Casey Jones", "Wabash Cannonball", and "New River Train"A nd, with new songs like the theme "My Mama Was a Train", "What Do You Hear?" and "Workin' in the Railway Yard", he builds on the genre by including new jaz zy arrangements and funky rhythms sure to get toes tapping and engines running.

Customer Reviews:

A Treasure For Parents & Toddlers.......2004-07-15

My 4 grandsons, age 4 and under, their parents and grandparents absolutely love this CD and others by the incomparable James Coffey. His amazing train videos and his music CD's about trains and also Animal Groove, never fail to delight. The toe tapping rhythms are uplifting and even babies respond - I can attest to that - our 5 month old giggles and jumps about in his saucer when we turn up the volume and clap (or run about the room pretending to be a train) - you get the picture! We are all hooked on James Coffey words, music, and videos.

At age 3, one grandson had all the songs memorized. This grandmother in her sixties provides all the grandchildren and their friends with this CD and the others in the collection. A mood lifter, an educational tool, an all around great CD for all ages. The musical arrangements are fantastic.

Kids will love it, parents will love it.......2004-03-07

I love kid music that I can enjoy also. (Especially on those long car rides when the kids' music has to be played over and over to keep the little ones content.) The music and lyrics of all the songs on this CD are delightful to adult and child ears alike. The music is cheerful, contemporary, and full of train lore and sounds--a key to its success with the little train fan in our family. This Jim Coffey winner is right on track!

My kid LOVES this CD. Yours will too!!!.......2003-03-07

My son is totally into trains of all types. This is a trait that runs in the family. I don't even know HOW he got into them so much. He just loves 'em. I guess I am happy--its sort of an American tradition to be into trains. They meant so much to our history.

So--when at the local library I spied this CD, I borrowed it. Oh my gosh. My son just LOVES this thing. Especially the songs with sound effects--but in other songs he hears the key words: train, railroad, etc. He is only 2 years old--so the focus of this CD on one subject, his favorite subject, helps him to appreciate all the songs--not just the ones with a whistle here, a bell there, etc.

Finally, I have to say that even I really like the CD. It is some old standards mixed with new songs--but almost always in a style that an adult can stand to listen to. Coffey has a nice voice--and he is not a gaggle of kids singing nursery rhymes. It is really a nice break from that kind of kids music CD. A couple songs are a bit new-Jazzy, and while not bad are just not MY cup of tea. But others include very tasteful folky sounding songs and some straight ahead foot-stomping real travelin' music, if ya know what I mean.

From 2 to 92 years old, nobody will be offended, and many will be happy to hear old favorites and tasteful music that kids (and big kids) who love trains will love. Buy this CD if your kid is into trains.

Songs relating to the lure and lore of trains.......2002-05-17

In My Mama Was A Train, James Coffey performs fifteen original and traditional songs relating to the lure and lore of trains. Children of all ages (and a great many adult railroad buffs) will enjoy Coffey's highly recommended signature piano, acoustic guitar and harmonic stylings, along with the real sounds and rhythms of locomotive engines accenting and enhancing each piece. The songs include What Do You Hear? (2:39); That Little Red Caboose Behind The Train (3:04); Nine Hundred Miles (3:02); Counting Those Railroad Cars (1:35); Old Engine No. 9 (2:04); Build A Bridge (3:43); Rock Island Line (1:56); Wabash Cannonball (3:15); New River Train (2:15); I'm A Train (1:51); Casey Jones (2:26); Down By The Station (1:36); Little Red Caboose (1:33); Workin' In The Railway Yard (2:58); and the title piece, My Mama Was A Train (2:49).

Average customer rating:

King of the Qawali Sufi Music!
GREAT MUSIC
Exhilirating
over-produced
Great Selection!

Devotional and Love Songs
Nusrat Fateh Ali Khan & Party
Manufacturer: Real World
ProductGroup: Music
Binding: Audio CD

Pakistan | India & Pakistan | International | Styles | Music

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Shahbaaz

ASIN: B000000HNY
Release Date: 1993-02-12

Tracks:

Allah Hoo Allah Hoo
Yaad-E-Nabi Gulshan Mehka
Haq Ali Ali Haq
Ali Maula Ali Maula Ali Dam Dam
Mast Nazroon Se Allah Bachhae
Woh Hata Rahe Hain Pardah
Yeh Jo Halka Saroor Hae
Biba Sada Dil Morr De
Yaadan Vichhre Sajan Dian Aiyan
Sanson Ki Mala Pey

Amazon.com

Recorded in the wake of the late Khan's triumphant performance at the 1985 WOMAD festival, this 10-track collection features the lighter, folkier side of the Pakistani classical music singer's repertoire. Accompanied by his nine-member "party" on acoustic guitar, mandolin, and a full complement of tabla and harmonium, Khan unleashes typically stunning vocal phrases marked by blinding speed, cutting tone, and unearthly ornamentation. The infectious "Yaad-E-Nabi Gulshan Mehka," with lyrics in praise of Muhammed, finds the qawwali singer at his most effervescent, while the ghazal (love song) "Mast Nazroon Se Allah Bachhae" features an insistent hand-clapped rhythm and the full Party chorus singing together in unison. --James Rotondi

Customer Reviews:

King of the Qawali Sufi Music!.......2007-03-23

I couldn't say more. This is his best album ever.

GREAT MUSIC.......2005-10-07

THE SONGS THAT ARE SHORTER IN LENGTH ARE WHAT I ENJOY BETTER.THE SELECTIONS ON THIS CD ARE SOME OF HIS GREATEST HITS THAT ANYONE WHO IS A LOVER OF NUSRAT FATEH ALI KHAN WILL ENJOY TREMENDOUSLY.

Exhilirating.......2003-07-14

Nusrat Fateh Ali has a commanding voice and booming sonic presence. the Music of Qawalli is often an acquired listening experience. While i cannot speak for the listeners who listen to this musical form without knowing the linguistic intricacy and beauty mentioned in Qawalli verses, i can speak for the ones that do know the language its mostly sung in.

Musically the soundscape is beautiful and full of range and pleasing to the ear, knowing the lyrics behind it however gives the listener a totally new , almost religious sense of experience to this music, which most people feel is a very trance like state often that Whirling dervishes go into.

However anyone can truly enjoy the bliss featured within Qawalli rhythms and melodies which often seem natural, resonating with the listener's mindsets. The Japanese have claimed to have said that God resides in the vocal chords of Nusrat. The range expressed herein might bring that statement to elevation. It is not for everyone though. Qawalli music often takes patience to grow into a listening experience

Once the rapture of the sounds have you, its hard to let go.

over-produced.......2001-11-19

Listen to Haq Ali Ali on this, and listen to it on something like Nusrat Live at Prince Albert Hall, you understand that there's no need to have the chorus echoing and all the voices in perfect sync, in fact that takes away from the passion of it, when it's almost discordant, that it demands something from God. This cd doesn't seem live, it seems cut and pasted and touched too much, and the string instrument, whether its a guitar or mandolin or whatever, it isn't common in nusrat and sometimes its okay, but mostly I dont care for it. It lacks the fullness, the brutality of real ecstatic quvalli, its like elevator quvalli or kennyg quvalli.
I was very disappointed with this album when I first got it, but now I like it some.

Great Selection!.......2001-03-08

This is a diverse collection of Nusrat. It has the rise and fall of his Punjabi Lyrical Ballads as well as some of his best Urdu singles. Being a Qawwali Singer, I feel his qawwali numbers are far better than the ones he has sung in pure ghazal format. That's the main reason for my dislike of his Urdu Numbers.

1. Allah Hoo Allah Hoo - Fine. 5. Mast Nazroon Se Allah Bachhae - Beautiful, Romantic and Very Careful in Analyzing the Beauty and its effects :-) 6. Woh Hata Rahe Hain Pardah - Simply Lovely. I think this number holds a lot of power among his well sung Urdu Qawwalis and Ghazals. This is a very poetic piece and has his inner voice in it. 7. Yeh Jo Halka Saroor Hae - Another All Time Great Number. 8. Biba Sada Dil Morr De - Nice One. 9. Yaadan Vichhre Sajan Dian Aiyan - Recollecting the old lover. Well, obviously sad. 10. Sanson Ki Mala Pey - Very Poetic. Very Beautiful. Here he is expressing a lover's sentiments in words and narrating them point by point.

Tracks:

Kentucky
I'll Be All Smiles Tonight
Let Her Go, God Bless Her
What Is Home Without Love
A Tiny Broken Heart
In the Pines
Alabama
Katie Dear
My Brother's Will
Knoxville Girl
Take the News To Mother
Mary Of the Wild Moor
Satan Is Real
There Is a Higher Power
The Christian Life
The River Of Jordan
The Kneeling Drunkard's Plea
Are You Afraid To Die
He Can Be Found
Dying From Home, And Lost
Drunkard's Doom
Satan's Jeweled Crown
The Angels Rejoiced Last Night
I'm Ready To Go Home
Blue From Now On
Red Hen Hop
Read What's In My Heart
My Heart Was Trampled On the Street

Album Description

These two classic, iconic albums from THE LOUVIN BROTHERS have certainly stood the test of time. Raven presents them on one brilliant CD, proving that Tragic Songs of Life (1956) and Satan is Real (1960) sound as thrilling today as ever. With their impassioned gospel themes, these two LPs capture the very essence of the brothers at the peak of their powers. Charlie and Ira's sublime harmonies and hard-driving take on traditional country provided the blueprint for future generations of country and rock musicians. From the enigmatic Gram Parsons and his protege Emmylou Harris to a long list of contemporary adherents (including Uncle Tupelo, Hank Williams III etc), the legend and influence of the Louvin Brothers continues unabated. Tragic Songs of Life contains some of their most powerful and emotive singing on `Kentucky', `Katie Dear' and the hit single `Knoxville Girl'. With its striking cover and even more startling contents (`The Christian Life', `Satan's Jeweled Crown', `There is a Higher Power'), Satan is Real became a signature release for the duo. With four bonus tracks from the period, this outstanding value 2-for-1 CD delivers 28 of the very best from the brothers' deep catalogue of classic songs.

Average customer rating:

Chuck Hits A Home Run

The Baseball Ballads
Chuck Brodsky
Manufacturer: Chuckbrodsky.Com
ProductGroup: Music
Binding: Audio CD

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Diamond Cuts: Seventh Inning Stretch

ASIN: B00006BSV1
Release Date: 2002-05-20

Tracks:

Ballad of Eddie Klepp
Gone to Heaven
Lefty
Dock Ellis' No-No
Letters in the Dirt
Bonehead Merkle
Take Me Out to the Ball Game
Moe Berg: The Song
The Unnatural Shooting of Eddie Waitkus
Whitey & Harry

Album Description

Nine highly acclaimed original baseball story-songs. Among the characters covered on this cd are Eddie Klepp (first white man to play in the Negro Leagues), Moe Berg (a catcher who also was a US spy just before WWII), Max Patkin (Clown Prince of Baseball), Dock Ellis (who pitched a no hitter under the influence of LSD), Richie Allen (booed by racist Philadelphia fans, he'd write "b-o-o" in the dirt in response), Fred Bonehead Merkle (whose baserunning error cost the NY Giants the pennant in 1908), and Eddie Waitkus (shot by a female stalker, his story was the basis for the movie "The Natural").

Customer Reviews:

Chuck Hits A Home Run.......2005-03-02

I had the pleasure of seeing Chuck perform some of these songs one fine sunny afternoon before a Tourists' game at McCormick field. The music on the CD will make you feel as though your sitting in the bleachers at Wrigley Field in 1967 and the wind is blowing out, and Richie Allen is coming to the plate for the Phillies and you just know that the Cubs are going to lose again, but, hey, the beer is cold and it's not February. It's not all sunshine and apple pie, however, as Chuck covers some of baseballs darker and infamous stories most notably "Letters In The Dirt". Chuck writes with a light and clever touch. You can't help but doff your cap to him.

Average customer rating:

A very sensual CD
Finally Something Amazing!

Songs Of The Alchemist
Aurah
Manufacturer: Very Music
ProductGroup: Music
Binding: Audio CD

Ambient | Dance & DJ | Styles | Music

General | Dance & DJ | Styles | Music

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Sadhana

ASIN: B00004YU6L
Release Date: 2000-09-01

Tracks:

One Night
Dreams Come True
Bazaar
Tangier
Faraway
Crazy
Aceda
Mayeyo
Sanctuary
Sand Beneath My Feet
The Phoenix
The Traveler
I Can See
Aleph
Dreams Come True
One Night Reprise

Album Description

Luxuriously arranged tunes free the imagination with melting internationally flavored acoustic and organic electronic music. SONGS OF THE ALCHEMIST evokes pictures and emotions by interweaving lavish vocal textures, beautiful guitars, flutes and exotic sounds from around the world. Inspired by the profound literary work THE ALCHEMIST by Paulo Coelho, SONGS OF THE ALCHEMIST challenges its listeners to embark on a quest to celebrate the adventurous life.

Customer Reviews:

A very sensual CD.......2003-04-06

Aurah is a really good CD. What i like about it the most is that it combines a mystical feeling with sensuality. It feels like red velvet and silk. I used it as background music for a workshop on creating relationships and it switched everybody into this delightfully sensual mood. The music is exotic, light and beautiful and stands out amongts the many "new Age" type Cds that suggest mysticism with poor music quality. Lots of quality here. I have put it aside in my special music box.

Finally Something Amazing!.......2000-09-26

I've been looking for songwriters to incorporate filmscoring ideas into their songs. THIS IS THE ONE! This music calles for dreamers and musiclovers! Amazing music - you must have it in your catalog!

Average customer rating:

PURE AND ENCHANTING BUT RATHER MONOTONE

Table Songs of Georgia
Tsinandali Choir
Manufacturer: Real World
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music
Similar Items:

Georgian Voices
O Morning Breeze: Traditional Songs from Georgia
Music From Georgia, Vol. 1
The Georgian Feast: The Vibrant Culture and Savory Food of the Republic of Georgia
Georgia: Sovereign Country of the Caucasus (Odyssey Illustrated Guide)

ASIN: B000000HOO
Release Date: 1993-03-26

Tracks:

Kakhuri Mravaljamieri
Makruli
Shashvi, Kakabi
Orovela
Turpani Skhedan
Zamtari
Diambego
Shemodzakhili
Berikatsi Var
Chakrulo

Customer Reviews:

PURE AND ENCHANTING BUT RATHER MONOTONE.......2000-06-20

For an a cappella album recorded without instruments, this album represents how several human voices can merge in synergy to create a spine-tingling atmosphere of sound. The first few tracks definitely rank up there with the worlds finest music but after you have listened to this record for a while the tracks begin to seem become more undistinguished and blend in with each other because they all sound so much alike with the same basic character. Like many recordings of Georgian music, the astounding harmonies and melodies come to create an intoxicating (in a figurative sense) effect. After a while of listening to this music your head seems to get lost in a swirling effect. It's really quite unique. When I played this album for some friends, the first thing they compared it to was Gregorian chant. However, while listening to such ethnic music with a specific orientation, it is important to remember the culture behind it for that is what gives the music its extra depth. At a Georgian table ritual of feast conducted by a Tamada, individual courses of food are consumed between toasts and songs (like the ones on this album). For example the first song on this album is "sung at the very beginning of a feast being a hymn to eternal life that wishes a long life to all those present at the feast." Just the very glancing at the descriptions of the Georgian foods served such as Eggplant and beans with walnut sauce, bread with melted cheese and chicken with tomatoes, onions and fresh herbs never fail to intrigue my appetite and culinary imagination. This reminds me of the Georgian myth of when God was sending the different peoples to their destined lands, but God was enlightened at how the Georgians were still there celebrating and feasting. Consequently God gave to the Georgians the land God was saving for her/himself. Also included is some information about the ancient traditions of Georgian polyphony and how they compare and contrast between the different regions of Georgia. The wine producing region in Eastern Georgia known as Kakhetia is home to the Tsinandali Choir as these songs are common in Kakhetian gatherings. If you are curious about all the details, I suggest you get the album and read the cover booklet- I don't want to spoil the surprises or rehash too many words that have already been stated. I would have given this album a four star rating because I was expecting some music more striking at first, perhaps something akin to Le Mystere des Voix Bulgares which Georgian choir is often compared to. And I didn't expect it to be so monotone, but the idea that this music grows and becomes more striking with each listen and the wonderful culture behind it all makes up for it. All in all, it's a really great thing that there is at least one recording of Georgian music on mass distribution through Peter Gabrial's Real World label.

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