Full House [Original recording remastered] [Import]

Full House [Original recording remastered] [Import]

Track Listings

1. Walk Awhile

2. Doctor of Physick

3. Dirty Linen

4. Sloth

5. Sir Patrick Spens

6. Flatback Caper

7. Poor Will and the Jolly Hangman

8. Flowers of the Forest

9. Now Be Thankful [Mono Version]

10. Sir B. McKenzie's Daughter's Lament for the 77th Mounted Lancers Retrea

11. Bonny Bunch of Roses

12. Now Be Thankful [New Stereo Mix]

Editorial Reviews
Product Description
UK digitally remastered reissue of the 1970 album for Hannibal. Includes four bonus tracks, 'Now Be Thankful' (mono & new stereo mix), 'Sir B. McKenzie's Daughter's Lament...' & 'Bonny Bunch Of Roses'.

Full House,Fairport Convention,Polygram Int'l,British Folk,British Folk-Rock,Folk,Folk & Traditional,Folk-Rock,Pop,Progressive Folk

Les Miserables (Highlights from the 1987 Original Broadway Cast)
Average customer rating:

BEST OPERA MUSIC EVER

Time well spent.

Great Score, But Highlights Missing Critical Songs

Buy the full version, please

Argh Matey!

Les Miserables (Highlights from the 1987 Original Broadway Cast)
Alain Boublil , Claude-Michel Schonberg , and Colm Wilkinson
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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Disney's Beauty and the Beast: The Broadway Musical (Original Broadway Cast Recording)

ASIN: B000084TRM
Release Date: 2003-01-28

Tracks:

Overture/Work Song
I Dreamed a Dream
Who Am I?
Castle on a Cloud
Master of the House
Stars
Do You Hear the People Sing?
A Heart Full of Love
One Day More
On My Own
A Little Fall of Rain
Drink with Me
Bring Him Home
Javert's Suicide
Empty Chairs at Empty Tables
Wedding Chorale/Beggars at the Feast
Finale

Amazon.com

While not overly generous at 55 minutes, the highlights album of the 1987 original Broadway cast recording of Les Miserables is intelligently selected and likely to prove satisfying to most fans. It includes the best-loved numbers of Alain Boublil and Claude-Michel Schönberg's score, beautiful ballads ("Bring Him Home," "I Dreamed a Dream") and rousing anthems ("One Day More," "Do You Hear the People Sing?") alike, but eliminates some choral numbers ("Lovely Ladies"), redundancies ("Red and Black"), and connective tissue that propels the plot along ("Valjean Arrested," "Come to Me (Fantine's Death)"). Sure, a more perfect selection could have lasted longer than half of the two-disc set's 104 minutes by adding "At the End of the Day" and "In My Life," among others, but it's still a good representation on a convenient single disc. Of course, those who always want to re-create the theatrical experience will never be satisfied with a highlights album.

Re-creating their roles from the London production, Colm Wilkinson plays the heroic Valjean and Frances Ruffelle is the despondent Eponine. Randy Graff (Fantine), Terrence Mann (Javert), David Bryant (Marius), Judy Kuhn (Cosette), Michael Maguire (Enjolras), and Leo Burmester and Jennifer Butt (the Thénardiers) fill out the cast. --David Horiuchi

Customer Reviews:

BEST OPERA MUSIC EVER.......2006-11-03

This is the BEST!! I would highly recommend this to anyone who likes this kind of music!

Time well spent........2005-09-14

Each member of the Les Miserables cast stands to deliver this musical to its audience. Within moments we are transported to France during their Restoration. We experience sadness, laughter and, indeed, want to join in their crusade. The music and deliverance, in my opinion, is excellent.

Great Score, But Highlights Missing Critical Songs.......2005-08-05

Composers Alain Boublil and Claude-Michel Schönberg's score for "Les Miserables" is simply brilliant and the spectacular Broadway cast, led by Colm Wilkinson, Randy Graff, Terrence Mann, and Frances Ruffelle, help bring this incredible music to life!

While I normally enjoy "highlight" cds, this one clocks in at a mere 55 minutes and could have easily included a couple of additional tunes (thus losing one star). Most notably missing: "At The End Of The Day", "Come To Me", "Red And Black", and "In My Life". The show's most memorable songs, however, are included.

Best tracks:

I Dreamed A Dream
Master Of The House
Stars
Do You Hear The People Sing
On My Own
A Little Fall Of Rain
Bring Him Home
Empty Chairs At Empty Tables

Great cast, great score ... even a good buy. But I would suggest the full double-disc score instead.

Buy the full version, please.......2005-01-20

Highlights are never worth it. You will never get the little in-between songs which make a show complete, montages will be cut together badly instead of being full songs as they should be...so much is left out. This is a fantastic show and deserves to be heard in full.

Argh Matey!.......2004-11-22

"Highlights" albums are not the full show, blah blah blah... THIS TAKES UP ONLY ONE SPACE IN YOUR CD RACK INSTEAD OF TWO LIKE THE FULL RECORDING. I rest my case.

Average customer rating:

best J. geils
Should be rated 10 stars.
Great live album by a band best heard live
One Of The Great Live Albums Of ANY Day
Just Buy It!

"Live" Full House
J. Geils Band
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002J69
Release Date: 1995-10-31

Tracks:

First I Look At The Purse
Homework
Pack Fair And Square
Whammer Jammer
Hard Drivin' Man
Serves You Right To Suffer
Cruisin' For A Love
Looking For A Love

Customer Reviews:

best J. geils .......2007-05-07

what a great CD brings back memmories. Has to be the best they ever did great live CD

Should be rated 10 stars........2007-02-06

I have been listening to rock and roll for almost 40 years and have worked off and on over the years as a classic rock DJ. In my opinion, this is one of the 5 best "live" albums ever recorded, by anybody. The energy on this CD is absolutely incredible. Even if you're not a big J. Geils Band fan, this is an essential for any CD collection. They flat out rock like few bands I have ever heard!!!

Great live album by a band best heard live.......2006-11-15

It was 1971 at the University of Maryland, and students got several free concerts each semester as part of their activities fee. Very few of us that night had heard of the J. Geils Band when they got onstage at the Armory, but by the end, every person was up on their feet going crazy. This live album is all you need, really. They had only two studio albums to that point, and both are kickers. Most of the best on those two efforts appears here in higher-energy form. From Bloodshot on, they rarely recaptured the magic, IMHO. This may not be for audiophiles, but anyone who loves roots-based rock and roll done high-energy has to have it. Great CD to learn harp with, since Magic Dick is loud in the mix, and his licks ring classic, yet are inventive.

One Of The Great Live Albums Of ANY Day.......2006-10-30

It still holds up after all these years..any fan of 70's rock will surely rank this CD as one of the all time faves in terms of energy,shucking and jive basically an all out assault from this blue eyed soul band that were the top of the game in their great days of fusing elements of 50's based rock and roll, Chicago and Detroit blues into this hybrid of pure rock and roll with gratitude to the originals ranging from Little Walter,Otis Rush,John Lee Hooker and other greats.
Fronted by a rascal on vocals,Peter Wolf, alongside him the guitar of J.Geils, and the exuberant harmonica and keyboard and driving force of their drummer, this band cut this live album as their 3rd installment bringing their version of "looking For A Love" to a national audience.
Pure non-stop energy, this album preceded their hits of "Give It To Me", "Love Stinks", "Centerfold".
This group achieved later success but this is possibly their best offering that stands up to the test of time.

Just Buy It!.......2006-05-03

More than 30 years later still simply the best rocking live record I ever heard!

Average customer rating:

Perhaps Their Best
I can never really get enough of Fairport Convention
when the stone has grown too cold to kneel
Full House, even more complete.
and god said, let there be "folk-pop"

Full House
Fairport Convention
Manufacturer: Polygram Int'l
ProductGroup: Music
Binding: Audio CD

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Angel Delight

ASIN: B00005NILD
Release Date: 2001-10-15

Tracks:

Walk Awhile
Doctor of Physick
Dirty Linen
Sloth
Sir Patrick Spens
Flatback Caper
Poor Will and the Jolly Hangman
Flowers of the Forest
Now Be Thankful [Mono Version]
Sir B. McKenzie's Daughter's Lament for the 77th Mounted Lancers ...
Bonny Bunch of Roses
Now Be Thankful [New Stereo Mix]

Album Description

UK digitally remastered reissue of the 1970 album for Hannibal. Includes four bonus tracks, 'Now Be Thankful' (mono & new stereo mix), 'Sir B. McKenzie's Daughter's Lament...' & 'Bonny Bunch Of Roses'.

Album Description

UK digitally remastered reissue of 1970 album for Hannibal that's out-of-print domestically. Now with four added bonus tracks, 'Now Be Thankful' (mono & new stereo mix), 'Sir B. McKenzie's Daughter's Lament...' & 'Bonny Bunch Of Roses'. 2001.

Customer Reviews:

Perhaps Their Best.......2006-07-23

One of Folk-Rock's finest jewels. This record followed "Liege and Leif" as well as the leaving by Sandy Denny of the band. Both factors contributed to low expectations at its release. Yet "Full House" was and is a major success. The vocals and song writing evince a keen, authentic sense of what Fairport Convention understood its qualities to be. Moreover, the playing of Swarbrick and Thompson--not only replete with virtuosity but also clearly a shared discourse--places this album among the greats of Rock and Roll.

It's a limetime top fiver, for me.

I can never really get enough of Fairport Convention.......2006-03-09

There's hardly a recording they've made that I don't have. And still, I find that this CD has its own special sound that really reaches me. Reminds me some of Outgrabe's early work. If you yearn to visit another place, come hither. You won't be disappointed. Play on, my loves.

when the stone has grown too cold to kneel.......2006-01-11

This is a genre-defining album, made even better by the inclusion of the extra tracks. To put it simply, there is no finer marriage of traditional and modern than that which is contained here.

If the standard of transcendence for this kind of thing is whether or not you can compose songs that sound so traditional that you almost can't believe they weren't written centuries ago, then by reason of "Sloth" and "Doctor of Physick" this record might be the pinnacle achievement of what is called folk-rock. Restoring "Poor Will.." and the sublime "Now Be Thankful" to the mix just takes it over the top, where you could argue convincingly for this album as one of the greatest ever made in any genre.

100 extra spanner points for Richard Thompson's ridiculous, hysterically creepy liner notes, about some kind of Olympics of Esoteric English Games with a heavy accent on mayhem and bloodshed.

Full House, even more complete........2005-02-11

The LP, as it were, rated 5 stars from the initial LP release way back then! It had instantly become my favorite, even though it had followed the previous 4 other classics and without most of their orginal members.

I admit, after Angel Delight, I stopped collecting Fairport music. In stead, I collected most of its spinoffs, Ian Matthews, Richard Thompson, Sandy Denny, etc., including Plainsong, Fotheringay, etc, even Steeleye Span.

The extra tracks included on the CD made FULL HOUSE more full!

Of course, I have re-discovered Fairport since, and IMHO, 'Red And Gold' is the best STUDIO LP/CD recorded since the Early Days. :)

FULL HOUSE, though, is still my favourite!

May I also suggest the mag/rag 'Dirty Linen'!

and god said, let there be "folk-pop".......2004-08-04

my personal favorite FC album, fast and fancy and happy and catchy and intricate and weird, all at once. i also believe that this may be richard thompson's finest moment, including his illustrious solo career.

Average customer rating:

All Saints CD
good girl band
Worth checking out
A Fairly Solid Debut From A Short-Lived Rival Band
Very good debut!

All Saints
All Saints
Manufacturer: Uni/Full Frequency Range Recor
ProductGroup: Music
Binding: Audio CD

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Saints & Sinners
Studio 1
All Hits
Spice
Awake and Breathe

ASIN: B0000067KX
Release Date: 1998-03-10

Tracks:

Never Ever
Bootie Call
I Know Where It's At
Under The Bridge
Heaven
Alone
If You Want To Party (I Found Lovin')
Trapped
Beg
Lady Marmalade
Take The Key
War Of Nerves

Customer Reviews:

All Saints CD.......2007-01-09

As promised, I received a new CD case as the original one had a crack in it. I am very pleased with this purchase. Great prices and shipping.

good girl band.......2005-10-25

I loved the spice girls in the 90's but they were for the masses. All Saints appealed more to the r&b/hip hop fans and they were successful for a minute. I Know Where It's At was a hip hop/pop song that had the janet jackson sound to it, but with a british vibe to it. Never Ever was a beautiful, beautiful ballad that was on heavy rotation and who can forget the remakes of under the bridge from the peppers and the labelle remake of voulez vous couchez avec moi ces't soir. I hope shanzay does a solo career cause she wrote most of the lyrics and music on this album and it would be nice if she made a solo comeback cause the group broke up and it doesn't look like they're getting back together

Worth checking out.......2004-07-08

I bought this CD a 5 years ago because I loved "Never Ever". I listened to it off and on, but this year I put it back in my CD player and was surprised to see how well it has held up over the years. "Never Ever" still sounds good, but the other songs sound better than I remember them. Their covers of "Under the Bridge" and "Lady Marmalade" are surprisingly good, and most of the other songs are strong as well.

The Spice Girls comparisons are inevitable, but All Saints stand alone, even though they were never as huge as the Spice Girls in the US.

I recommend checking this album out. It is a good blend of pop and R&B, and it should have been a bigger hit in the US.

A Fairly Solid Debut From A Short-Lived Rival Band.......2004-06-22

In the 1990's the Spice Girls were the No.1 female girl group. They dominated the charts all over the world for three years and became iconic superstars in the process. Naturally, you always get imitators who come along and try to repeat the success of the original and best - but never quite succeed. A British girl band called the All Saints nearly achieved this in 1998 with their self-titled debut album. The Spice Girls were compared to the Beatles in terms of worldwide appeal and a level of insane mania that hadn't been seen in decades. Then the All Saints came along to rival them, almost in a way that the Rolling Stones did for the Beatles. So these two girl groups were symbolic of two 'boy' groups that ruled the 1960's.

Bands like the Spice Girls and the All Saints are big reasons why the 1990's will always be my favourite decade for music. In England the All Saints released their debut album at the back end of 1997 and it went on to sell almost 2 million. Their debut single had just gone Top 5 and they were gearing up for the release of their second single which would go on to become one of the most popular break-up songs of the decade. They were seen as a cooler, more hip version of the Spice Girls. They were older, wiser, more mature, and their music had a certain artistry to it that the Spicies never possessed. Infact, in Britain, for a short while in early 1998 it seemed like a backlash against the Spicies was setting in whilst everyone favoured the All Saints...

The debut album from the All Saints opens with that infamous classic ballad "Never Ever." It opens the album in fine style, and clocks in at six and half minutes of pure vocal bliss. The song made it to No.1 after months on the chart and spent something like seven months in the Top 40, selling more than 1 million copies. Shaznay Lewis wrote the song and her true talent is revealed here. "Bootie Call" was the fourth single to released from the album and became the girls' third consecutive No.1 UK single. This is as raunchy as the girls ever got, and it quite indeed. Simmering beats bubble over the saucy lyrics and deep vocals to make a hot and sweaty R'n'B/pop hybrid classic. "I Know Where It's At" is where it all began. The debut single from the girls, this is a very catchy slice of pop perfection that made them a hit. "Under The Bridge" was the girls' third single and a cover of the Red Hot Chili Peppers' original. It's no way as good obviously, but I like the funky R'n'B edge that is brought to it. It was the third single to be taken from the album and went straight to No.1 - the video is bad though, gives me vertigo!

"Heaven" opens mysteriously before breaking it down with a hip bass. This is a mid-tempo number that doesn't quite get off the ground, but it's very mature and was very fresh at the time of its production. "Alone" begins off well with a stop-start beat and the chorus makes this even funkier. The beat is very catchy and the chorus is sung in a very stylish and cool way. "If You Want To Party (I Found Lovin')" is a song that follows a similar style to the girls' debut single with a great party vibe and cheesy pop synth! You hear people cheering in the back like it's in a club - very typical of the time it was made. "Trapped" and "Beg" are purely filled to keep the album afloat, but they are the real downers on an otherwise class album

"Lady Marmalade ('98 Remix)" is the second of two cover versions on this album and was released as a Double A-Side along with Under The Bridge in May 1998. Of course, the song went to No.1 as I said before. The girls make this version very poppy and funky - one to definitely get your groove on to. Having said that, the version that Christina Aguilera and co. did three years later is much better! "Take The Key" is another filler and rather disappointing, but is redeemed with the smashing and beautiful ballad "War Of Nerves." Shaznay claimed she wrote this song around the time of Princess Diana's death in August 1997. This was the fifth and final single to be taken from the album and made the Top 10 in the UK. I love the video and this is an overall great song to unwind to, and a fantastic closer to the album.

OVERALL GRADE: 7/10

The All Saints were a very photogenic girl group. Melanie Blatt was often considered the sexiest, whilst the sisters Natalie and Nicole Appleton just stood there and look pretty. Because of this, Shaznay was often the least popular member of the group when in reality she was the driving force behind them! She wrote those awesome lyrics, and had the best voice. It was obvious that with inflated egos and a battle between talent that the girls would split up, and they did in early 2001 just a few months after the release of their sophomore album "Saints And Sinners." Their success was short lived as a group, but the All Saints will definitely be one of the most remembered bands of their generation.

Very good debut!.......2003-07-05

I have always thought of the All Saints as the RnB version of the Spice Girls - they wore trainers instead of platforms and wore tracksuits and hoodies instead of midriff tops and mini skirts. But they were just as good (coming from a Spice Girls fan), with a fantastic debut album. My rundown:

1. Never Ever
This version of the song is soooo long! But it's good for a debut single, and I love the piano in it. Good chorus too. 4/5
2. Bootie Call
I love this song! It has such a cute name! Lol, apart from that, this song has cool music and I love Mel's vocals. 5/5
3. I Know Where It's At
I never really liked this song, although it is quite cool. I like Shaz and Mel's voices. 3/5
4. Alone
This has cool vocals from Nat and Nic, with a cute chorus. 4/5
5. Under the Bridge
I love this! It's a cover of the Red Hot Chili Peppers track, and it's fantastic! I just LOVE the guitar opening (and closing), and Mel sounds brill on the first verse. Nic (or is it Nat?) sounds good on the second verse and Shaz steals the show at the end. The best on the CD. 5,000,000/5
6. Heaven
This is very soft sounding and chilled out, with a great chorus and complicated lyrics, which I don't understand. But it's good. 5/5
7. If You Want to Party (I Found Lovin')
I don't like this song very much - party songs don't appeal to me a lot, but it does have cool music. 3/5
8. Trapped
This is such a cool song!! It has cool music and I love the funny lyrics - "she looks in the mirror and sees someone old" - very cool. 5/5
9. Beg
This is very funny - the girls are making a friend who betrayed them beg. I love the sentence at the end of the song - "today's letter was B and the word was Beg" like in Sesame Street. Very cool. 5/5
10. Lady Marmalade
This is a 1990's version of Christina A, Lil Kim, Mya and Pink's version except with All Saints singing on it. Naughty lyrics but great vocals. 5/5
11. Take the Key
I don't like this song very much. It's too chilled out for me. 2/5
12. War of Nerves
This song pulls on your heartstrings, with GREAT music and vocals from Shaz and Mel. 5/5

Favourite songs in order:

1. Under The Bridge
2. Bootie Call
3. Trapped
4. Heaven
5. Beg

Tracks:

Full House
I've Grown Accustomed To Her Face
Blue 'N' Boogle
Cariba
Come Rain Or Come Shine
S.O.S.
Cariba
Come Rain Or Come Shine
S.O.S.
Born to Be Blue
Born To Be Blue

U.F.Orb (Limited initial quantities include 2nd disc with full length 40 minute "Blue Room" +3)

Average customer rating:

Drone ship in orbit...
If "Ambient Dub" could have a classic album, this is it!
The sound of an epoch
One of 'Ambient House's' Most Enduring Classics.....
Beyond the Noosphere (man)

U.F.Orb (Limited initial quantities include 2nd disc with full length 40 minute "Blue Room" +3)
The Orb
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

Ambient | Dance & DJ | Styles | Music

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Orblivion
Orbus Terrarum
The Orb's Adventures Beyond The Ultraworld
Orb's Adventures Beyond the Ultraworld
Pomme Fritz

ASIN: B00000E5F7
Release Date: 1992-11-03

Tracks:

O.O.B.E.
U.F.Orb
Blue Room
Towers Of Dub
Close Encounters
Majestic
Sticky End

Amazon.com essential recording

An ambient-techno classic, UFOrb captures Alex Patterson and his sonic henchman at their early peak. While the Orb had already created a dance-floor and chill-out-room sensation in 1991 with Little Fluffy Clouds, this follow-up disc displays Patterson's talent for fusing ambient music with dub science and a club culture mindset. Incorporating psychedelicized samples over the era's reigning techno beats and deep reggae bass lines, heady compositions such as "Towers of Dub" and "Close Encounters" are excessive in length but consistently entertaining. The album's highlight is an 18-minute version of "Blue Room" (there's a 40-minute version out there, too), which features the sensual bass playing of Jah Wobble and the oscillating guitar of coproducer Steve Hillage. A most serious contribution to the legacy of the modern DJ. --Mitch Myers

Customer Reviews:

Drone ship in orbit..........2006-11-26

I got this album when it was released back in 1992, it is the limited 2 disc set, the first being the complete U.F.Orb album, the second disc being the complete "Blue Room" (running at 39:58 minutes, and also made it to #8 on the UK charts back then) with two edits and a fourth track titled "Assassin." Compared to some other ambient music in my collection from back then, these two albums have aged extremely well. I think the key to this is the number of different sounds and samples - it never relies on synth pads to make its point. All of the music on both discs have enough burbles, wild cat noises, NASA conversations, throat clearings, melodies show snippets (one funny one; a portion of the background intro music from the Nintendo SNES game "Darius Twin" appears as the main melodic line in "The Blue Room (Remix)" on the bonus disc - fits in amazingly well, has a great sinister sound to it) and interesting sounds to make it a happy listen.
The 40 minute version of "Blue Room" and "Towers of Dub" are my favorites, Towers features some nice harmonica work and a great sample from Woody Allen's "Sleeper." One of the most played albums from my collection. Thank you very much Alex Paterson. Highly recommended - buy the album, take it for a spin and go meet Haile Selassie at Babylon & Ting.

If "Ambient Dub" could have a classic album, this is it!.......2005-08-27

Techno, Trance, Ambient-House, and the such have truly saturated the music market of the last 15 years. So much so, that most of it hardly gets heard by anybody because there is so much of it. And so much of it can all sound alike. Even the ultimate techno fanatic could not possibly hear it all in his (or her) lifetime. And what's more, VERY few new Techno artists, can have, what the world would call, a "classic album".

I still believe the humble beginnings of techno music, was simply called "electronic music" or by today's terms - "electronica". And that all began in the 1960's with Kraftwerk (Organisation), Silver Apples, and even Walter (now Wendy) Carlos. Moog music was another term for electronic music. In the 1970's, the early stages of "Techno" started to show up even more. Artists like Tomita, Klaus Schulze, Tangerine Dream, and Jean Michel Jarre, were all brave pioneers of a new sound in music, a new cold electronic sound.

I'd be willing to say that the first successful "Techno" album has to be Kraftwerk's 1977 album, "Trans Europe Express". It's even sampled often by many of today's Techno-Ambient House artists. The earliest album that I could call the bravest venture into spacey electronica is Tangerine Dream's 1971 album, Alpha Centauri". Check out "Fly and Collision of Coma Sola" off this album. It's simply mind-blowing!

With the music market suddenly getting slammed with new ventures in Techno, Ambient House, Trance, Electronica, IDM, Ambient Dub, etc., suddenly in the early 1990's comes THE ORB. With their first triple album set "Adventures Beyond the Ultraworld", the world was introduced to another whole new adventure in electronic music, that earns universal success. Their first commercial successful single was "Little Fluffy Clouds". It even received airplay on regular contemporary pop radio. Big time in the UK, I'm sure. Already feeling that this is a new landmark album for the genre, it really blew my mind when their second commercial release "U.F.Orb", came out. When I heard a store playing "Blue Room", I couldn't believe that this was something new from The Orb. They weren't playing the CD of U.F.Orb, they were playing a CD single of "Blue Room" that went on for nearly 40 minutes! Wow! That blew my mind!

In the early days of buying The Orb, the first release of "Adventures Beyond the Ultraworld, was a single edited CD of the full double CD that came out of the UK, that is currently released worldwide today. I'm actually glad to have this edited version of "Adventures Beyond..." The tracks "Spanish Castles in Space" and "Backside of the Moon" were omitted from this CD. I heard the both of them on a borrowed copy of the double CD, and I found that those two tracks (that are together on CD One), offered a very long, boring 30+ minutes of very uninteresting sound passages. Plus a few of the other tracks are a little different. "Perpetual Dawn" on my copy, is a shorter more upbeat, reggae-version, which I enjoy more. Thank God I have this (now totally obscure) initial US release.

The early release of "U.F.Orb", offered a bonus CD of a few remixed extras, which included a rare track called "Assassin", and the "ardently sought after", 40 minute version of "Blue Room". I also have an alternate mix on "Towers of Dub", which is really cool.

Notice on "U.F.Orb", the regular version of "Towers of Dub" has the very same percussion used on Pink Floyd's, "On the Run" from the "Dark Side of the Moon" album. The Orb seems to like to mess with your head about making Pink Floyd references. On my two Ultraworld albums, the building that was on the cover of Pink Floyd's 1977 album "Animals", are on these Orb releases. And also, check out the Orb's "Live 93" album. It's not a pig, but it is some sort of animal jumping over a power plant, just like the pig jumping over the building on Pink Floyd's "Animals", album. I am certain that there are probably alot more hidden Pink Floyd references thoughout their other albums. The Orb started to lose their uniqueness for me after "U.F.Orb", They started to sound like typical Ambient House music. No longer the innovators that they use to be.

Another totally hard to find CD is a remix follow-up to their first album. If you can find it, get The Orb's, "Aubrey Mixes: The Ultraworld Excersions". It has a really cool, jazzy version of "Little Fluffy Clouds". Other scarce obscure CD releases of early Orb, are "Ultra Rare Trax", and "Morphology". These two were never commercially released, and were very expensive inside the locked-up glass cabinet of the CD store I bought mine from.

It seems though, that the sound of The Orb has become outdated when compared to today's new "electronic sound" known as IDM (Intelligent Dance Music). Aphex Twin, Autechre, Boards of Canada, Squarepusher, and the such are todays Techno wizards.

The latest releases from The Orb are "Cydonia" and "Bicycles and Tricycles". Nothing fabulous, but I think they are a little more appealing than what The Orb has done with "Pomme Fritz" and beyond. "Orblivion" has a few great tracks, but the album, as a whole, has too many weaknesses that loses my interest quickly. I don't think that The Orb will ever have another "classic" album like their first two. But, those two are certainly to be cherished. I can't wait for their 20th Anniversary re-releases. I believe that The Orb will be praised again for their contribution to Techno-Ambient-Dub at that time.

The sound of an epoch.......2005-07-23

This is a condensed version of the original triple vinyl release of 'U.F.Orb', which came 'hermetically sealed' in blue-grey PVC and had to be cut open with knife or scissors - a typically elaborate Paterson/Cauty marketing gimmick that also seemed to say something about how they viewed The Orb as a cultural project. It was as if 'U.F.Orb' was a time capsule, a distillation of the sprawling experiments on 'Adventures Beyond the Ultraworld', a sealed container flung into space to show the rest of the universe what it was like on Earth (or at least in Britain) in 1992.

As a summation of a point in musical time, it's as evocative as 'Revolver' or 'Ziggy Stardust' or 'Sound Affects'. And like all of those, there's something ineffably British about the way The Orb took beats from Detroit, minimalist compositions from New York and dub from Jamaica, and stretched and warped them into a completely new form. If the clubs were full of house and techno, the bedrooms were full of smoke and ambient dub, and The Orb were responsible for much of it.

'U.F.Orb' is their finest achievement, proving that 'Adventures Beyond the Ultraworld' wasn't a novelty record but the herald (along with The KLF's 'Chill Out') of a new genre. The sound here is both denser and more dubby, with more going on but less dependence on the BBC sound effects records and slowed-down house beats that were the backbone of their earlier work. 'Blue Room' (here edited from its 39'58" single length) and 'Towers of Dub' are the standouts, but The Orb's legacy is even more impressive than their music. You can hear it not only in experimental 'dance' music from Shpongle to Monolake, from Portishead to Lemon Jelly; it's embedded in mainstream pop, soundtracks and muzak the world over. And if you still have that triple vinyl release, with the PVC intact, I bet it's worth a fortune.

One of 'Ambient House's' Most Enduring Classics............2005-07-21

Before Acts such as 'The Orb' (as well as: 'The Black Dog, The Klf, Biosphere & Global Communication), the only sort of ambient music largely recognised by the general public, was the reflective sort of reflective, somber compositional ambient music favoured by the likes of 'Brian Eno'. But acts like 'The Orb' with their 'Ambient-House', was a relatively new term/Genre. It took the serenity & cerebral atmospherics of 'Ambient', and coupled them with synth pads, strings, keyboards, sampling & midtempo beats, to create a dreamier and progressively freewheeling sound of 'House' & 'Electronica'. The Duo (Dr. Alex Paterson & Jimi Cauty) take the technique of eclectic sampling, and a heavy emphasis on beat-oriented sounds, and reverb, bass and percussion, and forged several exceptional albums that retained the textured, placid tones of ambient, with the post-rave rhythmic aesthetic of Electronica. And coupled it with trip-hop grooves that successfully marry, themed tracks of 'Space Travel', Spoken Word, floatable tones & ethereal melodies.

The first track "O.O.B.E." brings with it, a soothingly cinematic synth arrangement, that is a fair indication of the sort of widescape sound, that you can expect from this stunningly atmospheric track. Think of the sort of Hushed, and delicate ambient textures used on 'Brian Eno's' ambient series of albums, with the serene lilting ambience, that his albums were acclaimed for, but with slight piano keys interspersed & the most restrained use of vocal snippets, that seem to touch on subjective and conscious thoughts...this is electronic music for the mind. And the use of looped beats isn't intergrated until some 6 Min's into the track, signalling the transition into Ambient-House. The theme here (and throughout the album in fact), is 'Travelling Through Space', with various metallic techno-futuristic samples, and dense detached rhythms & free-form ambience, seamlessly intergrated. Yet still retaining that all important balance between subtly detached ambience, and possessing synthesised ambient beats mixed with vocals.

The second track "U.F. Orb" mixes swirling, cascading synth work & expertly modified vocal sampling (alarm sounds, Dialogue from the 'Space Program', Environmental sounds...etc), before being replaced with uptempo techno beats (with a sublime use of high-hat rhythm breaks) moving at a relatively quick pace, that works alongside a superb, heavy echoey reverberated dub bass sound. Although the actual arrangement is simple, in its implementation, the effect is similar to a particularly well-judged fusion of World Music mood and instrumentation, intergrated with the smoked-out sounds/grooves of instrumental Dub. This is a beautiful pairing of Western Dub Fusion, and a complete contrast to the subtle tones of the previous track.

"Blue Room" is a epic track, the likes of which the 'Air-Raid' sirens to signal the beginning of the track should make that painfully clear, this is then mixed with subtle organs playing in the background, with subtle sounds & buzzing electronic sounds (along with a curious bubbling effect) and cold industrial sounds are all skillfully placed, with the effect carefully intergrated through the use of cleverly Cut & Manipulated editing, that fleshes out the long stretches of atmospheric organ. The occasion female vocal sample of "Awwwww- Whoooah" (taken from a early 90's UK Rave Track), provides the perfect canopy for the transition into thumping bass, that feels like its been modified to emulate thumping beats, this is insistent driving bass, with the harsh edges softened to resemble late-night Ambient-techno. Various snippets of mechanical sounds, Dialogue, Turntable effects (turntable spinback effects) & engaging synths, are all overlayed throughout the track, but care has been taken to give ample space to each sound, and thoughtfully stretched out intelligently over the 17Min's that this track runs to, and such is the beautifully devised arrangement, the time literally flys by, when listening to this astonishing track.

The overriding musical theme for "Towers of Dub" is (Obviously) DUB!!, a recorded telephone message or someone ringing "London Weekend Television" (UK television Broadcast), and getting through to a security guard to leave a message, is a highly amusing (or disorientating if you live outside the UK), start to the track. Bizarrely, the frequent use of : dogs barking, chirping birds and rhythmic sounds float in and out of the mix, are all firmly put in the shade by a truly stunning Harmonica sample playing throughout the track, mixing wonderfully with the heavy instrumental Dub, that is produced with pin-point keyboard and electronic sampling, and skitting drum beats audible in the background, the effect of these decidedly synthetic dubby basslines, could arguably have been the work of some of the Dub greats such as "The Mad Professor" or legendary "Lee 'Scratch' Perry", had they decided to make a more electronically orientated album, it's in turns, sophisticated, sprawling and hypnotic, and yet uptempo enough for either late night or daytime listening...working equally as well, whether your chilling out, or merely need some music to lose yourself into. And is so expertly judged and produced that is highlights one of the finest examples of Ambient-House.

The remaining 3 Tracks are all equally up the stunning quality of previous tracks, "Close Encounters" shifts the tempo, and moves into a combination of a blended Chicago electro-house orientated track, matched against the stylisation and experimentation of IDM (Intelligent Dance Music), and the low-end ambience of "Majestic", manages to feel like a surreal dreamlike track, encapsulating rhythmically and conceptally, the best attributes of 'The Orb' in an 11 minute breakdown, that at times feels like tightly crafted melodies, and creative samples, working in perfect unison.

There should be absolutely no doubt, that If you are a fan of either 'Ambient House' or 'Ambient Dub', (albums Such as: "Aphex Twins - Selected Ambient Works", "The KLF - Chill Out", "Future Sound of Londons - Lifeforms", "The Black Dogs - Bytes"), that this album is an absolutely essential purchase.
I'm reviewing this album have listened to it for the first time now in 2005, even though it was intially release back in 1992....and surprisingly it still feels vital, and doesn't feel dated. Admittedly if this is your first 'Orb' purchase, then (takes deep breath), you should pick up their incredible "The Orb's Adventures Beyond the Ultraworld" (Double Cd) first, as it is the Duo's Definitive work, with this album a very, very close second. But that album's a sprawlling masterpiece which is a concentrated listen, whereas this albums single cd, is far more manageable listen. And unquestionably stands as one of the genre greatest exponents.

Beyond the Noosphere (man).......2005-07-12

Mine still has the 'Brit Awards Nominee' sticker on the front. I believe this got to number one in the charts, which was dead unprecedented for what was mostly a lot of multi-layered samples with some beats here and there. For some reason it all worked; I have heard bootlegs of the early sessions which led to this album, and there's no magic in the demos. The Orb's later albums were conceptually similar but uniformly rubbish. But U.F.Orb, whether because the band was going the extra mile, or because of some ineffable fairy dust, U.F.Orb actually worked, it was relaxing, funny, mesmerising, an excellent listen with headphones, as background music, and loudly to dance to in the bits which have beats. The samples are all well-chosen and I can still recite most of them; the bit where there is a snippet from Radio Moscow, followed by loud drums, is the best. The second side of the album is noticeably moodier, with 'Close Encounters' sounding as you would expect a song about UFOs to sound.

It's also a nostalgic album, for people in their early 30s. The pre-internet 'Wired'-era computer whizz-bang space-age techno-pagan futurism of it all was mirrored in contemporary releases by the Future Sound of London, System 7 and so forth, and although this kind of ambient space music is now as dated as krautrock was in 1992, it's heartbreaking to listen to. So many dreams and hopes smashed to bits.

Excellent way to show off a hi-fi system, too, because it has quiet bits and loud bits and they all sound top-notch. 'Sticky End' is a short joke track and 'Majesty' is a bit irritating, but it's otherwise an excellent way to spend fifty minutes or so. Shame they didn't include the lengthy 'Blue Room' single as a pack-in or bonus track (it was basically the album version looped a couple of times, with a different bassline).

And it's "Teilhard de Chardin", it took me ages to find that out; he's the one who conceived of a third world, a world of objective contents of thoughts.

Average customer rating:

Sweet, and syrupy; just the way it should be.
Still N Luv Wit My $$$
Worthwhile
weak !
The Only Good Album With Paul Wall

Get Ya Mind Correct
Paul Wall & Chamillionaire , and Swishahouse
Manufacturer: Paid in Full
ProductGroup: Music
Binding: Audio CD

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Controversy Sells
Chick Magnet
The Mix Tape Messiah
The Sound of Revenge
Man On Fire (Double CD)

ASIN: B000068QV5
Release Date: 2002-06-25

Tracks:

My Money Gets Jealous
N Luv Wit My Money
Thinkin' Thoed
Skit
Falsifying
U Owe Me
Skit
The Other Day
Game Over
I Wanna Get
Balla Talk II
Go Grind
Skit
Luv N My Life
U Already Know
Play Dirty
Outro

Customer Reviews:

Sweet, and syrupy; just the way it should be........2006-10-12

Chamillionaire and Paul Wall are two of the few emcees I like in the mainstream scene. It's not because they have anything truly provocative to say, but simply because they present their rap with so much flair and style, that it's impossible to overlook them. Chamillionaire has gone a more lyrical route, while Paul Wall is continuing the subject matter that the Screwed Up Click made famous in the underground in the mid-nineties. On this release, it's easy to tell both men were brought up listening to Screw's music, much like the rest of the Houston scene, and they use the perfect mix of harmonizing flows about 'Lacs and grills, over trippy, and hypnotic beats.

While it's true that Paul nor Chamillionaire are profound lyricists, dropping GZA knowledge on this release, they are both damn good rappers, able to flip sweet punchlines galore. Clever metaphores abound throughout this album, while Chamillionaire sings the hooks in each song. I know Cham gets some flack for singing the hooks in his songs, and has even be labeled "50 Cent Jr." by some people because of it, but for the Chamillionaire detractors, face it; Chamillionaire has a slick voice, and is one of the few rappers who SHOULD handle his own hooks(the only other I can think of is Cee-Lo, and, well, he's made a career out of crooning now).

The Swishahouse crew handle production duties, and as one would expect, that's a good thing. It's hard to get an album sounding this authentic to the Houston sound Screw crafted over a decade ago, but 4 years ago, Swishahouse brought it; and they're still bringing the tight production today. These aren't songs to 'get crunk' to; these are songs to chill to. This is an ideal album to listen to whether you're taking a late night drive, or simply chilling out in your home with your headphones on. Calm, cool, and downright dope, the production on this album matches the charismatic duo perfectly.

If you're a fan of the H-Town sound, then this is perfect for you. Even if you're not, it's still incredibly difficult not to love this release. If you can find it, pick it up. Highly recommended.

Still N Luv Wit My $$$.......2006-02-12

I had just moved back to Houston from Seattle when this LP dropped and was in heavy radio-rotation around H-Town. Being away from the South for so long actually made me come back with a greater appreciation for Southern hip hop and the H-Town sound.

This probably isn't the album 4 you if you're looking for a Nas' "Illmatic," Jay-Z "Reasonable Doubt" or Wu-Tang "36 Chambers" type of album -- lyrical masterpieces.

That's not to hate on Paul and Cham b/c they got somethin' 2 say.

This is definitely an album you can ride 2 ... N Luv With My Money is still one of my favorites.

It's really too bad Paul and Cham fell out after this album though I'm not sure I'd even want them to try to top this LP if they got right again.

Fun, fun, fun hip hop album. Recommended for those who like to chill, have a good time and ride to some highly entertaining hiphop music.

Worthwhile.......2006-02-08

I enjoyed this CD quite a bit. The production is pretty good, while both rappers do show some nice lyricism throughout the CD. In my opinion does a better job than Paul Wall, but that's just me. Either way, this CD is worth buying.

weak !.......2006-01-05

anybody who likes chamillionare is trippin'. his flows are weak and his lyrics are weaker. come on "bullet proof vest on my chest so i won't get shot by cupid". is he still in kindergarten cause his flows sound like he's on a playground. paul wall is ok but he should stick to his day job makin' grillz. chamillionare needs to take his iced chain and melt it into a pacifier cause he's still an infant in da game.

The Only Good Album With Paul Wall.......2005-11-06

Ladies and Gentleman....... Koopa is the King..... This album I have owned for a number of years and is still my favorite Chamillionaire album ever... This is such a good album even Paul Wall was good... In case you dont already know this album unlike Controversy Sells was approved by Chamillion and Paul Wall... This is not a garbage thrown together album like Controversy Sells and if you have never heard a Chamillion album this should definetly be your first and if you have never heard a Paul Wall album then you should only buy this one cause all the others with exceptions for The Color Changin Click albums is Boo-Boo... I knew it 5 years ago I still know it today when the Sound Of Revenge drops the sky is the limit for the Color Changin Reptile... Dyke Jones Phoney

Average customer rating:

Drone ship in orbit...
If "Ambient Dub" could have a classic album, this is it!
The sound of an epoch
One of 'Ambient House's' Most Enduring Classics.....
Beyond the Noosphere (man)

U.F.Orb (Limited initial quantities include 2nd disc with full length 40 minute "Blue Room" +3)
The Orb
Manufacturer: Island Red / Pgd
ProductGroup: Music
Binding: Audio CD

Ambient | Dance & DJ | Styles | Music

General | Dance & DJ | Styles | Music

Electronica | Dance & DJ | Styles | Music

IDM | Dance & DJ | Styles | Music

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Pop Rock | Pop | Styles | Music
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Orblivion
Orbus Terrarum
The Orb's Adventures Beyond The Ultraworld
Orb's Adventures Beyond the Ultraworld
Pomme Fritz

ASIN: B000005HTY
Release Date: 1994-03-01

Tracks:

O.O.B.E.
U.F. Orb
Blue Room
Towers Of Dub
Close Encounters
Majestic
Sticky End

Amazon.com essential recording

Customer Reviews:

Drone ship in orbit..........2006-11-26

If "Ambient Dub" could have a classic album, this is it!.......2005-08-27

The sound of an epoch.......2005-07-23

One of 'Ambient House's' Most Enduring Classics............2005-07-21

Beyond the Noosphere (man).......2005-07-12

Average customer rating:

Outstanding
One of The Best
They Got It Right The First TIme
Sick, just plain sick
best album ever

Get Ya Mind Correct
Paul Wall & Chamillionaire , and Swishahouse
Manufacturer: Paid in Full
ProductGroup: Music
Binding: Audio CD

Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music

General | Rap & Hip-Hop | Styles | Music

Southern Rap | Rap & Hip-Hop | Styles | Music

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Get Ya Mind Correct
Get Money, Stay True (Chopped & Screwed)
City of Syrup
1st Round Draft Picks (Chop)
Get Ya Mind Correct: The Remix Album

ASIN: B00008V5ZV
Release Date: 2003-03-11

Tracks:

Freestyle
Game Over
The other Day
Play Dirty
My Money Gets Jealous
Thinking Thoed
Freestyle
Falsifying
Go Grind
Luv N My Life
U Already Know
I Wanna Get
N Luv Wit My Money

Customer Reviews:

Outstanding.......2005-09-09

The chopped and skrewed version of Get Ya Mind Correct is incredible. The freestyles in the cd are really good too. I higly recommend this cd to anyone, especially anyone who likes songs chopped and skrewed

One of The Best.......2005-04-29

Cham is one of the best rappers to come out of texas. get ya mind correct and get this cd

They Got It Right The First TIme.......2004-10-28

Right here is the first ablum Chamillionaie and Pual Wall have made and I met these rappers when I lived in Texas and the under ground they came up from and to have their fisrt album in the source magazine that's Real. These Boys been on the grind and get and deffinatly shine on the album. You'll love the Screw version they cho chop it right Holla.

Sick, just plain sick.......2004-05-03

Paul Wall and Chamillionaire really killed it this time. This CD is sick, I love it. It has not come out of my CD player since I bought it, it's also sick to bump in your car. Sick baselines only made better by Michael "5000" Watts. Paul Wall IS the best white rapper. Plus, I gotta rep the TX

best album ever.......2003-09-18

This album is by far the best album ever released, especially the chopped and screwed version. The beats are tight and the flow is incredible. These guys rhyme about everything. Paul Wall is the best white rapper out there next to Eminem. This album along with all the other SwishaHouse CD"s are a must have for the ultimate rap fan collection.

House Full: Fairport Convention Live at the LA Troubadour

Average customer rating:

Nearly the best live Fairport disc ever
Must Have
Fairport Rocks LA - and it's all here for us to enjoy
This live album is mostly for long-time Fairport enthusiasts

House Full: Fairport Convention Live at the LA Troubadour
Fairport Convention
Manufacturer: Polygram Int'l
ProductGroup: Music
Binding: Audio CD

British Folk | Traditional British & Celtic Folk | Folk | Styles | Music

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Similar Items:

Full House
Heyday: BBC Radio Sessions, 1968-1969
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Rising for the Moon

ASIN: B00005NILF
Release Date: 2001-10-15

Tracks:

Sir Patrick Spens
Yellow Bird
Banks Of The Sweet Primroses
Lark In The Morning Medley
Sloth
Staines Morris
Matty Groves
MEDLEY: Jenny's Chickens/Mason's Apron
Battle Of The Somme
MEDLEY: Bonnie Kate/Sir B. Mckenzies

Album Description

UK remastered reissue of the 1986 album for Hannibal. Includes 2bonus tracks, 'Bonnie Kate/Sir B.McKenzies' & 'Yellow Bird' which are taken from the album Live At The Troubadour (1977).

Album Description

UK remastered reissue of 1986 album for Hannibal that's out-of-print in the U.S. with 2 added bonus tracks, 'Bonnie Kate/Sir B.McKenzies' & 'Yellow Bird' both taken from the album Live At The Troubadour (1977). 2001.

Customer Reviews:

Nearly the best live Fairport disc ever.......2007-05-06

The best, in terms of musical diversity and live atmosphere, is of course "AT2/The Boot" - but you'll have a tough time finding a copy of that!
This is certainly the most historically valuable of all the live Fairport discs - given that so far all the Sandy-era shows in circulation have been unsatisfying documents from her declining years. The Full House lineup is increasingly almost as revered as the 1968-9 edition, both for their compositions and arrangements (for which see that particular album) and their live performances (for which see this disc).

Humble opinions: I'm not entirely satisfied with this version of "Sloth" as the band seem to fall asleep for two minutes toward the end (there are better 1970 live takes on this song if you know where to look!)
Here, it's not the improvisations that excite but the compositions which are attacked with tremendous enthusiasm throughout. The energy level never lets up, from the first guitar and fiddle breaks of "Sir Patrick Spens" to the "Sir B Mackenzie" medley (differently constituted to the version we all know). The slower numbers, the medieval-sounding "Staines Morris" and the stately lament "Battle of the Somme" are no less powerful (although "Sweet Primroses" still sounds incomplete to me). Richard sings "Matty Groves" in his youthful "rustic" voice (which is...different, I suppose) but largely cedes solo space to Swarb, who's on-fire throughout. Speaking of which, the fiddle tunes medleys are definite highpoints - you'll never hear ballsier versions of "MacKenzie" or the Liege & Lief medley than on this disc...and then there's the album's metaphorical centerpiece, the stunningly fast and loud "Mason's Apron" medley, which suggests they could have become the Ten Years After of the folk-rock world!

This album features just a fraction of the repertoire played by the Full House line-up - but it's a pretty brilliant setlist (with one obvious exception) and in the absence of a more thorough official-bootleg type release, this will do.

Must Have.......2007-03-18

If you are even a casual fan of Fairport or Richard Thompson this is a must have item.

Fairport Rocks LA - and it's all here for us to enjoy.......2006-01-05

Here we find Fairpoint Convention supporting their latest release "Full House" - which solidified their move towards traditional British isles material while at the same time moving towards a harder-rocking sound. The jigs are performed at a breakneck speed, which is perphaps unnecessary, but they work well anyway with new bassist Dave Pegg laying down solid, rockin' lines. Gone are the haunting and beautiful vocals of Sandy Denny, replaced by the simpler, rustic vocals of Richard Thompson and Dave Swarbrick. The highlight may very well be "Sloth" off of the new album - this live rendition brings even more emotion and power to the tune than the studio version. Also,look to get a kick out of the final tune on the disc- "Yellow Bird" It'll make you laugh - not because it sucks - but rather because it immensely entertains. If you dig 'Liege & Lief' and 'Full House'- you must check this out

This live album is mostly for long-time Fairport enthusiasts.......2002-03-27

This album has come out in a few different versions. I have the one previous to this; two additional songs have been added since then. The album captures the "Full House" lineup--the hardest-rocking of the many Fairport lineups--during a 1970 stand at the Troubador in Los Angeles. There are some good moments, but if you're looking for a live Fairport album, "Encore, Encore" and "The Cropredy Box" are far superior. The take on "Staines Morris" is a highlight. There is something here to enjoy for long-time Fairport fans, but for someone new to Fairport, this isn't a great place to start--go with "What We Did on Our Holidays" or "Full House" instead.

(1=poor 2=mediocre 3=pretty good 4=very good 5=phenomenal)

Music Review: