There Was a Time
There Was a Time
Editorial Reviews
Dirty Linen, April/May 2003
"[A] wonderful, powerful collection of songs that make a difference."
Product Description
Veteran singer-songwriter Tom Pacheco wears his world on his sleeve. In a career spanning more than 35 years, over a dozen albums and 2500 original songs, Pacheco has addressed social and political issues, depicted a gallery of real and imagined characters from the past, present and future, and created a living treasury of unforgettable images. On "There Was a Time," Tom's twelfth solo album and first American release in six years, he adds still more memorable people, places and events to his songbook, but it's a darker world that he describes.
Despite an avowed dislike of nostalgia, the death of his mother, serious illness of his father, and loss of three friends in the World Trade Center attacks of 9/11 plunged Pacheco into a period of uncertainty and reflection about the passing of time - many of the songs on "There Was a Time" take stock of what's vanished from Tom's and our world and what needs to be recalled and reclaimed.
The songs on this CD express anger, irony and regret at corporate greed ("What About Us"), the betrayal or failure of the American Dream ("There Was a Time," "Indian Prayer," "What We Left Behind," "Saint Christopher and the Cornfield"), and personal loss ("Provincetown," "If I Could Come Back"). But, as Tom writes in the liner notes, "there are still glimmerings of hope and spiritual resurrection" in these and other songs. He honors the brave and inspirational chance-takers among us - "Butterfly" is a tribute to Julia "Butterfly" Hill, who took up residence in a California redwood tree to save the surrounding forest from a lumber company; "Heroes" thanks our professional guardians and their unpaid everyday counterparts called to greatness by emergencies such as 9/11, and the CD ends with the exhortation and challenge, "You Will Never Be Afraid Again."
Pacheco's stoic, understated baritone and guitar playing are embedded in a warm musical backdrop provided by noted producer/bassist Scott Petito, guitarist Jim Weider and Rick Bell (both latter-day members of The Band), renowned fiddler Jay Ungar, Norwegian country music star and longtime Pacheco collaborator Steinar Albrigtsen on guitar, and special guest Pete Seeger on banjo.
This is a folk album in the best sense, transcending time even while describing the topical and painting mental pictures that will not fade.
There Was a Time
There Was a Time,Tom Pacheco,Appleseed Records,Contemporary Folk,Folk,Folk & Traditional,Pop,Singer/Songwriter
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Time Capsule
- Unexpected
- An album to treasure
- A classic recording of American songs
- The sessions of sweet silent thought stirred
|
Songs by Stephen Foster, Vol. 1-2
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Stephen Foster Songs: Parlor & Minstrel Songs, Dance Tunes & Instrumentals
- American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason
- Stephen Foster Song Book
- Swanee: The Music of Stephen Foster
- DOO-DAH: Stephen Foster and the Rise of American Popular Culture
ASIN: B000005IYE
Release Date: 1992-05-28 |
Tracks:
- Songs By Stephen Foster: Jeanie With The Light Brown Hair
- Songs By Stephen Foster: There's A Good Time Coming
- Songs By Stephen Foster: Was My Brother In The Battle?
- Songs By Stephen Foster: Sweetly She Sleeps, My Alice Fair
- Songs By Stephen Foster: If You've Only Got A Moustache
- Songs By Stephen Foster: Gentle Annie
- Songs By Stephen Foster: Wilt Thou Be Gone, Love?
- Songs By Stephen Foster: That's What's The Matter
- Songs By Stephen Foster: Ah! May The Red Rose Live Alway
- Songs By Stephen Foster: I'm Nothing But A Plain Old Soldier
- Songs By Stephen Foster: Beautiful Dreamer
- Songs By Stephen Foster: Mr. & Mrs. Brown
- Songs By Stephen Foster: Slumber My Darling
- Songs By Stephen Foster: Some Folks
- Songs By Stephen Foster: We Are Coming, Father Abraam, 300,000 More
- Songs By Stephen Foster: Linger In Blissful Repose
- Songs By Stephen Foster: There Are Plenty Of Fish In The Sea
- Songs By Stephen Foster: Come Where My Love Lies Dreaming
- Songs By Stephen Foster: The Soiree Polka
- Songs By Stephen Foster: Better Times Are Coming
- Songs By Stephen Foster: Katy Bell
- Songs By Stephen Foster: The Hour For Thee And Me
- Songs By Stephen Foster: Summer Longings
Customer Reviews:
Time Capsule.......2006-11-30
The voices and instruments, like the songs, are straight from the mid-19th century. If you want to be transported back in time 150 years to a wonderful parlor performance of Foster's songs, this is the album to do it. The voices are marvelous and trained, and one must imagine that the strict phrasing and style are what one would have expected at the time. The cheap upright piano is perfect.
But the one perfect moment for me is the ONLY good extant rendition of "Was My Brother in the Battle?". Accompanied on a harmonium or pump reed organ, if this song doesn't tempt a tear, you simply aren't a romantic.
Very highly recommended.
Unexpected.......2005-11-26
Quality of this recording is fantastic! Performances are superb! However, they don't fit being an example of Foster's music and times. I was expecting banjos and a Mississippi Sound - therfore, very, very disappointed in this CD and consider and a waste of money. Be sure to LISTEN to a few examples to match what you are looking for and what the CD offers. I, unfortunately did not listen before I bought. I rate this low only because my expectations were shattered. This IS a fine CD if opera styles are ok for an example of this southern, 1800's composer's work.
An album to treasure.......2004-09-23
The landmark Library of Congress album, now on enhanced CD. Years
ago, I went on a six-months field assignment to a remote area of
Africa, where I could take only what music I could carry in a vest
pocket. I chose a tape player and two albums: a recital by Perlman
and this album on tape, and was content. If you love American
music, sung poetry, beautiful singing and deeply moving musicality,
this is an album you will treasure for a lifetime.
A classic recording of American songs.......2004-08-22
What can I say that hasn't already been said below? I only wanted to reiterate how wonderful this album is and assure the reader the sound is spectacular on CD. This is a live recording, and intentionally so, as the idea was to create a "parlor" experience as these were parlor songs to be sung by family and friends around the old upright piano. I especially liked the comment about the upright piano which, indeed, does croak and clank throughout the performance adding a note of "authenticity" without becoming obtrusive.
If only Ms. DeGaetani had graced my parlor...
The sessions of sweet silent thought stirred.......2003-11-22
I have never heard such unadulterated extraworldy sound emanate from two human voices and what would otherwise be firewood (the period instruments played by Gilbert Kalish). It stirs profound patriotism and a deep sentimentality for our early days when a civilized people pined to find virtue by examining its own body-- the north and the south, the small town, the simple flag, and the beauty of gentile manly and womanly love expressed through equisite song. There is no other music I would rather hear 'when summoning up the remembrance of things past.' The ghost of the early American parlor will prick your skin through these simple hymns and you may escape for a moment our troubled and busy times.
Average customer rating:
- not enough Galway
- Too Good to Last
|
Henry Mancini -The Ultimate Collection
James Galway
Manufacturer: Bmg Int'l
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
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Similar Items:
- Greatest Hits
- Ultimate Mancini
- The Wind Beneath My Wings
- Mantovani's Golden Hits
- The Very Best of James Galway
ASIN: B0000071UZ
Release Date: 1995-12-06 |
Tracks:
- Pink Panther Theme - Plas Johnson, Henry Mancini & His Orchestra
- Moon River
- Days of Wine and Roses
- Baby Elephant Walk
- Theme from Hatari
- Charade - Henry Mancini, Henry Mancini
- Thorn Birds Theme - National Philharmonic Orchestra
- Blue Satin
- Two for the Road
- Mr Lucky
- Theme from the Molly Maguires - National Philharmonic Orchestra
- Moment to Moment
- As Time Goes By - Henry Mancini, Henry Mancini
- Shot in the Dark
- Misty
- Theme from Love Story
- Pennywhistle Jig - National Philharmonic Orchestra
- Everything I Do (I Do It for You) - Henry Mancini, Henry Mancini
- Moonlight Sonata
- Tender Is the Night - Henry Mancini, Henry Mancini
- Theme from "Mommie Dearest" - Henry Mancini, Henry Mancini
- Raindrops Keep Falling on My Head
- Crazy World
- Mona Lisa
Tracks:
- Peter Gunn
- Unchained Melody - Henry Mancini, Henry Mancini
- Summer Knows
- Experiment in Terror
- Windmills of Your Mind
- Till There Was You
- Speedy Gonzales - Henry Mancini,
- Sweetheart Tree
- Love Theme from Romeo and Juliet
- Dream a Little Dream of Me
- Lonesome
- Pie in the Face Polka - National Philharmonic Orchestra
- Love Is a Many Splendored Thing
- By the Time I Get to Phoenix
- Dear Heart
- Charade [Opening Titles]
- Shadow of Your Smile
- One for My Baby (And One More for the Road) - Henry Mancini, Henry Mancini
- Breakfast at Tiffany's
- That Old Black Magic
- Evergreen
- Midnight Cowboy
Album Description
1995 compilation on RCA Victor featuring 46 of the composer's finest & most memorable recordings from 1956-1991on two digitally remastered, full color picture CDs. Contains 'The Pink Panther Theme', 'Moon River', 'A Shot In The Dark', Wine And Roses', 'Baby Elephant Walk', 'Peter Gunn', 'Everything I Do (I Do It For You)', 'Mona Lisa', 'Unchained Melody', 'Midnight Cowboy' and much more. Well over two hours of easy listening ecstasy! Double slimline jewel case. The full title is 'In The Pink: The Ultimate Collection'.
Album Details
Digitally Remastered Double Anthology of the Pop and Soundtrack Composer from the 50's and 60's. Perhaps his Best Counterpart of Today Would Be John Williams. A Film Maker Could Always Rely on Mancini to Deliver a Composition that Hit the Mark for a Film and Conveyed Exactly What was Required and More. He also Filled the Role of an American Mantovani, Recording 'muzak' Versions of Popular Hits. He was Handsome, Personable, but Most of All, Well Respected for his Craft.
Customer Reviews:
not enough Galway.......2003-10-02
There are only four songs with James Galway. The way this recording is presented is misleading and buyers should be aware that this is NOT a joint effort between these two great artists.. I was totally disappointed. I think Henry Mancini is wonderful but was expecting to hear a collaboration. So if you're looking for flute music this isn't it. However it's a great collecton of Henry Mancini's work.
Too Good to Last.......2000-03-03
I heard this on PBS. Galway and Mancini may be two of the most talented musicians of our century. Galway for his complete mastery of the flute and Mancini for his ability to arrange , produce and in this instance direct the orchestra while Galway performs. They do several duets of a comical nature as well. This is important because it is one of Mancini's last efforts prior to his unfortunate passing.
Average customer rating:
- Inspirational!
- hymns we sang in church
|
Abide With Me
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Gibbons, Orlando
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Similar Items:
- Hymns Through the Centuries
- Hymns Triumphant 1 & 2
- Praise to the Lord - Hymns From St. Paul's Cathedral
- Be Still My Soul: The Ultimate Hymns Collection
- The Music of St. Paul's Cathedral
ASIN: B000024236
Release Date: 1996-06-10 |
Tracks:
- Praise, My Soul, The King of Heaven - Choir of King's College, Stephen Cleobury
- Christ Is Made the Sure Foundation - Choir of King's College, Stephen Cleobury
- All Glory, Laud and Honour - Choir of King's College, Stephen Cleobury
- When I Survey the Wondrous Cross - Choir of King's College, Stephen Cleobury
- Day of Resurrection - Choir of King's College, Stephen Cleobury
- O God, Our Help in Ages Past - Choir of King's College, Stephen Cleobury
- Dear Lord and Father of Mankind - Choir of King's College, Stephen Cleobury
- Praise to the Holiest in the Height - Choir of King's College, Stephen Cleobury
- Praise to the Lord - Choir of King's College, Stephen Cleobury
- Church's One Foundation - Choir of King's College, Stephen Cleobury
- Crown Him With Many Crowns - Choir of King's College, Stephen Cleobury
- Love Divine, All Loves Excelling - Choir of King's College, Stephen Cleobury
- Holy, Holy, Holy! Lord God Almighty - Choir of King's College, Stephen Cleobury
- Now Thank We All Our God - Choir of King's College, Stephen Cleobury
- Abide with Me - Choir of King's College, Stephen Cleobury
- O Praise Ye the Lord - Choir of King's College, Stephen Cleobury
- Drop, Drop, Slow Tears - Choir of King's College, Sir David Willcocks
- Glory Be to Jesus - Choir of King's College, Sir David Willcocks
- There Is a Green Hill Far Away - Choir of King's College, Sir David Willcocks
- According to Thy Gracious Word - Choir of King's College, Sir David Willcocks
- Holy Father, Cheer Our Way - Choir of King's College, Sir David Willcocks
- Glory to Thee, My God, This Night - Choir of King's College, Sir David Willcocks
- Day Thou Gavest, Lord, Is Ended - Choir of King's College, Sir David Willcocks
- Hark! A Thrilling Voice Is Sounding - Choir of King's College, Sir David Willcocks
- On Jordan's Bank the Baptist's Cry - Choir of King's College, Sir David Willcocks
Tracks:
- Onward, Christian Soldiers - Huddersfield Choral Society, Wyn Morris
- Lord's My Shepherd - Huddersfield Choral Society, Wyn Morris
- Guide Me, O Thou Great Jehovah - Huddersfield Choral Society, Wyn Morris
- All People That on Earth Do Dwell - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
- O Come, O Come, Emmanuel - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
- Forty Days and Forty Nights - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
- O Sacred Head, Now Wounded - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
- Christ the Lord Is Risen Today - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
- Head That Once Was Crown'd With Thorns - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
- Rock of Ages - Choir of King's College, Maurice Vinden
- Eternal Father, Strong to Save - Choir of King's College, Maurice Vinden
- All Things Bright and Beautiful - Choir of Paisley Abbey, George McPhee
- Be Thou My Vision - Choir of Paisley Abbey, George McPhee
- Be Still, My Soul - Choir of Paisley Abbey, George McPhee
- King of Love My Shepherd Is - Choir of Paisley Abbey, George McPhee
- Let Us With a Gladsome Mind - Choir of Paisley Abbey, George McPhee
- For All the Saints - Choir of Paisley Abbey, George McPhee
- O Worship the King - Choir of Paisley Abbey, George McPhee
- Come, Thou Long-Expected Jesus - Choir of King's College, George Guest
- Let All Mortal Flesh Keep Silence - Choir of King's College, George Guest
- Spirit of Mercy, Truth, And Love - Choir of King's College, George Guest
- Lead Us, Heavenly Father, Lead Us - Choir of King's College, George Guest
- Immortal, Invisible, God Only Wise - Choir of King's College, George Guest
- Jesu, Lover of My Soul - Choir of King's College, George Guest
- Jerusalem - Bournemouth Symphony Orchestra, Choir of King's College, ,
Album Details
Compiled Here Are Fifty of the Most Beloved Hymns Performed by Three of England's Most Distinguished Choirs. Every Selection Here is Sung in an Appropriately Dignified Manner and If You're Up for Over Two Hours of Consistently Well-rendered Quintessentially English Treatments of These Vernacular Favorites it Simply Doesn't Get Any Better Than This.
Customer Reviews:
Inspirational!.......2004-10-08
Majestic hymns sung with British accents. A great combination! I haven't noticed any objectionable sounds on my copy.
hymns we sang in church.......2003-02-16
i grew up in a traditional presbyterian church that had a pipe organ. i wanted a cd of many of the hymns that we sang in church sung by a choir and accompanied by a pipe organ. this cd fulfilled my wishes perfectly. the hymns are performed in a very straight-forward fashion with no show-boating or excess flourishes which is exactly what i wanted. this is not gospel music but what i refer to as liturgical music to indicate that it is religious music but not gospel music. i would give it 5 stars but there is a slight hiss. other than that the recording quality is very good.
Average customer rating:
|
100 Hymns & Songs of Inspiration
Manufacturer: Castle Music UK
ProductGroup: Music
Binding: Audio CD
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| Arne, Thomas Augustin
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Similar Items:
- A Heritage of Hymns: Classic Recordings of the Great Songs of Faith and Inspiration
- Abide with Me and other favourite hymns
- Best Loved Hymns
- Praise to the Lord - Hymns From St. Paul's Cathedral
- Hymns Triumphant 1 & 2
ASIN: B00008GEKT
Release Date: 2003-04-14 |
Tracks:
- Love Divine All Loves Excelling - Choir Of Gloucester Cathedral
- Father Hear the Prayer We Offer - Choir Of Gloucester Cathedral
- Now Thank We All Our God - Choir Of Gloucester Cathedral
- This Day, The First of Days - Choir Of Gloucester Cathedral
- Stars of the Morning So Gloriously Bright - Choir Of Gloucester Cathedral
- God Save the Queen - Choir Of Gloucester Cathedral
- Day of Resurrection - Choir Of Gloucester Cathedral
- God Rest You Merry Gentlemen - Choir Of Gloucester Cathedral
- Of the Father's Heart Begotten - Choir Of Gloucester Cathedral
- O Come All Ye Faithful - Choir Of Gloucester Cathedral
- Awake My Soul and With the Sun - Choir Of Norwich Cathedral
- Thine Arm O Lord in Days of Old - Choir Of Norwich Cathedral
- All People That on Earth Do Dwell - Choir Of Norwich Cathedral
- Good Christian Men Rejoice and Sing - Choir Of Norwich Cathedral
- There Is a Green Hill - Choir Of Norwich Cathedral
- Lord of Beauty - Choir Of Sheffield Cathedral
- Rejoice Today With One Accord - Choir Of Sheffield Cathedral
- New Every Morning - Choir Of Sheffield Cathedral
- Lead Us Heavenly Father Lead Us - Choir Of Sheffield Cathedral
- O God Our Help in Ages Past - Choir Of Sheffield Cathedral
Tracks:
- Morning Has Broken - Choir Of Marlborough College Chapel
- Happy Are They - Choir Of Marlborough College Chapel
- In Christ There Is No East or West - Choir Of Marlborough College Chapel
- Silent Night - Choir Of Marlborough College Chapel
- Be Thou My Guardian - Choir Of Marlborough College Chapel
- Ye Servants of the Lord - Choir Of Marlborough College Chapel
- At the Name of Jesus Every Knee Shall Bow - Choir Of Marlborough College Chapel
- To Thee O Lord Our Hearts We Raise - Choir Of Marlborough College Chapel
- Behold the Great Creator Makes - Choir Of Marlborough College Chapel
- Rejoice the Lord Is King - Choir Of Marlborough College Chapel
- Creator of the Stars of Night - Ely Cathedral Choir
- He Comes With Clouds Descending - Ely Cathedral Choir
- O Little Town of Bethlehem - Ely Cathedral Choir
- Alleluya Alleyluya Alleyluya - Ely Cathedral Choir
- This Is the Day the Lord Hath Made - Ely Cathedral Choir
- How Sweet the Name of Jesus Sounds - Ely Cathedral Choir
- Lord Thy Word Abideth - Ely Cathedral Choir
- Jesus Lord We Look to Thee - Ely Cathedral Choir
- O Lord Our God Arise - Ely Cathedral Choir
- Lord of All Hopefulness - Ely Cathedral Choir
Tracks:
- Soldiers of Christ Arise - Choir Of Wakefield Cathedral
- Lift Up Your Hearts - Choir Of Wakefield Cathedral
- Holy Father, Cheer Our Way - Choir Of Wakefield Cathedral
- Maker of the Sun - Choir Of Wakefield Cathedral
- O King Most High - Choir Of Wakefield Cathedral
- O Praise Our Great and Glorious Lord - Choir Of Wakefield Cathedral
- Forgive Our Sins as We Forgive - Choir Of Wakefield Cathedral
- We Love the Place O God - Choir Of Wakefield Cathedral
- Let Us With a Gladsome Mind - Choir Of Wakefield Cathedral
- Give Rest O Christ - Choir Of Wakefield Cathedral
- Come Holy Ghost Our Hearts Inspire - Choir Of Truro Cathedral
- O Thou in All Thy Might So Far - Choir Of Truro Cathedral
- O Christ, Who Art the Light and Day - Choir Of Truro Cathedral
- O God Thy Soldiers' Crown and Guard - Choir Of Truro Cathedral
- Strife Is O'er the Battle Done - Choir Of Truro Cathedral
- O Christ Our Hope, Our Hearts' Desire - Choir Of Truro Cathedral
- Jesus Shall Reign - Choir Of Truro Cathedral
- God of Love My Shepherd Is - Choir Of Truro Cathedral
- O Jesu Saviour of Mankind - Choir Of Truro Cathedral
- Immortal Invisible God Only Wise - Choir Of Truro Cathedral
Tracks:
- Ride on Ride on in Majesty - Choir Of All Saints - Margaret Street, London
- All Glory Laud and Honour - Choir Of All Saints - Margaret Street, London
- Come Rejoicing - Choir Of All Saints - Margaret Street, London
- God Is Love and Where True Love Is - Choir Of All Saints - Margaret Street, London
- Magnificat: The Great Advent Antiphons - Choir Of All Saints - Margaret Street, London
- Come, Christ's Beloved - Choir Of All Saints - Margaret Street, London
- Children of the Hebrews (Palm Procession) - Choir Of All Saints - Margaret Street, London
- Veneration of the Cross/The Reproaches (Veneratum and Reproaches) - Choir Of All Saints - Margaret Street, London
- Once in Royal David's City - Choir Of Keble College
- God Be in My Head - Choir Of Keble College
- O Thou Who Camest from Above - Choir Of Keble College
- Judge Eternal Throned in Splendour - Choir Of St Edmunsbury Cathedral
- Christ the Lord Is Risen Again - Choir Of St Edmunsbury Cathedral
- For All the Saints - Choir Of St Edmunsbury Cathedral
- Thy Hand O God Has Guided - Choir Of St Edmunsbury Cathedral
- Christ the Dawn of Our Salvation - Choir Of Eastbourne College Chapel
- I Was Glad - Choir Of Eastbourne College Chapel
- Dear Lord and Father of Mankind - Choir Of Eastbourne College Chapel
- Locus Iste - Choir Of Eastbourne College Chapel
- Praise My Soul the King of Heaven - Choir Of Eastbourne College Chapel
Tracks:
- Stand Up! Stand Up for Jesus! - The Choir of the Abbey School, Tewkesbury
- While Shepherds Watched Their Flocks - The Choir of the Abbey School, Tewkesbury
- O Worship the King - The Choir of the Abbey School, Tewkesbury
- O Heavenly Word of God on High - Choir Of The Collegiate Church Of St Mary
- Praise to the Lord, The Almighty - Choir Of The Collegiate Church Of St Mary
- Jesus Christ Is Risen Today - The Choir of York Minister
- First Nowell - The Choir of York Minister
- Abide with Me - The Choir of York Minister
- Breathe on Me Breath of God - Choir Of Keble College
- Rock of Ages - Choir Of Keble College
- On This Day, The First of Days - Choir Of Keble College
- Jesu Sweet and Mary - Choir Of Eastbourne College Chapel
- O Quam Gloriosum - Choir Of Eastbourne College Chapel
- Ye Holy Angels Bright - Choir Of Eastbourne College Chapel
- O for a Closer Walk With God - Choir Of Eastbourne College Chapel
- Prayer of St Patrick - Choir Of Eastbourne College Chapel
- Lord's Prayer - Choir Of Eastbourne College Chapel
- Blessed Be the God and Father - Choir Of Eastbourne College Chapel
- Day Thou Gavest Lord Is Ended - Choir Of Eastbourne College Chapel
- Jerusalem (And Did Those Feet in Ancient Times) - Choir Of Eastbourne College Chapel
Album Description
Full Title - 100 Hymns & Songs Of Inspiration. UK box-set featuring 100 tracks performed by Britain's finest Cathedral Choirs including, Gloucester Cathedral, Norwich Cathedral, Sheffield Cathedral, & many more. Five standard jewel cases housed in a slipbox. Castle Pulse. 2003.
Customer Reviews:
The picture.......2006-12-11
I haven't purchased the CD but the picture of the inside of a church on the cover is not of a British church, like one would assume since it says its a recording of British choirs. This picture is of Notre Dame Basilica in Montreal, Quebec, Canada. Just thought i'd let you know. I'll be honest; I'm one to judge things by it's cover and if the company took such care to choose a 'British' church for their British choir CD, I'm willing to bet the music is equally well selected... I'm being sarcastic. But I gave the product 5 stars because I didn't want to hurt its ratings just because i'm cynical. But check out the church if you're ever in Montreal, it's truly beautiful... here I'm not being sarcastic.
Average customer rating:
|
Life Upon the Wicked Stage
Carole Cook , Jerome Kern , Grant Geissman , David Stout [trombone] , Dan Fornero , John Fumo , Brock Peters , James Anderson , Jane Lanier , Lauren Kennedy , Linda Michele , Marissa Jaret Winokur , Melissa Errico , Reece Holland , Robert Morse , Rod McKuen , Roger Rees , Ronnie Franklin , and Steve Orich
Manufacturer: Lml Music
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000658H9
Release Date: 2002-05-07 |
Tracks:
- The Song Is You - Jamie Anderson
- How'd You like To Spoon With Me? - Jane Lanier
- The Land Where The Good Songs Go - Pamela Myers
- All The Things You Are - Alan Campbell
- The Folks Who Live On The Hill - Lee Lessack
- She Didn't Say Yes - Marissa Jaret Winokur
- Pick Yourself Up - Street Sounds
- You Couldn't Be Cuter - Marsha Kramer
- Shimmy With Me - Lea Thompson
- They All Look Alike - Bruce Vilanch
- There It Is Again - David Holladay
- Remind Me - Ron Rifkin
- In Love In Vain - Melissa Errico
- Make Believe - Linda Michele
- Ol' Man River - Brock Peters
- You Are Love - Dale Kristien
- I Won't Dance - Bonnie Franklin
Tracks:
- The Last Time I Saw Paris - Charles Busch
- Long Ago (And Far Away) - Pam Dawber
- They Didn't Believe Me - Pat Marshall
- Look For The Silver Lining - Rod McKuen
- A Fine Romance - Jane Carr
- Sure Thing - Sally Kellerman
- Don't Ever Leave Me/Why Was I Born - Joely Fisher
- I'm Old Fashioned - Robert Morse
- Yesterdays - Joan Ryan
- Smoke Gets In Your Eyes - Dorian Harewood
- In The Heart Of The Dark - Dale Kristien
- Can't Help Lovin' Dat Man - Valarie Pettiford
- The Way You Look Tonight - Hugh Panaro
- Life On The Wicked Stage - Carole Cook
- I've Told Every Little Star - Carole Cook
- Till The Clouds Roll By - The Company
Average customer rating:
- A National Treasure
- Stritch is superb
- Entertaining but grating on the ears
- Great Broadway Review
- Elaine Stritch at Liberty
|
Elaine Stritch - At Liberty (2002 Original Broadway Production)
Elaine Stritch , Irving Berlin , John/ Stritch, Elaine Lohr , Porter P. Grainger , Albert Hague , Stephen Sondheim , Carl Sigman , Richard Rodgers , Sir Noel Coward , George Gershwin , Jule Styne , John Campo , and Billy Miller
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD
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- Elaine Stritch at Liberty
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ASIN: B000060P33
Release Date: 2002-04-02 |
Tracks:
- There's No Business Like Show Business (Berlin)
- Caca
- I Want a Long Time Daddy (Grainger)
- A Piece of Mahler
- This Is All Very New to Me (Hague/Horwitt)
- Going to New York
- Marlon Brando
- Broadway Baby (Sondheim)
- My First Broadway Show
- Civilization (Hilliard/Sigman)
- Ethel Merman
- Can You Use Any Money Today? (Berlin)
- Pal Joey
- Zip (Hart/Rodgers)
- Ben Gazzara
- Nokl Coward
- Why Do the Wrong People Travel (Coward)
- Richard Burton
- But Not for Me/If Love Were All (Gershwin/Gershwin)
- I'm Still Here (Sondheim)
- Booze
- Little Things You Do Together (Sondheim)
- The Ladies Who Lunch (Sondheim)
- John Bay
- There Was Never a Baby Like My Baby (Comden/Green/Styne)
- I've Been to a Marvelous Party (Coward)
- God So Quickly
- The Party's Over (Comden/Green/Styne)
- Absent Almost Always
- Something Good (Rodgers)
Tracks:
- I'm Still Here (Sondheim)
- Booze
- Little Things You Do Together (Sondheim)
- The Ladies Who Lunch (Sondheim)
- John Bay
- There Was Never a Baby Like My Baby (Comden/Green/Styne)
- I've Been to a Marvelous Party (Coward)
- God So Quickly
- The Party's Over (Comden/Green/Styne)
- Absent Almost Always
- Something Good (Rodgers)
Amazon.com
Elaine Stritch is a legend and she knows it. And so she came up with a whole one-woman show about the best topic she could think of: her life in the theater. And what a trip it's been. From Ethel Merman to Noel Coward, Stritch has worked with some of the greatest names to grace the American stage, and she has anecdotes about all of them (most are included on this recording). In this show, she hits all the marks with the acuity of a seasoned pro who's seen it all and whose love for the theater remains undiluted. Stritch is not a traditionally pretty singer (those gravelly pipes!), but she absolutely knows how to give life to a song, extracting the last drop of meaning, dropping pauses for effect with deadly accuracy. Sondheim's "Ladies Who Lunch" and "Broadway Baby" will be hers forever, and a case could be made for the hilarious "Zip" (from Pal Joey) and the obscure, spectacularly politically incorrect "Civilization" (from the revue Angel in the Wings) as well. Fittingly, this two-CD set includes "I'm Still Here," which may well be Stritch's motto. If you're looking for a concise yet bewitching history of the musical, this is it. --Elisabeth Vincentelli
Customer Reviews:
A National Treasure.......2007-07-05
This double CD is stuffed full of great songs and amazing stories. My favorite stories are of Elaine's date with Marlon Brando, what she thought some lyric are/meant, and her time in Compant. The total honesty that she brings it all together is touching and inspiring.
Very few people have the length or variety of a career that Elaine Stritch has had. I am sure that she has enough stories to do ten more shows.
If you love Broadway then you must buy this CD.
Stritch is superb.......2007-06-27
The only disappointment is that I missed the show live. This is a terrific honest performance by an actor who has a deep well of experience from which to draw. From her early childhood memories, through acting school, her loves, her struggles and more, Ms Stritch weaves a fascinating and completely enthralling story. Ultimately, she lives the songs, rather than just performs and this is what really marks her out.
I am so glad, she's still here!
Entertaining but grating on the ears.......2007-05-11
I've never been able to understand what is so great about Elaine Stritch's singing. It's simple: she can't sing. I've tried and tried to like her, and I do, as an actress, but NOT as a singer. Listening to these CDs, all I hear is a grouchy old lady voice with no vibrato, no range, and no ability to hold notes. If she were to try out for American Idol she would get cringes! I love her humor and honesty, and that's why I bought this, but the voice...ugh.
Great Broadway Review.......2007-04-11
I thoroughly enjoy this collection of stories from her experiences from a teenage girl in Michigan through her career, very funny, some sad and great entertainment.
Elaine Stritch at Liberty.......2007-01-19
Completely entertaining---a bit maudilin in places, but a must have for any Elaine Stritch fan.
Certainly worth the money!
Average customer rating:
- As Always, Hilarious
- Spoof Odessey worth the laughs!
- better to be "Lost in Space"
- Stretched Thin
- Do the Math
|
Forbidden Broadway 2001: A Spoof Odyssey
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD
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- Forbidden Broadway Strikes Back!: Another Unoriginal Cast Recording, Volume 4 (1996 New York Cast)
ASIN: B0000584UL
Release Date: 2001-02-13 |
Tracks:
- Forbidden Broadway 2001: Another Op'nin, 'Another Show
- Futuristic Stewardess/Usherette: Come Fly With Me
- Judi Dench: Why Can't The English?
- Trouble In New Tork City: Trouble
- The Music Man Revival 2001: Till There Was You
- Cole Porter: You're The Top/From The Moment On
- Kiss Me, Kate Revival 2001: Wunderbar
- I Hate Ben - Marin Mazzie: I Hate Men
- Cheryl Ladd In Annie Get Your Gun: There's No Business Like Show Business
- Miss Saigon Farewell: Why God Why?
- Saturday Night Fiasco: Stayin' Alive
- Gwen Verdon & The Fosse Dancers: I'm A Brass Band/Steam Heat
- Liza Minnelli 2001/Alan Cumming in Cabaret: Wilkommen
- Let's Run Times Square Again: Let's Do the Time Warp Again
- Ethel Merman & Elton John: I've Got Rhythm/Old Fashioned Wedding
- Beauty's Been Decreased: Beauty And The Beast
- Being Lupone: Being Alive
- Sondheim's Blues: Buddy's Blues
- Streisand's Farewell Tour: Happy Days Are Here Again/Mame
- Les Miz 2001 - Edith Piaf/Milord
- Aida - Amneris Intro: Every Story Is A Love Story/Heather Headley/It's Cheesy: Easy As Life
- Elaborate Sets (Aida Cont.): Elaborate Lives
- Angela Lansbury: I Don't Want To Know
- The Full Monty: Let It Go
- 76 Hit Shows: 76 Trombones
- Bows-Ta-Ta Folks: Another Op'nin, 'Another Show
- Joseph And The Amazing High 'C': Any Dream Will Do
Customer Reviews:
As Always, Hilarious.......2007-05-03
This is so funny! Like all the Forbidden Broadway cds, its another knock-out. I feel like such a crazy person when I am in the car driving and I just burst out laughing. Its great and a must have for any Forbidden Broadway fan.
Spoof Odessey worth the laughs!.......2002-04-14
I enjoyed "Forbidden Broadway 2001: A Spoof Odyssey." This recording has some truly genius material, and although these actors' impersonations of famous Broadway stars aren't as strong as they have been in the past, the CD has a lot to recommend it.
Particularly strong is Track 16, "Let's do an old fashioned show tune," featuring Elton John and Ethel Merman duking it out over AIDA, which Merman says is "putting everyone here through hell." Likewise, Track 15, "Let's Ruin Times Square Again," tickles my funny bone. Also wonderful are the satires of Beauty and the Beast, Angela Lansbury, and the Full Monty; Gerard Alessandrini's done a tremendous job with these! In addition, this CD's introductory song is much stronger than those on the previous volumes of Forbidden Broadway. It really sets the tone for the best parts of this recording.
Unfortunately, with a few notable exceptions, the first half of the CD is a bit thin, which is why I give this recording 3 out of 5 stars: Even though it entertains me, there's a lot I have to skip over. For example, the Liza Minelli spoof annoying (though, I admit, a little funny), and in the Music Man revival satire, their Robert Preston impersonator sounds *nothing* like the original. (In earlier recordings, the actors *did* sound like the people they claimed to be.)
The good news is that the CD has 30 tracks in all, so even though there are 13 that I dislike, I just love the rest... I do recommend it!
better to be "Lost in Space".......2001-12-31
First and foremost, this CD is really for diehard fans of Forbidden Broadway, those of us who want the good, the bad and the ugly on the cd rack. I was extremely unimpressed with the latest offering.
While I agree with some of the other reviewers that there is some nice work, I don't know that Saturday Night Fiasco and Sondheim's Blues are sufficient to carry the rest of the tracks. Not much seems new or worse yet, important. Disney isn't new, nor is Les Miz. And while pointing out what is stale and pedestrian on Broadway was amusing on the last couple of releases, this Forbidden Broadway spoof clearly has joined the list of stale and pedestrian.
While there is some nice material on this disc, I really didn't laugh out loud, and that is why I have always bought these in the past.
If Alessandrini reduces the show to the same complaints of the same shows and then replaying lightly tweaked versions of past numbers, Trouble and Alan Cumming in Cabaret specifically, then he has himself is on the becoming a revival - and we know what he thinks of revivals.
The repeats might even be acceptable if there was something fresh in the perfomance, but both were done much better on their respective discs. I think Danny Gurwin is a great comedian, but he doesn't shine in either of these numbers. We also need a recording with no Ethel Merman or Liza numbers - give them a rest already. And why bring back Streisand with such a poor imitation? The earlier Barbara's were dead on vocal impressions as well as speech patterns. If you aren't going to improve on it, then don't drag it back out.
Alessandrini suggests that this is one of the best casts he has ever worked with. I don't know what he bases that on, but I beg to differ, either cast with Bryan Batt was significantly better, although they worked with fresh, clever material. Still, those recordings had verocious talent that brought Gerard's stinging wit to life for those of us who can't see every new production of FB.
Maybe it is time to go to off Broadway productions, or to the radio or the movies for some new ideas. Or else promise no references to the Gap, Disney, or Chorus Boys, (way over used on this recording), along with a Merman and Liza free season. Start from scratch. That might give us hope that Forbidden Broadway too might not be dead.
Stretched Thin.......2001-03-26
I just saw the stage production of Forbidden Broadway 2001: A Spoof Odyssey. I agree with the other reviewers who feel that Alessandrini is no longer at the top of his game. Perhaps he should lay off for a year or three and let Broadway present new things for him to lampoon - as it always will.
The opening sequence is forced and unfunny, and clearly in place only to batter the listener with the "2001" theme. Unlike a previous reviewer, I found the Judi Dench parody hysterical, though I question its accuracy.
The "Trouble" parody is, as it always was, incomplete and thin. My dear friend John Kenrick (...) did a better job with it - included the segments of the original song that GA left out, and in a funnier fashion. The Cole Porter parody is marginally amusing, but the Brian Mitchell/Marin Mazzie parody is dead on the mark, and VERY funny.
The parody of Cheryl Ladd remains in the show, although she's no longer in "Annie Get Your Gun" - Reba McIntyre is now in the role. Similarly, he stabs at Alan Cumming, who is no longer playing the Emcee. These numbers, while funny, lack punch. On the other hand, he once again skewers long time target Patti LuPone with an hysterical new parody of Being Alive. I suppose she's innately funnier, after all these years, than Alan Cumming, who is, after all, a relative newcomer.
The Rocky Horror parody is amusing, and the observation that sex has moved off 42nd Street and onto the Broadway stage is not without merit. The Beauty parody is amusing, and apt, but as has already been noted, GA has been clobbering us with the Disnification of Broadway for years now. I suppose he finds some glee in the fading success of this particular show.
I must say that while Gurwin is not the greatest singer, "Sondheim's Blues" is the most brilliant piece I've heard from Alessandrini in years. It's absolutely dead on. The friends I was with had never seen nor heard "Follies" and completely missed the point, but I was in stitches.
The "10 Years More" (which does not appear on this album, but remains in the show) has really begun to wear thin, especially with the closing this year of Cats and Miss Saigon. The Cameron Macintosh British mega-musicals are finally releasing their grip on Broadway, and this isn't as funny any more.
Broadway, despite the naysayers, will never die... and apparently, neither will Forbidden Broadway. I don't think it should - but I do think it needs a rest.
Do the Math.......2001-03-15
Four CDs cover the first 20 Years of Forbidden Broadway, Gerard Alessandrini's viciously witty satire of New York Theatre. The last year has seen Three new CDs, FB "Cleans Up Its Act" "20th Anniversary Edition" and now "2001 a Spoof Odyssey". Do the math.
Alessandrini is running out of ideas, and is spreading the remaining ones too thin. . Sanitized Time Square - Been there. Disnified Broadway - Done that, and so many times. Asinine casting faux pas, plotless pointless set-monster musicals, and Ethel Merman and Liza. We've heard it all before - and last time, it was funnier.
Now normally when a writer (or director or actor) has truly entertained me on numerous occasions, I'll forgive the odd show that disappoints. This would be the case here except for two things: Alessandrini is in the vicious parody business - he's never spared anyone else Besides, if he's going to actually include couplets like: "If lyrics are no longer witty... Then I don't want to go " he's inviting the pans.
When you hear the AIDA lampoon, you'll be reminded of the dim bulb in Cyrano de Bergerac who taunts the hero with the brilliant witticism: Your nose is very large
Yes, there are a few true Forbidden Broadway tracks on Spoof Odyssey. Dame Judi Dench singing "Why can't Americans do theatre like the Brits?" (with apologies to My Fair Lady), I Hate Ben (with apologies to Kiss Me Kate) and about 1/3 of "Let's Ruin Time Square Again" (no apologies necessary to Rocky Horror which understands how easy it is for good parody to go bad). Oh yes, there is one absolutely true Forbidden Broadway track: TROUBLE - yes, the same Trouble from Volume 3 which was just re-released on the 20th Anniversary compilation - and it's back again with a more hackneyed Robert Preston impersonation and all of 4 words changed. Granted it's one of the better bits, more worthy of rerunning than say, referring to Miss Saigon as Viet-Numb, but oh, he reran that gag too
Average customer rating:
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With a Song in My Heart: The Songs of Rodgers & Hart
Manufacturer: Asv Living Era
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ASIN: B000059N0T
Release Date: 2001-03-27 |
Tracks:
- Manhattan - Ben Selvin & His Orchestra
- Mountain Greenery - Frank Crumit
- The Girl Friend - George Olsen & His Music
- The Blue Room - The Revelers
- My Heart Stood Still - Jessie Matthews/Hutch
- Thou Swell - Ben Selvin & His Orchestra
- You Took Advantage Of Me - Paul Whiteman & His Orchestra
- With A Song In My Heart - Hutch
- Ten Cents A Dance - Ruth Etting
- Isn't It Romantic - Jeanette MacDonald
- Lover - Paul Whiteman & His Orchestra
- You Are Too Beautiful - Frank Sinatra
- Blue Moon - Glen Gray & His Casa Loma Orchestra
- It's Easy To Remember - Bing Crosby
- My Romance - Dinah Shore & Frank Sinatra
- There's A Small Hotel - Hal Kemp & His Orchestra
- Where Or When - Lena Horne
- My Funny Valentine - Mary Martin
- Johnny One Note - Wynn Murray
- The Lady Is A Tramp - Sophie Tucker
- Falling In Love With Love - Allan Jones
- This Can't Be Love - Benny Goodman & His Orchestra/Martha Tilton
- I Didn't Know What Time It Was - Margaret Whiting
- Bewitched, Bothered And Bewildered - Doris Day
Average customer rating:
- A Lovely Version with Less To Complain About....
- A Marred Gem
- CD NOT TO BUY
- OK, but...
- Superb version! Superb Janowitz! But...
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Der Rosenkavalier [Highlights]
Manufacturer: Gala
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000FXJP
Release Date: 2000-06-06 |
Tracks:
- Der Rosenkavalier: Act 1 - Introduction
- Der Rosenkavalier: Act 1 - What You Once Were, What You Now Are (Octavian, Marschallin)
- Der Rosenkavalier: Act 1 - The Field Marshall Is In The Croatian Forests (Octavian, Marschallin)
- Der Rosenkavalier: Act 1 - My Bosom Armed (Singer)
- Der Rosenkavalier: Act 1 - So There He Goes, The Wretched Puffed-Up Fellow (Marschallin)
- Der Rosenkavalier: Act 1 - Ah, There You Are Again (Marschallin, Octavian)
- Der Rosenkavalier: Act 1 - Time Is A Strange Thing (Marschallin, Octavian)
- Der Rosenkavalier: Act 3 - Eh Bien, May I See Faninal To (Sophie, Marschallin)
- Der Rosenkavalier: Act 3 - O Lord, It Was No More Than A Charade (Sophie, Marschallin, Octavian)
- Der Rosenkavalier: Act 3 - Today Or Tomorrow Or The Day After That (Sophie, Marschallin, Octavian)
- Der Rosenkavalier: Act 3 - Trio: Marie Theres'! ...I Choose To Love Him (Sophie, Marschallin, Octavian)
- Der Rosenkavalier: Act 3 - It Is A Dream, Cannot Be Really True (Sophie, Marschallin, Octavian)
Customer Reviews:
A Lovely Version with Less To Complain About...........2006-12-17
I don't see what all the complaints are about.
This is one of my favorite Rosenkavaliers.
True, I prefer the Crespin recording with Solti above all the rest. And a close second is Szell's sublime live 1949 recording with Reining--sounding fresher than she later does in the studio for Kleiber (although Sena Jurinac is never anyone to sneeze at). But this is a respectable third place for me--in a very crowded field.
The sound of this Gala release is not as bad as some on this site complain. I have an equalizer in my mp3 software =--it's free in Winamp--and that adjusts quite nicely for the somewhat muffled quality of this 1978 live recording. There are clearer sounding live recordings, even some made 30 or more years earlier! But there's less sound of stage business than in most live recordings.
Von Dohnanyi has a mostly lyrical approach to the music. He doesn't emphasize the dissonance the way von Karajan does--yet he is not overly sentimental as Karajan also is. Von Dohnanyi plays more with the tempi: he's not as rhythmically propulsive as Szell. But he keeps things moving well enough. And the dynamics are lovely and appropriate--to my ears, anyway.
If you ask me, Janowitz is a bit off her game here--most at the outset. It's like she's warming up a bit. And I hear the bad note that Popp sings towards the end. There are two actually. The first is harsh but not atrocious. I've heard worse in other recordings of this same opera. The second is just the wrong pitch, and it also seems like a problem of vocal control, too.
But hey, ladies and gentlemen, it's live on stage, and things happen up there.
Isn't it kind of sublimely human?
--E. R. O'Neill
A Marred Gem.......2006-05-29
Great singing by all the principals.... to the next to last note. Sound quality is rather bad, tho. This is a live recording and it sounds like it was recorded from out side the dress circle! Sound engineering is so needed that 1 1/2 stars are omitted on that account. I wish they had editted out some of the background noise since the singing is so exquisite here. The 3 female voices are distinguishable from each other and they mesh so well in the trio and duets.
Another half a star is lost sadly due to a rather pronounced miss by the usually wonderful Lucia Popp. Tho I admire her gut in holding the bad note, so it doesn't sound that bad if you aren't very familiar with how the music goes (if you are, tho, she missed it quite noticeably low on the last note where any mistake would jump out like a sore thumb). Even with that the ending still retains a very nostalgic sounding (it is possible to interpret the off-tone note as Sophie losing herself in love). And if anything it might be a motivation to buy this recording.... How many bad notes had Lucia Popp ever been caught recording? This might well be the only one! It is a bargain recording. There are better ones of Der Rosenkavalier out there, to be sure.
The opera is sung in German... just in case you get curious about the track details in English above.
CD NOT TO BUY.......2006-03-14
The quality of this CD is terrible and horrible
Just to remove from your list
OK, but..........2002-08-31
Just a quick review from me.
This recording is seriously marred by the bad audio quality. It is indeed stereo but any sense of high frequencies is completely missing. It has an extremely muffled texture. It is exhausting to listen to because one has to struggle to hear the individual musical lines. I have both the highlight cd and the complete version.
I love Gundula Janowitz but she never recorded Rosenkavalier comercially. This version has too big bloopers by Janowitz in the last act. It sounds so atrocious it turns out to be hysterically funny. The CD might be worth it for that alone.
If you want Janowitz then check out the newly issued live version recorded 9 years earlier on Opera D'oro. She is in much better voice, the sound is better and the conducting is more exciting.
Superb version! Superb Janowitz! But..........2001-10-01
Yes, this version is very worth buying and loving as previously described! But first of all wait for the complete issue already available in Europe under "Gala" label in 3 cds. The sound in there is spacious (not at all ugly as earlier said) and in true stereo!
Then Janowitz is wonderful as the Marschallin although I'm personally not 100% fan of her voice in opera, always lacking some warmth. But I must recognize she's astonishing here.
Minton is ardent but not as much as Fassbaender. However she does not encounter any problem with the part even in the high tessura. Popp is much better recording than in the set of Myto from The Scala with Kleiber Jr. conducting. The voice is full of pure silver. If only she did not miss her very last up note at the very end sounding really too low!!
Moll as Ochs has the voice of the role but he doesn't know it perfectly yet. Obviously he would be fantastic a few years later (and he will with Karayan or Kleiber again).
Counter-parts are interesting indeed with Pavarotti, Gutstein but not memorable though.
A recording not to miss in any case, one of the first three of that opera (along with Kleiber/Myto and Kraus/Melodram hard to find but with Reining in full voice, della Casa admirable, Gueden perfect as Sophie and Boehme exciting as Ochs).
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