Old Time Music [Live]

Old Time Music [Live]

Editorial Reviews
Amazon.com
As a document of this string band's live skill, these 30 songs present the virtuoso trio of John Cohen (vocals, guitar, banjo), Tracy Schwarz (vocals, guitar, fiddle, acoustic bass), and Mike Seeger (vocals, lap dulcimer, mandolin, banjo, fiddle, autoharp, harmonica) on their home turf--the pivotal early '60s Newport Folk Festivals. If there were any doubt, this band could play with the best of the original old time musicians whose work they emulated. Doc Boggs and Sam and Kirk McGee even sit in on a couple of numbers, though the show belongs to the trio's impassioned harmonies and hard, precise picking. --Roy Francis Kasten

Tracks:

Shenandoah
Brother Can You Spare A Dime?
Early In The Morning
The Lordly Hudson
At Howard Hawks' House
Holding Each Other
The Lass From The Low Countree
Recuerdo
Nocturne
Sure On This Shining Night
Fur (Murray The Furrier)
Over The Piano
Black Max (As Told By The De Kooning Boys)
Slugging A Vampire
Two Little Flowers
General William Booth Enters Into Heaven
The Lamb
I Wonder As I Wander
At The River
Long Time Ago
Lean Away
American Anthem

Customer Reviews:

okay.......2007-01-05

I heard wonderful things about this recording... but was a little disappointed. It is good, but nothing spectacular.

A promise about to be fulfilled.......2006-12-17

Not all of EMI's Debut seeries make it to the U.S., but since this one features an American singer, it did (as did the one featuring rising pianist Jonathan Biss). Nathan gunn is certainly well kn0wn now, after high-profile Met appearances in The Magic Flute and Harbison's An American Tragedy. The past few years have seen him mature, even though his voice will never be heroic. Gunn is very well suited to songs, although he makes a moving (and physically handsome) Billy Budd.

Her he sounds a little stiff, and he cannot carry off the numbers that re comic (Bolcom's Fur) or popular (Buddy, Can You Spare a Dime?), but his straightforward masculinity works extremely well in Gene Scheer's Holding Each Other, he has enough poetry for Barber's Sure on This Shining Night, and just enough savoir faire for Rorem's Early One Morning. The voice itself isn't intrinsically beautiful, which may in the end mean that Gunn falls behind young counterparts like Gerald Finley and Simon Keenlyside, both of whom he resembles. Even so, this is a nice debut, and one can say that gunn's promise is being fulfilled.

Amazing collection - amazing voice........2006-02-22

Nathan Gunn has chosen a collection of mostly obscure songs and has applied his remarkable baritone voice to music not usually in the operatic repetoire. What results is a CD of depth, some humor, and extraordinary listenability. It's nice to see one of my favorite opera stars branch out. Bravo!

Amazing recordings.......2006-01-02

I first listened to this recording at the recommendation of a voice teacher and I am eternally grateful. I strongly recommend this album. Nathan Gunn is an extremely talented singer. As a singer myself (also a baritone like Nathan Gunn) I find much in his voice to model.

Nathan Gunn has an extremely beautiful voice, superb technique and execution, and has a very natural sound. There is an old steriotype of opera as sounding forced or artificial, but Nathan Gunn does a great job of avoiding this. He does a great job of communicating the "story" of the song to the listener, and I frequently found myself taken to the world of the song. Listening to many of his songs are like opening a good book and Nathan Gunn takes you there.

Highly recommended.

First Rate Singing!.......2005-12-20

I only recently discovered Mr. Gunn, but after hearing this recording, it makes me wonder why his name has eluded me for so long. Simply put, Nathan Gunn sings like a god! His voice is pure, and hypnotically beautiful to listen to. Turn on this CD and you will be wrapped in the most luxurious blanket of sound--his phrasing is impeccable, and his dynamics are wonderfully varied without being affected. His recording of Barber's "Nocturne" is haunting. "Brother, Can You Spare a Dime" shows he isn't afraid of low notes, and the ending has some of the most spectacular high notes I've ever heard from a baritone. The Copland songs are also well done, as are the two John Jacob Niles selections. I wasn't familiar with Gene Scheer's songs prior to this CD, but they are all quite remarkable, though most especially "Lean Away" and "American Anthem." This is the best addition to my CD collection in a long time. I'm only saddened by the fact he doesn't have more recordings available. Mr. Gunn, I know you're busy with your opera schedule, but for those of us who can't make it to New York to see you in person, please record another CD!

Average customer rating:

It's great!
Honestly, this CD sucks
What an awesome CD!!!
rocket ship beach review
we all love it

Rocket Ship Beach
Dan Zanes + Friends
Manufacturer: Festival Five Rec.
ProductGroup: Music
Binding: Audio CD

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Dan Zanes & Friends - All Around the Kitchen! Crazy Videos & Concert Songs!

ASIN: B000051ZNR
Release Date: 2002-07-30

Tracks:

Polly Wolly Doodle (with Sheryl Crow)
King Kong Kitchie (with the Wonderland String Band)
Bushel and a Peck (with Donald Saaf and the Rocket Ship Singers)
Go Down Emmanuel Road (with the Sandy Girls)
Goodbye Old Paint
Father Goose (with Rankin' Don and the Rocket Ship
Keep on the Sunny Side (with the Wonderland String Band)
Erie Canal (with Suzanne Vega)
Buckeye Jim
Brown Girl in the Ring (with the Wonderland String Band and G.E. Smith)
Hello (with Barbara Brousal)
All My Friends Live in the Woods (with Simon Kirke)
Weather Report (Sophie and Emma)
Mole in the Ground
On the Sunny Side of the Street (with Rankin' Don and Donald Saaf)
Sidewalks of New York (with a cast of thousands)
Over the Rainbow (with Donald Saaf)

Amazon.com

Dan Zanes, lead singer of the 1980s roots-rock band the Del Fuegos, didn't need to enlist the high-profile help of pals Sheryl Crow and Suzanne Vega to produce a crowd-pleasing kids' record, but he got it anyway. On Rocket Ship Beach, where traditional tunes such as "Polly Wolly Doodle" (with Crow) and "Erie Canal" (with Vega) mingle in loosey-goosey, just-for-the-fun-of-it fashion with originals such as the plucky "All My Friends Live in the Woods" (written by Bad Company buddy Simon Kirke), Zanes exhibits the same plugged-in exuberance that gave his former band its unpredictable zing. Besides the no-amateurs instrumentation, which includes Zanes on guitar, lap steel, banjo-mandolin, and studiophone, and G.E. Smith on banjo-mandolin and guitar as part of a kickin' string band that performs the classic "King Kong Kitchie," plus a cluster of others, what stands out most about this 17-track funfest is its draw-you-in friendliness. Pitching in with the pros (who also include dancehall rapper Rankin' Don--he delivers the gruff stuff on "Father Goose" and "Sunny Side of the Street") are family friends such as the gang of West Indian babysitters turned vocal group the Sandy Girls, who give it up to impressive, get-you-boogying effect on "Emmanuel Road," and a kindergarten class that contributes, adorably, to "Sidewalks of New York." All told, this is way hipper than most kids' records and it also razzle-dazzles with its packaging--Rocket Ship Beach arrives in a chunky, colorful board-book illustrated with sweet, fantasy-fueled beachside scenes by banjo player and Zanes's brother-in-law, Donald Saaf. --Tammy La Gorce

Album Description

music is in the air. it's alive and it's here for everyone. if you can play an old song, you can write a new song. make it a family parade, all around the kitchen cock-a-doodle-doodle-doo. or how about a family band? on the front steps, in the back yard, in the park, on the sidewalk, in the basement. if you can brush your teeth, you can play tamborine. if you can tell a joke, you can sing.

festival five records is the sound of a neighborhood band on the front stoop playing tunes after dinner for a family dance. festival five records is the sound of a group of 9 and 10 year olds singing a sixty year old broadway song in the basement of a 150 year old row house. it's the sound of a 40-year-old dad on a blue porch singing a 400 year old story song about a frog that marries a mouse. when you feel that music in the air, try to catch as much as possible.

Customer Reviews:

It's great!.......2007-01-27

I'm a first-time Mom who was looking for a CD both my daughter and I could enjoy. We rec'd this CD at Christmas along with "Buzz Buzz" by Laurie Berkner. This one is my personal favorite. I think I enjoy it as much, if not more than my daughter (who is 1). The songs are addicting and I, like a previous reviewer, find myself singing/humming them even when my daughter is not around. Polly Wolly Doodle and King Kong Kitchie are fabulous! I highly recommend giving this CD a spin. I'm sure my daughter will love it even more when she gets a little older.

Honestly, this CD sucks.......2007-01-18

I was excited to receive this CD because of its great reviews. Once I received it however, I found it barely listenable. My toddler daughter looked and me and said "Off!Off!" and we took it off the CD player after only 10 minutes.

People can make of Raffi all they want, but at least his music is tolerable!

Don't waste your money on this lemon of a CD.

What an awesome CD!!!.......2006-12-20

My 2 year old and 1 year old think this CD ROCKS! My son will point to the CD player and cry and whine until I turn it on. From song one they both wiggle, giggle and dance all over. The songs are very folksy, upbeat, and easy to groove too. Get this CD and watch your kids get jiggy wit' it!

rocket ship beach review.......2006-11-10

Rocket Ship Beach was my introduction to Dan Zanes. I have a new son and I was searching for some music we could both enjoy. I found this and thought I would give it a shot. The cd is wonderful. The music is addicting and I find myself driving down the road singing to myself....without my son in the car! Polly Wolly Doodle, the first track, is one of my favorites (and not because I am a Sheryl Crow fan). Another beautiful song is "Hello". This cd is upbeat, fun and yet different from some more typical childrens music. My son really enjoys the different sounds and rhythms on the cd. The cd has a few little introductions where you can hear children, a phone ringing, ect. This cd is sure to put you in a good mood. I highly recommend it! I am actually waiting for another Dan Zanes cd to arrive I liked it so much.

we all love it.......2006-08-05

The whole family can enjoy this music, unlike many of the other kid's music that is so lame.

Way Out West: The Essential Western Film Music Collection, Vol. 2

Average customer rating:

Not My Style
Rockin' Western Collection
Hard to Find Great Western Themes
Western Music
A great follow-up

Way Out West: The Essential Western Film Music Collection, Vol. 2

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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ASIN: B000060PBU
Release Date: 2002-03-26

Tracks:

The Hallejuah Trail-Overture
The Alamo-The Green Leaves Of Summer
The Alamo-Davy Crocket
The Big Country-The Welcoming/Finale
The Big Valley-Main Theme
Blazing Saddles-Blazing Saddles
Bonaza-Main Theme
Butch Cassidy And The Sundance Kid-raindrops Keep Fallin' On My Head
The Comancheros-McBain/Main Title
Duel In The Sun-Main Title/The Legend/Orizaba
A Fistfull Of Dynamite-Duck You Sucker
For A Few Dollars More-Main Theme
Friendly Persuasion-Thee I Love
Giant-Main Theme
The Good, The Bad And The Ugly-Main Theme
The Good, The Bad And The Ugly-The Ecstasy Of Gold
Gunfight At The O.K. Corral-Suite
Hang 'Em High-Main Theme
The Hanging Tree-Main Title

Tracks:

High Caparral-Main Theme
How The West Was Won-Prelude/The Land
High Noon-Do Not Forsake Me Oh My Darlin'
The Jayhawkers-The Lynching/Two Brothers/The Hayhawkers
The Lone Ranger-William Tell Overture: Finale
Nevada Smith-Main Title
Old Gringo-Main Themes
Once Upon A Time In The West-Man With The Harmonica
One Eyed Jacks-Main Title
The Proud Rebel-Main Titles
The Quick And The Dead-End Titles
Quigley Down Under-End Titles
Rio Bravo-Rio Bravo/De Guella
The Scalphunters-Main Title
Shane-Main Theme: The Call Of The Farwaway Hills
The Shootist-Main Title
The Unforgiven-The Need For Love
Viva Zapata-Gathering Forces
The Virginian-Main Theme

Customer Reviews:

Not My Style.......2007-05-11

This CD has a lot of good songs on it, but it just too bland for our taste. We prefer Western music to sound as though genuine cowboys are singing it - not a fancy chorus!

Rockin' Western Collection.......2006-08-28

For anyone who likes movie/tv music from westerns should purchase this CD. What a wonderful collection of both film and tv with great renditions of each piece. I'm about to purchase Vol. 1 to complete my collection.

Hard to Find Great Western Themes .......2006-03-16

This CD has a number of great western themes that are not in some of the standard lists. For example it includes "The Hallejuah Trail", "Blazing Saddles", and "Giant". This CD also has what I consider the true theme of "The Comancheros". I have been disappointed with some other CDs I have purchased listing "The Comancheros" which had a song rather than this theme. Many of the tracks on this two disk CD go beyond the main theme music and are actually suites. The "Big Country" and "How the West Was Won" are just a couple of examples. It may be a little more expense than some CDs, but not bad for a two disk set. I am really happy with my purchase.

Western Music.......2005-07-29

I enjoy this CD. It has many familiar melodies. Good background for reading, nice to listen while driving. It is also the only CD I've ever found that has the great theme from the movie "Giant."

A great follow-up.......2003-08-29

This is the second collection by SilvaScreen, who are also responsible for "The Wild West: The Essential Western Film Music Collection" (see my review). And it's just as good as the first. There are themes in here that everyone will recognize ("Bonanza," "A Fistful of Dollars"), themes that may not be so familiar ("Duel in the Sun," "The Hanging Tree," the lively "Blazing Saddles"), and even themes you may not associate with Westerns at all ("The Friendly Persuasion"). And no duplication either: when this disc includes a piece from one of the same sources covered in its predecessor, it's a different piece. One great treat: the full lyrics to "Gunfight at OK Corral," which I've never heard outside the soundtrack of the movie itself. The arrangement from "Butch Cassidy & the Sundance Kid" includes not only the familiar song "Raindrops Keep Fallin' On My Head" but an overview of the music--seguing almost seamlessly into Bernstein's magnificent "The Comancheros," a rare find indeed. An expensive item, but if you love Western film music, well worth it.

Average customer rating:

Mountain music magic
A Great Mix of Old-Time Music
mountain music at its peak

Classic Old-Time Music
Various Artists
Manufacturer: Smithsonian Folkways
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008OM0A
Release Date: 2003-04-22

Tracks:

Sugar Hill - The Iron Mountain Band
Bill Morgan And His Gal - The New Lost City Ramblers
Country Blues - Dock Boggs
Little Sadie - Clarence Ashley
Susannah Gal - Tommy Jarrell
Wednesday Night Waltz - Clark Kessinger
Cyclone Of Rye Cove - The New Lost City Ramblers
I'm Leaving You This Lonesome Song - Maybelle Carter And Sarah Carter Bayes
Carroll County Blues - Doc Watson
Don't Let Your Deal Go Down - Sam And Kirk McGee
Trouble In Mind - Roscoe Holcomb
Chilly Winds - Wade Ward
Going Down The Road Feeling Bad - David, Bill And Billy Ray Johnson
Pretty Polly - Lee Sexton
Bonaparte's Retreat - Mike Seeger
Concord Rag - J.E. Mainer's Mountaineers
John Henry - George Pegram
Bowling Green - Cousin Emmy With The New Lost City Ramblers
Fine Times At Our House - John W. Summers
Streets Of Glory - Old Reliable String Band
Policeman - The Spare Change Boys
Love Somebody (Soldier's Joy) - Joe And Tommy Thompson
House Of David Blues - Red Clay Ramblers
Ship In The Clouds - Andy Cahan
Late Last Night - Sam And Kirk McGee
Look Down That Lonesome Road - Gaither Carlton
Down Yonder - John Patterson
Jaybird March - Etta Baker
John Brown's Dream - The New Lost City Ramblers

Album Description

This collection of old-time social and instrumental string-band music spotlights instrumental prowess. Old-time music features playing styles that pre-date bluegrass, emerging from the string band tradition stretching back to the early years of United States history. Both African-American and Anglo-American ingredients are at its core, the banjo having African origins, the fiddle European. Some of the most revered sources of old-time roots music-Dock Boggs, Roscoe Holcomb, Wade Ward, Tommy Jarrell, and more-are heard playing in their original styles. The Grateful Dead's cover of "Don't Let Your Deal Go Down" and Bob Dylan's rendition of Clarence Ashley's "Little Sadie" clearly attest to the continuing influence of these songs. Compiled and annotated by Jeff Place.

Customer Reviews:

Mountain music magic.......2007-01-07

Here's another excellent compilation of material that originally appeared on various Folkways albums recorded during the last four decades of the twentieth century, all featuring old-timey country string band performances. The Red Clay Ramblers, The New Lost City Ramblers, Slim and Kirk McGhee, Doc Watson, Mike Seeger, and Clarence Ashley are just a few of the artists on this CD, and fiddles, banjos, and guitars are the instruments of choice. Whether it's Wade Wards wonderful banjo picking on the solo CHILLY WINDS, Mike Seeger's fiddle on BONAPARTE'S RETREAT, or the jubilant singing of Eric Davidson with the Iron Mountain String Band on SUGAR HILL, the music is rich in tradition and delightful to hear. Roots music fans will certainly love this CD, but so will anyone who enjoys old-time music from the southern mountains played to perfection. A most infectious CD, well worth acquiring.

A Great Mix of Old-Time Music.......2005-10-10

This CD contains a superb selection of old-time string music and vocals from an era that currently seems to be overlooked by the country-western crowd, and, to a certain extent,even the bluegrass affcionados. Some of the recordings in the mix are obviously dated and not the highest quality, but these are countered by crystal-clear performances by such greats as the New Lost City Ramblers, Mike Seeger, George Pegram, the Spare Change Boys, Mother Maybelle Carter and Doc Watson. This CD contains fiddle tunes, waltzes, cloggin' tunes, spirituals, instrumentals and vocals that are pure and totally acoustic. I love putting this CD in my truck, rolling down the windows, opening the moon roof, and cranking up the volume, drowning out the hip-hop coming from the hoopdies in the other lane. It's a fantastic selection.

mountain music at its peak.......2003-05-11

In this, the fourth of a series of collections culled from Smithsonian Folkways' massive archives, the focus is on the deep mountain music of masters famous and obscure, and the quality is uniformly high. Another plus is Jeff Place's excellent liner notes, which include informative annotations to each song or tune and performance. All told, this is the sort of thing that ought to make any devotee of Southern roots sounds very, very happy.

The performances come from both rural and revival artists, but the difference is academic, and the two meld into a seamless whole. Inevitably, a few songs are old, albeit never unwelcome, reliables, such as Dock Boggs's "Country Blues" and Clarence Ashley's "Little Sadie," but there are plenty of surprises, too. One has Maybelle Carter and Sara Carter Bayes reunited in the 1960s to do, interestingly, a song associated with the Delmore Brothers. The wonderful late-1960s LP -- never reissued in its entirety as a CD -- that Cousin Emmy recorded with the New Lost City Ramblers is tapped for an energetic, assured rendition of "Bowling Green" (also memorably sung elsewhere by the revivalist duo the Kossoy Sisters, and not to be confused with the Everly Brothers song of the same name). Roscoe Holcomb's "Trouble in Mind" is almost disorienting in its intensity, transforming a familiar song into something else entirely. There's Wade Ward's rocking banjo instrumental "Chilly Winds" (aka "Going Down This Road Feeling Bad") and Etta Baker and Cora Phillips's gorgeous banjo/guitar duet "Jaybird March." And there's everything else, too. If you're looking for mountain music at its peak, Smithsonian Folkways has -- as usual -- brought you there.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!

Beginner or Expert

Very Informative and Enjoyable

Frank's view

Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

All This Time
Average customer rating:

This is a great cd!

Just buy this right now

Tough teen wisdom

Some sophomore jinx at play here

Energy and Simple Sophistication

All This Time
Heartless Bastards
Manufacturer: Fat Possum [Old]
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music
Garage Punk | Hardcore & Punk | Alternative Rock | Styles | Music
Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music
General | Rock | Styles | Music
Pop Rock | Pop | Styles | Music
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ASIN: B000GIW9F0
Release Date: 2006-08-08

Tracks:

Into the Open
Searching for the Ghost
Finding Solutions
All This Time
Brazen
I Swallowed A Dragonfly
Blue Day
Valley of Debris
No Pointing Arrows
Came A Long Way

Amazon.com

A gentle line-drawing marks the cover of the Hearless Bastards' sophomore album, All This Time, just a woman holding a dragonfly by its tail. Singer Erika Wennerstrom's yearning vocals and the rolling piano figures that open the album echo the cover. It's sensitive, full of feeling. Beware: It bursts open, with a wall of lean and loud guitar, bass, and drums - and Wennerstrom's room-filling mid-range vocals, blasting full-throatedly as she sings "Things are coming into focus!" The Cincinnati trio's 2005 debut, Stairs and Elevators, highlighted their blues roots, and All This Time takes those blues and folds them into a brawny rock pastry. Wennerstrom's voice is huge, an instant ear magnet that no one misses, a PJ Harvey from the heartland playing bold, large-stroke guitar. At once, the Bastards are bottom-heavy and beautifully melodic, taking flight--or at least harnessing the power of that album-cover dragonfly. --Andrew Bartlett

Customer Reviews:

This is a great cd!.......2007-05-24

I recently purchased this cd, and I love it. She has a great singing voice, and the music rocks! If you get the chance, go see them live. Simply amazing!

Just buy this right now .......2007-05-16

I was honestly a bit put off by the cover art -- I imagined something like the Indigo Girls. In fact, this is bottom-heavy old-school rock and roll, with a slight country/blues twist, great powerhouse female lead vocals, great songwriting, great performances. It sounds really comfortable and familiar, but at the same time it's hard to think of an exact parallel -- if Lucinda Williams recorded a rock record, it might sound like this. Altogether a really captivating and satisfying rock album. This would have been a monstrous FM radio album back in the day. Into the Open, Brazen, Blue Day, and Valley of Debris are all awesome songs. Buy it.

Tough teen wisdom.......2007-04-19

Recorded in Cincinnati!

Main brain Erika Wennerstrom performs open-heart surgery with a corroded six-string, blasting melodic knots of exuberance and experience. The low-fi grunge sound gets old after a while, though; how 'bout some separation between the instruments and, heavens, tweak the treble on the vocals? Choice cut: "All The Time" - Pretenders riff, Fiona Apple chords. Throughout the (short) set, Wennerstrom sings her guts out but never puts out, or grandstands. "Come A Long Way," the moody closer deserves a Cranberries'-sized budget.

Promising!

Now, try the next one in Cleveland!

Some sophomore jinx at play here.......2007-01-04

Not as strong as the first CD. Not as bluesy. For some reason, the record engineering seems sub-par as well.

Energy and Simple Sophistication.......2006-11-06

While I'm sure there is a long and rich history which the Heartless [...] draw on and into which they fit - I know none of it. What I do know is that this album is truly amazing.

There is a necessary simplicity to a band's music when it only contains three members, but the Heartless [...] manage to be both energetic and sophisticated; there's definitely more going on than you'll find after just a casual listen.

With only 10 tracks, there isn't a single bit of filler. Wennerstrom's vocals are really amazing too. I highly recommend giving these guys a listen.

Average customer rating:

Awesome
Spiritually Uplifting
I really enjoyed it!
Lots of energy, but flawed live performance
Great Praise for my Presiding Bishop!

Singing the Old Time Way, Vol. 1
Bishop Gilbert E. Patterson
Manufacturer: Podium Records
ProductGroup: Music
Binding: Audio CD

General | Christian & Gospel | Styles | Music

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Singing the Old Time Way 2
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Live: Having Good Old Fashioned Church
Hide Me

ASIN: B0007A5EH2
Release Date: 2005-03-08

Tracks:

Intro
Old Time Way
Old Ship of Zion
Going Back to Jesus
He Never Has Left Me Alone
No, Never Alone
I'm Going to Live So God Can Use Me
Jesus I'll Never Forget What You Done for Me
Sweet Jesus, He's the Lily of the Valley
I'm Leaving All to Follow Jesus
I Want to Be Like Jesus
I'll Take Jesus for Mine
Glory, Glory Hallelujah
Wonderful, Hallelujah
Praise the Lord Forever and Forever
Isn't He Wonderful
To Me, It's Wonderful
Jesus Is Mine
Just Another Day
I Shall Never Let Go His Hand
What More Can He Do
I Thank the Lord for Jesus
I Got Just What I Wanted from the Lord
When the Fire Fell

Tracks:

When I Think of the Goodness of Jesus
When I See the Blood
I Know It Was the Blood
Blood Prevails
I Know His Blood Has Made Me Whole
I Know the Bible Is Right
Jesus Is on the Mainline
Saints Don't Stop Praying for the Lord Is Nigh
Thou Carest Lord
There Is Therefore Now, No Condemnation
Tell Is Over Again, It's Never Been Told
Count Up All the Cost
Jesus Paid It All
You Brought Me Lord
How Much I Owe
My Heart Is Fixed, My Mind Made Up
Do Lord Remember Me
Oh My Record Will Be There
He'll Understand and Say Well Done
What Do You Want the Lord to Say
When I Get Inside the Gate

Product Description

Recorded live in Memphis, Tn is this 2 cd set By Bishop G.E. Patterson and Congregation. Contains.... The Old Time Way, Old Ship of Zion,Going Back to Jesus,He never has left me Alone,No never Alone, Im going to live so GOD can use me, When the fire Fell, When I see the Blood, Thou Carest LORD, Jesus paid it all, and many other Wonder Songs of Glory. 24 on the first disc (counting the Intro) and 21 on the second disc.

Customer Reviews:

Awesome.......2007-03-02

That's all I have to say...AWESOME This CD makes me want God more and more every time I hear it.

Spiritually Uplifting.......2006-11-10

I found this CD to be spiritually uplifting. You will find yourself listening to this CD repetitively as the lyrics minister to your spirit. If you try Vol. 1, then you must also listen to Vol. 2. What a joy to hear songs the "old time way."

I really enjoyed it!.......2006-03-12

This CD blessed my soul as I heard Bishop Patterson and others going forth in song. I purchased one for us and sent a copy to
our daughter in Missouri.

Lots of energy, but flawed live performance.......2006-03-02

This is a really energizing recording, but it has many of the flaws that come naturally from a live recording of a worship service. Bishop Patterson was so hoarse (allergies, sung out, whatever), that he can barely get his voice to sound in a couple of places. Also, like many gospel recordings, there are several "call and response" interactions between the soloist and the choir, but the choir isn't miked, and I don't know what they are singing.

A couple of the soloists (other than Bishop Patterson) seem to have limited range, and some have pitch problems (perhaps they couldn't hear the monitor).

My least favorite tracks were the glacially slow and rhythm-free renditions of some old choruses. So slow, in fact, that you have no idea when they're going to start the next phrase.

My favorite track is "My Record Will Be There", which is simply the chorus of an old hymn set to 12-bar blues. But the original melody is lost completely, and the words are just the chorus sung through twice. I miss the words to the old time hymns. Especially when, like in this case, where the 5th verse is the only one that talks about grace and forgiveness.

Theologically, my impression is that the songs on this album are much more about judgment and condemnation than with grace. There's a lot about my record being there when I go before the judgment bar, and about how you can't get to heaven while you're sippin' on gin. I wish there was more focus on what will get you into heaven than what will keep you out. Overemphasis on wrong living gives the impression that you can get to heaven by good works.

Having said all that, it was worth the price of admission to get one track of Christian 12-bar blues.

Great Praise for my Presiding Bishop!.......2006-02-08

This is the music of yesterday that is what we need to carry us through today!! What an inspiration to hear the voice of my Presiding Bishop bringing us back to "the old time way". Most of these songs were here before I got here, but how well do I remember my grandmother, the church mothers, and the saints striking out and going forth in these songs of praise! They sang until the anointing fell and it didn't take long to fall!!! Thank you Bishop for sharing this music with the world and to all who is trying to decide on this cd, well there is just no way you can go wrong with this one if you truly love the Lord. Shout out to my own jurisdictional Bishop, Bishop Robert R. Sanders... Third Jurisdiction of Illinois!!!

Average customer rating:

Enjoyment of old Russian liturgical nusic
Finally, a recording I can sing along with!
Good Music from Russia
Great CD
Well Below the Bass Range

Basso Profondo From Old Russia

Manufacturer: Russian Season Fr.
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

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More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

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ASIN: B00000JQGJ
Release Date: 1999-08-10

Customer Reviews:

Enjoyment of old Russian liturgical nusic.......2007-01-09

The Basso Profundo recording reminds one of the recordings of Tibetan Monks in chant and is very stirring.

Finally, a recording I can sing along with!.......2006-11-04

As a low bass and wannabe octavist, I really enjoy singing along with this recording. Luckily, I have performed the Rachmaninov "All Night Vigil", Tchaikovshy "Liturgy of St. John Chrysostom", and other works in Old Church Slavonic, so the words are mostly familiar.

I still find it amazing that these singers can make notes in the midrange still sound low! Enjoy!

Good Music from Russia.......2005-07-21

This CD is very good for those who like orthodox music. Buy it!

Great CD.......2003-03-02

I have done a good bit of research on basso profundo's, contrabasses, etc and these guys seem to be lower than any I've heard. The soloist on "Do Not Reject Me In My Old Age" has a full voiced G1, below low bass C which he hits a number of times on the CD. Very amazing recording... good musically, not the VERY best choir I've ever heard or anything, but definetly good. Russian music is great, many of the tracks are very dark musically, but there are some more majestic tracks, and a few tracks that sound kinda militaristic.

Well Below the Bass Range.......2002-01-15

The music on this CD won't be to everyone's liking, but the unique sound of the voice of a "basso profundo" or "octavist"
is a musical rarity that shouldn't be missed. These basses have a gripping effect, with a timbre resembling that of an organ's pedal tones. These basses can sing the low A below the bass range. They are, simply, extraordinarily powerful voices. Savor the unearthly sound of them. Who knows - you might just get to like Russian polyphonic liturgical chant, as well.

Average customer rating:

Old Time Gospel Favorites
Old Time Gospel Favorites~Oak Ridge Boys
Inspirational southern Gospel
The Original Oak Ridge Boys at Their Very Best!
Depressing

Old Time Gospel Favorites
The Oak Ridge Boys
Manufacturer: Curb Special Markets
ProductGroup: Music
Binding: Audio CD

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20th Century Masters - The Millennium Collection: The Best of the Oak Ridge Boys

ASIN: B000000DEL
Release Date: 1996-01-09

Tracks:

The Old Country Church
Because Of Him
Farther Along
I Know Who Holds Tomorrow
My Heavenly Father Watches Over Me
When I Lay My Burdens Down
You'll Never Walk Alone
On The Sunny Banks
Lead Me To Calvary
In The Shelter Of His Arms

Customer Reviews:

Old Time Gospel Favorites.......2006-08-20

Oak Ridge Boys couldn't be better. Love all their recordings.
You feel closer to Jesus our Redeemer. The music album was done well. Arrived in a timely manner. Case and CD in new condition. Highly recommend this Seller.

Old Time Gospel Favorites~Oak Ridge Boys.......2006-01-30

It's just about every thing I thought it would be, except, I thought there would be more songs on the CD.

Inspirational southern Gospel.......2004-12-28

The Oak Ridge Boys can sing gospel like no other group can, and their 'original' lineup proves it on this set of tracks. Highly enjoyable and inspirational!!!

The Original Oak Ridge Boys at Their Very Best!.......2004-07-26

This collection of southern gospel classics is a re-release of the Oak Ridge Boys' "On The Sunny Banks" project, recorded in the early 1960's, well before the group's cross-over into country music. Personnel at the time these tracks were laid down included the great Smitty Gatlin (lead), Willie Wynn (tenor), William Lee Golden (baritone), Herman Harper (bass) and Tommy Fairchild (piano).

The group had been known as the Oak Ridge Boys for a relatively short period of time when these songs were released. Smitty Gatlin purchased the name "Oak Ridge Quartet" from the legendary Wally Fowler in the late 1950's, then changed it to reflect the new lineup. As fans of Southern Gospel know, Willie Wynn was one of the industry's leading tenor singers, and the late Herman Harper went on to create the premier talent management agency that still bears his name. Incidentally, contemporary Oaks fans may be interested to know that this project marked William Lee Golden's debut with the group, resulting in one of the longest tenures in either gospel or country music.

This CD contains positively stellar material from some of the greatest writers in southern gospel -- Dottie Rambo, Gov. Jimmie Davis, and Smitty Gatlin himself, performing his very own "When I Lay My Burdens Down Someday". This one is solid gold. Don't miss it!

Depressing.......2003-03-18

If you like depressing music then you will like this one

Music From The Lost Provinces: Old-Time Stringbands From Ashe County, North Carolina & Vicinity 1927-1931

Average customer rating:

Music From The Lost Provinces
another excellent release from old hat.
Threw her Arms around me like Grape Vines 'round a Gum
great old-time music
Super-cool, super rare old-timey music

Music From The Lost Provinces: Old-Time Stringbands From Ashe County, North Carolina & Vicinity 1927-1931

Manufacturer: Old Hat Records / Enterprises
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000I9NA
Release Date: 1999-04-27

Tracks:

Train 45 - Grayson & Whitter
Nine Pound Hammer - Frank Blevins & His Tar Heel Rattlers 3. Last Gold
Ground Hog - Jack Reedy & His Walker Mountain String Band
My Name Is Ticklish Reuben - Smyth County Ramblers
Fly Around My Pretty Little Miss - Frank Blevins & His Tar Heel Rattlers
Nobody's Darling - North Carolina Ridge Runners
Short Life Of Trouble - Grayson & Whitter
Don't Get Trouble In Your Mind - Frank Blevins & His Tar Heel Rattlers
Cluck Old Hen - The Hill Billies
Likes Likker Better Than Me
Way Down in Alabama
The Fatal Courtship
I've Always Been A Rambler - Grayson & Whitter
I've Got No Honey Babe Now - Frank Blevins & His Tar Heel Rattlers
Governor Al Smith For President - Carolina Night Hawks
Chinese Breakdown - Jack Reedy & His Walker Mountain String Band
Be Kind To A Man When He's Down - North Carolina Ridge Runners
Old Aunt Betsy - Frank Blevins & His Tar Heel Rattlers
Chased Old Satan Through The Door - Woodie Brothers
Handsome Molly - Grayson & Whitter
Sally Ann - Frank Blevins & His Tar Heel Rattlers

Amazon.com

For whatever reason, the so-called "Lost Provinces" of North Carolina--Ashe, Watauga, and Alleghany Counties--were a breeding ground for fantastic string bands in the late '20s. Maybe it was the isolated and tough nature of the region that inspired folks to turn to music. Or perhaps all those enterprising record companies were eager to sign old-time musicians. Whatever the case, the talent on this anthology of vintage 78 records is astounding and, at times, surprising. Is it possible, for instance, to listen to the Woodie Brothers sing "Likes Likker Better Than Me"--a woman's lament for her alcoholic love interest--with a straight face? Probably not. And why the heck did Jack Reedy & His Walker Mountain String Band use a Hawaiian guitar for the intro to "Chinese Breakdown"? Don't worry, there's also plenty of straightforward and memorable string band music here from the likes of Grayson & Whitter, Frank Blevins, the Smyth County Ramblers, and more. Throughout, you'll hear incredible old-time guitar, fiddle, and (thanks to Jack Reedy) banjo playing on a thoroughly engaging collection of laments, traditional tunes, and at least one presidential campaign number ("Governor Al Smith For President"). As with Old Hat's Violin, Sing the Blues for Me compilation, you'll find copious liner notes and excellent remastering in this wonderful package. --Jason Verlinde

Album Description

Reissues 22 songs and tunes recorded between 1927-1931 by stringbands from Ashe County, North Carolina, a mountainous area in the northwest corner of the state once known as "The Lost Provinces" because of its extreme isolation. The music includes traditional fiddle tunes, folk songs, Anglo-Irish ballads, comic songs, topical numbers, and original compositions, all from a time period often called the "golden era" of old-time string music. The anthology brings together for the first time the complete recordings of Frank Blevins & His Tar Heel Rattlers, the Carolina Night Hawks, the North Carolina Ridge Runners, and many more. All tracks on the CD have been carefully remastered from original 78rpm records. A 28-page booklet presents a detailed history of the music based on interviews with original band members. Also included is a complete discography and numerous vintage photographs, many never before published. Music From The Lost Provinces is the premier release! from Old Hat Records, a label devoted to quality reissues coupled with thorough historical research.

Customer Reviews:

Music From The Lost Provinces.......2007-06-18

EXCELLENT. It is must have. It is a collection of the good ole country music. It features many different artists both who made it big in those days like Emphriam Woodie to the lesser names like Vance' Mountain Ramblers. It is an excellent find

another excellent release from old hat........2007-04-04

i like or love everything that i've heard from the folks at old hat. it is simply a marvelous label that specializes in old-time music releases. "music from the lost provinces" is another outstanding cd from them. twenty-two fine tracks from 1927-1931 presented with very good sound quality. a cornucopia of fiddlers and guitar-pickers and banjo players and hillbilly singers. this is a must for all fans of old-time rural music. magic from a bygone era.

Threw her Arms around me like Grape Vines 'round a Gum.......2006-11-20

This is the Holy Grail of Mountain Fiddle Music!

GB Grayson, the archetype of the Mountain Fiddler, lived near Mountain City and was one of the most influential fiddlers of the '20's, who, with his partner Henry Whitter, toured the coal fields of West Virginia, until Grayson was killed in a freak accident, falling from the running board of a car that he was hitching a ride on, on August 16, 1930.

But Frank Blevins is the real star on this recording. He is a fiddler more seminal than Uncle Pen, his fiddle wrapping you 'round in kudzu vines of primal melody...

Real "Tar Heel" rattlin'!

great old-time music.......2005-09-18

Excellent collection of old-time stringband music. You may not like every song on the album but it is a great assortment of many different styles of playing and singing. A "must have"
album for collectors and people that play old-time music.

Super-cool, super rare old-timey music.......2002-07-27

It's pretty amazing, this late in the folkloric/historic reissues game, to find a whole album's worth of "undiscovered" old-timey music that is of such a high caliber. Old Hat Records, a tiny North Carolina indie label, packs its discs with some of the best music in the style that you're ever likely to hear. (You might also want to check out the "Violin, Sing For Me" and "Folks, He Sure Do Pull Some Bow" CDs...) This disc concentrates its attention geographically, collecting old 78s from artists out of Ashe County, NC, one of those backwoods areas unusually rich in hillbilly talent. The best known of these artists was the team of Grayson & Whitter (who were favorites of Ralph Stanley), but there are plenty of other great Ashe County artists on here, with fab names like The Woodies, The Carolina Night Hawks and (my favorite) Ephraim Woodie & The Henpecked Husbands. In addition to great sound quality and great material, both discs are also quite handsomely packaged; the insert booklets include some really cool archival photos, as well as extensive liner notes of the sort that have been woefully absent on similar recent reissue efforts.

Music Review:

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