Welcome to My Century

Welcome to My Century

Editorial Reviews
Sing Out! Magazine
This album avoids the overly-earnest bent of so many of today's singer-songwriters...

Product Description
Welcome to My Century is Bob Hillman's second collection of literate, melodic songs.

Above all, he tries to say something interesting about the way we live now. For example, the works of Tolstoy provide the backdrop for a song about a romantic evening in New York City ("Tolstoy"), and geographical and political facts about Greenland inform the story of the disintegration of a relationship ("Greenland"). In "Bolted Down," he turns an absurdist's eye on the neuroses of city dwellers.

WTMC was produced by Tommy West in his barn/studio, Somewhere in New Jersey, and features some of New York City's finest musicians.

Welcome to My Century

Tracks:

Open The Gates (Excerpt) - Cantor Alberto Mizrahi
Hashkiveinu - Hans Peter Blochwitz
Hudi Mitn Shtrudl - David Krakauer
III. Modere - Juilliard String Quartet
Old Jerusalem - Ana Maria Martinez
III. King David Dancing Before The Ark - Robert Vernon
Sheyibbaneh Beit Hamikdash - Cantor Benzion Miller
IV. Dance Of The Phantom Spirits - Gerard Schwarz
VII. Hinei Ma Tov - Vienna Boys Choir
VII. Psalm 126 - Prague Philharmonic Chorus
El Melekh Yoshev - New London Children's Choir
I. Demon's Welcome - Richard Stoltzman
Service Sacre L'Kha Dodi - Prague Philharmonic Chorus
The Flood, Part I - Fritz Weaver
Adon Olam - Academy Of St. Martin-In-The-Fields
IV. Camini Por Altas Torres - Lucy Shelton
Sheva B'Rakhot (Excerpt) - Cantor Simon Spiro
Mayn Goldele - Nell Snaidas
The Heavenly Host Delivers The Commandments To Moses/The People Dance Around The Golden Calf - Ian Denolfo

Album Description

The Milken Archive of American Jewish Music is a vast recorded panorama of the rich body of Jewish music, both sacred and secular, that has developed over the course of American history. This recording features nineteen tracks representing the broad scope of the Archive recordings.

Customer Reviews:

Wonderful introduction to a distinguished new series.......2003-09-29

I can't express how excited I am about this new series from Naxos and the Milken Archive! There is some absolutely stunning music on this sampler, and I can't wait until the full recordings are released. Especially notable are Ernst Toch's "Cantata of the Bitter Herbs" (what gorgeous choral & orchestral writing), Paul Schoenfield's Viola Concerto (utterly fantastic excerpt "King David Dancing Before the Ark"), the excerpt from Joseph Achron's suite from The Golem, "Open the Gates" from Dave Brubeck's Gates of Justice, and the lovely duet from Joseph Rumshinsky's Yiddish operetta "Di goldene kale." Also, if you're not familiar with Jewish liturgical music or with klezmer, there are wonderful examples on this disc. My only disappointment is that, because of economic reasons, most of the recordings had to be made with European ensembles. Although the performances are excellent (under directors Gerard Schwarz, Neville Marriner, Yoel Levi and others), it's just a shame that this music, which, in addition to being Jewish, is also very AMERICAN, cannot be preserved on CD by American ensembles. At any rate, I'm pretty certain that within the next couple of years, I'll have collected all the 50 discs in this project. You don't have to be Jewish to appreciate this great music. And at around $7.00 a disc, they're an incredible value. This marvelous sampler will get you hooked on some fabulous music.

Average customer rating:

Vaughan Williams --- off the beaten path
Hickox Conducts Vaughan Williams

Hickox Conducts Vaughan Williams

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Ralph Vaughan Williams: A Cotswold Romance / Death of Tintagiles - London Philharmonic Choir / London Symphony Orchestra / Richard Hickox
Vaughan Williams: Complete Concertos
Vaughan Williams: Over hill, over dale
Hodie / Fantasia on Christmas Carols
Holst: Orchestral Works

ASIN: B00004TQQ6
Release Date: 2000-08-01

Tracks:

Ser To Music (Orch Version) - Bradley Creswick
The Poisoned Kiss - Ov - Northern Sinf Of England/Richard Hickox
Old King Cole - A Ballet For Orch: (Allegro Moderato) - Bradley Creswick/Stephen Roberts
Old King Cole - A Ballet For Orch: Pipe Dance - Bradley Creswick/Stephen Roberts
Old King Cole - A Ballet For Orch: Bowl Dance - Bradley Creswick/Stephen Roberts
Old King Cole - A Ballet For Orch: Morris Jig: ' Go And List For A Sailor' - Bradley Creswick/Stephen Roberts
Old King Cole - A Ballet For Orch: Folk Sing: 'A Bold Young Farmer' - Bradley Creswick/Stephen Roberts
Old King Cole - A Ballet For Orch: The Jolly Thresherman - Bradley Creswick/Stephen Roberts
Old King Cole - A Ballet For Orch: Solo Jig - Bradley Creswick/Stephen Roberts
Five Mystical Songs: Easter - Sinf Chor/Alan Fearon/Stephen Roberts
Five Mystical Songs: I Got Me Flowers - Sinf Chor/Alan Fearon/Stephen Roberts
Five Mystical Songs: Love Bade Me Welcome - Sinf Chor/Alan Fearon/Stephen Roberts
Five Mystical Songs: The Call - Sinf Chor/Alan Fearon/Stephen Roberts
Five Mystical Songs: Antiphon - Sinf Chor/Alan Fearon/Stephen Roberts
Prld On An Old Carol Tune - Northern Sinf Of England/Richard Hickox
The Running Set - Northern Sinf Of England/Richard Hickox
Prld: 49th Parallel - Northern Sinf Of England/Richard Hickox
Sea Songs - March - Northern Sinf Of England/Richard Hickox

Tracks:

The Lark Ascending - Bradley Creswick
Two Hymn - Tune Prlds: 1. Eventide - Northern Sinf Of England/Richard Hickox
Two Hymn - Tune Prlds: 2. Dominus Regit Me - Northern Sinf Of England/Richard Hickox
Ob Con in a: I. Rondo Pastorale (Allegro Moderato) - Roger Winfield
Ob Con in a: II. Minuet And Musette (Allegro Moderato) - Roger Winfield
Ob Con in a: III. Finale: Scherzo (Presto - Lento - Presto) - Roger Winfield
Fant on 'Greensleeves' - Northern Sinf Of England/Richard Hickox
Three Prlds Founded On Welsh Hymn Tunes: 2. Rhosymedre - Northern Sinf Of England/Richard Hickox
Three Prlds Founded On Welsh Hymn Tunes: 3. Hyfrydal - Northern Sinf Of England/Richard Hickox
Con Accademico (Con For Vn And Strs in d): I. Allegro Pesante - Bradley Creswick
Con Accademico (Con For Vn And Strs in d): II. Adagio - Bradley Creswick
Con Accademico (Con For Vn And Strs in d): III. Presto - Bradley Creswick
Five Variants Of 'Dives And Lazarus': Adagio - Bradley Creswick
Five Variants Of 'Dives And Lazarus': I. 1/4nt = 1/4nt - - Northern Sinf Of England/Richard Hickox
Five Variants Of 'Dives And Lazarus': II. Allegro Moderato - - Northern Sinf Of England/Richard Hickox
Five Variants Of 'Dives And Lazarus': III. 1/4nt = 150 - - Northern Sinf Of England/Richard Hickox
Five Variants Of 'Dives And Lazarus': IV. L'Istesso Tempo - - Northern Sinf Of England/Richard Hickox
Five Variants Of 'Dives And Lazarus': V. Adagio - Northern Sinf Of England/Richard Hickox

Customer Reviews:

Vaughan Williams --- off the beaten path.......2006-05-16

This ample collection demonstrates that Richard Hickox has to be considered one the leading Vaughan Williams interpreters in the post-Boult world, as he puts forth sparkling performances of many little-known works, including the Concerto accademico and the film music "49th Parallel," among others. Quite a number of these compositions are rarely recorded, if ever; it is quite nice to see them in a very affordable collection such as this.

Like another reviewer, I find the affected style of Stephen Roberts to be distracting & annoying. Also, the orchestral version of the Serenade to Music is a pale imitation of the original version...if you have heard Boult's recording, you will understand that the original version is far superior. It is a shame that it wasn't included here.

These are mere quibbles, however. For a dirt-cheap price, you have the opportunity to fill in the gaps of your Vaughan Williams collection. There is no good reason to pass on this. If you stumble across these CDs (I found mine at BestBuy of all places), grab it.

Hickox Conducts Vaughan Williams.......2000-09-05

This is a most-welcome CD release, especially since it contains a number of pieces not available on CD until now. It's also excellent value--two discs for the price of one.

Of particular interest is the curious ballet Old King Cole, written for an outdoor performance at Trinity College, Cambridge. Essentially a light-hearted piece, the music is not of the highest level of inspiration overall, but there are moments of real beauty that make up for any shortcomings in the score. For the convinced Vaughan Williams admirer, this is a must-have (RVW himself recorded some of this music; this early mono recording has been released on CD by Pearl records.)

Other items of similar interest include the Prelude On An Old Carol Tune, written for a BBC radio play, and a pair of hard-to-find marches. The instrumental version of the Serenade to Music is a gorgeous novelty, but no substitute for the original version for 16 vocalists and orchestra.

Also included are two important concertos; one for oboe and one for violin, both with string accompaniment. The violin concerto receives the better performance. The rendering of the oboe concerto suffers from too-slow tempi, particularly in the final movement. Neither are major works, but are nonetheless full of interest and deserve to be better known.

Some well-known RVW works are included, among them The Lark Ascending and Five Mystical Songs. The latter is marred by the soloist's excessive tendency to roll his r's--an almost comical sound sometimes. RVW was known to have disliked this sort of affectation.

Tracks:

Savitri. An Episode From The Mahabharata: Savitri: Savitri! Savitri! I Am Death
Savitri. An Episode From The Mahabharata: Savitri: Greeting To Thee, My Loving Savitri!
Savitri. An Episode From The Mahabharata: Savitri: The Forest Is To Me A Mirror
Savitri. An Episode From The Mahabharata: Savitri: Love To The Lover
Savitri. An Episode From The Mahabharata: Savitri: Once I Knew Maya
Savitri. An Episode From The Mahabharata: Savitri: Savitri, Savitri! Mine Arm Is Pow'rless
Savitri. An Episode From The Mahabharata: Savitri: I Am With Thee
Savitri. An Episode From The Mahabharata: Savitri: Savitri! I Am Death
Savitri. An Episode From The Mahabharata: Savitri: Welcome, Lord!
Savitri. An Episode From The Mahabharata: Savitri: Thine Is The Holiness
Savitri. An Episode From The Mahabharata: Savitri: Then Enter, Lord
Savitri. An Episode From The Mahabharata: Savitri: Stay! Grant Me This Boon!
Savitri. An Episode From The Mahabharata: Savitri: Ah! Death, The Just One
Savitri. An Episode From The Mahabharata: Savitri: Loneliness And Pain Are Ended
Savitri. An Episode From The Mahabharata: Savitri: Savitri! Is It Thou?
Savitri. An Episode From The Mahabharata: Savitri: Unto His Kingdom
Savitri. An Episode From The Mahabharata: Savitri: I Am With Thee
The Dream-City: I. Persephone
The Dream-City: II. Things Lovelier
The Dream-City: III. Now In These Fairylands
The Dream-City: IV. A Little Music
The Dream-City: V. The Floral Bandit
The Dream-City: VI. The Dream-City
The Dream-City: VII. Envoi
The Dream-City: VII. Rhyme
The Dream-City: IX. Journey's End
The Dream-City: X. Betelgeuse

Customer Reviews:

Skip this Savitri.......2005-09-24

Holst was a great devotee of Hind mythology, and his chamber opera Savitri was the best thing he did in that vein. I've loved it for forty years, and the classic performance under Imogen Holst, the composer's daughter, is out on London/Decca with the amazing Janet Baker and Robert Tear. compared to it, this performance is clumsy and awkwardly sung by the female lead.

Unexpected treasure.......2001-04-21

Like most people, I only knew Holst from 'The Planets'. Wanting to expand my horizons, I bought this disc on a whim. What a suprise! Savitri, a half-hour chamber opera, is exotic, highly original and hauntingly beautiful. The performance is superb. All fans of late-romantic exotica should give it a try

Average customer rating:

An AntiWar Masterpiece
Visceral power & beauty coupled with stunning performances!!
One of the best and most easily grasped of modern operas

Tippett: King Priam

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music
ASIN: B000000AXV
Release Date: 1995-11-14

Tracks:

King Priam: Prelude
King Priam: Hecuba: What Is It, Nurse?
King Priam: Priam: Old Man Of Troy, You're Welcome
King Priam: Hecuba: Then Am I No Longer Mother To This Child
King Priam: Priam: A Father And A King
King Priam: Priam: The Queen Is Right
King Priam: First Interlude - Nurse, Old Man: Thus Shall A Story Begin
King Priam: 1st Huntsman: The Bull Is Away Over There
King Priam: Paris: They Have Taken My Bull
King Priam: Hector: Father, He's A Shepherd Boy
King Priam: Priam: So I'd Hoped It Might Be
King Priam: Second Interlude - Nurse, Young Guard, Old Man: Ah, But Life, Life Is A Bitter Charade
King Priam: Helen, Paris: Ah, Ah ...
King Priam: Hermes: Divine Go-between, That's Who I Am
King Priam: Paris: Lady Athene, If I Honor You ...
King Priam: Paris: Lady Hera, If I Honor You ...
King Priam: Paris: Aphrodite, If I Honor You ...
King Priam: Hector: So You've Given Up Fighting!
King Priam: Priam: So Trojans Honor Menelaus ...
King Priam: First Interlude - Old Man: Hermes, Hermes, With The Winged Feet Come Quick!
King Priam: Achilles: O Rich-soiled Land
King Priam: Achilles: Why Are You Weeping, Patroclus?
King Priam: Second Interlude - Old Man: O, O, What A Threat To Troy
King Priam: Hermes: A Hero In Achilles Armour ...
King Priam: Hector: All Trojans, All Fought Bravely

Tracks:

King Priam: Serving Woman: Lady Andromache, Should We Not Light The Fire?
King Priam: Hecuba: Daughter Andromache, You Must Go Out ...
King Priam: Andromache: Did You Hear?
King Priam: Helen: Let Her Rave
King Priam: Hecuba: O That My Ears Should Hear Impiety So Gross!
King Priam: Andromache: Now You Shall Go
King Priam: First Interlude - Serving Women: No ... No ... No ... We Have It From The Runner
King Priam: Priam: What Is Happening?
King Priam: Young Guard: A Crime
King Priam: Nurse: The Soul Will Answer From Where The Pain Is Quickest
King Priam: Second Interlude
King Priam: Achilles: Priam! Here! What Is This?
King Priam: Priam: I Clasp Your Knees, Achilles
King Priam: Achilles: Old Man, I Am Touched
King Priam: Third Interlude -
King Priam: Paris: Where Is My Father, Where Is Priam?
King Priam: Chorus: Ah, Ah! Ah, Ah!
King Priam: Chorus: Ah, Ha, Ha, Ha
King Priam: Chorus: Ah, Ah!

Customer Reviews:

An AntiWar Masterpiece.......2002-08-26

Tippett and Britten were composers who, though very different in temperment and style, had many interests in common. One of the overiding concerns with both composers was the moral response to war and it's horrors. For Britten, the War Requiem and Owen Wingrave are his very clear moral response to war. Tippet, in his fashion is much more psychological in this work, which must rank as one of Tippett's best and most powerful operatic statements.

King Priam is a dramatic tour de force. Based on the Illiad as seen through the eyes of the Trojans, the work is a meditation on the inevitability of fate in mass movements like war. Priam, though illdisposed to the war, is unable to stop or control it as it takes both of his sons, his kingdom and then finally his own life. He emerges as a figure of moral power and grandeur, but ultimately as impotent and tragic. This libretto is one of Tippett's best and most clear statements.

Musically, Priam is a powerhouse, inaugurating Tippett's second major style. Priam is constructed in a mosaic style. Small chamber groups of instruments with defined musical content are assigned to characters. As the work develops, these small groups combine and recombine in a shifting maze of patterns that seems to endlessly reinvent itself. The music starts out as largely tonal, but the tonality breaks down as Fate takes over and dooms the Trojans. The work is never serial, but it takes an almost Bergian view of tonality, sometimes more and sometimes less tonal as the dramatic situation warrants. The vocal lines are mostly declaimed, but with moments of lyricism that are unfogettable, such as Priam's first aria, A Father and a King, or the beautiful scene between Priam and Achilles in the third act. And Achilles war cry at the end of act two is bone chilling!

This is a great performance of this piece. Many of the singers originated the roles and sing them with power and authority. Phillip Langridge is terrific as Paris. Robert Tear is a marvelous Achilles. David Aetherton conducts this difficult score with precision and a fine ear for balances.

This is a profound opera by a major 20th century composer. If you like Britten, you should own this as well. It is increasingly looking like Tippett's masterpiece.

Visceral power & beauty coupled with stunning performances!!.......2001-06-13

I bought this on a whim, having heard only the slightest bit of Tippett's orchestral music and none of his operas. I expected the music to be "difficult," and the performances stilted, but I was oh so wrong! Yes, this is definitely late 20th century music -- often dissonant and atonal, but it is utterly beautiful, emotionally moving music. I'm a huge fan of Britten's operas, and judge all modern opera composers by his standards, and (pardon my gushing) Sir Michael is more than up to the challenge. First of all, he takes on the daunting task of adapting the Iliad into a opera libretto and manages to compress the drama beautifully into 3 acts that tell the story imaginatively, comprehensively and in a wholly theatrical manner. Second, he uses the music to heighten the sense of character by giving each persona a unique style of vocal line and orchestration (yes, this is what all composers do, or try to do, but Tippett succeeds in a way few others do). Several of the characters are accompanied by solo instruments (bravura parts of concerto-like difficulty performed brilliantly) -- Achilles by solo guitar, Helen by solo cello, King Priam by violin, etc. Three characters form a sort of Greek chorus who comment on the action and bring a sense of questioning morality to the whole.

All of the solo singers are astutely cast and sing with amazing power. Standouts (difficult to single out any of them, they're all so brilliant): Phillip Langridge is first-rate as Paris, Priam's second son -- he sings with enormous power and pathos at the same time. Felicity Palmer is velvety sex personified as Helen. Norman Bailey as Priam has a raw edginess to his sound, which lends such a sense of reality to a man pushed to the edge by fate and his warring sons. The London Philharmonia gives a virtuoso performance, led sensitively and intelligently by David Atherton. The digital sound is crystal clear and beautifully engineered: the sound couldn't be better live at the Met! Take a chance on this one, and enter into an operatic world you will never forget.

One of the best and most easily grasped of modern operas.......1999-02-27

Contemporary opera was never the same after King Priam, a suitable irony given that the Opera is perhaps the most easily grasped by the listening public of the 5 Tippett Operas. Even so, the "crisis of King Prian" stylistically and emotionally is the germ-seed for the eccentrism yet to come in "The Knot Garden", "The Ice Break", and "New Year". Tippett's theme is the futility of choice and the nature of the impact of choice on humanity in the micro-sphere of the individual and the macro-sphere of the community and history. Tippett's unusual yet perfectly conceived recasting of the Iliad from the Trojan persepctive does more than summarize plot, but pauses to comment on the universal human potential implicit therein. A must-buy for Tippett fans and for anyone who likes opera, Greek Mythology, classical music, or a good story.

Tracks:

Caruso
Concerto for Two Violins in D Minor, BWV1043: 1. Vivace
Tosca: E Lucevan le Stelle
Tuesday (Excerpt)
Songs My Mother Taught Me
Mission, Filmscore: Gabriel's Oboe
Eternal Knot
Minute Waltz in D Flat, Op. 64/1
Porgy and Bess, Musical Play: Summertime
Danny Boy
Pearl Fishers: Au Fond du Temple Saint
Carnival of the Animals: The Swan
Nocturne, Song
Annie's Song
We'll Keep a Welcome
Gianni Schicchi: O Mio Babbino Caro
Adagio for Strings
Gladiator: Now We Are Free
Granada

Tracks:

L'Amour Est un Oiseau Rebelle [From Carmen]
Devil's Trill
Misa Criolla: Kyrie
Jackie's Song
Ave Maria
Traviata: Libiamo, Ne' Lieti Calici
Victory
Tosca: Vissi d'Arte
Requiem: In Paradisum
Wonderland: Molly
Serse: Ombra Mai Fu
Violin Concerto No. 1 in D Minor, Op. 26: 2. Adagio (Opening)
Lugebat David (After Faur"Pavane")
Aida: Se Quel Guerrier Io Fossi...Celeste Aida
Saving Private Ryan, Filmscore: Hymn to the Fallen
Solemn Vespers, K339: Laudate Dominum
Cats: Memory

Average customer rating:

Why isn't this guy famous?
bob hillman: round two
Tolstoy Would Approve
Bob Hillman is excellent! Smart, Funny and Great listening.

Welcome to My Century
Bob Hillman
Manufacturer: Brave New World
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music

Traditional Folk | Folk | Styles | Music

General | Pop | Styles | Music

General | Folk | Indie Music | Stores | Music

General | Pop | Indie Music | Stores | Music
Similar Items:

If You Lived Here, You'd Be Home

ASIN: B00006497F
Release Date: 2001-10-25

Tracks:

Welcome to My Century
Valentine's Day
Games
Greenland
The Latenight
Movie Star
I Need You
Anywhere
Las Vegas
Too Bad For You
Tolstoy
Bolted Down
Secret Masterpieces

Album Description

Welcome to My Century is Bob Hillman's second collection of literate, melodic songs.

WTMC was produced by Tommy West in his barn/studio, Somewhere in New Jersey, and features some of New York City's finest musicians.

Customer Reviews:

Why isn't this guy famous?.......2003-12-22

When I saw Bob Hillman open for Suzanne Vega, he was just another opening act. I bought this CD that night, and now his songs have become part of my life. With the lyrical flair of Sting mixed with power-pop arrangements that remind me of the Gin Blossoms or the Wallflowers, Hillman's music has what it takes to make it. While most of the songs deal with your typical pop song topics - love, loss - he tweaks them in unique ways. You've got respect a song writer who compares his lover's coldness with ice caps of Greenland or who explains an unexpected love encounter as if it were a plot in a Tolstoy novel. 'Games,' 'Anywhere', and the title track are all strong pieces. This guy should be famous. Why isn't he?

bob hillman: round two.......2002-12-14

bob hillman returns with welcome to my century. this is bob's second effort and it rocks. bolted down brings down the house every time he plays it live. and ask him how he came up with the lyrics for greenland. his answer is why he is a great songwriter. he is clever, synical, sarcastic, sincere, honest. hillman is a true musical artist who doesn't sacrifice his attitude or belief for the big time. although given the chance, he may think about it.

Tolstoy Would Approve.......2002-06-08

Bob Hillman's "Welcome To My Century" reminds us that not much has changed from one generation to the next, Tolstoy's themes hold:
"Like epic poetry, old folk songs
Gargantuan themes, impossibly long
War and peace and right and wrong."

But you don't have to read Russian novels to recognize a great writer when you hear one. That Hillman writes songs gives the genre a much appreciated and welcomed taste of genius. He writes of ordinary fears (going bald) and self consciousness (asking a movie star for and autograph). He writes about addictions and rock & roll stars (wanna be's & has beens), a girl from Iowa, an alcoholic dad.Ordinary themes, heart breakingly strong. Musically, it all fits, from his smoky rugged voice to the haunting acoustic guitar strings.

I love this album; have played it over & over again; one of those perfect soundtracks that resonate with where I currently find myself. Don't miss Bob Hillman! If you do, "too bad for you"!

Bob Hillman is excellent! Smart, Funny and Great listening........2002-05-02

I highly recommend "Welcome To My Century". Mr. Hillman is part of the New York folk scene that includes such artists as Jack Hardy and Suzanne Vega. While he has not gotten as much press as his peers, his music is great. What sets his music style apart from his serious pop/folk peers today is his use of both large doses of humor and charming self-deprecation in his songs. This low-key attitude is especially endearing when compared to his "movie star" looks.

Tracks:

Escamillo: 'You're Most Kind, And In Return I Toast You' - Philharmonic Orchestra
Carmen: 'There's An Old Bar In The City' (Seguedilla) - Philharmonia Orchestra
Belmonte: 'Constanza! Constanza' - 'Oh What Trembling, Oh What Passion' (Aria) - Nicolai Gedda
Falstaff: 'Hey, Page Boy!' - 'Your Honour? Vermin!' (Monologue) - English National Opera Orchestra
Fenton: 'From Lover's Lips A Happy Song Is Flying' (Aria) - Susan Gritton
Lucia: 'Imagine When The Breezes Sigh' (Duet) - Philharmonia Orchestra
Edgardo: 'What Restrains Me At Such A Moment?'/Enrico: 'What Restrains My Righteous Anger?' (Sextet) - Philharmonia Orchestra
Turandot: 'Within This Palace A Story Lives Forever' - 'Gentle Princess Lo-U-Ling, Pure, Serene And So Gentle' (Aria) - Philharmonia Orchestra
Liu: 'I Beg You, Hear Me, Ah My Lord, I Beg You!' (Aria) - Philharmonia Orchestra
'Through Her Soul In Endless Grieving' (Cujus Animam) - Barry Banks
Ilia: 'My Father Was Taken' (Aria) - Rebecca Evans
Forester: 'When Evening Arrives, I Welcome The Rays Of The Setting Sun!' (Final Scene) - Thomas Allen
Aida: 'We'd Leave This White Oppressive Heat' (Duet) - Dennis O'Neill
Propulace: 'Glory To Isis, Goddess Fair' (Grand March From Triumphal Scene) - Philharmonia Orchestra
'Rejoice Greatly, O Daughter Of Zion' (Aria) - London Philharmonic Orchestra

Average customer rating:

The Ultimate Lotte Lenya Collection

Manufacturer: Bear Family
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Vocal Jazz | Jazz | Indie Music | Stores | Music
ASIN: B0000251AF
Release Date: 1999-03-22

Tracks:

'Happy End': Surabaya-Johnny (1929)
'Happy End': Bilbao-Song (1929)
'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1930) - Lotte Lenya/The Three Admirals
'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1930) - Lotte Lenya/The Three Admirals
'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1930)
'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1930)
'Die Dreigoschenoper': Ouverture/Moritat/Ballade Vom Angenehmen Leben (1931) - Kurt Gerron/Willy Trenk-Trebitsch
'Die Dreigoschenoper': Liebeslied/Kanonensong (1931) - Kurt Gerron/Erika Helmke/Willy Trenk-Trebitsch/Chorus
'Die Dreigoschenoper': Die Seerauberjenny (1931) - Kurt Gerron/Lotte Lenya
'Die Dreigoschenoper': Erstes Dreigroschen-Finale (1931) - Kurt Gerron/Lotte Lenya/Erika Helmke/Erich Ponto
'Die Dreigoschenoper': Barbarasong/Eifersuchtsduett (1931) - Kurt Gerron/Lotte Lenya/Erika Helmke
'Die Dreigoschenoper': Abschied/Zweites Dreigroschen-Finale (1931) - Kurt Gerron/Erika Helmke/Willy Trenk-Trebitsch/Chorus
'Die Dreigoschenoper': Zuhalter-Ballade/Lied Von Der Unzulanglichkeit Menschlichen Strebens (1931) - Kurt Gerron/Willy Trenk-Trebitsch/Lotte Lenya/Erich Ponto
'Die Dreigoschenoper': Moritat/Schlusschoral (1931) - Kurt Gerron/Lotte Lenya/Chorus
Querschnitt, 1. Tiel: 'Aufstieg Und Fall Der Stadt Mahagonny' (1932)
Querschnitt, 2. Tiel: 'Aufstieg Und Fall Der Stadt Mahagonny' (1932)
'Happy End': Surabaya-Johnny (1943) - Lotte Lenya/Kurt Weill
'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1943) - Lotte Lenya/Kurt Weill
Complainte De La Seine (1943) - Lotte Lenya/Kurt Weill
J'Attends Un Navire (1943) - Lotte Lenya/Kurt Weill
'Lost In The Stars': Lover Man (1943) - Lotte Lenya/Kurt Weill
'Lost In The Stars': Lost In The Stars (1943) - Lotte Lenya/Kurt Weill
'I've Got The Tune': And So The Last Thing, Too (1937 Interview) - Lotte Lenya/Marc Blitzstein/Shirley Booth

Tracks:

'Die Dreigoschenoper': Moritat (1955)
'Die Dreigoschenoper': Barbara-Song (1955)
'Die Dreigoschenoper': Seerauberjenny (1955)
'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Lied (1955)
'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1955)
'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1955)
'Happy End': Bilbao-Song (1955)
'Happy End': Surabaya-Johnny (1955)
'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1955)
'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1955)
'Der Silbersee': Ich Bin Eine Arme Verwandte (1955)
'Der Silbersee': Casar-Ballade (1955)
'Die Sieben Todsunden': Prolog/Introduktion (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
'Die Sieben Todsunden': Faulheit (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
'Die Sieben Todsunden': Stolz (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
'Die Sieben Todsunden': Zorn (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
'Die Sieben Todsunden': Vollerei (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
'Die Sieben Todsunden': Unzucht (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
'Die Sieben Todsunden': Habsucht (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
'Die Sieben Todsunden': Neid (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
'Die Sieben Todsunden': Epilog (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen

Tracks:

'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 1 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 2 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 3 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 4 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 5 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 6 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 7 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 8 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 9 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 10 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 11 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 12 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 13 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn

Tracks:

'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 14 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 15a (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 15b (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 16 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 17 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Szene 18 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Szene 19 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Finale (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn

Tracks:

'Knickerbocker Holiday': September Song (1957)
'Knickerbocker Holiday': It Never Was You (1957)
'Lady In The Dark': Saga Of Jenny (1957)
'One Touch Of Venus': Foolish Heart (1957)
'One Touch Of Venus': Speak Low (1957)
'The Firebrand Of Florence': Sing Me Not A Ballad (1957)
'The Eternal Road': Song Of Ruth (July Version) (1957)
'Street Scene': Lonely House (1957)
'Street Scene': A Boy Like You (1957) - Lotte Lenya/Darryl Richard
'Love Life': Green-Up Time (1957)
'Lost In The Stars': Trouble Man (1957)
'Lost In The Stars': Stay Well (1957)
'Lost In The Stars': Lost In The Stars (1957)
'The Eternal Road': Song Of Ruth (August Version) (1957)
'The Threepenny Opera': Pirate Jenny (1954)
'The Threepenny Opera': Solomon-Song (1954)
'The Threepenny Opera': Tango-Ballad (1954) - Lotte Lenya/Scott Merrill
'The Threepenny Opera': Lenya & Blitzstein TV Interview (1954) - Lotte Lenya/Marc Blitzstein
'Johnny Johnson': Mon Ami, My Friend (1956)
Young Blood (1969)
Welcome Home (1969)

Tracks:

'Die Dreigoschenoper': Ouverture (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Moritat (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Morgenchoral Des Peachum (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Anstatt-Dass-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Hochzeitslied Fur Armere Leute (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Kanonensong (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Liebeslied (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Barbara-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Erstes Dreigroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Der Pferdestall (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Abschiedslied Der Polly (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Zwischenlied (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Ballade Von Der Sexuellen Horigkeit (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Die Seerauberjenny (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Zuhalter-Ballade (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Ballade Vom Angenehmen Leben (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Eifersuchtsduett (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Arie Der Lucy (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Zweites Dreigroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Lied Von Der Unzulanglichkeit Menschlichen Strebens (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Solomon-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Ruf Aus Der Gruft (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Ballade In Der MacHeath Jedermann Abbitte Leistet (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Der Reitende Bote (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Drittes Driegroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
'Die Dreigoschenoper': Schlusstrophen Der Moritat (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...

Tracks:

'Happy End': Introduktion (Hosiannah) (1960)
'Happy End': Bilbao-Song (1960)
'Happy End': Der Kleine Leutnant Des Lieben Gottes (1960)
'Happy End': Geht Hinein In Die Schlacht (Heilsarmee-Lied 1) (1960)
'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1960)
'Happy End': Bruder, Gib Dir Einen Stoss (Heilsarmee-Lied 2) (1960)
'Happy End': Das Lied Vom Branntweinhandler (1960)
'Happy End': Der Song Von Mandelay (1960)
'Happy End': Furchte Dich Nicht (Heilsarmee-Lied 3) (1960)
'Happy End': Surabaya-Johnny (1960)
'Happy End': Das Lied Von Der Harten Nuss (1960)
'Happy End': In Der Jugend Gold'Nem Schimmer (Heilsarmee-Lied 4) (1960)
'Happy End': Die Ballade Von Der Hollen-Lili (1960)
'Happy End': Der Kleine Leutnant Des Lieben Gottes (1960)
'Cabaret': So What? (1966)
'Cabaret': It Couldn't Please Me More (1966) - Lotte Lenya/Jack Gilford
'Cabaret': Married (1966) - Lotte Lenya/Jack Gilford
'Cabaret': What Would You Do (1966)
'Cabaret': Finale (1966) - Lotte Lenya/Bert Convy/Jill Haworth/Jack Gilford/Joel Grey

Tracks:

Unter Der Linde (1958)
Menschlich Elende (1958)
Das Rosenband (1958)
Der Tod Und Das Madchen (1958)
Abendlied (1958)
Der Bauer (1958)
Lebenspflichten (1958)
Gesang Der Geister Uber Den Wassern (1958)
Aus 'Romische Elegein' (1958)
Gefunden (1958)
Wo Bist Du Itzt (1958)
Der Handschuh (1958)
Hyperions Schicksalied/Aus 'Hymnen Der Nacht' (1958)
Mondnacht (1958)
Das Schloss Boncourt (1958)
Kommen Und Scheiden (1958)
Auf Geheimem Waldespfade (1958)
Der Weiher (1958)
Das Verlassene Magdlein (1958)
Der Wirtin Tochterlein (1958)
Mit Dummen Madchen (1958)
Im Wunderschonen Monat Mai (1958)
Ich Wollte Meine Lieder (1958)
Nachtlich Am Busento (1958)
Kehr Ein Bei Mir! (1958)
Altassyrisch (1958)
Die Musik Kommt (1958)
Wer Weiss Wo (1958)
Der Romische Brunnen (1958)
Vereinsamt (1958)
Der Werwolf (1958)
Der Arbeitsmann (1958)
Die Bieden (1958)
Du Schlank Und Rein Wie Eine Flamme (1958)
Spanische Tanzerin (1958)
Ich Liebe Frauen (1958)
An Den Leser (1958)
Die Entwicklung Der Menschheit (1958)
Der Vater (1958)
Erinnerung An Die Marie A (1958)
Von Der Freundlichkeit Der Welt (1958)
Kinderkreuzzug (1958)

Tracks:

A Hunger Artist (1959)
An Imperial Message (1959)
A Fratricide (1959)
The Care Of A Family Man (1959)
Up In The Gallery (1959)
A Dream (1959)
The Bucket Rider (1959)
Vergnugungen: What I Enjoy (Last Song) (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
Inscription On A China Lion (The Lion) (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
'Die Dreigroscheneroper': The Solomon Song (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
'Buckower Elegien': Changing Wheels (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
Burning Books (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
Written On The Wall (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
Lied Der Courage (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
Song Of A German Mother (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
'Buckower Elegien': The Dog (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
To The Next Generation (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
Bad Times For Poetry (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
Und Was Bekam Des Soldaten Weib (1943) - Lotte Lenya/Kurt Weill
Wie Lange Noch (1943) - Lotte Lenya/Kurt Weill
Lied Einer Deutschen Mutter (1943) - Lotte Lenya/Kurt Weill

Tracks:

'Die Dreigroscheneroper': Moritat Von Mackie Messer (1960)
'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Leid (1960)
'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1960)
'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1960)
'Das Berliner Requiem': Zu Potsdam Unter Den Eichen (1960)
'Die Dreigroscheneroper': Die Seerauberjenny (1960)
'Happy End': Bilbao-Song (1960)
Carnegie Hall Introduction (1965)
'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1965)
'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Song (1965)
'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1965)
'Das Berliner Requiem': Zu Potsdam Unter Den Eichen (1965)
'One Touch Of Venus': Speak Low (1965)
'One Touch Of Venus': Foolish Heart (1965)
'One Touch Of Venus': Bilbao-Song (1965)
'One Touch Of Venus': Surabaya-Johnny (1965)
'Love Life': Love-Song (1965)
'Love Life': Susan's Dream (1965)
'Happy End': Was Die Matrosen Sagen (Matrosen-Tango) (1965)
'Happy End': Der Song Von Mandelay (1965)
'Happy End': Das Lied Von Der Harten Nuss (1965)
'Happy End': Lilli Of Hell (1965)
'Knickerbocker Holiday': September Song (1965)
'Die Dreigroscheneroper': Barbara Song (1965)

Tracks:

Moritat (1965)
Moritat (German Version) (1965) - Lotte Lenya/Turk Murphy
Mack The Knife (1965) - Lotte Lenya/Louis Armstrong
Mack The Knife (1965) - Lotte Lenya/Louis Armstrong
Lied Der Courage I (1965) - Lotte Lenya/Harry Buckwitz
Das Lied Vom Weib Und Soldaten (1965)
Lied Von Der Grossen Kapitulation (1965)
Lied Der Courage II (1965)
Lied Der Courage III (1965)
Eia Popeia, Was Ras Im Stroh (1965)
Lied Der Courage IV (1965)
The Dick Cavett Show (1975) - Lotte Lenya/Dick Cavett
Start (1975) - Lotte Lenya/Dick Cavett
American Films (1975) - Lotte Lenya/Dick Cavett
The Opening Night Ot The Rise And Fall Of The City Of Mahagonny (1975) - Lotte Lenya/Dick Cavett
'One Touch Of Venus': I'm A Stranger Here Myself (1975) - Lotte Lenya/Dick Cavett
Anita Berber (1975) - Lotte Lenya/Dick Cavett
The Great Inflation (1975) - Lotte Lenya/Dick Cavett
Thoughts On 'Oh, Calcutta' (1975) - Lotte Lenya/Dick Cavett
Berlin Visit 1955 (1975) - Lotte Lenya/Dick Cavett
Introduction To 'Bilbao-Song' (1975) - Lotte Lenya/Dick Cavett
Bilbao-Song (1975) - Lotte Lenya/Dick Cavett
Introduction (1966)
'Knickerbocker Holiday': How Can You Tell An American (1966)
'Knickerbocker Holiday': September Song (1966)