Scuffletown

Scuffletown

Scuffletown

Editorial Reviews
Amazon.com
A two-time winner at the prestigious annual Kerrville Folk Festival competition, Eric Taylor would probably be as celebrated as Texas contemporaries such as Guy Clark, Lyle Lovett, Nanci Griffith, and the late Townes Van Zandt if not for a sporadic recording career (four albums in 20 years). Nonetheless, his dark, earthy, commanding folk-blues influence can be heard in their music; both Lovett and Griffith (Taylor's ex-wife) have recorded his songs. Scuffletown, Taylor's 2001 return, includes nine bleakly powerful originals, along with two Van Zandt covers; the Van Zandt connection is a natural, given that Taylor's own sardonic originals possess a similar melancholy beauty and minor-key fatalism. "White Bone," for instance, is about the spiritual and cultural plight of an albino born into a religiously conservative black community. "Your God" expresses scathing moral indignation over the brutal murder of James Byrd, the African-American man from Jasper, Texas, who was dragged behind a pickup truck by mindless white thugs. Yet there's a slightly lighter, cautiously playful touch to songs like "Delia/Bad News" where Taylor pays splendid homage to cherished blues influences. --Bob Allen

Scuffletown,Eric Taylor,Eminent Records,Country-Folk,Folk,Folk & Traditional,Folk-Blues,Pop,Singer/Songwriter
Giants
Average customer rating: 5 out of 5 stars
  • His Best Album To Date!
Giants
Donal Hinely
Manufacturer: Scuffletown Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Folk | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
ASIN: B000CA7TBQ
Release Date: 2005-06-21

Tracks:

  1. Giants
  2. Before Music Was a Product
  3. Road to Ruin
  4. Shock and Awe
  5. Shakes
  6. You and Me
  7. Bubble
  8. Louisville
  9. Talkin' Cheap Trick Blues
  10. Adelaide
  11. Blue Ink
  12. One

Customer Reviews:

5 out of 5 stars His Best Album To Date!.......2005-11-20

This is a great collection of folk and pop songs in the singer/songwriter tradition. All the songs have wonderful melodies and hooks that you'll be humming throughout the day. The lyrics continue to be poignant and fresh. The fidelity is fanastic as is the musical accompaniment. Even the glass playing on one song fits the nature of the song like the best of the Glasnotes.

This is a major step forward for Donal. He's toned down the country and instead emphansized his folk and pop background. The haunting drama of songs like "Blue Ink" and "Giants" is beautifully sung. And works just as well as his more upbeat songs like "You And Me" and "Talkin' Cheap Trick Blues." If he could get some radio airplay, this album could break wide open. If you get a chance catch him live for this glass playing shows as well as singer/songwriter performances.
Glass Stories
Average customer rating: 5 out of 5 stars
  • EERILY MAGICAL
Glass Stories
Donal Hinely
Manufacturer: Scuffletown Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Folk | Styles | Music
GeneralGeneral | Miscellaneous | Styles | Music
GeneralGeneral | Easy Listening | Pop | Styles | Music
GeneralGeneral | Folk | Indie Music | Stores | Music
Similar Items:
  1. Ghost Fiddle Suite

ASIN: B0007XAR5I
Release Date: 2004-10-01

Tracks:

  1. Glass Stories
  2. Ruidoso Sunrise
  3. Coffee Drinker's Lullaby
  4. Rose's Lament
  5. Strawberry Fields Forever
  6. Lord of the Dance
  7. Not in Kansas Anymore
  8. Bonny Portmore
  9. Loch Lomond
  10. Ashokan Farewell
  11. Van is Still the Man
  12. Craigielee (Waltzing Matilda)
  13. The Shakes
  14. The Parting Glass

Product Description

Infused by the unique sound of the glass harmonica, Glass Stories (2004) presents a hypnotic mixture of traditional and original music accompanied by cello and guitar. Glass Stories is Texas singer/songwriter Donal Hinely's third CD with Nashville producer and cellist David Henry who has worked with a wide range of artists including Cowboy Junkies, Josh Rouse, Vienna Teng, and Guster. The music Hinely coaxes from his home-made instrument--often called the glass harmonica--is lilting and ethereal. The haunting tones are produced by rubbing wet fingers across the rims of water-tuned wine glasses and brandy snifters and bring to mind the sound of a violin, a flute, an organ, or even at times a steel drum. On this offering, the glasses and cello blend to breathe new life to such classics as "Loch Lomond", "Ashokan Farewell", "Lord of the Dance", "The Parting Glass, " and the Beatles favorite "Strawberry Fields Forever." There are also a good number of original pieces including the standout title track and the Henry penned "Coffee Drinker's Lullaby." The marriage of the glasses with Henry's stellar cello seems a natural one with each instrument occupying its own harmonic range yet complimenting each other perfectly. The overall mood is quiet and reflective, though Hinely's "The Shakes" and "Not in Kansas Anymore" and Henry's aforementioned "Lullaby" are playful without breaking the spell.

Customer Reviews:

5 out of 5 stars EERILY MAGICAL.......2005-12-18

Every year my daughter and I see Donal playing his amazing glass harmonica at the Ohio Renaissance Festival and every year we are just transfixed by his hypnotic talents. Plus, he is about the nicest person you would ever want to meet and happily recognizes us every time we're there.

When he asks for requests, most people plead for Stairway to Heaven or (heaven forbid) Freebird, but I always request an original. To my joy, the original he always plays is "Ruidoso Sunrise" which is included on this CD. The song has a melancholy feel, but its warmth is anything but sad.

His rendition of "Strawberry Fields Forever" would make Mr. Lennon smile. The ending song, "The Parting Glass" is a version of the beautiful song that the RenFest cast sings at the conclusion of the day and is a perfect ending for this incredible collection of magic.
We Built a Fire
Average customer rating: 5 out of 5 stars
  • Honesty and Artistry
We Built a Fire
Donal Hinely
Manufacturer: Scuffletown Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Country | Styles | Music
GeneralGeneral | Traditional Country | Country | Styles | Music
GeneralGeneral | Folk | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
Country FolkCountry Folk | Country | Indie Music | Stores | Music
ASIN: B0007XAR58
Release Date: 2003-05-01

Tracks:

  1. Gasoline
  2. Drunkard Moon
  3. These are the Days
  4. 4225 Wellington Arms
  5. Take My Heart
  6. Cynthianna
  7. Hey Paul Revere
  8. Easier
  9. Long Way Home
  10. Promise of a Dream
  11. Henry Ford
  12. Twisted
  13. We Built a Fire

Product Description

With roots sunk deep in the same storytelling tradition of Texas singer/songwriters like Steve Earle and Townes Van Zandt, Donal Hinely speaks in a voice that is both intimate and authentic. Spinning tales of hard luck, love, missed opportunity and die-hard hope, Hinely writes songs that skirt the outer fringes of country, folk, and straight ahead rock. With help from Grammy nominated singer/songwriter Kim Richey, guitarist Will Kimbrough, ex-Wilco drummer Ken Coomer, and Vanguard recording artist Mindy Smith, Hinely's latest CD We Built a Fire cements his growing reputation as a keen observer of the human condition. We Built a Fire marks the second collaboration with Nashville producer/cellist David Henry whose growing resume includes working with such artists as Cowboy Junkies, Josh Rouse, Vienna Teng, and Guster. Hinely's vocal, guitar, and glass harmonica are joined by a crack band of talented musicians. Chief among these is guitarist Will Kimbrough (Todd Snider, Rodney Crowell) whose signature style has made him one of the most sought after musicians in Nashville. Kimbrough's thick textures and fresh, tasteful riffs animate these songs, complimenting powerful and sometimes haunting imagery. Singer/songwriter Kim Richey lends her distinctive backing vocals on three of the tracks and Nashville stalwart Fats Kaplan chips in on steel guitar, fiddle, and accordion. Vanguard recording artist Mindy Smith also adds backing vocals on three tunes including the standout “These are the Days.” Hinely himself pushes the envelope for fans of the glass harmonica by using the instrument in some new and interesting ways on the title track and on the songs "Drunkard Moon" and "Easier." Since its release in 2003, We Built a Fire has earned critical praise from both independent and mainstream press landing on several top ten lists in the Americana genre. The Indie Acoustic Project, a review of all independent releases, named We Built a Fire second only to Rodney Crowell's Houston Kid in 2003.

Customer Reviews:

5 out of 5 stars Honesty and Artistry .......2005-05-13

A fantastic album. We had to have at least two copies because my husband and I kept fighting over who got to keep it handiest..Donal's lyrical voice and guitar playing set these songs on fire - all original works, written with an honesty and integrity hard to find these days. Excellent!
Re-elect the Moon
Average customer rating: Not rated
    Re-elect the Moon
    Terry Hinley
    Manufacturer: Scuffletown Records
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Contemporary Folk | Folk | Styles | Music
    ASIN: B000NBYHN2

    Product Description

    Music for guitar & glass harmonica (tuned glasses), about half the tracks are songs & half instrumental.
    Another Sundown
    Average customer rating: Not rated
      Another Sundown

      Manufacturer: Scuffletown
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Contemporary Folk | Folk | Styles | Music
      ASIN: B000QZKNWE

      Product Description

      "Another Sundown" is Scuffletown's best CD ever, capturing the live energy that's infectious at the duet's shows. The album features wonderful songwriting, on new and previously unrecorded tunes.
      Scuffletown
      Average customer rating: 4 out of 5 stars
      • Excellent Writer, Country Music with an Edgy Folk Twist.
      • Lesson Book on a well produced album...
      • Never an easy listen, but that's exactly why it's great
      • A Little Claustrophobic
      • terrible
      Scuffletown
      Eric Taylor
      Manufacturer: Eminent Records
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Blues | Styles | Music
      Traditional BluesTraditional Blues | Blues | Styles | Music
      Outlaw & Progressive CountryOutlaw & Progressive Country | Country | Styles | Music
      GeneralGeneral | Traditional Country | Country | Styles | Music
      GeneralGeneral | Contemporary Folk | Folk | Styles | Music
      Singer-SongwritersSinger-Songwriters | Contemporary Folk | Folk | Styles | Music
      GeneralGeneral | Folk | Styles | Music
      Traditional FolkTraditional Folk | Folk | Styles | Music
      Singer-SongwritersSinger-Songwriters | Pop | Styles | Music
      Country FolkCountry Folk | Country | Indie Music | Stores | Music
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      1. Resurrect
      2. The Kerrville Tapes
      3. West Texas Waltzes & Dust-Blown Tractor Tunes
      4. War and Peace
      5. Unsung

      ASIN: B00005A8OK
      Release Date: 2001-03-20

      Tracks:

      1. Happy Endings
      2. Where I Lead Me
      3. All The Way To Heaven
      4. Chicken Pie
      5. Blue Piano
      6. White Bone
      7. Delia/Bad News
      8. Your God
      9. Bread And Wine
      10. Game Is Gone
      11. Nothin'

      Amazon.com

      A two-time winner at the prestigious annual Kerrville Folk Festival competition, Eric Taylor would probably be as celebrated as Texas contemporaries such as Guy Clark, Lyle Lovett, Nanci Griffith, and the late Townes Van Zandt if not for a sporadic recording career (four albums in 20 years). Nonetheless, his dark, earthy, commanding folk-blues influence can be heard in their music; both Lovett and Griffith (Taylor's ex-wife) have recorded his songs. Scuffletown, Taylor's 2001 return, includes nine bleakly powerful originals, along with two Van Zandt covers; the Van Zandt connection is a natural, given that Taylor's own sardonic originals possess a similar melancholy beauty and minor-key fatalism. "White Bone," for instance, is about the spiritual and cultural plight of an albino born into a religiously conservative black community. "Your God" expresses scathing moral indignation over the brutal murder of James Byrd, the African-American man from Jasper, Texas, who was dragged behind a pickup truck by mindless white thugs. Yet there's a slightly lighter, cautiously playful touch to songs like "Delia/Bad News" where Taylor pays splendid homage to cherished blues influences. --Bob Allen

      Customer Reviews:

      5 out of 5 stars Excellent Writer, Country Music with an Edgy Folk Twist........2003-05-15

      If Jim Morrison married Bob Dylan and they had a son who was into country music he would sound like Eric Taylor. Phrasing and lyrics are phenominal! Very dark music with a great deal of social comment through observation of society's underside - Very unconventional, and refreshing, for country music. Excellent guitar work with very tasteful acompanyment.

      5 out of 5 stars Lesson Book on a well produced album..........2002-12-07

      This is like very good single malt scotch. 'Scuffletown' is one of those albums where you'll quickly sample every track and then put it back in the case...Then early one morning you'll take it out, put on your headphones and 'gasp' at what an artful presentation this is. No, these aren't 'toe tappers', but if you give it a chance, you'll find the beauty of a great impressionist painting.

      This album is produced by the song writer; the same hands that skillfully accompany the poetry, later mixed the tracks into a beautiful and complicated brew. This is one of those albums that you'll listen to many times because you'll keep finding new things in it.

      'Scuffletown' is one of my favorite albums of all time. IF you're willing to invest a little effort, you'll be very pleased.

      4 out of 5 stars Never an easy listen, but that's exactly why it's great.......2002-10-09

      Having seen at least two reviewers completely fail to "get" this album, I thought a brief defence of Scuffletown would be in order. It is unabashedly, unfailingly bleak - no question about that. If you want frequent changes of pace and mood, look elsewhere. But this is great, intense, absorbing songwriting that is proud to be stretching and wilfully introspective. It is a little wearying over the space of a whole album (and when performing live Eric may well relate how one much big-name singer-songwriter in this genre came up to him and said, "I love your songs, but the trouble is you've got no hope) - but nothing says you have to digest it all at one sitting. There is a definite synergy with Townes van Zandt, but Eric's melodies are much darker, and his lyrics more literary; liking van Zandt doesn't guarantee you'll like Eric Taylor, or vice versa. If I have a criticism, it's that the production, already fairly sparse, could have been even simpler: Eric is a wonderful guitarist, and more use of the plain combination of his gruff, deep vocals and moody guitar-picking would have made this an even finer achievement.

      2 out of 5 stars A Little Claustrophobic.......2002-04-23

      Based on this album, I'd have to say that rumors of Eric Taylor's similarity to Townes Van Zandt are greatly exaggerated. I bought the album on the strength of Lyle Lovett's version of one of Taylor's songs, and hearing Taylor's live performance of the Van Zandt tune, "Where I Lead Me," on A Prairie Home Companion.

      Now that I have the album, I see that Van Zandt's is the strongest song on it and Lovett seems a better interpreter of Taylor's work than Taylor is; moreover, Taylor's live performance of "Where I Lead Me" was much better than the version he records here -- perhaps not surprising, since Taylor has been performing that song in his live shows for years.

      I don't want to criticize this album. I like musicians of the kind Taylor works to be; the ones who are strong writers and also keen enough as performers to interpret their own work in imaginative ways. But Taylor is not quite that keen. I have a suspicion this album would be much better if he had brought in someone else to produce it. As writer, producer, and primary performer, Taylor has given his material a homogeneity it might have avoided by the infusion of another perspective. As it is, the album reminds me of Springsteen's "The Ghost of Tom Joad": a good idea and one or two very good songs, largely spoiled by too much of the same (good-in-itself) thing.

      1 out of 5 stars terrible.......2001-09-24

      I was very disappointed in this album. It drones on forever.

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