Unfamiliar Moon

Unfamiliar Moon

Track Listings

1. Ten Thousand Skies

2. You Can Go Now

3. Leaving Avon

4. Unfamiliar Moon

5. Lie to Me

6. Jondolier

7. Unforgivable

8. Your Brighter Day

9. That Front Porch Song

10. I've Got a Plane

11. Alone Down Here

Unfamiliar Moon,Vance Gilbert,Disismye Music,Contemporary Folk,Contemporary Singer/Songwriter,Folk,Folk & Traditional,Pop

Average customer rating:

An amazing talent!

Vance Does it again!

Unfamiliar Moon
Vance Gilbert
Manufacturer: Disismye Music
ProductGroup: Music
Binding: Audio CD

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Shaking off Gravity

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ASIN: B00070PMHO
Release Date: 2005-02-01

Tracks:

Ten Thousand Skies
You Can Go Now
Leaving Avon
Unfamiliar Moon
Lie to Me
Jondolier
Unforgivable
Your Brighter Day
That Front Porch Song
I've Got a Plane
Alone Down Here

Customer Reviews:

An amazing talent!.......2005-02-20

I'm a bit embarrassed to say that I had never heard of Vance Gilbert until I saw him at the Canal Street Tavern in Dayton, OH, where he was opening for Guy Davis. I was blown away by his performance - so much energy, so much vocal talent, and such humor! Naturally, I had to buy a copy of "Unfamiliar Moon" before the night was through.

Vance's voice is as clear as a silver bell, and he uses it to great advantage on this album. Right from the beginning track, "Ten Thousand Skies," you know it'll be a good album. The songs are carefully crafted, and the lyrics are clever and insightful. The title track is especially beautiful and heartbreaking (it made me all weepy when I saw it performed).

Two other tracks that especially stand out are "Leaving Avon" and "The Front Porch Song". Both feature an unexpected angle on a traditional lyrical subject - the first is written from the point of view of a man who must leave his hometown after his affair with a married woman is exposed. The melody is full of a haunting, wistful sadness and resignation, and the lyrics - "farewell to the peach trees...all the fruit will be indifferent to whether I'm there or not come picking time" - hint at a legacy the speaker can barely suffer to leave behind.

In the second song, a woman receives notice that her husband has been killed in the line of duty - but rather than a song of grieving, it is a song of pride in her husband and in her son, who she knows will also "go off to fight," but it is not without a touch of irony.

Given the context of the other very haunting songs on this album, "I've Got a Plane," a very folk-singer anti-war number, seems a little out of place, but its levity and tongue-in-cheek vocal performance is not unwelcome. One has to settle down quickly, though, to appreciate the final track, which is a much more serious look at our war-torn world.

This may be the first Vance Gilbert album I've bought, but it certainly won't be the last.

Vance Does it again!.......2005-02-12

Just saw the show and bought the CD... as good as all of his other stuff, with the exception of Shaking off Gravity... the only flaw is that it does not truly convey the rawness and vigor of a live Vance show.

OHM: The Early Gurus of Electronic Music

Average customer rating:

excellent but uncomplete
To call it music may be a bit limiting.
A worthwhile collection
OhMyGodHowDreadful
Kid Stockhausen

OHM: The Early Gurus of Electronic Music
Various Artists
Manufacturer: Ellipsis Arts
ProductGroup: Music
Binding: Audio CD

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Release Date: 2000-04-25

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Valse Sentimentale - Clara Rockmore
Oraison - Ens D'Ondes De Montreal
Etude Aux Chemins De Fer - Pierre Schaeffer
Williams Mix - John Cage
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Spacecraft - MEV

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Cindy Electronium - Raymond Scott
Pendulum Music - Sonic Youth
Bye Bye Butterfly - Pauline Oliveros
Projection Esemplastic For White Noise - Joji Yuasa
Silver Apples Of The Moon, Part 1 - Morton Subotnick
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Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals: Drift Study '31/69 c.... - La Monte Young

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He Destroyed Her Image - Charles Dodge
Six Fants On A Poem By Thomas Campion: Her Song - Paul Lansky
Appalachian Grove - Laurie Spiegel
En Phase/Hors Phase - Bernard Parmegiani
On The Other Ocean - David Behrman
Stria - John Chowning
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Amazon.com

Opening with Clara Rockmore's reworking of Tchaikovsky with the theremin, and finishing with one of Brian Eno's ambient soundscapes, OHM artfully succeeds in its goal of giving a representative (as opposed to the impossible, comprehensive) overview of the first several decades of electronic music. Over 3 discs, 42 compositions, and 96 pages of notes and photos, OHM clearly illustrates the producers' and contributing writers' point that early electronic music is much of the foundation of contemporary music. Herein lies the connective tissue bridging musique concrète, 20th-century classical, electronic experimentation, and the theoretical avant-garde to psychedelia, ambient, dub, techno, electro, and synthpop and the globalization of sound. The groundbreaking uses of loops, sampling, drones, remixes, and cut-and-paste technology are put fully into context. The diversity of music included makes any sort of summation impossible, but that is also the point: electronic music is not really a genre, but an open field of endless possibility. From John Cage's famous "William's Mix" of tape snippets to Karkheinz Stockhausen's electronic orchestral compositions, from David Tudor and Holger Czukay's experiments in unrelated blendings of audio elements to David Behrman's supremely peaceful duet between computers and musicians, the aural renegades on OHM tread where none (save a few of their contemporaries) had gone before. The liner notes convey the incredible amount of hard work and experimentation it took to stitch together many of these pieces in the predigital era. Putting aside the inevitable quibbles about what's missing (much of it due to legal and/or logistical issues), a more complete collection of musical eggheads, eccentrics, and visionaries is hard to imagine. --Carl Hanni

Customer Reviews:

excellent but uncomplete.......2006-11-12

Althought most of the music here is an excellent collection of electronic music history, this 3 CDs lack of the important contribution given by the RAI phonology studios of Milan, Italy in the 50s
(which was bigger than Koln's WDR studios) with Bruno Maderna, Luciano Berio and Luigi Nono.
This is a big mistake. Milans studios were the biggest of europe and produced many important electroacoustic pieces.
If the collection aim to describe faithfully electronic music history, it should include this artists too.

To call it music may be a bit limiting. .......2006-10-24

Some of the tracks on here are "music". That is that they contain all the bits we're trained to experience as music -- melody, etc. Some are not, and the composers would be the first people to tell you that. A lot of these works are reactions to ingrained rules, so they're bound to be jarring.

A more successful way to approach such a broad and varied collection of audio experimentation is to think of it as curated sound. This isn't something to wash the dishes to, or to seduce someone to (although if you did manage to seduce someone with the recordings on this anthology, HOLD ON TO THAT PERSON, because they've got to be a keeper). These are unique sound textures that deserve a close, probably solitary listen, and I think if you're in the right frame of mind, it can be a very rewarding listen.

My main complaint is sequencing: each dicrete piece follows it's own internal logic, so there are more than a couple rough gear changes. However, since each piece is so different, and the collection is so varied, I'm not sure that you could totally escape that.

A worthwhile collection.......2006-01-11

The OHM collection contains some of those ground breaking electronic compositions that have shaped today's styles, from the early electronic instruments of Theremin and Martenot, through Pierre Schaeffer's Music Concrete tape music and the electronic music of Stockhausen and Subotnick, to the mainframe computer output of Risset and Chowning.

It is unfair to mark this collection down due to the production quality and 'musicality' of its contents, to do so would be to staggeringly miss the point of the development of electronic music through the 20th Century. What this collection shows is the ideas behind those at the cutting edge of the genre before many could even conceive of such output. That said it is hard going at points, as experimental music can be.

Highlights for me are no doubt Olivier Messiaen's 'Oraison' on CD 1, David Tudor's 'Rainforest Version 1' on CD 2 and on CD 3 David Behrman's 'On the Other Ocean' and Maryanne Amacher's 'Living sound Patent Pending'.

OhMyGodHowDreadful.......2005-08-15

Ok, this collection is supposed to be early works and, thus not expected to be very sophisticated or polished. But the OHM collection sounds like the first attempt of a spastic cat turned-loose on a Moog keyboard. When it is not boreing, this collection of random and dissonant sounds (I can't call it music) is without any redeeming qualities to make it worth while. Don't get me wrong, I am a long-time fan of Wendy (nie Walter) Carlos and some other real pioneers of electronic music. However, I find that the Ohm collection has no similar qualities and is a major disappointment.

Kid Stockhausen.......2003-01-17

This is required listening for anybody interested in the history of electronic music. Although implicitly aiming for the techno music audience, this audio history is overwhelmingly focused on the classical avant-garde of electro-acoustic composers. The closest you'll get to pop electronica is the Brian Eno track at the end of the third disc. No Kraftwerk, no Moroder, etc. Instead "OHM" manages to point to the continuities between, say, John Cage and artists currently working at the experimental edges of electronica (so-called IDM). It seems to be saying, "You think Kid 606 is visionary? Well check out this Stockhausen track from '59!"

Admittedly, some of the songs are much more interesting to think about than they are to listen to. Some of the early pieces that were made through thosuands of hours of pains-taking tape-splicing could be made today in an afternoon with a digital audio editor and a few effects plug-ins.

It is a beautiful package, containing a 90 page booklet of essays, quotations from the featured artists, and photographs. What all music should be: an education in daring.

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Music Review

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