Mama's Hand
Editorial Reviews
Amazon.com
The parallels between Lynn Morris and Alison Krauss are too obvious to ignore. Like Krauss, Morris first made her mark as an instrumental prodigy (in Morris' case, on banjo) yet eventually made her deepest impression as a singer and bandleader. Like Krauss, Morris has recast bluegrass--previously known for its speed-demon breaks--as a slower, more song-oriented music on a series of superb albums. Morris hasn't achieved Krauss's commercial breakthrough yet, but it's not inconceivable that she could. You don't need any comparisons to Krauss, however, to appreciate the distinction of the title track on Morris' third album, Mama's Hand. This Hazel Dickens song tells the universal story of a teenager somewhat reluctantly leaving a backwater town to seek her fortune elsewhere. Set against a very simple, nicely understated Carter Family-like backing, Morris's warbling soprano is way out front. Stripped clean of all the showy embellishments many singers mistake for drama, her plain, open vocal captures both the high hopes of starting a new life and the heartbreak of saying goodbye to her mother. She never whines but projects the strength a young woman needs to leave behind everyone and everything she knows. Morris's three bandmates--Tom Adams on banjo, David McLaughlin on mandolin and guitar, and Marshall Wilborn on upright bass--are all alumni of the Johnson Mountain Boys, the best traditional bluegrass band of the baby-boomer generation. Because the quartet is fiddler-less as well as drummer-less, Morris's voice is the only sustaining instrument in the mix and thus it stands out dramatically from the percussive arpeggios around her. --Geoffrey Himes
Mama's Hand,Lynn Morris,Rounder Select,Bluegrass,Folk & Traditional,Pop
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The It Girl (2001 Original Off-Broadway Cast)
Paul McKibbins , BT McNicholl , Jean Louisa Kelly , and Jessica Boevers Manufacturer: Jay Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006HIAC Release Date: 2002-10-01 |
Tracks:
Amazon.com
If you think that musicals are only outsize, outlandish spectacles hatched on Broadway, The It Girl deftly shows that there are other options. This small show was created in 2001 at the York Theater--located in a church's basement, it's as close as you get to a barn in New York City. Loosely based on the 1927 Clara Bow vehicle It, the show gleefully runs through all the 1920s classic situations and characters: chases, flappers, mistaken identities, a boat cruise, a department-store heir, and fake French accentsit's all there. You can almost hear the ghost of P.G. Wodehouse, librettist for the Gershwins' Jazz Age classics, cheering. The It Girl breezes through thanks to its cast's game can-do energy and the strength of Paul McKibbins and B.T. McNicholl's perky tunes, which deploy nice melodic resources and make the most of a six-piece band. There's enough knowing pastiche here to keep the saccharine at bay, but the creative team also shows genuine resource and love for musicals as a genre. --Elisabeth VincentelliCustomer Reviews:
Can't Get Enough of "It".......2006-02-11
This musical has IT!.......2005-04-14
Terrific!.......2003-05-18
This show is "How Do You Say...?" (Ah, yes) AMAZINGLY GREAT!.......2003-03-17
Wonderful show with great music and lyrics.......2002-10-05
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Mama's Hand
Lynn Morris Manufacturer: Rounder Select ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000002MK Release Date: 1995-09-19 |
Tracks:
Amazon.com
The parallels between Lynn Morris and Alison Krauss are too obvious to ignore. Like Krauss, Morris first made her mark as an instrumental prodigy (in Morris' case, on banjo) yet eventually made her deepest impression as a singer and bandleader. Like Krauss, Morris has recast bluegrass--previously known for its speed-demon breaks--as a slower, more song-oriented music on a series of superb albums. Morris hasn't achieved Krauss's commercial breakthrough yet, but it's not inconceivable that she could. You don't need any comparisons to Krauss, however, to appreciate the distinction of the title track on Morris' third album, Mama's Hand. This Hazel Dickens song tells the universal story of a teenager somewhat reluctantly leaving a backwater town to seek her fortune elsewhere. Set against a very simple, nicely understated Carter Family-like backing, Morris's warbling soprano is way out front. Stripped clean of all the showy embellishments many singers mistake for drama, her plain, open vocal captures both the high hopes of starting a new life and the heartbreak of saying goodbye to her mother. She never whines but projects the strength a young woman needs to leave behind everyone and everything she knows. Morris's three bandmates--Tom Adams on banjo, David McLaughlin on mandolin and guitar, and Marshall Wilborn on upright bass--are all alumni of the Johnson Mountain Boys, the best traditional bluegrass band of the baby-boomer generation. Because the quartet is fiddler-less as well as drummer-less, Morris's voice is the only sustaining instrument in the mix and thus it stands out dramatically from the percussive arpeggios around her. --Geoffrey HimesCustomer Reviews:
I'm biased.......2007-06-03
Traditional bluegrass at its finest.......2003-09-07
The set opens with Walking the blues, in which the very upbeat music suggests that Lynn is not as down as the title suggests. Another song in the same vein is It rains everywhere I go.
Two of the originals here - Old Rip and Dancing in the hog trough - are banjo instrumentals played by Lynn. On all other tracks where a banjo is required, Tom Adams plays it.
Other tracks here include Ain't necessarily so (sung by Lynn's husband Marshall Wilborn and written by Beth Neilson Chapman), Wishful thinking (a Wynn Stewart oldie) and the title track written by Hazel Dickens, another fine bluegrass singer. Marshall also sings Freight train blues and Tell me how to mend a broken heart, while Lynn and Marshall sing I can call Jesus as a duet. Lynn sings all the other songs here.
This is an excellent album with its roots firmly set in traditional bluegrass.
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Mama's Hand: Bluegrass and Mountain Songs About Mother
Various Artists Manufacturer: Rounder / Umgd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000640O0 Release Date: 2002-04-30 |
Tracks:
Amazon.com
Mama's Hand pulls off the near impossible feat of gathering together 19 bluegrass and old-time country songs chosen around the theme of Mother without descending into sentimentality. The tracks, which are compiled from Rounder's extensive back catalog, feature performances from contemporary artists like Alison Krauss and Rhonda Vincent, as well as legends like Doc Watson, Hazel Dickens, and Bashful Brother Oswald. While each selection is performed with skill and sincerity, the tracks from the brother duos Jim and Jesse McReynolds, the Whitstein Brothers, and Bill and Earl Bolick, who performed as the Blue Sky Boys, are particularly fine. When these brothers join their voices together in harmony, they elevate songs like "Dear Old Mother" or "Shake My Mother's Hand for Me" to a place that transcends the maudlin nature of the material. Mama would be proud. --Michael SimmonsCustomer Reviews:
Better Then Gold..................2003-09-08
tribute to mothers.......2002-07-19
Music Review:
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