Between Heaven And Earth: Music Of The Jewish Mystics

Between Heaven And Earth: Music Of The Jewish Mystics

Editorial Reviews
Amazon.com
Discs that attempt to cross-pollinate jazz with the soulful sounds of klezmer tend to be hit-or-miss; usually you just end up wondering if today's players are half as proficient as the forefathers they're trying to upstage. Andy Statman's credentials don't allow for such doubts. He apprenticed with klezmer legend Dave Tarras (and was even bequeathed the master's clarinet), and whether on clarinet or mandolin, his playing is impeccable. On Between Heaven & Earth, Statman reaches a (thus far) career high point and creates something completely gorgeous and new. The quartet is modeled on the jazz paradigm (horns, piano, rhythm section), and the occasional virtuoso guest (banjoist Bela Fleck and mandolinist David Grisman) joins in. The results are spectacular: extended meditations on Hasidic themes and compositions that quite literally blossom before your very eyes, with shades of klezmer, bluegrass, and jazz all thrown together. The tunes may not come out swinging, but, filled with gorgeous reflections, a gentle pace, and haunting solos, they simmer to great results. The cuts were recorded live in single takes, and the effect is moving and spiritual; there are quiet moments here, and (thank God) the ensemble never sounds rushed. --Jason Verlinde

Tracks:

Maggid
You Were Revealed
Adir
Chassidic Waltz
Yonah
Reb Nachman's Deveykus Niggun
Purim
Tzamah Nafshi
If Not For...

Amazon.com

Discs that attempt to cross-pollinate jazz with the soulful sounds of klezmer tend to be hit-or-miss; usually you just end up wondering if today's players are half as proficient as the forefathers they're trying to upstage. Andy Statman's credentials don't allow for such doubts. He apprenticed with klezmer legend Dave Tarras (and was even bequeathed the master's clarinet), and whether on clarinet or mandolin, his playing is impeccable. On Between Heaven & Earth, Statman reaches a (thus far) career high point and creates something completely gorgeous and new. The quartet is modeled on the jazz paradigm (horns, piano, rhythm section), and the occasional virtuoso guest (banjoist Bela Fleck and mandolinist David Grisman) joins in. The results are spectacular: extended meditations on Hasidic themes and compositions that quite literally blossom before your very eyes, with shades of klezmer, bluegrass, and jazz all thrown together. The tunes may not come out swinging, but, filled with gorgeous reflections, a gentle pace, and haunting solos, they simmer to great results. The cuts were recorded live in single takes, and the effect is moving and spiritual; there are quiet moments here, and (thank God) the ensemble never sounds rushed. --Jason Verlinde

Customer Reviews:

TRUE TRADITIION CUTTING EDGE CLASSIC.......2005-12-02

Andy does a tremendous job of taking nigunim (songs) of the holy hasidic masters of long a go. he puts it in a format which people can appreciate today. However, he does not sell out. Meaning, is he does not "water down" . Andy perserves the holiness and sacred nature of each tune so that even the tradional are able to enjoy this. Andy bridge the tradition with modern times and does so in a magnificent fashion

A Musical Milestone.......2004-09-27

It is often said that Andy Statman is a "musician's musician." He also may be said to be a "critic's musician," having earned an unending string of accolades from the press throughout his career. This CD, for example, was featured on the cover of the year-end double-edition of Billboard just before the record hit the stands, and subsequently was dubbed one of the Ten Best CDs of the Year by NY Times music critic, Neal Strauss. If I may add my "two cents," I would say that "Between Heaven and Earth" is an American-Chassidic answer to "A Love Supreme." These sessions were truly inspired!

Superb jazz based on an unusual tradition.......2002-09-20

I think the reviews by Jason Verlinde and Rabbi Yonassan Gershom are accurate as to the feel and value of this music. I mostly want to add some technical stuff that may be of interest. The quartet is Statman on the clarinet (he has a beautiful yearning tone) and mandolin, Kenny Werner on the piano, Harvie Swartz on the acoustic bass and Bob Weiner on the drums. Bola Fleck (banjo), David Grisman (mandolin) and Scott Lee (bass) put in guest appearances.
When I first heard the first song on this record it reminded me a lot of the first song on Moodiology by George Garzone. Werner also plays on that excellent album and on both albums he is in fine McCoy Tyner form- playing piano of great spiritual power and beauty. Other than Statman, Werner is the main instrumental presence on this disc.
Statman on clarinet is wonderful. He doesn't so much tear up the changes as work with the melodies. When you have melodies of this beauty it is a wonderful approach.
One reviewer found this music to be too new ageish. Maybe but I think in that case he has heard a lot better new age music than I have. I find this album to hold its own against anything I put it up against on my CD changer. Right now I am playing it with masses by Palestrina. I have played it up against Leila Josefowicz, Anouar Braham and George Garzone (it is apparent that Statman is not the player that Garzone is but then how many are?). Each time I play this CD I find new things to hear, new beauty to enjoy. These guys play this music because they love it, they feel it to the bone, it cuts to the heart of how they see the world and, I suspect in Statman's case as well as Palestrina, it is part of an ongoing conversation with God. How often do you get to hear music played with that much heart? It may not speak to you but it is definitely worth a listen to find out.

A refreshing change of pace.......2000-08-31

Most albums of Hasidic music tend to focus on the rapidly-paced "table bangers" designed to get your adrenaline going. Not so with this album. Statman and crew have chosen some of the slower, more contemplative Hasidic tunes, and rendered them in a soul-filled cross between klezmer and modern jazz. The result is meditative Jewish music that is definitely not the usual "new age" pablum.

In their original cultural context, these tunes are sung orally, usually without instrumental accompaniment, because the use of instruments is forbidden on the Sabbath and festivals. Instead, the singers sit around the table, using their voices to improvise complex harmonies and variations on the basic tunes. Sometimes the tunes have words, but more often, they are made up of meaningless sounds such as "ai-ai-ai!" that, precisely because they are wordless, can contain all possible meanings of the heart. The result is a sort of verbal jazz that reaches deep levels of the soul.

Such music is known in Hebrew as a "devekus niggun" (D'VAY-kuss-NEE-gun), which means, loosely translated, "A sacred tune for connecting with God." What Statman has done here is to translate that oral devekus experience into instrumental music. And it really works! As I listened to this album, I was carried back to my own deepest experiences around the Shabbos table. There are only nine pieces on this CD, but each is long enough to really get into the music, the same as when we sing them around the table. This album truly conveys the inner spirit of Hasidism.

Great Soul!.......2000-03-06

This album is really a favourite of mine. No easy listening, no swinging. It's full of subtle and spectacular ensemble music. Statman's clarinet reaches out to unknown heights and the combination of styles is really moving. Improvising on well-known Hassidic themes, Statman and his musical friends create a new genre: mystical music with body and Soul! Unlike so-called 'New Age-music', that usually lacks any depth, this album combines the old with the new.

Music Review:

Music Review

music review

Recommended Music:

Tell Me [CD-single] [Import]

De Falla: El Amor Brujo; El Retable de Maese Pedro

Comin to Your City

Waltz for Debby

Cascadia [Enhanced]

Definitive Collection: Deluxe Sound & Vision [Import]

Driven

Chopin: Concerto for piano in Em; Impromptus No4

Country Willie: His Own Songs

Coleccion de Oro [Box set]

Definitive INXS [Enhanced] [Import]

Arc Music: 25 Years of World Music

Cafe Del Mar: Essential Feelings [Import]

Wranitzky: Symphonies Opp. 31 & 52 [SACD]

Babe: Pig In The City - Music From And Inspired By The Motion Picture