A Small Word

A Small Word

Track Listings

1. Put on Your Clothes

2. Little Something

3. Down

4. Rock & Roll of the Dice

5. Listen

6. Never Say Never

7. Finding My Way Over You

8. Small Word

9. Mim's Story

10. Shooting Stars

Tracks:

Overture: Atmospheres - The Sudwesfunk Orchestra, Ernest Bour
Main Title: Also Sprach Zarathustra (Thus Spake Zarathustra) - The Vienna Philharmonic, Herbert Von Karajan
Requiem For Soprano, Mezzo Soprano, Two Mixed Choirs & Orchestra - The Bavarian Radio Orchetra, Francis Travis
The Blue Danube (Excerpt) - The Berlin Philharmonic Orchestra, Herbert Von Karajan
Lux Aeterna - The Stuttgart Schola Cantorum, Clytus Gottwold
Gayane Ballet Suite (Adagio) - The Leningrad Philharmonic Orchestra, Gennadi Rezhdestvensky
Jupiter And Beyond - The Bavarian Radio Orchestra, Francis Travis, The Sudwesfunk Orchestra, Ernest Bour, Internationale.
Also Sprach Zarathustra (Theme from 2001: A Space Odyssey) - Vienna Philharmonic Orchestra
The Blue Danube (Reprise) - The Berlin Philharmonic Orchestra, Herbert Von Karajan
Also Sprach Zarathustra (Theme from 2001: A Space Odyssey) - Sudwesfunk Orchestra
Lux Aeterna - The Stuttgart Schola Cantorum, Clytus Gottwold
Adventures (Unaltered) - Internationale Musikinstitut, Gyorgy Ligeti
HAL 9000 - Dialog Montage

Amazon.com

This commemorative reissue of music from 2001: A Space Odyssey combines the Also sprach Zarathustra theme, various Johann and Richard Strauss segments, and a ballet suite by Aram Khachaturian--all of which prove how much Stanley Kubrick's film attempts to avoid the soundtrack clichés of most science-fiction movies. Instead of the expected sci-fi effects, there is a more ironic application of music that would be otherwise incongruous to the celestial settings. Here, "The Blue Danube" complements scenes involving weightlessness and descending spacecraft, while Gyorgy Ligeti's creepy "monolith" music connotes Armageddon more than interplanetary exploration. The tracks play as they had appeared on the original soundtrack release back in the '60s, but there is also previously unreleased supplemental material and a dialogue montage entitled "HAL 9000." --Joseph Lanza

Customer Reviews:

great music, great reissue.......2007-04-16

This is a great collection of music and I love the great mastering job that was done with this. The inclusion of the tracks from the original MGM soundtrack release are a great bonus. The liner notes include interpretations of the film and the music that are insightful.

I noticed that the music in the movie is mixed in surround sound, it would be great if they could release this on DVD-Audio or SACD surround. I'd buy it again!

fantastic.......2007-03-11

I have the old lp release of this music, what an incredible array of classical music, topped off by my personal favorite piece of music in the world, the blue danube waltz. Let yourself be carried away in deep space by this incredible score.

whoa........2006-09-04

"Atmospheres" was enough to make me buy this album. just try to imagine what eternity might sound like. okay, now you know exactly what Atmospheres is. wow. who else could having captured the feelings that are in this score? this is above talented. this is above genius. this is above avand garde. this is too good to be labeled as anything at all.

Great Music for Halloween, very creepy.......2006-03-17

I bought this CD to use for a haunted house program, the music will creep you out.

Bleakest of Futures..........2005-10-08

The atonal, unsettling atmosphere of much of the music of Ligeti is fitting to the bleak vision of a human future reigned by nothing but cold technology and of humans drained of emotions except for the deepest animalist fear originating from our inner reptilian brainparts which have not changed for over millions of years. The incongruity of Johann Strauss' lovely 'An der schönen blauen Donau' with the cold technicality of spacefaring as depicted here could not be more complete, but what a perfect find on Stanley Kubrick's part! It makes the uneasiness and confusion even greater. And then, to top it of, the complete and flabbergasting irony of using Richard Strauss' Fanfare for the 'rise of Man' in his 'Also Sprach Zarathustra': what a great destiny for 'Man' indeed, this bleakest of bleak visions of the future!
As a soundtrack for '2001: A Space Odyssey' this music together on one album is just great.
And besides, this soundtrack has indeed, like so many others I guess, made me aware of the genius of Ligeti, which otherwise might have gone unnoticed for me.

Average customer rating:

A Marvelous Performance of Adeste Fideles
Bocelli never disappoints!
Worst C.D Ever...But still a great artist
the Perry Como of operatic tenors
Absolutely lovely!

Viaggio Italiano / Andrea Bocelli

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

General | Adult Contemporary | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

General | Euro Pop | Pop | Styles | Music
Similar Items:

Romanza
Andrea Bocelli - The Opera Album ~ Aria
Cieli di Toscana
Sogno
Andrea Bocelli - Amore

ASIN: B0000041OA
Release Date: 1997-11-18

Tracks:

Turandot: Nessun dorma
L' Arlesiana: Lamento di Federico
Macbeth: Ah, la paterna mano
Rigoletto: La donna e mobile
Elisir d'amore: Una furtiva Iagrima
Panis Angelicus
Ava Maria
O Sole Mio
Core n'grato
Santa Lucia luntana
I' te vurria vasa
Tu, 'ca nun chiagne!
Marinarello
Piscatore 'e Pusilleco
Message Bocelli
Adeste Fideles (bonus track)

Amazon.com essential recording

Opera is in fashion, and the woods are full of pop vocalists who think they have the chops to sing arias. The best contender so far is Andrea Bocelli, who at least has a real voice, if a small one, and sometimes manages a really exciting tenor sound. Unfortunately, he is inconsistent in his tone and production, and, despite the fact that he's singing in his native language, he often sounds as though he has only the barest idea of what the words mean. The Moscow Radio Symphony Orchestra, conducted by Vladimir Fedoseyev, plays stodgily. Anyone with a real interest in tenor arias would be much better advised to check out recordings by the young Luciano Pavarotti. --Sarah Bryan Miller

Customer Reviews:

A Marvelous Performance of Adeste Fideles.......2006-11-13

Andrea Bocelli sings magnificently on this CD. Never have I heard Adeste Fidelis sung with such energy, joy, and understanding.

Bocelli never disappoints!.......2006-07-07

I hate to admit it but it has only been fairly recent that I "discovered" Andrea Bocelli, when he appeared on Oprah Winfrey(or was it Dr. Phil?), and American Idol. His voice mezmorized and touched me so much that I HAD to find out more. Over the last few weeks I have purchased apx. 6 of his CD's, and I can honestly say I love them all, including this one. Bocelli does not disappoint, and it doesnt seem to matter if he is singing in french, english, spanish or italian...as the purity, honesty and richness of his voice goes above and beyond various cultures and ethnicities. From a technical level, there are other well-knows (past and present) who are equal to or above Bocelli. However, what makes Andrea stand alone is a certain something that is hard to place your finger on, or put in to words, but all who appreciate him SEE and FEEL this. Some say he sings like an angel, or if God had a voice, it would sound like Bocelli. My own hypothesis is that Bocelli sings with his heart because his eyes cannot see the words. As such, along with his beautiful vocals pours forth his very spirit. It is this very essense that makes him so unique, and has caused so many people from all around the world to love him.

Worst C.D Ever...But still a great artist.......2006-06-22

Reviewed By D. J.P Vergaleto

I just had to write this review. I recently purchesed 3 Bocelli C.Ds and was rewarded with 1 Very good , 1 not bad, n this one that STINKS...IF THE REVIEWERS WERE HONEST I COULD HAVE SAVED SOME MONEY.... I buy a lot from Amazon, ITs a great site, and 99 percent of the time when i read reviews they are on the money and help me out a great deal....With that said

Let me say that this cd entices you with all the big name italian songs, BUT DONT LET IT FOOL YOU..It sounds like it was made in 1 day. Who ever mixed the album has Bocellis voice so loud it sounds like he is SCREAMING ( I THINK HE IS) AND the
orchestra sounds like it is made of 3 pieces as you can only faintly hear it. There is not 1 song on this C.D ID recommend.

But dont worry , if you like Bocelli and dont know what to buy
let me tell you that I Enjoyed (Cieli Di Toscana) The first song Melodramma Rivals Bocellis Con Te Partiro Which is on his ROMANZA C.D AND HIGHLY Recomended, Also Sogno is Another very good C.D. So save yourself money and stay away from this one.
Also his Verdi CD IS VERY well made, not as strong a voice as Caruso , but once you hear Bocelli you wont care. Great Great voice that is very Hypnotic and when you hear him you wont care if he is as good as Caruso because he is Different , totally different and there both great Tenors. Peace

the Perry Como of operatic tenors.......2006-03-25

I found this to be a wonderful cd. This was my first sustained exposure to Mr. Bocelli's art (I first heard his wonderful singing on the Charlotte Church cd "Time To Say Goodbye" -- also strongly recommended) and, on the whole, I enjoyed his singing very much. I also love Perry Como so the comparison above is not meant to be disparaging in any way, but merely to indicate that he's perhaps better in slower tempo pieces where the line of the melody naturally accentuates the richness of his voice. But if anyone doubts his chops, the first selection on this cd should put those doubts to rest -- his rendition of Puccini's "Nessun dorma" is both powerful and dramatic and stands up (dare I say it?) even to Pavarotti's.

Absolutely lovely!.......2006-02-25

Even though it was Andre Bocelli's Romanza CD that introduced me to his wonderful voice, I have to admit that I enjoy his opera offerings more than his popular works. I still enjoy Romanza and his other pop CD's, but it is his opera selections that seem to show the full beauty of his voice.

I am not an opera expert by any means, so I don't get hung up on whether or not someone is techically perfect or not. If I like it, that's good enough for me!

My teenage sons and I were in a pizza place the other day and above the noise, I heard a beautiful song- a male singer- and was shushing the boys, trying to determine who it was. With great patience, my 17 year old son said, "Mom, that's Andre Bocelli. Can't you tell?"

Enough said.

Average customer rating:

Steve Martin's big break
Absolutely brilliant
"Professional show business! Hey!"
Inspired me but dated
The visual performance doesn't translate well to CD

Let's Get Small
Steve Martin
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

General | Miscellaneous | Styles | Music

General | Comedy | Miscellaneous | Styles | Music

Country Comedy | Comedy | Miscellaneous | Styles | Music

Classic Comedy | Comedy | Miscellaneous | Styles | Music

Spoken Word | Poetry, Spoken Word & Interviews | Miscellaneous | Styles | Music

4-for-3 Pop | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music

4-for-3 Miscellaneous | 4-for-3 Music | Stores | Music
Similar Items:

A Wild and Crazy Guy
Comedy Is Not Pretty!
Standup Comic
No Respect
I'm Telling You for the Last Time

ASIN: B000002MSY
Release Date: 1995-01-24

Tracks:

Ramblin' Man/Theme From Ramblin' Man
Vegas
Let's Get Small
Smoking
One Way To Leave Your Lover
Mad At My Mother
Excuse Me
Grandmother's Song
Funny Comedy Gags
Closing

Amazon.com

Martin's got the audience in the palm of his hand on this mid-'70s recording of a show at The Boarding House in San Francisco. The comedian and his crowd are on the same wavelength; everyone in the room seems to share a California post-hippie sense of absurdism. Occasionally punctuated by banjo playing, Martin's almost cocky performance somehow manages to ramble with a sense of purpose. He certainly doesn't have to worry about losing the crowd; every tossed-off remark and gesture is readily gobbled up. Some of Martin's material verges on the surreal, and not surprisingly, drug references abound. One subtext of the album is the tension between conventional show biz and the hipper brand of comedy that Martin saw himself as embodying. But the comic doesn't really play favorites: both alternative and mainstream culture are targets for his funny jabs. --Fred Cisterna

Customer Reviews:

Steve Martin's big break.......2007-04-09

This Grammy-winning record is where it all started for Steve Martin, at least in terms of national recognition in the US. It is a real comedy gem made by a comedian who wasn't famous yet (and who still had dark hair). It was a runaway sensation and brought new life to the genre of the comedy album, which had been in the doldrums for most of the 1970s. Sure, it is dated -- there are Jimmy Carter and Richard Nixon jokes, and some of the materials about the sex scene in San Francisco seems awfully tame by today's standards. But this is one of the great comedy albums of all time, and should be in any collection of comedy recordings.

Absolutely brilliant.......2006-11-06

This was from the tour before THE WILD AND CRAZY GUY I assume, which I thought was the funniest comedy record ever. This one is I would say on an equal level. Some of the jokes have aged but the majority of the stuff is really really funny.

"Professional show business! Hey!".......2006-05-08

Too many of the reviews here are not judging this album on its own merits, but on everything they know about Steve Martin following the appearance of this album in 1977. The fact is that this album was so successful that it catapulted Steve Martin into the national spotlight, but before this album he was virtually unknown. At a time when most comedians were basing more and more of their humor on their capacity to get progressively vulgar, Martin brought forth a brand of humor that depended less on profanity than conceptual humor. He could get obscene as well, but because most of his act was "clean," the few times he would get bawdy had far more impact than with other major comedians.

I remember reading once that before turning to comedy Martin was in college a philosophy student, especially the linguistic philosophy of Ludwig Wittgenstein. Certainly Martin is more conceptual than any contemporary comedian (though Steven Wright has since developed a comparable conceptual approach, though his presentation is considerably different), delighting in toying with words, combining ideas that clash unexpectedly with one another. And although the humor was always completely planned, there was an almost stream of consciousness touch to his routine at times. It was almost he never ceased being a philosopher, almost engaging in a deconstruction of normal humor.

What I find amazing today is that this album, released in the hey day of the age of disco, seems as fresh today as it was when it first came out. Even if you've heard the stuff before, his changes of pace and shifts are perennially original and unexpected. He really was cutting edge, but pretty soon he made cutting edge popular. The album was such a success that he immediately began selling out arenas and coliseums and, of course, began his unprecedented run as guest host of SNL, where he pioneered a string of famous skits. The album was cutting edge, but it was also graced with an almost universal appeal.

Following this album he released an almost equally good one, A WILD AND CRAZY GUY. Unfortunately the next two were more formulaic and felt like efforts to cash in on his success. By then Martin's career as a stand up comedian was over. The other great stand up to emerge from the seventies, Robin Williams, has at gone back to stand up from time to time, but Martin has stuck with acting and writing. But his subsequent success in other fields shouldn't make us forget just how brilliant this debut album was.

Inspired me but dated.......2006-04-23

This cd (when it was an albumn) in the mid to late 70's inspired me and tons of other folks. I can remember talent shows where kids did these routines (some life, some to the record). Regardless this was great...this was funny. No Richard Pryor or more heady humor...it was off the wall stuff...that was perfect for the time.

As I hear it again, I find it a bit dated, but if you heard it then or never heard it...this is worth many listens...especially at this price!

The visual performance doesn't translate well to CD.......2006-01-06

I'm just now going back and getting all the stand-up material of great old comics who long since moved on to film, such as Martin, Allen and Murphy. Though he was a mostly ingenius stand-up comic, Steve Martin was already as absurd as any human being could follow along with. Now without the visual part of his act it gets really hard to keep up. With some of his songs, staged accidents, dropped guitars, and surreal drug metaphors, it's hard to tell what's happening with the aural experience alone. I'm trying to track down video to get the full experience.

A few of his songs weren't that funny, and there were a few uncalled for puns, but 90% of the time he's a killer comic here. If only I could follow the CD version of his act 100% of the time.

Average customer rating:

Pops Goes the 4th!
TOP NOTCH!

America

Manufacturer: Boston Pops Rec.
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Marches | Miscellaneous | Styles | Music

General | Easy Listening | Pop | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music

Classic Big Band | Swing Jazz | Jazz | Styles | Music

Contemporary Big Band | Swing Jazz | Jazz | Styles | Music
Similar Items:

Sleigh Ride
Salute to America
I Love a Parade John Williams
Holiday Pops
My Favorite Things: A Richard Rodgers Celebration

ASIN: B0009ML1X4
Release Date: 2005-06-21

Tracks:

The Pledge Of Allegiance
Star Spangled Banner
Liberty Fanfare
America
This Is My Country
City Of New Orleans
Doodletown Fifers
God Bless America
Boogie-Woogie Bugle Boy
This Land Is Your Land
The Gettysburg Address
America, We're Proud To Serve
America The Beautiful
1812 Overture
The Stars And Stripes Forever

Customer Reviews:

Pops Goes the 4th!.......2006-12-02

This is a great CD for any fan of the Boston Pops - especially those who have seen or been to their annual 4th of July performance - or for those who appreciate patriotic music. Many of the pieces they play at the Pops Goes the 4th concert are on the CD. My personal favorite is the 1812 Overture for its live cannons.

TOP NOTCH!.......2005-08-27

This is a top notch collection of music. These represent the american spirit. I highly recomend it to everyone.

Average customer rating:

Excellent Material for Ms. Upshaw.
Keeps Getting Better
The Barber alone is worth five stars
Buy this disc...twice!
Dawn Upshaw, vocal actress extraordinaire

Knoxville Summer of 1915

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Upshaw, Dawn | Divas | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Vocal Pop | Pop | Styles | Music
Similar Items:

Forgotten Songs: Dawn Upshaw Sings Debussy
Long Time Ago - Copland / Dawn Upshaw & Thomas Hampson
Voices of Light
Angels Hide Their Faces: Dawn Upshaw Sings Bach and Purcell
Barber: Knoxville Summer of 1915/Dover Beach/Hermit Songs/Adromache's Farewell

ASIN: B000005IZ3
Release Date: 1990-10-25

Tracks:

Knoxville: Summer Of 1915
The Old Maid And the Thief: Act I, Scene 6: What A Curse For A Woman Is A Timid Man
Mirabai Songs: I. It's True, I Went To The Market
Mirabai Songs: II. All I Was Doing Was Breathing
Mirabai Songs: III. Why Mira Can't Go Back To Her Old House
Mirabai Songs: IV. Where Did You Go?
Mirabai Songs: V. The Clouds
Mirabai Songs: VI. Don't Go, Don't Go
The Rake's Progress: Act I, Scene 3: No Word From Tom

Amazon.com essential recording

Barber's Knoxville, Summer of 1915 is a setting of a lovely chunk of prose text by James Agee describing an evening from his childhood. An accomplished singer himself, Barber's vocal writing is expert, and this work must rank as one of the finest examples of the art of word-setting in any language. Barber perfectly captures the conversational quality of the text, while at the same time clothing the words in an atmosphere of gentle nostalgia. It's a masterpiece that Dawn Upshaw sings with keen insight and lovely tone. The remainder of the program is creatively chosen as well, making this one of the finest vocal recitals available by an American singer. --David Hurwitz

Customer Reviews:

Excellent Material for Ms. Upshaw........2006-04-26

'Knoxville: Summer of 1915' is a performance of a selection of operatic pieces by Americans such as Samuel Barber or Europeans transplanted to the United States, such as Igor Stravinsky. Ms. Upshaw shines with material, which is good for her, since she is just slightly out of her league with the material covered by the likes of Renee Flemming on the operatic front and Ute Lemper and Lotte Lenya on the Euro/American popular musical stage.

Like any good sampler, this recording's strongest draw is the fact that it makes one interested in tracking down the complete works by Barber, Menotti, Harbison, and Stravinsky. And, while the package includes all lyrics, everything is in perfectly clear English. A perfect addition to other American classics such as 'Porgy and Bess'.

Keeps Getting Better.......2005-03-02

I have had this disc for years, and I'm more impressed with it as the years roll by. I bought it for Barber's "Knoxville, Summer of 1915" which is a glorious piece of music caught here in a luminous performance. I didn't initially warm up to the Harbison songs, but they have grown on me over the years to the point that I listen to them far more often than the Barber now. I think it just took me a while to absorb Harbison's style and understand how deftly and ingeniously he uses it to take the listener into Mirabai's world. Not to be missed!

The Barber alone is worth five stars.......2004-01-16

People are always saying that they find a particular piece of music is "haunting." For me Barber's "Knoxville: Summer of 1915" is such a work. Dawn Upshaw's reading of this great American masterwork is the best I have yet heard. She won her first Grammy Award for this recording - and deservedly so. If you're a fan of either Upshaw or Barber you'll want to add this beautiful CD to your collection.

Buy this disc...twice!.......2002-07-20

Extraordinary!! This has got to be the definitive Knoxville--rich, touching, elegant and as close to perfect as it can probably ever be. Upshaw has the perfect voice for this work, and she gives it all the loving attention that it requires. This is a performance of Knoxville that will make you weak in the knees. For the Knoxville alone, buy this disc....twice! There is, however, just a little bit of downside here. The other works on this disc just aren't very captivating.

Dawn Upshaw, vocal actress extraordinaire.......2002-01-01

This is the CD that made me fall in love with Dawn Upshaw's singing. I had heard her before and admired her work, but this disc made me a real fan. As it's one of her early recordings, her voice is somewhat "fuller" than on later work; she later started moving the voice "forward," simplifying the sound. Either way, her immense talent for communicating the essence of the text is the outstanding aspect of all her work. It's amazing how she can sound angry, desperate, hopeful, melancholic, all while producing a beautiful sound and tackling all the vocal challenges of the music she's singing. She inhabits the characters, the narrators, of each of the pieces on this disc, and makes it more than just a collection of songs or arias.

I want to make special mention of the Harbison _Mirabai Songs_, as it seems to have been maligned somewhat in other reviews here. This was the work that most kept me coming back to this disc when I first bought it. I think it is a masterpiece, and one of Harbison's best and most important works. (Apparently I'm not alone in my admiration of the piece, because I've heard it on a number of live concerts in recent years, so it seems to be having a successful performance life.) Harbison's song cycle is by turns exciting, sensual, driving, longing, beautiful. The orchestration for the small ensemble is masterful (as Harbison's efforts at scoring always are), and Upshaw expresses all of Mirabai's complex emotions enchantingly.

The _Rake's Progress_ aria also deserves individual comment. In this engrossing example of Stravinsky's neoclassical style, Upshaw assumes Anne's air of fierce determination, and brings the disc to an absolutely thrilling climax on a concluding high C.

Tracks:

Whispering - Ronald Curtis
Lullaby of the Leaves - Ronald Curtis
Alone - Ronald Curtis
Five Foot Two, Eyes of Blue - Ronald Curtis
Autumn Concerto - Ronald Curtis
Lover - Ronald Curtis
Only Make Believe/Why Do I love You - Ronald Curtis
Caribbean Honeymoon - Ronald Curtis
Nightingale Sang in Berkeley Square - Ronald Curtis
Only a Rose - Ronald Curtis
Top Hat, White Tie and Tails - Ronald Curtis
FuniculFunicul Ronald Curtis
What a Perfect Combination - Ronald Curtis
Over the Rainbow - Ronald Curtis
Falling in Love With Love - Laurence James
Bye Bye Blues - Laurence James
I Know That You Know - Laurence James
It's the Talk of the Town - Laurence James
Goody Goody - Laurence James
Kiss in the Dark - Laurence James
Lazy River - Laurence James
Glen Miller Selection: I Know Why/Tuxedo Junction - Laurence James
I Won't Dance - Laurence James
All the Things You Are - Laurence James
Alley Cat - Laurence James
Love's Last Word Is Spoken - Laurence James
Walkin' My Baby Back Home - Laurence James
After You've Gone - Laurence James

Average customer rating:

Jean Cocteau, Erik Satie and Les Six

Manufacturer: Ltm / Boutique Nl
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Classical | Imports | Stores | Music
Similar Items:

Satie: Orchestral Works
Dada Works and Entr'actes
Futurism & Dada Reviewed

ASIN: B0007SMD78
Release Date: 2005-03-22

Average customer rating:

The essence of a great entertainer catpured.

At The Hollywood Bowl + Encore

Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

General | Easy Listening | Pop | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Easy Listening | Pop | Indie Music | Stores | Music
Similar Items:

Live in London
16 Biggest Hits

ASIN: B00005Y8VW
Release Date: 2001-01-30

Tracks:

I'll Be Right Back
Alouette - Liberace, George Liberace, Los Angeles Philharmonic
Theme and Welcome Back
Gershwin Medley: Rhapsody in Blue/Embraceable You/Love Walked ...
Hillbilly Music
Hey Liberace
Intro
Liberace Boogie
Intro
Rosary
George and His Hot Fiddle
Sweet Sue, Just You
How About Another One?
Tea for Two
Sometimes I'm Ashamed to Take the Money
Alexander's Ragtime Band/Old Folks at Home
Taking Requests
Hollywood Bowl Concerto: Jalousie (Jealousy)/Star Dust/Walkin' My Baby
Closing Theme and Good Night

Album Description

2 CD set includes-At The Hollywood Bowl & Hollywood Bowl Encore. These two albums comprise a memorable 1954 performance including, for the first time, the entire concert, complete with Liberace's colorful monologues. Highlights include 'Beer Barrel Polka (Roll Out The Barrel)', 'Bumble Boogie' and 'Twelfth Street Rag'. 2002.

Customer Reviews:

The essence of a great entertainer catpured........2004-05-03

Liberace was a great showman and entertainer. This double CD is the best record of his classic act and demonstrates what Liberace was all about. Although recorded in 1954 the sound quality is fine and many of the elements from that period remained part of Liberace's act over more than 30 years. Interestingly - he was not yet using "I'll Be Seeing You" as his exit music. If there is anything you like about Liberace - get this CD.
NB Amazon (on 2/5/04) was only listing the tracks on the second CD.

Red Shoes: Music From the Films of Michael Powell and Emeric Pressburger, 1941-1951

Average customer rating:

Red Shoes: Music From the Films of Michael Powell and Emeric Pressburger, 1941-1951

Manufacturer: Cd41 (UK)
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

The Red Shoes - Criterion Collection
Snakes & Arrows

ASIN: B000068PVB
Release Date: 2007-03-20

Tracks:

Archers Ident
49th Parallel: Prelude
49th Parallel: Epilogue
Matter of Life and Death: Prelude/This Is the Universe
Matter of Life and Death: The Waiting Room/Washed Ashore
Matter of Life and Death: Prelude/Stairway to Heaven
Airman's Letter to His Mother: Narrative by Sir John Gielgud
Life and Death of Colonel Blimp: Prelude
Life and Death of Colonel Blimp: War Starts at Midnight
Life and Death of Colonel Blimp: Commando Patrol
Canterbury Tales: Prelude
Canterbury Tales: Toccata and Fugue in D Minor
Red Shoes: Prelude
Red Shoes: Ballet Music
Black Narcissus: Prologue
Black Narcissus: Composed Sequence
Gone to Earth: Prelude
Gone to Earth: The Tryst
Gone to Earth: The Hunt
Small Back Room: Composed Sequence
Small Back Room: Epilogue
Tales of Hoffman: Orchestral Tuning

Album Description

22 tracks. THE RED SHOES is a 74 minute collection of rare original soundtrack recordings from the classic films of Michael Powell and Emeric Pressburger (The Archers), made between 1941 and 1951. Those featured include: 49th Parallel (1941) Ralph Vaughn Williams (aka The Invaders) Stairway to Heaven (1946) Allan Gray (aka A Matter of Life & Death) The Life & Death of Col Blimp (1943) Allan Gray A Canterbury Tale (1944) Allan Gray / JS Bach Black Narcissus (1947) Brian Easdale The Red Shoes (1948) Brian Easdale Gone to Earth (1950) Brian Easdale (aka The Wild Heart) The Small Back Room (1949) Brian Easdale Tales of Hoffman (1951) Jacques Offenbach. As well as digitally restored original soundtrack music by the undervalued Gray and Easdale, this carefully researched CD also features a number of rare associated recordings, including John Gielgud's reading of An Airman's Letter to his Mother (1941), the lively quickstep Commando Patrol from Col. Blimp and A Canterbury Tale, and a superlative rendering of Bach's Toccata and Fugue in D Minor, recorded by Albert Schweitzer in London in 1935, also featured in A Canterbury Tale. The booklet features detailed notes on the films and their accompanying scores, and well as biographies of Allan Gray and Brian Easdale. The CD is a must for all with an interest in vintage film soundtracks and British light/orchestral music, as well as the dazzling vision of Michael Powell and his musical collaborators.

Average customer rating:

Klassizische Moderne, Vol. 2

Manufacturer: Arte Nova Classics
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Klassizische Moderne, Vol. 3
Christopher Hogwood Conducts Martinu, Stravinsky, Honegger
Martinu: Works for Violins and Orchestra
Piano Concertos of the 1920s
Music For The Theatre, Vol. 1

ASIN: B00096S2RS
Release Date: 2005-05-10

Tracks:

I. Andante
II. Napolitana
III. Espanola
IV. Balalaika
I. Allegro
II. A Lament: Andante Espressivo
III. Presto
IV. Adagio
V. Allegro Assai
Pastorale
Lied Ohne Name
I. Musick To Heare
II. Full Fadom Five
III. When Dasies Pied
Fanfare For A New Theatre
Recitative & Aria: No Word From Tom/Quietly, Night
Recitative & Cabaletta: My Father! Can I Desert Hin?/I Go To Him
I. Poco Presto Ed Agitato
II. Andante Lento
III. Tarantella: Presto Vivace
I. Marche
II. Valse
III. Polka
IV. Galop

Album Description

"It is always refreshing to encounter a disc in which consideration has been given to providing a balanced and thought-provoking programme. This is the second installment in Christopher Hogwood's `Modern Classicists' series, and is built upon an eclectic group of Stravinsky's smaller-scale works, with substantial historically influenced interjections by Tippett and Britten. The result is in marked contrast to the Orpheus Chamber Orchestra's foray into the world of Stravinsky's miniatures (DG), in which the scattergun whole somehow falls short of the sum of the delightful parts. By separating the two Suites for small orchestra to form a frame, Hogwood heightens awareness of their individual features, throwing into relief the intervening works, with the vocal and small-scale items on the disc providing an intimate heart at its core...Emma Kirkby is predictably delectable, floating through the Pastorale and an ideally innocent Anne Truelove in the excerpt from The ! Rake's Progress, while the Basel Chamber Orchestra is heart-rending in the `Lament' from Tippett's Divertimento...by far the most satisfying disc as a self-contained programme." (**** rating!) BBC MUSIC MAGAZINE

Music Review:

Music Review

music review

Recommended Music:

The Weird Tapes, Vol. 7: Dave Brock, The Demos

Clarinette: Bartok, Debussy, Poulenc, Messaien

Days Have Gone By [Original recording remastered] [Import]

Unspoken Intentions

Colezo: Shocking Blue [Import]

Boogie in the Barrelhouse [Import]

Different Lifestyles

Christmas in Old Bohemia

Christmas Legends

Clase Aparte

Fair Is Foul & Foul Is Fair [Import]

Anesthesie [Enhanced]

Deep Techno [Import]

Mahler Lieder: Des Knaben Wunderhorn

Music for the Movies of Clint Eastwood