The One And Only Me

The One And Only Me

Track Listings

1. At the Grocery Store

2. Children All Over the World

3. The Teddy Bears' Picnic

4. Don't Drink the Water

5. The Doughnut Song

6. One More Try

7. Don't Step on the Rain

8. Families Are Made of Love

9. Monsters Never Comb Their Hair

10. The One and Only Me

11. Clothesline Hop

12. Myrtle the Turtle

13. I'll Hold You

14. Rockabye Ranch

Tracks:

Song of the Vagabonds
I'm Falling in Love With Someone
Streets of New York
Neapolitan Love Song
Desert Song/One Alone
Every Day Is Ladies' Day with Me
Donkey Serenade
Softly, As in a Morning Sunrise
Drinking Song
When You're Away
I Love to Go Swimmin' With Wimmin
I Might Be Your Once-In-A-While
Marianne
Serenade
Indian Summer
When I Grow Too Old to Dream
Gypsy Love Song
Golden Days - Jerry Hadley, Mario Lanza

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Haunted Heart
River
When Did You Leave Heaven?
You've Changed
Answer Me
My Cherie Amour
In My Life
The Moon Is A Harsh Mistress
Wozzeck/The Midnight Sun
Liebst du um Schit
My One And Only Love/This Is Always
Can do Amor
Psych
Hard Times Come Again No More

Amazon.com

While countless fans flock to see soprano Renee Fleming's performances of the Countess in The Marriage of Figaro because she's got the voice and the dramatic ability to handle such meaty roles, the versatile singer throws her fans a curveball on Haunted Heart, singing popular standards and ballads as well as a few altered classical pieces. In her liner notes, Fleming calls this album a "look back at the road not taken" -- she played a weekly gig in a jazz club while in school. Nonetheless, her feel for the material here is undeniable. Interestingly, she drops her voice a full octave from her usual tessitura, and the change reveals a robust gospel-oriented approach filled with dramatic breaths and moans. The lyrical Fred Hersch (piano) and the idiosyncratic Bill Frisell (guitar) provide support, and both are adventurous jazz players who create subtle and uniquely haunting backdrops. It adds up to an interesting cross-section of ideas well carried off by the generous talents of all involved. --Tad Hendrickson

Interview with Renee Fleming
Renee Fleming speaks about recent projects, including her memoir The Inner Voice and her recent Handel CD, in our interview.

Customer Reviews:

Sublime and ridiculous.......2007-06-13

The sublime: much of the artistry of this recording is about sound, and the subtle blending/responding of voice with guitar sounds and / or piano sounds. It is in the sensitive musical interplay between the artists where this effort shines. Definitely not recommended for road trips!

The ridiculous: Fleming ended the majority of most phrases in most of the songs with a guttural of some sort which for me becomes irritating to the point of distraction. These punctuations are mostly quite awful: really tasteless, clumsy, and overused big time and I'm amazed at how this ever got released. Without these ersatz testifyin' noises this CD would be stunning.

So, if you have the ability and inclination to edit out this garbage from your perception as you listen I think you'll be glad you experienced these artists at work together. (Unfortunately I'm not up to it).

Eeeeeeeeeeewwwwwww.......2007-06-06

Ugh. Like a manufactured home vs. a stick-built house, Fleming's manufactured (aka "training and technique") blues voice compares unfavorably to other jazz/blues singers/lounge acts. Would not, COULD not, listen to this recording straight through--one big long, breathy, minor key train wreck in the making. Took the CD on a road trip and had to pull over and remove from queue--either that or drive into a wall.

Better than I thought it would be.......2007-04-10

I have to admit, Haunted Heart was a lot better than I thought it would be,especially her recordings of "River", "The Moon's a Harsh Mistress, "My Cherie Amour" and "In my life".
I think this is the most artistically successful recording of Pop/Jazz by a classical singer. I enjoyed it even better than the Anna Sophie Von Otter'/ Elvis Costello CD.
The perspective I am coming from is that of a classical singer who started out as a pop singer/songwriter. I perform and teach cross-genre but love a world class instrument such as Flemming's
I wanted to get the perspective of a friend who used to sing jingles and is also a trained singer but is usually critical of any attempts that opera singers make at crossing -over.
My friend is very familiar with Flemming's voice, but did not recognise it in this context when I played the CD for her. Her reaction was very complimentary, although she did comment that the diction was a bit strange.
She then played it for her brother a well known jazz singer and arranger who had a somewhat negative reaction.He found the singing to be overly dark and round. He prefers a cleaner more 'spoken' approach to this style of singing. I understand this perspective and therefore personally prefer Ella to Sarah as well, but let's not get too picky. Obviously, Rene Flemming is of the Sarah Vaghan School of jazz singing, which is not too shabby.

I will continue to enjoy this CD and will wait for another opera diva to top this one. But, somehow I think the next really good CD of Pop/ jazz from an opera star will also come from Rene.

To those who have been unreasonably mean and negative towards her, I can only say you are not fit to polish her shoes!

Brava Renee.......2007-04-09

This talented woman can sing anything. I really enjoyed this cd with the lights turned down and a glass of wine to relax after a very stressful day at work. Renee could definitely have another singing career outside of opera should she choose. Hearing her drop that gorgeous voice down one octave rivals the best chanteuses in the business - Cassandra Wilson, Nancy Wilson, Regina Belle, Sarah Vaughan, etc. This cd of different musical styles reminds me of Nina Simone and Cassandra Wilson, two great singers whom could interpret any song genre and make their versions special. I loved all the songs and the standouts here are "Haunted Heart", "River", "My One and Only Love", "My Cherie Amour", "Cancao do Amor", and Beatles "In My Life", and "Hard Times Come Again No More".
I hope Renee keeps recording whatever catches her fancy because I'll certainly always listen.

Art is always new. .......2007-03-10

Renee Fleming is an artist bringing us something new, and beautiful. The poor will always be with us as manifest in those who resent other's movement from their established zones. Renee Fleming is a great female voice with accomplishments her detractors will never have, but in their dreams.

I welcome Renee's elan demonstrated with her recent recordings, Love sublime with Brad Mehldau, and Haunted Heart with Fred Hersch and Bill Frissell. Bravery, fun, and talent combined by artists and for people who are listening. Hearing long time favorites Mehldau, Hersch, and Frissell is all the more sublime.

Average customer rating:

I dont understand.
Really Good!!!!!!!!!!!!!!!

Metal Gear Solid 2: Sons of Liberty

Manufacturer: Mvd Visual
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

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Metal Gear Solid

ASIN: B0000664FN
Release Date: 2003-11-04

Tracks:

Metal Gear Solid (Main Theme)
Opening Infiltration
Russian Soldiers from Kasatha
Olga Gurlukovich
Metal Gear?
Revolver Ocelot
Ray Escapes
Can't Say Good Bye to Yesterday [Piano Version]
Big Shell
Fortune
Kill Me Now!
Vamp
World Needs Only One Big Boss!
It's the Harrier!
Arsenal Is Going to Take Off!
Who Am I Really?
Can't Say Good Bye to Yesterday [Full Version]

Description

Soundtrack to the popular video game! Track list: Metal Gear Solid Main Theme; Opening Infiltration; Russian Soldiers - (from "Kasatka"); Olga Gurlukovich; Metal Gear?; Revolver Ocelot; Ray Escapes; Can't Say Good Bye To Yesterday - (Piano Version); Big Shell; Fortune; Kill Me Now!; Vamp; World Needs Only One Big Boss!, The; It's The Harrier!; Arsenal Is Going To Take Off!; Who Am I Really?; Can't Say Good Bye To Yesterday - (Full Version)

Customer Reviews:

I dont understand........2007-07-15

Why would you buy the thirty dollar one if you can buy this one for seven?

somebody tell me.

Really Good!!!!!!!!!!!!!!!.......2004-01-21

Excellently composed. Thats how good and what I have to say about the album. So buy it!!!!! NOW!!!!!

Average customer rating:

Uneven quality but great value
A superb collection of Mendelssohn

Mendelssohn: The Masterworks [Box Set]

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

Octets | Chamber Music | Classical | Styles | Music

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Dvorák: The Masterworks [Box Set]
Haydn: The Masterworks [Box Set]
Vivaldi: The Masterworks (Box Set)
Brahms: The Masterworks (Box Set)
Handel: The Masterworks (Box Set)

ASIN: B00062FLJ2
Release Date: 2004-11-30

Customer Reviews:

Uneven quality but great value.......2007-04-30

Brilliant Classics has found a niche with their extremely low-price multi-disc collections of the work of a single composer or performer. The Bach, Mozart and Chopin Complete Editions are legitimately considered to be artistic and economical triumphs. But the Masterworks series are more uneven. Currently available from Amazon France at about a buck per CD, they're still a bargain for those interested in quickly building a music library. But it's worth keeping a few things in mind. Unlike the Bach and Mozart Editions, these are not always historically informed performances. In this Mendelssohn set, the Hanover Band puts in a cameo (in Calm Sea and Prosperous Voyage), but most of the ensembles use modern instruments, techniques and proportions. This doesn't always work out, as in the case of the ponderously heavy recordings of the String Symphonies by an apparently full complement of Gewandhausorchester Leipzig strings (Mendelssohn likely wrote these early works for a much smaller group). The caliber of the performances varies too, ranging from good to poor, and from marquis musicians such as Dietrich Fischer-Dieskau to a few Dutch who-dats. The chamber musicians generally acquit themselves well (though the Octet recording is marred by an engineering flaw in the last movement, distortion, at least on my copy). But the symphonies suffer from some substandard performances, such as the Italian Symphony's live recording with not only audience noise but also ensemble flaws such as a distracting clarinet squeak in the first movement's recapitulation. Another strike is the lack of program notes. Brilliant's Complete Editions provide a booklet or CD-ROM with program notes, but here you'll need to do your own research.

Despite these shortcomings, this set is still good value (at least at Amazon France's current price of 31 Euros). And it's a fine way to become acquainted with Mendelssohn's music.

A superb collection of Mendelssohn.......2007-03-24

Let me preface this by saying that most of these works were not new to me - I own many other Mendelssohn CDs and have enjoyed his compositions for some time now. Also, this set is available much cheaper elsewhere, particularly from European retailers.
The symphonies are well-performed. 'Reformation' is an inspired live recording. The 12 string symphonies, written in Mendelssohn's youth, are also included. The concertos are exceptional - the violin concerto is as good as you'll find anywhere. The oratorios Elijah and Paulus are included, as well as the complete chamber works and a diverse assortment of choral works. The last few discs include the Lied ohne worte, the epic organ sonatas, and excellent renditions of A Midsummer Night's Dream and Fingal's Cave. While there are a few sketchy performances in the choral and chamber works, the performances and recordings are generally very solid, and the body of work couldn't be better.

Erich Kunzel - Andrew Lloyd Webber (Phantom of the Opera, Cats, Evita, Sunset Boulevard, Jesus Christ Superstar, Starlight Express, Joseph and the Amazing Technicolor Dreamcoat) / Cincinnati Pops Orchestra

Average customer rating:

Kunzel's different perspective on ALW's musicals

Erich Kunzel - Andrew Lloyd Webber (Phantom of the Opera, Cats, Evita, Sunset Boulevard, Jesus Christ Superstar, Starlight Express, Joseph and the Amazing Technicolor Dreamcoat) / Cincinnati Pops Orchestra
Andrew Lloyd Webber , Erich Kunzel , Ernest [organ] Hoffman , Randolph Bowman , Timothy Berens , and Cincinnati Pops Orchestra
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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From the Heart
The Very Best of Erich Kunzel: Top 20
The Big Picture
Classics of the Silver Screen
Orchestral Spectaculars

ASIN: B000003D18
Release Date: 1996-01-23

Tracks:

The Phantom Of The Opera
The Music Of The Night
Think Of Me
Wishing You Were Somehow Here Again
All I Ask Of You
Angel Of Music
As If We Never Said Goodbye
The Greatest Star of All
With One Look
Memory
I Don't Know How To Love Him
Gethsemane (I Only Want To Say)
King Herod's Song
Don't Cry For Me, Argentina
Starlight Express
Any Dream Will Do

Customer Reviews:

Kunzel's different perspective on ALW's musicals.......2005-11-06

Kunzel's offering of Andrew Lloyd Webber suites is a worthwhile tribute to this modern-day titan of globalised musicals. Although this album has a different feel from the original cast albums, Kunzel and the Cincinnati Pops still perform these affectionate arrangements of Lord Lloyd Webber's musicals expertly, superbly and voluptiously. The creative arrangements by Crafton Beck and Steven Reineke are tastefully and, for the most part, faithfully done, and allow Kunzel to offer a fresh perspective to these musicals in their orchestral settings. And as always Telarc provides its trademark audiophile-quality recording - surround sound quality with a sumptuous spatialiser such that you might be overwhelmed by the Phantom's laughter in the Phantom suite.

Kunzel contrasts the dramatic and lyrical sides of the PHANTOM and SUNSET BOULEVARD suites as if they were written for the Pops. The Phantom suite gains from a breathtaking organ introduction of the Phantom's theme, and from the contrasts in Music of the Night that match the lyrics perfectly, even without the cast album. The tender arrangement of Think of Me cleverly weaves the Angel of Music melody as a counterpoint, while All I Ask of You, complete with some of the details of the original orchestrations, makes a calming answer to Christine's Wishing You Were Somehow Here Again. The JESUS CHRIST SUPERSTAR suite depicts the contrasting and conflicting moods of this groundbreaking rock opera, from the contrasts in I Don't Know How to Love Him to the sheer anguish in Gethsemene (I Only Want to Say).

There are some interesting arrangements on this ALW offering, especially the arrangement of Don't Cry for Me Argentina from EVITA. Although some listeners might be offended when it transmorphs itself into the Ravel Bolero after doing an about-turn from its lush, Spanish feel, it still depicts Evita's rise to power and her manipulative trait in her character, well-suiting an orchestral concert arrangement of the tune and fitting in with the spirit of the musical. Another interesting arrangement is the rousing theme-and-variation finale of Any Dream Will Do from JOSEPH, which incorporates many different musical styles throughout the variations, from ballroom waltzing to jazz, movie music (Magnificent Seven) and circus-style music. I know some listeners might be offended, but in their own inimitable and creative way, Kunzel and the Pops still pay tribute to this early ALW musical by evoking the myriad of colours on the coat and the diversity of musical styles in the original JOSEPH musical. This arrangement certainly fits the trademark style of the Pops perfectly.

The only fault with this collection is in the arrangement of Memory from CATS. Here, this song is treated as a flat-out romantic ballad, rather than as the haunting anthem for respect that Grizabella sings. Nevertheless, the arrangement by Tommy Newsom (who wrote this arrangement for a Doc Severinson album) is innofensive to this well-loved ALW melody (this is the only arrangement that Crafton Beck or Steven Reineke didn't write for this album). Also, I wish that Kunzel had included Love Changes Everything and Whistle Down the Wind, but given the fact that this was a 1996 recording, ALW hadn't written Whistle down the Wind as yet. But these are minor caveats, since Kunzel offers much to savour in these infectuous and spirited performances.

Yet I still feel that Kunzel's ALW offering is a winner in its lush orchestral suite arrangements of his well-loved and great musicals, far superior to any shopping-mall synthesised arrangement. This would surely count towards another feather in Kunzel's cap and stand pride of place with his rousing offering of Rodgers & Hammerstein. I'm sure Lord Lloyd Webber would have been proud.

Magical Musicals / Kunzel, Cincinnati Pops Orchestra

Average customer rating:

Not impressed
Inexorable wonder!

Magical Musicals / Kunzel, Cincinnati Pops Orchestra

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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The Magical Music of Disney
Ragtime at the Magical Kingdoms
The Big Picture

ASIN: B00001QGKF
Release Date: 1999-09-28

Tracks:

Hercules: Introduction
Hercules: The Gospel Truth
Hercules: One Last Hope
Hercules: I Won't Say
Hercules: Zero To Hero
Hercules: A Star Is Born
Hercules: Go The Distance
Aladdin And the King Of Thieves: Party In Agrabah
Pocahontas: Just Around The River Bend
The Return Of Jafar: You're Only Second Rate
The Return Of Jafar: Forget About Love
The Return Of Jafar: I'm Looking Out For Me
The Return Of Jafar: Nothing In The World
Toy Story: You've Got A Friend In Me
101 Dalmations: Cruella De Vil
Pocahontas: Colors Of The Wind
Oliver And Company: Once Upon A Time In New York City
Oliver And Company: Why Should I Worry?
The Nightmare Before Christmas: What's This?
James And The Giant Peach: Good News
Mulan: Orchestral Suite
The Hunchback Of Notre Dame: The Bells Of Notre Dame
The Hunchback Of Notre Dame: Someday
The Hunchback Of Notre Dame: God Help The Outcasts
The Hunchback Of Notre Dame: Topsy Turvy
The Hunchback Of Notre Dame: Court Of Miracles
The Hunchback Of Notre Dame: A Guy Like You
The Hunchback Of Notre Dame: Heaven's Light

Customer Reviews:

Not impressed.......2003-11-25

I was not terribly impressed with this CD. Fortunately, I decided to get it from the library to see if it was good before deciding whether or not to buy it.

Although the orchestration of the songs is well done, most of them simply were not meant to be performed by a chorus; and they sound terrible in that form. If you want some of the songs on this CD, I suggest you look at one of Disney's compilation CDs in the Classic Disney Vol. 1-5 series or the actual soundtracks of the movies.

Inexorable wonder!.......2001-06-23

Where to start?! Erich Kunzel and the Cincinnati Pops Orchestra have had a track record for recording some of the most stupendous movie music ever. Magical Musicals is just another example of how audaciously bold, yet beautiful Kunzel and the Cincinnati Pops have taken the original scores, molded them into the same pieces, yet at the same time, creating life of their own in each and every note. If you are looking for ANY soundtrack containing Disney music, this should be the first CD you listen to. There are others out there, and yes, they may sound beautiful and enchanting, but you won't find such a unique and compelling score anywhere else other than this CD. Check it out!!

Average customer rating:

Inspirational!
hymns we sang in church

Abide With Me

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

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Hymns Through the Centuries
Hymns Triumphant 1 & 2
Praise to the Lord - Hymns From St. Paul's Cathedral
Be Still My Soul: The Ultimate Hymns Collection
The Music of St. Paul's Cathedral

ASIN: B000024236
Release Date: 1996-06-10

Tracks:

Praise, My Soul, The King of Heaven - Choir of King's College, Stephen Cleobury
Christ Is Made the Sure Foundation - Choir of King's College, Stephen Cleobury
All Glory, Laud and Honour - Choir of King's College, Stephen Cleobury
When I Survey the Wondrous Cross - Choir of King's College, Stephen Cleobury
Day of Resurrection - Choir of King's College, Stephen Cleobury
O God, Our Help in Ages Past - Choir of King's College, Stephen Cleobury
Dear Lord and Father of Mankind - Choir of King's College, Stephen Cleobury
Praise to the Holiest in the Height - Choir of King's College, Stephen Cleobury
Praise to the Lord - Choir of King's College, Stephen Cleobury
Church's One Foundation - Choir of King's College, Stephen Cleobury
Crown Him With Many Crowns - Choir of King's College, Stephen Cleobury
Love Divine, All Loves Excelling - Choir of King's College, Stephen Cleobury
Holy, Holy, Holy! Lord God Almighty - Choir of King's College, Stephen Cleobury
Now Thank We All Our God - Choir of King's College, Stephen Cleobury
Abide with Me - Choir of King's College, Stephen Cleobury
O Praise Ye the Lord - Choir of King's College, Stephen Cleobury
Drop, Drop, Slow Tears - Choir of King's College, Sir David Willcocks
Glory Be to Jesus - Choir of King's College, Sir David Willcocks
There Is a Green Hill Far Away - Choir of King's College, Sir David Willcocks
According to Thy Gracious Word - Choir of King's College, Sir David Willcocks
Holy Father, Cheer Our Way - Choir of King's College, Sir David Willcocks
Glory to Thee, My God, This Night - Choir of King's College, Sir David Willcocks
Day Thou Gavest, Lord, Is Ended - Choir of King's College, Sir David Willcocks
Hark! A Thrilling Voice Is Sounding - Choir of King's College, Sir David Willcocks
On Jordan's Bank the Baptist's Cry - Choir of King's College, Sir David Willcocks

Tracks:

Onward, Christian Soldiers - Huddersfield Choral Society, Wyn Morris
Lord's My Shepherd - Huddersfield Choral Society, Wyn Morris
Guide Me, O Thou Great Jehovah - Huddersfield Choral Society, Wyn Morris
All People That on Earth Do Dwell - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
O Come, O Come, Emmanuel - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Forty Days and Forty Nights - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
O Sacred Head, Now Wounded - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Christ the Lord Is Risen Today - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Head That Once Was Crown'd With Thorns - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Rock of Ages - Choir of King's College, Maurice Vinden
Eternal Father, Strong to Save - Choir of King's College, Maurice Vinden
All Things Bright and Beautiful - Choir of Paisley Abbey, George McPhee
Be Thou My Vision - Choir of Paisley Abbey, George McPhee
Be Still, My Soul - Choir of Paisley Abbey, George McPhee
King of Love My Shepherd Is - Choir of Paisley Abbey, George McPhee
Let Us With a Gladsome Mind - Choir of Paisley Abbey, George McPhee
For All the Saints - Choir of Paisley Abbey, George McPhee
O Worship the King - Choir of Paisley Abbey, George McPhee
Come, Thou Long-Expected Jesus - Choir of King's College, George Guest
Let All Mortal Flesh Keep Silence - Choir of King's College, George Guest
Spirit of Mercy, Truth, And Love - Choir of King's College, George Guest
Lead Us, Heavenly Father, Lead Us - Choir of King's College, George Guest
Immortal, Invisible, God Only Wise - Choir of King's College, George Guest
Jesu, Lover of My Soul - Choir of King's College, George Guest
Jerusalem - Bournemouth Symphony Orchestra, Choir of King's College, ,

Album Details

Compiled Here Are Fifty of the Most Beloved Hymns Performed by Three of England's Most Distinguished Choirs. Every Selection Here is Sung in an Appropriately Dignified Manner and If You're Up for Over Two Hours of Consistently Well-rendered Quintessentially English Treatments of These Vernacular Favorites it Simply Doesn't Get Any Better Than This.

Customer Reviews:

Inspirational!.......2004-10-08

Majestic hymns sung with British accents. A great combination! I haven't noticed any objectionable sounds on my copy.

hymns we sang in church.......2003-02-16

i grew up in a traditional presbyterian church that had a pipe organ. i wanted a cd of many of the hymns that we sang in church sung by a choir and accompanied by a pipe organ. this cd fulfilled my wishes perfectly. the hymns are performed in a very straight-forward fashion with no show-boating or excess flourishes which is exactly what i wanted. this is not gospel music but what i refer to as liturgical music to indicate that it is religious music but not gospel music. i would give it 5 stars but there is a slight hiss. other than that the recording quality is very good.

Average customer rating:

The picture

100 Hymns & Songs of Inspiration

Manufacturer: Castle Music UK
ProductGroup: Music
Binding: Audio CD

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Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

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ASIN: B00008GEKT
Release Date: 2003-04-14

Tracks:

Love Divine All Loves Excelling - Choir Of Gloucester Cathedral
Father Hear the Prayer We Offer - Choir Of Gloucester Cathedral
Now Thank We All Our God - Choir Of Gloucester Cathedral
This Day, The First of Days - Choir Of Gloucester Cathedral
Stars of the Morning So Gloriously Bright - Choir Of Gloucester Cathedral
God Save the Queen - Choir Of Gloucester Cathedral
Day of Resurrection - Choir Of Gloucester Cathedral
God Rest You Merry Gentlemen - Choir Of Gloucester Cathedral
Of the Father's Heart Begotten - Choir Of Gloucester Cathedral
O Come All Ye Faithful - Choir Of Gloucester Cathedral
Awake My Soul and With the Sun - Choir Of Norwich Cathedral
Thine Arm O Lord in Days of Old - Choir Of Norwich Cathedral
All People That on Earth Do Dwell - Choir Of Norwich Cathedral
Good Christian Men Rejoice and Sing - Choir Of Norwich Cathedral
There Is a Green Hill - Choir Of Norwich Cathedral
Lord of Beauty - Choir Of Sheffield Cathedral
Rejoice Today With One Accord - Choir Of Sheffield Cathedral
New Every Morning - Choir Of Sheffield Cathedral
Lead Us Heavenly Father Lead Us - Choir Of Sheffield Cathedral
O God Our Help in Ages Past - Choir Of Sheffield Cathedral

Tracks:

Morning Has Broken - Choir Of Marlborough College Chapel
Happy Are They - Choir Of Marlborough College Chapel
In Christ There Is No East or West - Choir Of Marlborough College Chapel
Silent Night - Choir Of Marlborough College Chapel
Be Thou My Guardian - Choir Of Marlborough College Chapel
Ye Servants of the Lord - Choir Of Marlborough College Chapel
At the Name of Jesus Every Knee Shall Bow - Choir Of Marlborough College Chapel
To Thee O Lord Our Hearts We Raise - Choir Of Marlborough College Chapel
Behold the Great Creator Makes - Choir Of Marlborough College Chapel
Rejoice the Lord Is King - Choir Of Marlborough College Chapel
Creator of the Stars of Night - Ely Cathedral Choir
He Comes With Clouds Descending - Ely Cathedral Choir
O Little Town of Bethlehem - Ely Cathedral Choir
Alleluya Alleyluya Alleyluya - Ely Cathedral Choir
This Is the Day the Lord Hath Made - Ely Cathedral Choir
How Sweet the Name of Jesus Sounds - Ely Cathedral Choir
Lord Thy Word Abideth - Ely Cathedral Choir
Jesus Lord We Look to Thee - Ely Cathedral Choir
O Lord Our God Arise - Ely Cathedral Choir
Lord of All Hopefulness - Ely Cathedral Choir

Tracks:

Soldiers of Christ Arise - Choir Of Wakefield Cathedral
Lift Up Your Hearts - Choir Of Wakefield Cathedral
Holy Father, Cheer Our Way - Choir Of Wakefield Cathedral
Maker of the Sun - Choir Of Wakefield Cathedral
O King Most High - Choir Of Wakefield Cathedral
O Praise Our Great and Glorious Lord - Choir Of Wakefield Cathedral
Forgive Our Sins as We Forgive - Choir Of Wakefield Cathedral
We Love the Place O God - Choir Of Wakefield Cathedral
Let Us With a Gladsome Mind - Choir Of Wakefield Cathedral
Give Rest O Christ - Choir Of Wakefield Cathedral
Come Holy Ghost Our Hearts Inspire - Choir Of Truro Cathedral
O Thou in All Thy Might So Far - Choir Of Truro Cathedral
O Christ, Who Art the Light and Day - Choir Of Truro Cathedral
O God Thy Soldiers' Crown and Guard - Choir Of Truro Cathedral
Strife Is O'er the Battle Done - Choir Of Truro Cathedral
O Christ Our Hope, Our Hearts' Desire - Choir Of Truro Cathedral
Jesus Shall Reign - Choir Of Truro Cathedral
God of Love My Shepherd Is - Choir Of Truro Cathedral
O Jesu Saviour of Mankind - Choir Of Truro Cathedral
Immortal Invisible God Only Wise - Choir Of Truro Cathedral

Tracks:

Ride on Ride on in Majesty - Choir Of All Saints - Margaret Street, London
All Glory Laud and Honour - Choir Of All Saints - Margaret Street, London
Come Rejoicing - Choir Of All Saints - Margaret Street, London
God Is Love and Where True Love Is - Choir Of All Saints - Margaret Street, London
Magnificat: The Great Advent Antiphons - Choir Of All Saints - Margaret Street, London
Come, Christ's Beloved - Choir Of All Saints - Margaret Street, London
Children of the Hebrews (Palm Procession) - Choir Of All Saints - Margaret Street, London
Veneration of the Cross/The Reproaches (Veneratum and Reproaches) - Choir Of All Saints - Margaret Street, London
Once in Royal David's City - Choir Of Keble College
God Be in My Head - Choir Of Keble College
O Thou Who Camest from Above - Choir Of Keble College
Judge Eternal Throned in Splendour - Choir Of St Edmunsbury Cathedral
Christ the Lord Is Risen Again - Choir Of St Edmunsbury Cathedral
For All the Saints - Choir Of St Edmunsbury Cathedral
Thy Hand O God Has Guided - Choir Of St Edmunsbury Cathedral
Christ the Dawn of Our Salvation - Choir Of Eastbourne College Chapel
I Was Glad - Choir Of Eastbourne College Chapel
Dear Lord and Father of Mankind - Choir Of Eastbourne College Chapel
Locus Iste - Choir Of Eastbourne College Chapel
Praise My Soul the King of Heaven - Choir Of Eastbourne College Chapel

Tracks:

Stand Up! Stand Up for Jesus! - The Choir of the Abbey School, Tewkesbury
While Shepherds Watched Their Flocks - The Choir of the Abbey School, Tewkesbury
O Worship the King - The Choir of the Abbey School, Tewkesbury
O Heavenly Word of God on High - Choir Of The Collegiate Church Of St Mary
Praise to the Lord, The Almighty - Choir Of The Collegiate Church Of St Mary
Jesus Christ Is Risen Today - The Choir of York Minister
First Nowell - The Choir of York Minister
Abide with Me - The Choir of York Minister
Breathe on Me Breath of God - Choir Of Keble College
Rock of Ages - Choir Of Keble College
On This Day, The First of Days - Choir Of Keble College
Jesu Sweet and Mary - Choir Of Eastbourne College Chapel
O Quam Gloriosum - Choir Of Eastbourne College Chapel
Ye Holy Angels Bright - Choir Of Eastbourne College Chapel
O for a Closer Walk With God - Choir Of Eastbourne College Chapel
Prayer of St Patrick - Choir Of Eastbourne College Chapel
Lord's Prayer - Choir Of Eastbourne College Chapel
Blessed Be the God and Father - Choir Of Eastbourne College Chapel
Day Thou Gavest Lord Is Ended - Choir Of Eastbourne College Chapel
Jerusalem (And Did Those Feet in Ancient Times) - Choir Of Eastbourne College Chapel

Album Description

Full Title - 100 Hymns & Songs Of Inspiration. UK box-set featuring 100 tracks performed by Britain's finest Cathedral Choirs including, Gloucester Cathedral, Norwich Cathedral, Sheffield Cathedral, & many more. Five standard jewel cases housed in a slipbox. Castle Pulse. 2003.

Customer Reviews:

The picture.......2006-12-11

I haven't purchased the CD but the picture of the inside of a church on the cover is not of a British church, like one would assume since it says its a recording of British choirs. This picture is of Notre Dame Basilica in Montreal, Quebec, Canada. Just thought i'd let you know. I'll be honest; I'm one to judge things by it's cover and if the company took such care to choose a 'British' church for their British choir CD, I'm willing to bet the music is equally well selected... I'm being sarcastic. But I gave the product 5 stars because I didn't want to hurt its ratings just because i'm cynical. But check out the church if you're ever in Montreal, it's truly beautiful... here I'm not being sarcastic.

Fascinating Rhythm: The Complete Music for Solo Piano by George Gershwin

Average customer rating:

Fascinating Rhythm: The Complete Music for Solo Piano by George Gershwin

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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