I've Got to Know

I've Got to Know

Editorial Reviews
About the Artist
Bruce "U. Utah" Phillips is the fundamental pragmatist who makes stories of any raw material that finds its way into his experience. A former warehouseman in Salt Lake City, he learned yarning from Earl M. Lyman, an elder of the Latter Day Saints and Phillips' employer, who interrupted the morning's wrapping and shipping to tell anecdotes and events of Mormon pioneer days. At the end of a workday, Phillips went to the library to read territorial history to find questions to ask Lyman the next day. Thus Phillips learned the art of storytelling as a way to avoid work. Zuni chants and Navaho songs and lore from Father Liebler, a San Juan priest, plus conversations with hoboes and cowboys, lectures by anarchist and pacifist Ammon Hennacy, and a performance by Marian Anderson during the Korean War, augmented Phillips' store of eyewitness accounts, anecdotes, tales, and philosophy.

Phillips ran away from home in his teens to gain an education on the road, riding the rails and bumming along with tramps. He taught himself to play the ukulele and guitar, and began writing songs about the hobo life while supporting himself as a printer, dishwasher, and stock clerk. His experience during the Korean War convinced him that nonviolence is the only sane way to live. During the 1960s, Utah worked as a state archivist and founded the Poor People's Party in Utah. In 1968, he ran for the U.S. Senate on the Peace & Freedom ticket. A leave of absence from state service turned into permanent dismissal and an opportunity to try his luck as a platform entertainer, sharing his tales and songs with the folk family in the style of a Celtic bard. In 1997 he received both a Lifetime Achievement Award from The Folk Alliance and a Lifetime Service to Labor Award from the American Federation of Musicians, Traveling Musicians Local 1000. A heart condition prevents him from hitting the open road much these days, but he continues to perform on recordings and a syndicated weekly radio show, "Loafer's Glory: Hobo Jungle of the Mind".

Product Description
Utah Phillips is the Woody Guthrie of our time. On I've Got To Know he wisely weaves spoken word and song to tell his side of our story. This is the first release in a series of politically charged folk recordings from Daemon Records and AK Press.

I've Got to Know,Utah Phillips,Daemon Records,Folk,Folk & Traditional,Pop,Singer/Songwriter,Traditional Folk

Average customer rating:

Very good show which I hadn't heard of...

THE APPLE TREE (1966 ORIGINAL BROADWAY CAST)

I still remember these songs after 40 years

Really 2.5

Boring material that you forget very easily

The Apple Tree (1966 Original Broadway Cast)
Sheldon Harnick
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000027WD
Release Date: 1992-11-24

Tracks:

Eden Prelude
Here In Eden
Feelings
Eve
Friends
The Apple Tree (Forbidden Fruit)
Beautiful, Beautiful World
It's A Fish
Go To Sleep, Whatever You Are
What Makes Me Love Him?/Eden Postlude
The Lady Or The Tiger? Prelude/I'll Tell You a Truth/Make Way
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The Apple Tree (Reprise)
I've Got What You Want
Tiger, Tiger
Make Way (Reprise)/Which Door/I'll Tell You a Truth (Reprise)
Passionella Prelude
Oh, To Be A Movie Star
Gorgeous
(Who, Who, Who, Who) Who Is She?
I Know
Wealth
You Are Not Real
Passionella Postlude/Finale

Customer Reviews:

Very good show which I hadn't heard of..........2007-05-13

I was very into theatre in high school and college and thought I was up on most musicals, but had never heard of this show until recently. It's comprised of three short stories which were adapted into the musical format. The first two stories are tied together very well, although the last seems tacked on. But the songs are catchy and it's fairly easy to figure out what's happening simply by listening to the songs. There are two songs which are tied for my favoritism: "It's a Fish" from Adam and Eve and "You Are Not Real" from Passionella. Check it out.

THE APPLE TREE (1966 ORIGINAL BROADWAY CAST).......2007-04-10

IT WAS EXACTLY WHAT I WAS LOOKING FOR. I WENT TO THE REVIVAL OF THE APPLE TREE ON BROADWAY IN NEW YORK CITY AND LOVED THE SCORE BUT THERE WASN'T A SOUNDTRACK AVAILABLE SO I PURCHASED THE ORIGINAL VERSION AND I ABSOLUTELY LOVE IT!

I still remember these songs after 40 years.......2006-11-05

I saw this show on the stage when it first ran, and have never forgotten it. The key to a good Broadway show is this question: Are you humming the songs when you leave the theatre? In the case of The Apple Tree, the answer is a resounding "Yes." I have been waiting 40 years for this show to be revived, and I have tickets for the revival opening in December at the Roundabout. I hope not to be disappointed, for the trio of Barbara Harris, a very young Alan Alda, and the late Larry Blyden were terrific. The three-part concept can be jarring because just when you're getting into the story, it ends -- but just enjoy the kind of songs they just don't write anymore.

Really 2.5.......2006-07-25

SO this is another show thats actually three one acts. The first "The Diary of Adam and Eve" is the best by far. It has really cute songs and nice plot. Thats the only reason I rounded this up from 2.5 to 3 stars. The rest of the show is nothing great. "Lady and Tiger" is short and boring. And "Passionella" is exactly what it sounds like, a knock off of Cinderella. But hey, its a good show for collectors and "The Diary of Adam and Eve" is nice. Favorite Song: "Its A Fish"

Boring material that you forget very easily.......2006-06-29

According to some reviews, this musical was supposed to be very good and I bought it. Unfortunately, I was quite dissapointed. It's composed of three different tales, the first one referring to the Adam & Eve biblical story. The lyrics here are very silly and tedious. The second tale, "The Lady or the Tiger?" contains songs that are simply awful, probably the worst ever written for a Broadway show. The third story, "Passionella", contains music that does nothing to make things better. The album contains a good informative booklet in English, German, French & Italian (as Sony uses to do)which says that Time magazine defined this show as "three moldy figs". I entirely agree. I would recommend this musical to those suffering from insomnia: it will put them to sleep right away.

The Ultimate Gilbert & Sullivan Collection

Average customer rating:

Well worth the price
Not Exactly "The Ultimate" Collection...
Where's the chicks?!?!
Not quite the ultimate....
Great Music - Questionable Selection

The Ultimate Gilbert & Sullivan Collection
Arthur Sullivan , Isidore Godfrey , Royston Nash , New Symphony Orchestra of London , Royal Philharmonic Orchestra , Colin Wright , Donald Adams , George Cook , Gillian Knight , Jean Hindmarsh , Jeffrey Skitch , John Ayldon , John Reed , Joyce Wright , Kenneth Sandford , Lyndsie Holland , Owen Brannigan , Pauline Wales , Peggy Ann Jones , Thomas Round , Valerie Masterson , and D'Oyly Carte Opera Company
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Topsy-Turvy
The Complete Annotated Gilbert & Sullivan

ASIN: B000007OU0
Release Date: 1998-06-09

Tracks:

H.M.S. Pinafore: We Shall Sail The Ocean Blue
H.M.S. Pinafore: I'm Called Little Buttercup
H.M.S. Pinafore: My Galant Crew, Good Morning
H.M.S. Pinafore: I'm The Monarch Of The Sea
H.M.S. Pinafore: When I Was A Lad
H.M.S. Pinafore: Nevermind The Why And Wherefore
H.M.S. Pinafore: Kind Captain, I've Important Information
H.M.S. Pinafore: Carefully On Tip - Toe Stealing
H.M.S. Pinafore: For He Is An Englishman
The Pirates Of Penzance: I Am The Very Model Of A Modern Major - General
The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
The Pirates Of Penzance: With Cat Like Tread
The Sorcerer: My Name Is John Wellinton Wells
The Gondoliers: Take A Pair Of Sparkling Eyes
Patience: If You're Anxious To Shine
The Mikado: If You Want To Know Who We Are
The Mikado: A Wand'ring Minstrel I
The Mikado: Behold The Lord High Executioner
The Mikado: As Someday It May Happen
The Mikado: Three Little Maids From School Are We
The Mikado: The Sun Whose Rays Are All Ablaze
The Mikado: Here's A How - De - Do!
The Mikado: From Ev'ry Kind Of Man Obedience I Expect
The Mikado: A More Humane Mikado Never Did In Japan Exist
The Mikado: The Criminal Cried As He Dropp'd Him Down
The Mikado: The Flowers That Bloom In The Spring, Tra La
The Mikado: On A Tree By A River A Little Tom Tit
The Mikado: There Is Beauty In The Bellow Of The Blast
The Mikado: For He's Gone And Married Yum-Yum

Customer Reviews:

Well worth the price.......2006-04-13

I love this CD. No, despite its name it is not the "ultimate" collection, as scarcely could be expected from a single CD. It is heavy on Mikado, as others have stated. It leaves out things I would have included and includes things I would have left out. But the performances are wonderful, traditional and all you expect from G&S. Considering the low price, it is well worth including in your G&S collection ... as PART of your collection. After the disappointment of the godawful Opera World video series (Don't buy it!) this CD is a joy and a relief.

Not Exactly "The Ultimate" Collection..........2004-12-23

It seems that a collection of Gilbert & Sullivan music that has the name "The Ultimate Collection" in its title would boast a wide range of music, but I found the selection disappointing. Half of the tracks are songs from The Mikado, and the other half is divided between five... yes, FIVE other operettas. This means that the representation from each operetta is awfully scant. I would have liked to see less Mikado and more of everything else, and perhaps some highlights from the more obscure operettas (Princess Ida and The Sorcerer, namely).

In addition, while most of the music is very well performed, some of the vocalists either go a bit overboard or, at the very opposite end, seem to lack expression. For example, this Nanki-Poo (in The Mikado) seems to be overly occupied with vibrato. Katisha's voice is annoying, and The Mikado's low voice often seems to lack feeling and humor. The other idiosyncracies, like the very frightening evil laughing during "A More Humane Mikado" and hissing during "Three Little Maids" really bug me.

Then again, I'm new to Gilbert and Sullivan, and was introduced to the music through the Topsy Turvy soundtrack, which has a noticeably less operatic style, and hardly includes "stage noise"... so perhaps all this is the norm. Do listen to the tracks for yourself, though, before you purchase the CD. Personally, I find that the Topsy Turvy soundtrack, while considerably less ecompassing, is much lighthearted and easier listening.

Where's the chicks?!?!.......2003-05-15

It wouldn't be G&S if not for the ladies - so where are they? How could they leave out Mabel's aria - or Josephine's!? The only female aria included on this disc comes from Mikado, which is the least exciting (if G&S could be un-exciting) of the three! Everything else on the recording is great, but I am still quite disappointed.

Not quite the ultimate...........2002-03-25

This is a great collection, but unfortunately it doesn't have songs from all the works of G&S. Most notably, there is nothing from the "Yeoman of the Guard". I still reccommed it however as John Reed is wonderful!!

Great Music - Questionable Selection.......2002-02-05

It's an ongoing challenge to find a recording of Gilbert and Sullivan that combines premium musicality and great theatrical performance. This recording is a true gem on both fronts. My only complaint is that for a "Best of" collection, this compilation is Mikado-heavy and scarcely touches on highlights from other masterpieces, particularly The Pirates of Penzance. This would be my favorite G&S CD of all time, of only it included tracks like "When the Foeman Bares his Steel," "Poor Wand'ring One," and "Dry the Glist'ning Tear," but then again, I guess there's no real consensus as to which are Gilbert and Sullivan's best works, and there are too many to fit on one CD.

Average customer rating:

Elly Ameling now more available
Delight in every note
While they last...
Treasures From a Treasure
More than fully earned praise for an exceptional singer.

Artistry of Elly Ameling (Coll)
Elly Ameling
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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ASIN: B00007KMSJ
Release Date: 2003-10-14

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Customer Reviews:

Elly Ameling now more available .......2007-03-07

I had a 33 rpm album of Elly Ameling singing Schubert lieder accompanied by piano and clarinet at times. It was one of my all time favorite albums so I have been disappointed that I have not been able to find it anywhere on CD.

Now I can just buy this excellent collection. So much music in one place! Since I confess that I am far from an expert on the rest of her records, I look forward to hearing her sing many other styles and composers.

I think it is silly to criticize her for not singing Wagner, for example, since her version of many songs, especially lieder, are nothing short of sublime. I would like to hear how many Wagnerians sing Schubert or Mozart.

I doubt if they could approach the skill and soul with which Elly Ameling sings lieder.

Delight in every note.......2006-03-10

To speak as briefly as possible about this superb collection from an equally superb singer, what can I say but that Ms Ameling possessed a voice that shone with radiant warmth and star-like shimmer? And unlike many another light lyric soprano, Elly Ameling was possessed of a very high standard of musicianship, considerable intelligence, and a sort of immediate charm that captivates the listener.

So many of her recordings have still to be released on CD, but this 5CD-set goes some way towards remedying the situation. The repertoire spans a wide variety - French mèlodies, Lieder, light-hearted "sentimental" songs, Bach, etc. - and in each piece, Ms Ameling shows that quality of pearl-like beauty. It is a beauty which is also extremely pretty - a beauty of voice that is never overbearing and over-ripe, but perfectly blossoming upon the tree of inspiration.

I recommend this set unequivocally. It truly is sheer delight.

While they last..........2005-05-17

Elly Ameling held the quiet stage for recitals of great artistry and dignity for several decades and sadly most of the enormously successful CDs of her long career output are now unavailable. For those who have little access to the documentation of this very special artist, this box set is a must. It is a compilation of many of her recordings with differing accompanists, conductors, orchestras and composers. And while not all of the choices for inclusion here would be considered her greatest moments, there are enough works that sustain the warm memories of the little Dutch hausfrau who quietly and simply paid homage to composers with her clear and intelligent musicianship and radiant voice.

Ameling was known to schedule recitals of Schubert cycles and songs and in the afterglow of her performance answer the demand for curtain calls with additional Schubert melodies: she gifted her audience with the dignity of honoring a composer's works by maintaining the focus on that composer rather than milk the audience with the usual encore applause-getting favorites. And special moments such as quietly and pensively strolling through the orchestra during the Mahler 4th symphony to arrive at front stage, unapplauded, just in time for the opening line of her singing - those simple homage to composers and collaborators made her selfless manner endearing to audiences.

Despite the fact that Ameling's voice was on the small side she was always able to muster the projection to carry her message solidly in context with an orchestra. Yes, other more famous singers have recorded Ravel's quintessentially French SHEHERAZADE, but few have the perfection of diction and aura of mystery that Ameling maintained. Whether singing with piano or orchestra, or interpreting Bach, Mozart, Handel, and Vivaldi with the same degree of involvement as Brahms and Schumann and Schubert, Elly Ameling spanned a career that engendered passionate commitment from her fans. And this boxed set is a pocket full of memories to be treasured. Buy it before this too becomes unavailable. Grady Harp, May 05

Treasures From a Treasure.......2004-09-25

Treasures from a Treasure.

Ameling, one of the world's most beloved recitalists is captured here in a 5 CD collection offering some of her most beautiful recordings of song. While we are used to her perfection in songs of Bach, Mozart, Schubert, Schumann, Faure and Hahn, an added joy is her "pop" side, tackling - without a whiff of pretension, Porter, Kern, Gershwin, Ellington, et al.

What an absolute joy it is listening to this amazing artist sing these songs with an almost uncanny natural ease. There is no resorting to a "pop" voice and yet most of these pop standards songs sound as though they could have been written for her. Clean attacks, sometimes a bit of the pop technique of hanging on to a consonant longer than a classical artist normally would shows an appreciation and understanding of the style. Still, there is never once a compromise of her vocal beauty.

I like the way the songs have been arranged for her voice in that she sort of sings them clean, unaffected in the first half and then lets loose and kinda "swings" with it adding embellishments but never really changing her voice (Price, von Stade and other favorite singers of mine seem to have always added a breathy quality to much of their crossover material.)

Ameling doesn't resort to trying to "let her hair down" or get down and dirty, but rather the honest with which she approaches every one of these songs shows how much she enjoys singing them and her style is as refreshing as stumbling onto a cool spring on a sweltering summer's afternoon. A wonderful surprise.

More than fully earned praise for an exceptional singer........2003-07-15

As I had the privilige of hearing this outstanding Lied-singer during her long career in Holland and being the proud possessor of almost all her recordings, I cannot but fully agree with the professional and joyful review of Mr. Robert Holliston from Victoria, B.C. Canada.
Yes, it is unbelievable that of about the 150 recordings Mrs. Ameling made during her long career (for the greater part of course on the 'oldfashioned' LP's, as well as the innumerable Dutch live-recorded radio-concerts), so few CD's have been released.
Speaking of tradition: it was the page-turner of the Wigmore Hall in London who told Mrs. Ameling after her first recital in this hall, that she reminded him of Elisabeth Schumann. (And he certainly didn't mean her looks only!)
For those who are eager to hear her singing Ravel's Shéhérazade (just one example of stirring imagination combined with her Art of Singing) I can tell you that Philips released a 2-box CD of this work in 1999, combined with Debussy's La Damoiselle élue and a compilation of French mélodies, i.e. Debussy, Fauré, Duparc, Satie. One of the gems is Caplet's Le Corbeau et le Renard which even make children, who know the fables of La Fontaine, revel in the singing of the quarrelsome birds....
Her brilliant accompanyist is Rudolf Jansen. Let us cherish great artists in their art!

Forbidden Broadway 2001: A Spoof Odyssey

Average customer rating:

As Always, Hilarious
Spoof Odessey worth the laughs!
better to be "Lost in Space"
Stretched Thin
Do the Math

Forbidden Broadway 2001: A Spoof Odyssey

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000584UL
Release Date: 2001-02-13

Tracks:

Forbidden Broadway 2001: Another Op'nin, 'Another Show
Futuristic Stewardess/Usherette: Come Fly With Me
Judi Dench: Why Can't The English?
Trouble In New Tork City: Trouble
The Music Man Revival 2001: Till There Was You
Cole Porter: You're The Top/From The Moment On
Kiss Me, Kate Revival 2001: Wunderbar
I Hate Ben - Marin Mazzie: I Hate Men
Cheryl Ladd In Annie Get Your Gun: There's No Business Like Show Business
Miss Saigon Farewell: Why God Why?
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Gwen Verdon & The Fosse Dancers: I'm A Brass Band/Steam Heat
Liza Minnelli 2001/Alan Cumming in Cabaret: Wilkommen
Let's Run Times Square Again: Let's Do the Time Warp Again
Ethel Merman & Elton John: I've Got Rhythm/Old Fashioned Wedding
Beauty's Been Decreased: Beauty And The Beast
Being Lupone: Being Alive
Sondheim's Blues: Buddy's Blues
Streisand's Farewell Tour: Happy Days Are Here Again/Mame
Les Miz 2001 - Edith Piaf/Milord
Aida - Amneris Intro: Every Story Is A Love Story/Heather Headley/It's Cheesy: Easy As Life
Elaborate Sets (Aida Cont.): Elaborate Lives
Angela Lansbury: I Don't Want To Know
The Full Monty: Let It Go
76 Hit Shows: 76 Trombones
Bows-Ta-Ta Folks: Another Op'nin, 'Another Show
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Customer Reviews:

As Always, Hilarious.......2007-05-03

This is so funny! Like all the Forbidden Broadway cds, its another knock-out. I feel like such a crazy person when I am in the car driving and I just burst out laughing. Its great and a must have for any Forbidden Broadway fan.

Spoof Odessey worth the laughs!.......2002-04-14

I enjoyed "Forbidden Broadway 2001: A Spoof Odyssey." This recording has some truly genius material, and although these actors' impersonations of famous Broadway stars aren't as strong as they have been in the past, the CD has a lot to recommend it.

Particularly strong is Track 16, "Let's do an old fashioned show tune," featuring Elton John and Ethel Merman duking it out over AIDA, which Merman says is "putting everyone here through hell." Likewise, Track 15, "Let's Ruin Times Square Again," tickles my funny bone. Also wonderful are the satires of Beauty and the Beast, Angela Lansbury, and the Full Monty; Gerard Alessandrini's done a tremendous job with these! In addition, this CD's introductory song is much stronger than those on the previous volumes of Forbidden Broadway. It really sets the tone for the best parts of this recording.

Unfortunately, with a few notable exceptions, the first half of the CD is a bit thin, which is why I give this recording 3 out of 5 stars: Even though it entertains me, there's a lot I have to skip over. For example, the Liza Minelli spoof annoying (though, I admit, a little funny), and in the Music Man revival satire, their Robert Preston impersonator sounds *nothing* like the original. (In earlier recordings, the actors *did* sound like the people they claimed to be.)

The good news is that the CD has 30 tracks in all, so even though there are 13 that I dislike, I just love the rest... I do recommend it!

better to be "Lost in Space".......2001-12-31

First and foremost, this CD is really for diehard fans of Forbidden Broadway, those of us who want the good, the bad and the ugly on the cd rack. I was extremely unimpressed with the latest offering.

While I agree with some of the other reviewers that there is some nice work, I don't know that Saturday Night Fiasco and Sondheim's Blues are sufficient to carry the rest of the tracks. Not much seems new or worse yet, important. Disney isn't new, nor is Les Miz. And while pointing out what is stale and pedestrian on Broadway was amusing on the last couple of releases, this Forbidden Broadway spoof clearly has joined the list of stale and pedestrian.

While there is some nice material on this disc, I really didn't laugh out loud, and that is why I have always bought these in the past.

If Alessandrini reduces the show to the same complaints of the same shows and then replaying lightly tweaked versions of past numbers, Trouble and Alan Cumming in Cabaret specifically, then he has himself is on the becoming a revival - and we know what he thinks of revivals.

The repeats might even be acceptable if there was something fresh in the perfomance, but both were done much better on their respective discs. I think Danny Gurwin is a great comedian, but he doesn't shine in either of these numbers. We also need a recording with no Ethel Merman or Liza numbers - give them a rest already. And why bring back Streisand with such a poor imitation? The earlier Barbara's were dead on vocal impressions as well as speech patterns. If you aren't going to improve on it, then don't drag it back out.

Alessandrini suggests that this is one of the best casts he has ever worked with. I don't know what he bases that on, but I beg to differ, either cast with Bryan Batt was significantly better, although they worked with fresh, clever material. Still, those recordings had verocious talent that brought Gerard's stinging wit to life for those of us who can't see every new production of FB.

Maybe it is time to go to off Broadway productions, or to the radio or the movies for some new ideas. Or else promise no references to the Gap, Disney, or Chorus Boys, (way over used on this recording), along with a Merman and Liza free season. Start from scratch. That might give us hope that Forbidden Broadway too might not be dead.

Stretched Thin.......2001-03-26

I just saw the stage production of Forbidden Broadway 2001: A Spoof Odyssey. I agree with the other reviewers who feel that Alessandrini is no longer at the top of his game. Perhaps he should lay off for a year or three and let Broadway present new things for him to lampoon - as it always will.

The opening sequence is forced and unfunny, and clearly in place only to batter the listener with the "2001" theme. Unlike a previous reviewer, I found the Judi Dench parody hysterical, though I question its accuracy.

The "Trouble" parody is, as it always was, incomplete and thin. My dear friend John Kenrick (...) did a better job with it - included the segments of the original song that GA left out, and in a funnier fashion. The Cole Porter parody is marginally amusing, but the Brian Mitchell/Marin Mazzie parody is dead on the mark, and VERY funny.

The parody of Cheryl Ladd remains in the show, although she's no longer in "Annie Get Your Gun" - Reba McIntyre is now in the role. Similarly, he stabs at Alan Cumming, who is no longer playing the Emcee. These numbers, while funny, lack punch. On the other hand, he once again skewers long time target Patti LuPone with an hysterical new parody of Being Alive. I suppose she's innately funnier, after all these years, than Alan Cumming, who is, after all, a relative newcomer.

The Rocky Horror parody is amusing, and the observation that sex has moved off 42nd Street and onto the Broadway stage is not without merit. The Beauty parody is amusing, and apt, but as has already been noted, GA has been clobbering us with the Disnification of Broadway for years now. I suppose he finds some glee in the fading success of this particular show.

I must say that while Gurwin is not the greatest singer, "Sondheim's Blues" is the most brilliant piece I've heard from Alessandrini in years. It's absolutely dead on. The friends I was with had never seen nor heard "Follies" and completely missed the point, but I was in stitches.

The "10 Years More" (which does not appear on this album, but remains in the show) has really begun to wear thin, especially with the closing this year of Cats and Miss Saigon. The Cameron Macintosh British mega-musicals are finally releasing their grip on Broadway, and this isn't as funny any more.

Broadway, despite the naysayers, will never die... and apparently, neither will Forbidden Broadway. I don't think it should - but I do think it needs a rest.

Do the Math.......2001-03-15

Four CDs cover the first 20 Years of Forbidden Broadway, Gerard Alessandrini's viciously witty satire of New York Theatre. The last year has seen Three new CDs, FB "Cleans Up Its Act" "20th Anniversary Edition" and now "2001 a Spoof Odyssey". Do the math.

Alessandrini is running out of ideas, and is spreading the remaining ones too thin. . Sanitized Time Square - Been there. Disnified Broadway - Done that, and so many times. Asinine casting faux pas, plotless pointless set-monster musicals, and Ethel Merman and Liza. We've heard it all before - and last time, it was funnier.

Now normally when a writer (or director or actor) has truly entertained me on numerous occasions, I'll forgive the odd show that disappoints. This would be the case here except for two things: Alessandrini is in the vicious parody business - he's never spared anyone else Besides, if he's going to actually include couplets like: "If lyrics are no longer witty... Then I don't want to go " he's inviting the pans.

When you hear the AIDA lampoon, you'll be reminded of the dim bulb in Cyrano de Bergerac who taunts the hero with the brilliant witticism: Your nose is very large

Yes, there are a few true Forbidden Broadway tracks on Spoof Odyssey. Dame Judi Dench singing "Why can't Americans do theatre like the Brits?" (with apologies to My Fair Lady), I Hate Ben (with apologies to Kiss Me Kate) and about 1/3 of "Let's Ruin Time Square Again" (no apologies necessary to Rocky Horror which understands how easy it is for good parody to go bad). Oh yes, there is one absolutely true Forbidden Broadway track: TROUBLE - yes, the same Trouble from Volume 3 which was just re-released on the 20th Anniversary compilation - and it's back again with a more hackneyed Robert Preston impersonation and all of 4 words changed. Granted it's one of the better bits, more worthy of rerunning than say, referring to Miss Saigon as Viet-Numb, but oh, he reran that gag too

56 Favorites
Average customer rating:

Good bargain.

56 Favorites

Manufacturer: Prism Leisure
ProductGroup: Music
Binding: Audio CD

All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
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Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury

The Pirate Queen (2007 Original Broadway Cast)

ASIN: B000068ZTB
Release Date: 2005-10-25

Tracks:

Hark the Hour of Ten Is Sounding [From Trial by Jury]
Judge's Song [From Trial by Jury]
We Sail the Ocean Blue..... Buttercup's Song [From H. M. S. Pinafore]
My Gallant Crew... I Am the Captin of the Pinafore [From H. M. S. ...]
When I Was a Lad [From H. M. S. Pinafore]
Never Mind the Why and Wherefore [From H. M. S. Pinafore]
He Is an Englishman [From H. M. S. Pinafore]
Pirate King's Song [From the Pirates of Penzance]
Oh Is There Not One Maiden Breast? ...Poor Wandering One [From the ...]
How Beautifully Blue the Sky [From the Pirates of Penzance]
I Am the Very Model of a Modern Major General [From the Pirates of ...]
When the Foeman Bears His Steel [From the Pirates of Penzance]
When You Had Left Our Pirate Fold [From the Pirates of Penzance]
Ah! Leave Me Not to Pine Alone [From the Pirates of Penzance]
Policeman's Lot Is Not a Happy One [From the Pirates of Penzance]
With Catlike Tread [From the Pirates of Penzance]
March and Entry of the Peers [From Iolanthe]
Law Is the True Embodiment [From Iolanthe]
When I Went to the Bar [From Iolanthe]
When All Night Long [From Iolanthe]
When Britain Really Ruled the Waves [From Iolanthe]
Oh Foolish Fay [From "Iolanthe"]
Nightmare Song [From Iolanthe]
If You Go In [From Iolanthe]
Finale: Soon as We May [From Iolanthe]

Tracks:

If You Want to Know Who We Are.... a Wandering Minstrel I [From ...]
Our Great Mikado [From the Mikado]
Behold the Lord High Executioner [From the Mikado]
I've Got a Little List [From the Mikado]
Three Little Maids from School [From the Mikado]
Braid the Raven Hair [From the Mikado]
Sun Whose Rays [From the Mikado]
Here's a How-De-Do [From the Mikado]
More Humane Mikado [From the Mikado]
Flowers That Bloom in the Spring [From the Mikado]
Tit Willow [From the Mikado]
There Is Beauty in the Bellow of the Blast [From the Mikado]
Is Life a Boon? [From the Yeomen of the Guard]
Where I Thy Bride [From the Yeomen of the Guard]
Hereupon We're Both Agreed [From the Yeomen of the Guard]
Strange Adventure [From the Yeomen of the Guard]
Man Who Would Woo a Fair Maid [From the Yeomen of the Guard]
When a Wooer Goes a Wooing [From the Yeomen of the Guard]
For the Merriest Fellows Are We [From the Gondoliers]
We're Called Gondolieri [From the Gondoliers]
From the Sunny Spanish Shore [From the Gondoliers]
In Enterprise of Martial Kind [From the Gondoliers]
I Stole the Prince [From the Gondoliers]
When a Merry Maiden Marries [From the Gondoliers]
Regular, Royal Queen [From the Gondoliers]
Take a Pair of Sparkling Eyes [From the Gondoliers]
There Lived a King [From the Gondoliers]
In a Contemplative Fashion [From the Gondoliers]
Small Titles and Orders [From the Gondoliers]
I Am a Courtier Grave and Serious [From the Gondoliers]
Finale: Once More Gondolieri [From the Gondoliers]

Customer Reviews:

Good bargain........2004-08-25

The performances are good--this is the D'Oyly Carte Opera Company, after all--and you get 2 full CDs, with 2 selections from "Trial by Jury", 5 from "HMS Pinafore", 9 from "The Pirates of Penzance", 9 from "Iolanthe", 12 from "The Mikado", 6 from "The Yeomen of the Guard", and 13 from "The Gondoliers". The booklet is a bit skimpy, and only lists recording dates for the first CD (1929-1949). But the sound is good, and the music is great, and at this price it's a great "greatest hits" collection.

Music of Cole Porter/Music of Vincent Youmans

Average customer rating:

Kostelanetz Treasures

Music of Cole Porter/Music of Vincent Youmans

Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music

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Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

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Music of George Gershwin
The Music of Irving Berlin
Sounds of Today/Today's Greatest Movie Hits
The Ultimate Collection
Music of Jerome Kern

ASIN: B000056K35
Release Date: 2001-01-30

Tracks:

Begin the Beguine [From Jubilee]
All Through the Night [From Anything Goes]
I Concentrate on You [From Broadway Melody of 1940]
I Love You [From Mexican Hayride]
Night and Day [From the Gay Divorcee]
In the Still of the Night [From Rosalie]
I've Got You Under My Skin [From Born To Dance]
Blow, Gabriel, Blow [From Anything Goes]
Just One of Those Things [From Jubilee][*]
Medley: Hallelujah! /Time on My Hands [from "Hit the Deck"]
Tea for Two [From No, No, Nanette]
Carioca [From Flying Down to Rio]
Medley: Without a Song/Great Day [From "Great Day"]
More Than You Know [From Great Day]
Orchids in the Moonlight [From Flying Down to Rio]
Medley: Sometimes I'm Happy/I Know That You Know
Medley: Through the Years/Drums in My Heart [From Smiling Through]
I Know That You Know [From "Oh, Please"]
Through the Years [From "Smiling Through"]
Drums in My Heart [From "Smiling Through"]

Customer Reviews:

Kostelanetz Treasures.......2001-02-08

In my opinion, the composer series recordings by Kostelanetz are among his best. The arrangements are for full orchestra and some of the best examples of Kostelanetz' passion and insight into the golden age of musical theatre. Six of the Cole Porter selections I had on '78s when they were first recorded, and the arrangements are the essence of Cole Porter. Kostelanetz indeed, plays the words, that is, during recording sessions,the orchestra members had the lyrics as well as the music on their music stands. My favorite is Porter's "I Love You". The Kostelanetz strings have a way of reaching my heart strings - it seems to express in music the way I feel about my wife of 42 years - you guessed it - I'm in my late 60's. I have this CD on back order, and have not really listened to it - but I have enjoyed these recordings for many years. However, to evaluate the quality of sound on these CDs I purchased the CD in the same series "Music of Irving Berlin" . The sound is outstanding, and true to the Kostelanetz original recordings. The Vincent Youmans recordings are a bit newer and first appeared on mono-LP. Again, they are excellent Kostelanetz arrangements and outstanding performances. What a treasure to find both of these wonderful LP recordings on one CD. I expect to have my copy of this CD from Amazon within the next week or so, and I will update this review after listening.

Average customer rating:

Great Musicals

Manufacturer: Rajon
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Rock | Imports | Stores | Music
ASIN: B000682FF4
Release Date: 2004-11-15

Tracks:

Oklahoma Suite: Oklahoma!/Oh, What a Beautiful Morning/The Surrey With
My Fair Lady Suite: Ascot Gavotte/Wouldn't It Be Loverly?/With a ...
Annie Get Your Gun Suite: Doin' What Comes Natur'lly/You Can't Get ...
King and I Suite: The March of Siamese Children/I Whistle a Happy Tune
Sound of Music Suite: The Sound of Music/My Favourite Things/Do-Re-Mi
West Side Story: The Jet Song/America/Tonight/Something's Coming/Maria

Tracks:

Porgy and Bess Suite: Summertime/I Got Plenty O' Nuttin'/I Loves ...
South Pacific Suite: Bali Ha'i/A Cockeyed Optimist/Some Enchanted ...
Guys and Dolls Suite: Luck Be a Lady/Fugue for Tinhorns/Follow the ...
Carousel Suite: The Carousel Waltz/Mister Snow/June Is Bustin' Out All

Tracks:

Joseph & The Amazing Technicolour Dreamcoat: Any Dream Will ...
Evita: Don't Cry for Me Argentina/Another Suitcase in Another Hall
Jesus Christ Superstar: Jesus Christ Superstar/I Don't Know How to ...
Cats: Memory/Macavity the Mystery Cat/Mister Misoffeles
Phantom of the Opera: Phantom of the Opera/All I Ask of You/Angel ...

Album Description

Australian exclusive 3-CD set from the Rajon label's 'Great Series'. 2004.

Average customer rating:

The Anti-Hannity
You've got to know this album

I've Got to Know
Utah Phillips
Manufacturer: Daemon Records
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music

Traditional Folk | Folk | Styles | Music

Singer-Songwriters | Pop | Styles | Music
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Past Didn't Go Anywhere

ASIN: B0000V46JU
Release Date: 2003-12-09

Tracks:

Stupid's Pledge
I've Got To Know
Sedition
General, Your Tank
Yellow Ribbon
Yellow Legs and Pugs
I Love My Flag
Scribner On The Draft
Killing Ground
Learning
Riding The Peace Train
Trooper's Lament
Victory Stuff
Mountain Valley Home
Michael
The Soldier's Return
Was It You?
Lord, Ain't It Sad
What Is A Pacifist?
I Will Not Obey
The Violence Within
Judas Ram
Truman Cactus
There Shall Come Soft Rains
Enola Gay
Wife Of Flanders
Rice and Beans
Ain't It Fine
Revolt In The Desert
Stand To Your Classes Steady
How To Live In Peace
There Here River
Huddled Chickens

Album Description

Utah Phillips is the Woody Guthrie of our time. On I've Got To Know he wisely weaves spoken word and song to tell his side of our story. This is the first release in a series of politically charged folk recordings from Daemon Records and AK Press.

Customer Reviews:

The Anti-Hannity.......2004-12-07

in June of '06 I edited this. I wanted to change it to 3 stars but that isn't an option so I'm just typing it. 3 stars from me, not 4.

Talk about a timely reissue! Actually this is even more relevant right now than it was when it was initially released during the first Gulf War. Oh wait I forgot, the war is over. I guess we can comfort all the grieving families on both sides of the line with that fun fact. Those friends and loved ones they lost must be a myth.

From poems by WW1 vets, verses from old labor magazines, to the rants and ramblings of Utah and those he has known, this is a lovely little statement in favor of clearheadedness, rather than once again sinking ourselves deeper into one of the USA's favorite blankets of comfort... War.

I actually give this one 3.8 stars because it isn't live in front of people. Not that an album has to be live to be great (far, far from it), but Utah is a bit more stiff in the studio than he is in front of people. An audience really seems to loosen him up and allow his voice to gain even more character, and allow his deep compassion and humor to shine even more brightly. Plus, a couple of the poems here don't do alot for me. I tend to prefer my Utah speaking straight from the heart of Utah. There is certainly some very good stuff here, it's just that some of his other discs have some even better stuff.

Even so, more people in this country need to hear this release. I wish the people of my country were more engaged, curious, and thoughtful. It saddens me to watch so many Americans hand our country over to corporations. "FEAR THIS FEAR THAT and see that I am your savior... now go make money for me even if it kills you" is a tough pile to purchase, but alot of Americans are eating it up.

You've got to know this album.......2004-05-12

The fervent folkie who has toured with Ani DiFranco, U. Utah Phillips 1991 recording "I've Got To Know" has just been re-released on Daemon Records. Quoted as saying "My car won't run on Blood", in response to the first Gulf war, Phillips is an avid pacifist; singing and fuming about war and peace. The re-issue reflects the current times, and with the exception of the title track by Woodie Guthrie, (whom he acknowledges in the recording) it shines through as remarkably original and poignant. Guthrie's influences can clearly be heard throughout the 33 track album. Produced by Dakota Sid Clifford, the album is nearly half spoken word, interspersed with credited poetry and ranting. Please check out the website at www.daemonrecords.com

Average customer rating:

Collection: Say It With Music (Dlx)
Andr Kostelanetz
Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

General | Soundtracks | Styles | Music

General | Easy Listening | Pop | Styles | Music

Easy Listening | Pop | Indie Music | Stores | Music
ASIN: B00007L8X4
Release Date: 2003-02-18

Tracks:

Say It With Music Remember Blue Skies
Top Hat White Tie And Tails How Deep Is The Ocean (How High
This Is The Army Oh How I Hate To Get Up In The Morning Soft
Whatll I Do Always The Song Is Ended (But The Melody Lingers
The Piccolino Cheek To Cheek
White Christmas
The Girl That I Marry Say It Isnt So Mandy
Give Me Your Tired Your Poor God Bless America
Smoke Gets In Your Eyes Yesterdays
Ive Told Every Little Star The Song Is You
The Night Was Made For Love She Didnt Say Yes All The Things
Look For The Silver Lining They Didnt Believe Me Long Ago (A
I Dream Too Much The Jockey On The Carrousel
Why Was I Born The Way You Look Tonight Who
Make Believe Bill
Why Do I Love You You Are Love Ol Man River
Fascinatin Rhythm
Mine
The Man I Love
Embraceable You Soon
I Got Rhythm
Bess Oh Wheres My Bess
S Wonderful
Maybe
Someone To Watch Over Me Oh Lady Be Good
Embraceable You
Strike Up The Band
Begin The Beguine
All Through The Night
I Concentrate On You
I Love You
Night And Day
In The Still Of The Night
Ive Got You Under My Skin
Blow Gabriel Blow
Just One Of Those Things (Bonus Track)
Hallelujah Time On My Hands
Tea For Two
Carioca
Without A Song
More Than You Know
Orchids In The Moonlight
Sometimes Im Happy I Know That You Know
Through The Years Drums In My Heart
Malaguena
La Cumparsita
Mexicana Medley
Yours (Quiereme Mucho)
Siboney
Caminito
Adios
No Taboleiro De Bahiana
The Moon Of Manakoora
Lotus Land
Kashmiri Song
Jamaican Rhumba
Flamingo
Poinciana (Song Of The Tree)
Andalucia
Sweet Leilani (Bonus Track)
Frenesi (Cancion Tropical) (Bonus Track)
Show Boat
South Pacific
Slaughter On Tenth Avenue
An American In Paris
Porgy And Bess

Album Description

The multi-faceted Andre Kostelanetz left his mark on the music world as an acclaimed conductor/arranger/accompanist. His most notable contribution is the creation of the Easy Listening genre, done by bridging the gap between Classical and Pop music. Highlights on this 6 CD box set include Irving Berlin's 'Cheek To Cheek', George Gershwin's 'The Man I Love' and Jerome Kern's 'Smoke Gets In Your Eyes'. Includes 3 bonus tracks 'Just One Of Those Things' (Cole Porter), 'Sweet Leilani' (from Waikiki Wedding) & 'Frenesi' (Cancion Tropical). Standard jewel cases housed in a deluxe wooden box w/hinged lid (approx. 6 x 5''). Collectables. 2003.

Average customer rating:

Superhits: 1973
Dobie Gray , Tony Orlando and Dawn , Todd Rundgren , Maureen McGovern , Stealers Wheel , Dr. Hook and the Medicine Show , B.W. Stevenson , Skylark , Art Garfunkel , and Helen Reddy
Manufacturer: Time Life Music
ProductGroup: Music
Binding: Audio CD
ASIN: B000SXFWNO

Product Description

Song list: 1. Helen Reddy: Delta Dawn 2. Jim Croce: Bad, Bad Leroy Brown 3. Tony Orlando and Dawn: Tie a Yellow Ribbon Round The Ole Oak Tree 4. Three Dog Night: Shambala 5. Dobie Gray: Drift Away 6. Al Green Call Me (Come Back Home) 7. James Taylor: Don't Let Me Be Lonely Tonight 8. Aretha Franklin: Until You Come Back to Me (That's What I'm Gonna Do) 9. Carly Simon: You're So Vain 10. Todd Rundgren: Hello It's Me 11. Maureen McGovern: The Morning After 12. The Four Tops: Ain't No Woman (Like The One I've Got) 13. Stealers Wheel: Stuck In The Middle With You 14. The Spinners: Could It Be I'm Falling In Love 15. Gladys Knight and the Pips: Midnight Train to Georgia 16. Seals and Crofts: Diamond Girl 17. Diana Ross: Touch Me In The Morning 18. Dr. Hook and the Medicine Show: The Cover of "Rolling Stone" 19. B.W. Stevenson: My Maria 20. Skylark: Wildflower and 21. Art Garfunkel: All I Know.

Music Review:

Music Review

music review

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