Lady & the Unicorn/Hermit

Lady & the Unicorn/Hermit

Editorial Reviews
Product Description
Two-on-one CD features the entirety of the Pentangle guitarist's 1970 solo album 'The Lady And The Unicorn' &all but two tracks from his 1976 solo effort 'The Hermit'.16 tracks altogether.

Tracks:

A Tisket a Tasket - Natalie Cole
Lullaby Of Birdland - Chaka Khan
The Lady Is a Tramp - Queen Latifah
Dream a Little Dream Of Me - Diana Krall
(You'll Have To Swing It) Mr. Paganini - Natalie Cole
Oh Lady Be Good! - Dianne Reeves
Reaching For the Moon - Lizz Wright
Blues In the Night - Ledisi
Miss Otis Regrets - Linda Ronstadt
Someone To Watch Over Me - Gladys Knight
Do Nothin' Till You Hear From Me - Etta James
Angel Eyes - K.D. Lang
Too Close For Comfort - Michael Buble
You Are the Sunshine Of My Life - Stevie Wonder
Airmail Special - Nikki Yanofsky

Amazon.com

Covering songs made famous by Ella Fitzgerald is a daunting endeavor, since only Billie Holiday and Sarah Vaughan challenge her place as the premier female jazz vocalist in history. But the late Fitzgerald inspired and influenced a wide array of talented acolytes--from Natalie Cole to k.d. lang to Dianne Reeves--many of whom gather on this spirited, Phil Ramone-produced tribute to partially benefit the Ella Fitzgerald Charitable Foundation. Cole, backed by an eager gaggle of call-and-response male worshippers, breathes fun new life into the swingy "A-Tisket, A-Tasket," while Chaka Khan, showcasing the breadth of her range, delivers a transporting rendition of the enchanting jazz blues "Lullaby of Birdland." (The two also team up for a delicious scat-fest on "Mr. Paganini.") If lang is equally transfixing on the ballad "Angel Eyes," it's newcomer Ledisi who steals the show with "Blues in the Night," her expansive soprano often mimicking a muted or full-tilt trumpet, one of Fitzgerald's hallmarks. Performances from Etta James and Nikki Yanofsky also rivet, even if Diana Krall and Hank Jones's "Dream a Little Dream of Me" comes across as a little too sleepy, and Gladys Knight is probably not the best singer for "Someone to Watch Over Me." The album surprises with a live duet ("You Are the Sunshine of My Life") between Fitzgerald and Stevie Wonder, recorded at the 1977 New Orleans Jazz and Heritage Festival. Although it seems tacked on, it doesn't grate nearly as much as Michael Bublé's "Too Close for Comfort," so slick it would put an eel to shame. Skip over that transgression, and turn to the antidote of Lizz Wright's sultry take on the melancholy "Reaching for the Moon," which plumbs emotional depths not even the ever-joyous Great Lady managed to attain. --Alanna Nash

Album Description

A star-studded album from legendary producer Phil Ramone pays tribute to one of the most celebrated female vocalists of all time, Ella Fitzgerald.

This CD includes performers such as Stevie Wonder, Diana Krall, Michael Buble, Natalie Cole, Chaka Khan, Ledisi, Lizz Wright, Queen Latifah, Etta James, Gladys Knight, Linda Ronstadt, Dianne Reeves and more.

Customer Reviews:

Most of us love Ella.......2007-08-01

A very nice collections of songs. It's clear that most performers LOVE Ella, however found that some songs have the singer a little uninspired, and certainly lacking the love for music that Ella had. The Stevie Wonder/Ella duet however makes this a must have CD.

Fantabulous!!!!!!!!!!.......2007-08-01

Loved it - play it at the office when I do paperwork. I play Ella when I'm happy and Billie Holiday when I'm sad. I play a lot of Ella

We all Love Ella.......2007-07-18

I love Ella but this one some of the artists just don't do her songs justice.

Notable Tribute.......2007-07-16

This CD is a very good tribute to Ella. All the artists added thier own style without losing the essence of the performer they all admired.

This is good, but I love Ella more than the folks trying to sing her.......2007-07-03

My favorite part of this collection was Ella and Stevie Wonder singing "Sunshine of my Life." The blend of their voices was amazing. If it possibly could have been done, I'd love to have seen the video of this performance.

Of the tributes, Ledisi's "Blues in the Night" blew me away. Her vocalese imitation of a trumpet was one of the best impressions I have ever heard.

I also liked hearing Natalie Cole and Chaka Khan in duet on "If you can't sing it, you'll have to swing it." Etta James' alto was definitely refreshing on "Wait til you hear from me." She's the only woman on the CD with a voice in the lower registers and definitely different from the other vocalists.

Average customer rating:

Linda Eder - Great Voice
Not a voice.......an instrument
the best female singer of the great american standards.
The powerful and beautiful voice of Linda Elder
Linda Eder shines with her Broadway album

Broadway, My Way
Linda Eder
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:

By Myself: The Songs of Judy Garland
It's Time
Christmas Stays the Same
It's No Secret Anymore
Storybook

ASIN: B000088E4T
Release Date: 2003-02-18

Tracks:

I Am What I Am (from "La Cage aux Folles")
Anthem (from "Chess")
On The Street Where You Live (from "My Fair Lady")
What Kind of Fool (from "Stop The World I Want to Get Off")
Some People (from "Gypsy")
I'll Be Seeing You (from "Right This Way")
Gold (from "Camille Claudel")
Don't Rain On My Parade (from "Funny Girl")
The Impossible Dream (from "Man of La Mancha")
A New Life (from "Jekyll & Hyde")
Edelweiss (from "The Sound of Music")
Unusual Way (from "Nine")
Man of La Mancha (from "Man of La Mancha")

Amazon.com

The people who felt betrayed when Linda Eder covered several pop songs on 2002's Gold will be relieved that her follow-up, Broadway My Way, is a return to the Great White Way. As if to prove that she isn't limited to either the songs of Frank Wildhorn or ballads, Eder tackles some well-known show tunes. The ballads tend to be overwrought, so it's best to look for the uptempo numbers. The singer's take on "Some People" is technically fine but so va-va-voom showbiz that it lacks the deranged edge that makes the song so compellingly dramatic. Things work a lot better on "I Am What I Am": while Eder doesn't take it to the top (or rather over the top), this is as close as she gets to Mermanizing a number. Elsewhere, "Don't Rain on My Parade" (immortalized by Streisand) and "Man of La Mancha" are appropriately brassy and triumphant, with Eder roaring her way through both songs. Fans of both Eder and Wildhorn should note that the singer reprises her Svengali's "Gold," the title track from her previous album, and an excerpt from his long-in-the-works Camille Claudel. --Elisabeth Vincentelli

Album Description

On the eagerly awaited Broadway My Way, Atlantic recording artist and acclaimed Broadway sensation Linda Eder performs classics including 'On the Street Where You Live' (from My Fair Lady), 'Edelweiss' (from The Sound of Music), 'Don't Rain On My Parade' (from Funny Girl) and 10 other great broadway songs performed in a whole new voice. 2003.

Customer Reviews:

Linda Eder - Great Voice.......2007-07-06

This lady has one great voice. She can certainly sell a song. My only reservation about her is that she's a bit cocky. I think she could use some humility.

Not a voice.......an instrument.......2007-02-17

Unbelievable breath control, phrasing, and style. My 10 yr. old Granddaughter who heretofore has listened and loved the usual rap
and hip-hop, heard me playing this disc and begged me to buy her
one........and I did, and she plays it all the time, and to her
friends. Linda Eder exceeds the Streisand mystique by far.

the best female singer of the great american standards........2006-07-24

i am turning 60 years old this year. i went to my 1st.broadway
musical in 1960. over the years i have had the honor to see
almost all of the giants of american song, garland, streisand,
patti lupone, lena horne, betty buckley, barbaracook etc. in
"broadway, my way" linda eder cements her place as the best of the best. from an anthem like "i am what i am" to the lovely
"on the street where you live" captures you body and soul.
i loved this album, and don't ever miss a chance to see her live. JOHN POWER

The powerful and beautiful voice of Linda Elder.......2006-02-23

A great selection of songs. Tremendous amount of energy in Linda's voice. I just love it.

Linda Eder shines with her Broadway album.......2006-02-18

Wow! Linda Eder has an outstanding voice. She sells Broadway in the styles of Judy Garland and Barbra Streisand. After hearing this you will want more.

Average customer rating:

Absolutely the best of Billie Holiday
Lady Day: The Best of Billie Holiday
The tragedy of a lonely woman!
Billie's Best - Accept No Substitutes
A serious and great artist's best work, you need these sides

Lady Day: The Best of Billie Holiday
Billie Holiday
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Pure Ella: The Very Best of Ella Fitzgerald
The Hot Fives & Sevens
Complete Jazz at Massey Hall
Never No Lament: The Blanton-Webster Band
The Ultimate Collection

ASIN: B00005Q45Y
Release Date: 2001-10-02

Tracks:

What A Little Moonlight Can Do - Billie Holiday
These Foolish Things - Billie Holiday
I Cried For You - Billie Holiday
Summertime - Billie Holiday & Her Orchestra
Billie's Blues - Billie Holiday & Her Orchestra
If You Were Mine - Billie Holiday
A Fine Romance - Billie Holiday & Her Orchestra
Easy To Love - Billie Holiday
I've Got My Love To Keep Me Warm - Billie Holiday & Her Orchestra
I Must Have That Man - Billie Holiday
Me, Myself And I - Billie Holiday & Her Orchestra
They Can't Take Away From Me - Billie Holiday & Her Orchestra
Easy Living - Billie Holiday
A Sailboat In The Moonlight - Billie Holiday & Her Orchestra
Travelin' All Alone - Billie Holiday & Her Orchestra
When A Woman Loves A Man - Billie Holiday & Her Orchestra
You Go To My Head - Billie Holiday & Her Orchestra
My Man - Billie Holiday

Tracks:

I Can't Believe That You're In Love With Me - Billie Holiday
The Very Thought Of You - Billie Holiday & Her Orchestra
I Can't Get Started - Billie Holiday & Her Orchestra
Long Gone Blues - Billie Holiday & Her Orchestra
Sugar - Billie Holiday
Some Other Spring - Billie Holiday & Her Orchestra
Them There Eyes - Billie Holiday & Her Orchestra
The Man I Love - Billie Holiday & Her Orchestra
Body And Soul - Billie Holiday & Her Orchestra
Swing, Brothers, Swing - Billie Holiday & Her Orchestra
Night And Day - Billie Holiday & Her Orchestra
Let's Do It - Billie Holiday
God Bless The Child - Billie Holiday & Her Orchestra
Solitude - Billie Holiday & Her Orchestra
I Cover The Waterfront - Billie Holiday
Gloomy Sunday - Billie Holiday
Until The Real Thing Comes Along - Billie Holiday
All Of Me - Billie Holiday & Her Orchestra

Album Description

Lady Day: The Best Of Billie Holiday is an ideal introduction to the Voice of Jazz in all its enduring glory. This incomparable collection draws on the 10-CD boxed set Lady Day: The Complete Billie Holiday on Columbia (1933-1944) (CXK 85470), representing not only her finest work, but American jazz and pop singing at its zenith. Accompanied sublimely by a Who's Who of the Swing Era (including her soulmate Lester Young, Benny Goodman, Artie Shaw, Buck Clayton, Roy Eldridge, Ben Webster, Johnny Hodges, Harry Carney, Jo Jones, and pianist-arranger Teddy Wilson, who was often at the helm when Holiday entered the studio), Billie Holiday masterfully renders a host of mostly-classic pop tunes. Fans are drawn to her musical triumphs and personal tragedies. She is a mysterious icon in the same vein as Miles Davis. Columbia possesses the first and finest recordings of her entire career! This material has never sounded clearer and more intimate!

Customer Reviews:

Absolutely the best of Billie Holiday.......2007-02-24

Anybody who likes Billie Holiday even part time needs this CD. Even great for those people who only know a few songs just by chance. Love the CD. Even got another as a gift for a friend.

Lady Day: The Best of Billie Holiday.......2007-01-10

Bought this for my granddaughter. She's a Billie Holiday fan. She loved the CD.

The tragedy of a lonely woman!.......2006-11-21

The stature of this emblematic singer of the jazz is absolutely undeniable. Her powerful, sensitive and expressive voice made of her, one of the most tragic icons in the jazz. She sung as she lived. In this sense she reminds too much to the legendary Edith Piaff in the other side of the Atlantic.

What else might I add for cataloguing this cult artist that it has not been said just before? She is part of the history jazz and her memory will transcend and surmount the next years to come.

Billie's Best - Accept No Substitutes.......2006-06-12

Billie Holiday is the quintessential jazz singer; despite a limited vocal range she set the standard by which all others are measured. It's all about the quality of her voice, the lush tone, and her marvelously idiosyncratic phrasing. Though her career was short and troubled, she recorded a lot, which means novice collectors must avoid innumerable bear traps. In general, her later work should be ignored, by then she was wearing her emotional problems like an ugly hat, despair manifested itself in performances so lackluster they're depressing at best, frequently downright tragic.

For the best of Billie you need to go back to the glory days, 1933-1944, precisely the time period covered by this reasonably priced and beautifully produced 2-CD set. (If you're a player with money to burn go for the 10-CD comprehensive retrospective, The Complete Billie Holiday on Columbia, 1933-1944.) All the songs providing the foundation of her reputation are here, as well as many pleasant surprises. The booklet, though not lavish, provides photos, background, and a complete list of personnel for each track. This detail is significant because the players on these selections, in addition to being the finest who ever backed Ms. Holiday, were also the absolute elite of their generation, each worthy of individual exploration. (Names like Lester Young, Roy Eldridge, Ben Webster, Johnny Hodges, and Teddy Wilson enjoy legendary status.)

Perhaps most amazing is the sound quality, considering the recordings are WWII vintage they're clear and smooth. About Ms. Holiday's personal life, the less said the better. What is remarkable is that, despite her personal troubles, she managed to create a canon of work that is truly timeless, just as sweet and powerful today as it was then. Not only is this the best Billie Holiday anthology available, it makes a formidable addition any jazz collection. (Dig that cover photo, wow!)

A serious and great artist's best work, you need these sides.......2005-03-11

If there were some way to award music 200 stars, I am sure all of us would have done so for this set!

Like others here, I have it all, but I think her work from the 30s and early 1940s from Columbia and its ancestors is not just her greatest works, but among the great works of world musical culture. Everyone with a set of ears should be more or less required to have this music and enjoy it.

Strange Fruit was not recorded for Columbia but for the Indy label Commodore. Thus, you will not find it on this or any of the Columbia collections like this that capture her work in the period BEFORE Strange Fruit. It was recorded in the 1940s, whereas this collection contains work from Billie in the 1930s and perhaps 1940 and 1941. No doubt Sony wishes it had the rights to that side and everything else Commodore recorded, but they don't.

The truth is, Strange Fruit is not one of Billie's Greatest works. There are about 15 tunes on this CD that have better singing, better musicians backing her, and were more important pieces of Billie's work. Strange Fruit is well known to the people who know about Billie as a person, but don't know much about Billie as a Jazz musician. Her recording, while powerful, was not very nuanced, not very jazzy, and not as good as much of the work here. Indeed, the weakness of her mid-1940s Commodore work as opposed to these recordings is that Billie was persuaded to move away from Jazz and swing to attempt to become a cabarat chanteuse of "serious" songs, a move that some also relate to the inception of heroin and the decline of her voice, a move that brought about a decline in her art.

If you want to hear a better version of "Strange Fruit," listen to Josh White's recording which is so much more powerful, if not as well known. I am not downing the song or its politics, far from it, but Billie's Strange Fruit is more important as a political statement than as a work of Jazz art.

One of the greatest things about these records are the many master musicians of swing and jazz that join her on these recordings. Very shortly after she started recording, the greatest names in Jazz would flock to her sessions and play on her recordings for litte because of the innovation and creativity Billie showed as a jazz creator in her own right. These recordings were a chance for them to jam together in loose arrangements and be more innovative and creative than they were with the orchestras they played with.

These masters of Jazz viewed Billie as a serious artist of Jazz. They delighted in her knowledge of the musical aspects of swing jazz which was unique for such a young singer (she was in her twenties when these records were made) and delighted in her ability to sense what they were doing in their accompaniments and solos and to respond to them in her vocals.

Despite the exaggerated picture of her life as a prostitute that was part of the marketing of the 1950's work of ghost-written fiction called "Lady Sings the Blues," that a drug addled Billie claimed was her autobiography, Billie Holiday grew up around Jazz with her father being a big band guitar player who complained Billie hired every NY guitarist but him for these sessions. Billie's mother specialized in boarding Jazz musicians and catering parties for musicians and singers, parties where the young Billie would often help serve the food. So when she met Lester young in 1937 for these sessions, she had already known the man she named 'Prez in 1934 when he boarded with her mother while he was in the Fletcher Henderson band.

These sides contain most of the great collaboration between Lester Young and Billie. They were great musical friends and personal friends until Billie became a heroin addict, at which point Lester didn't much want to be around her.

However, as much as I am a Lester Young man to the death (his framed picture hangs in my home), too little is said of the other musicians who grace these recordings. Billie's collaboration with pianist Teddy Wilson who plays on and directed most of these recordings (many were recorded as Teddy Wilson Orchestra sides)needs to be explored. Likewise, her work with the great bassists and rhythm players on these records needs to be appreciated. My favorite sides are the ones in which she has the benefit of Basieites like her dear friend Freddy Green on guitar and the great Walter Page on bass. Likewise, Billie's musical closeness with the great Buck Clayton and his role on these sides is also underestimated.

Yet, it doesn't matter if Billie had recorded these sides with some high school band members from Winslow, Arizona. This is good music to listen to, good music to smile to, music to fall in love to, and music to dance too. Contrary to the tendency to get maudlin and milk her image as a tragedy that Holiday developed in the 1950s as her life and her musical skill declined , even the songs on these recordings with the sadest lyrics possess a great joy, swing, and spirit of the wonders of Jazz.

My Fair Lady (1956 Original Broadway Cast)

Average customer rating:

a flawless recording
Excellent Sound Track
Great gift!
Good, but not for the Family
fantastic......

My Fair Lady (1956 Original Broadway Cast)
Alan Jay Lerner , Rex Harrison , Julie Andrews , and Frederick Loewe
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Tracks:

Overture
Why Can't The English?
Wouldn't It Be Loverly
With An Ordinary Man
I'm An Ordinary Man
Just you Wait
The Rain In Spain
I Could Have Danced All Night
Ascot Gavotte
On The Street Where You Live
You Did It
Show Me
Get Me To The Church On Time
A Hymn To Him
Without You
I've Grown Accustomed To Her Face
A Post-Recording Conversation (bonus track)
Playback: Alan Jay Lerner & Frederick Loewe (bonus track)

Amazon.com

The 2,700 performances of Lerner and Loewe's musical adaptation of George Bernard Shaw's Pygmalion gracefully spanned the Eisenhower and Camelot eras, then begat a wildly popular film version, whose 1965 Best Picture Oscar capped the show's decade of prominence. The crowning achievement of Lerner and Loewe's rich body of work began its recording life on this 1956 cast recording, a collection of performances that long ago became a ubiquitous and indispensable fixture of American musical theater. Indeed, it's hard to imagine anyone else but Julie Andrews and Rex Harrison in the roles of the cockney Eliza Doolittle and her long-suffering mentor, Henry Higgins, delivering definitive versions of the show's embarrassment of riches: "Why Can't the English?," "Wouldn't It Be Loverly," "The Rain in Spain," "I Could Have Danced All Night," and "I've Grown Accustomed to Her Face." This new edition offers a digitally burnished take of the already glorious recording, now supplemented with a post-recording conversation track featuring Harrison, Andrews, Lerner, conductor Franz Allers, and original producer Goddard Lieberson, as well as a 1961 audio interview with Lerner and Loewe. --Jerry McCulley

Customer Reviews:

a flawless recording.......2007-07-29

in terms of musicals, some are beyond famous. along with The Sound of Music, West Side Story, Singin' in the Rain, Oklahom and The King and I ranks My Fair Lady. the story of eliza doolittle and henry higgens is beyond being a classic, its a legend. but why? and does it deserve such recognition?

for proof that My Fair Lady deserves all of its fame look no further than this cast album. this is a true gem of musical theater and every cast recording should be done this well.

SONGS
the music is great. its strength is in subtlety. the background orchestral pieces are all soft and the strength is placed on the performers, which works great. a lot of the strength here goes to the witty lyrics of "why can't the english" and "i'm an ordinary man" (basically rex harrison's pieces!) or the soft crooning lyrics of "I Could've Danced All Night" and "On the Street Where You Live." the songs are fresh, original and pretty well done here.

SONGS 5 out of 5

PERFORMERS
a lot of credit falls on the steller cast here since most of the focus is on them. harrison is wonderfully and witty as henry higgens. julie andrews is, well, perfect as eliza. she is the greatest eliza ever. her vocals are all brilliantly done. the rest of the cast succeds in bringing humor or romance to the show wherever it is required. this is a top-notch cast the easilly outdoes the 1964 movie. if for no other reason than the sheer energy that is captured here.

PERFORMERS 5 out of 5

most broadway fans should own this just because it's My Fair Lady, but beyond that, this is a great show and this album captures all that brilliance perfectly. if you need just one recording, THIS IS THE ONE!!!

Excellent Sound Track.......2007-06-27

I found My Fair Lady full of beautiful arrangements and excellent vocals. Can't get better then the sound of Julie Andrews!!!! Although Julie did not get the movie roll this makes me appreciate the movie even more.

Great gift!.......2007-06-01

Bought this as a gift for a friend.Received it quickly and she was delighted.

Good, but not for the Family.......2007-05-29

I initially really enjoyed the movie my fair lady and wanted a sound track so I could continue to enjoy the music. However, upon recieving the cd, I was especially disappointed with one aspect - the language. I knew Professor Higgins and others had used profanity on the film, and was ok with it. You hear it once and move on. However, I don't want a cd playing around my family that my kids are learning to dance, sing, and act out a song that has rather obvious swear words. After 1 listen I picked out at least three instances of swearing, the worst being I've Grown Accustomed to Her Face (my otherwise favorite song!) The song starts out d--n, d--n, d--n! It's shouted.

fantastic.............2007-05-16

MY FAIR LADY, one of the most well-loved and beautifully made musicals, was a definitive vehicle for the career of (then) twenty year old Julie Andrews, as the "loverly" Cockney flower girl, Eliza Doolittle. Between Andrews' soaring soprano (which is especially poignant to hear, today, considering that she can no longer sing as she once did) and the great supporting cast, lead by Rex Harrison, as Dr. Henry Higgins, the bored professor who takes her under his wing as a special project to mold into a dignified lady, this is a five star show!

The story was actually based on PYGMALION, by the late, great playwright, George Bernard Shaw, inspired by Greek mythology. In the original Greek play, Pygmalion is the sculptor who creates a depiction of a woman, out of ivory, and falls in love with it. He prays to Venus, and then his sculpture is brought to life, as Galatea. In the musical, the gist is similar but the journey and characters veer from this concept considerably. For starters, no one starts out as a piece of stone--especially not Eliza Doolittle. She has definite opinions and a distinctive personality (saucy language and all), that Dr. Doolittle is very keen on shaping up for society. The music is perfectly in synch with the mood of this great play, which is in some ways a true parable about human behavior and the treatment of women in society. Some of the most beautiful music by Lerner and Loewe is featured here. The songs include "Wouldn't It Be Loverly," "I've Grown Accustomed To Her Face," and "Get Me to the Church On Time." This is brilliant. Buy this today! I am not sure how great the sound quality is on audio cassette, in comparison to the original recording on vinyl that I heard, as a little girl. I have a feeling it's pretty spectacular though!

Average customer rating:

go with the OBC
My Fair Lady (1964 Film Soundtrack)
Fair Lady all the way
Nice CD and quick delivery
My Fair Lady

My Fair Lady (1964 Film Soundtrack)
Alan Jay Lerner
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Oklahoma! (1955 Film Soundtrack)
The King and I (1956 Film Soundtrack)
South Pacific (1958 Film Soundtrack)
The Sound of Music (1965 Film Soundtrack - 40th Anniversary Special Edition)
The Music Man (1962 Film Soundtrack)

ASIN: B000002AW2
Release Date: 1994-10-18

Tracks:

Overture
Why Can't The English?n
Wouldn't It Be Loverly
The Flower Marketn
I'm An Ordinary Man
With A Little Bit Of Luck
Just You Wait
Servants' Chorus
The Rain In Spain
I Could Have Danced All Night
Ascot Gavotte
Ascot Gavotte (Reprise)
On The Street Where You Live
Intermission
The Transylvanian March
The Embassy Waltz
You Did It
Just You Wait (Reprise)
On The Street Where You Live (Reprise)
Show Me
The Flowermarket
Get Me To The Church On Time
A Hymn To Him
Without You
I've Grown Accustomed To Her Face
End Titles
Exit Music

Amazon.com

My Fair Lady is--deservedly--one of the most famous musicals of all time. Its popular 1964 film version, directed by George Cukor, has ensured that for most people Audrey Hepburn is Eliza Doolittle, while Broadway-heads swear by Julie Andrews's stage performance, immortalized on the 1956 cast album. Of course, for the purposes of a CD review it's more accurate to compare the performances of Andrews and Marni Nixon, who sang the songs lip-synched by Hepburn in the movie. While Andrews usually comes out on top (especially on "I Could Have Danced All Night"), Nixon is no slouch (after all, she also dubbed Natalie Wood in West Side Story and Deborah Kerr in The King & I). Rex Harrison, of course, does his own vocals, but then he doesn't so much sing his songs as talk them. While Nixon and Harrison are tops, the truth is that Lerner and Loewe's songs are so good as to endure almost anybody's interpretation: "Wouldn't It Be Loverly," "With a Little Bit of Luck," "On the Street Where You Live," "Get Me to the Church on Time," and so on--not many shows can boast as many classics. The movie version's real bonus is Andre Previn's swellegant orchestration. --Elisabeth Vincentelli

Customer Reviews:

go with the OBC.......2007-07-29

Some movie-musicals have it pretty easy. if filmakers can get the original broadway cast, or at least most of it, and include the majority, if not all of the songs. then they're pretty much set. for proof of this, look no further than 1964's adaptation of My Fair Lady.

SONGS
all of the songs from the stage show are here, which gives this soundtrack a wonderfully full feeling. the orchestra feels rich and lush on all the tracks, plus some purely instrumental tracks that really add life and fill out the soundtrack nicely. because most of the broadway cast is here, the songs all sound great too.

SONGS 4 out of 5

PERFORMERS
rex harrison, stanley holloway, and wilfred hyde-white all reprise their broadway roles and make their songs just as witty and clever as ever. they all sound just as great and add a wonderful broadway-feel to the album. bill shirley dubbs the part of freddy here, and since i fealt that his songs were fairly bland his presence isn't particularly noticable. the real difference is in the form of audrey hepburn vs julie andrews.

actually its more marni nixon (who dubbed for hepburn) vs julie andrews. marni nixon is a great singer, but the only problem here is that she should have been allowed to just sing the part. songs like "wouldn't it be loverly" and "just you wait" make it painfully obveous that two women are performing the part. songs like "i could've danced all night", "show me", and "without you" are great just because nixon is allowed to just sing the damn role.

PERFORMERS 4 out of 5

fans of musicals and this show will still appreciate this soundtrack, since even at its weakest, this soundtrack is still impressive. however, light fans will want to pass this over for the original broadway cast album, since evn if marni nixon had been allowed to perform the whole soundtrack, julie andrews is still more impressive.

My Fair Lady (1964 Film Soundtrack).......2007-05-18

This Cd is as clare as a bell.

Fair Lady all the way.......2007-05-13

I have seen this production as a movie, a television presentation, and on stage. All were great and all used the music with different voices. While I have many albums with different singers, this album remains my favorite. The music is precise. The singing is excellent. I thoroughly enjoy it every time I listen.

Nice CD and quick delivery.......2007-02-02

I knew I was going to like it, so the good thing has been the quick and safe delivery (very well packed).

My Fair Lady.......2007-01-15

Received it when I expected to. It was in tip top condition. Very happy.

Average customer rating:

a flawless recording
Excellent Sound Track
Great gift!
Good, but not for the Family
fantastic......

My Fair Lady (1956 Original Broadway Cast)
Alan Jay Lerner
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Tracks:

Overture; Why Can't The English?
Wouldn't It Be Loverly?
With A Little Bit Of Luck
I'm An Ordinary Man
Just You Wait
The Rain in Spain
I Could Have Danced All Night
Ascot Gavotte
On The Street Where You Live
You Did it
Show Me
Get Me To The Church On Time
A Hymn to Him
Without You
I've Grown Accustomed To Her Face

Amazon.com

This recording was produced more than 40 years ago, only in mono, but from the day it was released it was a deserved phenomenon. It out-grossed the mega-hit show for months, and it still holds the record for the most weeks as a Billboard Top 40 album: 292. The reasons are many. Start with the 20-year-old Julie Andrews in peak voice, singing no fewer than eight sensational Lerner and Loewe songs, soaring most memorably to high C in "I Could Have Danced All Night." Rex Harrison perfected the art of talk-singing in a clutch of equally captivating numbers written especially for his voice, of which the most indelibly delivered is "I've Grown Accustomed to Her Face." And Stanley Holloway brought the best English music-hall style to an eager American audience with "A Little Bit of Luck" and "Get Me to the Church on Time." There were no scene-changers in Frederick Loewe's best score, and Alan Jay Lerner managed to fashion his libretto and lyrics so close to the language of George Bernard Shaw (on whose play Pygmalion the musical was based) that experts couldn't tell where Shaw left off and Lerner took over. Every song created character and advanced the plot. My Fair Lady was a show you "got"--and still get--on first listening--without having seen it. The London cast album (with the same leads) can give you stereo; the movie version, a fuller orchestra, Harrison and Holloway in full sail, and Marni Nixon dubbing Audrey Hepburn. But the Broadway cast album is still the one to have, and the one absolute must in any musical collector's CD library. --Robert Windeler

Customer Reviews:

a flawless recording.......2007-07-29

Excellent Sound Track.......2007-06-27

Great gift!.......2007-06-01

Bought this as a gift for a friend.Received it quickly and she was delighted.

Good, but not for the Family.......2007-05-29

fantastic.............2007-05-16

Average customer rating:

Disney's greatest hits, volum 3
Timeless Disney Music
Disney songs are the best
Great Disney Music
Not as good as Vol 1 and Vol 2

Disney's Greatest 3
Various Artists
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Disney's Greatest, Vol. 2
Disney's Greatest, Vol. 1
Disney's Greatest Vol. 2
Disney's Greatest, Vol. 1
Disney's Greatest Hits 1 & 2

ASIN: B00006EXKT
Release Date: 2002-08-20

Amazon.com

Cynical types will accuse Disney of milking the "greatest" concept until it's drier than Tinkerbell's fairy dust ("Supercalafragilisticexpealidocious," "Zip-a-Dee-Doo-Da," and "Heigh Ho" were hits off of Vol. 1; "Bare Necessities," "It's a Small World," and "Some Day My Prince Will Come" stole the show on Vol. 2), but a glimpse of this installment's track listing is all it'll take to squash their suspicions. Once again running reverse-chronologically, Vol. 3 opens with Jonatha Brooke's gorgeously achy ballad "I'll Try," from 2002's arguably not-so-great Return to Neverland, and gradually reaches back through the years to re-raise the curtain on Toy Story 2 ("When She Loved Me," performed by Sarah McLachlan), The Lion King ("Can You Feel the Love Tonight"), Mary Poppins (Julie Andrews's classic "A Spoonful of Sugar"), Pinocchio ("Give a Little Whistle"), and a bundle of treasured others, bottoming out at 1933's "Who's Afraid of the Big Bad Wolf" from The Three Little Pigs. Vol. 3 is not without its weak moments--would a G-rated movie-goers' poll produce Beauty and the Beast's "Gaston" or The Hunchback of Notre Dame's "Topsy Turvy" on a hits list? Seems unlikely. Still, the bulk of these tracks are, as the included Little Mermaid song goes, "Part of Your World," and the spread of decades they represent proves their staying power. Don't expect Disney to latch the lid on its inexhaustible archives until a dozen or so of these records, each as strong as the next, beckon you back for more. --Tammy La Gorce

Customer Reviews:

Disney's greatest hits, volum 3.......2007-05-13

This is one of the better volums for kids and for those who are
above 18 but still have some kid in them

Timeless Disney Music.......2007-05-07

Nothing brings sweet recollection of Disney movies like hearing the wonderful songs. In an age where there so much music with no redeeming qualities, these Disney CDs are priceless. Wonderful for the entire family to listen to around the house or in the car while traveling. We can't help but sing along. We love that these are the original tracks from the movies! Wonderful! We now have all three volumes.

Disney songs are the best.......2006-03-18

I love the songs on this volume. I'll Try by Jonatha Brooke is such an amzing somg. I especially bought this CD fort that song but, was pleasantly surprsed by the rest of the playlist.

Great Disney Music.......2006-02-21

I have bought the first 2 volumes of Disney's Greatest Hits and the 3rd volume doesn't disapoint. My 2 young children love to listen to this CD and talk about the movies that they come from. A definate must have!

Not as good as Vol 1 and Vol 2.......2005-09-11

This Disney CD represents the "leftovers" that didn't make it on Vol 1 and Vol 2 of this series. Although it has some of my favorites, I don't listen to the entire CD often. Disney could have done a better job of editing the which sound files should make the cut on this one. Still, it's nice to have all 3 CDs.

Average customer rating:

A singer that sings songs
No jam needed
Delicious
Great tracks, Great voice
Good but...

Lady Croissant
Sia
Manufacturer: Astralwerks
ProductGroup: Music
Binding: Audio CD

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ASIN: B000NJLLVK
Release Date: 2007-04-03

Tracks:

Pictures
Don't Bring Me Down
Destiny
Blow It All Away
Lentil
Numb
I Go To Sleep
Breathe Me
Distractions

Album Description

Astralwerks is thrilled to release a new mini LP by Sia, Lady Croissant, which was recorded live at Bowery Ballroom in NYC. The recording includes eight songs from both the Zero 7 and Sia catalog. This live performance captures Sia at an incredible hight, performing such songs as "Numb", "Don't Bring Me Down", "Distractions" and "Breathe Me". This release also includes a brand new studio track titled "Pictures".

Customer Reviews:

A singer that sings songs.......2007-06-15

I know my title is cheesy, but Sia really is a singer that sings songs. So pure on many levels. And even though each song's studio version justly captures her purity, the live versions take it one step further. I don't hate radio music or MTV or anything like that. I just feel like Sia, who shamelessly expresses herself in real life (google "Vagina Croissant"), knows how to convincingly translate her thoughts and emotions into song. Her lyrics, even just on paper, show and guide you rather than simply telling you. Though I personally favor her own songs, her Zero 7 songs are a great jumping off point for first-time listeners.

No jam needed.......2007-05-19

I first hear Sia's voice when I rented the movie Blue Crush. That's not the kind of movie I would normally ever rent, but I missed living in a tropical beach community so I rented it, in spite of the unappealing played-out hollywood commericalness of it all. When the movie credits rolled I tracked down the artists, first Zero 7 & then Sia and it's been a long time since I've listened to a CD so repeatedly. Sia's music is smooth yet gritty with intelligent - if not original - lyrics. Plus this girl actually has some funk in her. A white girl with funk is always always a pleasant surprise in my book. No jam needed with this croissant, Sia brings it and hearing her live is an extra special treat!

Delicious.......2007-05-17

I first heard Sia Furler introduced herself as "Lady Croissant" at a Zero7 concert in 2006. Now her latest album's title, her live versions of her songs (along with Zero7's songs) are wonderfully orchestrated. The perfect combination of her sultry voice and classic instruments produce an amazing outcome. As delicious as the album title, Lady Croissant prevails.

Great tracks, Great voice.......2007-05-13

The cd is great...her voice is even better from the studio tracks...i really love it...from the beginning till the end! i wish it had a dvd with it..or more tracks...buy it and you will love it..i'm sure

Good but..........2007-05-13

I'm a big fan of Sia and I heard about this CD and bought it instantly without reading reviews or anything, to my surprise there where only 9 songs and one of them was a new one so it wasn't live. Anyways, her singing is beautiful, I recommend you buy it if you are a truly Sia fan, if not, waste your money in something else =)

Average customer rating:

Some of the reviewers sound like haters
Same Ole Thing!!
Kim Waters!!!!
Kim Waters simply does it with this CD
Would somebody please get this guy a live band?

You Are My Lady
Kim Waters
Manufacturer: Shanachie
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

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Stay with Me
Ladies' Choice
Ready for Love
White Sand
He Had a Hat

ASIN: B000MM1F96
Release Date: 2007-03-27

Tracks:

So Sick
Got To Give It Up
The Closer I Get To You
Flying High
Two Keys To My Heart
Secret Romance
You Are My Lady
East Coast Strollin'
Inseparable
I Want You Tonight

Customer Reviews:

Some of the reviewers sound like haters.......2007-06-26

It's a very nice album complete with vocals and very smooth jazz in the form of a saxophone. Probably someone from his competitors cooked up some dumb idea to slam his music. He should be getting a lot of solid five stars.

Same Ole Thing!!.......2007-06-18

I'M A JAZZ LOVER FROM BACK IN THE DAY. I'VE SEEN ARTIST COME AND GO. SOME HAS THE REAL TALENT OF LONGEVITY. IN MY OPINION IF KIM WATERS WOULD USE LIVE STUDIO PERSONELL HIS MUSIC WOULD SOUND BETTER. I GUESS ME BEING FROM THE OLD SCHOOL ALL THESE ELECTRONIC MACHINES JUST DON'T GET IT WITH ME.

Kim Waters!!!!.......2007-05-13

I have to always give it to Kim Waters. Everything he does is always over the top.

Kim Waters simply does it with this CD.......2007-04-11

I feel this is one of his best CD's. The tracks and his saxophone are crisp, discreet, and moving. The funky opening tune will get you in the grooves and his remakes of "The Closer I Get to You", "Inseparable", and "You are My Lady" will make you want to break out that bottle of wine with someone special. Trust me on this one. The minute I played it for the Mrs. it was on and I just wish we had a fireplace. Mello, Mello, Mello, with great sax. Don't miss this one.

Would somebody please get this guy a live band?.......2007-04-03

Well, well...another lame CD from the "King of Drum Machines". KW is a great sax player, but I wish that he would hire a back up band instead of relying on drum machines and other electronics to produce music. This stuff sounds like karaoke music or something that my 4-year-old plays on her toy keyboard. I do, however, like his rendition of Marvin Gaye's "Got To Give It Up", but still it would sound so much funkier if the song were performed by a live band instead of a computer. Anyway, if you like poorly produced "electonica", then you may enjoy this CD. Ohterwise, try some Sanborn, Najee, Kirk Whalum or Boney James for your "saxual" pleasure.

Average customer rating:

pure genius
Another great Yo-Yo Disc
first disc great- second a flop
Encore
The Versatile Yo-Yo Ma

The Essential Yo-Yo Ma

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Appassionato
Yo-Yo Ma Plays Ennio Morricone
Vivaldi's Cello
Classic Yo-Yo
Silk Road Journeys: Beyond the Horizon

ASIN: B000A7Q29G
Release Date: 2005-08-16

Tracks:

Prde from Suite No. 1 in G Major for Cello, BWV 1007
II. Largo from "Winter", Op. 8, No. 4, RV 297 from the Four Seasons
Jesus, bleibet meine Freude (Jesu, Joy of Man's Desiring), BWV 147
Schafe kn sicher weiden (Sheep May Safely Graze), BWV 208
Wachet auf, ruft uns die Stimme (Sleepers Awake), BWV 645
The Swan from Carnival of the Animals (Chamber Version)
Havanaise, Op. 83
Mtation from Tha
Liebesfreud Instrumental
Allegro ben ritmato e deciso from Three Preludes
Vocalise Vocal
IV. Allegro from Sonata in D minor for Cello and Piano, Op. 40
Andante Cantabile for Cello Solo and String Orchestra, Op. posth.
IV. Rondo alla Zingarese. Presto from Quartet No. 1 in G minor for Piano and Strings, Op. 25
III. Finale. Allegro moderato from Concerto in B minor for Cello and Orchestra, Op. 104

Tracks:

Cristal
A lenda do caboclo
Chega de Saudade Live
Wapango Live
Libertango
Appalachia Waltz Solo Cello Version
Butterfly's Day Out
1B
Pickin' from Three Pieces for Solo Cello
Simple Gifts
The Mission
Gabriel's Oboe
The Falls Album Version
The Eternal Vow from Crouching Tiger, Hidden Dragon
The Cellist of Sarajevo - A Lament in Rondo Form for Solo 'Cello, Op. 12
Chi passa per'sta strada
Mido Mountain (Chinese Traditional)
Mohini (Enchantment)
Baroque in Rhythm from Suite for Cello and Jazz Piano Trio
Anything Goes Instrumental
I Could Have Danced All Night Extended version

Amazon.com

Here are three dozen pieces of music, all played by Yo-Yo Ma, culled from his extensive discography. Aside from the technical mastery and beautiful tone that are absolutes in all of his playing, one is dazzled by his curiosity and ability to adapt to so many forms and types of music. His Bach and Vivaldi are pellucid and played with non-sentimental crispness, his tango music gritty and rhythmically pungent, his jazz seemingly spontaneous, the "Meditation" from Thais simply ravishing, "Anything Goes" a romp, and the Appalachian music performed with both respect and a great twang, while the traditional Chinese music is fascinating. It's really a matter of how much Ma loves whatever he plays here, how entirely he becomes involved in it, and what a fine partner he invariably is to other musicians. This collection is a doozy--it is truly "essential." --Robert Levine

Customer Reviews:

pure genius.......2007-05-21

No instrument asks more from the soul of an artist as the cello does.
Yo Yo Ma shows to be master of the instrument and his interpretations en technique are pure genius. Everyone should have this album in his (or hers of course) basic classical collection

Another great Yo-Yo Disc.......2007-05-15

The set-up with the classical pieces on the first disc and the other on the second is excellent.

first disc great- second a flop.......2007-04-12

the first disc is awesome. the second disc is weird and boring.

Encore.......2007-03-31

Incredible. My young cellist (son) loves it. Beautiful music. The album is well organized and each song transitions nicely.

The Versatile Yo-Yo Ma.......2007-03-29

I've found this collection to be extremely delightful! It gives you a sense of the versatility of Yo-Yo Ma like no other, with one disc being dedicated more to his classical side, while the other explores jazz and world music venues. Not your typical "greatest hits" collection.

Music Review:

Music Review

music review

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