Second Wind
Second Wind
Track Listings
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1. Second Wind
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2. Your Pain
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3. American Dream
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4. Perfectly
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5. A Father's Lament
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6. Did You Ever
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7. A Dream of Last Things
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8. The Heart Remembers (Signs of Grace)
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9. The Ritual
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10. Autumn Elegy
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11. Rhythm
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12. Lives and Loves
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13. Bring Me Your Peace
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Editorial Reviews
- B Section (newsletter of the Madison Songwriters Group), April 2003
"Tracy uses her clear, pure vocals and fine guitar work to good effect on these thirteen tracks of contemporary folk
"
Product Description
Nominated for BEST ACOUSTIC ALBUM by the Madison Area Music Awards; Two songs honored by SONG OF THE YEAR international songwriting contest. Tracy's debut album, released in late 2002. Features thirteen original acoustic tracks, lightly produced with a very live, acoustic feel. You'll hear Tracy's hypnotic vocals and stunning guitar, cello, piano, and hammered dulcimer work, plus appearances by several guest musicians. Produced by Randy Green (Cottage Grove, WI). Song of the Year international songwriting contest named "A Father's Lament" as a finalist in the Folk category (September 2004), and "The Heart Remembers" received an Honorable Mention (August 2004).
Second Wind
Second Wind,Tracy Jane Comer,Independent,Nominated for BEST ACOUSTIC ALBUM by the Madison Area Music Awards. Multi-flavored original pop/folk...subtly influenced by an extensive and varied musical background that includes classical, folk, rock/pop, musical theater, choral music, and early music.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Flashy, Fun, and Flamboyant
- stunning musical review
- Nice and lively!
- Sounds even better than when I first heard it
- A staple
|
Screamers (Circus Marches)
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
Marches
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General Contemporary
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
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Similar Items:
- Fennell Conducts Sousa
- Under the Big Top: 100 Years of Circus Music
- Fennell Conducts Hands Across the Sea
- The Grand Old Circus Band
- Circus Music from the Big Top
ASIN: B0000057L1
Release Date: 1991-02-08 |
Tracks:
- In Storm And Sunshine
- Whip And Spur
- Invictus
- The Big Cage
- Bones Trombone
- Them Basses
- The Circus Bee
- The Screamer
- Thunder And Blazes
- Robinson's Grand Entree
- Circus Days
- Bombasto
- The Squealer
- Rolling Thunder
- Bennett's Triumphal
- Bravura
- Bugles And Drum
- Illinois March
- Children's March
- The Interlochen Bowl
- Onward-Upward
- Boy Scouts Of America
- Americans We
- Officer Of The Day
- March
- Second Regiment, Connecticut National Guard March
- The Mad Major
- Guadalcanal March From
Customer Reviews:
Flashy, Fun, and Flamboyant.......2007-05-31
The Circus March is unfortunately a style of music that is often ignored, yet can be one of the most difficult things to play. Musicians almost have to have a feel for it to achieve the desired effect. Each march contained herein captures both excitement, showmanship, and even a certain degree of comedy that is associated with this style. Listening to these brings back a by-gone era of bearded ladies, roller coasters, and kettle corn. If you play this regularly, you may even begin to smell the peanuts roasting....
stunning musical review.......2005-09-27
This is music I have not heard, or played, for years. Most impressive musicianship. And the tempos are unbelievable! For this size group, it is amazing--and nothing less would be expected.
I am a retired music teacher, and this brought me back to the times when I played in large marching bands, or smaller groups for the local rodeo, as a college student. Great excitement in listening, and being swept away to a time when I had less to worry about.
The music itself has a great affect on me, besides the impressive way in which it is delivered. Great sound. Great precision. Great music that just isn't played or used much anymore. How fun to relive those moments--especially the ones featuring the trombone.
Nice and lively!.......2004-04-28
I was specifically looking for music of the circus and this recording just blew me away. It is clean and well done -- technically speaking. The Eastman Wind Ensemble is spectacular! If you are looking for something that sounds like a circus band, this is NOT it. This is a very professional, high quality recording of some of the best march music ever composed.
Sounds even better than when I first heard it.......2004-03-01
When I first heard the last eleven marches on this recording; I heard them on tape, and I really enjoyed them, this was back in 1988 when I was in the seventh grade. When I moved in the winter of 1988, I lost that tape. I was very sad when I did, and it was not until the summer of 2002 that I saw this recording at amazon; 14 years later still great, and sounds even better on CD than it did on tape. This time was even better, because it has even more marches, in the old tape, it had what on this recording are tracks 17-28. Tracks 1-16 are equally good, this recording is of a great sentimental value for me...I hope you enjoy as much as I have 14 years later....
A staple.......2003-06-14
A great collection of marches not by Sousa conducting by none other than Fennell. You can't go wrong having this in your band CD collection.
Average customer rating:
- Return to Sanity
- Have Some Madeira
- British humour at its best
- If you haven't heard this...
- Gentle Satire
|
Complete Flanders & Swann
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
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Similar Items:
- The Songs of Michael Flanders & Donald Swann
- At the Drop of a Hat
- The Best of Flanders & Swan - A Transport of Delight
- Beyond The Fringe (1961 Original London Cast)
- Too Many Songs by Tom Lehrer
ASIN: B000006T4S
Release Date: 1997-04-30 |
Tracks:
- Warthog, The (The Hog Beneath The Skin)
- The Sea Horse
- The Chameleon
- Whale, The (Mopy Dick)
- Je Suis Le Tenebreux
- Songs For Our Time
- A Song Of The Weather - Flanders & Swann
- The Reluctant Cannibal
- Greensleeves
- Misalliance
- Kokoraki
- Madeira M'Dear?
- Too Many Cookers
- Built Up Area
- In The Bath (From 'At The Drop Of A Hat')
- Sea Fever
- The Hippopotamus Song
Tracks:
- The Gas Man Cometh
- Sounding Brass
- Los Olividados
- In The Desert
- The Sloth
- The Rhinoceros
- Kangaroo Tango
- Jaguar
- Dead Ducks
- The Elephant
- By Air
- Slow Train
- A Song Of Patriotic Prejudice - Flanders & Swann
- The Humming Bird
- The Portuguese Man-Of-War
- Sea Fever
- The Hippopotamus Song
Tracks:
- The Gas Man Cometh
- Sounding Brass
- Los Olividados
- In The Desert
- The Sloth
- The Rhinoceros
- Kangaroo Tango
- Jaguar
- Dead Ducks
- The Elephant
- By Air
- Slow Train
- A Song Of Patriotic Prejudice - Flanders & Swann
- The Humming Bird
- The Portuguese Man-Of-War
- The Wild Boar
- The Ostrich
- The Wompom
- Twice Shy
- Commonwealth Fair
- P** P* B**** B** D******
- Paris
- Eine Kleine Nacht Musik Cha Cha Cha
- The Hundred Song
- Food For Thought
Album Details
Fantastic Triple CD Box Set of the Recorded Works of One of Britain's Most Popular Comedy Duos. Their Keen Observations of Everyday British Life and Abilities to Exemplify them in Song Made them the Darlings of the UK. Cleverness, Wit and Absoute Hilarity were the Order of the Day, in Just About Any Style of Music. Pure Comic Genius on Three Discs!
Customer Reviews:
Return to Sanity.......2005-07-27
Before Monty Python, before the Beatles, before "'Enery the Aigth Oi Am" there was the subtle, sweet, insdious humor of Flanders and Swann, and their lyrics remain part of the recognition rituals of Ivy Leaguers of the sixties. For any aging hippies or yuppies who find life WAY more stressful than we ever expected, and for whom the down side of alcohol, sex, and drugs has become apparent, I recommend listening several times to "In the Bath". It raises a cry for peace among the nations by inviting all the leaders to sit congenially steaming in a communal bathtub. And they reminding us of our essential self-interest when they add the proviso "as long as Swann and Flanders get the end without the taps." On those nights when we suspect that there isn't any point to it all, reach for the Flanders and Swann. They won't convince you there is any meaning to life, but they'll make it a lot easier to bear. Don't even try to do without it.
Have Some Madeira.......2005-07-06
Not every line in Flanders and Swann has become part of our 37-year marriage, but many have. As our turntables fail, we are pleased that we can relive all the fun stuff we used to collect. Nothing is like this duo, especially what you usually hear as French horn by Mozart converted into "I found that horn go(r)ne." And, of course,
"Have some Madeira, m'dear" is an all-time favorite.
British humour at its best.......2003-03-15
When I started out as a teacher of English, I had the most wonderful colleague as a mentor -- when she retired she gave me three LPs with much of what is on these CDs, and it must be one of the best gifts I have ever been given. Practically all of it makes me smile or laugh out loud (although I must admit that some, like The Armadillo and Slow Train, make me so melancholy that I can just feel my lower lip tremble and my eyes fill up). How can you beat lines like "Hail to thee, blithe Wompom", or "The English are moral, the English are good / And clever, and modest, and misunderstood"? I find they make great listening exercises for my teenaged students as well -- they consider it ancient, but incredibly funny!
If you haven't heard this..........2003-01-16
The great comedic pairing of the late Michael Flanders (vocals) and Donald Swann (piano and occasional vocals) must surely rank among the hall of fame of comic singers and songwriters. Descended from the British music hall tradition, these two men wrote and performed music which still sparkles with wit today, some 40 or more years since it was recorded.
After being told to take up singing as a means of strengthening his polio-weakened lungs, the wheelchair-bound Flanders teamed up with pianist Swann and proceeded to write such classic songs as "The Hippo Song (Mud Mud Glorious Mud)", "The Gasman Cometh", "The Gnu Song", "A Transport of Delight" and many others. As well as a gently satirical spirit, all these songs feature the sublime wordplay and interplay of both men.
The first two discs of this box set are actual concerts - "At The Drop Of A Hat" and its successor "At The Drop Of Another Hat". Recorded at the height of the duo's popularity and form, the sound quality is surprisingly good for recordings this old.
"At The Drop Of A Hat" opens with three of the Flanders and Swann classics. "Transport Of Delight", a song in praise of the "97 horsepower omnibus" features the wonderful harmonies of the duo on lines like "any more fares" and Flanders' dead-on impression of a London busdriver "Geddardait, we're full right up inside". "Song of Reproduction" deals with the new, as it was then, stereo technology and features Flanders delivering an incredible monologue using every conceivable piece of audiophile jargon. "The Gnu Song" (in which "gnu" is pronounced phonetically) is a real treat. The audience's reaction to the reappearance of the gnu is superb.
As well as this opening trio, the disc features Flanders' snippets of "Songs For Our Time" (in which he experiments with conventions of hit songs), "Song of the Weather" (a rundown of English weather throughout the year), "The Reluctant Cannibal" (featuring Swann in the tititular role and the chorus "I can't eat people/I won't eat people/eatin' people is wrong"), Swann's foray into Greek folksong "Kokraki" and the justifiably famous "Madeira M'Dear". The performance ends with a rousing version of "The Hippo Song".
Flanders is in fine voice throughout and his comments introducing each song are delivered with deadpan accuracy. The story behind "The Gnu Song" is an absolute masterpiece. Flanders' monologue about the creation of "Greensleeves" is also superb - "'Greenfleeves'. That's an interesting name for a fong" (referencing old English script) being just a taste.
"Another Hat" begins in equally fine form with "Gasman Cometh" and "Ill Wind". "Gasman", presaged as "a tale of unending domestic upheaval", is sure to have most people who've ever dealt with unreliable tradesmen nodding in agreement, while "Ill Wind" is Flanders' attempt at setting words to a French horn concerto featuring the immortal lines "I lost that horn/lost that horn/lost that horn/found that horn/gorn". The performance continues with Swann's Russian/English song "In The Desert", the ending of which is truly side-splitting. "All Gall" (a reinterpretation of "This Old Man" to fit then-French President Charles de Gaulle) is a little dated but very cleverly done. "Song of Patriotic Prejudice", with its introduction and opening lines grabbing the audience's attention is another triumph, while the "Hippo Encore" is a great end to the performance.
Again Flanders is at his peak. His loving description of the Spanish olive-stuffers ("Olividados") and his superb story about flying ("By Air") are both brilliant examples of the shaggy dog story.
My favourite from both of these discs would have to be "First and Second Law". Flanders decides to educate Swann in elementary science and picks on the first and second laws of thermodynamics ("heat is work and work is heat" and "heat cannot of itself pass from one body to a hotter body") and the repetition of these phrases in time to Swann's barely-there piano accompaniment is one of the finest moments in British comedy.
The third disc is largely forgettable. It begins with a series of animal-related songs performed in a studio and without much of Flanders' rambling introductions. "Warthog" has its moments, while the others were clearly not performed in front of an audience for a reason. "Wompom" is also mildly diverting, presenting a story about a made-up substance which is the answer to everything.
The rest of the disc is then filled out with much earlier material in a rather poorly-recorded concert. "20 Tons of TNT" (related to the calculation the pair had done which gave that as the amount of TNT per person on the planet at the time) provides food for thought, but little more.
Is this box set for everyone? No. Much of the humour both within and without the songs does require a bit of background knowledge to what was going on in Britain and Europe at the time (1960s), John Profumo is referenced a few times as well as Charles de Gaulle and the Common Market, while a smattering of classical music knowledge can help out a bit with Swann's work and "Ill Wind". The fact that my grandfather (who's in his late 70s) recalls hearing these songs and laughing may give an indication as to the age of some of the subject matter. Equally the fact that "First and Second Law" references an awful lot of physics might do the same.
Nevertheless, for anyone who loves British humour done in a gentle manner or who is interested in the source of "mud mud glorious mud/nothing quite like it for cooling the blood", give these CDs some serious consideration.
Gentle Satire.......2002-04-03
I've been singing Flanders and Swann every day In the Bath since I first heard them in 1964. If you don't know them, think Gilbert and Sullivan by way of English music hall and Noel Coward, with a bit of Tom Lehrer musical satire and classic Bob Newhart or Charlie Manna monologues. F&S commented gently on their times: "The purpose of satire, it has been rightly said, is to strip away the veneer of comfortable illusion and cozy half-truth. And our job, as I see it, is to put it back again." Quite simply the best comic songs and patter of the 20th century. Michael died in 1975, Donald in 1994. Goodnight, Mabel Figworthy, wherever you are.
Here are some samples of Michael's verbal wit.
Wordplay:
- "A Transport of Delight," their song of the pleasures of the double-decker bus "has recently been adopted as the theme song of the Underground resistance movement."
- Speculating that Henry VIII wrote Greensleeves: "and the royalties go to royalty."
- About a tennis referee late in the day: "the umpire upon whom the sun never sets."
- Explaining how he was hoisted in his wheelchair onto airliners by a fork lift: "Why they need a great machine like that to lift forks I do not know. Well, they're only plastic, now, aren't they?"
- On status symbols: "The object is to Gunga Din your neighbor: 'I'm a better man than you' is the acid test," and, "let's bang our status cymbals with the best."
- To a disenchanted cannibal: "You used to be a regular anthropophagi."
- Of a lecher: "And he said as he hastened to put out the cat, the wine, his cigar, and the lamps," while the girl "lowered her standards by raising her glass, her courage, her eyes, and his hopes."
- At the corrida d'olivas (the Andorran festival of olive stuffing, not to be confused with the Spanish corrida de toros, or bullfight): "And a great cry goes up of Ole! He has made an 'ol."
- "It's no good going up to a scientist and saying to him like you would to anybody else, 'Good morning, how are you, lend me a quid, and so on.' He'll just glare at you, or make a rude retort."
Throw-aways
- During the height of the cold war the Soviet Union sent the Moscow Ballet on a world tour. Donald sang one chorus of the Hippopotamus Song "mud, mud, glorious mud - nothing quite like it for cooling the blood" in Russian. Michael: "That should improve our cultural relations."
- During the 1963 Mandy Rice-Davies and Christine Keeler scandal: "None of that going around saying no smoke without fire. Nil cumbustibus, Profumo." Also, from "Friendly Duet," "such models of friendship are precious and rare, while the friendship of models is not."
- "Now if you're writing a musical, as I'm sure practically all of you are, . . ."
- Of Donald: "You know that no one has a higher regard for your music . . . than you do yourself. I merely meant that you are not great because you are not dead. If you wish to be great you must stop composing and start decomposing."
- "We never found a rhyme for (Soviet Premier Nikita) "Kruschev" until he was dead: Did he die or was he "pushed off"?"
- "We spent two dreadful, uh, delightful years, entertaining the Americans whose need, let's face it, is greater even than yours. Of course, when we're over there we say that the other way 'round."
- "No matter what you may say about the Germans, and who doesn't . . ."
- "Some of the songs that have made our names a household word, like slop-bucket . . ."
- "They've started testing cars now. They started at 10 years, then 5, now three. There's even some talk of having them tested before they leave the factory."
Absurdities
- "I'm delirious about our new oven fitted with the eye-level grill. This means that without my having to bend down the hot fat can squirt straight into my eye."
- A spectator during the construction of Stonehenge: "So, it's not going to be lived in. Well, that's something anyway. So what is it, then? It's a what?! A calendar?! A bit big for a calendar isn't it? You'd look pretty foolish with that on your desk."
- "Donald knocked himself out this morning. Got one of those new pop-up toasters. Nasty things."
Incredible multiple rhymes:
- "The fair hippoptama he aimed to entice from her seat on her hilltop above, as she hadn't got a ma to give her advice, went tip-toeing down to her love."
- Of Josephine: "Nonsense, said Bonaparte. She lives on her own, apart, in her own apartment."
- "Oh let us be married if our parents don't mind. We'd be happy and inseparable. Inextricably entwined. We'd live happily every after, said the Honeysuckle to the Bindweed."
- "And you'll always see a single lace-less left-hand leather boot. A bootless British river bank's a shock. We leave them there at midnight, you can track a member's route by the alternating print of boot and sock."
Average customer rating:
- 1950's British Humor Meets "The Daily Show"
- Not quite the best, but pretty good...
- wonderful!
- Funny and very English songs
|
The Best of Flanders & Swan - A Transport of Delight
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD
General
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| Dance Pop
| Dance & DJ
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Similar Items:
- At the Drop of a Hat
- Complete Flanders & Swann
- The Songs of Michael Flanders & Donald Swann
- Songs & More Songs By Tom Lehrer
- That Was the Year That Was
ASIN: B000026LBT
Release Date: 1994-05-06 |
Tracks:
- Act One: Introduction
- A Transport Of Delight
- Song Of Reproduction
- The Gnu Song
- Songs For Our Time (Philigical Waltz: satellite Moon; A Happy Song)
- A Song Of The Weather
- Greensleeves
- Misalliance
- Madeira M'dear
- The Hippopotamus Song
- Act Two: Introduction
- All Gall
- Horoscope
- The Gas Man Cometh
- Sounding Brass
- Ill Wind
- First And Second Law
- By Air
- A Song Of Patriotic Prejudice
- Hippo Encore
- The Wompon
Customer Reviews:
1950's British Humor Meets "The Daily Show".......2007-01-10
Combine John Stewart ("The Daily Show") with cabaret and set it in 1950's England -- you've got Flanders & Swan. Funny. Insightful. Cutting. Wise. Fun. How can you go wrong? The singing duo were a delight and their humor feels as timely now as it must have forty years ago. Highly recommended.
Not quite the best, but pretty good..........2006-06-25
Flanders and Swann were brilliant, witty songwriters who wrote acute but subtle satire (among other things). In spite of the title, this record is not a "Best Of" collection, but a repackaging of their two best-known albums, "At the Drop of a Hat" and "At the Drop of Another Hat." A lot of people don't realize that there were two recordings of "At the Drop of a Hat": the first, produced by George Martin for Parlophone, was recorded during its original run at the Fortune Theatre in London in the late '50s, and is much better than the Angel Records version recorded on Broadway. This reissue, unfortunately, uses the Broadway version, in which Flanders seems a little bored with the material (or perhaps unsure that the American audience will get some of the jokes) and tends to rush the punch lines. This collection also omits one of the best songs from "At the Drop of a Hat"(which certainly belongs on any CD with this title), the conscientious-objection allegory "The Reluctant Cannibal."
While this is well worth listening to, your money would be better spent on the original "Hats" in their complete form (with "Cannibal"), preferably the Martin-produced version, if it's still available.
wonderful!.......2006-03-15
This live recording of some of the best loved Flanders and Swann songs is truly a transport of delight!
Funny and very English songs.......2003-06-05
Michael Flanders and Donald Swan composed and sang their own amusing songs, accompanied by Donald Swan playing the piano. Flanders was a large man in a wheelchair and Swan a slight man. Good natured, somewhat dry, very English lyrics, and somewhat dated as they were popular in the 1950s and 1960s. They did wonderful stage shows in those simpler times.
Average customer rating:
- Not impressed
- Inexorable wonder!
|
Magical Musicals / Kunzel, Cincinnati Pops Orchestra
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
Elfman, Danny
| ( E )
| Featured Composers, A-Z
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General Modern
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| Pop
| Styles
| Music
Orchestral Pop
| Easy Listening
| Pop
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
Similar Items:
- The Magical Music of Disney
- Ragtime at the Magical Kingdoms
- The Big Picture
ASIN: B00001QGKF
Release Date: 1999-09-28 |
Tracks:
- Hercules: Introduction
- Hercules: The Gospel Truth
- Hercules: One Last Hope
- Hercules: I Won't Say
- Hercules: Zero To Hero
- Hercules: A Star Is Born
- Hercules: Go The Distance
- Aladdin And the King Of Thieves: Party In Agrabah
- Pocahontas: Just Around The River Bend
- The Return Of Jafar: You're Only Second Rate
- The Return Of Jafar: Forget About Love
- The Return Of Jafar: I'm Looking Out For Me
- The Return Of Jafar: Nothing In The World
- Toy Story: You've Got A Friend In Me
- 101 Dalmations: Cruella De Vil
- Pocahontas: Colors Of The Wind
- Oliver And Company: Once Upon A Time In New York City
- Oliver And Company: Why Should I Worry?
- The Nightmare Before Christmas: What's This?
- James And The Giant Peach: Good News
- Mulan: Orchestral Suite
- The Hunchback Of Notre Dame: The Bells Of Notre Dame
- The Hunchback Of Notre Dame: Someday
- The Hunchback Of Notre Dame: God Help The Outcasts
- The Hunchback Of Notre Dame: Topsy Turvy
- The Hunchback Of Notre Dame: Court Of Miracles
- The Hunchback Of Notre Dame: A Guy Like You
- The Hunchback Of Notre Dame: Heaven's Light
Customer Reviews:
Not impressed.......2003-11-25
I was not terribly impressed with this CD. Fortunately, I decided to get it from the library to see if it was good before deciding whether or not to buy it.
Although the orchestration of the songs is well done, most of them simply were not meant to be performed by a chorus; and they sound terrible in that form. If you want some of the songs on this CD, I suggest you look at one of Disney's compilation CDs in the Classic Disney Vol. 1-5 series or the actual soundtracks of the movies.
Inexorable wonder!.......2001-06-23
Where to start?! Erich Kunzel and the Cincinnati Pops Orchestra have had a track record for recording some of the most stupendous movie music ever. Magical Musicals is just another example of how audaciously bold, yet beautiful Kunzel and the Cincinnati Pops have taken the original scores, molded them into the same pieces, yet at the same time, creating life of their own in each and every note. If you are looking for ANY soundtrack containing Disney music, this should be the first CD you listen to. There are others out there, and yes, they may sound beautiful and enchanting, but you won't find such a unique and compelling score anywhere else other than this CD. Check it out!!
Average customer rating:
- A pleasent surprise.
- Great
- The Magic Trumpet of Old shows new life
- Welcome Back Herb!
|
Second Wind
Herb Alpert
Manufacturer: Almo Sounds
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
General
| Pop
| Styles
| Music
Soft Rock
| Pop
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
Orchestral Pop
| Easy Listening
| Pop
| Styles
| Music
General
| Rock
| Styles
| Music
Similar Items:
- Colors
- Passion Dance
- Midnight Sun
- My Abstract Heart
- North on South St.
ASIN: B000001OAC
Release Date: 1996-04-23 |
Tracks:
- Second Wind
- Flirtation
- Wherever You Are
- Sneakin' In
- Drivin' Home
- Can't Stop Thinking About You
- Flamingo
- My Funny Valentine
- Side Steppin'
- Rendezvous
- Across The Bridge
- Sugar Cane
Customer Reviews:
A pleasent surprise........2007-04-27
I recently purchase this cd (Japan version) and was blown away by the strength of the second wind.With the exception of 2 tracks this album is near perfection.There is something about Herb Alpert trumpet playing that really relaxes my nerves. This album has track after track of smooth and mellow music with just a slight touch of funk....highly recommended.Japan version has a smoking remake of the " lonely bull".
Great.......2006-08-05
This is probably the best jazz album Herb Alpert recorded since Rise in 1979, possibly better. With a few exceptions--the horrible "Flirtation" (it's really that bad) and the annoying "Sneakin' In," every track is nice, and there are two or three masterpieces. There used to be some review calling Alpert's cover of "My Funny Valentine" "forgettable," but that's ridiculous--it's gorgeous, and doesn't have the song's insulting lyrics. Same verdict on "Rendezvous." Drivin' Home is probably the next best track.
The Magic Trumpet of Old shows new life.......2000-10-25
Don't let the drab CD cover fool you-- Herb Alpert's "Second Wind" is a treat for those who enjoy smooth jazz, particularly trumpet. The influence of co-writer Jeff Lorber is obvious here, as the music is very upbeat, but Jeff doesn't play the trumpet. There is still something about Alpert's trumpet tone that is unique. There is no tint. It is so smooth and rich. Listen to the track "Wherever you are," for example and ask if you have ever heard such a beautiful tone from a trumpet. Alpert's playing is great throughout the CD-- Side steppin' and Rendezvous display his fine technique and great tone, which for me more than make up for his limited high-end range. I had to listen to the CD four or five times to appreciate it. Give it a try, its great music to relax to.
Welcome Back Herb!.......1998-10-01
Herb Alpert's first release in four years - and on his new label - is a joyous one! Teaming up with keyboardist Jeff Lorber, Alpert embarks on a funk-jazz romp that showcases some of his best playing on record. He conjures up images of Miles Davis on many of the songs, yet it isn't a ripoff of Miles at all. Alpert is a smart player. He knows what he can and can't do, and stays within himself. Opening up with the aptly-titled "Second Wind" Herb and Lorber create a great groove which gives Alpert some freedom to roam around on the horn. "Driving Home" is another hot song with Herb playing some really nice jazz on. Lorber does some nice playing on "Sneakin' In" with the Hammond B3 organ, conjuring up images of Jimmy Smith. This is some of Lorber's best playing on record, too. On his own Lorber ends up playing a zillion notes per second, but under Alpert's guidance he plays only when necessary. The two combined to compose most of the songs, including the beautiful "Rendevouz", where Alpert shows his romantic side of playing. And his version of "My Funny Valentine" is also very hip. For those who haven't listened to Herb Alpert in a long time, this is a CD that will impress you.
One other note: The Japanese version of this CD contains a bonus track - a "live" version of "The Lonely Bull", which was Alpert's very first hit with the Tijuana Brass. Very funky, with great solos by Alpert and Lorber!
Average customer rating:
- Delightful Disney Music
- Uncle Walt would be quite honored!
- Fabulous CD
- sleeping to Disney
- this is a treasure
|
Heigh-Ho! Mozart
Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD
Wedding Music
| Miscellaneous
| Styles
| Music
General Christmas
| Holiday
| Miscellaneous
| Styles
| Music
General
| Children's Music
| Styles
| Music
General
| Classical
| Styles
| Music
Compilations
| Classical
| Styles
| Music
General Christmas
| Holiday Music
| Special Features
| Music
Similar Items:
- Bibbidi Bobbidi Bach: More Favorite Disney Tunes
- Beauty and the Beat: Favorite Disney Tunes in Steelband Style
- Ragtime at the Magical Kingdoms
- Simply Mad About the Mouse
- Heigh Ho Banjo Bluegrass Salutes Favorite Disney Songs
ASIN: B000000709
Release Date: 1995-06-16 |
Tracks:
- Colors of the Wind in the Style Of - English Chamber Orchestra
- Heigh-Ho! In the Style Of - Shanghai Quartet
- Beauty and the Beast in the Style Of - English Chamber Orchestra
- Second Star to the Right in the Style Of - Voices of Ascension
- Under the Sea in the Style Of - Millar Brass Ensemble
- I Wanna Be Like You in the Style Of - Los Angeles Guitar Quartet
- Can You Feel the Love Tonight? - English Chamber Orchestra
- With a Smile and a Song in the Style Of - Carol Rosenberger
- Who's Afraid of the Big Bad Wolf? [In the Style Of] [In the Style Of... - English Chamber Orchestra
- Dream Is a Wish Your Heart Makes in the Style Of - English Chamber Orchestra
- Main Street Electrical Parade [in the Style Of Mozart] [In the Style of - Los Angeles Guitar Quartet
- Feed the Birds [In the Style Of...] - Shanghai Quartet
- Little April Shower in the Style Of - Anthony Newman
- Winnie the Pooh in the Style Of - Shanghai Quartet
- Prince Ali in the Style Of - Millar Brass Ensemble
- When You Wish upon a Star in the Style Of - English Chamber Orchestra
Customer Reviews:
Delightful Disney Music.......2007-03-28
These Disney tunes done in the style of classic composers are so much fun. Children and adults alike will enjoy these songs over and over.
Uncle Walt would be quite honored!.......2006-12-20
For many a baby boomer, Walt Disney meant animation. But, besides that, music played an important part in the telling of the story. So interested in music was the animator that he fashioned one of his greatest triumphs ("Fantasia") on the works of the great masters.
Well, Donald Frasier and a bevy of musicians have compiled a wonderful collection of interpretations of familiar Disney tunes, many from Walt's time, along with a few latter day compositions.
Every selection is a winner, destined to make the listener reflect and recall the films from which they came. And if one is familiar with composer whose musical style is "copied" here, the album is a treasure.
Fabulous CD.......2006-10-04
Being a classical music connoisseur, I often listen to my local public classical radio station to hear the works of the great composers of old and of today. One day the station played "Colors of the Wind" and announced it was from this CD. I fell in love with it. I am a huge Disney fan who has over 350 Disney songs on my iPod. Pretty much the only music I listen to is either classical or Disney. And having them combined makes this CD euphoria for the ears.
Each song is in the style of a different classical composer, and usually in the style of one of their more specific songs. One with a trained ear will hear chords and melodies in almost perfect similitude of the original.
I can listen to this CD over and over and never get bored. How could you be bored when you're hearing all of your favorite old Disney songs in a new exciting way?
sleeping to Disney.......2006-07-30
I am really pleased that there is a classical music cd that has only Disney classics so that I can play them for my infant daughter while she sleeps. We are big Disney fans and it's fun to play these instead of the regular classical music. They sound just like the original songs. I would have given 5 stars but I wish they would have had all instrumental music, one of the songs has a choir singing, but it still sound good.
this is a treasure.......2003-05-11
Disney music is always uplifting. Classical music is beautiful. Combine the two - and you get THIS! "Colors of the Wind" is glorious, followed by the enchanting title track. "Beauty and the Beast" is true to the romance of the original. "The Second Star to the Right" is magical. Everything is awesome - and flawless. I initially bought this because I love The Main Street Electrical Parade music, and that is definiely a highlight here - but so are ALL the other songs! This is GOOD STUFF! It is so excellent that it can be a very beneficial introduction to classical music - for kids AND adults.
Average customer rating:
- Auger - The Legend Continues
- ROCK, JAZZ AND FUSION
|
Second Wind
Brian Auger's Oblivion Express
Manufacturer: Castle Music UK
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Britain
| British Isles
| Europe
| International
| Styles
| Music
General
| Jazz
| Styles
| Music
Jazz Fusion
| Jazz
| Styles
| Music
General
| Rock
| Styles
| Music
Progressive Rock
| Progressive
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Jazz
| Imports
| Stores
| Music
Rock
| Imports
| Stores
| Music
Similar Items:
- Straight Ahead
- Brian Auger's Oblivion Express
- Closer to It!
- Closer to It!
- Live Oblivion, Vols. 1-2
ASIN: B000AA5X5M
Release Date: 2005-10-03 |
Tracks:
- Truth
- Don't Look Away
- Somebody Help Us
- Freedom Jazz Dance
- Just You, Just Me
- Second Wind
- Freedom Jazz Dance [Live][*]
Album Description
Auger's oblivion express at the height of their powers, Second Wind was their first entry in the US charts. Includes the club classic 'Freedom Jazz Dance'. Castle. 2005.
Album Details
Digitally Remastered Edition of Auger's Third Outing with the Oblivion Express Where He Called on the Talents of the Late Robbie Mcintosh (Later of Average White Band), Jim Mullen and Vocalist Alex Ligertwood to Make "Second Wind" in 1972. It's an Effortlessly Funky Album, Full of Auger's Characteristically Soulful Keyboard Work and featuring the Club Classic "Freedom Jazz Dance".
Customer Reviews:
Auger - The Legend Continues.......2006-03-29
My first Brian Auger and the Oblivion Express purchase was the album "Straight Ahead" back around 1970 or thereabouts. When I saw the CD re-issue on Amazon, I ordered it immediately, along with his retrospective CD, "Auger Rythyms". Both of these CD's are must have's for any Brian Auger fan ... However, there was a song I remembered from back in the day that was not on either one of these CD's ... A haunting, almost eerie echoed chord progression, backed by Brian's signature electric piano licks. The problem was,I couldn't for the life of me remember the song's title! Well folks, I scanned the album "Second Wind" song list and lo and behold, one of the selections was a tune named "Look Away" ... Paydirt! The entire CD is Auger at his finest ... One standout after another with the symetry and expertise we've all grown to love in all of Brian's work. Give a listen, you will not be sorry. Just a footnote .... Brian appears as a guest artist on one of "Down to the Bone"'s recent releases. 36 years after "Second Wind", he's still going strong!
ROCK, JAZZ AND FUSION.......2006-03-12
The first time I heard SECOND WIND was in 1972 and I was simply blown away.
34 years later, hearing the same album again and getting blown the same old way.
SECOND WIND is a combination of Jazz, Rock and pop music mixed in different songs. You've got to hear it to believe it.
SECOND WIND is Brian Auger's third release with his new band called OBLIVION EXPRESS.
Auger on Organ, Jim Mullen on Guitar, and Barry Dean on Bass; Accompanied on vocal by Alex Ligertwood for this single release who delivered a spectacular sound, adding an excellent touch to all 6 tracks of this album. (this release has 1 additional tracks which does not exist on the copy I own)
If you are into Rock, Jazz and fusion this album will be a rare find and a real treat.
I personally own all Brian Auger's albums however, If you hear and enjoy SECOND WIND, my second recommendation for the the same artist would be VOICES OF OTHER TIMES.
Another recommendation: Tony williams; "The Collection"
Average customer rating:
|
Second Wind: Keeper of the Flame
Delbert Mcclinton
Manufacturer: Raven [Australia]
ProductGroup: Music
Binding: Audio CD
Contemporary Blues
| Blues
| Styles
| Music
General
| Blues
| Styles
| Music
General
| Country
| Styles
| Music
General
| Bluegrass
| Country
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Contemporary Blues
| Blues
| Indie Music
| Stores
| Music
Similar Items:
- Never Been Rocked Enough
- One of the Fortunate Few
- Nothing Personal
- Cost of Living
- Delbert McClinton
ASIN: B000067F8W
Release Date: 2002-06-17 |
Tracks:
- 'B' Movie
- Isn't That So?
- Corinna
- Take It Easy
- Spoonful
- It Ain't Watcha Eat But The Way How You Chew It
- Sick And Tired
- Maybe Someday Baby
- Big River
- Lovinest Man
- Plain Old Makin' Love
- Just A Little Bit
- Shot From The Saddle
- I Don't Want To Hear It Anymore
- Have Mercy
- I'm Talking About You
- Two More Bottles Of Wine
- Seesaw
- I Received A Letter
- A Mess Of Blues
- That Woman
Album Description
Two classic country / R&B albums Second Wind & Keeper of the Flame released on CD for the first time. This Generously compiled 21-track (over 75 minutes of music) release adds the bonus cut 'That Woman', from the 1977 album Love Rustler. Contains his original version of 'B Movie', as covered by The Blues Brothers for the million-selling Briefcase Full of Blues LP.
Album Details
Two Classic Country/R&b Albums Recorded for the Capricorn Label on a Single CD for the First Time. Generously Compiled with 21 Tracks at Over 75 Minutes of Music. Includes his Original Version of 'b' Movie Boxcar Blues as Covered by the Blues Brothers for the Million-selling Briefcase Full of Blues LP and 'that Woman' Lifted from his Album 'love Rustler'.
Customer Reviews:
Pure Delbert.......2002-07-09
I owned both of these albums on vinyl many years ago. (I currently have Second Wind on CD). Although I've collected many of Delbert's albums since, These two are in my opinion among his best ever. Not a lot of frills, just soulful vocals and one of the tightest bands you'll ever hear.
Delbert's interpretations of "Spoonful," "B Movie," and "Two More Bottles of Wine" are timeless -- the 20-plus years since their original release makes no difference. This CD would be a good addition to the collection of any Delbert McClinton fan, and a terrific pick if you're only in the market for one of his albums.
Average customer rating:
- Most valuable Barber set.
|
Barber: Adagio for Strings; Violin Concerto; Orchestral & Chamber Works
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Quintets
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
All Works by Barber
| Barber, Samuel
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Nocturnes
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Overtures
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Symphonies
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
Flute
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
Cello
| Strings
| Instruments
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
St. Louis Symphony Orchestra
| ( S )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Similar Items:
- Barber: Violin Concerto; Cello Concerto; Piano Concerto
- Barber: Knoxville Summer of 1915/Dover Beach/Hermit Songs/Adromache's Farewell
- Barber Premiere Recording
- Samuel Barber / Thomas Schippers
- The Best of Barber
ASIN: B0007RO59S
Release Date: 2005-05-24 |
Tracks:
- Adagio For Strings Op.11 - Leonard Slatkin
- Overture, Op.5 - Leonard Slatkin
- I. Allegro - Elmar Oliveira
- II. Andante - Elmar Oliveira
- III. Presto In Moto Perpetuo - Elmar Oliveira
- Essay For Orchestra Op.12 - Leonard Slatkin
- Second Essay For Orchestra Op.17 - Leonard Slatkin
- Medea's Dance Of Vengeance Op.23a - Leonard Slatkin
Tracks:
- I. Allegro Ma Non Troppo - Israela Margalit
- II. Adagio-Presto - Israela Margalit
- III. Alegro Appassionato - Israela Margalit
- Canzone For Flute & Piano Op.38a - Israela Margalit
- I. Un Poco Allegro - Israela Margalit
- II. In Slow Blues Tempo - Israela Margalit
- III. Allegretto - Israela Margalit
- IV. Allegro Molto - Israela Margalit
- Nocturne (Homage To John Field) Op.33 - Israela Margalit
- Slow And Indolent - Stanley Drucker
- Faster - Stanley Drucker
- Lively, Still Faster - Stanley Drucker
- With Motion, As Before - Stanley Drucker
- Joyous And Flowing - Stanley Drucker
- Tempo I - Stanley Drucker
- Pas De Deux - Israela Margalit
- Two-Step - Israela Margalit
- Third Essay For Orchestra Op.47 - Leonard Slatkin
Customer Reviews:
Most valuable Barber set. .......2005-09-14
Having virtually all the shorter orchestral works plus some of the best chamber and instrumental music makes this set more than its weight in gold -- especially now that EMI has sensibly lowered the price even further by issuing it on its Gemini line. This set also fills a void as an adjunct to RCA France's two-disc release of the First Symphony and three concertos with Slatkin and the St. Louis Orchestra. (Or, if you don't want the symphony -- and which Barber lover wouldn't? -- RCA now has those concertos on one very full mid-price disc.) The only major work missing is Knoxville, which no one coming to Barber's music should be without. But, depending on what you want with that heavenly masterpiece, there are ways to easily solve that problem.
Of course, the fiercest competition to these recordings comes from Naxos through Marin Alsop and the Royal Scottish Symphony Orchestra. Both Alsop and Slatkin have Barber's music fully in their blood. They practically breathe and move by the pulse and cadence of the music, and they intuitively understand the yin and yang of its dramatic and the rhapsodic qualities.
Slatkin lingers more than Alsop in the quieter spots, and takes bigger risks, yet maintains greater control and tension in overall pacing. In The School for Scandal Overture, a wider ranging ride through the valleys and expertly picking up the pace through the dramatic peaks shows Slatkin at his best. He adopts takes an even broader pace than Alsop out of the gate in the Third Essay. Once past any thought of ponderousness, one hears how Slatkin links the notes like Alsop, phrasing the lines and even that percussion solo at the onset, taking more time than her in projecting the emotive weight and complexity, which is so easy to miss in this work. The results, as in Alsop's reading, are enormous, but richer and more rewarding.
The other way this set sweeps the field is through the impressive stable of chamber and instrumental works - nearly a full disc's worth. Each performance is very good to exceptional, and together yields a much wider (and welcome) range and variety in Barber's music than we are normally accorded. All of the players deserve special mention: cellist Alan Stepansky and pianist Isreala Margalit in the Cello Sonata; flautist Jeanne Baxtresser and Margalit in the Canzone for flute and piano; Margalit as soloist in Excursions, Nocturne in homage to John Field and two pieces arranged from the piano four-hands Souvenirs; and Baxtresser, Joseph Robinson, clarinetist Stanley Drucker, bassoonist Judith Le Clair and French hornist Philip Myers in Summer Music.
The Violin Concerto is the only also-ran, and not because it is a bad performance - just a less than fully persuasive one. Soloist Elmar Oliveira combines Isaac Stern's firm tone with some of the Kyoko Takezawa's rhapsodic approaches to the melodies. The key word here is "some." As good as Oliviera is - and he is very good - where he lacks is striding one leg on Stern's stay-on-the-rail firmness to the work's structure and the other on Takezawa wider-ranging, more mercurial jaunt around the course. He's astride two horses with very different temperaments and riding styles, not giving either mount his full attention but doing all he can just to keep them together. Slatkin gives this piece his all, but Oliviera holds him back. When you hear Slatkin and Takezawa, you hear how Slatkin and his team are willing to deliver a much more exciting a ride.
Music Review:
- She Speaks
- Soon & Again
- Steady On
- Sticky Fingers
- Sure Feels Like Home
- Take What You Will
- Terpsichore Polyhymnia [Import]
- The Flirtations
- The Gettin's Good
- The Guitar of John Renbourn [Import]
Music Review
music review
Recommended Music:
Trance 2001 [Box set] [Import]
Dream: Western Poets in Russian Music, Vol. 1
Brahms & Schumann: Piano Music
V: Solo Improvisations
Dog Days
Didn't I Blow Your Mind
Celtic Hymns
Catasterpiece
Cool Jazz Hot Didj [Import]
Beethoven: String Quartets Op. 18 & 131 [Import]
Dear Old Southland [Import]
Barbara d'Alcantara
Electro Boogie Boxset [Box set]
Marian Anderson: Brahms Alto Rhapsody & Lieder
Polydemic