Songs From a Room

Songs From a Room

Editorial Reviews
Amazon.com essential recording
"I choose the rooms that I live in with care / The windows are small and the walls almost bare," Leonard Cohen sings in a particularly telling couplet in "Tonight Will Be Fine," one of the highlights in this aptly titled album from 1969. The Canadian poet-performer's sophomore release has the sub rosa feel of an attic hideaway, thanks in part to Bob Johnston's restrained production. Cohen's near-monotone vocals are suitable for conveying his finely honed, meditative musings but--at this stage in his development--not much else. Johnston's soundscapes aren't as beguiling as the ones John Simon created for Cohen's superior debut, Songs of Leonard Cohen, though lovely orchestral shadings flatter such Cohen classics as the oft-covered "Bird on the Wire" and "Story of Isaac." Songs from a Room is only a secondary effort when it's stacked up against its consummate predecessor, But by any other measurement, it's an exceptionally literate and enigmatic recording by a true original. --Steven Stolder

Tracks:

Bird on the Wire
Story Of Issac
A Bunch Of Lonesome Heroes
The Partisan
Seems So Long Ago, Nancy
The Old Revolution
The Butcher
You Know Who I Am
Lady Midnight
Tonight Will Be Fine

Customer Reviews:

Difficult to Love and Well Worth the Effort.......2007-07-20

This album is dry as bones and lean as a desert. It is the first Cohen album I owned -- on vinyl -- and it took me a while to latch on to it. But it was so worth it. Every passing year I seem to love it more.

"Story of Isaac" was the first thing to hook me; it is almost a chimera of two songs that are not closely related -- a biblical story from the point of view of the boy about to be sacrificed, and an antiwar song that recognizes the violence in all of us -- but they set each other off well.

It seems wrong to blather on and on about an album that is beautiful because it is so spare. When you look up the word "plaintive" in the dictionary there should be an illustration of this album cover. I hope the new remixes don't run over that austerity. This is music that gives you space to breath, and think, instead of pounding you over the head with mindless sound. I have the earlier CD, and when I play it I find myself missing the vinyl crackles.

Half a great album........2007-07-15

I guess that most artsits would be lucky to create an album like Songs from a Room; It's half a masterpiece, and most musicains have never even recorded an eighth of one. Of course, Leonard Cohen isn't "most musicians." He's made some of the greatest music of his generation, works that, at their best, rival those of Bob Dylan in terms of sheer poetic vertuosity. Seen in that light, Songs from a Room isn't a great album. Certainly, it's a very good one, a record with plenty of great songs and musical moments. There are cutting lyrical insights here, and several subtly beautiful melodies. Unfortunatly, there are also far too many uninspired songs and uninteresting musical ideas to call this a great album.

The best songs here demonstrate Cohen's unique songwriting abilities: the chilling "Story of Isaac" is a tense, nightmarish study of generational friction and self sacrifice. Cohen's lyrics are bitter, bruised, and full of genuine menace. In the song's spine-tingling conclusion, Cohen spits: "When it all comes down to dust/ I will kill you if I must/ I will help you if I can," brilliantly summarizing a bleak but deeply felt view of human nature. "The Butcher" runs along similar lines; with its brutally simple guitar chords and stark lyrical imagery, the song conveys the feeling of bitter disilousionment with startling accuracy. "Seems So Long Ago, Nancy" is as haunting as it is beautiful. Its ghostly, spare melody is the ideal framing device for Cohen's brittle, regretful lyrics- it's a song full of painful memories and quiet loss. Interestingly, one of the best songs here wasn't even written by Cohen- "The Partisan" is a cover of a World War II era ballad that tells the story of a member of the French Resistance. Cohen's performance smolders with quiet, but undeniably present, tension, his voice electric with barely subdued nervous energy.

But not every song on the album is as good as these four- "A Bunch of Lonesome Heros" could have been an excellent song, but its gorgeously dramatic melody is buried under an incredibly unpleasant production, which bathes the music in echo and odd backing instruments. The half-formed lyrics don't help much, either. "You Know Who I Am" matches a convoluted guitar line with some incredibly pretentious lyrics ("I am the distance you put between/ all of the moments that we will be"), and "Tonight Will Be Fine,' despite being bouncy and jaunty, is completely joyless. Cohen's whistling during the final verse is just plain annoying. "The Old Revolution" and "Lady Midnight" are only halfway interesting in terms of lyrics and melody, and each one fails to leave a lasting impression. Finally, there's "Bird on a Wire." Although it's probably the most well-known (and perhaps well-liked) track on this album, I honestly think that it's the weakest song here. Cohen's performance is annoyingly melodramatic, full of painful high notes (a poor attempt to cover up the lack of genuine emotion in the man's voice). The music itself is overly sweet and completely inconsequential: the guitar line is a dull, mumbling cliche, and it's augmented by an equally worthless string section. The lyrics are direct but half-baked. Although the first few lines ("Like a bird on the wire/ like a drunk in a midnight choir/ I have tried. in my way/ to be free") are genuinly poetic, they're counterbalanced by some of Cohen's most insufferably over-earnest declerations ("I will make it all up to thee," he sings, has voice raspy and insincere).

So, that leaves us with an album that, at its best moments, is as powerful and transcendant as anything Cohen has ever written. But at its worst...

Masterpiece enhanced.......2007-07-06

Leonard Cohen followed up his debut album with another masterpiece, this collection of magnificent songs of solitude, despair and resignation. Besides The Partisan, a song about the French resistance with its beautiful French verses and female vocals, all compositions are by Cohen.

The most popular number here is Bird On A Wire that has been covered by artists as diverse as Johnny Cash, Joe Cocker, Judy Collins, Rita Coolidge, Tim Hardin, The Neville Brothers and Jennifer Warnes.

For some reason, the opening lines of Bunch Of Lonesome Heroes make me think of Frodo's journey to Mordor in Lord Of The Rings: "A bunch of lonesome and very quarrelsome heroes/Were smoking out upon the open road." Other highlights include The Story Of Isaac and The Old Revolution, in both of which Cohen's characteristic Biblical imagery surfaces, and the somber Lady Midnight with its many layers of meaning.

Seems So Long Ago is a wistful confessional dirge whilst You Know Who I Am is a delicate love poem with esoteric undertones: "I am the one who loves changing from nothing to one". The mood lightens up on the former closing track Tonight Will Be Fine with its catchy melody, driving rhythm and erotic lyric, although even here the sadness is just a sigh away.

This reissue booklet includes liner notes by Anthony DeCurtis, one full-color and four black & white photographs plus a full-color painting of a chair. Both extra tracks were originally produced by David Crosby and for reissue by Bruce Dickinson. The first, Like A Bird, is an earlier version of Bird On The Wire. This version is less flowing, more halting than the familiar one. Nothing To One is the earlier version of You Know Who I Am.

Cohen's sublime music has a transcendent, spiritual quality. These haunting songs "from a room" have lost none of their poetic impact after 4 decades; their grace, elegance and beauty shine on.

I'm Your Man

I'm Your Fan

songs from a room done right!!.......2007-06-09

Hallelujah, finally Leonard Cohen's catalogue has been given it's proper dedication. It's almost a laughing stock that the previous leonard cohen releases didn't have lyrics. Cohen is probably the most notorious lyrist in the rock era, not necessary he is rock as we know it but he is of the modern era nevertheless. Anyway everything is perfect the appearance of the product in a digi-pak which opens up into a book with lyrics and some pictures from the appropriate era make this more than a worthwhile purchase. Infact it should be sold for more money than it's selling for on amazon because the value is that great. Did i forget to mention there's bonus tracks...and those are always subjective no matter how good or bad since they didn't come with the original album and usaully it's best they're left off for traditional reasons, but i won't comment if they were good or bad. However the mixing of this cd is beautiful, whoever did the mixing knew just what they were doing...not only is the vocals right there's this amazing seperation and reverbration going on here probably the latest recording techniques at work or the latest cd compressing abilities at work. I strongly recommend this, i recommend buying this CD for the 2nd time as it's worth it beyond comprehension. Give the other one to a friend who never heard of leonard cohen before, or sell it to the local CD store if you have one in your area, but i applaud you to buy this newly remastered CD.

His best, beautifully repackaged.......2007-05-13

What a delightfully dark album! But if you know any Leonard Cohen songs, you already knew that, right? Wrong. This is dark even by his standards, a remarkable look at Vietnam and the 1960s generation gap from the enigmatic Canadian. Cohen being Cohen, of course, that can't be seen on the surface, which is what keeps the brilliant album brilliant instead of relentlessly depressing. The production style is extremely austere, apparently in reaction to what Cohen considered the excessive instrumental flourishes of his first album; whether intentional or not, this fits the lyrical atmosphere perfectly and adds to it.

While there is nothing overtly topical about the then-current issues at hand, youth alienation and war are addressed metaphorically throughout the set. "Story of Isaac," "A Bunch of Lonesome Heroes" and "The Old Revolution" are best seen through this lens. The album's token cover, "The Partisan," is a more transparent take on the horrors of war, and it fits well between the others. Perhaps most macabre is "Seems So Long Ago, Nancy," a chilling tale of a long-ago love affair that came to a tragic ending (and, characteristically, he remembers the year and what she was wearing!) This one hasn't turned up on any greatest-hits album that I know of, as good a reason as any to buy Songs From A Room. Amusingly, the album ends on an almost-cheerful note with "Tonight Will Be Fine" - perhaps even Leonard Cohen has his limits.

The booklet-style package features lyric sheets, a new appreciation by Anthony DeCurtis, and a sprinkling of pictures and interesting period memorabilia. Also new to this version are previously unreleased early versions of "Bird on a Wire" and "You Know Who I Am". I think they feel tacked on after the intensity of the original album, but they're interesting to hear on their own.

With a Song in My Heart: The Songs of Rodgers & Hart

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With a Song in My Heart: The Songs of Rodgers & Hart

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

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ASIN: B000059N0T
Release Date: 2001-03-27

Tracks:

Manhattan - Ben Selvin & His Orchestra
Mountain Greenery - Frank Crumit
The Girl Friend - George Olsen & His Music
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My Heart Stood Still - Jessie Matthews/Hutch
Thou Swell - Ben Selvin & His Orchestra
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With A Song In My Heart - Hutch
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Isn't It Romantic - Jeanette MacDonald
Lover - Paul Whiteman & His Orchestra
You Are Too Beautiful - Frank Sinatra
Blue Moon - Glen Gray & His Casa Loma Orchestra
It's Easy To Remember - Bing Crosby
My Romance - Dinah Shore & Frank Sinatra
There's A Small Hotel - Hal Kemp & His Orchestra
Where Or When - Lena Horne
My Funny Valentine - Mary Martin
Johnny One Note - Wynn Murray
The Lady Is A Tramp - Sophie Tucker
Falling In Love With Love - Allan Jones
This Can't Be Love - Benny Goodman & His Orchestra/Martha Tilton
I Didn't Know What Time It Was - Margaret Whiting
Bewitched, Bothered And Bewildered - Doris Day

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Red Room Songs
Angela Correa
Manufacturer: self- released
ProductGroup: Music
Binding: Audio CD

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ASIN: B0009AMN2O
Release Date: 2003-01-31

Tracks:

Glorybelt
Only A Word
Play Awhile
If You Hear Music
South San Juan
Bluebeard's Bride
Consent/ Coercion
Gunpowder
Too Drunk
According To You
Citizen

Product Description

Red Room Songs, the singer/songwriter's self-produced, self-released debut, is full of blood, ache, heartbreak and a knowing thoughtfulness that is reflected in every note of the singer's fluttering drawl. The Cd spent weeks on KSDT radios top ten albums list, and still makes regular rotation... Correa sings with an accent not always present in her speech. "It's not a conscious thing, but I think it's a little fun to have a twang when you sing." That is, she flirts with American folk traditionalism not because it's a trendy aesthetic, but because she genuinely likes it. "When I think of country I think of Lucinda Williams and Johnny Cash, she say. "I don't think of... all that," making a keep-that-away-from-me gesture that is probably supposed to imply the Dixie Chicks or Garth Brooks. Correa's music is miles away from pop-country, but to call her "indie" or "alt-country" would be insufficient. She praises Rambling Jack Elliot, and in the same breath says, "ideally, I'd like to write songs that don't follow form- like early Liz Phair." Her songs are intelligent, and often her lyrics address complex themes in simple language. For example, in "Consent/Coercion" she sings, "And I always seem to feel torn between consent and coercion but being near you it felt more like conversion." She explains, "I was sitting in a classroom listening to this political science argument about the hegemonic influence of the United States in Latin America. It's about that kind of dominating relationship with somebody." ...Correa is at once tradional and contemporary, visceral and cerebral. Her words are about sex and murder, and they are sung by a person who has hashed through these topics on an analytical level. - Lawrence Marcus, June 2003

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Songs from a Room
Leonard Cohen
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Songs of Love and Hate
Songs of Leonard Cohen
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ASIN: B000P28R76
Release Date: 2007-07-02

Tracks:

Bird On The Wire
Story Of Isaac
Bunch Of Lonesome Heroes
Partisan
Seems So Long Ago,Nancy
Old Revolution
Butcher
You Know Who I Am
Lady Midnight
Tonight Will Be Fine
Like A Bird(Bird On The Wire)
Nothing To One(You Know Who I Am)

Album Description

Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007.

Album Details

2007 Japanese Digitally Remastered Limited Edition Issue of the Album Classic in a Deluxe, Miniaturized LP Sleeve Replica of the Original Vinyl Album Artwork.

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What the San Francisco Chronicle says......

Live at the Plush Room
Mike Greensill
Manufacturer: Pismo Records
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

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ASIN: B0001DJJ62
Release Date: 2004-01-21

Tracks:

Ive Got Just About Everything (Dorough)
Love For Sale (Porter)
I Should Care (Weston/Cahn/Storhdal)
A Dry Guy (Greensill)
Stella By Starlight (Young/Washington)
Ill Never Stop Loving You (Brodzsky/Cahn)
It Aint Necessarily So (Gershwins)
Blues Noir (Greensill)
A Time For Love (Mandel/Webster)
Better Than Anything (Loughborough/Wheat)
Wonder Why/Be My Love (Brodzsky/Cahn)
I Thought About You (Van Heusen)
Girl Of My Dreams (Sunny Clapp)
Small Day Tomorrow (Landesman/Dorough)

Album Description

A program of Great American Songs, Jazz Songs and originals from the pen of Mike Greensill recorded live at the Plush Room in San Francisco. Featuring the legendary drummer Donald "Duck" Bailey and the swinging bass of John Wiitala with Mike Greensill on Piano and Vocals.

Customer Reviews:

What the San Francisco Chronicle says.............2004-02-17

Mike Greensill Trio: "Live at the Plush Room"

by Steven Winn
San Francisco Chronicle - Sunday Datebook, February 15, 2004

Tracks:

Cafe Intro
I've Got To See You Again (Norah Jones)
If He Asks You That (Jesse Harris)
I'm All Right (Jesse Harris)
To The Homeland (Malcolm Holcombe)
Dressed In White (Malcolm Holcombe)
Yesterday's Clothes (Malcolm Holcombe)
Muddy Road (Rachel Loshak)
Here I Am (Rachel Loshak)
Trying Not To Be Still (Rachel Loshak)
Single Stroke (Chris Moore)
Nowhere Special (Chris Moore)
No Validation (Chris Moore)

Album Description

Live at the Living Room Vol.1 is the debut in a series of live recordings from New York City's leading singer/songwriter club. The CD features performances by rising jazz/pop Blue Note recording sensation Norah Jones, songwriter and EMI recording artist Jesse Harris & The Ferdinandos, Atlantic recording artist Malcolm Holcombe, Detroit native Chris Moore and England's newest "folk angel", Rachel Loshak.

Album Description

Featuring Blue Note recording artist and rising star Norah Jones, former EMI recording artist Jesse Harris, who wrote 5 songs on Norah's debut CD. Also featuring Malcolm Holcombe who Rolling Stone gave 4 stars for his debut album A Hundred Lies, England's newest 'folk-angel' Rachel Loshak & Detroit native alt-rocker Chris Moore. Featuring everything from slow-paced blues-rock to shimmering dream pop...this album is an excellent way to check out some up-and-coming artists doing their thing in a live setting. Digipak. Stanton St. Records. 2002.

Customer Reviews:

not nora jones.......2003-01-20

this CD was advertised as a nora jones CD it is not, she is only on the first song. I was disapointed.

Got Live If You Want It!.......2002-12-12

To set the record straight both Malcolm Holcombe and Jesse Harris have had major label releases. The reviewer who claimed this was a collection of local artists was totally off base . This CD is filled with inspired performances. and the Norah Jones track is just stunning. Malcom shines like a rusty diamond - if you like Tom Waits and John Prine you'll love his work. Jesse Harris wrote five songs on Norah's Blue Note release and is featured singing tracks from his new release. The other artists also offer a glimpse into what a night at the Living Room is like. Buy this collection.

ALMOST AS GOOD AS BEING THERE!!!.......2002-11-17

WHAT A SOUND!! This CD sounds almost as new and fresh as being there.Norah Jones sounds live, indeed; not like most studio recordings. I've seen her at THE LIVINGROOM,so I know!! Jesse Harris also lays down some good tracks. OVERALL : An excellent and diverse selection of acoustic music. I'm looking forward to their next volume.

COOL COMPILATION.......2002-08-14

Neat to hear Norah before the hype.....I like this live version of Got To See You Again better than the studio one....I think her songwriter Jesse Harris is really good too...Totally worth my ten bucks.....

Disappointment.......2002-08-07

Norah sings only one song on this CD. The rest is an assortment of apparently local artists of varying talent. If you want to hear Norah, save your ten bucks for her next release!

New Skin for the Old Ceremony/Songs from a Room

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Two classics

New Skin for the Old Ceremony/Songs from a Room
Leonard Cohen
Manufacturer: Columbia
ProductGroup: Music
Binding: Audio CD

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ASIN: B000026SDI
Release Date: 1969-01-01

Tracks:

Bird on a Wire
Story of Isaac
Bunch of Lonesome Heroes
Partisan
Seems So Long Ago, Nancy
Old Revolution
Butcher
You Know Who I Am
Lady Midnight
Tonight Will Be Fine

Album Description

Import exclusive two-disc set combines Leonard's 1974 album New Skin For The Old Ceremony with his 1968 album Songs From A Room. Two standard jewel cases housed in a slip case. Sony.

Customer Reviews:

Two classics.......2001-08-14

Songs From A Room: Cohen followed up his debut album with another masterpiece, this collection of magnificent songs of solitude, despair and resignation. Besides The Partisan, a song about the French resistance with its beautiful French verses and female vocals, all compositions are by Cohen.

The most popular number here is Bird On A Wire that has been covered by artists as diverse as Johnny Cash, Joe Cocker, Judy Collins, Rita Coolidge, Tim Hardin, The Neville Brothers and Jennifer Warnes. For some reason, the opening lines of Bunch Of Lonesome Heroes make me think of Frodo's journey to Mordor (in Lord Of The Rings): "A bunch of lonesome and very quarrelsome heroes/Were smoking out upon the open road."

Other highlights include The Story Of Isaac and The Old Revolution, in both of which Cohen's characteristic Biblical imagery surfaces, and the sombre Lady Midnight with its many levels of meaning. Seems So Long Ago is a wistful confessional dirge whilst You Know Who I Am is a delicate love poem with esoteric undertones: "I am the one who loves changing from nothing to one".

The mood lightens up on the closing track Tonight Will Be Fine with its catchy melody, lilting rhythm and erotic lyric to end the album on a more optimistic note, although even here the sadness is just a sigh away.

Cohen's sublime music has a transcendent, spiritual quality. These haunting songs "from a room" have lost none of their poetic impact after 3 decades; their grace, elegance and beauty shine on.

New Skin For The Old Ceremony represents Cohen's first break from the early folk simplicity of his classic albums Songs Of Leonard Cohen, Songs From A Room and Songs Of Love And Hate, as it boasts a wider array of instruments including trombone, viola, percussion, mandolin and trumpet.

This fuller instrumentation, together with a less restrained vocal style, makes the collection more varied. It's as if he deliberately veered closer to the rock tradition here. In retrospect, the delivery on some of these songs now sound not dissimilar to the feel of Death Of A Ladies' Man (1978), especially on e.g. Is This What You Wanted?

His trademark spirituality is much in evidence on tracks like Chelsea Hotel No. 2, Lover Lover Lover, Who By Fire and Take This Longing. Although not all the songs here live up to his highest achievements, this album confirms Cohen's unusual gift for striking metaphor and rich allusive imagery.

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Songs From the Pine Room
Axton Kincaid
Manufacturer: Trade Root Music Group/Free Dirt Records
ProductGroup: Music
Binding: Audio CD

Alt-Country & Americana | Country | Styles | Music

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ASIN: B000LPR8A4
Release Date: 2007-05-08

Tracks:

Red Lights
You'd Be Mine
Things That I Do
Who's Gonna Pour My Whiskey When You're Gone?
I Wanna Be Adored
Irene, Goodnight
Pine Room
Eva
I Still Miss Someone
Eulogy Song
Rearview
When You Go Away

Product Description

The tight three-part harmonies, down-home songwriting, and undeniable pedal steel from the newly-formed Americana group Axton Kincaid are quickly getting the attention of music critics and American roots-music fans, not just in the SF Bay area, but all over the world. The result of five friends choosing to get back to their roots after a decade of playing indie rock, their debut full-length recording features compelling sounds and stories of everyday people. These songs come from a group of people who spent their childhoods crawling on barroom floors and running through wide open spaces, who learned to ride before they could walk, and learned to drink before they could talk.

Album Description

The tight three-part harmonies, down-home songwriting, and undeniable pedal steel from Axton Kincaidare getting the attention of music critics and American roots-music fans, not just in the SF Bay area, but allover the world. The result of five friends choosing to get back to their roots after a decade of playing indierock, their debut full-length recording features compelling sounds and stories of everyday people. These songs come from a group of people who spent their childhoods crawling on barroom floors and running through wide open spaces, who learned to ride before they could walk, and learned to drink before they could talk.

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Songs from the Bar Room Floor
The Flaming Stars
Manufacturer: Vinyl Japan
ProductGroup: Music
Binding: Audio CD

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Release Date: 2003-02-24

Balalaika Favorites (3-Channel and Stereo Hybrid SACD)

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Balalaika Favorites (3-Channel and Stereo Hybrid SACD)

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Enesco: Roumanian Rhapsody No. 1; Liszt: Hungarian Rhapsodies Nos. 1-6 [Hybrid SACD]
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