Every Time You Say Goodbye

Every Time You Say Goodbye

Track Listings

1. Every Time You Say Goodbye

2. Another Night

3. Last Love Letter

4. Cluck Old Hen

5. Who Can Blame You

6. It Won't Work This Time

7. Heartstrings

8. I Don't Know Why

9. Cloudy Days

10. New Fool

11. Shield of Faith

12. Lose Again

13. Another Day, Another Dollar

14. Jesus Help Me to Stand

Editorial Reviews
Amazon.com essential recording
Over the course of her first albums, including her fourth, 1992's Every Time You Say Goodbye, Alison Krauss probably did more than any of her contemporaries to attract mainstream-country attention to bluegrass. A traditionalist might say this is because Krauss and her band, Union Station, offer a kind of "bluegrass-lite" that's cut with pop sensibility, absent any manic-fast picking, and awash in Krauss's goes-down-easy vocal. Nonetheless, this is a solid album that pushed Krauss deservedly further into the limelight. Highlights include the title track, Union Station banjo picker Ron Block's fine gospel number "Shield of Faith," and the traditional instrumental "Cluck Old Hen." --Anders Smith-Lindall

Tracks:

Every Time You Say Goodbye
Another Night
Last Love Letter
Cluck Old Hen
Who Can Blame You
It Won't Work This Time
Heartstrings
I Don't Know Why
Cloudy Days
New Fool
Shield Of Faith
Lose Again
Another Day, Another Dollar
Jesus Help Me To Stand

Amazon.com essential recording

Over the course of her first albums, including her fourth, 1992's Every Time You Say Goodbye, Alison Krauss probably did more than any of her contemporaries to attract mainstream-country attention to bluegrass. A traditionalist might say this is because Krauss and her band, Union Station, offer a kind of "bluegrass-lite" that's cut with pop sensibility, absent any manic-fast picking, and awash in Krauss's goes-down-easy vocal. Nonetheless, this is a solid album that pushed Krauss deservedly further into the limelight. Highlights include the title track, Union Station banjo picker Ron Block's fine gospel number "Shield of Faith," and the traditional instrumental "Cluck Old Hen." --Anders Smith-Lindall

Customer Reviews:

An amazing bunch of talent.......2007-05-17

It's a fantastic CD. They are fantastic. Their close harmony and high sounds - mind boggling. Some of the best music in the world. (Please see my comment on Mark Fowler's above review.)

Alison and an earlier version of Union Station sound great.......2004-07-15

Dan Tyminski later replaced Tim Stafford on guitar and after mandolin Wiz Adam Steffey left AKUS Dobro Deity Jerry Douglas joined the band.

Ron Block on banjo and guitar and Barry Bales on bass have been with Alison for years, and this version of Union Station sounds comparably polished and talented. I'm going to guess if you're reading this that you have at least a nodding acquaintance with Alison's one-in-a-million voice and the fact that while her bands are built to complement that voice - she also doesn't hog the spotlight.

On this CD standout cuts include "New Fool", "Who Can Blame You", "Heartstrings" along with the Gospel "Jesus, Help me to Stand" and the title cut.

Several of the tracks feature other Union Station members on lead vocals and although they vary from "good" to "not bad" - they suffer from today's perspective in that no one else in Union Station has a voice like Alison's, and no one else in *this* version of the band has a voice like Dan Tyminski.

Still - absolutely required for Alison Krauss fans.

Excellent CD.......2003-08-21

I am a newcomer to Bluegrass - bought the O Brother Where Art Thou soundtrack and got hooked on it. I was intrigued by the Krauss songs on that album and came to Amazon looking for more. The reviews told me to buy this album, so I did. And I am quite pleased with the purchase.

It is incredible to listen to such skill on the banjo, especially after hearing so much modern guitar strumming. That combined with Krauss' hypnotic voice make the album great. My only problem with the album was that Krauss didn't sing EVERY song!

Pure but fairly mellow bluegrass.......2003-07-12

Alison Krauss has done much to popularise bluegrass in recent years. Her early recordings were pure bluegrass - this (from 1992) was the last album of that phase of her career. Her more recent albums have included other influences but I enjoy those too, in a different way.

On this album, Alison and her band, Union Station, work their way through a selection of songs that are generally not well known despite several of them being cover versions. Many of these are old bluegrass songs, but they also include I don't know why (Shawn Colvin) and Lose again (Karla Bonoff). There are also some original songs here including two by Sidney Cox (of the Cox family).

At the time, Union Station was made up of Tim Stafford (guitar), Ron Block (banjo - he also wrote three of the songs here), Adam Steffey (mandolin) and Barry Bales (bass). Alison played the fiddle as well as doing most of the singing. The four men could all sing and each of them can be heard on this album, providing harmony or duet vocals, but Alison is the real star.

If you are unfamiliar with Alison's early music, I recommend that you buy Now that I've found you - A collection, which I've already reviewed. That includes one track from each of her early albums, plus tracks not available on any of her other albums so far. If you have that collection and you are looking for more of Alison's early music, you will enjoy this.

New Grass Blue Grass Good Grass.......2003-05-13

Bluegrass is cool again. Wait, when was it cool in the first place? I'm sure there was a time when everyone in town would gather together at the barn hoedown and Ma and Pa would take a spin on the dance floor. Well, this one by Alison Krauss and Union Station puts you there. It's a mix between traditional and an edge-off twang of new grass softness. It's the work that really heralded in Alison Krauss and her crew and dare I say laid a precursor for the popular runaway success of "O Brother Where Art Thou?" soundtrack and to a lesser extent the Dixie Chicks.

This music reaches me quite pure. There is something about an artist earlier works that comes across more raw, true, fervent, pure and "Every Time You Say Goodbye" comes across in places as all of these. Though Krauss carries the band's main moniker, it's Union Station that has the talent that stands out here. Ron Block, Tim Stafford, Barry Bales, and Adam Steffey trade off adding to the harmonies and take the lead in a few songs. Those songs stand-out to me. To my taste, Krauss' voice is a little too soft, a little too sweet to catch the down home spirit of bluegrass. She can play one heck of a fiddle, but let the boys sing for the most part.

Tracks:

Kama Sutra
Harem Overture (Cancao do Mar)
It's a Beautiful Day
Dust in the Wind
Who Wants to Live Forever
Anytime, Anywhere
La Luna
Nessun Dorma
The War Is Over
Free
A Whiter Shade of Pale
The Phantom of the Opera Suite
WIshing You Were Somehow Here Again
Time To Say Goodbye
Question of Honor
Snow on the Sahara (Bonus studio track)

Amazon.com

While the sales of Sarah Brightman's ambitious, Middle Eastern-themed 2003 album Harem may have fallen short of its predecessor, the veteran UK chanteuse's popularity as a live performer has only mushroomed. This live recording of her ambitious, sold-out Harem World Tour engagement at Las Vegas' MGM Grand Arena is testament to that appeal, begging the question: Will Brightman become the Grateful Dead of classical crossover? Indeed, abetted by the rich sonic textures of longtime producer/collaborator Frank Peterson, the worldbeat conceits of her recent studio recordings are folded into a larger, even more expansive live vision here. Brightman's overt dramatic instincts and oft-chaemeleonic vocal abilities drive a slate of material that stretches from the Arabian Nights/Madame Butterflypastiche of Harem's seductive "It's A Beautiful Day" through surprisingly effective classical/rock reinventions of Kansas' "Dust in the Wind" and The Moody Blues' chestnut "Nights in White Satin" to expected classical bowings "Nessun Dorma" and the obligatory nod to "Phantom of the Opera" Amazon.com

Sarah Brightman Photos

More from Sarah Brightman

Time to Say Goodbye
Classics
Eden

Diva: The Video Collection
Live from Las Vegas
La Luna (Live in Concert)

Customer Reviews:

AMAZING! She is so much better live!.......2006-12-02

This CD rocks! This is Sarah Brightman on her Harem World Tour, and this performance was recorded at her stop in Las Vegas. The first two tracks, "Kama Surta" and "Harem Overture" debut from her newest album, entitled HAREM. The two tracks are connected, but in the actual Harem Tour, the full piece "Harem" is sung. If you go to www.youtube.com and type in "Harem Tour" in the Search Bar, you can see live videos. I would prefer that the album has placed "Harem" instead of these other two tracks. The third track, "It's A Beautiful Day", is from Madame Butterfly, written by Puccini. This version is Brightman's twist, which some more pop and some English. It's pretty cool. The fourth track on the album, "Dust in the Wind" is from EDEN, an amazing album. Track 5 is, "Who Wants to Live Forever", and it seems as though Brightman never creates a tour without putting this piece in it. It's a beautiful tribute to Queen's rendition. Track Six is "Anytime, Anywhere", also from EDEN. I'm not really into the Foreign Language - English songs, but this works very well, especially because she ends the song with the classical foreign language. The seventh track is Brightman's rendition of Dvorak's "Song to the Moon", or "La Luna". The track is beautiful! The eighth track is Puccini's "Nessun Dorma", and Sarah masters this beautifully! There is no other soprano I know that can sing this piece one octave up and can hold the ending note for ever!!! Track 9 is "The War is Over", which is followed by "Free", both from HAREM. Track 11 is "A Whiter Shade of Pale", from LA LUNA. It's beautiful to listen to. Sarah's version is very gentle, but has a lot of energy in the chorus. The twelfth track on this album is "Twisted Every Way", followed by an instrumental version of "The Phantom of the Opera" Theme. The next track is "Wishing You Were Somehow Here Again", which is extended at the end, in which you hear some men cry out "WE LOVE YOU SARAH!", and she responds cutely with an, "I love you, too." The audience laughs! Track 14 is "Time to Say Goodbye", the duet that made Andrea Bocelli famous, and skyrocketed as the number one single sold in German history! The last live track on the album is "A Question of Honour", from "Fly", which is awesome! The last track on the album is a bonus track, which I don't really prefer. However, the whole album is simply amazing. I much prefer Sarah when she is live. She has a more magical quality! If you love Sarah Brightman, then you will love this album.

ALSO RECOMMENDED : Since there is so much Sarah Brightman to choose from, I also recommend EDEN, TIME TO SAY GOODBYE, LA LUNA, CLASSICS, and DIVA.

AMAZING! She is so much better live!.......2006-12-02

Inspiring, Beautiful and The Sweetest Voice!.......2005-08-21

What an album, absolutly beautiful!
We, the fans of this great artist finelly have in our hands a live album, and it's amazing:
-The voice is totaly live, she sang about 24 complete songs in the show, but the album only contains 15.
-Snow In The Sahara is a lovely song.

If you have the chase of get this alubum, don't doubt and get it; It wond disapoint you!

astounding performance.......2005-06-07

an impeccable concert experience that successfully elevates the album to majestic heights. I had long been a fan of Dead Can Dance and the unparalleled work of Lisa Gerrard. When Sarah Brightman ventured into these Middle Eastern sounds on the Harem disc, I thought it was too derivative of the Dead Can Dance sounds (there is even a sample used on one of SB's songs that had previously been used within DCD).

However, experiencing this epic and intensely mystical concert compelled me to realize the individual and unique glory of Sarah Brightman. Also, this concert is so phenomenally entertaining at many levels that I couldn't help but fall absolutely in love with the special magic of Sarah Brightman. Obviously, the expansive Middle Eastern milieu can accommodate more than one angelic vocalist!

I now consider Lisa Gerrard and Sarah Brightman to be geniuses who both warrant goddess status in the pantheon of lyrical greats. To see either one of them perform live is surely one of the most powerful and memorable sensory experiences one could ever have!

Great, of course.......2005-03-18

Sarah's voice and style are terrific, as usual. However, I have to say that her version of Anggun's "Snow on the Sahara" is fairly bland, especially compared to the original Anggun version. Sarah has the chops but lacks soul on this great song. Everything els here is very nice.

Average customer rating:

I waited for this for five years
Excellent collection but BIG PUBLISHING MISTAKE!
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
SUCH MAGICAL MUSIC OF THE NIGHT!
A Must Have for Sir Andrew fans

Andrew Lloyd Webber: Now & Forever
Various Artists
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Gold: The Definitive Hits Collection
The Very Best Of Andrew Lloyd Webber: The Broadway Collection
Andrew Lloyd Webber - The Royal Albert Hall Celebration
Andrew Lloyd Webber - Masterpiece (Collector's Edition) (Bonus CD)
Sunset Boulevard (1993 Original London Cast)

ASIN: B00005R5UJ
Release Date: 2001-11-20

Tracks:

Jesus Christ Superstar: Overture - Andrew Lloyd Webber
Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
Jesus Christ Superstar: Superstar - Murray Head
Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
Evita: Another Suitcase In Another Hall - Barbara Dickson
Evita: Don't Cry For Me Argentina - Julie Covington
Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
Cats: The Jellicle Ball - Andrew Lloyd Weber
Cats: Memory - Elaine Paige
Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
Cats: Mr Mistoffelees - Paul Nicholas
Song And Dance: Take That Look Off Your Face - Marti Webb
Song And Dance: Tell Me On A Sunday - Marti Webb
Song And Dance: Unexpected Song - Sarah Brightman
Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
Song And Dance: Introduction - Andrew Lloyd Webber
Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

Tracks:

Starlight Express: Starlight Express - El Debarge
Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
Starlight Express: Light At The End Of The Tunnel - The Company
Requiem: Hosanna - Placido Domingo
Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
The Phantom Of The Opera: The Music Of The Night - Michael Crawford
The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
The Phantom Of The Opera: Masquerade - The Company
The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
Aspects Of Love: Love Changes Everything - Michael Ball
Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
Aspects Of Love: Anything But Lonely - Sarah Brightman
Aspects Of Love: Chanson D'Enfance - Sarah Brightman

Tracks:

Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
By Jeeves: Half A Moment - Sarah Brightman
Sunset Boulevard: With One Look - Glenn Close
Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
Sunset Boulevard: Sunser Boulevard - Alan Campbell
Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
Whistle Down The Wind: Cold - Everly Brothers
Whistle Down The Wind: No Matter What - Children/Adult Chorus
Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
The Beautiful Game: Overture - Andrew Lloyd Webber
The Beautiful Game: The Beautiful Game - The Company
The Beautiful Game: Our Kind Of Love - Hannah Waddingham
The Beautiful Game: Dont Like You - Josie Walker/David Shannon
The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

Tracks:

Oh What A Circus - David Essex
Memory - Betty Buckley
The Phantom Of The Opera - Sarah Brightman/Steve Harley
All I Ask Of You - Sarah Brightman/Cliff Richard
Love Changes Everything - Michael Ball
Any Dream Will Do - Donny Osmond
Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
As If We Never Said Goodbye - Barbra Streisand
The Perfect Year - Dina Carroll
With One Look - Petula Clark
You Must Love Me - Madonna
The Heart Is Slow To Learn - Kiri Te Kanawa
A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
Whistle Down The Wind - Tina Arena
No Matter What - Boyzone
The Vaults Of Heaven - Tom Jones
Try Not To Be Afraid - Boy George
Pie Jesu - Charlotte Church

Tracks:

Make Believe Love - Wes Sands
Down Thru' Summer - Ross Hannaman
I'll Give All My Love To Southend - Ross Hannaman
Believe Me I Will - Sacha Distel
Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
Try It And See - Rita Pavone
Come Back Richard Your Country Needs You - Time Rice And The Webber Group
Goodbye Seattle - Paul Raven
John 19:41 - The Andrew Lloyd Webber Orchestra
What A Line To Go Out On - Yvonne Elliman
Disillusion Me - Gary Band
The Ballad Of Robert And Peter - Tim Rice
Christmas Dream - Maynard Williams
It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
Magdalena - Tony Christie
Buenos Aires - The Roja Rockers
Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
I Could Have Given You More - Petula Clark
I've Been In Love Too Long - Marti Webb
Benedicite - The Stephen Hill Singers

Album Description

Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

Customer Reviews:

I waited for this for five years.......2006-06-30

Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.

The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

But the selections on CDs 1-3 don't make sense.

First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

Here are my basic impressions and comments regarding the material on the discs:

* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.

Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

A Must Have for Sir Andrew fans.......2002-05-21

This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!

Cesare Siepi Sings Cole Porter and Italian Songs

Average customer rating:

A smooth voice in a smooth repertoire.
Delightful collection of songs performed by great artist

Cesare Siepi Sings Cole Porter and Italian Songs

Manufacturer: Myto Records Italy
ProductGroup: Music
Binding: Audio CD

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Cesare Siepi: Classic Recitals - Operatic Arias for Bass

ASIN: B000009ONP
Release Date: 2000-09-09

Tracks:

Night And Day
So In Love
I've Got You Under My Skin
You'd Be So Nice To Come Home To
Ev'ry Time We Say Goodbye
Wunderbar
Begin The Beguine
Easy To Love
I Get A Kick Out Of You
I Love You
In The Still Of The Night
Blow, Gabriel, Blow
Malia
Occhi Di Fata
Non T'amo Piu
Serenata
Mia Sposa Sra La Mia Bandiera
E Canta Il Grillo
Visione Veneziana
L'Ultima Canzone

Customer Reviews:

A smooth voice in a smooth repertoire........2004-04-04

Cesare Siepi's bass voice is greatly underrepresented in the CD catalogue. This album lets us know what an artist he was. His interpretations are always just right, and never over the top. Only an occasional accent slips in. His English diction should be a model for all singers. I lost no more than 5% of the words. The wonderful way he caresses his way into "Night and Day" or sails through "Begin the Beguine" are wonderful examples of his artistry. Siepi includes the often omitted verses to each song, and that is a plus.

The sound quality is more than acceptable. It isn't digital, but here the fidelity comes from the artistry and not the sound itself. In fact the sound quality is a lot better than the 1955 recording date might indicate. I was not bothered in the least ... in fact I was pleasantly surprised.

There are unfortunately lots of typos in the notes that should have been corrected. Myto should review such things before putting them out on the market.

Siepi's way with the Italian songs is equally enjoyable. How nice to have someone sing them instead of bawling them to the rafters. This is a winner album, and it would be 5 stars if the sound were a little more modern.

Delightful collection of songs performed by great artist.......1999-05-24

Despite the inferior sound quality of this CD, it is pleasing to have this unusual collection available. Cesare Siepi is a great artist, with the best English diction of any classical Italian singer within memory. Although I remember him best as the most dashing and truly seductive Don Giovanni at the Met, he is equally convincing with a popular song. A rare achievement! Siepi, I love you as much today as I did when I was an infatuated teenager.

Average customer rating:

Genial, pero...
GREAT TE KANAWA !

Very Best Of Kiri Te Kanawa

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Duets: An American Classic

ASIN: B0000AHEAZ
Release Date: 2003-09-02

Tracks:

Signore, Ascolta
Ecco: Respiro Appena. Io Son L'Umile Ancella
La Mamma Morta
Attendo, Attendo...Addio Del Passato
Je Marche Sur Tous Les Chemins...Obeissons Quand Leur Voix Appelle
Depuis Le Jour
Elle A Fui, La Tourterelle!
Me Voila Seule...Comme Autrefois
Ach, Ich Fuhl's
Dich, Teure Halle
Wie Nahte Mir Der Schlummer...Leise, Leise, Fromme Weise!
Da Geht Er Hin, Der Aufgeblas'ne Schlechte Kerl
Gluck, Das Mir Verblieb
La Flute Enchantee
L'Invitation Au Voyage
Le Manoir De Rosemonde

Tracks:

Somebody Loves Me
Love Is Here To Stay
Embraceable You
Summertime
Long Ago And Far Away
A Fine Romance
The Song Is You
Let's Face The Music And Dance
What'll I Do?
They Say It's Wonderful
I've Got You Under My Skin
Ev'ry Time We Say Goodbye
True Love
I'll Be Home For Christmas
Silent Night
Come To The Fair
The Last Rose Of Summer
The Keel Row
Comin' Thro' The Rye
Greensleeves
Danny Boy
Hoki Hoki Tonu Mai
Po Ata Rau (Now Is The Hour)
The World You're Coming Into

Customer Reviews:

Genial, pero..........2005-04-19

Me parece que el arte vocal de Kiri posee muchas fortalezas y sòlidos atributos: brillantez, claridad, riqueza de colores, excelente fraseo, perfecta colocación y afinación, expresividad. Sin embargo, también carece de una mejor respiración para poder contrarrestar el excesivo vibrato que aplica a su canto. Sobre algunas de las obras interpretadas, recomiendo: Der Rosenkavalier: Schwarzkopf; Wagner: Kirsten Flagstad.

GREAT TE KANAWA !.......2004-02-19

THIS IS A GODD OVERVIEW OF KIRI TE KANAWA`S TALENT,THIS COMPILATION INCLUDES GREAT OPERA ARIAS,AMERICAN SONGBOOK CLASSICS,MAORI SONGS AND MORE,DIGITALLY REMASTERED. REALLY ENJOYABLE.

Samuel Ramey: Ev'ry Time We Say Goodbye: Songs of Barber,

Average customer rating:

a voice teacher and early music fan
The greatest American bass
Good, but one dimensional
Primo basso assolutto!!

Samuel Ramey: Ev'ry Time We Say Goodbye: Songs of Barber,
Samuel Barber , Stephen Foster , Charles T. Griffes , George Gershwin , Edwin Gerschefski , Paul Bowles , Cole Porter , Samuel Ramey , and Warren Jones
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Date With the Devil
Samuel Ramey - Operatic Arias
Samuel Ramey on Broadway - So in Love
No Tenors Allowed: Famous Duets for Baritone and Bass
The Very Best of Thomas Hampson

ASIN: B000002C08
Release Date: 1996-10-01

Tracks:

No. 6 from Hermit Songs, Op. 29: Sea-Snatch
I Hear An Army
Sure On This Shining Night
Bessie Bobtail
If You've Only Got A Moustache
Gentle Annie
Don't Bet Your Money On The Shanghai
Evening Song
An Old Song Re-Sung
No. 1 From Three Poems, Op. 11: The Lament Of Ian The Proud
Song Of The Dagger
A Damsel In Distress: Nice Work If You Can Get It
Shall We Dance?: They All Laughed
Girl Crazy: Embraceable You
The Goldwyn Follies: Just Another Rhumba
They Cannot Stop Death - Blue Mountain Ballads
Heavenly Grass
Lonesome Man
Cabin
Sugar In The Cane
Anything Goes: Blow, Gabriel Blow
Jubilee: Begin The Beguine
Seven Lively Arts: Ev'ry Time We Say Goodbye
FIFTY MILLION FRENCHMEN: The Tale Of The Oyster

Customer Reviews:

a voice teacher and early music fan.......2007-02-26

This is such a great collection of 20th century songs, that it behooves me to say something brief about each composer on this disc. I think that by doing so the listener gains more insight and thus more appreciation of all aspects of the song material.

The music of Samuel Barber (1910-1981), whether his symphonies, concertos,operas, chamber music or songs, is notable above all for a pronounced and refined lyricism. Barbr wrote songs thruout his career, and his published vocal output, though relatively small, is perhaps the most distinguished of an American composer. He preferred lyrical , romantic poetry, and his word-setting was perfect.
Stephen Foster (1826-1864) published his first song when he was 18 and by dint of hundreds more became, in the words of Aaron Copland,"our own national hero (who) had a naturalness and sweetness of sentiment that transformed his melodies into the equivalent of folk song." He was truly a songwriter rather than a composer, for he wrote no concert works or operas.
Charles Tomlinson Griffes (1884-1920) assimilated Debussian impressionism and,somewhat later, Oriental exoticism. During his brief career, he composed 64 songs, including four song-cycles.
George Gershwim(1898-1937) began his career in Tin Pan Alley and eventually, with works such as 'Rhapsody in blue' for piano and orchestra and some other works, brought Jazz into the concert hall.
Paul Bowles (1910- ) has long enjoyed celebrity status as an author,a writer of novels, short stories and essays. After a brief study with Aaron Copland, he made a considerable reputation as a composer of incidenal music. Virgil Thompson once described Bowles's songs as "enchanting for their sweetness of mood, their lightness of texture, for in general their way of being wholly alive and right".
Cole Porter (1891-1964) had the rare ability to invent superior catchpenny tunes; deceptively simple, often elegant melodies that stay in the ear. Consequently,he became one of the most successful American songwriter of his era.

As to Samuel Ramey's performance of these songs, one can only say 'business as usual', and that means great sound, great diction, great interpretation and always with that extra something that only a few bassos have!!!!The variety of works is varied and interesting and, if you please, is NOT a cross-over album. There are too many songs that denote the classical element. He was wise enough to vary his selection to avoid that particular situation. I really like this disc!!!!!

The greatest American bass.......2007-01-10

Ramey fans will not be disappointed by this charming collection of vocal gems.

Good, but one dimensional.......2000-04-26

Samuel Ramey is undoubtedly one of the finest and most versatile opera singers of his generation. However, these songs do not show his voice off at his best. One of Ramey's main faults is a lack of variety and vocal colour which is ABSOLUTELY needed in a song recital. This lack of colouring means that most of the songs come out sounding the same. The other major concern is that Mr Ramey's vibrato is quite pronounced. Most opera singers can get away with this when singing with an orchestra, but when he just has piano accompaniment it is much more noticeable. Still, it is good to have a recording of some of these lesser known songs and it is still an enjoyable cd.

Primo basso assolutto!!.......1998-11-17

Having attended Mr. Ramey's recent recital in Chicago where he sang a number of the songs on this recording, I can say that there is simply no bass today to rival him for sheer vocal glory. Whether it is the bel canto repetoire, baroque decorations, or as here, the American literature, Ramey is THE bass of the day. Unlike the former days when bassos were relagated to either buffoon, rich uncle, or some other supporting role, Ramey has almost single-handedly elevated the basso to star status. Roles that languished for years because there was no one up to their demands are now staples of Ramey's catalogue. Warren Jones is a sensetive and intelligent accompanist. In fact he played the entire recital from memory.

You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 2 - Kiss Me Kate (1940-1948)

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You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 2 - Kiss Me Kate (1940-1948)
Cole Porter , Ethel Merman , and Fred Astaire
Manufacturer: Koch Int'l Classics
ProductGroup: Music
Binding: Audio CD

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You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 1 - Wake Up & Dream (1916-1929)
You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 3 - High Society (1948-1956)
Cole Sings Porter
Frank Sinatra Sings the Select Cole Porter
Sinatra Sings Cole Porter

ASIN: B00006JTGP
Release Date: 2002-10-22

Average customer rating:

Ultimate Cole Porter, Vol. 4

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

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The Ultimate Cole Porter, Vol. 3
Ultimate Cole Porter, Vol. 2
Ultimate Cole Porter, Vol. 1
Born to Dance (1936 Movie Soundtrack) (Rhino Handmade)
The Ultimate George Gershwin, Vol. 1

ASIN: B00009EFV8
Release Date: 2003-06-24

Tracks:

Dream Dancing [From You'll Never Get Rich] - Fred Astaire, Harry Sosnik
Since I Kissed My Baby Goodbye [From You'll Never Get Rich] - Fred Astaire, The Delta Rhythm Boys, Harry Sosnik
Wedding Cake Walk [From You'll Never Get Rich] - Gordon Jenkins, Martha Tilton
So Near and Yet So Far [From You'll Never Get Rich] - Fred Astaire, Harry Sosnik
Wedding Cake Walk [From You'll Never Get Rich] - Fred Astaire, The Delta Rhythm Boys, Harry Sosnik
Something for the Boys [From Something for the Boys] - Ethel Merman
Could It Be You? [From Something for the Boys] - Bill Johnson
Hey! Good Lookin' [From Something for the Boys] - Bill Johnson, Ethel Merman
He's a Right Guy [From Something for the Boys] - Ethel Merman
I'm in Love With a Soldier Boy [From Something for the Boys] - Ethel Merman
My the Mississinewah [From Something for the Boys] - Betty Bruce, Ethel Merman
There's a Happy Land in the Sky [From Something for the Boys] - Betty Bruce, Allen Jenkins, Bill Johnson, Ethel Merman
When My Baby Goes to Town [From Something for the Boys] - Bill Johnson
Something for the Boys [From Something for the Boys] - Leonard Joy, Paula Laurence
By the Mississinewah [From Something for the Boys] - Betty Garrett, Leonard Joy, Paula Laurence
Hey! Good Lookin' [From Something for the Boys] - Evelyn Dall,
Something for the Boys [From Something for the Boys] - Evelyn Dall,
Only Another Boy and Girl [From Seven Lively Arts] - Jane Harvey
Ev'ry Time We Say Goodbye [From Seven Lively Arts] - Maxine Sullivan, Teddy Wilson
Don't Fence Me In [From Hollywood Canteen] - Roy Rogers
Just One of Those Things [From Night and Day] - Ginny Simms
Begin the Beguine [From Night and Day] - Roberto Valdes Arnau, Carlos Ramirez
Should I Tell You I Love You? [From Around the World in Eighty Days] - Ray Carter,
Look What I Found [From Around the World in Eighty Days] - Ray Carter,
If You Smile at Me [From Around the World in Eighty Days] - Ray Carter,
Pipe Dreaming - Ray Carter,