London Still [CD-single] [Import]

London Still [CD-single] [Import]

Track Listings

1. London Still

2. Crazy Train

3. Lies

4. Here If You Want

5. Jealousy

Editorial Reviews
Product Description
Features their radio hit "London Still".

Tracks:

Overture
Show Boat: Act One, Scene One - Cotton Blossom: Niggers all work on d Mississippi... (Stevedores, Gals, Queenie, Steve, Pete, 1st Mincing Miss, 2nd Mincing Miss, Beaux, Girls & Boys)
Show Boat: Act One, Scene One - Cotton Blossom: 'Andy!!!...' (Parthy, Windy, 1st Mincing Miss, 2nd Mincing Miss)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Here comes the Show Boat parade!...' (Boy, Girls, Boys, Andy, Parthy)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Hey Julie...' (Pete, Julie, Steve, Parthy, Andy, Ellie)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'It's a man...' (Ellie, Ravenal, Vallon)
Show Boat: Act One, Scene One - Where's the Mate for Me?: Who cares if my boat goes upstream... (Ravenal, Magnolia)
Show Boat: Act One, Scene One - Make Believe: Only make believe I love you... (Ravenal, Magnolia, Vallon)
Show Boat: Act One, Scene One - Ol' Man River: 'Oh, Joe!...' (Magnolia, Joe, Men)
Show Boat: Act One, Scene Two - Can't Help Lovin' Dat Man: 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Act One, Scene Three - Life on the Wicked Stage: Why do stage struck maidens clamor... (Ellie, Girls)
Show Boat: Act One, Scene Three - Till Good Luck Comes My Way: The man who ventures with chance... (Ravenal, Men)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': Mis'ry's comin' aroun'... (Queenie, Women, Joe Magnolia, Julie, Men, Solo Bass)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Take her up, Rubberface!...' (Andy, Julie, Steve, Magnolia, Parthy, Ellie, Windy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Hello, Windy...' (Vallon, Andy, Magnolia, Steve, Julie, Windy, Ellie, Parthy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'You needn't all look at us...' (Steve, Colored Chorus, Andy, Parthy, Magnolia, Ellie, Frank)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Looks like a swell...' (Andy, Parthy, Frank, Ravenal, Julie, Magnolia, Steve, Joe)

Tracks:

Show Boat: Act One, Scene Five - I Would Like to Play a Lover's Part: Her face is fair to look upon... (Boys, Girls, Ellie, Frank)
Show Boat: Act One, Scene Five - I Might Fall Back on You: Little girl, you are safe with me... (Frank, Ellie, Girls)
Show Boat: Act One, Scene Five - Queenie's Ballyhoo: 'Is de theatre fillin' up, Cap'n Andy?...' (Queenie, Andy, Colored Chorus)
Show Boat: Act One, Scene Six - Villain Dance
Show Boat: Act One, Scene Seven - You Are Love: 'That you, Nola?...' (Ravenal, Windy, Magnolia, Parthy)
Show Boat: Act One, Scene Eight - Finale Act One: Oh tell me, did you ever!... (Firls, Boys, Chorus, Andy, Women, Men, Negro Women, Magnolia, Parthy, Vallon, Pete)
Show Boat: Act Two, Scene One - At the Fair: When we tell them about it all... (All, 1st Barker, Boys, Girls, Chorus, 2nd Barker, Men, 3rd Barker)
Show Boat: Act Two, Scene One - Why Do I Love You?: I'm walking on the air, dear... (Magnolia, Ravenal, Chorus, Andy)
Show Boat: Act Two, Scene One - In Dahomey: Dyunga doe!... (Dahomey Villagers, White Chorus)
Show Boat: Act Two, Scene Three - Convent Scene: Alma Redmptoris Mater... (Nuns, Mother Superior, Ravenal, Kim)
Show Boat: Act Two, Scene Four: 'All right, Jake...' (Jim, Jake, Julie)
Show Boat: Act Two, Scene Four - Bill: I used to dream... (Julie)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): Fish gotta swim, birds gotta fly... (Magnolia)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): 'Whaddaya say, boss?...' (Frank, Jim, Magnolia, Jake)
Show Boat: Act Two, Scene Six - Trocadero Opening Chorus: Let's make the new year... (Chorus)
Show Boat: Act Two, Scene Six - Apache Dance
Show Boat: Act Two, Scene Six - Goodbye, My Lady Love: So you're going away... (Frank, Ellie)
Show Boat: Act Two, Scene Six - After the Ball: 'Ladies and Gentlemen...' (Jim, Drunk, Andy, Magnolia, A Man, All)
Show Boat: Act Two, Scene Seven - Ol' Man River (Reprise): Ol' Man River... (Joe)
Show Boat: Act Two, Scene Seven - Hey, Feller!: When you yen for a gent... (Queenie, Chorus)
Show Boat: Act Two, Scene Eight - You Are Love (Reprise): 'That you, Nola?...' (Ravenal)

Tracks:

Show Boat: Act Two, Scene Nine: Cottom Blossom (Reprise): Cotton Blossom... (Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: Now up in the northern land... (Kim, Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: 'Say, Cap'n Andy...' (Frank, Ellie, Andy)
Show Boat: Act Two, Scene Nine - Finale Ultimo: 'Hello, Gay...' (Andy, Hope, Ravenal, Girl, Man, Magnolia, Old Lady, Chorus)
Show Boat: Appendix - Pantry Scene (Act One, Scene Two; deleted - 1927): 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Appendix - Waterfront Saloon Scene (Act One, Scene Three; deleted - 1927): 'Number four, black!...' (Voice (off), Ravenal, Loungers, Gambler)
Show Boat: Appendix - Yes, Ma'am (Act One, Scene Three; unused - 1927): Bet your hat... (Girls, Ellie)
Show Boat: Appendix - Kim's Imitations (Why Do I Love You?): (Act Two, Scene Nine; Ziegfeld Production - 1927): Why do I love you?... (Kim, Chorus)
Show Boat: Appendix - Dance Away the Night (Act Two, Scene Nine; London - 1928): Music in the air... (Kim, Girls, Boys)
Show Boat: Appendix - A Pack of Cards (Act One, Scene Six?; unused - 1927): One night as I sat by my fireside so weary... (Magnolia)
Show Boat: Appendix - The Creole Love Song (Act One, Scene Seven; unused - 1927): 'That you, Nola?...' (Ravenal, Windy, Magnolia)
Show Boat: Appendix - Out There in an Orchard (Act Two, Scene Four; unused - 1927): There was a sun sinking slowly in the west... (Julie)
Show Boat: Appendix - Gallivantin' Aroun' (Universal Film - 1936): Liza Matilda HIll... (Magnolia, Chorus)
Show Boat: Appendix - I Have the Room Above Her (Universal Film - 1936): 'Seems to me I've seen that stocking someplace...' (Ravenal, Magnolia)
Show Boat: Appendix - Ah Still Suits Me (Universal Film - 1936): 'Joe! Dere you go again!...' (Queenie, Joe)
Show Boat: Appendix - Nobody Else But Me (Act Two, Scene Nine; 1946 Revival): I was a shy, demure type... (Kim, Chorus)

Amazon.com

John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number "Mis'ry's Comin' Aroun'," as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening night and every song subsequently written for the show's many productions, most notably the love duet "I Have the Room Above Her," written for the 1936 film. (The recording is also available in a one-disc reduction called the "Broadway Show Album.")

Rest assured this 221-minute blockbuster is not just dry scholarship; it's also terrific listening, with McGlinn conducting a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." Also included are exhaustive production notes, a history of the show, a detailed synopsis, and a libretto. John McGlinn's Show Boat is a staggering achievement and a recording for the ages. --David Horiuchi

Customer Reviews:

The Best American Musical .......2007-07-29

The CD is the best American musical ever! The performances by Von Stade,Hadley etc are magnificient!

An American Treasure.......2007-03-03

When PBS showed the 1989 Paper Mill Playhouse production of Showboat, my five year old daughter fell in love with musical theater. To this day we never miss a production of Showboat, West Side Story, Music Man, Oklahoma or the rest of the great American musicals. These 3 discs are the closest you can ever hear to the original in 1927 and the recordings are leaps and bounds above any movie version or revival cast. Listening to Bill or Make Believe you almost want to cry at what Kern and Hammerstein were able to create.

I defy anyone to come up with another Broadway production that has three songs in a row better than Make Believe, Ol' Man River and Can't Help Lovin' Dat Man (West Side Story's Maria, America and Tonight are the best three in a row of a movie musical) and it's a shame that no movie version of Showboat can compare to this version. The first act is full of songs that are as good as any ever sung on a stage and I can't think of another production with a first act that compete against the big 3 plus Cotton Blossom, Where's The Mate For Me, Life On The Wicked Stage, Till Good Luck Comes My Way, Misry's Comin' Aroun', You are Love, Act One finale and Why Do I Love You?. You just don't want to have the music stop.

If you don't like opera you won't like this version. Sung the way Kern and Hammerstein wrote them, you can't help but feel the operatic nature of these songs. Tough noogies because Showboat is above all an opera disguised as a Broadway play and no sweetening should be allowed.

The four leads are all superb, Frederica von Stade as Nola especially. The booklet contains the complete libretto and allows a different way to appreciate the music.

If you buy just one version of Showboat you need this one. If you have other versions of Showboat you need this one. As a matter of fact, anyone with ears to hear needs this version. A true American treasure.

DON'T DESPAIR. IT'S BEEN REISSUED!!!!!.......2006-11-16

One of the great recordings of musical theatre ever. Although it's no longer available on EMI Angel, it was reissued in October, 2006, as an EMI Classic's "Great Recordings of the Century." It's been "Digitially Remastered at Abbey Road Studios from the Original Masters" and "noise-shaped via the Prism SNS system for optimum sound quality." If ART remastering does for this recording what it has done for other EMI Classics in my library, then it should sound superb. However, I understand the booklet is not as detailed as the one in the original 3-disc release.

Thank you, EMI.

I would hope other labels would follow suit and remaster and reissue other examples of classic American musical theater. It would be a pity if our children, grandchildren, and future generations were unable to savor "110 in the Shade" or "Little Mary Sunshine" or . . . . . . . . . (fill in the blanks.)

An American tragedy...........2006-02-06

This is the first of the great American musical plays, and probably remained unchallenged until the mid-1950s when West Side Story appeared. The term "musical comedy" does not apply. The few laugh lines are subsumed by the terrible sense of loss and disaster that work throughout the story. At its core is homelessness, the destruction wrought by racism, bad choices, human weakness, and reconciliation. The cast?--this was one of the few crossover recordings I've ever heard that actually worked. The trio of Jerry Hadley, Frederica von Stade, and Teresa Stratas is a marvel; Stratas in particular seems to have had a patented Dark Cloud that shadowed her. It's perfect for Julie Dozier Laverne. And the late Bruce Hubbard brings a magnificent dignity and voice to Joe--his singing of "Ol' Man River" amy not efface Paul Robeson, but can stand beside it.

Gorgeous!.......2005-08-26

Simply gorgeous! The most unforgetable music and the best voices! An album for all time!
M. J. Conrades

Average customer rating:

A Portrait Of My Life........
Still Crazy, oh how it is true
These guys can REALLY sing! - 4.5 Stars
I Wish These Guys Would Tour
A great soundtrack!

Still Crazy (1998 Film)
Clive Langer
Manufacturer: Sire / London/Rhino
ProductGroup: Music
Binding: Audio CD

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Still Crazy
The Nail File: The Best of Jimmy Nail
The Lawless Heart
I Capture the Castle
Blow Dry

ASIN: B00004T6V4
Release Date: 1999-02-23

Tracks:

The Flame Still Burns
All over the World
What Might Have Been
Brian's Theme [Acoustic]
Dirty Town
Stealin'
Black Moon
Live for Today
Bird on a Wire
Ibiza Theme
Scream Freedom
A Woman Like That
Dangerous Things
Brian's Theme (Reprise)

Album Description

Soundtrack to English director Brian Gibson's highly acclaimed 1998 comedy co-starring Billy Connelly about fictitious prog rock band Strange Fruit reuniting. The film has drawn comparisons to 'This Is Spinal Tap'. Features music by Mick Jones of Foreigner, Chris Difford of Squeeze & Jeff Lynne of E.L.O., plus legendary British producer Clive Langer. 14 tracks in all. 1998 release.

Customer Reviews:

A Portrait Of My Life...............2006-08-16

Still Crazy is very special to me. In 1998, my girlfriend showed up with a VHS copy of the movie, and it immediately became a favorite. The year before, the band with which I had worked in the '70s, had just done a 12 week reunion which, had disintegrated into thin air just as I was preparing to record them for the live CD they never got to do during their first incarnation (no name-dropping here, but they did have 3 major label studio releases). Needless to say, the film struck a chord with me....a very intense "power chord".
I was not a "computer-active" individual then and I could not find the music anywhere, so I took the movie and recorded the audio onto mini-disc and edited together as much as I could (sometimes only pieces of a song). As soon as I was able, I purchased the soundtrack CD, and have actually given it away and replaced it 3 times!!
Jimmy Nail's voice is pure magic (the guy really ought to form a band!!!), and the vibe of the project in general is as moving and authentic as Spinal Tap and The Rutles were funny. If you don't enjoy this album (and yeah, the movie made me sniffle a bit too), then you wouldn't have enjoyed the '70s music scene very much.
And oh, by the way......my guy's did reunite again in 2005, and we did that live CD.......The Flame Still Burns!!!!!!!!

Edgar

Still Crazy, oh how it is true.......2005-07-15

The first time I saw the cover, I was a bit skeptical of it's 70's music persona. Then, after watching it five times, I realized it became one of my favoriates. Like the others, I had to search for the soundtrack. At last, I had it in my hands, listening it for hours. Both for the movie and the soundtrack I give it an A++ and 5 stars. Yes, I cried too. How will the others feel about the movie and soundtrack? We wait with baited breath.

These guys can REALLY sing! - 4.5 Stars.......2004-12-05

Although not as widely available here in the US as Europe, I was very pleased to get hold of this soundtrack after seeing the movie. Having seen (and reviewed) the movie adds an extra enjoyment to the CD, but it is actually a pretty good stand alone album otherwise. If you don't know the movie - Strange Fruit are an allegorical world famous band from the 70's era, and as difficult as it is to recreate that kind of sound, the producers here are to be congratulated. You will listen and come away thinking these guys were real, and were previously huge, and that's an achievement when you consider that it is the cast of ACTORS in the movie actually singing on the soundtrack - NOT stand ins. Jimmy Nail revisits his dulcet tones, which brought him moderate success as a solo artist back in the late 80's / early 90's and there are a couple of tracks from other artists. Otherwise it's Bill Nighy and the cast belting out the tunes to great effect. An umistakable 70's panache underpins the all original score, with long instrumental bridge work breaking up lyrics, and some thrash guitars, and even "Glam" rock effects for good measure. This is a very good album for a lot of reasons, and will make you want to see the movie if you haven't, and underline it sweetly if you have. I challenge you not to be moved by the haunting lyrics of the first (and movie signature) track "The Flame Still Burns". Quite expensive here in the USA, so if you know anyone in Eurpoe, get them to send it to you! Enjoy

I Wish These Guys Would Tour.......2003-08-01

I discovered the movie, "Still Crazy" a year ago, and fell in love with it. Now I own the STILL CRAZY SOUNDTRACK, and this little jewel is just as entertaining as the film.

This CD brings back a flood of images from the movie, beginning with the first--and in my opinion, best--cut: "The Flame Still Burns." Some of my other favorites include "All Over The World" and "A Woman Like That." And I can't help but laugh out loud when I listen to "Scream Freedom" as I think about Bill Nighy's futile and hilarious attempt in the movie to create "shock rock."

Bill Nighy and Jimmy Nail are incredibly gifted vocalists as well as actors. Steve Donnelly is superb on the guitar; his rifts are clean, clear, and crisp. Kudos to Clive Langer and Alan Winstanley for producing this phenomenal CD. Now let's just round up Strange Fruit and send them on tour!
--D. Mikels

A great soundtrack!.......2003-07-01

I saw the movie on a local cable channel and I couldn't get the songs out of my head. The next day I went all over the mall looking for the CD and just when I was about to lose hope, I found it! Worth my trouble. Love the smooth electric guitars and haunting vocals ( the flame still burns, what might have been). This CD is still in rotation in my CD changer. ;-)

Average customer rating:

Almost angelic
Great choir, but mostly recycled material
Glittering Chrismas Music
The Spirit of Christmas On CD
Superb voices!

Cambridge Singers Christmas Album

Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD

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The John Rutter Christmas Album
Christmas Star
Christmas Night: Carols of the Nativity
The Holly and the Ivy: Carols from Clare College
John Rutter Collection

ASIN: B0000DJEOL
Release Date: 2003-10-07

Tracks:

The holly and the ivy (arr. H. Walford Davies)*
Blessed be that maid Mary (arr. David Willcocks)
Somerset Wassail (arr. John Rutter)
Shepherds, in the fields abiding (French, arr. Willcocks)*
The Infant King (Basque, arr. Willcocks)
What is this lovely fragrance? (French, arr. Healey Willan)
Gabriel's message (Basque, arr. Willcocks)*
Still, still, still (German, arr. Rutter)
Quittez, pasteurs (French, arr. Rutter)
Un flambeau, Jeannette, Isabelle (French, arr. Rutter)
Personent hodie (German, arr. Rutter)
The shepherds' farewell (Hector Berlioz)
O holy night (Adolphe Adam)
O magnum mysterium (T. L. de Victoria)
Hodie Christus natus est (J. P. Sweelinck)
For unto us a child is born (G. F. Handel)
In dulci jubilo (Samuel Scheidt)
Lully, lulla, thou little tiny child (Kenneth Leighton)*
A New Year Carol (Benjamin Britten)
Balulalow (Peter Warlock)
I saw a fair maiden (Peter Warlock)
The Lamb (John Tavener)
Fantasia on Christmas Carols (Ralph Vaughan Williams)

Album Description

Christmas Never Sounded So Good!

For more than a decade, John Rutter and the Cambridge Singers have shared the Joy of Christmas with the world. The ethereal sound of perfectly blended voices, singing the most beautiful seasonal music ever composed never fails to touch the heart or lift the spirit. This year, John Rutter and the Cambridge Singers have assembled a NEW collection - compiled from the archives, including FOUR NEVER BEFORE RELEASED TRACKS! This is a holiday feast you will NOT want to miss!

Customer Reviews:

Almost angelic.......2007-01-18

Choral music by the Cambridge Singers is always top-notch. An older album that might have sounded better with newer technology but no complaints. Has great vocals and orchestral support.

Great choir, but mostly recycled material.......2005-12-16

I have the utmost respect for John Rutter and his Cambridge Singers, probably the best choir in the world (at least, the English-speaking world). I have almost all their CDs. Two of their Christmas CDs are "desert-island" class for this listener.

Unfortunately, I cannot give this otherwise excellent CD the same high marks. If they wanted to release a "best of Cambridge Christmas" CD, this would not be it. It does a few of the absolute best Christmas selections, including Sweelinck's "Hodie", Willcocks's breathtaking arrangement of "The Infant King", and Rutter's own quirky reading of "Personent Hodie". And it does contain a few tracks not previously released.

However, if you want the best of Cambridge and Christmas, start with "Christmas Night", which is always the first CD I pull out the day after Thanksgiving. The sound of the famliar Persall setting of "In Dulci Jubilo" sets my holiday in motion. And that CD also has Rutter's own magical "There is a flower". After that CD, get "Christmas with the Cambridge Singers", which has "The Infant King" and some other treasures.

So, you can't really go wrong with this CD, especially if you just want an introduction to how this fine ensemble addresses the most choir-friendly holiday of all. But if you're serious about getting all the good stuff, start with the other two mentioned above, then add "Christmas Day in the Morning" and the early "Christmas Star".

Glittering Chrismas Music.......2005-11-15

I own virtually all of the CD's of John Rutter (whom I greatly admire) and the Cambridge Singers, and I am a fan of English Choral music in general. If I were asked to recommend only one of the many Cambridge Singers Christmas albums, or indeed one of any English Christmas album, a hard choice, this would be it. As others have noted, this CD is a compilation of songs from previous cds with four new releases. It is, I believe, longer playing than the other Cambridge albums. In style, it is a mostly quiet sounding collection--in fact several carols are sung a cappella-- with pieces ranging from carols such as "The Holly and the Ivy" to the more robust "Fantasia on Christmas Carols". In sum, this is a sensitively arranged and performed collection of beautiful Christmas music.

The Spirit of Christmas On CD.......2005-06-02

I have never been disappointed by any Cambridge Singers release, so it isnt surprising that I thoroughly enjoyed this offering as well. This CD is a compilation of songs from previous cds with one or two new tracks, so check your library to make sure you arent duplicating your collection in the order to complete your collection. I purchased this disk to obtain a copy of the Fantasia On Christmas Carols by Ralph Vaughn Williams which was originally released on Christmas Day In The Morning. As usual, every song is performed in a precise yet heartfelt manner. If you dont own any cds by the Cambridge singers I would personally recommend Christmas Night as the first disk to own, but if you know and love the Cambridge Singers as I do, then you will enjoy having this wonderful addition to your library.

Superb voices!.......2003-12-22

This CD was beautifully sung by the Cambridge Singers, a boys/mens choir, mostly a' capela. It's the first Christmas CD I've bought that really tempts me to crank up the volume so I can revel in every note.

Bach: Cantata No. 82 "Ich habe genug"; Brahms: Vier ernste Gesänge; 12 Lieder

Average customer rating:

Timeless Disc
Not "greatest ever"- yet top-notch--due to Accompanist
the greatest cantata recording ever

Bach: Cantata No. 82 "Ich habe genug"; Brahms: Vier ernste Gesänge; 12 Lieder

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Strauss: Four Last Songs/12 Orchestral Songs
Schubert: Schwanengesang
Mussorgsky: The Nursery: Sunless; Songs and Dances of Death
Hans Hotter Wolf Lieder Recital
Richard Strauss - Capriccio / Schwarzkopf, Wächter, Gedda, Fischer-Dieskau, Hotter, Ludwig, Moffo, Philharmonia Orchestra, Sawallisch

ASIN: B0001HAHIW
Release Date: 2004-03-23

Tracks:

I: Aria: Ich Habe Genug - Hans Hotter
II: Recitative: Ich Habe Genug! - Hans Hotter
III: Aria: Schlummert Ein - Hans Hotter
IV: Recitative: Mein Gott! Wann Kommt Das Schone: Nun! - Hans Hotter
V: Aria: Ich Freue Mich Auf Meinen Tod - Hans Hotter
I: Denn Es Gehet Dem Menschen
II: Ich Wandte Mich Um Und Sahe An Alle
III: O Tod, Wie Bitter Bist Du
IV: Wenn Ich Mit Menschen
Feldeinsamkeit Op.86 No.2
Wie Melodien Zieht Es Mir Op.105 No.1
Sonntag Op.47 No.3
Minnelied Op.71 No.5
Wir Wandelten Op.96 No.2
Wie Bist Du, Meine Konigin Op.32 No.9
Sapphische Ode Op.94 No.4
Botschaft Op.47 No.1
Standchen Op.106 No.1
Heimweh II (O Wusst' Ich Doch Den Weg Zuruck) Op.63 No.8
Auf Dem Kirchhofe Op.105 No.4
Verrat Op.105 No.5

Customer Reviews:

Timeless Disc.......2007-05-29

Hotter's rich, burnished baritone effortlessly navigates Bach's Cantata "Ich habe genug" (and yes, Fischer-Dieskau's version with Richter and the Munich Bach Orchestra is an equally gorgeous five star effort) and a generous program of Brahms lieder with the incomparable accompanist Gerald Moore. As far as I can tell lieder singing doesn't get any better--Hotter captures all the depth, melancholy and poignance of Brahms, never exaggerating or oversinging. The mono sonics of the Bach are a little grainy, but the Brahms, recorded later, is a remarkable testament to the mature mono sound EMI engineers worked magic with.....

Not "greatest ever"- yet top-notch--due to Accompanist.......2007-03-09

Altho I cannot agree mit the first review,it is surely a top-notch recording of "Ich Habe genug" and Brahms Lieder! The Robert Shaw recording of Mack Harrell and early Shaw Chorale in my Book, is the Greatest! Although there are differences of accompaniment and other works included, I have lived with the Shaw recording since the late 1950's ++ used it to learn Mack Harrell & Sir Robert's "Art of Phrasing. What else can be said of the teacher's value of both Scores. Retired Chaplain Fred W Hood

the greatest cantata recording ever.......2006-08-19

no sense rambling on, since words fail completely anyway. trust me.

The Hugo Wolf Society - The Complete Edition 1931-1938

Average customer rating:

The Hugo Wolf Society Recordings
"Even little things can delight us."
"Even little things can delight us."
Wolf sung by various Lieder singers

The Hugo Wolf Society - The Complete Edition 1931-1938

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Wolf: Italienisches Liederbuch
Poulenc - Melodies / Ameling · Gedda · W. Parker · Sénéchal · Souzay · Baldwin
Wolf: Lieder (Elisabeth Schwarzkopf, Gerald Moore)
Joseph Haydn Operas 1
Hans Hotter Wolf Lieder Recital

ASIN: B000009OQC
Release Date: 2002-11-05

Tracks:

Moerike-Lieder: 8. Begegnung
Moerike-Lieder: 38. Lied vom Winde
Moerike-Lieder: 15. Auf einer Wanderung
Moerike-Lieder: 41. Rat einer Alten
Spanisches Liederbuch: 12. In dem Schatten meiner Locken
Moerike-Lieder: 37. Heimweh (Anders wird die Welt)
Spanisches Liederbuch: 4. Die ihr schwebet um diese Palmen
Spanisches Liederbuch: 6. Ach, des Knaben Augen
Spanisches Liederbuch: Nun wandre, Maria
Moerike-Lieder: 46. Gesang Weylas
Spanisches Liederbuch: 9. Herr, was traegt der Boden hier
Italiensches Liederbuch: 1. Auch kleine Dinge
Moerike-Lieder: 7. Das verlassene Maegdlein
Eichendorff-Lieder: 4. Das Staendchen
Spanisches Liederbuch: Wenn du zu den Blumen gehst
Italiensches Liederbuch: 34. Und steht Ihr frueh am Morgen auf
Italiensches Liederbuch: 16. Ihr jungen Leute
Italiensches Liederbuch: 10. Du denkst mit einem Faedchen
Italiensches Liederbuch: 12. Nein, junger Herr
Goethe-Lieder: 1-3 Drei Harfenspieler: 1: Wer sich der Einsamkeit ergibt
Goethe-Lieder: 1-3 Drei Harfenspieler: 2: An die Tueren will ich schleichen
Goethe-Lieder: 1-3 Drei Harfenspieler: 3: Wer nie sein Brot
Goethe-Lieder: 1-3 Drei Harfenspieler: 29. Anakreons Grab
Goethe-Lieder: 1-3 Drei Harfenspieler: 15. Cophtisches Lied 2 (Geh! Gehorche)
Goethe-Lieder: 1-3 Drei Harfenspieler: 21. Genialisch Treiben
Goethe-Lieder: 1-3 Drei Harfenspieler: 11. Der Rattenfenger
Goethe-Lieder: 1-3 Drei Harfenspieler: 19. Epiphanias
Goethe-Lieder: 1-3 Drei Harfenspieler: 26. Die Sproede
Goethe-Lieder: 1-3 Drei Harfenspieler: 27. Die Bekehrte
Goethe-Lieder: 1-3 Drei Harfenspieler: 24. Blumengruss
Goethe-Lieder: 1-3 Drei Harfenspieler: 25. Gleich und gleich
Goethe-Lieder: 1-3 Drei Harfenspieler: 28. Fruehling uebers Jahr

Tracks:

Goethe-Lieder: 49. Prometheus
Goethe-Lieder: 50. Ganymed
Goethe-Lieder: 18. Beherzigung
1-3 Drei Gedichte von Michelangelo: 1: Wohl denk' ich oft
1-3 Drei Gedichte von Michelangelo: 2: Alles endet, was entstehet
1-3 Drei Gedichte von Michelangelo: 3: Fuehlt meine Seele
Moerike-Lieder: 19. Um Mitternacht
Moerike-Lieder: 42. Erstes Liebeslied eines Maedchens
Moerike-Lieder: 45. Nixe Binsefuss
Spanisches Liederbuch: Moegen alle boesen Zungen
Spanisches Liederbuch: 24. Koepfchen, Koepfchen, nicht gewimmert
Spanisches Liederbuch: 11. Klinge, klinge, mein Pandero
Spanisches Liederbuch: 26. Bitt ihn, o Mutter
Italiensches Liederbuch: 6. Wer rief dich denn?
Italiensches Liederbuch: 25. Mein Liebster hat zu Tische mich geladen
Italiensches Liederbuch: 43. Schweig einmal still
Italiensches Liederbuch: 35. Benedeit die sel'ge Mutter
Italiensches Liederbuch: 7. Der Mond hat eine schwere Klag' erhoben
Italiensches Liederbuch: 27. Schon streckt' ich aus im Bett die mueden Glieder
Goethe-Lieder: 51. Grenzen der Menschheit
Italiensches Liederbuch: 32. Was soll der Zorn, mein Schatz
Italiensches Liederbuch: 24. Ich esse nun mein Brot nicht trocken mehr
Italiensches Liederbuch: 31. Wie soll ich froehlich sein
Italiensches Liederbuch: 11. Wie lange schon war immer mein Verlangen
Italiensches Liederbuch: 28. Du sagst mir, dass ich keine Fuerstin sei
Italiensches Liederbuch: 26. Ich liess mir sagen
Italiensches Liederbuch: 29. Wohl kenn' ich Euren Stand
Italiensches Liederbuch: 21. Man sagt mir, deine Mutter woll' es nicht
Italiensches Liederbuch: 36. Wenn du, mein Liebster, steigst zum Himmel auf

Tracks:

Italiensches Liederbuch: 20. Mein Liebster singt am Haus im Mondenscheine
Italiensches Liederbuch: 40. O waer' dein Haus durchsichtig wie ein Glas
Italiensches Liederbuch: 39. Gesegnet sei das Gruen
Italiensches Liederbuch: 2. Mir ward gesagt, du reisest in die Ferne
Italiensches Liederbuch: 15. Mein Liebster ist so klein
Italiensches Liederbuch: 46. Ich hab' in Penna einen Liebster wohnen
Italiensches Liederbuch: 4. Gesegnet sei, durch den die Welt entstund
Italiensches Liederbuch: 3. Ihr seid die Allerschoenste
Italiensches Liederbuch: 13. Hoffaertig seid Ihr, schoenes Kind
Italiensches Liederbuch: 9. Dass doch gemalt all deine Reize waeren
Italiensches Liederbuch: 17. Und willst du deinen Liebsten sterben sehen
Italiensches Liederbuch: 38. Wenn du mich mit den Augen streifst
Italiensches Liederbuch: 41. Heut Nacht erhob ich mich, um Mitternacht
Italiensches Liederbuch: 22. Ein Staendchen Euch zu bringen
Italiensches Liederbuch: 8. Nun lass uns Frieden schliessen
Italiensches Liederbuch: 19. Wir haben beide lange Zeit geschwiegen
Italiensches Liederbuch: 14. Geselle, woll'n wir uns in Kutten huellen
Italiensches Liederbuch: 18. Heb auf dein blondes Haupt
Italiensches Liederbuch: 33. Sterb' ich, so huellt in Blumen meine Glieder
Italiensches Liederbuch: 37. Wie viele Zeit verlor ich
Italiensches Liederbuch: 23. Was fuer ein Lied soll dir gesungen werden
Spanisches Liederbuch: 7. Muehvoll komm' ich und beladen
Spanisches Liederbuch: 15. Auf dem gruenen Balkon
Spanisches Liederbuch: 14. Treibe nur mit Lieben Spott
Spanisches Liederbuch: 29. Trau nicht der Liebe
Spanisches Liederbuch: 38. Sie blasen zum Abmarsch
Sechs Gedichte: 3. Biterolf (Im Lager von Akkon 1190)
Moerike-Lieder: 22. Seufzer
Moerike-Lieder: 28. Gebet
Moerike-Lieder: 23. Auf ein altes Bild
Moerike-Lieder: 32. An die Geliebte
Moerike-Lieder: 12. Verborgenheit
Moerike-Lieder: 39. Denk es, o Seele!
Moerike-Lieder: 51. Bei einer Trauung
3. Ein Stuendlein wohl vor Tag
Moerike-Lieder: 16. Elfenlied

Tracks:

Sechs Alte Weisen: 6. Wie glaenzt der helle Mond
Goethe-Lieder: 14. Cophtisches Lied 1
Eichendorff-Lieder: 2. Der Musikant
Eichendorff-Lieder: 5. Der Soldat
Eichendorff-Lieder: 9. Der Schreckenberger
Moerike-Lieder: 44. Der Feuerreiter
Drei Gedichte von Robert Reinick: 1. Gesellenlied (Kein Meister faellt)
Goethe-Lieder: 5. Mignon 1 (Heiss mich nicht reden)
Goethe-Lieder: 7. Mignon 3 (So lasst mich scheinen)
Moerike-Lieder: 29. An den Schlaf
Moerike-Lieder: 36. Liebe wohl
Spanisches Liederbuch: 30. Ach, im Maien war's
Spanisches Liederbuch: 21. Herz, verzage nicht geschwind
Moerike-Lieder: 30. Neue Liebe
Moerike-Lieder: 48. Storchenbotschaft
Spanisches Liederbuch: 32. Dereinst, dereinst, Gedanke mein
Spanisches Liederbuch: 31. Alle gingen, Herz, zur Ruh
Spanisches Liederbuch: 33. Tief im Herzen trag' ich Pein
Sechs Gedichte: 6. Zur Ruh, zur Ruh
Spanisches Liederbuch: 34. Komm, o Tod, von Nacht umgeben
Sechs Lieder fuer eine Frauenstimme: 4. Wiegenlied (Im Sommer)
Sechs Lieder fuer eine Frauenstimme: 5. Wiegenlied (Im Winter)
Moerike-Lieder: 20. Auf eine Christblume I (Tochter des Walds)
Moerike-Lieder: 24. In der Fruehe
Moerike-Lieder: 25. Schlafendes Jesuskind

Tracks:

Goethe-Lieder: 20. Sankt Nepomuks Vorabend
Goethe-Lieder: 12. Ritter Kurts Brautfahrt
Moerike-Lieder: 47. Die Geister am Mummelsee
Moerike-Lieder: 10. Fussreise
Moerike-Lieder: 43. Lied eines Verliebten
Moerike-Lieder: 25. Schlafendes Jesuskind
Moerike-Lieder: 4. Jaegerlied
Moerike-Lieder: 17. Der Gaertner
Moerike-Lieder: 50. Auftrag
Moerike-Lieder: 9. Nimmersatte Liebe
Spanisches Liederbuch: 44. Geh, Geliebter, geh jetzt!
Goethe-Lieder: 10. Der Saenger
Eichendorff-Lieder: 13. Der Scholar
Eichendorff-Lieder: 14. Der verzweifelte Liebhaber
Eichendorff-Lieder: 15. Unfall
Vier Gedichte: 1. Wo wird einst (Heine)
Vier Gedichte: 3. Sonne der Schlummerlosen
Vier Gedichte: 4. Keine gleicht von allen Schoenen
Eichendorff-Lieder: 1. Der Freund
Eichendorff-Lieder: 2. Der Musikant
Sechs Gedichte: 1. Waechterlied auf der Wartburg
Moerike-Lieder: 40. Der Jaeger
Goethe-Lieder: 32. Phaenomen
Eichendorff-Lieder: 3. Verschwiegene Liebe
Vier Gedichte: 1. Wo wird einst (Heine)
Ueber Nacht (Sturm)

Amazon.com

EMI's "society" subscription editions in the 1930s yielded a wealth of recordings long considered gramophone classics, such as the present collection of roughly half of Hugo Wolf's lieder output. Each song occupies its own specific world, due to Wolf's resourceful word setting and his avoidance of anything generic. In turn, the performers illuminate each song's felicities with effortless authority, and they avoid overpointing or enacting. Full texts and translations are included. Ernest Newman's penetrating annotations for the original 78 albums, reprinted in EMI's 1981 LP reissue, are absent. --Jed Distler

Customer Reviews:

The Hugo Wolf Society Recordings.......2005-12-28

The songs of Hugo Wolf (1860 -- 1903)combine great attention to textual detail with closely intertwined writing for the voice and the piano. In this small form, Wolf was a master and took song in a different direction from that of Schubert, Schumann and Brahms. He wrote most of his songs in bursts of activity in five large collections, devoted to the poetry of Morike, Eichendorff, Goethe, and to collections of Spanish and Italian texts. He also composed a number of songs in shorter sets.

In the early 1930s, a young Walter Legge began a project of recording Wolf songs on a subscribtion basis to be limited to 500 sets. The recording industry was relatively new, and Wolf, then as now, too little appreciated. The result was an extensive series of recordings of issued between 1931 and 1938 consisting of 145 songs, about one-half Wolf's output, performed by fourteen singers. The Hugo Wolf Society recordings remain a high moment in the recording of song. They were remastered on LPs and, in 1998, in this 5 CD collection which includes previously unreleased selections.

The Wolf Society collection offers an unparalleled opportunity to get to know Wolf's songs performed by artists of the past that might otherwise be unfamiliar to many listeners. The performers include mezzo-soprano Elena Gerhardt, who recorded the initial volume for the society, baritones Herbert Janssen, Gerhard Husch, tenors John McCormack, Karl Erb, and Helge Roswaenge, the basses Alexander Kipnis, Frederich Schorr, and Ludwig Weber, and sopranos Alexandra Trianti, Elizabeth Rethberg, Ria Ginster, Marta Fuchs, and Tiana Lemnitz. The pianists include Conrad Bos, Gerald Moore, Michael Raucheisen, Hans Udo Muller, and Ernest Victor Wolff.

The singers perform in a variety of styles from the highly operatic to the quietly lyrical. There is a Wagnerian performance of Goethe's "Prometheus" by Friedrich Schorr with the London Symphony Orchestra -- the only track using an orchestral accompaniment. The Irish tenor John McCormack shows a more lyrical approach in his renowned performance of Goethe's poem "Ganymed". The sopranos, Alexandra Trianti, Ria Ginster, and Tiana Lemitz have light, clear, bell-like voices. I find the singers on this compilation take a much more individualized, idiosyncratic, and romantic approach to song than do their modern counterparts, who sometimes seem restrained and chaste by comparison.

Each of Wolf's great collections of songs is well-represented. Elena Gerhardt performs songs from each of Wolf's five books, with the exception of the Goethe songs. The young Alexander Kipnis gives a powerful reading of Wolf's three songs from Michaelangelo. The third CD in this collection features many songs from the Italian songbook performed by soprano Ginster, baritone Husch, and bass Kipnis together with recordings from the Spanish songbook by sopranos Rethberg and Ginster and baritone Husch. There are lovely performances by soprano Tiana Lemnitz in the previously uncollected supplementary material, which also includes several Eichendorff songs and a performance of the Goethe-song "Phanomen" by Alexander Kipnis.

There is a great amount of material in this collection, with each of the 5 CDs including in excess of 70 minutes of music. Most of Wolf's songs are highly concentrated and intense. They may prove difficult to the listener coming to them knowing only the lyricism of Schubert. I would not recommend trying to rush through this set at one or two hearings. It is best to take this music in small sections and to listen with text in hand. The compilation includes texts and translations for each of the songs together with good notes about the Wolf Society recording project. There is little discussion about Wolf or about the songs themselves.

This is an essential collection for those who love song, historical recordings, and the music of Hugo Wolf.

Robin Friedman

"Even little things can delight us.".......2003-06-02

If these six words give an approximate translation of the song "Auch kleine Dinge", then they might also describe a music lover's reaction as he makes a journey of exploration through the hundreds of little songs composed by Hugo Wolf.

Walter Legge, a very young EMI record producer in the 1930s, first made such a journey possible when he pioneered the Hugo Wolf Society and began releasing the volumes now reissued in this boxed set. Many singers were invited to participate. Legge's choice of singers was sometimes idiosyncratic. You might wonder how an Irish tenor, a Ukrainian bass and a Greek soprano were admitted to the roster. The results, however, especially in the case of the contributions of John McCormack and Alexander Kipnis, prove the sureness of his instincts.

About half Wolf's songs were made available in the original issue, between 1931 and 1938. With this reissue comes unused and hitherto unissued recordings, many by Tiana Lemnitz and Herbert Jannsen. So there is now more to discover and exploration is made easier for us in 2003 than it was in the 1930s. The remastering has improved the sound, Legge's widow Dame Elisabeth Schwarzkopf is able to provide a perceptive introduction in an accompanying booklet, and the texts of the songs are now provided in German and English.

"Even little things can delight us.".......2003-06-02

If these six words give an approximate translation of the song titled "Auch kleine Dinge", then they might also describe a music lover's reaction as he makes a journey of exploration through the hundreds of little songs composed by Hugo Wolf.

Wolf sung by various Lieder singers.......2000-08-15

This is an extraordinary collection of Wolf songs. It is frustrating that the project was not completed, as the quality of what was recorded is so extraordinarily revelatory. My personal favourites are the Michelangelo settings sung by the bass Alexander Kipnis, although he uncharacteristically makes some textual errors. The contributions of Hüsch are numerous and thoughtfully sung, and Karl Erb, Herbert Janssen, Ludwig Weber, Rita Ginster and Marta Fuchs are all caught on extraordinary form, with accompanists of admittedly variable quality, ranging from the sublime Gerald Moore to some very interesting contributions from some accompanists who did not really capture the true essence of Lieder accompanying, which surely cannot permit the piano to be subservient to the voice!

Tracks:

Confiterbor tibi, Domine (Psalm 110)
Now Hath Flora Robbed Her Bowers
Stript Of Their Green Our groves Appear
Voglio di vita uscir
Piangono al pianger mio
Flow Not So Fast, Ye Fountains
Foy Porter
Columba aspexit
Sheep May Safely Graze
Time Stands Still
Diana
Quel squardo sdegnosetto
Maledetto sia l'aspetto
The Lark
Move Now With Measured Sound
Sharp Thorns Despising
Sich tiben im Lieben
You Meaner Beauties Of The Night

Customer Reviews:

Interesting music interestingly sung.......2007-02-01

Much of this vocal music is from an era with which I am unfamiliar. It ranges from the work of Hildegarde of Bergen (1098-1179) to Handel (1685-1759); obviously, this album covers much territory! Emma Kirkby displays her virtuosity on this CD. The notes from the CD say that "One of the favorite adjectives used by critics. . .is the word 'celestial.'" At a later point, the notes speak of Kirkby further: "There is a freshness, an openness, an honesty about her voice. . ."

Some comments on works randomly selected.

Monteverdi's "Confitebor tibi, Domine." Here, Kirkby displays a clean light voice. She exhibits a spirited "Gloria Patri" with some spare but interesting ornamentation.

Campion's "Now hath Flora robbed her bowers." This cut shows off to good effect the agility in her voice.

John Dowland, "Flow not so fast, ye fountains." Here is displayed her smooth voice; her singing flows smoothly from one note to the next. There is a poignancy in her singing on this piece.

Guillaume de Machaut, "Foy porter." She treats the redoubtable de Machaut well; his works are some of the best of his time. This is smoothly song and does his work justice.

Hildegarde of Birgen, "Columba aspexit." This is the oldest composition on this CD by far. The work is spare, but well sung. There is a hypnotic quality to the work and Kirkby sings it well.

Lawes, "The Lark." Again, nice agility of her voice is displayed.

Other compositions on this CD are by Purcell, J. S. Bach, Sigismondo d'India, and Handel.

All in all, a nice sampling of the work of Emma Kirkby. I was not much familiar with her work before listening to this CD, but I am delighted that I did purchase this work.

The marriage of skill and magic.......2007-01-12

Ms. Kirby's voice is limpid, exquisitely pitched, strong, and yet beautifully refined. Her command of her voice is extraordinary, with phrasing, delicate embellishments and what I think are some vocal cadenzas, all showing the skill and craft of an artist who has brought her artistry to its highest state. But she makes her artistry sound so easy, so natural: nothing of bravura, nothing forced here. The selections are wonderfully chosen; together, they give us the whole range of early to late Baroque, in every mood. Each listening refreshes the spirit. What an artist!

There is no such thing as too much Emma Kirkby.......2002-07-16

The only defect in this disk is that it isn't a three or four disk set. Some people don't appreciate her beautiful voice and I feel sorry for them. I first heard her voice live in a concert here in Ann Arbor in December of 1980 and she stunned me. The memory of her beautiful voice still lives in my mind and heart.

Well, this disk gives us 18 selections from a number of different composers from the Baroque. Every one of them is a treasure and has its own charms. I can't pick a favorite, but I can say that each of these pieces show off her voice and singing style in different ways.

Yes, I wish she had included more Purcell and something even nicer than what we have on track 3, but what would I give up? Well, that is where I say we need this to have been a two or three disk collection.

You won't go wrong with this wonderful disk!

emma's pure and magical voice........2000-10-16

This cd shows Emma's versatility as a Baroque and early music performer. Her pure voice matches the music so well. I really enjoy the song "You meaner beauties of the night." This is only one among many cd's which shows Emma's great voice. I highly recommend the Emma Kirkby collection.

Voice of an Angel!.......1999-07-20

One of the most beautiful angelic voice in the world! But I don't think this collection shows her best recording pieces.

Average customer rating:

Joy to the world
The only Christmas CD ever played in my home
A Christmas Album to Fall In Love With
Absolutely glorious Christmas music
Beautiful, spiritually uplifting music!

Christmas with the Cambridge Singers

Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Christmas Day in the Morning
Christmas Night: Carols of the Nativity
The John Rutter Christmas Album
Cambridge Singers Christmas Album
The Holly and the Ivy: Carols from Clare College

ASIN: B0000031HF
Release Date: 1993-01-28

Tracks:

Joy To The World
Hodie Christus Natus Est
Angels' Carol
Ding Dong! Merrily On High
Twas In The Moon Of Winter Time
Personent Hodie
Sussex Carol
In Dulci Jubilo
Somerset Wassail
For Unto Us A Child Is Born
O Holy Night
What Sweeter Music
O Magnum Mysterium
Still, Still, Still
Coventry Carol
What Child s This?
The Shepherd's Farewell
The Infant King
Quem Pastores Laudavere
A New Year Carol
Silent Night

Album Description

Features John Rutter's What Sweeter Music, famous from Volvo's popular "Lives Saved" commercials, plus 20 other carols, seasonal motets and choruses. "Delightfully arranged, magnificently performed and recorded… a winner all the way." -Gramophone

Customer Reviews:

Joy to the world.......2005-09-27

The Cambridge Singers have made several Christmas albums, and all of them are top notch. This particular one was done in 1989, and has several songs in honour of the Nativity. Their performance was done at one of their regular recording spots, the Great Hall of University College School, London.

--Music--
The music here consists of 21 carols, motets and oratorio choruses. These range from the great 'For unto us a child is born' of G.F. Handel's oratorio 'Messiah' to well known familiar Christmas carols to folk/traditional tunes from France, Canada, Basque, Germany, and England. Composers represented in addition to Handel include Britten, Victoria, Adam, Mason, Sweelinck, Sceidt, Adam, Berlioz, and Cambridge Singers' director, John Rutter, who provides two of his own compositoins, 'Angel's Carol' and 'What sweeter music'.

This is a beautiful recording, with the Cambridge Singers presenting grand voices and good spirit in honour of the Christmas holiday. There is tenderness, vibrancy and light in these songs that remind one both of the power of the Christmas miracle as well as the family emotions that holiday seasons draw forth.

--Liner Notes--
One thing that this has is a brief description of John Rutter and the group itself - it may sound strange to say, but many of their CDs lack these important pieces. This also includes an introduction to the CD, a listing of the tracks with composer, arranger and lyrics. Where lyrics are in other language, an English translation is provided.

--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.

--The Cambridge Singers--
The Cambridge Singers are a mixed choir of voices, many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages. Many are former members of the choir of Clare College and other Cambridge collegiate choirs (hence the name, Cambridge Singers). In the quarter-century since the founding, the Cambridge Singers have produced an impressive body of recordings.

Their performance is a wonderful gift for the season.

The only Christmas CD ever played in my home.......2004-11-02

I am pretty picky about my Christmas music, and this CD is the only one I ever need for the holiday season. The division of the CD into joy/peace halves is really nice. Rutter's arrangements are the best I've ever heard; I was first exposed to him in my high school choir and have been a fan of his Cambridge Singers ever since. My favorite track on this CD is the Rutter original composition, "What Sweeter Music". Simply gorgeous. A must-have for any caroller or carol enthusiast!

A Christmas Album to Fall In Love With.......2003-10-08

About ten years ago, I got a part time job at Christmas time at a music store. As soon as one of the local classical stations played a few Cambridge Singers tracks, the store sold out of the CD's. Knowing that I was missing something great, I hid the last disk in the store so I could purchase it. It was this disk and it was after listening to it that I fell in love with this wonderful musical ensemble. The recording's version of "O Holy Night" is probably the best available. "The Shepherd's Farewell" is moving. "Still, Still, Still" is gentle and reflective. Rutter's own "Angel's carol" is probably my favorite track on this disk. If this is your first Cambridge Singers recording, believe me, you too will be addicted and it will become a favorite in your Christmas collection.

Absolutely glorious Christmas music.......2002-12-11

Not to sound like a commercial for them, but thanks to Amazon.com's superb referral and list system, I was lucky enough to find The Cambridge Singers for the first time this holiday season. I'm a huge fan of the King's College Choir and others in that vein, but The Cambridge Singers have a sound and style that is, while similar, all their own, and absolutely *glorious*. Simply put, this is Christmas choral music at its finest. And without even hearing them -- aside from the few "samples" on their Amazon.com pages -- I have two more of their Christmas CDs on the way to me as I write this.

There are a few Christmas standards here, such as "Joy To The World" and "Ding! Dong! Merrily on High", but there are also lesser-known jewels like "Somerset Wassail" and "The Shepherd's Farewell". And if your favorite Christmas carol is, like mine, "O Holy Night", you won't find a better recording of it anywhere than the one you hear on this disc; it's stunningly beautiful, with all three verses of the carol sung, unlike most interpretations that are out there today.

If you're a fan of choral music, just go ahead and buy this disc; you *won't* be disappointed.

Beautiful, spiritually uplifting music!.......2001-12-22

John Rutter brings us another beautiful Christmas CD! I purchased two Christmas recordings of the Clare College choir (also conducted by John Rutter) and they were so beautiful I ordered this about a week later. I was not disappointed, and if you love beautiful, heavenly Christmas music, you won't be either! Some of my favorites were "Angels' Carol", "O holy night", and "What sweeter music", but there isn't a bad song on this album. I plan on playing this music year-round. I've gotten to the point that I am able to recognize John Rutter's sound on the radio (and I'm not a music expert). The gentle yet vibrant voices are very unique and frequently bring tears to my eyes.

Average customer rating:

Maurice's music is excellent....

El Shaddai

Manufacturer: Integrity Media
ProductGroup: Music
Binding: Audio CD

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He Restoreth My Soul: The Personal Testimony Of Maurice Sklar

ASIN: B000008NP9
Release Date: 1994-10-18

Tracks:

Jehovah Jireh
Shaddai
Worship Medley: I Worship You, Almighty God/Joy of My Desire
This Is My Father's World
Jewish Medley: As David Did/He Is Jehovah/Blow the Trumpet in Zion
Classic Composers Medley: O Sacred Head, Now Wounded/I Knwo My ...
Simple Gift
It Is Well With My Soul
To Him Who Sits on the Throne
Holy Spirit Medley: I Am the God That Healeth Thee/Holy Spirit, ...

Customer Reviews:

Maurice's music is excellent...........2007-04-14

I have this album by Maurice Sklar. It has to be one of the best instrumental albums ever. He is talented beyond words. Mr Sklar's music brings into God spresense to worship. Awesome, Really Good. I would recommend this to any Christian/Praise and Worship and Messianic music fan.

Average customer rating:

Wonderful Collection, Wonderful Singer
A valuable survey of Jessye Norman in diverse roles

A Wagner Collection

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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Norman, Jessye | Divas | Opera & Vocal | Styles | Music
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HOMAGE: The Age of the Diva

ASIN: B000AV8ZSS
Release Date: 2005-11-08

Tracks:

Prelude To Act I: Lansam Und Schmachtend - Jessye Norman
Liebestod: How Gently And Quietly He Smiles - Jessye Norman
I. The Angel - Jessye Norman
II. Be Still! - Jessye Norman
III. In The Hothouse (Study For Tristan Und Isolde) - Jessye Norman
IV. Torment - Jessye Norman
V. Dreams - Jessye Norman

Tracks:

I Saw The Child On Its Mother's Breast - Placido Domingo
Woe Is Me! Alas! What Have I Done? Where Was I? - Placido Domingo
Cruel One! If You Feel In your Heart Only Others' Sorrows - Placido Domingo
Lonely, In Troubled Days - Placido Domingo
Ye Heavens, So Oft Filled - Placido Domingo
The Sweet Song Fades - Placido Domingo
As I Feel My Heart Go Out To You - Placido Domingo
Can You Not Smell These Sweet Fragrences? - Placido Domingo
You Have Already To Thank Me For The Highest Confidence - Placido Domingo
Are You Asleep, Guest? - Jessye Norman
Wintry Storms Have Vanished Before Maytime - Jessye Norman
You Are The Spring - Jessye Norman
O Sweetest Bliss, Most Blessed Woman! - Jessye Norman
Siegmund I Am Called And Siegmund I Am! - Jessye Norman
Do Not Plague Yourself With Worry About Me - Jessye Norman

Customer Reviews:

Wonderful Collection, Wonderful Singer.......2007-06-16

I disagree with the comment that she was not physically suitable to Wagnarian roles. With Norman, it was voice first and foremost and despite her size, she was wonderful as Kundry and Sieglinde. Both roles are highly physical. She excelled beautifully at the Met as Elizabeth in TANNHAUSER which is similar to Elsa in LOHENGRIN. Deborah Voigt was as large as Norman when she had a huge triumph at the Met as Elsa in LOHENGRIN. Jane Eaglen also had a success at the Met as Isolde and was just as large as Voigt and Norman.

Norman has not appeared in opera for a number of years now so I'm convinced she's retired that part of her career. This collection proves she was one of the most important Wagnarian singers of her generation. She was in the tradition of the grand vocal gesture capped with absolutely goregous sound.

A valuable survey of Jessye Norman in diverse roles.......2006-09-29

Jessye Norman didn't have an extensive career on the stage in Wagner. She was physically unsuitable for a role like Elsa in Lohengrin, which she recorded quite successfully. Her main roles were Kundry in Parsifal and Sieglinde in Die Walkure. Here Philips has gathered excerpts from a few operas plus an early CD of the five Wessendonck Lieder and the Love-Death from Tristan under Colin Davis's direciton (she recorded the latter twice more, first with Tennstedt, then with Karajan in his last years on the podium).

For Jessye's fans, a lot of this material will overlap the complete operas: Lohengrin with Solti (Decca) and Parsifal with Levine (Philips), and the excerpts here are measger, anyway. Room was made for long stretches of sieglinde's music, derived from Levine's Ring cycle from the Met (DG). If you don't own these recordings, here is Norman as she was on stage, huge of voice, dramatically static, and always the grand diva. Wagner doesn't show her off in the best light, and yet se remains a unique artist whose like hasn't arrived on the scene yet.

Wish You Were Here/Paint Your Wagon (Original London Cast) and Bonus Tracks

Average customer rating:

2 great London cast albums make their CD premiere!

Wish You Were Here/Paint Your Wagon (Original London Cast) and Bonus Tracks

Manufacturer: Sepia
ProductGroup: Music
Binding: Audio CD

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ASIN: B000A2UBLG
Release Date: 2006-05-30

Tracks:

Camp Kare-Free Song - Mark Baker
Nicer Than People - Shani Wallis
Ballad Of A Social Director - Dickie Henderson
Shopping Around - Shani Wallis
Mix And Mingle - Bruce Trent
Could Be - Elizabeth Larner
Tripping The Light Fantastic - Ensemble
Where Did The Night Go - Bruce Trent
Certain Individuals - Shani Wallis
They Won't Know Me - Bruce Trent
Summer Afternoon - Christopher Hewett
Don Jose Of Far Rockaway - Dickie Henderson
Everybody Loves Everybody - Shani Wallis
Wish You Were Here - Bruce Trent
Relax! - Christopher Hewett
Flattery - Elizabeth Larner
I'm On My Way/Dialog/I Still See Elisa - Chorus
They Call The Wind Maria/Dialogue/Wanderin' Star - Bobby Howes
There's A Coach Comin' In/Dialogue/All For Him/Another Autumn - Chorus
Dialogue/I Talk To The Trees/How Can I Wait - Sally Ann Howes
Bonus Track I Love Him As He Is - Sally Ann Howes
Bonus Track: I've Never Been In Love Before - Jerry Wayne
Bonus Track: Luck Be A Lady - Jerry Wayne
Bonus Track: If I Were A Bell - Lizbeth Webb
Bonus Track: I've Never Been In Love Before - Lizbeth Webb
Bonus Track: My Time Of Day - Jerry Wayne
Bonus Track: I'll Know - Jerry Wayne

Customer Reviews:

2 great London cast albums make their CD premiere!.......2004-12-22

This fabulous CD from Sepia presents 2 great (ultra-rare) London cast albums on compact disc for the very first time.

WISH YOU WERE HERE had been a success on Broadway (mainly for the novelty of featuring an actual pool onstage), and a charming score by Harold Rome. It played for 282 performances at the London Casino. Most recognisible from the cast is Shani Wallis, immortalised oncreen as the tragic Nancy in OLIVER!, here playing the pert secondary female lead. Elizabeth Larner and Bruce Trent play the central couple. Standouts in the score are "Ballad of a Social Director", "They Won't Know Me", "Where Did the Night Go?" and "Could Be". Shani Wallis delights with her playful "Shopping Around". The original Broadway cast album of WISH YOU WERE HERE (on the RCA label) has been out-of-print for a while now, but the London cast is more than ample compensation.

PAINT YOUR WAGON had been a sound success on Broadway for it's composer and lyricist (Frederick Loewe and Alan Jay Lerner), offering fine roles for James Barton and Olga San Juan as father-and-daughter Ben and Jennifer Rumson. The London production was very interesting because it offered the dynamic of a real father and daughter in the roles. Bobby Howes was joined by his lovely daughter Sally Ann Howes (in her first big role). She's a smashing Jennifer, though the recording (originally made to fit 4 sides of a set of 78's), denied Howes the chance to lay down her rendition of "What's Going On Here?". Nevetheless fans of Sally Ann will find this recording indispensible. Bobby Howes (in one of his last great performances) is a fantastic Ben.

This CD is filled out by Sally Ann Howes' performance of "I Love Him As He Is" from the original London cast of BET YOUR LIFE (the rest of the album can be found on Sepia's `Julie Wilson in London with Friends' ). Also included are 6 numbers from GUYS AND DOLLS recorded in 1953, performed by Jerry Wayne and Lizbeth Webb (who played Skye Masterson and Sarah Brown in the original London production).

Music Review:

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