The Song Inside

The Song Inside

Editorial Reviews
Product Description
The music is a diverse blend of folk, jazz, blues, poetry and rock. Brought together by a rich and soulful contralto that penetrates deeply into the heart of the listener and resonates long after the music has stopped. Tha songs of Sloan Wainwright reflect the spirt of inspiration and strength.

Tracks:

Tip Toe Dancer (Kathryn's Song)
Lake EWOK Muse (Piano & Cello)
Simple Things
Allure of Sanctuary
Welcome B.
The Green Hills
Gnossienne No 1
Gnossienne No 2
Gnossienne No 3
Will's Song
Toll of War
Lake EWOK Muse Reprise (Piano Solo)

Album Description

A STUNNING CD RELEASE BY KAREN MARIE GARRETT AND LEGENDARY PRODUCER WILL ACKERMAN, creator of Windham Hill Records, gold and platinum record producer, and Grammy Award-Winning recording artist.

Recorded between George Lucas' Skywalker Sound Studios in Marin County, California and Mr. Ackerman's Imaginary Road Studio in Windham County, Vermont.

VICTORY REVIEW; ACOUSTIC MUSIC RESOURCE OF THE PACIFIC NORTHWEST; TOM PETERSEN
"Karen Marie Garrett is a top-drawer pianist headed for bigger things. Allure of Sanctuary is the Olympia artist's third release, following a straight classical disc and another in this New Age vein. This new release is as soothing as it's intended, but it's also energizing. Where a lot of New Age is so light it begins to drift and grow unidentifiable, Garrett's compositions are distinct, with melodies for the listener to hook into. It's billed as New Age, but several cuts qualify as Light Jazz - very mellow Vince Guaraldi, perhaps. Thus, Garrett is a distinctive new artist in this field and could, with the right promotion, see herself at the top of the New Age charts (Allure is already getting significant airplay on Easy Listening stations). It won't hurt a bit that she is a pupil of the founder of the New Age genre, Will Ackerman; nor do dead-enders get invited to record their albums at Skywalker ranch, using Lucas's Bluthner grand! Get this album, neighbors - you can say you "knew her when."

Reaches #8 on Top 100 New Age Radio Charts in just FIVE weeks!

TOP 20 ALBUM LIST OF THE YEAR FOR 2005
Kathy Parsons, Solo Piano Publications, New York

Recipient of ENGLAND'S PIANO HEAVEN "GOLD AWARD"
Stephen Cairns, Piano Heaven, England

Customer Reviews:

Allure of Sanctuary.......2007-06-13

Allure of Sanctuary is an outstanding album. The music seems to draw you in and want to play it over again

Allure of Sanctuary.......2007-05-13

I received this as an Easter present and it is one of the best CD's I have heard in a long time. The music is wonderful.

A Brilliant Piano Album (reviewed by Stephen Cairns at [...]).......2006-12-09

What an amazing album! This is Karen Marie Garrett's third album, and it is a real find. I am immensely impressed with the delightful melodies which run consistently throughout this album. Tip-Toe Dancer has to be heard to be believed. It is such a beautiful piece of music, and makes the listener want to stand up and start dancing. This track is just one of an album full of highlights. Welcome B and Simple Things are so delicate. This album is produced by Windham Hill founder Will Ackerman. Consequently, the production is first-class. A joy from beginning to end. Bravo!!

Allure of Sanctuary.......2006-07-19

Soothing, relaxing music to release tension and smooth out those tight muscles.

from Solo Piano Publications.......2005-11-14

"Allure of Sanctuary" is the second CD released by Karen Marie Garrett. It is astounding how much this artist has grown since her 2002 debut, "Pensare Piano." Will Ackerman's gifts as producer certainly helped to make this CD as breathtaking as it is, but if the quality of music isn't there, no producer in the world can give it soul and depth - and this CD has mega-doses of both. A classically-trained pianist from the age of five, Ms. Garrett plays with the strength and emotional clarity that come from years of expressing oneself at the piano, sharing the joys and sorrows of life with the beloved 88's. The twelve pieces include eight original compositions, a lovely arrangement of "The Green Hills" by Brian Gibson, and Erik Satie's "Trois Gnossiennes," performed as originally composed. Most of the pieces are piano solo, but Garrett is joined on two by award-winning cellist Eugene Friesen (I LOVE cello and piano together!). Some of the other tracks have English horn, light percussion, and wordless vocals, but this is truly an incredible piano album.

The CD begins with "Tip-Toe Dancer (Kathryn's Song)," one of the lighter pieces in this collection. It was inspired by a story told by a close friend about a childhood dance performed for friends and family. Graceful yet playful, it is easy to imagine the seriousness of the young dancer and the warm reception of the adults. "Lake EWOK Muse" is an improvisational duet for piano and cello that followed a sunrise meditation beside Lake EWOK at Skywalker Ranch, where the album was recorded. The feeling of serenity envelops you as you listen to the two artists interact seamlessly, creating a perfect sense of peace. "Simple Things" is a celebration that begins in a classical style reminiscent of a children's piano study and evolves, retaining the sweet melody and simplicity of the message but becoming a full and graceful solo. The title track is fascinating. It begins with a mournful piano prelude and becomes a rhythmic dance with a seductive Spanish flavor. Susan Whittle's vocals and percussion provided by Will Ackerman and Derrick Jordan add to the enchantment. "Will's Song" is an improvisational piece that is so deeply felt that it almost sends a chill - what a beauty! "Toll of War (Adagio)" is a wrenching duet for piano and cello. A profound statement of humanity rather than of politics, the sense of loss and pain reach to the depths of the soul. This is a piece that needs to be heard. The gentle, pensive closing track is a solo piano reprise of "Lake EWOK Muse."

"Allure of Sanctuary" is a must-have CD!

Average customer rating:

The Soundtrack to Cinderella Man is great
Another good score from Thomas Newman.
Very nice
Why...
A fairly conventional score for Thomas Newman, but enjoyable nonetheless

Cinderella Man
Thomas Newman
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Road to Perdition (Score)
Angels in America
The Green Mile: Score from the Motion Picture
The Horse Whisperer: Original Score
The Shawshank Redemption: Original Motion Picture Soundtrack

ASIN: B0008ENHX0
Release Date: 2005-05-24

Tracks:

The Inside Out
Shim-Me-Sha-Wobble
Mae
Change Of Fortune
Weehawken Ferry
Cold Meat Party
All Prayed Out
Tillie's Downtown Now
Three Bucks Twenty
Corn Griffin
Shoe Polish
Londonderry Air
The Hope Of The Irish
Hooverville Funeral
Fight Day
Good As Murder
We've Got To Put That Sun Back In The Sky
No Contest
Pugilism
Bulldog Of Bergen
Big Right
9, 4, 2 Even
Cinderella Man
Turtle
Cheer Up! Smile! Nertz! - Eddie Cantor

Amazon.com

For this movie about 1930s boxer Jim Braddock (Russell Crowe), director Ron Howard interrupted his longtime collaboration with composer James Horner and teamed up with Thomas Newman. It's a wise decision: Newman has a lighter touch and his somber palette emphasizes the fact that Cinderella Man is more thoughtful drama than mere brawling flick (even a track titled "Pugilism" eschews obvious punchiness in favor of ominous, rolling tribal-like percussion. Elsewhere, "Weehawken Ferry" illustrates Newman's ability to write swelling, majestic music that's not bombastic. Typical of the subdued approach is Paul Giamatti's version of "Londonderry Air," which he delicately whistles. The score is interspersed with a few lovely Depression-era tunes such as Chicago tenor saxist Bud Freeman's "Tillie¹s Downtown Now," Roane's Pennsylvanians' "We've Got to Put that Sun Back in the Sky," and especially Eddie Cantor's wonderfully biting "Cheer Up, Smile, Nertz" ("Our judges are queer/Our banks disappear/And all the while they tell us to smiiiiile"). --Elisabeth Vincentelli

Customer Reviews:

The Soundtrack to Cinderella Man is great.......2007-01-11

Cinderella Man is one of my favorite movies of all time. And the soundtrack does not disappoint. They have all of the powerful songs heard on the DVD. It even has the songs that you could barely hear in the movie because they were simply background music to the scenes. For instance, when Mike Wilson and Jim Braddock sit down together after work and have a drink and discuss the troubled times their nation was facing during the depression, you can faintly hear a song called, "We've Got to Put that Sun Back in the Sky" by Roane's Pennsylvanians. That song is on here in its entirety.

The other example is found in the scene where Joe Gould is seen driving off after just speaking with Jim about his hopes of getting him another fight after Jim had defeated Corn Griffin. Joe is trying to leave before Mae can see him because he knows she would not approve of his talking with Jim and the potential of another fight for her husband. Anyway, just as he gets in the car, and as he drives off, you can here Bud Freeman's "Tillie's Downtown Now" being played--another great song from that era.

Every sound of Cinderella Man is found on this soundtrack. The lone downside to this CD is that the songs are not found in the order they appear in the movie. The first four songs are in order and the last five or so are in order, and the rest is thrown in the middle. They are all there, but as is typical for most soundtracks, they don't all coincide with the order presented in the picture.

This soundtrack is a terrific purchase for any fan of this movie. You will not be disappointed.

Another good score from Thomas Newman........2006-11-07

Thomas Newman is becoming quite the composer. He has such a unique style, but is able to use it to compliment the movies he scores without the music sounding out of place or out of period. The tracks "Turtle" and "Pugilism" are fun to listen to. The first track is short and yet somehow moving. There are enough songs from the period to lend the right flavor to the soundtrack (including a track of Paul Giamatti whistling "Londonderry Air"). This one's definitely worth having if you're a fan of Thomas Newman.

Very nice.......2006-08-03

I suppose this would have been better, like another reviewer said, if some of the tracks had been more than minute-long cuts of the music from Cinderella Man. Still, it's a fantastic soundtrack!--I don't know what "conventional" meant when someone called it that, but if you like sad and somber music, you'll certainly like this. Try it. It's almost better than the movie itself, and the movie was great. After this, I have to hear Thomas Newman's other work.

Why..........2006-07-11

I dearly loved the movie, "Cinderella Man," and the music in it. However, why on earth, on the CD, did they play only a minute, or less, of some of the best music? Like, "Hope of the Irish," I liked that so much, but 52 seconds dosn't do it. In the film it was at least 3 minutes or more. I have decided not to buy the soundtrack simply because of this.

A fairly conventional score for Thomas Newman, but enjoyable nonetheless.......2006-03-25

Cinderella Man is, in a way, a return to conventional scoring for Thomas Newman. For a long while we've heard world instruments and percussion banging it out before stopping to allow beautiful themes to grasp our souls, but in Cinderella Man the effort is more restrained. It is largely a score for piano and strings, and fans of Thomas Newman will have heard the sound before. But, all the same, it is an enjoyable score for Newman fans of both kinds, and while it does take a while to get into a full expression of the story, it is definitely worth the wait.

The piano is used a lot in the score, making appearances across most of the tracks, including the gentle "The Inside Out" or in "Mae", appear with the delicate strings that we have come to expect from Newman. "Pugilism" makes use of pizzicato movements, whereas the two Irish influenced tracks, "Hope of the Irish" and "Turtle", bring back some more unconventional instruments as one would expect. But largely, the score meanders in the background, establishing a delicate tone and texture, but never really taking a forefront. Of course, I must make mention of the wonderful "Weehawken Ferry", which presents a crisp walking movement of strings, similar to what was heard in Shawshank Redemption. However, it is not until the final few tracks that the music finally free's itself from it's subdued nature and reaches out. "Big Right" explodes with blaring french horns and sharp strings, until it finally fades off and allows the highlight track, "Cinderella Man", to come in. This track is Newman at his best, with his typical soaring string arrangement of the main theme introduced in "The Inside Out", before finally reverting back to quiet woodwinds and piano near the end.

Cinderella Man is by no means an innovative or groundbreaking score - it's a fairly conventional drama score. The same adjectives could be applied to the movie as well. Is it worth the pick-up? Definitely, if you are looking for more Newman goodness. However, if you're looking to get into the world of Newman with a more colorful score - try "Angels in America" or "Road to Perdition".

- prasanth1111@gmail.com

Bea Arthur on Broadway - Just Between Friends

Average customer rating:

And Then There's BEA!
Golden Girl Shines Brightly
Alive and Unforgettable
A trip down memory lane...
A Truly Remarkable Accomplishment

Bea Arthur on Broadway - Just Between Friends
Bea Arthur
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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The Golden Girls: A Lifetime Intimate Portrait Series
Maude - The Complete First Season
The Golden Girls - The Complete Fourth Season
The Golden Girls - The Complete Sixth Season
Mame

ASIN: B00005YTRL
Release Date: 2002-02-12

Tracks:

Lamb Recipe
Fun To Be Fooled
Introduction
What Can You Get A Nudist For Her Birthday?
Auditions
Isn't He Adorable
Fiddler on the Roof
Let's Face The Music And Dance
Bosom Buddies
Angela Lansbury
Threepenny Opera/ Pirate Jenny
It Never Was YOu
And Then There's Maude
Some People
The Soup Ladle
Where Do You Start
Bernie Schwartz
If I Can't Sell It, I'll Keep Sittin' On It!
Personal Hygiene
Who Cares
Fifty Percent
The Nun's Story
You're Gonna Hear From Me
The Chance To Sing
The Man in the Moon is a Lady

Amazon.com

More comedy monologue than musical performance, Bea Arthur's one-woman show Bea Arthur on Broadway: Just Between Friends collects memories from the silver-haired star's life on Broadway (Fiddler on the Roof, Mame, The Threepenny Opera) and television (Maude, The Golden Girls).

"I wanted to see if I had the guts to just come and be myself," Arthur says in this performance recorded in front of a live audience in December 2001. Alongside co-creator and pianist Billy Goldenberg, she offers wry and often funny anecdotes about her career and the people she's worked with (Angela Lansbury, Pia Zadora). When she does sing ... well, even decades ago Arthur didn't have a beautiful voice, but she's well-suited to the comedy songs. And her versions of Kurt Weill's "Pirate Jenny" and Goldenberg's own "Fifty Percent"--while they won't make anyone forget Lotte Lenya or Dorothy Loudon--are effective in their own right. Bea Arthur on Broadway is definitely more Bea than Broadway, but it's a career well worth remembering. --David Horiuchi

Customer Reviews:

And Then There's BEA!.......2007-01-20

Thank goodness this is available on CD. I saw the show twice in Manhattan and once in P-town MA. She is an American treasure. What's nice is that you don't need to have had seen the live performance to enjoy this CD. (Though I'd love to have it on DVD.) Just Bea, Billy, a piano and yet so much more!!!!!

Golden Girl Shines Brightly.......2005-10-21

For anyone who has ever laughed as Bea Arthur deftly put people in their place with her lightning quick wit as Dorothy on the "Golden Girls", they will not be disappointed with this CD. Arthur, some 9 years after leaving the small screen, returns triumphantly to her professional roots, the stage, and does not disappoint. Mixing antedotal stories with classic songs, all to the accompianment of Billy Goldenburg, Arthur weaves her life in a brillant 90 minute tapestry so that the listener regrets ever reaching the end. Anyone who has ever seen Arthur perform on stage, or as Maude or Dorothy, they will not regret purchasing this CD. For that rare minority of people who have not have the privilage of seeing Arthur previously should find out what they have been missing of this American icon.

Alive and Unforgettable.......2004-11-21

Bea Arthur. Nearing 80. And yet, her continuing vitality is blatantly obvious in this live recording. I will tell you this--I bought this disc with no expectations whatsoever. I like Golden Girls as much as the next chap, and I was slightly curious about what Bea had become.

The simple truth was that I was stunned. Completely stunned. Again, this sounds as the same, alive, malicious woman who portrayed those "affirmative women" on TV (per her own words). She mocks her own voice, recalling the humiliation of being mistaken for the man of the house through the phone ... and some--who buy this disk with the intent of getting a faultless musical performance--might agree (and according to some reviews her, HAVE agreed) that her voice is perhaps too deep, too cutting, not pure enough. But this is NOT (and I stress it) a musical performance per se, it is not a perfectly rounded voice singing perfect standards.

What this disc is? A drama performance. The songs are intermissed with speech interludes, during which Bea narrates anecdotes from her past experience as an actress--and that's is PRECISELY what is MAGIC. You feel as though she's inviting you to witness the high points of her life, and it's a very nice place. The songs, seem alive as rarely before, because they are performed. She renders them with life, and make the most of her abilities.

I really appreciated some of the smaller things. You get to recognize her trademark, slightly embarassed, `You know' ... She'll make you laugh with good natured reminiscence ("A Mother's Ingenuity"!); some of the songs are delightfully imperfect, (I learned to love the half-sung/half-spoken "What Do You Start" ...), some others are wonderfully dynamic ("What Can You Get a Nudist For Her Birthday?", "Threepenny Opera/Pirate Jenny" ...), but all are very enjoyable ...

Be it "Isn't He Adorable?" or "If I Can't Sell It, I'll Keep Sittin' on It" ... every track on this disc will have you fondly reminisce or curiously discover the career of one helluva woman.

You really can't be disappointed. I promise.

If only we could have a visual as well!

A trip down memory lane..........2003-10-19

Bea Arthur, one of the finest performers of her time.
Bea is most known for her role on the sitcoms Golden Girls and Maude, but she's done so much theater work as well.
She was in the cast of the original U.S production of "Threepenny Opera" starring Lotta Lenya, and in the original cast of "Fiddler On The Roof" and "Mame". But Bea started her theater career in a show called "The Shoestring Revue".
Bea stoled the scene every night when she performed as yente the Matcmaker on "Fiddler On The Roof" and she also got a hole lot of response as Vera Charles on "Mame", starring Angela Lansbury. In this live performence Bea performs a collection of songs chosen by herself, such as, "Let's Face The Music And Dance", "Isn't He Adorable", "Fifty Percent" and her theme song from Mame "The Man In The Moon". Bea is absolutely one of our time finest performers, with her witty sence of knowledge and her indefiable voice she has establised herself as a broadway legend, alongside Judy Garland, Elaine Stritch, Mary Martin. She is one of the last broadway female legends alive. And still going strong, Bea is rounding 80, but you wouldn't notice.
Do yourself a favour and take a trip down down memory lane, it's your chance to hang out with the last female broadway legend around.

A Truly Remarkable Accomplishment.......2003-06-16

As a huge fan of Bea Arthur's, I was very excited when I heard she would return to Broadway to do a one-woman show. Not since winning the Tony Award for Best Actress in a Musical for "Mame" has Bea Arthur been on stage. Well, what a way to follow up! This cd (which was recorded during a live performance) Bea gives fans an intimate look into her show business life. The stories are very funny and touching, and the songs (which Bea picked out herself) are fun, beautiful, and magical. A favorite part of this cd for me, is when Bea talks about her days on TV. She was the star of two very successful and groundbreaking sitcoms, "Maude" and "The Golden Girls" I am a huge fan of "The Golden Girls" and Bea's character Dorothy was always my favorite. This cd is a must for any Bea Arthur fan, but the appeal of this amazing show goes beyond her hardcore fans. Any fan of classic Broadway and cabaret songs will love this cd. This is one of the favorite cds I own, and should be treasured by more people. And finally, as a sidenote, Bea's one-woman show was nominated for a Tony Award in 2001 in the category of Best Special Theatrical Event.

Average customer rating:

Mixed feelings
Your love for this superb collection will be here to stay...
He's done it again
Absolutely 'S WONDERFUL!
A beautiful 2 disc CD-another hit for Michael

The Michael Feinstein Anthology

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

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Hopeless Romantics
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Isn't It Romantic
Nice Work If You Can Get It: Songs by the Gershwins

ASIN: B000065DVH
Release Date: 2002-05-21

Tracks:

Nice Work If You Can Get It
Isn't It Romantic
Swinging On A Star
Ask Me Again
Rhode Island Is Famous For You
'S Wonderful
Wonder Why
Too Marvelous For Words
Where Do You Start
Theme From The Bad And The Beautiful
Easy To Love
Alexander's Ragtime Band
Who Are You Now?
You're An Education
You Are There
Sophisticated Swing
Love Can Change The Stars
Come Out, Come Out Wherever You Are
Half Of April (Most Of May)
Marianne
They Can't Take That Away From Me
I Love A Piano

Tracks:

That's Entertainment
My Favorite Year
Ten Feet Off The Ground (With Rosemary Clooney)
I Never Felt Better
Someone To Watch Over Me
Kiss Her Now
The Ugly Bug Ball
For You, For Me, Forever More
The Mole People
And So To Bed
You're All The World To Me
Old Friend
Isn't It A Pity (with Rosemary Clooney)
Pattisserie
Open Your Eyes
For Love Alone
I Won't Send Roses/Time Heals Everything
Get Out And Get Under The Moon (with Page Cavanaugh)
My Romance
Love Is Here To Stay
Violin (with Liza Minnelli)

Amazon.com

The line between evangelist and entertainer has always been somewhat indistinct. But as showcased on this 43-track, double-disc collection culled from his '87-'96 recordings for Elektra/Nonesuch/Atlantic, Michael Feinstein's dedication to spreading the gospel of the American song often blurs it beyond recognition. While the singer's pedigree for the task is impeccable (a long-term stint as Ira Gershwin's assistant and early career sponsorship by Liza Minnelli), his interpretations often succeed by playing off a tense axis of fervent emotionalism and a joyous sense of irreverence.

If his readings of romantic standards can sometimes tend toward the precious, they're often balanced here by sheer dramatic power and telling insights ("Isn't It Romantic" fairly bristles with ironic chauvinism) and a few loopy curves ("The Mole People," the Sherman Brothers' "The Ugly Bug Ball," and the previously unreleased "Rhode Island Is Famous for You"). Feinstein's dedicated song archaeology is also showcased on several gems: "Violin," a duet with Liza Minnelli; "My Favorite Year," a rejected ballad for the film of that name; the sublime "lost" Gershwin classic "Ask Me Again."

Sprinkled with live performances (the forum where Feinstein's talents seem most energized) and studio outtakes and featuring a lengthy print interview with the singer, the set chronicles both the pioneering efforts of one of pop music's most successful revivalists and, crucially, the cream of his beloved American songwriters, from stalwarts Gershwin, Berlin, and Porter to later legends like Herman, Styne, Lane, Martin, and Mercer. --Jerry McCulley

Album Description

The definitive collection of performances by the Grammy nominated singer features 43 tracks from 14 albums released by Elektra, Elektra Nonesuch, and Atlantic labels from 1987-1996. Plus 8 previously unreleased live tracks only available here 'Rhode Island is Famous For You', 'S Wonderful', 'Alexander's Ragtime Band', 'I Love A Piano', 'Patisserie', 'Get Out And Get Under The Moon' (with Page Cavanaugh), 'Love Is Here To Stay' & 'Violin' (with Liza Minnelli). 2 Digipacks housed in a slipcase with a booklet. Rhino Records. 2002.

Customer Reviews:

Mixed feelings.......2005-10-05

This album has some GREAT songs on it; sophisticated swing being one of my favorites. However many of the other songs are too operatic and lame. I give three stars but this album is definatly worth it just for some of the better songs.

Your love for this superb collection will be here to stay..........2002-07-18

The magnificently talented Michael Feinstein has made one wonderful album after another for nearly two decades. Now that Elektra and Rhino have put together this anthology, I am blown away by the versatility and diversity in Feinstein's recorded output. Such amazing rare gems, combined with the most beloved favorites in the history of American Popular Song. Assembled with wit, intelligence, and obvious affection on the part of the record company, this set is a keeper. You'll love it!

He's done it again.......2002-07-15

Is there anything this man can't sing? This collection is so varied as to be the definitive collection of songs for any occassion.

This is perfect background music for a dinner party for a whole group but especially for two. Light, romantic and just gorgeous. You just can't go wrong when Michael Feinstein is your musical choice.

Way to go Michael, you've done it again!

Absolutely 'S WONDERFUL!.......2002-06-10

There are very few contemporary performers who can hold their own with the truly great interpreters of American popular song. Michael Feinstein is truly the ONLY performer of the "younger" generation who really understands what these songs are all about. His incredible knowledge of this music, and his enthusiasm and passion for it have fueled his career. Rhino Records has done a truly outstanding job of putting together an anthology that exemplifies why Mr. Feinstein has become so beloved by audiences around the world. The packaging is excellent, and filled with interesting photos and background information about many of the selections.

This collection not only contains all the favorites one would expect, but a neat group of surprises too. I especially love the duets with people like Liza Minnelli and Rosemary Clooney, and the various collaborative efforts with songwriters like Jule Styne and Burton Lane accompanying Michael at the piano.

This collection is a classic to be treasured. Bravo Michael!
Bravo Rhino!

A beautiful 2 disc CD-another hit for Michael.......2002-06-09

I have every CD Michael has ever made and this is by far one of the best ones because of Michael's range in singing and his wonderful singing voice. I love his duets with Rosemary Clooney and Liza Minelli. He is a wonderful performer on this double CD and am looking foward to the next CD.

Average customer rating:

So Strong
Celtic Music Meets the Boy Bands
This Is Not Your Ordinary Everyday Irish Tenor Album
So Strong
What a beautiful mix of songs

So Strong
The Celtic Tenors
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Remember Me
Celtic Tenors: Live in Concert
Celtic Tenors
Here's to the Heroes
Original Irish Tenors: The Legendary Voices of Celtic Song

ASIN: B00005YUB4
Release Date: 2002-07-30

Tracks:

Nella Fantasia
Mull Of Kintyre
Love Of My Life
Ave Maria
The Green Fields Of France
A Crmost An Siol
Fionnghuala
The Town I Loved So Well
I Will Wait For You
(Something Inside) So Strong
The Contender
A Love So Beautiful
Dein Ist Mein Ganzes Herz (You Are My Heart's Delight)
The Star Of County Down
Adiago (vocalise)
Anthem (from Chess)

Customer Reviews:

So Strong.......2005-09-15

Celtic Tenors are marvelous. The only "tenor group" offering harmony. The material is beautiful and beautifully performed.

Celtic Music Meets the Boy Bands.......2003-11-09

If one looks at the jacket of the disk THE CELTIIC TENORS, the first impression is that the disk could also be called "The Three Irish Tenors goes boy band." The three Celtic tenors: Matthew Gilsenan, Niall Morris, and James Nelson, look rather young and hip, almost in a stereotypical way, and it is clear that the disk's first priority is to be a money maker. The obvious attempt at making a dollar (or in Ireland a punt or Euro) does not make the disk a waste. There are some very enjoyable musical moments on the disk, though nothing all that original or deep. The music ranges from popular tunes, traditional Irish music, and some light classical and operetta pieces. The musical highlight of the disk is an A Capella version of Barber's Adagio. This arrangement retains the piece's beauty as well as its haunting qualities. Though the song "Mull of Kintyre" is somewhat cheesy, it works on this disk and is one of the better tracks. The disk begins with a song titled "Nella Fantasia" a tune written by Emilio Morricone, and it's from a theme from his score of THE MISSION. According to the liner notes, the composer reluctantly allowed words for the piece. He should have held out a bit longer. The tune was first performed by Charlotte Church. It does not work for her, and it does not work for the Celtic Tenors either. Since the tune is so beautiful in the film, it's too bad it was not simply left alone.

This Is Not Your Ordinary Everyday Irish Tenor Album.......2003-10-02

Currently So Strong is my most favorite album. Unlike other Irish tenor albums I own, So Strong resonates unique total excellence achieved rarely by the blending of voices. It is a successful marriage of traditional and contemporary Irish vocal styling. Every cut is a true treasure. Listening to "Mull of Kintyre" I defy anyone not to hum this Paul McCartney melody. "The Green Fields of France" is a beautiful anti war anthem while "Ag Criost An Siol" is as spiritual as any gospel. Tears swell with "The Town I Loved So Well". "Something Inside" has an addictive beat and "The Contender" and "A Love so Beautiful" are haunting without being melancholy. I garantee that you'll have the CD player on high volume and repeat for the folk dance tune "The Star of the County Down" and inspiring "Anthem". I do.

So Strong.......2003-04-07

I was watching public television and saw "The Celtic Tenors". The next day I found their CD, "So Stong". Finding voices of such obvious quality producing harmony so perfectly is rare. The first song brought me to tears and I wanted to stand and cheer. In fact, I did. In my opinion, "The Celtic Tenors" have absolutely clear voices and sing with "Heart" whether it's concerning the town they love or the love they let slip away. I have already suggested the CD to many friends who have immediately purchased one for themselves. What a treat, what a treat.

What a beautiful mix of songs.......2003-01-15

I bought this on a whim after listening to the 30 second bits on this site. It is now one of my favorite albums. I can't stop listening to it! I walk around all day singing bits from 'So Strong' & 'Mull of Kintyre'. Each tenor is given equal billing & their voices flow together so well. I'm now anxiously awaiting either a US tour or a new album. The first album, simply titled 'Celtic Tenors' is wonderful as well. If you love men who can really sing, you will love this album!

Average customer rating:

Memphis moods

In the Mood for Memphis
Various Artists
Manufacturer: Inside Sounds
ProductGroup: Music
Binding: Audio CD

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In The Mood For Memphis Vol. 2

ASIN: B00016KKOY
Release Date: 2003-11-01

Tracks:

In the Mood for Memphis - Susan Marshall
Memphis Women and Chicken - Dan Penn
Memphis Town - McCarty Hite Project
Memphis - Daddy Mack Orr featuring Billy Gibson
Lovely Memphis Day - Memphis All-Stars
Memphis in May - Don McMinn
Memphis in June - Joyce Cobb
In the Mood for Memphis - Gary Johns
Memphis Blues - Holly Shelton
Memphis Blues - W.C. Handy Preservation Band
Memphis Til Monday- Bob Cheevers
I've Been To Memphis - Gusto
Walking in Memphis - Eddie Harrison
Stuck Inside of Mobile with the Memphis Blues Again - Mud Boy & The Neutrons
Memphis (Highway 72) - The Delta Queens
Memphis Keep Rolling On - Patrick Dodd

Album Description

It's been said that Memphis is mentioned in more song titles than any other city. On In The Mood For Memphis you'll hear a diverse musical testimonial from some of Memphis' most dynamic voices. For the first time ever, a CD has been compiled celebrating the rock and blues Mecca of the world with 16 songs, each with Memphis in the title. From the mainstream "Walking In Memphis" performed by Eddie Harrison to the underground sounds of Mud Boy & the Neutrons' "Stuck Inside Of Mobile With The Memphis Blues Again," In The Mood For Memphis is filled with soul-pleasing, groove-controlling, guaranteed satisfaction.

Powerful and charismatic singers Gary Johns and Susan Marshall each perform different versions of the title track. Don McMinn's funky "Memphis In May" sets the mood for an exquisite rendition of "Memphis In June" by jazz diva Joyce Cobb. With Delbert McClinton on harmonica, Dan Penn's "Memphis Women and Chicken" is smooth, Southern and irresistible. You'll also hear Holly Shelton's sultry interpretation of W.C. Handy's "Memphis Blues" (followed by a haunting instrumental with The W.C. Handy Preservation Band). Songwriter Bob Cheevers adds his irresistible "Memphis Till Monday" exclaiming the virtues of good ole Memphis barbecue and fun. Gusto jumps in with a lively version of Lyle Lovett's "I've Been To Memphis." Other highlights include Daddy Mack Orr and Billy Gibson on the Chuck Berry/Johnny Rivers classic "Memphis," the soulful sounds of the Memphis All-Stars on their feel-good original "Lovely Memphis Day," and The McCarty-Hite Project's "Memphis Town." Cult rockers The Delta Queens include their raw, but fiercely independent "Memphis (Highway 72)," as the almost final track.

Patrick Dodd concludes the CD in a reflective tone with "Memphis Keeps Rolling On," a gospel-tinged pop ballad that examines the struggles and triumphs of Memphis and its legacy.

Since 1992, Inside Sounds has focused on producing the best of Memphis, from blues to alternative rock, and is the parent company of the critically acclaimed Memphis Archives label.

Customer Reviews:

Memphis moods.......2004-02-18

16 songs of and about Memphis - in fact, Memphis is in the title of each and every song.
I was a wary of this album at first but the more I thought about it, the more I understood it. Memphis' diverse musical situation needs to be celebrated and Dattel has compiled a carefully conceived and varied selection here.

Some songs will be recognized, some won't. Some were done in Memphis (most of them) and some in other places. Some songs are old, some songs are new, but for the most part it's a blues album, and since it's from Memphis, even the weak cuts are strong.

Susan Marshall's "In the Mood for Memphis" begins the album and seven songs later, we hear vocalist Gary Johns' version of the same song. Longtime player Don McMinn tells about "Memphis in May" and Joyce Cobb tells us all about "Memphis in June" in her unique.

Two songs jumped out at me and made the album worth the time - Jim Dickinson's Mud Boy and the Neutrons hammering out his friend Bob Dylan's "Stuck Inside of Mobile (With the Memphis Blues Again). " It's done with verve and vigor and I've always liked Jim's voice.

Eddie Harrison's version of "Walking in Memphis" is the best version of that Grammy-winning song I've ever heard. I remember seeing and hearing Eddie Harrison and the ShortCuts 35 years ago and thought they were great, and he's an even better singer now.
From beginning to end, the musicianship quality is top-notch and Dattel and company have an excellent CD here. If you're already from Memphis, go get this CD and celebrate your town. If you're not from Memphis, come on down! There's magic here.

Song Inside Me
Average customer rating:

Queen of Steam rocks!!!

Song Inside Me

Manufacturer: Milestone Music
ProductGroup: Music
Binding: Audio CD

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Do I Move You?

Lucky 13

A Stone's Throw

Anything Can Happen

Soul of a Man

ASIN: B0006ZP306
Release Date: 2004-11-25

Tracks:

Blues Is A Feeling
Song Inside Me
Voodoo Man
All Day Blues
Free At Last
You're Gonna Make Me Cry
I'm Still Laughing
No Money No Honey
Starting All Over
(Darlin) I Know You Love Me
Qualify My Love
I Need A Dog

Album Description

The debut release of passionate, fierce, hi-energy female singer/songwriter who's sassy delivery and stellar vocals highlight her roadhouse rockin', funky blues with an old-school R&B edge. Nine self-penned originals and three choice covers offer a variety of blues-based styles including funky East Bay Grease horns, swampy voodoo, campy jazz, Delta blues, and gospel flavors. Co-produced by Johnny "V" Vernazza (Gold Record winning Elvin Bishop alumni) who also performs on 9 tracks. Special guests include slide-guitar master Roy Rogers on a down-home duet with Michele.

Customer Reviews:

Queen of Steam rocks!!!.......2006-03-27

Michele Lundeen has to be one of the most talented female Blues singers available on CD at present. Her presentation, music and preparation are second to none. This CD is a must buy item for your collection. I air her music daily on www.softsoundsradio.com!! Keep up the good work Michele Hugzz JIM

Average customer rating:

Enjoyable, but flawed
This 1997 CD came before the movie and it's a masterpiece...
Very good recording for the price.
great, just great.
Wonderful, above Adequate CD!

Music Aboard The Titanic

Manufacturer: Inside Sounds
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

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Titanic: Music As Heard On The Fateful Voyage
Last Dinner On the Titanic Menus and Recipes From the Great Liner: MENUS AND RECIPES FROM THE GREAT LINER
The Last Dance: Music for a Vanishing Era (The Music Heard on the Fateful Voyage of the Titanic)
And the Band Played On
882 1/2 Amazing Answers To Your Questions About The Titanic

ASIN: B0000034DL
Release Date: 1998-04-07

Tracks:

Paddy O'Carroll
Leaving Queenstown
Oh You Beautiful Doll
Alexander's Ragtime Band
The Merry Widow: Vilia
Menuet
I Want A Girl Just Like The Girl That Married Dear Old Dad
Maple Leaf Rag
Andante Cantabile
Song Without Words
Nocturne, Op.9, No.2
Blue Danube
Berliner Luft
Merry Widow Waltz - J.T. Page/Carl Wolfe/Roy Brewer/Margarita Matlin/Beth Luscombe/Ann Ray/Joe Kebschull...
Let Me Call You Sweetheart - J.T. Page/Carl Wolfe/Roy Brewer/Margarita Matlin/Beth Luscombe/Ann Ray/Joe Kebschull...
Fateful Hour
Nearer, My God, To Thee - J.T. Page/Carl Wolfe/Roy Brewer/Margarita Matlin/Beth Luscombe/Ann Ray/Joe Kebschull...

Amazon.com

It's hard not to get nostalgic listening to the selections jazz composer and musician Carl Wolf produced and arranged for Music Aboard the Titanic, a collection of mostly popular music from 1912. The strings-and-piano chamber group Wolf leads does its best to showcase the versatility of the White Star Line musicians, playing a set list that includes ragtime, light classical, and waltzes. "Alexander's Ragtime Band," "Blue Danube," and "Let Me Call You Sweetheart" are the best-known inclusions, all played in elegant, straightforward fashion. Songs are intelligently grouped by their presumed setting onboard the ship, with lighter tunes classified as "Luncheon: 1st Class Dining Room" and more serious fare found in "Concert in the 1st Class Lounge." Compared to the bombast of certain Titanic tributes, this collection is sublime. Just be forewarned: whether played on the Titanic or on this CD, this is largely background music. --Jason Verlinde

Album Description

One of the most enduring legacies of the 'Titanic' is the heroism of the eight musicians who continued playing even as the great steamship sank into the Atlantic. A powerful prologue and epilogue composed by Carl Wolfe, along with selections from the White Star songbook, capture the spirit of the voyage and of the music these musicians played.

Customer Reviews:

Enjoyable, but flawed.......2003-08-27

Overall, this is an enjoyable album that is worth purchasing. The playing is refined and elegant, and it succeeds in conveying the atmosphere of a tea room or lounge on the doomed ship. But, there are a number of areas where the recording could have been improved:

- Many of the songs are represented only by the chorus, with the verses being completely absent. "Let Me Call You Sweetheart", for instance, runs through the chorus 3 times, with slightly varying orchestration, but never do we hear the verse.

- The string playing is pretty poor with regard to intonation. Passages where multiple strings are (supposedly) in unison come off a little harsh. Maybe that was the authentic way string players sounded back then? Doubtful.

- The newly composed material that bookends the authentic original music is rather discordant in style. I found myself just playing the middle tracks, skipping the first and last two.

This 1997 CD came before the movie and it's a masterpiece..........2002-06-02

In 1996, Carl Wolfe was commissioned to arrange music from the Titanic playlist (used by the White Star Line musicians) for the 1997 Titanic Exhibition. It is officially endorsed by the exhibition. Since its release, dozens of other CDs have followed, hoping to capitalize off of the success of the movie. Some aren't bad, but "Music Aboard The Titanic" is effective because it was written and arranged by a musician/composer who had served 20 years in the U.S. Navy as an arranger, conductor and musician. His two original pieces--"Leaving Queenstown" and "Fateful Hour"--are emotionally-charged and tie the entire work together as a concept CD. "Music Aboard The Titanic" is a real masterpiece. I should know--I was the one who commissioned Carl Wolfe for the job!

Very good recording for the price........1999-08-16

This recording provides a nice look into the musical trends of the upper class of early 1900s society. Although the quality of the music is certainly not that of I Salonisti, it is pleasant, clear, and relatively well-orchestrated. One of the problems with this recording, however, is that some of the pieces are not complete and/or played as they were intended to be played. The section "Dinner Dance" (tracks 12-15) includes Strauss' BLUE DANUBE; this CD's version is only a 2 1/2 minute "clip" from the original piece. Note also that -- depending on the type of audio CD player you have -- you may experience what one reviewer called "clicking" sounds. This has happend only on one CD player I have used.

Despite the minor flaws in this CD, it is definately worth the fifteen or so dollars, if you are a fan of salon-style music.

You may wish to consider the following other recordings at Amazon.com. I own all of them and am very impressed, overall:

* LAST DANCE: MUSIC FOR A VANISHING ERA (I Salonisti) - EXCELLENT * AND THE BAND PLAYED ON: MUSIC ABOARD THE TITANIC (I Salonisti) - EXCELLENT * MUSIC FROM THE WHITE STAR SONGBOOK - VERY GOOD * THE MUSIC OF THE TITANIC - GOOD * 21 AUTHENTIC SONGS FROM TITANIC (Mary Jane Newman and the Southampton Pier Players) - EXCELLENT * TITANIC: MUSIC FROM THE FATEFUL VOYAGE (Ian Whitcomb & The White Star Orchestra) - EXCELLENT

great, just great........1999-03-01

very good for a record that is too lon

Wonderful, above Adequate CD!.......1999-02-18

THIS CD IS GREAT. ALTHOUGH THERE ARE A FEW CLICKING SOUNDS, ITS WONDERFUL. YUP

A Song Inside My Head, A Demon in My Bed

Average customer rating:

A Song Inside My Head, A Demon in My Bed
Laura Oh
Manufacturer: Bonnier
ProductGroup: Music
Binding: Audio CD

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ASIN: B000QFBVFM
Release Date: 2007-06-04

Tracks:

Call to Arms
It Ain't Enough
Release Me
Black N' Blue
Fine Line
Raining in New York
Out of Bounds
Thunderbird Motel
Mess You Left Behind
Killer on the Road
Friend Like Me

Album Details

With Influences Ranging from Kate Bush, Bob Dylan to Dolly Parton, Sweden's Oh Laura is Tipped to Be the Next Huge Act to Come from the Scandinavian Country.

Average customer rating:

Best of his acoustic albums
retrocedamos 150 años
Superb concept well executed
More guitar, please
Beautifully melodic combo of classical guitar with orchestra

Metamorpheus
Steve Hackett
Manufacturer: Inside Out U.S.
ProductGroup: Music
Binding: Audio CD

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Seven: A Suite for Orchestra
Wild Orchids
Live Archive 05
To Watch the Storms
Sketches of Satie

ASIN: B0007Y09RI
Release Date: 2005-04-05

Tracks:

The Pool Of Memory And The Pool Of Forgetfulness
To Earth Like Rain
Song To Nature
One Real Flower
The Dancing Ground
That Vast Life
Eurydice Taken
Charon's Call
Cerberus At Peace
Under The World - Orpheus Looks Back
The Broken Lyre
Severance
Elegy
Return To The Realm Of Eternal Renewal
Lyra

Album Description

Ever since his days as the guitarist for Genesis, Steve Hackett has been setting new standards for his instrument. Matchless versatility combined with extraordinary passion has transformed him through time into a musician's musician. In addition to his work in progressive rock, Steve Hackett has also shown remarkable dedication in the pursuit of his classical side. To date he has released 5 acoustic/classical albums, and has appeared as the featured soloist with the London Chamber Orchestra, earning the respect of both rock contemporaries and classical figures alike.

Metamorpheus, the latest project, is the natural successor to 1997's A Midsummer Night's Dream (which spent several weeks in the UK classical charts). It combines nylon strung guitar with orchestra, seamlessly merging small and large musical forces.

Customer Reviews:

Best of his acoustic albums.......2005-08-09

Hackett hops back and forth between the classical music and progressive rock worlds, and has had hit and misses in both. Happily, this is one of his most diverse and atmospheric classical accomplishments. Even fans who prefer his progressive work might find this a satisfying listen, since it occasionally echoes some of his Genesis era pastoral guitar interludes. Even though I greatly enjoyed "A Midsummer Night's Dream" this new CD seems more cohesive and satisfying overall. It's a lovely creation.

retrocedamos 150 años.......2005-05-05

!Que manía la de todos los rockeros que abundan en el mundo clásico!. Es increible que Vaugah Williams, Elgar y demás tardoromaticos ingleses sigan siendo, más de 100 años después, el referente de lo que es la música clásica para todos los rockeros que se meten en camisas de once varas. Paul MacCartney, Tony Banks o, ahora, Steve Hackett encabezan una larga lista de músicos que parecen olvidar que tras aquellos maestros ha existido el siglo XX. Ligeti, Stockhausen, Lutoskawski, Webern o Messiaen parece como si se los hubiera tragado la tierra. No es que me parezcan malas las composiciones de este Metamorpheus, lo que me parece es que influencias más "modernas" no habrían estado de más. Yo no digo que HAckett se ponga a hacer música concreta, pero, vamos, un poquito más de contemporaneidad y algo menos de tardoromanticismo no le vendría mal

Superb concept well executed.......2005-05-03

Dealing with the mythology was always a formidable strongpoint for Steve Hackett. That he is one of the finest nylon string guitar players in the world only enhances the wonder, the lyricism and the sophistication of his tales. He is not a singer by any means, but it's his hands that tell the story. "Blood On The Rooftops" from the Genesis days is just one of the many extraordinary examples of the sophistication he brought to rock, invoking the legend of Passover into the backdrop of American TV violence and the Israeli-Palestinian cross-fire.
On this latest disc, moving away from social commentary, Shakespeare and back into Greek mythology, Hackett along with his cadres have created a classical masterpiece. The integration of the instruments is subtle. The pacing of the tale is dead-on. His fingerpicking and plectrum work set him apart from both classical and rock contemporaries. I can think of only Steve Howe, with whom he shared an entirely unsuccessful collaboration that played to none of their strengths (GTR), and Sharon Isbin, I can think of no other contemporary guitarist with that capacity for storytelling as well as finesse. Hackett must surely channel John Dowland, both thematically and stylistically. It is a chamber work on offer here, more baroque than classical, but it is one of the ways in which ancient myth informs us of the perils of our particular age.
This is a significant addition to the canon of guitar music.

More guitar, please.......2005-04-18

I enjoy most all of Hackett's music, especially his acoustic albums. My only disappointment is that the guitar is not featured even more. No doubt this composition reflects his vision and all, but I was left wanting more of his nylon-string virtuosity. I found his 1997 "Midsummer Night's Dream" a little more satisfying in this regard.

Beautifully melodic combo of classical guitar with orchestra.......2005-04-16

Lush and romantic setting with just the right amount of edge for the story of Orpheus's voyage to the underworld. Upon a few listens I found many of the melodies were very memorable. Nice original music that nods occasionally to Ravel and Morricone yet quite original. The guitar playing is super as are the orchestral players. Very well engineered too. Found this a more balanced effort than Hackett's Midsummer's CD that also featured a guitar and orchestra setting.

Music Review:

Music Review

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