Flip, Flop & Fly
Track Listings
| 1. Rag Mama Rag |
| 2. Louisiana Blues |
| 3. Flip, Flop & Fly |
| 4. “Twenty-Three” |
| 5. You Won't Let Me |
| 6. I'm Walkin' |
| 7. Bad News |
| 8. Black Rose |
| 9. I'm A Loser |
| 10. Kershaw's Two Step |
| 11. Roly poly |
Flip, Flop & Fly,Doug Kershaw,Collectables,Cajun,Folk,Folk & Traditional,Pop,Traditional Cajun,Traditional Country
Average customer rating: 
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Flip-Flop
Guadalcanal Diary Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD  General
| Alternative Rock
| Styles
| Music
Jangle Pop
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
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ASIN: B000008G99 Release Date: 1990-10-25 |
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Flip, Flop, & Fly
John Cephas , and Phil Wiggins Manufacturer: Flying Fish Records ProductGroup: Music Binding: Audio CD Contemporary Blues
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ASIN: B000000MS7 Release Date: 1992-09-29 |
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Flip, Flop and Fly: 1951-1955
Big Joe Turner Manufacturer: Rev-Ola ProductGroup: Music Binding: Audio CD General
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ASIN: B000EQIO44 Release Date: 2006-06-12 |
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Album Description
A delicious and comprehensive compilation of the renaissance of Big Joe Turner, rescued from jazz obscurity by Atlantic Records in 1951 and restored to his hit making potential, as proven here, 27 fabulous tracks, with 12 Top Ten Billboard R&B chart hits, including the 2 chart toppers 'Honey Hush' and 'Shake Rattle And Roll'. Rev-Ola.
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In Stereo
Flip Flop Manufacturer: Robbins Ent. Llc ProductGroup: Music Binding: Audio CD General
| Dance & DJ
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ASIN: B00008J7OC Release Date: 2002-12-10 |
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Flip Flop
Perez , and Ramos Manufacturer: World Alchemy ProductGroup: Music Binding: Audio CD General
| Jazz
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ASIN: B000003723 Release Date: 1995-06-06 |
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Flip, Flop & Fly
Doug Kershaw Manufacturer: Collectables ProductGroup: Music Binding: Audio CD General
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ASIN: B0007QJ1WA Release Date: 2005-04-12 |
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Flip, Flop & Fly
Big Joe Turner , and Count Basie Manufacturer: Ojc ProductGroup: Music Binding: Audio CD General
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ASIN: B00004Z3ZM Release Date: 2000-10-24 |
Tracks:
Customer Reviews:
Flip, Flop & Fly... all you jitterbugs..........2003-11-19
Essential jump blues session for anyone with good taste!.......2003-11-19
For Archivists Only.......2000-12-23
First of all, the band sounds tired. Recorded in Europe in the early 70's, it just wasn't a good night. Second, the sound quality is terrible. The horns sound like they are on another planet. The first tune sounds like they improvised it on the spot and, perhaps I misheard it (I listened and re-listened), but Joe Turner says over the microphone that they need to get a new drummer! Later, he tells the audience that Basie's finger is broken. If true, it didn't affect his playing, which is as sparse and tasteful as ever. The lack of significant liner notes does not lend a clue as to what was really going on that night. As a curiosity, this recording serves to amuse.
For listening purposes, however, check out "Boss of the Blues" which takes the lp Joe Turner Sings Kansas City Jazz, adds a few selections, and, subsequently, will not leave your listening rotation EVER. Similar band, different result. Maybe it was the seventies.
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Average customer rating:
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Flip Flop
Perez & Ramos ProductGroup: Music Binding: Audio CD General
| International
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ASIN: B00004SZZM Release Date: 1994-02-15 |
Tracks:
Album Description
1. "FLIP FLOP SON" is based on African, Caribbean and Northeastern rhythms of South America. It is about curved lines and curved angles with total equilibrium. We rooted the song with a favorable simple diatonic melody so as to be "cantabile" (able to sing along with.) For effective contrast, in the front section, using the principle of tension and release, we made the vertical distances between the melody, the harmony and the bass line very angular, while keeping the tune within consonance. The tune then goes into extensive reharmonization. In order to create rhythmic tension, a synth pattern was written underneath the trumpet that consists of 21 eighth notes arranged 2 1/2 + 3 1/2+ 4 1/2 equaling 21.For the orchestration during the guitar improvisation, a compositional technique called "augmentation" was used on a motif that the guitar repeats near the end of the tune. We took the motif and assigned it to the synth strings under the entire solo, and held each note for as long as the harmonic rhythm permitted. So, the motif plays in slow motion throughout the whole guitar improvisation, preparing the ear for when it happens on the guitar.
The use of already existing elements in a composition provides unity to the music. As in other aspects of life, music is a balance between repetition and variation, unity and contrast, tension and resolution, etc.
Charles Moore on trumpet! He understands perfectly.
2. "DESDE" is the orchestration of a guitar solo. It is directly reflective of Minas Gerais, Brazil ... just about the only place where 6/8 is played in the same way as in the rest of Latin American music. Eduardo M. Del Signore on Fretless Bass.
3. "OLO" Middle Eastern, Arabian and other world rhythms and instruments are included, such as: Tambourine (Arab), Dumbek drum (Middle East), Oud (Egypt), Saz (Turkey) and Tablas (India). Steve Fowler on flute.
4. "EL TICHOLO" consists of a short cycle of three bars of 4/4 that is simultaneously traveled as four bars of 3/4. The middle part is a "Chaca-rera" (rhythm from the Pampas, South American grasslands) that goes through the keys of Eb, C, A and F# effortlessly. Steve Fowler on flute.
5. "CALLER'S SUITE" Candombe and Murga rhythms depict an act of Santeria with mostly electric instrumentation. Eduardo M. Del Signore on bass.
6. "MECHA" is a totally spontaneous improvisation without any preconcep-tions, recorded with no overdubbing. The instruments played are trap drums and tamboriles (Perez) and a G&L electric guitar (modified by John Carruthers per my specifications, and very lightly processed into two Match-less 30 Watt Combo Amps) with a Roland GR 50 module capable of trigger-ing several sounds via midi (Ramos). We spent five hours getting all the gadgets to work, and ONE TAKE to record it.
7. "LUISITO" is Candombe music as played by traditional Uruguayan urban ensembles. Charles Moore again on trumpet. Ralph Jones on tenor saxophone.
8. "THE CARPENTER" The making of this tune is peculiar. We (Perez and Ramos) first recorded a basic track of assorted hand drums together, live. Then we came up with a bass line that doubled the low drums which sug-gested replacing the original drums with new patterns, heavily overdubbed. However, the new drums didn't really work with the old bass line, so we wrote an altogether new tune, recording it over the old one.
The only chord is G 13#1 1 (G thirteen with a raised I 1), which is basically prone to all kinds of scale possibilities. Moving the bass line through different chord notes creates a sense of chord progression. It is a big psycho-acoustic illusion.
9. "MOVING'S DAY" is Candombe back to its roots (Western Africa). The vocals of Nigerian singers, Alfred Martins and Gbeke Ephriam, as well as the trombone lines of George McMullen were edited through the help of the hard disc recording program, Pro-Tools, giving it the final form that services the music.
Average customer rating:
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Flip, Flop & Fly
Big Joe Turner , and Count Basie Manufacturer: Pablo ProductGroup: Music Binding: Audio CD General
| Blues
| Styles
| Music
Jump Blues
| Blues
| Styles
| Music
General
| Jazz
| Styles
| Music
General
| R&B
| Styles
| Music
ASIN: B000000XKQ Release Date: 1991-07-01 |
Tracks:
Customer Reviews:
Flip, Flop & Fly... all you jitterbugs..........2003-11-19
Essential jump blues session for anyone with good taste!.......2003-11-19
For Archivists Only.......2000-12-23
First of all, the band sounds tired. Recorded in Europe in the early 70's, it just wasn't a good night. Second, the sound quality is terrible. The horns sound like they are on another planet. The first tune sounds like they improvised it on the spot and, perhaps I misheard it (I listened and re-listened), but Joe Turner says over the microphone that they need to get a new drummer! Later, he tells the audience that Basie's finger is broken. If true, it didn't affect his playing, which is as sparse and tasteful as ever. The lack of significant liner notes does not lend a clue as to what was really going on that night. As a curiosity, this recording serves to amuse.
For listening purposes, however, check out "Boss of the Blues" which takes the lp Joe Turner Sings Kansas City Jazz, adds a few selections, and, subsequently, will not leave your listening rotation EVER. Similar band, different result. Maybe it was the seventies.
Music Review:
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