Folk Blues & Beyond [Original recording remastered]

Folk Blues & Beyond [Original recording remastered]

Folk Blues & Beyond [Original recording remastered]

Track Listings
 
1. Leavin' Blues
2. Cocaine
3. Sally Free and Easy
4. Black Is the Colour of My True Love's Hair
5. Rock Me Baby
6. Seven Gypsies
7. Ballad of the Sad Young Men
8. Moanin'
9. Skillet (Good 'N' Greasy)
10. Ain't Nobody's Business If I Do
11. Maajun (A Taste of Tangier)
12. I Can't Keep from Cryin' Sometimes
13. Don't Think Twice It's Alright
14. My Babe
15. Goin' Down Slow
16. Better Git in Your Soul
17. She Moved Through the Fair
18. Mustapha
19. Angi
20. Davy's Train Blues
See all 21 tracks on this disc

Editorial Reviews
Product Description
One of the Most Important Recordings from the 1960s Folk Revival. Newly Remastered featuring Original Artwork, Five Bonus Tracks from Two Rare EPs and Unpublished Photographs.

Folk, Blues & Beyond...,Davy Graham,Fledg'ling UK,British Folk,British Folk-Rock,Folk
O Brother, Where Art Thou?
Average customer rating: 4.5 out of 5 stars
  • Buy this
  • dead or alive
  • O Brother, Where Art Thou?
  • MORE OF AN IMPULSE PURCHASE FOR ME
  • A real cheer-me-up CD
 O Brother, Where Art Thou?
Various Artists - Soundtrack
Manufacturer: Lost Highway
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. O Brother, Where Art Thou?
  2. Down from the Mountain: Live Concert Performances by the Artists & Musicians of O Brother, Where Art Thou?
  3. Appalachian Stomp: Bluegrass Classics
  4. Alison Krauss & Union Station - Live
  5. Lonely Runs Both Ways

ASIN: B00004XQ83
Release Date: 2000-12-05

Tracks:

  1. Po Lazarus - J. Carter & Prisoners
  2. Big Rock Candy Mountain - Harry McLintock
  3. You Are My Sunshine - Norman Blake
  4. Down In The River To Pray - Alison Krauss
  5. I Am A Man Of Constant Sorrow - The Soggy Bottom Boys featuring Dan Tyminski
  6. Hard Time Killing Floor Blues - Chris Thomas King
  7. Man Of Constant Sorrow (Instrumental) - Norman Blake
  8. Keep On The Sunny Side - The Whites
  9. I'll Fly Away - Gillian Welch & Alison Krauss
  10. Didn't Leave Nobody But The Baby - Gillian Welch, Alison Krauss & Emmylou Harris
  11. In The Highways - The Peasall Sisters
  12. I Am Weary - The Cox Family
  13. I Am A Man Of Constant Sorrow (Instrumental) - John Hartford
  14. O Death - Ralph Stanley
  15. In The Jailhouse Now - The Soggy Bottom Boys featuring Tim Blake Nelson
  16. I Am A Man Of Constant Sorrow (With band) - The Soggy Bottom Boys featuring Dan Tyminski
  17. Indian War Whoop (Instrumental) - John Hartford
  18. Lonesome Valley - The Fairfield Four
  19. Angel Band - The Stanley Brothers

Amazon.com's Best of 2001

The best soundtracks are like movies for the ears, and O Brother, Where Art Thou? joins the likes of Saturday Night Fever and The Harder They Come as cinematic pinnacles of song. The music from the Coen brothers' Depression-era film taps into the source from which the purest strains of country, blues, bluegrass, folk, and gospel music flow. Producer T Bone Burnett enlists the voices of Alison Krauss, Gillian Welch, Emmylou Harris, Ralph Stanley, and kindred spirits for performances of traditional material, in arrangements that are either a cappella or feature bare-bones accompaniment. Highlights range from the aching purity of Krauss's "Down to the River to Pray" to the plainspoken faith of the Whites' "Keep on the Sunny Side" to Stanley's chillingly plaintive "O Death." The album's spiritual centerpiece finds Krauss, Welch, and Harris harmonizing on "Didn't Leave Nobody but the Baby," a gospel lullaby that sounds like a chorus of Appalachian angels. --Don McLeese

Customer Reviews:

5 out of 5 stars Buy this.......2007-07-23

This album is almost as good as the movie. A good purchase whether you like bluegrass or not.

5 out of 5 stars dead or alive.......2007-07-21


This motion picture soundtrack brings grins all around because each of the tracks associates so instantly with a scene from the uproarious film it graced with fine folk music, in the process generating something of a musical renaissance for those drawn to the genre.

This is pure, early-twentieth-century, down-south Americana. It would be hard to find a more dignifying and elevating anthology of music to represent that slice of American history. This music is laced with humor and irony, putting the lie to the impression many people have that it's practitioners and their folk come from a benighted subculture between the coasts and in a chronological backwater.

Listen and love it.

5 out of 5 stars O Brother, Where Art Thou?.......2007-05-28

My 1-year old grandson goes to sleep listening to some of the songs on the album, unless he is bouncing up and down to the faster numbers. I have therefore listened to the songs many, many times, and enjoy them every time. They are easy to listen to, to sing along with and to rock the baby with!

2 out of 5 stars MORE OF AN IMPULSE PURCHASE FOR ME.......2007-05-26

I regretted buying this after listening to it once. I haven't listened to it since and that's about three months ago. Simply put, without the movie to provide a context, the music itself doesn't sell itself. There are four cuts of 'I'm a Man of Constant Sorrow", two by the same artists which goes a long way to proving my point. I haven't seen the movie in a few years and I'm sure there's a logical reason for the song being repeated in the soundtrack that many times, but I can't remember what it is. Sometimes I like roots music with clear acoustic instrumental sounds and soulful voices. But as for an introduction to this type of music for a general listener, this is not the CD to get. It's mostly for the already converted.

4 out of 5 stars A real cheer-me-up CD.......2007-05-22

Couldn't feel bad while listening to this soundtrack - skipped over the serious stuff and just played "Happy"!!
10 Days Out (Blues from the Backroads)/ (CD/DVD)
Average customer rating: 5 out of 5 stars
  • Great music and a piece of blues history
  • Fantastic.
  • Blues greats, best of blues artists
  • Outstanding
  • Great!
 10 Days Out (Blues from the Backroads)/ (CD/DVD)
Kenny Wayne Shepherd
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

Contemporary BluesContemporary Blues | Blues | Styles | Music
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  1. Freedom's Road
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  3. Painkiller
  4. Dirty Deal
  5. In the Palace of the King

ASIN: B000IFQLSW
Release Date: 2007-01-23

Tracks:

  1. Prison Blues
  2. Potato Patch
  3. Honky Tonk
  4. The Thrill Is Gone
  5. Tina Marie
  6. Born in Louisiana
  7. Chapel Hill Boogie
  8. Tears Come Rollin' Down
  9. Knoxville Rag
  10. Big Daddy Boogie
  11. U-Haul
  12. Red Rooster
  13. Sittin On Top Of The World
  14. Spoonful
  15. Grindin' Man

Amazon.com

This "back-to-the-roots" road-trip documentary CD/DVD from blues-rocking guitarist Kenny Wayne Shepherd can be viewed in two ways--it's either the culmination of a long-held desire to promote and play with some unheralded blues veterans before they pass away (as six had already done since the recording was made, 2½ years before its early 2007 release) or a way to regain the blues audience Shepherd all but alienated on his artistically and commercially disappointing 2004 hard-rock release, The Place You're In. Ultimately, it succeeds on both accounts. Regardless of the project's inspiration, the results by and large justify whatever the means might have been to get this show on the road--literally and figuratively. Shepherd hit the highway for a week and a half along with producer Jerry Harrison (ex-Talking Heads), a portable studio, and backup musicians including the rhythm section from Stevie Ray Vaughan's Double Trouble. He searched out blues artists both obscure (the late guitarist Etta Baker, who plays in her kitchen, is a highlight) and better known (Clarence "Gatemouth" Brown and B.B. King) for a series of acoustic and electric jams, all of which feature Shepherd--who, to his credit, generally keeps his hot-dogging tendencies in check. A closing concert featuring members of Howlin' Wolf and Muddy Waters' bands never quite generates the heat it should, but country bluesmen Cootie Stark, Neil Pattman, and harmonica ace Jerry "Boogie" McCain provide plenty of sparks. Shepherd seems sincere enough, but the real stars are the ageing musicians who have maintained their chops and intensity through a lifetime of performing music that clearly comes from the soul. --Hal Horowitz

Album Description

Kenny Wayne Shepherd's reverence for his musical roots are center-stage on Ten Days Out...Blues From The Backroads, a CD+DVD package that features the guitarslinger and Double Trouble rhythm section of bassist Tommy Shannon and drummer Chris Layton performing with some of the greatest blues players of our time as well as lesser-known but historically significant bluesmen. Traveling to their hometowns to record everywhere from juke joints to front porches, from New Orleans to Kansas, Shepherd celebrates and becomes part of blues history with Ten Days Out...Blues From The Backroads.

Customer Reviews:

5 out of 5 stars Great music and a piece of blues history.......2007-07-19

This is a wonderful bit of blues history. I take my hat off to KWS for taking a back seat to these blues legends. The music is fantastic and the DVD/CD catalogs an art form that is loosing its greatest performers every day. If you are a blues fan or want to know a bit of its history you need to get this release. It is one of the best.

5 out of 5 stars Fantastic........2007-07-18

Maybe it's the rythm section as well, but Kenny adds another layer to these old blues guys. I would like to see a lot more of these types of CDs before we lose some of this great music. Since the recording and the release, 5 of the players had died. What a shame for the loss, but thanks Kenny and company for exposing them to a greater audience. They all deserved it.

5 out of 5 stars Blues greats, best of blues artists.......2007-07-07

Wonderful DVD/CD chronicling major historic blues artists - one of a kind album - a 'must have' for the blues enthusiast. Highly recommend!

5 out of 5 stars Outstanding.......2007-07-04

I bought this CD/DVD AFTER seeing KWS in concert at Viejas here
in San Diego. What a treat to see and hear Pinetop Perkins and
Hubert Sumlin among others! My estimation of KWS as a performer
and good guy increased by a quantum leap after seeing the show.
He may be one the best guitarists I've ever seen live, and he
respectfully kept that fierce talent in check when the others were
stepping out. He seems a real gentleman as well as lover of the
music and the people.

The package is excellent, a real gem. The interviews and background
materials are touching, especially of the folks that have since passed.

BUY THIS CD. THESE GUYS ARE THE REAL DEAL. YOU WON'T BE SORRY!

5 out of 5 stars Great!.......2007-07-04

This is actually my second purchase of this item. When I purchased one for myself and realized how good it was, I purchsed one as a gift for a friend. Highly recommend for anyone who loves the blues.
Modern Times
Average customer rating: 4.5 out of 5 stars
  • Great album
  • Modern Times
  • Modern Times
  • Modern Times is a modern classic
  • As good as Dylan gets
 Modern Times
Bob Dylan
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. All the Roadrunning
  2. The Road to Escondido
  3. Highway Companion
  4. Love
  5. We Shall Overcome: The Seeger Sessions

ASIN: B000GFLAI0
Release Date: 2006-08-29

Tracks:

  1. Thunder On The Mountain
  2. Spirit On The Water
  3. Rollin' and Tumblin'
  4. When The Deal Goes Down
  5. Someday Baby
  6. Workingman's Blues #2
  7. Beyond The Horizon
  8. Nettie Moore
  9. The Levee's Gonna Break
  10. Ain't Talkin'

Amazon.com

At a time when the majority of those his age are drifting into retirement, 65-year-old Bob Dylan has put the capper on a three-record run that ranks with the best in his storied, 44-album career. Like Time Out of Mind and Love and Theft before it, Modern Times is a rootsy, blues-soaked pool of the purest form of Americana--skipping the progressive bells or whistles for an understated backing by his touring band. Dylan's voice, which cracks, rasps and moans from the pop singer's pulpit, hasn't been this rich and emotive since 1976's Desire. And while his lyrics prolong his steadfast allusions to a higher power and his own immortality, they are not without the Dylan mirth, as when he sings of tracking pop queen Alicia Keys from Hell's Kitchen to Tennessee in "Thunder on the Mountain," the album's opener, which teams with "Someday Baby" and "Rollin' and Tumblin'" (for which Dylan misguidedly claims writing credit) as the record's most fiery numbers. Still, it's the Dylan that tells of a slave-loving owner ("Nettie Moore"), brings New Orleans to the front burner ("The Levee's Gonna Break") and plays the part of an eloquent lounge singer ("Spirit on the Water," "When the Deal Goes Down" and "Beyond the Horizon") that makes Modern Times sound just like old times. --Scott Holter

Dylan Classics and Collections


The Freewheelin' Bob Dylan


The Times They Are A-Changin'


Bringing It All Back Home


Highway 61 Revisited


Blonde on Blonde


Blood on the Tracks


No Direction Home: The Soundtrack


Biograph (Box Set)


Bootleg Series 1-3: Rare 1961-1991 (Box Set)

Album Description

First new album in 5 years featuring 10 new songs

Customer Reviews:

5 out of 5 stars Great album.......2007-08-01

This is an incredible album. I can listen to the entire thing from beginning to end without skipping any songs. This is great listening from a true artist with an astonishing length of reference for lyrics. If you like something mellow to drive and listen to on long trips, this is the album for you.

5 out of 5 stars Modern Times.......2007-08-01

This is not the Dylan of the 60's (or 70's or 80's). A lot of the growl in his voice is gone and there is a lyric quality to it. The songs have a lilt, a rhythm and lift, to them that is infectious. The lyrics are as good as anything Dylan has written. It is one to listen to over and over again.

5 out of 5 stars Modern Times.......2007-07-27

And Bob has definitely kept up with the modern times . . .
Good songs, good music. This is a keeper!

5 out of 5 stars Modern Times is a modern classic.......2007-07-14

Don't worry: no matter what the title may imply, Modern Times is not Dylan attempting to update his music to fit current trends. He has yet to do that. Instead, Modern Times is for the most part a bluesy album: he even rewrites a few blues classics ("Rollin' and Tumblin" becomes, well... "Rollin' and Tumblin'"; "Someday Baby" is a slightly different "Trouble No More" with the "Hip Shake"/"La Grange" riff, and "Levee's Gonna Break" is little more than a rewrite of "When the Levee Breaks"). "Rollin'" is energetic, but it's also probably the weakest moment on a generally strong record - original blues songs like the wrenching "Workingman's Blues #2" and hard-rockin' "Thunder on the Mountain" (love the guitar solo!) are the two indisputable highlights, and they're perfectly contrasted by jazzy country-blueses such as "Spirit on the Water", "Beyond the Horizon" and "When the Deal Goes Down". The country songs here are all among the greatest Dylan ever did in the genre, though to be fair none of them are "Lay, Lady, Lay" - "Horizon" is a bit too long, but only by about a minute or so. And while Dylan's melodies are normally nothing worth getting excited about, I love the melody (and the lyrics, and everything else) found on "Nettie Moore". In fact, I think "Nettie Moore" is my favorite song on this album - it hasn't gotten the hype of songs like "Thunder on the Water", "Workingman's Blues #2" or "Spirit on the Water", but it's a fabulous folk song and I will definitely stick up for it. Give it ten years; this'll be one of Dylan's classic songs. You see if it isn't. Oh yeah, and "Ain't Talkin'" has the best lyrics found on this album. And I really like the song's dark, doomy atmosphere too, with the violins and such. Plenty of albums by awful artists came out in 2006, and it's nice to hear Dylan (who's twice the age of most members of My Chemical Romance - third behind the Eagles and Green Day as the band I unnecessarily insult the most in my reviews, by the way) showing them all up. This is his best in a very long time.

5 out of 5 stars As good as Dylan gets.......2007-07-12

Its a shame that so many folks become closed minded to new music at a certain age. This is as good as anything Dylan has ever done, but because of the above it won't be remembered as well.
Complete Studio Recordings
Average customer rating: 5 out of 5 stars
  • Your one-stop Zep shop!
  • Glorious that just doesn't cut it, Speechless is more like it.
  • Can't Get Any Better Than This
  • LED ZEPPELIN Collection
  • Worst packaging job ever.
 Complete Studio Recordings
Led Zeppelin
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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  1. How The West Was Won
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  5. Led Zeppelin

ASIN: B000002IWP
Release Date: 1993-09-24

Tracks:

  1. Good Times Bad Times
  2. Babe I'm Gonna Leave You
  3. You Shook Me
  4. Dazed And Confused
  5. Your Time Is Gonna Come
  6. Black Mountain Side
  7. Communication Breakdown
  8. I Can't Quit You Baby
  9. How Many More Times

Tracks:

  1. Whole Lotta Love
  2. What Is And What Should Never Be
  3. The Lemon Song
  4. Thank You
  5. Heartbreaker
  6. Living Loving Maid (She's Just A Woman)
  7. Ramble On
  8. Moby Dick
  9. Bring It On Home

Tracks:

  1. Immigrant Song
  2. Friends
  3. Celebration Day
  4. Since I've Been Loving You
  5. Out On The Tiles
  6. Gallows Pole
  7. Tangerine
  8. That's The Way
  9. Bron-Y-Aur Stomp
  10. Hats Off To (Roy) Harper

Tracks:

  1. Black Dog
  2. Rock And Roll
  3. The Battle Of Evermore
  4. Stairway To Heaven
  5. Misty Mountain Hop
  6. Four Sticks
  7. Going To California
  8. When The Levee Breaks

Tracks:

  1. The Song Remains The Same
  2. The Rain Song
  3. Over The Hills And Far Away
  4. The Crunge
  5. Dancing Days
  6. D'yer Mak'er
  7. No Quarter
  8. The Ocean

Tracks:

  1. Custard Pie
  2. The Rover
  3. In My Time Of Dying
  4. Houses Of The Holy
  5. Trampled Under Foot
  6. Kashmir

Tracks:

  1. In The Light
  2. Bron-Yr-Aur
  3. Down By The Seaside
  4. Ten Years Gone
  5. Night Flight
  6. The Wanton Song
  7. Boogie With Stu
  8. Black Country Woman
  9. Sick Again

Tracks:

  1. Achilles Last Stand
  2. For Your Life
  3. Royal Orleans
  4. Nobody's Fault But Mine
  5. Candy Store Rock
  6. Hots On For Nowhere
  7. Tea For One

Tracks:

  1. We're Gonna Grove
  2. Poor Tom
  3. I Can't Quit You Baby
  4. Walter's Walk
  5. Ozone Baby
  6. Darlene
  7. Bonzo's Montreux
  8. Wearing And Tearing

Tracks:

  1. In The Evening
  2. South Bound Saurez
  3. Fool In The Rain
  4. Hot Dog
  5. Carouselambra
  6. All My Love
  7. I'm Gonna Crawl

Amazon.com

As Basil Bunting wrote about Ezra Pound's Cantos, "There are the Alps... you will have to go a long way round/if you want to avoid them." Led Zeppelin's work is the central fact of 1970s rock & roll; in its loving homage to and shameless piracy from the blues, its glorious and wretched excess, its transformation of hippie and folk-rock graces into a foundation-shaking kaboom, and its offhanded myth-making, the band turned everything caught in its wake into a reaction to it--or against it. The three non-album tracks the box includes are grace notes rather than lost jewels, but the point of the set is to be a Rosetta stone of album rock, the stairway to a gaudy paradise that they constructed. --Douglas Wolk

Customer Reviews:

5 out of 5 stars Your one-stop Zep shop!.......2007-05-01

I got this because after all the years of playing just made my vinyl too noisy to convert to CD, and at around average cost of $9 a CD (it's a 9 album 10 CD set), it would have cost me at least $8-9 per CD plus shipping. The way the CD's are in a sleeve (like the albums were) was kind of neat, and the storage case keeps all the CD packaging in one spot with the booklet. Also that 2 CD's are in each "album" is an innovative packaging idea and it has everything that each LP had as far as artwork goes. I would suggest to any Zep fan that doesn't have a lot of their CD's go this route as it will save you money in the long run. And the re-masters sound great. A few of the bonus tracks on the "CODA" CD are pretty decent, but the fact you can get all their studio stuff new for under $100 I think is awesome!

5 out of 5 stars Glorious that just doesn't cut it, Speechless is more like it........2007-03-07

These guys are the masters, the reigning kings of Hard Rock. Every gem is in this box set. Granduer, awesomeness and epic could be a couple of words to describe this box set, all I've got to say is buy it for your self, it will change your life. There was a time when I lost my job and I had to sell most of my record collection to make ends meet. Out of my whole collection I wouldn't give this up. This set got me through that peroid and also got me through other tough peroids in my life.
This box set chronciles the bands starting, up to its monarch like ascent and then to its fall when Bonzo died. All the albums are here in a 10 Box Set. Dazed and Confused, Ramble On, Misty Mountain Hop, Black Dog, Rock n'Roll, Stairway To Heavan, Achille's Last Stand, Candy Shop Rock, Kashmir, and Ozone Baby all those juicy bits are here a song for each mood. Led Zep's influences are easily seen here, garage rock, psychedelia, progressive, Rockabilly, country and of course the greatest influence the Blues. I often wonder if there is in any truth in the myth the band sold their souls to the Dark One because such mind numbing talent is almost beyond the pale of reality. I'm telling you get this set no music lover will be disapponited. Absolutely Awesome. Has 4 bonus tracks never released "Baby Come On Home", "Travelling Riverside Blues", "White Summer/Black Mountain Side", and "Hey Hey What Can I Do?" all songs in the blues vein and take their place besides the other greats. There is also a book of liner notes written by Cameron Crowe that have bits of interviews with the band and info on some of the songs. All in all this is a must have for any Zep head or person who apperciates good music.

5 out of 5 stars Can't Get Any Better Than This.......2007-01-20

This is the best boxed set in music history by the greatest rock band in music history. Too bad they did not include The Song Remains the Same and How the West Was Won to it.

My only problem with this set is that my red aussie cattle dog ate the slipcase for Led Zeppelin III and IV and I cannot replace it. So I have a nice set with nice double slipcases and one eaten by my dog. At least she has taste huh? P.S. The cds are still good.

5 out of 5 stars LED ZEPPELIN Collection.......2007-01-10

Simply wonderful. Exactly what I was waiting and hoping for. Excelent package and sound quality.

2 out of 5 stars Worst packaging job ever........2007-01-07

The music in this set is brilliant and is 5 stars all around.

Unfortunately, the packaging for this set is absolutely atrocious. The box itself is pretty cool and even has a little door that slides away into the box (like an old garage door). Inside the box are 6 slots for the photo book/new liner notes and the 5 CD cases. Each CD case is a little hardback book that holds 2 CDs and the recreated liner notes from the original LPs. For example, Led Zeppelin I and Led Zeppelin II are housed in the same hardback book with original liner notes. Unfortunately, if you want to read the liner notes for II, you have to flip the booklet over and start from the back. This is just stupid and the idea should have been shot down at the very beginning as soon as someone realized it would require Presence to come before Physical Graffiti if you wanted to have both discs of PG in the same booklet. The next packaging problem is that the CDs are housed in paper slots inside the booklets. CDs are not meant to be housed in construction paper. It scratches them every time the CDs are removed or replaced. Another stupid thing about this package is that the original cover art is shrunk down to little more than a 2 inch square.

So what we have here is shrunken cover art on booklets that present Led Zeppelin's CDs out-of-order with upside down liner notes and construction paper sleeves that scratch the CDs. This is not exactly the packaging that music of this quality deserves.

The packaging designers for this project should be ashamed of themselves. It might sound silly to harp on about this, but when the boxed set costs as much as this one does, it should be presented in a manner that is attractive, logical, and pays proper tribute to the original LP packaging. And, of course, it should be presented in a way that doesn't scratch up the CDs!
Led Zeppelin III
Average customer rating: 4.5 out of 5 stars
  • The heart of my entire collection!
  • ****1/2 Stars. THE underrated Led Zep album
  • Cooled off.
  • Led Free
  • zepplin's most acoustic set of songs.
 Led Zeppelin III
Led Zeppelin
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Led Zeppelin II
  2. Led Zeppelin 1
  3. Led Zeppelin IV (aka ZOSO)
  4. Houses Of The Holy
  5. Physical Graffiti

ASIN: B000002J1U
Release Date: 1994-08-16

Tracks:

  1. Immigrant Song
  2. Friends
  3. Celebration Day
  4. Since I've Been Loving You
  5. Out On The Tiles
  6. Gallows Pole
  7. Tangerine
  8. That's The Way
  9. Bron-Y-Aur Stomp
  10. Hats Off To (Roy) Harper

Amazon.com

After plundering the Yardbirds' legacy and Willie Dixon (among others) for their blues-riff-heavy first two albums, Jimmy Page and company surprised many listeners with the strong acoustic/folk sensibility displayed on III. Page aficionados shouldn't have been caught off guard; the guitarist had toyed with similar sensibilities and modalities during his brief tenure with the Yardbirds (most notably "White Summer" from the Little Games album). Ever the creative thieves, Zep kick off the album by nicking the riff from "Bali Ha'i" no less, with Robert Plant wailing it to punctuate the thundering FM warhorse "Immigrant Song." Even other electric rockers like "Celebration Day" and "Out on the Tiles" have an inventive, offbeat musicality to them that suggest the band was already wary of stereotyping. But it's the decidedly mellower acoustic groove of the album's latter half that's the news here, from the graceful beauty of "That's the Way" and "Tangerine" to the raw, folksy charm of "Bron-Y-Aur Stomp," "Hats Off (to Roy Harper)," and the traditional "Gallows Pole." --Jerry McCulley

Customer Reviews:

5 out of 5 stars The heart of my entire collection!.......2007-07-25

A rare group where original albums are the only way to go! Plays like a "Greatest Hits"! The very heart of my entire collection! Do lyrics get any better than "That's the Way"? Does blues get any better than "Since I've Been Loving You"?

4 out of 5 stars ****1/2 Stars. THE underrated Led Zep album.......2007-05-20

Led Zeppelin III (1970) Led Zeppelin's third studio album.

After two albums in 1969 that had helped developed the blues-rock/hard-rock sound, as well as create several FM radio staples, Led Zeppelin went in a different direction with their third record. "III" is one of their more overlooked works, due mostly to its folk sound. Besides the storming opener "Immigrant Song", the other tracks are relatively unknown to casual listeners. My thoughts? Their loss; this album has been unmarkedly though subtly influential on modern music.

"III" seems to have been made by the band in the spirit as though they were afraid of being labeled specifically as a blues band. Page is mostly on the acoustic guitar here, with Plant showing that he could actually sing - something not really heard on the first two albums. But the highlights here, putting aside the obvious "Immigrant Song", are the folk-ish "Bron-Y-Aur Stomp", the meandering "Friends", and the shifting "Out on the Tiles".

As I've said in reviews of other Led Zeppelin CDs, the sound quality is amazing. While most other CDs seem to lack the warmth distortion of the original vinyls, these remasters were overseen by Mr. Page himself. Don't worry about being disappointed in that department, all you have to worry about is how you're going to enjoy it.

3 out of 5 stars Cooled off........2007-05-08

After a pair of great blues/rock albums, Led Zeppelin decided for their third record that it was time for a change of pace. Largely leaving behind the blues roots they embraced so heavily, this one recesses the blues tinge and replaces it with a more overt folk sound-- this was certainly present on earlier albums, but here it's the main voice.

Of course, this isn't immediately obvious, the record does open with a fierce, screamed, churning "Immigrant Song", a two and a half minute slice of heavy metal, but it settles down pretty quickly, and indeed the record's best material is quite tame and dominated by some fine ballads (almost slulggish "Since I've Been Loving You", acoustic "Tangerine", the absolutely fantastic guitar and mandolin number "That's the Way"). The exception to this amongst the real greats on the record is traditional "Gallows Pole"-- soaked in acoustic guitars and mandolins, it picks up a lilt and energy and didn't receive nearly as much attention as it should have until the mid-90s Page/Plant reunion.

Still, unlike their first two records, some pieces on here just don't do it for me-- "Friends" is a bit too disjoint for its own good and "Out on the Tiles" is suspiciously filler-like. It's strengths certainly overtake its weaknesses, but in the Led Zeppelin catalog, "III" is substantially weaker than the records around it.

5 out of 5 stars Led Free.......2007-04-06

Third time around, and they get it right again. From the squeak of Bonham's kickdrum (the requisite blues "Since I've Been Loving You") to Page's only performance on banjo (the gotcha-anyway "Gallows Pole") there ain't a duff track here. It's a quantum leap sideways from the heaviness of LZ II, and the landing is perfect. Criminy, "Celebration Day" is brilliant enough even with (actually, I think, because of) the botched intro - - when Jones's bass and Bonham's drums finally clamber in, the track takes off and carries the album with it; Page's guitar work on this track is awesome. And Led Zeppelin had flirted with acoustic music before, but the full-blown folk rock on III proves their eclecticism once and for all - - "That's The Way" is simply beautiful in its melancholy. It's a wildly diverse album, and as such shows that Led Zeppelin was at this point bursting with ideas. Anyone remember Lucifer's Friend? They copped Plant's Viking wail from the high-octane, octave-riffed "Immigrant Song" for the first song on their own debut. So what, you say? Exactly.

4 out of 5 stars zepplin's most acoustic set of songs........2007-04-03

this, zepplin's most acoustically orriented album, while not one of their overrall masterpieces, still has plenty of great material on it: more than enough to make it a must-have for lovers of rock and roll. the acoustic songs "friends," and "that's the way," are simply great. not to be missed. "celebration day" is the best rocker on the album; another song that you shouldn't miss out on. "since i've been loving you," is a masterpiece, one of led zepplin's best songs: a blues melody that is absolutely gorgeous. all and all, another wonderful album from led zepplin that is definitely a fine addition to any household.
Live at Blues Alley
Average customer rating: 5 out of 5 stars
  • Great performance, great recording
  • ahead of her time
  • Her definitive album
  • Great vocalist
  • One of the best female voices I have ever heard.
 Live at Blues Alley
Eva Cassidy
Manufacturer: Blix Street
ProductGroup: Music
Binding: Audio CD

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  1. Songbird
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  3. Eva by Heart
  4. Imagine
  5. American Tune

ASIN: B000009PO2
Release Date: 1998-07-28

Tracks:

  1. Cheek To Cheek
  2. Stormy Monday
  3. Bridge Over Troubled Water
  4. Fine And Mellow
  5. People Get Ready
  6. Blue Skies
  7. Tall Trees In Georgia
  8. Fields Of Gold
  9. Autumn Leaves
  10. Honeysuckle Rose
  11. Take Me To The River
  12. What A Wonderful World
  13. Oh, Had I A Golden Thread

Amazon.com

When Eva Cassidy is swinging her way through "Cheek to Cheek" and getting down and bluesy on "Stormy Monday" on this live set from 1996, it's nigh impossible not to get swept up in her voice's vast, barreling force. Her full range, though, becomes most obvious--and soul-shaking--on the slower side, as with Paul Simon's "Bridge over Troubled Water," Buffy Sainte-Marie's "Tall Trees in Georgia," and "What a Wonderful World." On these latter tunes, Cassidy's mix of aching clarity and rich warmth has a melting quality, speaking through the body to some evanescent presence that she seems to know all too well. She improbably makes Sting's "Fields of Gold" an emotional powerhouse just as easily as she makes Billie Holiday's "Fine and Mellow" an offhand declaration of feeling equal to nearly anything in the jazz vocal canon. In doing so she earns her place among the great singers--artists who could take any song and stamp it indelibly as their own. What Eva Cassidy had in her short life was an unbelievably perfect voice and a musical soul that grasped gospel, folk, blues, jazz, and all points in between as if they were mere stops on a single train ride. Alas, her ride ended in 1996, tragically early. --Andrew Bartlett

Album Description

Recorded live at Blues Alley, Washington, D.C., Jan. 2, 1996, where the late folk singer/songwriter had a loyal following. 13 tracks, including four that appeared on her breakthrough 1998 album, 'Songbird'. Blix Street.

Customer Reviews:

5 out of 5 stars Great performance, great recording.......2007-07-03

I thoroughly enjoyed this and am happy I purchased it. Every bit of it is exceptional, the performance, the venue, and the recording. Definitely a great CD for any collection.

5 out of 5 stars ahead of her time.......2007-05-12

Wonderful music, we have everyone of her CD's. So sad that she isn't still around to make more wonderful music!

5 out of 5 stars Her definitive album.......2007-04-19

As I pulled into work one morning back in '98, I heard a song from this album on a public radio out of DC. Fortunately, reception was clean and clear that morning, and I listened in astonishment to the singer's remarkable interpretation of a song I had heard before (and, quite frankly, didn't really like). I had trouble finding the CD anywhere in Baltimore (there had been only a limited release on a small label), but when I eventually did find it, the whole was as remarkable as the one song.

From start to finish, this is an extraordinary album, showcasing the remarkable breadth of a talent too soon lost. To me, "Live at Blues Alley" is Eva's definitive album, and it ranks in my top ten albums of my fairly extensive collection. Listen to this album.

5 out of 5 stars Great vocalist.......2007-03-20

This album is one of my favorites, the music ranges from joyful to thoughtful to hauntingly beautiful.

5 out of 5 stars One of the best female voices I have ever heard........2007-03-08

This is the second time I have purchased this CD. I bought one for a friend because I have fallen in love with Eva's voice. There are so many qualities in those pipes. She can put her own spin on every song she has redone and made it unique. I really don't have words to describe her. What a loss it is for her family and her fans because she was just beginning to be discovered. She never compromised her art for anyone. She had a pure voice and pure soul and it came thru in her music.
Into the Blues
Average customer rating: 4.5 out of 5 stars
  • Armatrading's Dynamic Dive "Into the Blues"
  • excellent, excellent, excellent
  • she's back and better than ever!!
  • Another Winner For Joan
  • It'll take a few listens for this one to settle in
 Into the Blues
Joan Armatrading
Manufacturer: 429 Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Joan Armatrading - Greatest Hits
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  5. Twelve

ASIN: B000NVHWMU
Release Date: 2007-05-01

Tracks:

  1. A Woman In Love
  2. Play The Blues
  3. Into The Blues
  4. Liza
  5. Secular Songs
  6. My Baby's Gone
  7. D.N.A.
  8. Baby Blue Eyes
  9. Deep Down
  10. There Ain't A Girl Alive
  11. Empty Highway
  12. Mama Papa
  13. Something's Gotta Blow

Amazon.com

On the surface, yes, this is a blues album; mostly, though, it's a Joan Armatrading album--which means she'll follow blues forms and conceits wherever she damn well pleases. On "Liza," she takes the "Mannish Boy" groove across the tracks for a pick-up on the wrong side of town; on "There Ain't a Girl Alive (Who Likes to Look in the Mirror Like You Do)," she dresses down a rival; on "Play the Blues," she simply undresses herself to a juicy, contemporary soul groove; and on "Mama Papa," the album's finest and funkiest moment, she recalls her youth on the island of St. Kitts in lines that flash with truth: "Seven people in one room/No heat/One wage/And bills to pay." It's also a guitar album: her blues chops, especially on the sprawling closer "Something's Gotta Blow," would give Robert Cray a serious run. Fiery as her playing can be, her blues riffs are mostly economical, concise, with evocative spaces between the notes. The same can't be said for the overall production values. Armatrading is still enamored with slick gimmicks: doubling and tripling her vocals and adding layers of echo on top of that, and synth pads and distortion that feel more bombastic than bright. Into the Blues is far from a return to form, but it still sends a tough, funky message. --Roy Kasten

Album Description

Into the Blues is the album that Joan Armatrading was always meant to write. Immediately you can tell how much she enjoys playing the blues as her guitar belts out these 13 hits.

Customer Reviews:

5 out of 5 stars Armatrading's Dynamic Dive "Into the Blues".......2007-07-14


Although her official website describes Joan Armatrading's new CD, INTO THE BLUES, as being "blues influenced" rather than a straightforward blues album, the songs on it achieve exactly what the best of blues music does. They take us deep inside the raw agonies and ecstasies of life, love, and the struggle to live at peace with ourselves and the world. That drama is one Armatrading has set to superb guitar-playing that rivals (with all due respect) that of such icons as BB King, Eric Clapton, Prince, and Bruce Springsteen. Add to her artistry a voice which can boom like a Chicago baritone or caress like the sweetest ingénue and it becomes easy to see why this CD shot straight to number one on Billboard Magazine's blues chart.

On the title track of this phenomenal set, Armatrading proclaims, "My baby don't like rock and roll/ Not hip hop or pop/ My baby's just into the blues," then proceeds to deftly demonstrate why. We can debate whether the "baby" of which she's singing is a favorite lover or her guitar. But one thing not in question is the serious skill with which Armatrading explores various forms of the blues--rock, gospel, ballad--throughout the CD's 13 dynamic cuts.

The trademark finesse with which she's known to dissect the most intimate of relationships are in full play on the first two songs, "A Woman in Love" and "Play the Blues." She is particularly heart-wrenching on the mournfully plaintive "Empty Highway," which broods and croons and bleeds with the best of any blues ballad on record. "Baby Blue Eyes" is a blue-grass tinged number that evokes the soulful country traditions of an Allison Krauss or the Dixie Chicks. She moves beyond romantic introspection for some powerful social and spiritual commentary on both "Secular Songs" and the explosive eight-minute-long closer "Something's Gotta Blow." In the biographical "Mama Papa," fans get a rare treat as Armatrading pays tribute to her birth island of St. Kitts and the industrious parents who taught her to: "Play hard/ Fight fair/ Live life/ And love the Lord."

From the very beginning of Joan Armatrading's amazing career, starting with the 1972 release of WHATEVER'S FOR US, the rhythms and colors of the blues and jazz have helped define the brilliant depths and substance of her work. Also from the very beginning, Armatrading has demonstrated an uncanny ability to employ various musical trends and genres to amplify the uniqueness of her own creative voice. Those two traits serve her genius exceedingly well on INTO THE BLUES, a CD very much on its way to becoming a celebrated classic.

by Author-Poet Aberjhani
author of I Made My Boy Out of Poetry
and Encyclopedia of the Harlem Renaissance (Facts on File Library of American History)


5 out of 5 stars excellent, excellent, excellent.......2007-07-13

Still another new direction from someone who's worked in any number of different genres. Her venture into the blues takes her into a harder, more electric, and tighter sound that's great to hear. Her lyrics remain as good as always. Plus, she's right up there in the league of best blues guitarists around -- certainly she has to hold the title for best woman in that field.

5 out of 5 stars she's back and better than ever!!.......2007-07-05

I have been a fan of Joan since the 70's and this album is certainly worth waiting for!! Beautiful voice as always, great guitar licks - definitely worth buying!!

5 out of 5 stars Another Winner For Joan.......2007-07-05

Great CD - I have never been disappointed with Joan's music, and "Into The Blues" is definitely another winner for her.

4 out of 5 stars It'll take a few listens for this one to settle in.......2007-06-27

First off, this is a very interesting album. Her blues guitar playing is first rate and it is a pleasant surprise for an artist who has seemed to concentrate more on the lyrics than the music at times in the past. The bulk of the songs really do not seem all that much like Chicago blues or Mississippi blues though. I guess this is St. Kitts blues.
Some of the songs sound like typical Armatrading with a funkier bluesier arrangement. They're not bad songs at all but they;re not consisitently great. Too much overdubbing on the vocals does take away from some of the songs. I'm both a blues fan and a Joan fan so this is one I had to get. It's good, it's interesting but not great. 3.5 Stars.
My Name Is Buddy
Average customer rating: 4.5 out of 5 stars
  • Good--but it doesn't hold together for me as well as the reviews described
  • ...it wasn't that long ago....
  • Sorry Ry...
  • ry cooder at his best
  • Ry's own voice................................
 My Name Is Buddy
Ry Cooder
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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ASIN: B000MDH8E6
Release Date: 2007-03-06

Tracks:

  1. Suitcase in my Hand
  2. Cat and Mouse
  3. Strike!
  4. J. Edgar
  5. Footprints in the Snow
  6. Sundown Town
  7. Green Dog
  8. The Dying Truck Driver
  9. Christmas in Southgate
  10. Hank Williams
  11. Red Cat Till I Die
  12. Three Chords and the Truth
  13. My Name is Buddy
  14. One Cat, One Vote, One Beer
  15. Cardboard Avenue
  16. Farm Girl
  17. There's a Bright Side Somewhere

Amazon.com

Though this release carries the deceptive subtitle Another Record by Ry Cooder, the virtuosic guitarist and ethnomusicological adventurer has never released another album quite like this. And neither has anyone else. After brilliant side trips into the music of pre-Castro Cuba and pre-baseball Chavez Ravine, Cooder returns to the Depression-era and Dust Bowl ballads that marked his earliest solo releases of the 1970s. Yet most of this material is original, offering a populist parable of three fellow travelers: Buddy Red Cat, Lefty Mouse, and the Reverend Tom Toad. The tradition of putting pointed social commentary in the mouths of animals extends from Animal Farm to Pogo, and Buddy seems like a feline cross between Woody Guthrie and Joe Hill--a troubadour of union solidarity, interspecies brotherhood, and radical populism. Though Cooder's cartoon vocals occasionally sound a little mannered, the music throughout ranks with his best, as he reunites with conjunto accordion master Flaco Jimenez and soul singers Terry Evans and Bobby King, enlists banjo brothers Pete and Mike Seeger, and receives inspired support from the Chieftains' Paddy Moloney, pianist Van Dyke Parks, and drummers Jim Keltner and (his son) Joachim Cooder. Whether he's channeling his inner Chet Baker on "Green Dog" or closing with the utopian vision of "There's a Bright Side Somewhere," Cooder shows more sides of his multifaceted music than he has on any previous release. --Don McLeese

Album Description

On My Name Is Buddy, Ry Cooder revisits, in a new set of original material, the sound and feeling of the "dust bowl songs" he first explored more than three decades ago on such groundbreaking albums as his self-titled 1970 debut and 1971's In The Purple Valley. In fact, he's joined by old friends like pianist Van Dyke Parks and drummer Jim Keltner who were with him at the start of his extraordinary, ultimately globe-spanning musical odyssey, which has yielded him six Grammy Awards to date, several more nominations, and perennial acclaim. My Name Is Buddy is also a journey, a phantasmagorical rendering in music, words and pictures of the travels of three unlikely cohorts - Buddy Red Cat, Lefty Mouse and Reverend Tom Toad - as they meander through the west "in the days of labor, big bosses, farm failures, strikes, company cops, sundown towns, hobos and trains...the America of yesteryear." For this allegorical tale, Cooder marshals all his remarkable skills as a producer, arranger, songwriter, soundtrack composer and musicologist. (The Christian Science Monitor recently dubbed him "a modern-day Alan Lomax.") My Name Is Buddy recalls Woody Guthrie's Bound for Glory - that is, if it had been enacted by the articulate animal characters of Walt Kelly's classic comic Pogo. Cooder conjures up the dark shadows of an earlier time to wryly comment on the political and social issues of the present. As back-story to his songs, Cooder has written short stories for each one and they're accompanied by evocative illustrations from noted San Antonio-based painter and muralist Vincent Valdez, all of which are included in a specially designed package.

Customer Reviews:

3 out of 5 stars Good--but it doesn't hold together for me as well as the reviews described.......2007-07-12

I got the CD because I like Ry Cooder and like the concept of a story-CD. For me, "Chavez Ravine" felt like a more cohesive body of material, though.

I cannot fault the musicianship and the storyline is fascinating. Anyone who has a past anchored in the Dust Bowl area will identify with the stories---Cooder must have done his research from testimonials of folks who'd been there. If you are interested in this topic, the Oklahoma Historical Society has an extensive oral history collection, plus there were many interviews conducted by the WPA during the Depression. (The Indian Pioneer Histories)

One thing, I'm happy I got this CD used. I'd probably rate it less if I'd paid $16.99 for it and seen the 'eco packaging' already raveling at the edges. Yes, I'd like friendlier CD covers, but please can we at least get archival quality here? I do plan on keeping this CD.

5 out of 5 stars ...it wasn't that long ago...........2007-06-18

And maybe that is part of Ry's point.

Ry Cooder seems to be able to find the wonderful diversity of our world lurking under the notes. He plays and out comes ...the heat of the desert as desperation in Paris, Texas, ...the saucy spirit of persistence in Buena Vista Social Club, the fun "Oh I forgot how happy music makes me" in Chicken Skin Music. There are so many. And whats amazing is that there is hardly an album or soundtrack that you don't listen to - I mean really listen.

This is another amazing effort. Full of depression and unionizations references. There is Buddy (the buddy system), Lefty (left - get it), J. Edgar the pig (you can do this one yourself). Characters, good and bad, the truck drivers, the Klan (Republiklans), the poll police (the man) and the wonderful farmer's daughter.

I think the message could have been stronger. Pete Seeger is definitely part of the inspiration. He was master of the alagory - but he had to be. Those were the days when the man would pop out of nowhere and you would be gone (maybe lost to the coyotes). Seeger let his listener pull the power of the issue out of his prose. Ry Cooder could have been abit more "in our face" with these issues. 'Chavez Ravine' proves he has a punch.

But - fear not - this is too good to pull back a star. Listen to it and tell the younger folks that there were times when it was hard - really hard - to find the bright side.

3 out of 5 stars Sorry Ry..........2007-06-12

...but this album borders on the juvenile. And the songs are poorly phrased. This package is destined for the bargain bins.
Now, let's hear from more of those folks who couldn't write a negative review if their life depended on it....Those are the ones that always wind up at the top of Amazon's Customer reviews.

5 out of 5 stars ry cooder at his best.......2007-06-08

love the story line which gets across the message in such a subtle way- who would love a cat named buddy!!

5 out of 5 stars Ry's own voice.......................................2007-05-31

A bit of a "return to his own roots" effort in that Ry:

(a) sings in a style I remember him most for, that is, in a straightforward unstrained manner, as he did on his earlier albums that I admired so much, and
(b) brings back to the arena some political folk sentiments, so we have some Woody Guthrie/Pete Seeger sprinklings along the way.

And he also brings along something rather new for him, a concept album built along a developing lyrical theme. So we have a story line that runs the length of the album.

As always, excellent sidemen and women bring invaluable contributions. But my first thiought on hearing this was that Ry was letting his own voice take its rightful place in the mix again, not so much at the expense of spotlighting his string playing and the guests.
Music from Big Pink
Average customer rating: 4.5 out of 5 stars
  • She's stoned said the Suede and the moon calf agreed!!
  • Nice first effort
  • Essential
  • Music from Who Knows Where
  • The Album That Changed Music Forever
 Music from Big Pink
The Band
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004W50T
Release Date: 2000-08-29

Tracks:

  1. Tears Of Rage
  2. To Kingdom Come
  3. In A Station
  4. Caledonia Mission
  5. The Weight
  6. We Can Talk
  7. Long Black Veil
  8. Chest Fever
  9. Lonesome Suzie
  10. This Wheel's On Fire
  11. I Shall Be Released
  12. Yazoo Street Scandal (Outtake)
  13. Tears Of Rage (Alternate Take)
  14. Katie's Been Gone (Outtake)
  15. If I Lose (Outtake)
  16. Long Distance Operator (Outtake)
  17. Lonesome Suzie (Alternate Take)
  18. Orange Juice Blues (Blues For Breakfast) (Outtake - Demo)
  19. Key To The Highway (Outtake)
  20. Ferdinand The Imposter (Outtake - Demo)

Amazon.com essential recordings

Music from Big Pink stands as one of those rare albums that turned the rock world on its axis. On this record, released in 1968 at the height of the psychedelic revolution, the five members of the Band (along with producer-sideman John Simon) eschewed spacey diversions, opting for an earthier route. Soon enough, wah-wah pedals and tape loops were making way for fiddles and mandolins. The group's most democratic effort (Robbie Robertson would soon emerge as the ensemble's mouthpiece), the debut's 11 songs come from Robertson, bassist Rick Danko, and pianist Richard Manuel, who contributes two songs and cowrote the doleful opener, "Tears of Rage," with Bob Dylan. Manuel's role would diminish from this point hence and the balance he brought to the quintet would be missed. Many would argue that Big Pink's sequel, The Band, represents their crowning achievement. The truth is, Big Pink is the purest distillation of the Band, and their preeminent recording. This remastered reissue is generously expanded to include nine bonus tracks, a bunch highlighted by a Robertson rarity ("Ferdinand the Imposter") and a cover of the Stanley Brothers's "If I Lose." --Steven Stolder

Customer Reviews:

5 out of 5 stars She's stoned said the Suede and the moon calf agreed!!.......2007-04-08

Music from Big Pink was one of the first albums I bought as a teenager in the late 60s. It came at a time in my life when I was discovering the world around me, becoming conscious of social issues and discovering who I was.

The music touched my soul and gave life meaning and wonder at a time so much was uncertain. I still listen to the album on occasion and it remains astounding in it's simplicity, beauty and imagery. My favorite album of all time.

4 out of 5 stars Nice first effort.......2007-04-07

Okay, so the self-titled second completely blows this away, but this is still one of The Band's better albums - I've only heard three, so I'm not much of a judge of it. Still, this is an enjoyably rootsy affair. Of course it's got The Weight, a landmark '60's tune with interesting, oft-analyzed lyrics, a well-known chorus, a cool descending bassline, AND great traded lead vocals between Levon Helm, Richard Manuel (whose voice gives me the chills) and Rick Danko. The perfect song. Same with Chest Fever, which is pretty funky - sorta reminds me of Up on Cripple Creek from the next record. And have you heard how many times that organ riff's been imitated? Seriously, it's almost become a cliche now.
Of course, The Band will always be linked to Dylan, and three of these songs were written or cowritten by him. I like - no, LOVE - Tears of Rage, prototypical enigmatic Dylan. Same with I Shall Be Released, which Dylan later recorded himself and admittedly did a better job on because he wisely got that stupid high-pitched synthesizer/organ/whatever-thing out of there. But I love Manuel's vocals on the song, so I can't complain too much. This Wheel's on Fire was Dylan's third contribution, and again it's funky, with a clavinet-sounding keyboard. Probably the weakest of his additions, but still, a good tune.
As I said, Manuel's vocals give me the chills, especially on Lonesome Suzie. Admittedly, the lyrics aren't among Robbie Robertson's best. But Manuel almost brings me to tears when he sings it. No joke. It's a hard song to listen to because of that, but I like it just the same.
Long Black Veil is the most fun you'll find here, an old folk song from BEYOND THE GRAAAAAAAVE with Ultimate Multi-Instrumentalist Garth Hudson adding what sounds like a tuba. A nice, uptempo, swinging song, one of the more underrated ones here.
So far it seems like it should be a five-star, but I can't get into some of this. Like To Kingdom Come, In a Station and Candelonia Mission. I just skip right over 'em. Really boring songs with weak lyrics. And while We Can Talk has fun traded vocals, I can't see much reason to listen to it outside of that. That's just me, though.
Though the next outing was an absolute five-star masterpiece that likely tops everything else The Band ever did (as I've said, I only know three of their albums: this, self-titled and Stage Fright, plus I've got that one-disc Best of the Band), this is an effecient warm-up to that album and recommended to fans of '60's rock, especially roots-rock. If you like this sound, I also recommend Creedence Clearwater Revival and the Stones' stuff from '68 to '72.
The bonus tracks are kind of wastes... I like Yazoo Street Scandal, it should've made the original album, and their version of Key to the Highway is good enough (partially because no-one can make that song bad, really), but most are poorly-written and recorded (Orange Juice Blues, Katie's Been Gone, Ferndidad the Imposter, etc).

5 out of 5 stars Essential.......2007-04-01

One of the greats, absolute must have. Also needed to accompany this is Dylan's "Blonde on Blonde" and "The Basement Tapes". Beside these 3 albums the rest seems no more than background noise. Songwriting, singing, musicianship par excellence, how come it has gone so far down in the USA since this? Maybe because these musicians were from Canada in the first place?

PS some of the best tracks on this CD IMHO are those missing from original vinyl - "Yazoo Street Scandal", "Katie's Been Gone", "Long Distance Operator", "Orange Juice Blues" - so even if you have the original vinyl, lucky person, you need this CD too :)

5 out of 5 stars Music from Who Knows Where.......2007-03-29

It was always a close call whether this or the Band's 2nd album was their classic. This reissue and expansion presses the question to the point of impossible resolution. Not only do the outtakes enrich the release, but the remastering clearly improves the sound quality, making it much more dimensional and uncannily clear.

Time has also made it easier to assess this breakout album. It is still unclassifiable in the rock pantheon in which it finds itself. These are guys who went everywhere, heard everything, and play an incredible assortment of instruments well. They came of age when rock combos filled the juke joints and honky tonks, so yeah, you will find their work in the rock bin. In another era it might have been in the country bin, or the folk bin. At times, it sounds like each -- when it doesn't sound like old time carnival music, soul music, church music, even classical music.

For the genesis of this music is deeper than any of these categories. It goes as far back as the first European settlers on the continent; for the ultimate take on this subject consult Greil Marcus' Mystery Train and his essay inside The Basement Tapes. Simply, the music here comes from the mine that the oldest bi-racial folk tales such as Stackalee come from, where also you will find major authors such as Faulkner and Twain poaching when they try to give you a take on early times in America. Some of the stories come out like legends or folk tales, coherently told -- like Long Black Veil. All of it is in clearcut root English, but the closer you listen to some of the songs the more mysterious they become -- what are they even talking about, and who? In our era or 100 years ago? 200? All times in between at once? It is music not from "big pink" but from who knows where, and the band members freely trade the lead singer role back and forth as a song progresses, which only deepens both the wonder and the mystery, as if each of them is tossing on a piece of the whole story only they know.

While all this may sound like an academic exercise, it isn't -- The Band's school was the American road and they kept their eyes and ears wide open, playing separately and as sidemen for years, until they came together and made this. Warning: yes, it may be a bit of an acquired taste. But its well worth the effort, and is not only one of the most important rock records ever cut, but on the short list of important American music from century 20.

5 out of 5 stars The Album That Changed Music Forever.......2007-02-28

Eric Clapton in the liner notes of Blind Faith's deluxe edition sums it up when he described this album as having the most significant impact on him "whose versatility and harmonious unity seemed blissfully free of the corrosive intensity which had fueled Cream".
Furthermore, The Band's melodic interplay and the subtle textures created by their exotic instruments whose close association with Bob Dylan only deepened his(Clapton's) fascination. No need to add words BUT all the bonus tracks, Basement Tape versions are grand fully reproduced in these high caliber remasters artwork and all.
Highway 61 Revisited
Average customer rating: 5 out of 5 stars
  • The album to begin with for electric Dylan
  • there is bob dylan and then there is everybody else
  • As Great as Everybody Says it is.
  • the proof....even Dylan can't escape the evidence (but oh, how he tries...lol)
  • A Stunning Masterpiece
 Highway 61 Revisited
Bob Dylan
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. Blonde on Blonde
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ASIN: B00026WU82
Release Date: 2004-06-01

Tracks:

  1. Like A Rolling Stone
  2. Tombstone Blues
  3. It Takes A Lot To Laugh, It Takes A Train To Cry
  4. From A Buick 6
  5. Ballad Of A Thin Man
  6. Queen Jane Approximately
  7. Highway 61 Revisited
  8. Just Like Tom Thumb's Blues
  9. Desolation Row

Amazon.com

Dylan was virtually gushing great songs when this masterpiece arrived in the summer of 1965. From the epochal opening of "Like a Rolling Stone" through the absurdly apocalyptic closer, "Desolation Row," his command of surrealistic language was daring and amazing. As a vocalist, he was rewriting the rules of the game. Jimi Hendrix made note of Mr. Z's technically suspect pitch and decided that he too was a singer. And the backing, though ragged, is precisely right. Is this the essential Dylan album? It's certainly one of them. --Steven Stolder

Customer Reviews:

5 out of 5 stars The album to begin with for electric Dylan.......2007-07-31

This is Dylan's best album. "Like a Rolling Stone" is the most celebrated single here, for good reason, but similarly arranged, lyrically sweeping stream-of-consciousness songs such as "Just Like Tom Thumb's Blues," "Ballad of a Thin Man," could have become the defining single of its era had it been released in place of "Like a Rolling Stone." The album also includes ragged blues rock such as "Highway 61 Revisted," "From a Buick Six," and "Tombstone Blues" - all driven by Mike Bloomfield's searing guitar work (Bloomfield was probably the most gifted rock guitarist of the pre-Hendrix era). Slower numbers like "Queen Jane Approximately," with its cascading keyboard flourishes, and "Desolation Row" the epic-length closer, round out the album.

5 out of 5 stars there is bob dylan and then there is everybody else.......2007-06-26

this is the absolute TRUTH on REALITY. bob dylan mixes up surrealism, symbolism (from rimbaud)and good old fashioned rock 'n roll to make on of the seminal albums of the lifetime of rock 'n roll. he mixes up a tremendous lyrical beat, wild frenzy and articulated truth in his lyrics to make a classic that will stand the test of time for as long as time goes on. along with blonde on blonde, and bringing it all back home, he reached the absolute pinnacle of describing real reality in poetical terms. in all his later albums, he would never attain this wild greatness again.

5 out of 5 stars As Great as Everybody Says it is. .......2007-06-19

I giggled a little bit when I saw that the 5 star to 4 star ratio for this record was 29 to 1 with no negative ratings whatsoever. Well, there's a very good reason for this imbalance; the perceptions of my fellow critics are totally correct. Yes, Highway 61 revisited is every bit as wonderful as everyone says it is. I'm not sure if I'm qualified to speak about it though as I've only listened to it 123,343 times over a two decade period. I do agree though that in life one quickly discovers that many things are overrated--but not this CD. It is unknown how one could improve on it very much. There's not much better out there unless it's Blonde on Blonde and even then it's close. The tracks here are absolutely seamless and the lyrical brilliance (at the time) was without precedent. If we rate songs on a scale from 1 to 100 I'd have to say that not one of these tunes would merit anything below a 90. Had Dylan only released this CD he would still have been remembered as a genius. The making of Highway was something unknown to me until I saw Martin Scorsese's No Direction Home in which Al Kooper tells the story of the recording sessions, and the interview with him became one of my favorite parts of the documentary. I won't spoil it for you but, for the Dylan fan, you must at least rent it. Hearing about the way Kooper stumbled into immortality is worth five bucks or more. Well, I'll stop raving now but these tracks are Olympian in their proportion.

5 out of 5 stars the proof....even Dylan can't escape the evidence (but oh, how he tries...lol).......2007-03-26

The best and most important Rock and Roll album ever? Yeah, definitely. Blonde on Blonde may have come after, but for me this album was always a distillation of Blonde on Blonde...other people see that album as filling out the ideas on Highway 61, but to me it's just the opposite. I've owned one LP, 2 cassettes and am now on my second CD of this album. (no I'm not an old hippie...born in '64, thank you). Buy it, steal it,...but definitely get it.

5 out of 5 stars A Stunning Masterpiece.......2007-03-17

If there's ever been a better album made in the rock era, I have not heard it. It opens with the landmark "Like a Rolling Stone" and sustains that high level all the way through. Combines various genres of music: rock, folk, blues, Tex Mex, country and the effect is mesmerizing. It's nice to hear Dylan when he could actually carry a tune, and his rich, raspy voice serves the material well. The musicianship is first rate. Especially noteworthy is the blend of organ, guitar and harmonica on several songs. Dylan kept raising the bar with his albums and it never rose higher than w/ this incredible album. Check it out.

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