Sunday Concert [Live] [Import]

Sunday Concert [Live] [Import]

Track Listings

1. In a Windowpane

2. Lost Children

3. Leaves of Grass

4. Medley: I'm Not Sayin'/Ribbon of Darkness

5. Apology

6. Bitter Green

7. Ballad of Yarmouth Castle

8. Softly

9. Boss Man

10. Pussywillows, Cat-Tails

11. Canadian Railroad Trilogy

12. Just Like Tom Thumb's Blues [*]

13. Movin' 1

14. I'll Be Alright

15. Spin, Spin [Nashville Version, TK 8]

16. Movin' 2

Tracks:

Symphonic Sondheim: Sweeney Todd--orchestra, Jerry Hadley ("Johanna"), Eugene Perry,Herbert Perry ("Pretty Women")
Evening Introduction--Bill Irwin
Loveland/Getting Married Today--Ensemble, Jeanne Lehman, Mark Jacoby, Madeline Kahn
Waiting for the Girls Upstairs--George Lee Andrews, Michael Jeter, James Naughton/Love, I Hear--Michael Jeter/Live Alone and Like It--James Naughton
Someone Is Waiting--Richard Muenz/Symphonic Sondheim: Barcelona--orchestra
Being Alive--Patti LuPone
Good Thing Going--The Tonics
Losing My Mind/You Could Drive a Person Crazy--Dorothy Loudon
Our Time--Boys Choir of Harlem/Children Will Listen--Betty Buckley
Anyone Can Whistle--Billy Stritch
Water Under the Bridge--Liza Minnellli, Billy Stritch
Back in Business--Liza Minnellli, Billy Stritch, Ensemble

Tracks:

Symphonic Sondheim: Comedy Tonight--Bill Irwin, orchestra
Sooner or Later--Karen Ziemba
Pretty Lady--Mark Jacoby, Eugene Perry, Herbert Perry
Green Finch and Linnet Bird--Harolyn Blackwell
The Ballad of Booth--Patrick Cassidy, Victor Garber
Broadway Baby--Daisy Eagan
I Never Do Anything Twice--BETTY
With So Little to Be Sure Of--Jerry Hadley, Carolann Page
Not a Day Goes By--Bernadette Peters
Remember?--Ron Baker, Peter Blanchet, Carol Meyer, Bronwyn Thomas, Blythe Walker (Quintet)/A Weekend in the Country--Kevin Anderson, George Lee Andrews, Mark Jacoby, Beverly Lambert, Maureen Moore, Susan Terry, Quintet
Send in the Clowns--Glenn Close
Old Friends--Liza Minnelli
Sunday--Bernadette Peters, Broadway Chorus

Customer Reviews:

Great CD.......2006-08-06

This is a wonderful double CD of fabulous musical numbers performed by theatre greats and directed by a legandary musical director.

Simply the Best.......2005-06-29

First, to the person who criticizes the recording b/c of "Broadway Baby." Daisy Egan (who sings in in this recording) sounds like she's 10 becuase she IS young. She had just appeared on Braodway in Secret Garden and won a Tony for it. It's a joke...Broadway BABY...hello, it's a joke.

In a compilation of songs like this you're always going to have tracks that you prefer over others, but the majority of the renditions in this CD are great. This is simply one of the best collections of Sondheim out there. You get interpretations that span from "classical" (Green Finch), to bordering on insane (Anything Twice). This is to demonstrate how versatile this composer really is.

In my opinion, some of the best renditions are "Not a Day Goes By," "Anyone Can Whistle", "Girls Upstairs Medley," "Losing My Mind/Drive a Person Crazy," and "Weekend inthe Country." Makes me wish I had been there to witness it first hand.

If you love Sondheim and enjoy hearing Broadway performers, get this CD. A great recording.

Inconsistent, but mostly excellent.......2004-03-21

I am sure no knowledgeable person would deny how absolutely perfect all these songs are. However, the performances on this album are extremely inconsistent. It will go from an excellent rendition (Waiting for the Girls medley, Sunday, With So Little To Be Sure Of, Sooner or Later, Green Finch, Send in the Clowns, Pretty Lady) to the weird (I never Do Anything Twice), to the bad (Broadway Baby, Our Time). I still have absolutely no idea how they managed to butcher one of the best songs ever written--Good Thing Going--and turn it into smooth jazz elevator music. Why would they give Broadway Baby to someone who sounds like she's 10? That said, Liza Minelli, Glenn Close, Karen Ziemba, Dorothy Laudon and the "Waiting for the Girls" performers are all very good. And ending with Bernadette Peters and "Sunday" ends the set on a absolutley fabulous note.

"Celebration" is not strong enough a word.......2003-04-30

This review is by Crosley.

I have been a major Sondheim fan for quite some time, and I finally obtained a copy of this album. I was blown away by the excellent cast and phenomenal selection of music. It is obvious how much work went into this production, considering that this is the live recording of a one time show, and it's flawless. The songs cover all of his shows with the exception of "Passion," which was released 3 years after this show. Also, the shows for which he wrote only lyrics are ommited, like West Side Story, Gypsy, etc. Thus, you can find material from A Funny Thing Happened on the Way to the Forum, Anyone can Whistle, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd: The Demon Barber of Fleet Street, Merrily we Roll Along, Sunday in the Park with George, Into the Woods, and Assassins.

There are two striking things about this CD (besides the music and performers themselves). First of all, some of the songs are completely stylistically reworked. The most obvious are "Good Thing Going" and "I Never do Anything Twice." Both are traditionally very ballady with a piano accompaniment, but here they have been redone as jazzy tunes. The result is excellent. Such reworkings demonstrate that Sondheim writes music for virtually any style, and in these cases, across several styles. It's a great example of his variety. The other interesting thing is how many songs have overlapping melodies of songs from different shows. Case in point, "Our Time" and "No one is Alone" are sung seperately by the Harlem Boys Choir and Betty Buckley (the original Grizabella in Webber's atrocious "CATS," although Buckley was excellent) respectively, and then combined. Putting these two songs together offer different meanings to each, and the music is only enhanced. Another example, the trio of "Waiting for the Girls Upstairs," "Love, I Hear," and "Live Alone and Like It" are sung in that order, and then the latter two are combined. Again, the meanings of the songs change, this time in an almost narrative style, and offering different takes on love in the same montage. Lastly (at least for this review, there are more), Dorothy Laudon's (the original Ms. Hannigan in Annie) combination of "Losing my Mind" and "You Could Drive a Person Crazy" is brilliant. Those who are familiar with these songs will wonder how exactly they fit, but trust me, they do. She swtiches back and forth between melodies to create a number that starts poignant and beautiful, and soon moves to become uproariously funny. Both the song reworkings and overlapping melodies of unrelated songs are all for the better.

I recommend this recording to anyone wanting to get better acquainted with some of Sondheim's best work, or those already familiar who want to hear a tour de force of phenomenal music. It has been said that Sondheim is a masterful lyricist (which he is), but lacks real talent for music. This CD is the final proof that such critics are wrong. His music may take a few listenings to get into, contrary to Webber or Wildhorn, but unlike those two, he doesn't cater to the audience. He challenges them to think outside of traditional musical theater in a glorious repertoise of shows that reach for a smarter, more sophisticated form.

A maginificent evening, a magnificent album.......2001-12-16

There's something to be said for the first concert you ever see at Carnegie Hall. I was fortunate enough to have this be my first. This entire evening was devoted to his genius and the performers did not disappoint.

This wonderful double CD shows off the best and brightest of the musical theatre composer and it is, as one person put it, "an embarassment of riches." With songs from his finest works done in amazing arrangements (listen to that harmony in "We Had a Good Thing Going"!) combined with fabulous performers this is a Sondheim lovers delight.

My favorite song is, without a doubt, Dorothy Louden and her wonderful medley of "Losing My Mind" into "You Could Drive a Person Crazy" followed very closely by the recently departed Madeline Kahn singing "Getting Married Today."

Average customer rating:

Beautiful music

Soundtrack for "Gloomy Sunday"

good soundtrack...where's the bloody film?

beautiful music

Gloomy Sunday

Manufacturer: WEA
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music
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ASIN: B000031WOU
Release Date: 1999-10-25

Tracks:

Intro
Gloomy Sunday (After Seress)
Gloomy Sunday (After Seress)
AndrSpielt (Piano Thema)
Andrund Ilona
Ilona's Lied
Gloomy Sunday [As Used in the Film ein Lied von Liebe und Tod (Gloomy S
Gloomy Sunday (After Seress), Szomoru Vasarnap Medley
Dreisamkeit
Gloomy Sunday (Das Lied Vom Traurigen Sonntag) (After Seress)
Abschied
Immer Nur Trinken (After Seress)
Gloomy Sunday [As Used in the Film ein Lied von Liebe und Tod (Gloomy S
Lazl Gefahr
Ilona's Gels
Down in Budapest
Lied Vom Traurigen Sonntag [As Used in the Film ein Lied von Liebe und

Customer Reviews:

Beautiful music.......2006-08-16

This soundtrack from a foreign film is just beautiful music. Obviously there were only two songs written for the film, so they expanded them into a full CD by playing the songs in different genre and with different singers. But somehow it works.

Soundtrack for "Gloomy Sunday".......2004-09-17

The movie was magnificent and the music so moving that I had to have the soundtrack. The CD is beautiful--so evocative of the pathos of the film, it's difficult to stop listening to it. No one who has seen the film and loved it as I did will be disappointed. I certainly am not.

good soundtrack...where's the bloody film?.......2004-05-25

i dig the soundtrack...even the dancey heather nova track.
when is the movie going to be released on dvd/vhs?
i saw it at the theater and LOVED it.
anybody know?

beautiful music.......2004-01-22

This music is from the 1930's, it's called the "suicide anthem"
The music was composed by a Hungarian pianist in 1933, at the end of the depression. The melody is very passionate, I just love listening to it.

Average customer rating:

I waited for this for five years
Excellent collection but BIG PUBLISHING MISTAKE!
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
SUCH MAGICAL MUSIC OF THE NIGHT!
A Must Have for Sir Andrew fans

Andrew Lloyd Webber: Now & Forever
Various Artists
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005R5UJ
Release Date: 2001-11-20

Tracks:

Jesus Christ Superstar: Overture - Andrew Lloyd Webber
Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
Jesus Christ Superstar: Superstar - Murray Head
Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
Evita: Another Suitcase In Another Hall - Barbara Dickson
Evita: Don't Cry For Me Argentina - Julie Covington
Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
Cats: The Jellicle Ball - Andrew Lloyd Weber
Cats: Memory - Elaine Paige
Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
Cats: Mr Mistoffelees - Paul Nicholas
Song And Dance: Take That Look Off Your Face - Marti Webb
Song And Dance: Tell Me On A Sunday - Marti Webb
Song And Dance: Unexpected Song - Sarah Brightman
Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
Song And Dance: Introduction - Andrew Lloyd Webber
Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

Tracks:

Starlight Express: Starlight Express - El Debarge
Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
Starlight Express: Light At The End Of The Tunnel - The Company
Requiem: Hosanna - Placido Domingo
Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
The Phantom Of The Opera: The Music Of The Night - Michael Crawford
The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
The Phantom Of The Opera: Masquerade - The Company
The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
Aspects Of Love: Love Changes Everything - Michael Ball
Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
Aspects Of Love: Anything But Lonely - Sarah Brightman
Aspects Of Love: Chanson D'Enfance - Sarah Brightman

Tracks:

Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
By Jeeves: Half A Moment - Sarah Brightman
Sunset Boulevard: With One Look - Glenn Close
Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
Sunset Boulevard: Sunser Boulevard - Alan Campbell
Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
Whistle Down The Wind: Cold - Everly Brothers
Whistle Down The Wind: No Matter What - Children/Adult Chorus
Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
The Beautiful Game: Overture - Andrew Lloyd Webber
The Beautiful Game: The Beautiful Game - The Company
The Beautiful Game: Our Kind Of Love - Hannah Waddingham
The Beautiful Game: Dont Like You - Josie Walker/David Shannon
The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

Tracks:

Oh What A Circus - David Essex
Memory - Betty Buckley
The Phantom Of The Opera - Sarah Brightman/Steve Harley
All I Ask Of You - Sarah Brightman/Cliff Richard
Love Changes Everything - Michael Ball
Any Dream Will Do - Donny Osmond
Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
As If We Never Said Goodbye - Barbra Streisand
The Perfect Year - Dina Carroll
With One Look - Petula Clark
You Must Love Me - Madonna
The Heart Is Slow To Learn - Kiri Te Kanawa
A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
Whistle Down The Wind - Tina Arena
No Matter What - Boyzone
The Vaults Of Heaven - Tom Jones
Try Not To Be Afraid - Boy George
Pie Jesu - Charlotte Church

Tracks:

Make Believe Love - Wes Sands
Down Thru' Summer - Ross Hannaman
I'll Give All My Love To Southend - Ross Hannaman
Believe Me I Will - Sacha Distel
Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
Try It And See - Rita Pavone
Come Back Richard Your Country Needs You - Time Rice And The Webber Group
Goodbye Seattle - Paul Raven
John 19:41 - The Andrew Lloyd Webber Orchestra
What A Line To Go Out On - Yvonne Elliman
Disillusion Me - Gary Band
The Ballad Of Robert And Peter - Tim Rice
Christmas Dream - Maynard Williams
It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
Magdalena - Tony Christie
Buenos Aires - The Roja Rockers
Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
I Could Have Given You More - Petula Clark
I've Been In Love Too Long - Marti Webb
Benedicite - The Stephen Hill Singers

Album Description

Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

Customer Reviews:

I waited for this for five years.......2006-06-30

Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.

The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

But the selections on CDs 1-3 don't make sense.

First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

Here are my basic impressions and comments regarding the material on the discs:

* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.

Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

A Must Have for Sir Andrew fans.......2002-05-21

This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!

Average customer rating:

One foot in folk and one out the door...

Sunday Concert
Gordon Lightfoot
Manufacturer: EMI Special Products
ProductGroup: Music
Binding: Audio CD

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Summer Side of Life
United Artists Collection [2 CD Set]
Don Quixote
Did She Mention My Name/Back Here On Earth (Beat Goes On)

ASIN: B00008ZL8Y
Release Date: 2003-04-01

Tracks:

In A Windowpane
The Lost Children
Leaves Of Grass
I'm Not Sayin'/Ribbon Of Darkness
Apology
Bitter Green
Ballad Of Yarmouth Castle
Softly
Boss Man
Pussy Willows, Cat-Tails
Canadian Railroad Trilogy

Customer Reviews:

One foot in folk and one out the door..........2007-03-08

In 1969, when "Sunday Concert" was recorded, Gordon Lightfoot was on the verge of stardom in America. Already a seasoned and respected singer/songwriter in his native Canada, Lightfoot looked to "make it" in the larger more lucrative folk rock/pop market in the United States.

"Sunday Concert" is a contractural fulfillment album, made to satisfy the requirement of albums due in his original contract with United Artists/EMI. Nevertheless, this is a unique glimpse into Gordon Lightfoot's singing, songwriting and small group playing before his huge "Sit Down Young Stranger/If You Could Read My Mind" album for Reprise and also a portrait of a Canadian tradition, Lightfoot's annual concert stand at Toronto's Massey Hall.

The song selection is relatively brief, eleven songs, and about half of them may be unfamiliar to the casual fan. Of the more familiar singles, "Softly" and "Canadian Railroad Trilogy" are performed with real energy and feeling and are highlights of the album. A more obscure track, "Ballad of Yarmouth Castle" is an early Lightfoot song dealing with a tragic shipwreck, illustrating his compassion and sympathy for the men who sail the Great Lakes and laying the groundwork for his ode six years later to the men of the "Edmund Fitzgerald".

The sound on this disc is acceptable. The production is sparse and the echoes of the hall are clearly heard. For the casual listener who is unfamiliar with Massey Hall this can make the songs sound a bit distant, but overall Lightfoot's voice comes across well. I cannot tell if this has been remastered; there is no notation of this in the booklet, but I cannot tell much of a difference between this and the 1996 Acoustic Highway reissue which was remastered. I purchased the 2003 edition to have the original album artwork which is faithfully reproduced here.

I give this three stars a.)because of the unfamiliarity of some of the songs to casual fans and b.)the sometimes cavernous sound quality. However, the playing and singing are inspired. If you are ready to delve a bit deeper into the folksier side of Gordon Lightfoot, before he hit the really big time, check out "The United Artists Collection" then listen to "Sunday Concert", his only UA album not represented in that collection.

Average customer rating:

Sunday Concert is Timeless
One Night In Toronto
Great Live Set
A great live recording of Gordon
Great Remembrance of Early Lightfoot

Sunday Concert
Gordon Lightfoot
Manufacturer: Bear Family
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Did She Mention My Name/Back Here On Earth (Beat Goes On)
Lightfoot!/The Way I Feel
Dream Street Rose
Summer Side of Life
If You Could Read My Mind

ASIN: B0000071LD
Release Date: 1993-08-10

Tracks:

In a Windowpane
Lost Children
Leaves of Grass
Medley: I'm Not Sayin'/Ribbon of Darkness
Apology
Bitter Green
Ballad of Yarmouth Castle
Softly
Boss Man
Pussywillows, Cat-Tails
Canadian Railroad Trilogy
Just Like Tom Thumb's Blues [*]
Movin' 1
I'll Be Alright
Spin, Spin [Nashville Version, TK 8]
Movin' 2

Customer Reviews:

Sunday Concert is Timeless.......2006-03-17

I recently purchased this CD, the last one I needed to convert my Lightfoot LP collection.....and was pleased to hear the collection of live material, much of which I hadn't heard in years and it was remarkable how fresh and marvelous it sounded......along with the bonus tracks, this is a fine collection of older material and Red Shea's guitar work on Canadian Railroad Trilogy and others is incomparable. Lightfoot is in fine voice and the recording, while absent any modern technological enhancements that make live recordings as good as studio versions, is full of body and the feel of a live concert performance. You will be as enthusiastic as the crowd.

One Night In Toronto.......2006-02-14

Gordon Lightfoots' fifth and last album under the United Arts label was 'Sunday Concert' recorded live, March of '69 in Toronto. With longtime companions Red Shea (lead guitar) and Rick Haynes (bass) at his side, we are treated to -16 tracks- combining a nice mix of both old and new songs. This is a unique album for any Lightfoot collection since it is the only live performance available out of his 21 albums/CD's (he does have another concert recording on DVD titled, Live In Reno).

In many ways this concert recording clearly marks a shift about to take place in Gordon's musical career. Not only did he drop UA after this album and sign with Reprise, but his next album, 'Sit Down Young Stranger' contained his first major hit in the U.S.A., 'If You Could Read My Mind.' No longer just a Canadian phenomenon, his lyrics slowly broadened in scope in harmony with his new found popularity. His band also grew, adding a drummer and other musicians, thus losing the intimacy once provided by the legendary threesome.

Don't get me wrong, he still continued to have many great songs and albums with Reprise and later Warner Brothers for years to come. Lightfoot was still Lightfoot. He just didn't solely belong to Canada anymore.

Great Live Set.......2003-08-25

So here we have a reissue of Gord's only live album "Sunday Concert". The album itself has always been a treat and really shows you a taste of an early live set. Not a bad point here at all. The bonus tracks are treats as well. The cover of Dylan's "Just Like Tom Thumb's Blues" is exquisite (and not available anywhere else for you completists). Definitely worth a spin.

A great live recording of Gordon.......2000-08-26

Although I don't have this pressing of "Sunday Concert" I do have the EMI "Acoustic Highway" CD from 1996 of this album and the liner notes on that pressing are great, the sound is great on the album, and it features Gordon performing a sampling of his "best" early songs and it features a few great songs that are not on the "UA Collection" including "Ballad of Yarmouth Castle," "Leaves of Grass," "Lost Children," and "In a Windowpane." This collection does also introduce 2 songs he did record separately originally in a medley which he did later record in the studio in 1975 for "Gord's Gold" for "I'm Not Sayin'" and "Ribbon of Darkness." If you actually have this pressing, you may or may not enjoy the bonus tracks that appear on this issue.

Great Remembrance of Early Lightfoot.......2000-08-01

This CD's title is taken explicitly from a live concert Gordon Lightfoot performed at Toronto's Massey Hall, March 30th, 1969. From the beginning Lightfoot's performance grabs you: In a Windowpane almost plangently pushes the listener to take a personal accounting. Gord touches us with mournful notes (The Lost Children), followed by futility and hope (Leaves of Grass). He includes here his perennial favorites of I'm not Sayin', Ribbon of Darkness, Bittergreen, Pussywillows, Cat-tails, and Canadian Railroad Trilogy, all done with energy, enthusiasm, and Gord's ringing 12-string guitar. If I have a complaint up to this point, it would only be a mild one: the sound, rerecorded from old analog master tapes suffers slightly during the band's crescendos.

Gordon Lightfoot has always enjoyed a kind of bashful intimacy with his audience, whether they share his artistry from a fourth-row seat or the privacy of their homes. They love him the more for it. He was (possibly still is) an unashamed folkie, lover of nature, distruster of war, the military, and industry, which comes out over and over in his work. None of this detracts one bit from the musicality of this concert, which has been lovingly edited to bring the immediacy of Lightfoot's performance to the listener.

Why then, did the CD's newest editors add four "bonus tracks?" These awful tracks have a jarring quality that immediately conflict with the more delicate artistry of the concert. Two of the four sound almost exactly alike.

This album would have easily rated 4-or-5 stars had they not tried, lamely, to "improve" on an album that was quite good enough, thank you, when Gord recorded it for the United Artists label. In this case, a bonus was not a bonus.

Tracks:

Symphonic Sondheim: Sweeney Todd
Company: Loveland - Getting Married Today
Follies: Waiting For The Girls Upstairs - Love, I Hear - Live Alone And Like It
Company: Being Alive
Merrily We Roll Along: Good Thing Going
Merrily We Roll Along: Our Time - Children Will Listen
Dick Tracy: Back In Business
Sweeny Todd: Green Finch And Linnet Bird
Follies: Broadway Baby
Merrily We Roll Along: Not A Day Goes By
A Little Night Music: A Weekend In The Country
A Little Night Music: Send In The Clowns
Sunday In The Park With George: Sunday

Customer Reviews:

What a recording!.......2000-06-29

I only wich I could have been at Carnegie Hall that night! Come on, Bernadette Peters, Liza Minnelli, Karen Ziemba, James Naughton, and so much more! After i bought this highlights album I knew I had to get the full 2-CD set. It's great cause it's live, the orchestrations are Heaven, and you will feel like your in new york in the audience. Buy it enjoy it and if you like it is much as I do buy the Video of the performance!

Average customer rating:

Sunday With the Times

Manufacturer: Intersound Records
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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Tracks:

Four Seasons: 'The Spring': Allegro
Canon In D
Water Music: Alla Hornpipe
Arioso
'Brandenburg' Concerto No. 3: Allegro
Flute Concerto, Op. 44, No. 11: Largo
Piano Concerto No. 21: Andante ('Elvira Madigan' Theme)
String Quintet In E Major, Op. 13, No. 5: Minuet
Impromptu In A-Flat Major
'Emperor' String Quartet, No. 3: Poco Adagio
Swan Lake: Scene: Enchanted Lake
On The Beautiful Blue Danube: Excerpt
The Carnival Of The Animals: The Swan
The Afternoon Of A Faun: Prelude
Appalachian Spring: Variations On A Shaker Dance

Tracks:

'Brandenburg' Concerto No. 5: Allegro
Air For The 'G' String
'Xerxes': Largo
Concerto For Two Violins And Orchestra, 'Double': Vivace
Sheep May Safely Graze
'Moonlight' Sonata: Adagio sostenuto
'Eine kleine Nachtmusik': Romanze: Andante
Symphony No. 6 'Pastoral': Andante molto mosso
Polovstian Dance No. 17: Excerpt
Symphony No. 9m 'From The New World': Largo
'Cavalleria rusticana': Intermezzo
La Boheme: Musetta's Waltz
Trois Gymnopedies: Lent et douloureux

Tracks:

Solomon: Arrival Of The Queen Of Sheba
Orchestral Suite No. 2: Minuet And Badinerie
Prelude And Fugue In C Major
Adagio For Strings And Organ
Violin Concerto In E Major: Allego assai
Jesu, Joy Of Man's Desiring
Fur Elise
Clarinet Concerto: Adagio
Violin Concerto: Allegro
Peer Gynt: Dawn
Symphony No. 4, 'Italian': Introduction
Serenade For Strings: Waltz
Thais: Meditation
Concierto de Aranjuez: Adagio

Tracks:

Canzona per Sonare No. 2
Orchestral Suite No. 3: Overture
Highlights From Oboe Concerto: Adagio
Highlights From Oboe Concerto: Presto
Harpsichord Suite No. 5: Air And Variations ('The Harmonious Blacksmith')
Symphony No. 40: Molto allegro
Piano Concerto No. 20: Romance
Symphony No. 1: Adagio molto; Allegro con brio
Various Waltzes: No. 1, Op. 18
Various Waltzes: No. 7, Op. 64
Various Waltzes: No. 11, Op. 70
Voices Of Spring
Aida: Celeste Aida (Heavenly Aida)

Average customer rating:

Seascapes

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

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General | Jazz | Styles | Music

Marches | Miscellaneous | Styles | Music

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ASIN: B000000A8T
Release Date: 1992-10-28

Tracks:

Fingal's Cave, Op. 26: The Hebrides Overture
Mediterranean
Seascapes From The Sea Suite
Sea Songs - Quick March
Sea Interlude 2: Sunday Morning
Le Consaire Overture, Op. 21
The Oceansides, Op. 73
Storm Sea Interlude 4
Tintagel

Average customer rating:

Beck's new trio - a winner!
An electrifying set by the Gordon Beck Trio!

Not the Last Waltz
Gordon Beck Trio
Manufacturer: Art of Life Records
ProductGroup: Music
Binding: Audio CD

Avant Garde & Free Jazz | Jazz | Styles | Music

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Gyroscope

ASIN: B0001JXQHY
Release Date: 2004-02-18

Tracks:

Einbahnstrasse
Miss Day
Everything I Love
Not The Last Waltz
Announcements
This Heart Of Mine
Race Against Time
Blues in 'G'
First Trip

Album Description

Recorded live at the Appleby Jazz Festival in Cumbria, England on Sunday July 27, 2003. This is the debut recording featuring Gordon's new trio. Featuring Bruno Rousselet on acoustic bass and Philippe Soirat on drums. This 74 minute live recording features 60 minutes of music from the Appleby Jazz Festival and a 14 minute bonus track recorded live at the Petit Opportun Club in Paris, France on January 10, 2003. This recording was digitally recorded and digitally mastered with 24-bit technology.

Customer Reviews:

Beck's new trio - a winner!.......2004-04-21

Was at the Appbleby jazz fest last year, had the great pleasure in catching Gordon's new trio, the other two lovely french geezers really suit his playing, so consequently a trio that plays tremendous jazz (as she should be played).

An electrifying set by the Gordon Beck Trio!.......2004-02-24

An electrifying set by the Gordon Beck Trio, with french musicians Bruno Rousselet and Philippe Soirat on bass and drums, brought some of the most ecstatic reactions of the weekend at the Appleby Jazz Festival. Beck, a fearsome keyboard player, played long, fast runs as if every note was in sharp focus in his mind. He had a startling unity of purpose with his partners and played a repertoire of powerful, resonant, and often engagingly bluesy themes. - John Fordham - Guardian Newspaper U.K.