Travel On

Travel On

Travel On

Track Listings
 
1. Travel On
2. Shadowzone
3. My Heart Belongs to You
4. My Way Home
5. Real for Me
6. Summertime
7. Ten Years Later
8. The Heart Beats On
9. Wind Blow Through Me
10. Namaste
11. Take Me Home

Editorial Reviews
About the Artist
Priestley's journeyman career has taken her to all regions of the United States. A Wisconsin native, she has performed at coffeehouses, festivals, colleges, and on radio stations in her native Midwest, the Northwest, the Southeast and, most recently, the East Coast. Kathryn has been a featured guest on Public Radio in several cities and has won recognition and awards including VH-1 Song of the Year finalist in the Folk genre, and 1st Place in the Willamette Valley Folk Festival Songwriter's Contest in Eugene, OR. While living in Nashville, Priestley was a regular performer at the Gibson Café, The Broken Spoke, and Borders Coffeehouse. She performed at Songwriter's Night at the famed Blue Bird Café and also played on WTN Nashville Radio-Writer's Night broadcast live from the Opryland Hotel. In 2000 Priestley relocated to the East Coast, settling in Rhode Island. Kathryn was contractually employed at Hasbro, Inc. working in the Intellectual Property Group. As an Assistant Producer, she created several webisodes for the award winning GI Joe Website, edited scripts for the ZOIDS Television Series and served as a creative consultant on several video projects. After completing her new album and writing a children's book (due out in Spring 2005), Priestley started her Independent Record Label and Publishing Company - Dancing Dog Productions, LLC. Her new CD, Travel On, was released on Pawper Records (a division of Dancing Dog Productions, LLC) in March 2004, and marks a dramatic departure from her first two albums. Where Another Year Come and Gone (1994) and Salt of the Earth (1995) showcased Kathryn's songs with a minimal orchestration, Travel On focuses on bringing a fuller sound to her music. Like the journey of life itself, Travel On demonstrates Priestley's maturing musical styles through folk, rock, pop, even new age, adding unique ethnic flavors along the way. Travel On is Priestley's first collaboration with veteran producer, David ! Vartanian, who has worked with such notables as Claudia Schmidt, Jerry Harrison (Talking Heads), The Violent Femmes, and The Crash Test Dummies. Together with guitarist and producer Patrick Hall, who worked with Priestley on previous releases, the three created the richest instrumentation yet of Priestley's music.

Product Description
Singer-songwriter Kathryn Priestley's latest CD entitled Travel On is a reflection of the years she has spent pursuing her dreams. The title cut is a tribute to the resilient soul who continues to follow her heart in the face of adversity. Kathryn Priestley embodies this song. Travel On is Priestley's first collaboration with veteran producer, David Vartanian, who has worked with such notables as Claudia Schmidt, Jerry Harrison (Talking Heads), The Violent Femmes, and The Crash Test Dummies. Together with guitarist and producer Patrick Hall, who worked with Priestley on previous releases, the three created the richest instrumentation yet of Priestley's music. The album includes performances by Brian Ritchie (The Violent Femmes) on Japanese Flute and Eric Segnitz from the Milwaukee Symphony Orchestra on violin. James Russell, who plays drums on the album, is also a Pilot for American Airlines. Sue Van Dyke added Irish Whistle to a track after returning from a 3-week tour of Ireland where she played in Pubs and Coffeehouses. "The entire process of recording this album was a joy" says Priestley. "We wanted to recreate that first pure moment of writing a song by adding the right instruments, vocals, and arrangements." From the ethereal Shadowzone, through the exuberant Summertime, to the simple, straightforward folk sound of Ten Years Later, Priestley demonstrates the breadth of her songwriting craft. Priestley adds, "The music in every song evokes the same feeling I've tried to convey in the lyrics. Recording this album has been the pinnacle of years of songwriting and performing. It's my truth."

Travel On,Kathryn Priestley,The Orchard,Folk,Folk & Traditional,Pop
Varese Sarabande 25th Anniversary Celebration
Average customer rating: 4.5 out of 5 stars
  • A good value
  • The Sound Track Since Bernard Hermann
  • Good mix of film music
  • A mixed collection of movie music
  • Uplifts your soul, takes your mind into the heavens
Varese Sarabande 25th Anniversary Celebration

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008WI90
Release Date: 2003-04-22

Tracks:

  1. The Man from Snowy River (Bruce Rowland)
  2. The Winds of War (Bob Cobert)
  3. Blue Velvet (Angelo Badalamenti)
  4. Witness (Maurice Jarre)
  5. Raising Arizona (Carter Burwell)
  6. Pee Wees Big Adventure (Danny Elfman)
  7. Halloween (John Carpenter)
  8. A Nightmare On Elm Street (Charles Bernstein)
  9. The Fly (Howard Shore)
  10. RoboCop (Basil Poledouris)
  11. The Empire Strikes Back (John Williams)
  12. The Right Stuff (Bill Conti)
  13. The Final Conflict (Jerry Goldsmith)
  14. The Abyss (Alan Silvestri)
  15. Brainstorm (James Horner)
  16. Peggy Sue Got Married (John Barry)
  17. My Left Foot (Elmer Bernstein)
  18. The Dead (Alex North)
  19. Stanley & Iris (John Williams)
  20. The Milagro Beanfield War (Dave Grusin)
  21. Driving Miss Daisy (Hans Zimmer)

Tracks:

  1. Steel Magnolias (Georges Delerue)
  2. Unforgiven (Lennie Niehaus and Clint Eastwood)
  3. Raggedy Man (Jerry Goldsmith)
  4. The Grifters (Elmer Bernstein)
  5. Green Card (Hans Zimmer)
  6. City Slickers (Marc Shaiman)
  7. Father Of The Bride (Alan Silvestri)
  8. While You Were Sleeping (Randy Edelman)
  9. Babe (Nigel Westlake)
  10. The Adventures Of The Great Mouse Detective (Henry Mancini)
  11. The Adventures of Robin Hood (Erich Wolfgang Korngold)
  12. The Young Indiana Jones Chronicles (Laurence Rosenthal)
  13. The Secret Garden (Zbigniew Preisner)
  14. A Little Princess (Patrick Doyle)
  15. Rudy (Jerry Goldsmith)
  16. Iron Will (Joel McNeely)
  17. Memphis Belle (George Fenton)
  18. Eye Of The Needle (Mikl)
  19. Total Recall (Jerry Goldsmith)
  20. Back To The Future Part III (Alan Silvestri)

Tracks:

  1. To Die For (Danny Elfman)
  2. The Player (Thomas Newman)
  3. Black Robe (Georges Delerue)
  4. Medicine Man (Jerry Goldsmith)
  5. 2001 (Alex North)
  6. Star Wars: Shadows Of The Empire (Joel McNeely)
  7. The Crow (Graeme Revell)
  8. Blade (Mark Isham)
  9. The Omen (Jerry Goldsmith)
  10. Vertigo (Bernard Herrmann)
  11. Scream (Marco Beltrami)
  12. The Sixth Sense (James Newton Howard)
  13. Xena: Warrior Princess (Joseph LoDuca)
  14. Air Force One (Jerry Goldsmith)
  15. Starship Troopers (Basil Poledouris)
  16. The Matrix (Don Davis)
  17. The Iron Giant (Michael Kamen)
  18. Youve Got Mail (George Fenton)
  19. A Little Romance (Georges Delerue)
  20. Pleasantville (Randy Newman)

Tracks:

  1. Sunset Boulevard (Franz Waxman)
  2. L.A. Confidential (Jerry Goldsmith)
  3. Rounders (Christopher Young)
  4. The Score (Howard Shore)
  5. The Replacements (John Debney)
  6. Gone In 60 Seconds (Trevor Rabin)
  7. The Bourne Identity (John Powell)
  8. Rush Hour 2 (Lalo Schifrin)
  9. XXX (Randy Edelman)
  10. Die Hard (Michael Kamen)
  11. The Last of the Mohicans (Trevor Jones)
  12. Moby Dick (Christopher Gordon)
  13. The Mists Of Avalon (Lee Holdridge)
  14. Cleopatra (Alex North)
  15. Life As A House (Mark Isham)
  16. Emma (Rachel Portman)
  17. In The Bedroom (Thomas Newman)
  18. Cast Away (Alan Silvestri)
  19. One True Thing (Cliff Eidelman)
  20. Unfaithful (Jan A.P. Kaczmarek)
  21. Far From Heaven (Elmer Bernstein)
  22. Ice Age (David Newman)
  23. Shrek (Harry Gregson-Williams and John Powell)

Customer Reviews:

5 out of 5 stars A good value.......2007-05-17

I wasn't expecting to have 4 discs for this price, and the music is a quality selection of film music, giving a good scope of the genre, and a very listenable transfer.

4 out of 5 stars The Sound Track Since Bernard Hermann.......2006-07-25

This collection is bound to capture your heart and evoke a tin ear on successive tracks. I found much to like and some duds - easy to skip over.
Very good value.

4 out of 5 stars Good mix of film music.......2006-07-02

Good mix of films!
I'm a big fan of this soundtrack music and will be looking for more CD's like this.

4 out of 5 stars A mixed collection of movie music.......2006-02-23

For the price, this CD is a great bargain. The musical selections, as you might expect, are mixed in quality ranging from extraordinary to so so, the balance being worthwhile and interesting. Sonically the CD is excellent.

5 out of 5 stars Uplifts your soul, takes your mind into the heavens.......2006-01-06

I have been listening to great scores for many years and this collection is truly inspirational in so far as the choice of different scores takes you on a journey of listening pleasure matched by only a few collections.The price is incredibly reasonable for hours of listening pleasure. Don't pass this one up
Andrew Lloyd Webber: Now & Forever
Average customer rating: 4.5 out of 5 stars
  • I waited for this for five years
  • Excellent collection but BIG PUBLISHING MISTAKE!
  • ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
  • SUCH MAGICAL MUSIC OF THE NIGHT!
  • A Must Have for Sir Andrew fans
Andrew Lloyd Webber: Now & Forever
Various Artists
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005R5UJ
Release Date: 2001-11-20

Tracks:

  1. Jesus Christ Superstar: Overture - Andrew Lloyd Webber
  2. Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
  3. Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
  4. Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
  5. Jesus Christ Superstar: Superstar - Murray Head
  6. Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
  7. Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
  8. Evita: Another Suitcase In Another Hall - Barbara Dickson
  9. Evita: Don't Cry For Me Argentina - Julie Covington
  10. Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
  11. Cats: The Jellicle Ball - Andrew Lloyd Weber
  12. Cats: Memory - Elaine Paige
  13. Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
  14. Cats: Mr Mistoffelees - Paul Nicholas
  15. Song And Dance: Take That Look Off Your Face - Marti Webb
  16. Song And Dance: Tell Me On A Sunday - Marti Webb
  17. Song And Dance: Unexpected Song - Sarah Brightman
  18. Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
  19. Song And Dance: Introduction - Andrew Lloyd Webber
  20. Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

Tracks:

  1. Starlight Express: Starlight Express - El Debarge
  2. Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
  3. Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
  4. Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
  5. Starlight Express: Light At The End Of The Tunnel - The Company
  6. Requiem: Hosanna - Placido Domingo
  7. Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
  8. The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
  9. The Phantom Of The Opera: The Music Of The Night - Michael Crawford
  10. The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
  11. The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
  12. The Phantom Of The Opera: Masquerade - The Company
  13. The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
  14. Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
  15. Aspects Of Love: Love Changes Everything - Michael Ball
  16. Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
  17. Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
  18. Aspects Of Love: Anything But Lonely - Sarah Brightman
  19. Aspects Of Love: Chanson D'Enfance - Sarah Brightman

Tracks:

  1. Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
  2. Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
  3. Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
  4. By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
  5. By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
  6. By Jeeves: Half A Moment - Sarah Brightman
  7. Sunset Boulevard: With One Look - Glenn Close
  8. Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
  9. Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
  10. Sunset Boulevard: Sunser Boulevard - Alan Campbell
  11. Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
  12. Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
  13. Whistle Down The Wind: Cold - Everly Brothers
  14. Whistle Down The Wind: No Matter What - Children/Adult Chorus
  15. Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
  16. The Beautiful Game: Overture - Andrew Lloyd Webber
  17. The Beautiful Game: The Beautiful Game - The Company
  18. The Beautiful Game: Our Kind Of Love - Hannah Waddingham
  19. The Beautiful Game: Dont Like You - Josie Walker/David Shannon
  20. The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

Tracks:

  1. Oh What A Circus - David Essex
  2. Memory - Betty Buckley
  3. The Phantom Of The Opera - Sarah Brightman/Steve Harley
  4. All I Ask Of You - Sarah Brightman/Cliff Richard
  5. Love Changes Everything - Michael Ball
  6. Any Dream Will Do - Donny Osmond
  7. Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
  8. As If We Never Said Goodbye - Barbra Streisand
  9. The Perfect Year - Dina Carroll
  10. With One Look - Petula Clark
  11. You Must Love Me - Madonna
  12. The Heart Is Slow To Learn - Kiri Te Kanawa
  13. A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
  14. Whistle Down The Wind - Tina Arena
  15. No Matter What - Boyzone
  16. The Vaults Of Heaven - Tom Jones
  17. Try Not To Be Afraid - Boy George
  18. Pie Jesu - Charlotte Church

Tracks:

  1. Make Believe Love - Wes Sands
  2. Down Thru' Summer - Ross Hannaman
  3. I'll Give All My Love To Southend - Ross Hannaman
  4. Believe Me I Will - Sacha Distel
  5. Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
  6. Try It And See - Rita Pavone
  7. Come Back Richard Your Country Needs You - Time Rice And The Webber Group
  8. Goodbye Seattle - Paul Raven
  9. John 19:41 - The Andrew Lloyd Webber Orchestra
  10. What A Line To Go Out On - Yvonne Elliman
  11. Disillusion Me - Gary Band
  12. The Ballad Of Robert And Peter - Tim Rice
  13. Christmas Dream - Maynard Williams
  14. It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
  15. It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
  16. Magdalena - Tony Christie
  17. Buenos Aires - The Roja Rockers
  18. Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
  19. Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
  20. I Could Have Given You More - Petula Clark
  21. I've Been In Love Too Long - Marti Webb
  22. Benedicite - The Stephen Hill Singers

Album Description

Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

Customer Reviews:

3 out of 5 stars I waited for this for five years.......2006-06-30

Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.

The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

But the selections on CDs 1-3 don't make sense.

First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

5 out of 5 stars Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

4 out of 5 stars ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

Here are my basic impressions and comments regarding the material on the discs:

* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.


Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

5 out of 5 stars SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

4 out of 5 stars A Must Have for Sir Andrew fans.......2002-05-21

This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!
Spanish Music of Travel and Discovery/ The Waverly Consort
Average customer rating: 5 out of 5 stars
  • Beware! two old CDs reissued with a new name
  • A reworking of a prior disc - but now with 2 CDs
  • perfect by candlelight or in the office
Spanish Music of Travel and Discovery/ The Waverly Consort

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
Waverly ConsortWaverly Consort | ( W ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
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OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
PartsongsPartsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music
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GeneralGeneral | Easy Listening | Pop | Styles | Music
Similar Items:
  1. Music for the Spanish Kings
  2. Secular Music from Christian and Jewish Spain
  3. Armada: Music from the Courts of England and Spain
  4. Waverly Consort Christmas
  5. Sephardic Romances

ASIN: B00004TQR2
Release Date: 2000-10-10

Tracks:

  1. Ayo Visto Lo Mappamundi
  2. Viva Gran Re Don Fernando
  3. Una Sanosa Porfia
  4. Imrpovisations On Tres Moricas M'enamoran/Tres Moricas M'enamoran
  5. B'tayhi-M'saddar
  6. Nunca Fue Pena Mayor
  7. Ay Santa Maria
  8. Virgen, Bendita Sin Par
  9. El Cervel
  10. En Memoria D'Alixandre
  11. La Alta ('La Spagna')
  12. Pase El Agoa, Ma Julieta
  13. Oy Comamos Y Bebamos
  14. El Paso Del Mar Rojo
  15. Ah, El Novio No Quere Dinero!
  16. Kyrie: Ayo Visto Lo Mappamundi
  17. Ayo Visto Lo Mappamundi
  18. Improvisations On Ayo Visto Lo Mappamundi

Tracks:

  1. O Virgo Splendens
  2. Stella Splendens In Monte
  3. Laudemus Virginem/Splendens Ceptigera
  4. Los Set Gotxs Recomptarem
  5. Cuncti Simus Concanentes
  6. Polorum Regina
  7. Mariam Matrem Virginem
  8. Imperayritz De La Ciutat Ioyosa
  9. Ad Mortem Festinamus
  10. Ondas Do Mar De Vigo/Mandad' Ei Comigo
  11. Mia Irmana Fremosa/Ay Deus, Se Sab' Ora
  12. Quantas Sabades Amar Amigo/Eno Sagrado En Vigo/Ay Ondas Que En Vin Veer
  13. Santa Maria, Strela Do Dia
  14. El Buesca Del Padre
  15. Las Hermanas Reina Y Cautiva
  16. El Sueno De La Hija

Customer Reviews:

5 out of 5 stars Beware! two old CDs reissued with a new name.......2006-08-02

I bought this CD with great anticipation because I love Spanish music of this era. To my disappointment, this was not a new recording, but a reissue of two CDs I already own: "1492: Music from the Age of Discovery" and "Traveler." If you don't have these CDs already, this double set is a great bargain. But check your CD rack before buying!

5 out of 5 stars A reworking of a prior disc - but now with 2 CDs.......2006-01-27

I was pleased to see that one of my favorite CDs had not really gone out of print, but was reworked into this title and now with a bonus CD. Even though I own the original "Music from the Age of Discovery 1492", I'll probably buy this disc just for the extras. Very nice mood music, lots of variety, exotic instruments and lovely voices.

5 out of 5 stars perfect by candlelight or in the office.......2000-10-20

i've owned this CD for several years, and never tire of it. weather i'm curled up with a book, or just in the office with headphones on, it's appropriate for any occasion (outside a raucus party). i highly suggest it if you're interested in exotic, mystical, and festive tunes.
Music of the Civil War
Average customer rating: 5 out of 5 stars
  • Authenric Music with traditional instruments.
  • Living history
Music of the Civil War
Americus Brass Band , B. Holmes , W.L. Hobbs , Hosea Ripley , Walter Kittridge , D.L. Downing , George Frederick Root , Gioachino Rossini , Anonymous , James P. Carrell , W.K. Batchelder , C.V. Wallace , Henry Russell , Patrick S. Gilmore , Stephen Foster , Daniel Decatur Emmett , and Giacomo Meyerbeer
Manufacturer: Summit(Classical)
ProductGroup: Music
Binding: Audio CD

Foster, StephenFoster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. The Civil War: Its Music and Its Sounds
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  5. The Civil War Collection, Volume II

ASIN: B0000038IY
Release Date: 1993-02-02

Tracks:

  1. When The Cruel War Is Over - Hoist Up The Flag Quick Step
  2. Americus Quick Step
  3. Fireman's Polka
  4. Tenting On The Old Camp Ground
  5. Dixie's Land Medley Quick Step
  6. Battle Cry Of Freedom - Kingdom Coming Quick Step
  7. Excerpt From William Tell
  8. Sumter Light Guard March
  9. Bonnie Eloise Quick Step
  10. Amazing Grace
  11. Glory Hallelujah Grand March
  12. Scenes That Are Brightest - In Happy Moments Quick Step
  13. Kazoodie Ko Whirl Overture
  14. Woodman, Spare That Tree
  15. Fireman's Quick Step
  16. When Johnny Comes Marching Home
  17. Civil War Folk Song Medley: Oh, Suzanna, Garry Owen, Jordan Am A Hard Road, Bonnie Blue Flag, The Girl I Left Behind Me
  18. Coronation March

Customer Reviews:

5 out of 5 stars Authenric Music with traditional instruments........2000-09-17

For those of you who enjoy the music, as it was sung and played during the Civil War, this recording is a "must!" J.A. McA.

5 out of 5 stars Living history.......1999-07-31

So shoot me. I like bagpipe music and I like fife and drum recordings and I like brass bands. Recently cruisin' the Internet brought me to the website of a company called Summit Records out in Arizona; and my eye was caught by the title (DCD 126) with a group calling itself The Americus Brass Band. I obtained a copy post haste and I want to all to know about it with equal rapidity. There is just short of 55 minutes of Civil War tunes played in a style that is "historically accurate, right down to the high military pitch and the clicking of the rotary valves on the original antique instruments employed" (as the notes tell us). The history of the band is available in those notes, so let me just dwell on the "music that still produces feelings of humor, joy, sadness, and patriotic pride." Well, what music does not produce at least one of those?--and I am not entirely sure there was anything about the Civil War of which we on either side should be particularly proud. But Sing a Song of Suffering seems to be an eternal way of making the best of a rotten situation during war time; and this CD is replete with such memories as "Tenting Tonight," "Amazing Grace," "Woodman, Spare That Tree," and even a little bit of the "William Tell Overture" and a Meyerbeer opera! In short, this is not the expected line up of soldier songs but selections that are "typical of that which might have been played by a group such as the Americus Brass band." I love it. Give it a try, please.
Elaine Stritch - At Liberty (2002 Original Broadway Production)
Average customer rating: 4.5 out of 5 stars
  • A National Treasure
  • Stritch is superb
  • Entertaining but grating on the ears
  • Great Broadway Review
  • Elaine Stritch at Liberty
Elaine Stritch - At Liberty (2002 Original Broadway Production)
Elaine Stritch , Irving Berlin , John/ Stritch, Elaine Lohr , Porter P. Grainger , Albert Hague , Stephen Sondheim , Carl Sigman , Richard Rodgers , Sir Noel Coward , George Gershwin , Jule Styne , John Campo , and Billy Miller
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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  1. Elaine Stritch at Liberty
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ASIN: B000060P33
Release Date: 2002-04-02

Tracks:

  1. There's No Business Like Show Business (Berlin)
  2. Caca
  3. I Want a Long Time Daddy (Grainger)
  4. A Piece of Mahler
  5. This Is All Very New to Me (Hague/Horwitt)
  6. Going to New York
  7. Marlon Brando
  8. Broadway Baby (Sondheim)
  9. My First Broadway Show
  10. Civilization (Hilliard/Sigman)
  11. Ethel Merman
  12. Can You Use Any Money Today? (Berlin)
  13. Pal Joey
  14. Zip (Hart/Rodgers)
  15. Ben Gazzara
  16. Nokl Coward
  17. Why Do the Wrong People Travel (Coward)
  18. Richard Burton
  19. But Not for Me/If Love Were All (Gershwin/Gershwin)
  20. I'm Still Here (Sondheim)
  21. Booze
  22. Little Things You Do Together (Sondheim)
  23. The Ladies Who Lunch (Sondheim)
  24. John Bay
  25. There Was Never a Baby Like My Baby (Comden/Green/Styne)
  26. I've Been to a Marvelous Party (Coward)
  27. God So Quickly
  28. The Party's Over (Comden/Green/Styne)
  29. Absent Almost Always
  30. Something Good (Rodgers)

Tracks:

  1. I'm Still Here (Sondheim)
  2. Booze
  3. Little Things You Do Together (Sondheim)
  4. The Ladies Who Lunch (Sondheim)
  5. John Bay
  6. There Was Never a Baby Like My Baby (Comden/Green/Styne)
  7. I've Been to a Marvelous Party (Coward)
  8. God So Quickly
  9. The Party's Over (Comden/Green/Styne)
  10. Absent Almost Always
  11. Something Good (Rodgers)

Amazon.com

Elaine Stritch is a legend and she knows it. And so she came up with a whole one-woman show about the best topic she could think of: her life in the theater. And what a trip it's been. From Ethel Merman to Noel Coward, Stritch has worked with some of the greatest names to grace the American stage, and she has anecdotes about all of them (most are included on this recording). In this show, she hits all the marks with the acuity of a seasoned pro who's seen it all and whose love for the theater remains undiluted. Stritch is not a traditionally pretty singer (those gravelly pipes!), but she absolutely knows how to give life to a song, extracting the last drop of meaning, dropping pauses for effect with deadly accuracy. Sondheim's "Ladies Who Lunch" and "Broadway Baby" will be hers forever, and a case could be made for the hilarious "Zip" (from Pal Joey) and the obscure, spectacularly politically incorrect "Civilization" (from the revue Angel in the Wings) as well. Fittingly, this two-CD set includes "I'm Still Here," which may well be Stritch's motto. If you're looking for a concise yet bewitching history of the musical, this is it. --Elisabeth Vincentelli

Customer Reviews:

5 out of 5 stars A National Treasure.......2007-07-05

This double CD is stuffed full of great songs and amazing stories. My favorite stories are of Elaine's date with Marlon Brando, what she thought some lyric are/meant, and her time in Compant. The total honesty that she brings it all together is touching and inspiring.

Very few people have the length or variety of a career that Elaine Stritch has had. I am sure that she has enough stories to do ten more shows.

If you love Broadway then you must buy this CD.

5 out of 5 stars Stritch is superb.......2007-06-27

The only disappointment is that I missed the show live. This is a terrific honest performance by an actor who has a deep well of experience from which to draw. From her early childhood memories, through acting school, her loves, her struggles and more, Ms Stritch weaves a fascinating and completely enthralling story. Ultimately, she lives the songs, rather than just performs and this is what really marks her out.
I am so glad, she's still here!

3 out of 5 stars Entertaining but grating on the ears.......2007-05-11

I've never been able to understand what is so great about Elaine Stritch's singing. It's simple: she can't sing. I've tried and tried to like her, and I do, as an actress, but NOT as a singer. Listening to these CDs, all I hear is a grouchy old lady voice with no vibrato, no range, and no ability to hold notes. If she were to try out for American Idol she would get cringes! I love her humor and honesty, and that's why I bought this, but the voice...ugh.

5 out of 5 stars Great Broadway Review.......2007-04-11

I thoroughly enjoy this collection of stories from her experiences from a teenage girl in Michigan through her career, very funny, some sad and great entertainment.

4 out of 5 stars Elaine Stritch at Liberty.......2007-01-19

Completely entertaining---a bit maudilin in places, but a must have for any Elaine Stritch fan.

Certainly worth the money!
Women of Note ~ Beach, Boulanger, Clarke, Gubaidulina, Larsen, Mendelssohn, Monk, Musgrave, Ran, Zwilich
Average customer rating: 5 out of 5 stars
  • Great collection of 19th/20th Century music
  • It's about Time!
Women of Note ~ Beach, Boulanger, Clarke, Gubaidulina, Larsen, Mendelssohn, Monk, Musgrave, Ran, Zwilich
Libby Larsen , Sofia Gubaidulina , Nadia Boulanger , Germaine Tailleferre , Amy Beach , Lili Boulanger , Ellen Taaffe Zwilich , Rebecca Clarke , Clara Wieck Schumann , Sofiya Asgatovna Gubaydulina , Meredith Monk , Shulamit Ran , Thea Musgrave , Galina Ustvolskaya , Royal Philharmonic Chorus , Minnesota Orchestra , Women's Philharmonic , Louisville Orchestra , English Chamber Orchestra , New Zealand Chamber Orchestra , Joann Falletta , Joel Revzen , James Sedares , Nicholas Braithwaite , Arleen Auger , Nina Flyer , and Chi Fun Lee
Manufacturer: Koch Int'l Classics
ProductGroup: Music
Binding: Audio CD

All Works by BeachAll Works by Beach | Beach, Amy Marcy Cheney | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B000001SKH
Release Date: 1997-08-19

Tracks:

  1. Concertino For Harp (Allegretto)
  2. Three Pieces For Cello And Piano (Vite et nerveusement rythme)
  3. Sonnets Fro The Portuguese (How Do I Love Thee?)
  4. Das Jahr (Mai)
  5. Du'un Matin de Priintemps
  6. Ballad In Db
  7. Symphony No. 3 (Largo)
  8. Missa Gaia (Introit)
  9. Sonata (Impetuoso)
  10. Sonata (Adagio
  11. Ten Preludes For Cello (Preludes 1 - 4): Staccato - Legato
  12. Ten Preludes For Cello (Preludes 1 - 4): Legato - Staccato
  13. Ten Preludes For Cello (Preludes 1 - 4): Con Sordino - Senza Sordino
  14. Ten Preludes For Cello (Preludes 1 - 4): Ricochet
  15. Travel Song
  16. Three Fantasy Movements (Slow)
  17. Orfeo II (Orpheo Laments)
  18. Sonata No. 6

Customer Reviews:

5 out of 5 stars Great collection of 19th/20th Century music.......2003-08-12

This is a great collection of works from 19th and 20th century women composers. Keep in mind, it is only a small sample of what's available, but an excellent place to start. It is also a good choice if you are a teacher wanting to introduce women composers to your class and do not want to invest in dozens of CDs. There are no large-scale works on this CD, so it is ideal as a sampler (or for use with kids in a classroom setting). I highly recommend this CD.

5 out of 5 stars It's about Time!.......2001-12-07

A top-notch sampling of mainly 20th-century music by women composers, including Lili Boulanger and Pulitzer Prize-winners Ellen Taaffe Zwilich and Shulamit Ran, this cd proves that the music has been excellent all along. What we have needed are good recordings of superior performances. The samples often are brief--e.g., a single movement from Clarke's cello sonata--yet do provide jumping off points for more concentrated pursuit of favorite composers. Those uninitiated in women's works will become familiar here with some of the best of the last 150 years: Clara Schumann, Fanny Mendelssohn Hensel, Thea Musgrave, and on and on. I hope every author of a text on music since 1840 will come to know and adore this cd, then include the music in their discussions of music history. It's about time!
The Wizard of Oz - Vintage Recordings from the 1903 Broadway Musical
Average customer rating: 5 out of 5 stars
  • A Collection of the Original Oz Stage Productions
  • Ain't it a Shame!
  • Why the 1903 "Wizard" was forgotten
  • A long overdue revisit to a classic American musical
  • Long-Forgotten Broadway Hit Gets First Rate Revival
The Wizard of Oz - Vintage Recordings from the 1903 Broadway Musical

Manufacturer: Original Cast Record
ProductGroup: Music
Binding: Audio CD

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ASIN: B00009MPYQ

Tracks:

  1. Wizard of OzSelection (Arthur Pryor's Band)
  2. The Bullfrog and the Coon (Ada Jones)
  3. Pocahontas (Edward M. Favor)
  4. Daisy Donohue (Harry Tally)
  5. Down on the Brandywine (Collins & Harlan)
  6. Come Take a Skate with Me Sung (Collins & Harlan)
  7. I Love You All the Time (Harry Macdonough)
  8. The Moon Has His Eyes on You (Ada Jones)
  9. When You Love, Love, Love (Thomas E. Whitbred)
  10. When We Get Whats a-Comin to Us
  11. Mister Dooley Sung (Edward M. Favor)
  12. Julie Dooley (J. W. Myers)
  13. Meet Me Down at the Corner (Jones & Spencer)
  14. Budweisers a Friend of Mine (Billy Murray)
  15. Theres a Lot of Things You Never Learn at School (Bob Roberts)
  16. Under a Panama (Billy Murray)
  17. Good Bye Fedora (Collins & Harlan)
  18. Sitting Bull (Collins & Harlan)
  19. I Love Only One Girl in this Wide Wide World (Harry Macdonough)
  20. Sammy (Harry Macdonough)
  21. The Tale of a Stroll (Morgan & Stanley)
  22. Cant You See Im Lonely? (Ada Jones)
  23. Are You Sincere? (Byron G. Harlan)
  24. Hurrah for Baffins Bay (Collins & Harlan)
  25. Football (Dan W. Quinn)
  26. Id Like to Go Halves in That (Burt Shepard)
  27. Rejoice!The Wizard is No Longer King
  28. The Traveler and the Pie
  29. Must You? (Dan W. Quinn)
  30. Thats Where She Sits All Day (Dan W. Quinn)
  31. The Sweetest Girl in Dixie (Henry Burr)
  32. Scarecrow Laugh (Fred Stone)

Tracks:

  1. Sammy Mira (Music Box Disc)
  2. Must You? (Mira Music Box Disc)
  3. Opening Prayer
  4. Phantom Patrol
  5. Just a Simple Girl from the Prairie
  6. Poppy Song
  7. Love is Love
  8. When We Get What's A-Comin' to Us
  9. The Traveler and the Pie
  10. When You Love, Love, Love
  11. Rejoice! The Wizard is No Longer King
  12. Phantom Patrol (Aeolian Piano Roll)
  13. My Little Maid of Oz Aeolian Piano Roll
  14. The Tik-Tok Man of OzSelection (Rythmodik Piano Roll)
  15. The Tik-Tok Man of OzSelection (Piano Roll)
  16. Ask the Flowers to Tell You (Macdonough & Dunlap)
  17. My Beautiful Dream Girl (John Barnes Wells)
  18. My Pretty Little Piece of Dresden China (Bessie Wynn)
  19. Gay Paree (Montgomery & Stone)
  20. Travel Travel Little Star (Montgomery & Stone)
  21. A Scotch Moriah (Montgomery & Stone)
  22. Hurrah for Baffins Bay (Dan W. Quinn)
  23. Daisy Donohue (Trombone Solo by Arthur Pryor)
  24. Mr. DooleyMedley (Xylophone Solo J. Frank Hopkins)
  25. Down on the BrandywineMedley (Edison Military Band)
  26. The Bullfrog and the CoonMedley (Six Brown Brothers)
  27. Ill Take You Back to Italy (Ada Jones & Billy Murray)
  28. Father Goose Songs (Sallie Osbourne)

Album Description

The Wizard of Oz a musical with book and lyrics by L. Frank Baum and music by Paul Tietjens premiered on June 16, 1902, at the Grand Opera House in Chicago. It was an instant hit and made stars of David Montgomery (the Tin Woodman) and Fred Stone (the Scarecrow). On January 21, 1903 the show opened at the Majestic Theatre in New York. It ran for nine months and set out on the road with a second company right on its heels. The show toured, came back to New York, toured, and returned to New York again many times until finally disbanding around 1911. Stock and amateur companies continued to present it into the 1930s when it was overshadowed by the classic MGM film starring Judy Garland.

The show was legendary for its success and its impact on American culture. It was the Cats or Les Mis of the early 1900s--but the show has been swallowed by history. What made audiences of the early 1900s devour the show and return for more again and again? In this unprecedented 2-CD set—featuring over 145 minutes of vintage recordings and 64 pages of lyrics, photos, notes and synopsis—you can discover how The Wizard of Oz entertained the American public for the first two decades of the 20th century. And like the audiences of nearly a hundred years ago, you can hum along to "Budweiser," "Sammy," and "Hurrah for Baffin's Bay"—everyone's favorite songs from The Wizard of Oz! Also included in this comprehensive collection are recordings from later Oz musicals, The Woggle-Bug and The Tik-Tok Man of Oz written by Oz creator L. Frank Baum, as well as vintage non-Oz recordings by original "Wizard of Oz stars" Montgomery & Stone and Bessie Wynn

Customer Reviews:

5 out of 5 stars A Collection of the Original Oz Stage Productions.......2006-12-07

This Double-Disk Collection contains music from the original and varied Oz Stage Productions: "the Wizard of Oz", "the Woggle-Bug" (based on 'Marvelous Land of Oz) and "the Tik-Tok Man of Oz" (based on 'Ozma of Oz'). There are plenty of "Wizard" songs and music, but there isn't a lot of "Woggle-Bug" and/or "Tik-Tok Man".
I often wondered how different the 1st & Original Production of 'Oz Wizard' was different to the book, and thanks to Mark Evan Schwartz's book "Oz: Before the Rainbow" I found out for myself (WORTH A READ!!). Later I got this CD to go along with the book's stage telling (more or less) and I listened in interest to the songs which, I read, were entirely different to the future Musicals of Oz. The songs are good, but not all of them are actually completely restored to perfection, so the singing may/will sound somewhat muffled. Also, due to the time it was made (for some reason), the songs don't actually fit into the story (even the stage's rewritten story) and sound distant/unrelated. But there are songs that sound similar to the original story ("Rejoice! The Wizard is No Longer King"). CD 2's Track 3 has music played during Silent Oz Film "His Majesty, Scarecrow" on the MGM 3-Disk DVD.
The best thing about this CD Collection is the two booklets packaged along with the disks: the first (entitled "The Records") has writing on "What the Wizard Was" with a synopsis of the stage production story and "About the Recordings", a listing of all the songs on CD 1 (which are helpful for "Selection" Tracks not specifically named on the back) and notes on the songs like their origins and background. Booklet 2 (entitled "The Lyrics") has the words to the songs (in case you can't make out the words/want to sing-along). BOTH CDs include b&w photos of the actors, performance (few of which can be seen in "Oz: Before the Rainbow" book) and even reprints of a few illustrations made for the stage. The pictures are the best part of this purchase.
The Entirely Different Songs may not fit with the story, original or rewritten, but there's nothing really wrong with the music when one enjoys to what they're listening to.
I know that there is also another 'Oz on Stage' CD Collection called "Before the Rainbow" . . . hmmm, I wonder if I should get that too?

5 out of 5 stars Ain't it a Shame!.......2006-05-20

I think that this is a wonderful album of HISTORICAL value. Not too many people know this, but "the wizard of oz" was made into a smash hit in 1903, but because all the history was BARELY in obscurity, hungry tiger press wanted to educate the blockheads in the world about this remarkable piece of history. that being said, david maxine collected all of the old material, such as Piano rolls (my especial favorite of all of them is "the poppy song", i LOVE the bass notes: "nnn-ded-deh mmmm-ded-deh"), and music boxes, and cylinders, and records!
however, it is quite a shame that that CRAPPY movie with judy garland pushed this lovely musical into obscurity. i would have liked to see it in my day, but it was already lost in darkness, but thanks to the highly DIGNIFIED people in the world, this cd is available!! BUY IT!!!! I *ORDER* YOU!!! YOU CANNOT BE DIGNIFIED WITHOUT THIS REPLACING YOUR "RAP" GARBAGE WITH THIS JEWEL!!!!

4 out of 5 stars Why the 1903 "Wizard" was forgotten.......2004-03-20

This truly remarkable 2-disc collection of old cylinders, discs, music boxes and piano rolls explains why the 1903 musical version of "The Wizard of Oz" did not survive the early thirties. It wasn't because it was before its time or even of its time, but simply because it was way behind the times. Its producers resisted composer's Paul Tietjens' attempts to write plot-driven numbers. His contribution survives only in the incidental music preserved on piano rolls (and the most interesting element on this collection) linking very disparate and even incongruous vaudeville acts by various authors and performers that graced the stage during the musical's multi-decade run. In other words, Baum was telling a story and the songs were telling another... As fascinating as they are for historical reasons, those numbers are commonplace, mostly uninspired flash-in-the-tin-pan ditties, with timid syncopation and a stong reliance on musical clichés. There is not a single standard among them and not even a decent lyric where "fine" doesn't rhyme with "mine" and "love you" doesn't rhyme with "I do"- or even "I know you know I know you do", as happens more than once. As an assemblage of shtick pieces and ephemeral sentimental or nonsensical ditties, this collection cannot be topped and it represents a monumental effort. Without it and its very generous and informative liner notes, I would not have the same appreciation for the absolute genius of Victor Herbert's operettas ("Babes in Toyland" came out the same year) where the more memorable songs are plot-driven and introduced and linked by the most luscious, inventive and varied incidental music ever heard outside an opera house. This sort of unified concept would culminate in Jerome Kern's "Show Boat" and it remains a truth today that the integration of plot and music - reminiscent of opera - is the true secret of successful and perennial musicals, whatever the current idiom. This collection also makes one appreciate the complete originality of the Hollywood film for actually going back to Baum's books, entrusting the songs, lyrics and music to Harold Arlen, Yip Harburg and Herbert Stothart and scrapping the musical's colourful but checkered history (except for casting ex-vaudevillians as the main characters, of course!). Highly recommended for its nostalgia value, its irreplaceable rarities and a better understanding of the history of American popular music.

5 out of 5 stars A long overdue revisit to a classic American musical.......2003-09-30

Although it was one of the most financially successful stage musicals of the early 1900's, very little information is presently available on the 1903 production of THE WIZARD OF OZ. In what was obviously a labor of love, David Maxine has done much to correct this oversight by releasing a 2-CD set with over 145 minutes worth of extremely rare recordings of music from this and other OZ-themed musicals dating back to before World War I. Recorded materials include vintage acoustical disc and cylinder phonograph records, piano rolls, and music box discs, many of which go back almost a century. In addition, he has included two booklets worth of historical background information on the 1903 WIZARD OF OZ production, its stars, the individual musical numbers, and lyrics for the songs included on the CDs. (Lavishly illustrated with rare old black and white photos and artwork, these booklets, and the information they contain, are themselves worth the price of the set!) Several bonus CD tracks are included that offer rare recordings by Montgomery & Stone (the original Tin Woodsman and Scarecrow) and Bessie Wynn, who was also in the 1903 cast. Not just for dedicated Oz fans, this set is a "must have" for anyone interested in the history of American musical theater and American popular culture of the early 1900's.

5 out of 5 stars Long-Forgotten Broadway Hit Gets First Rate Revival.......2003-09-17

One hundred and three years ago, author L. Frank Baum published the best-selling children's book of the 20th century, THE WIZARD OF OZ. Although the book was adapted several times as plays, silent motion pictures, animated cartoons, and radio shows in the next few decades, it is the 1939 MGM film that most people think of as THE WIZARD OF OZ. The success and popularity of that film completely eclipsed the memories of previous incarnations and even the book itself in popular culture. However, prior to the film's release, there was a successful stage version which premiered on Broadway in 1903 and delighted audiences for many years, making stars of Fred Stone and David Montgomery, the original Scarecrow and Tinman. As with the MGM film, chilren who saw THE WIZARD OF OZ on stage carried fond memories of the production into adulthood. Ray Bolger was so impressed with the Fred Stone's Scarecrow, that he remembered it vividly as an adult and based his own protrayal of the character in the movie on Mr. Stone's stage version.

Unfortunately, time and Judy Garland have pushed the once popular Broadway Smash into history. It has been all but forgotten...until now.

As the show moved from theater to theater and casts changed, so did the songs. Many of these were recorded on the primative equipment of the day: Wax cylinders, 78-RPM records, piano rolls, and music Boxes, and surprisingly many of these still exist. Now, thanks to those hard-working gents at HUNGRY TIGER PRESS, you can own these historic recordings on this awesome 2-CD set. THE WIZARD OF OZ: Vintage Recordings From The 1903 Broadway Musical contains over 145 minutes of terrific early 20th century music. You won't find "Over the Rainbow" or "Ding! Dong! The Witch Is Dead!" here. Instead, this WIZARD OF OZ contains tracks like "Budweiser's a Friend of Mine", "Sammy", "Hurrah for Baffin's Bay", and "Rejoice! The Wizard is No Longer King", each one a portal over the rainbow to the Broadway stage of a century ago.

Obviously the play was quite different in plot from the movie--Dorothy travelled to Oz with her cow Imogene instead of Toto, for starters--, but the songs represent the style of popular music of 100 years ago and are collected here in a beautiful compilation. The set contains two booklets of liner notes which contain credits, lyrics, a written history of the production, and are extensively illustrated with photos and illustrations. Although the sound quality of the source material is not always up to today's standards, the songs are presented in the best versions possible, and the music is highly enjoyable. With 60 tracks and the wealth of information contained here, both written and photographic, this 2-CD set is good value for the money. A must-have for all collectors of WIZARD OF OZ memorabilia, an insightful look at popular music and Broadway history from a century ago, a glimpse into ethnic and racial stereotypes that were accepted at the time, and a curiosity for fans of the 1939 film, this set is big on appeal. Kudos to the Hungry Tiger Press for rescuing this treasure trove of musical history from obscurity!
Beat Avenue
Average customer rating: 5 out of 5 stars
  • One of the Year's Best
  • continuing greatness
  • Career Defining at the Age of 60
Beat Avenue
Eric Andersen
Manufacturer: Appleseed Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000087DRW
Release Date: 2003-02-25

Tracks:

  1. Ain't No Tme To Bleed
  2. Before Everyting Changed
  3. Salt On Your Skin
  4. Song Of You And Me
  5. Shape Of A Broken Heart
  6. Great Pyramid
  7. Under The Shadows
  8. Rains Are Gonna Come
  9. Runaway
  10. Stupid Love
  11. Still Looking For You
  12. Feel Like Comin' Home

Tracks:

  1. Beat Avenue
  2. Blue Rockin' Chair

Amazon.com

Whoever coined the saying about old dogs and new tricks never anticipated this powerhouse two-disc song cycle. Fueled with an apocalyptic, post-9/11 urgency and driven by far more musical muscle than one expects from this veteran folk troubadour, the collection could stand as a companion piece to Bob Dylan's "Love and Theft". (Andersen acknowledges Dylan's inspiration by dedicating the album to him.) The opening "Ain't No Time to Bleed" sets the tone with a wailing duet vocal by Phoebe Snow and slashing guitar from Eric Bazilian, while "Song of You and Me," "Great Pyramid," and the relentless "Rains Are Gonna Come" sustain the hard-driving dynamic. For fans of Andersen's balladry, "Shape of a Broken Heart" and "Under the Shadows" (with vocals from daughter Sari) evoke the open-hearted spirit of his 1972 classic Blue River. Yet nothing in a career that stretches almost 40 years anticipates the 26-minute title track, an atmospheric, phantasmagoric meditation on the day President Kennedy was killed. Half-spoken, half-sung, it sounds like a cross between Lou Reed and Robbie Robertson while recalling an era when freeform FM radio rewarded such experimentation. With the project taking the sort of risks that one doesn't expect from an artist turning 60, this is easily the most ambitious music that Andersen has ever made, and some of the best as well. --Don McLeese

Customer Reviews:

5 out of 5 stars One of the Year's Best.......2003-09-16

"Stranded in the wilderness, high inside my hand, for every act of wickedness, another grain of sand," Eric sings on the opener "Ain't No Time to Bleed" with Phoebe Snow's vocals soaring behind Eric's burning lyrics. When Eric sings "Jesus pawned his cross," it's evident we're in a for a bumpy ride as Eric dedicates this to Bob Dylan who he describes as, "true poet, hard worker, man of constant wonder, good friend, teacher, the master." If Dylan's the master, Andersen's an apt pupil as he changes gears for the midtempo "Before Everything Changed." Eric hits his softer side on "Shape of a Broken Heart," with Joyce Andersen's aching violin giving the bare-bones melody a dream-like quality. Eric rocks again on the haunting "Great Pyramid," "I'm looking for the holy man banished on the cross; I'm looking for the eyes of God, I'm looking for the loss." On "Rains Are Gonna Come" Eric again rocks full throttle. Garth Hudson's piano pounds on the rocker "Stupid Love." Lucy Kaplansky does background vocals on the soft lovely melody "Still Looking for You." "It's time to let the river just flow" Eric sings seeking peace on "Feel Like Comin' Home." On the second disc, the 26 minute "Beat Avenue" is a homage to the beat poets referencing memories of John Kennedy's assassination. Eric's voice talk-sings like a sober Tom Waits alienated and apart from a world that seems out of control. Eric concludes with a slow blues groove and snarls through the 10-minute "Blue Rockin' Chair," "Trying to be a beggar but you don't know how."

Eric Andersen is incredible in so many ways. He is first and foremost an artist striving for quality. His lyrics are some of the most intricate and literate; so it's a shame that they are not printed here. [My apology in advance if I've incorrectly heard the lyrics I quoted.] Eric is also incredible because he is a survivor with a 40-year career in which he is still expanding horizons. Seek & you shall find!

5 out of 5 stars continuing greatness.......2003-03-05

Eric Andersen has been putting out wonderful records for almost 40 years now. From his earliest work he has always been one of the giants of the singer songwriter field, and yet somehow his stature has never received the achnowledgement it has so clearly merited. Has the New York Times devoted an extensive review to any of his albums over the last 15 years (since "Ghosts Upon the Road)? I don't think so. And yet Andersen's work over that time has been among his strongest ever...remarkable work quite simply beyond the reach of anyone other than Dylan. Dylan, of course, has had a great 90's too, but he has also gotten plenty of recognition for it. Will this superb record change that? Probably not, but it should. Musically and lyrically it is a triumph for Andersen. The music is full of energy and variety. The band plays wonderfully behind him. And the lyrics...one song after the next...are astonishingly rich. Beat Avenue is a master at the very top of his game. It is inconceivable to me that a record better than this will come out this year.

5 out of 5 stars Career Defining at the Age of 60.......2003-02-27

Eric Andersen is one of those vanguard pioneers who came out of the Northern snowfields in the 60's and set about blurring the lines as to what songwriting was supposed to be about. As original and creative as his comtemporaries, some of whom inspired him, some of whom he challenged, much as fellow Canadian Neil Young would a few years later, Andersen seemed to trawl the darker waters of the soul, without falling under the sweep of the tide. Nothing's changed. It's only improved with age.
His career hit a watershed moment with "Blue River", and as the "Lost Tapes" confirmed, he was very much the musical counterpoint to Thomas Pynchon's "Gravity's Rainbow." The BIG buisness of recording eventually ignored him, so he took himself back to the woodshed of his origins and began a long, fruitful and philosophically intense sojourn in Norway. All of the CDs from this epoch in his life are worth seeking out, in particular his collaborations with Jonas Fjeld, and later with Rick Danko.
But even with all of these extraordinary achievements, I have to admit I was completely blown away by the power of this CD. As the official reviewer states, this somewhat harkens back to a time when radio was less market researched and would give you a shot at stringing together something bold, creative, innovative. Andersen was all that in spades all along. It has reached its zenith here.
The opening disc, supported by a superb cadre of musicians and singers, including his daughter, has all the trademarks of Eric Andersen at the top of his game. The second disc is a meditation on what went wrong with the world when America slew its leader. As McLeese notes, this is the kind of epic that perhaps only Robbie Robertson or Dylan could pull off with the same cogency, drama, power. It's not like you suddenly become brain dead at 60, but when you consider how safe most people try to play their lives by that point, to summon the courage and integrity to push songwriting and philosophical beliefs at this point in his life is positively Heideggerian in its daunting bravery. Plus it's sheer genius. Andersen went right to the cliff and lept off. His flight into the heavens is a thing of wonder, and he has a lot of very important observations to make that we ought to listen to, if we're not going to kill ourselves off for sure. Essentially, his is a soul that wants to come home. He has sought that home in lovers, family, music, Norway, North America. He looks for it still and will not release his soul or his heart or his mind until he finds it. Quite a statement from an artist who has always made quite a statement. Get this. You owe it to yourself.
A Treasury of English Song
Average customer rating: Not rated
    A Treasury of English Song

    Manufacturer: Hyperion UK
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0001O2OBI
    Release Date: 2004-05-11
    Noel Coward Songbook
    Average customer rating: 4 out of 5 stars
    • a voice teacher and early music fan
    • Mad dogs and an Englishman called Ian
    • Coward the Composer, Quite Charming without the Camp
    • COWARD'S THEATRE SONGS
    Noel Coward Songbook
    Ian Bostridge
    Manufacturer: EMI Classics
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Opera & Vocal | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Easy Listening | Pop | Styles | Music
    CabaretCabaret | Broadway & Vocalists | Styles | Music
    Similar Items:
    1. Ian Bostridge - Songs of Faure, Debussy & Poulenc
    2. The Noel Coward CD Audio Collection Selections
    3. Perspectives
    4. Mad About the Boy
    5. Schubert: Winterreise

    ASIN: B00006HM8Z
    Release Date: 2002-09-17

    Tracks:

    1. I Travel Alone
    2. Parisian Pierrot
    3. Poor Little Rich Girl
    4. World Weary
    5. Mary Make-Believe
    6. A Room With A View
    7. Dance, Little Lady
    8. If You Could Only Come With Me
    9. I'll See You Again
    10. Zigeuner
    11. The Dream Is Over
    12. Any Little Fish
    13. Twentieth Century Blues
    14. Mad Dogs And Englishmen
    15. Let's Say Good-bye
    16. Something To Do With Spring
    17. The Party's Over Now
    18. Someday I'll Find You
    19. Never Again

    Customer Reviews:

    5 out of 5 stars a voice teacher and early music fan.......2006-03-25

    I have always admired the nonchalant and somewhat dry humor of Noel Coward lyrics, not to mention the interesting twists and turns that his music often takes, I admire Ian Bostridge for attempting his songs and doing a "bang-up" job of it! A quote from Ian Bostridge prior to making this recording:"My first concern while contemplating a disc of Noel Corward songs was finding a voice for them,,,,,,We need to remember that, in Coward, we have not only a formidable playwright and screenwriter, but also the English equivalent of Irving Berlin or Cole Porter". After I heard this from Bostridge (on an interview on ABC) I began to appreciate the songs much more than previously.There is much philosophising going on as in "I Travel Alone" and some are quite humorous as in "Mad Dogs and Englishmen". One has to listen more than once to get it all, but it's worth the time. And I definately think that Ian found the voice to sing them.Do I prefer Bostridge singing classical??Of course!!!!!But I still enjoy a break now and then and I'll take this disc for that reason.

    4 out of 5 stars Mad dogs and an Englishman called Ian .......2005-09-02

    I must say that I approached this album as a fan of Ian rather than Noel Coward (and admittedly still don't really have a good idea of who the man is). So in terms of Ian's singing, I like it a lot. He has a wonderfully dextrous voice and a clear tone, complemented by Jeffrey Tate on the piano and the soprano Sophie Daneman for several numbers.

    Generally I find myself unable to appreciate the work of classical singers who do crossover albums, but Ian is an exception. It has been said elsewhere that he may lack a robustness in his voice, but here in fact, one would not wish for an overpowering tenor. He isn't at all overblown, unlike many other singers in crossovers. The lightness of his voice lends a kind of intimacy to these recordings, as if he were singing in a café or an at-home musical evening.

    The material is, of course, a departure from Schubert, &c., but he handles it well. However, I do think that he has a better emotional feel for the 19th century German romanticists and the 20th century British classical composers (i.e. Britten). This recording is pleasant but it seems to me to lack the emotional depth of Ian's Schumann in particular - a perceived deficiency that might lie with the composer Coward rather than the performer.

    I like to listen to this CD when I want to listen to Ian sing, but am not in the mood for his more serious/depressing recordings (a la Schubert & Britten). The lyrics are pretty inane, the same goes for the songs themselves - melodically speaking - but Ian makes them special. So four stars.

    5 out of 5 stars Coward the Composer, Quite Charming without the Camp.......2002-11-18

    I love this CD. I have a collection of Noel Coward performing his major songs, and I found it entertaining, but frankly I was never much drawn to it after the initial novelty wore off. I never really appreciated Coward as a composer because his campy persona and limited vocal talents got in the way. I bought this CD as a gift for a big Coward fan, and I am ashamed that I have not yet given it to him because I enjoy it so much. Bostridge is a really fine tenor. The beauty and subtlety of his voice bring out the beauty of Coward's melodies and the wit of his lyrics without overwhelming them with a heavy and mannered "classical" style, which is the bane of most such "crossover" CDs. The CD is also beautifully recorded. Outstanding songs include "I Travel Alone," "Parisian Pierrot," "World Weary," and "A Room with a View." Bostridge also has just the right touch with the goofier songs like "Mad Dogs and Englishmen," "Something to do with Spring," and "Any Little Fish." I highly recommend this CD to anyone who enjoys witty cabaret songs in general and Coward in particular. It really did give me a new and greater appreciation of Coward's considerable talents as a composer.

    2 out of 5 stars COWARD'S THEATRE SONGS.......2002-09-30

    Sometimes musical artists should NOT attempt cross-over albums. I am a huge fan of Jessye Norman, Leontyne Price and Joan Sutherland, but their ventures into "popular" music were, at best, misguided and, at worst, heavy-handed and pretentious. Although Ian Bostridge does not embarrass himself, there is no question that he should stick to more "serious" music and leave musical comedy to other singers.

    The theatre songs of Noel Coward take a very different kind of approach than Bostridge gives them. They need an actor who happens to be singing. Except for a very few of the songs on this CD (written by Coward for operettas instead of musical comedies) Bostridge's approach is absolutely without any character. All of these numbers are impeccably sung by Bostridge, but none of them are ever really acted. Coward's songs MUST be acted whether they were written in a comic or sentimental vein. The result is another misfired cross-over album in what otherwise is a splendid career.

    Music Review:

    1. Trouble Is Real [Import]
    2. Two Highways
    3. Undone
    4. Voices Across the Canyon
    5. Walks with Lions
    6. What Can One Little Person Do?
    7. When The River Cries
    8. With Friends Like These
    9. Women Folk [Import]
    10. Wretched Refuse String Band

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