Azzuro (Maxi Single) [CD-single] [Import]

Azzuro (Maxi Single) [CD-single] [Import]

Track Listings

1. Radio Edit

2. Extended Edit

3. Instrumental Edit

4. Oriignal Raido Version

Tracks:

Azzurro
Tarantella Del Diavolo
O' Sole Mio
Notte Di Christallo
Tarantella Di Napoli
Macia Di Bergamo A Monte Catini
Volare
Piccola Maria
Torna A Sorriento
Tarantella Meridionale
Marina
Che La La
Tarantella Siciliana
Tarantella Meridionale
Santa Lucia
Guaglione - Nisa
O Maria
Valsa Della Primavera
Funiculi Funicula
La Passeggiata
Arrivederci Roma
Il Padrone - Rota
Quanne Ta Fatte Mammeta
Balatta Siciliana

Customer Reviews:

Every song sounds the same.......2007-04-13

My husband and I buy many Italian CDs so we think we have good judgement after so many purchases. We were somewhat disappointed in this CD. Every song has the same instrumentation and basically sounds the same. We wonder even if the mandolins are "live" or just canned, they sound so tinny and the same each song. This CD could have used more feeling, romance, whatever...possible had there been some sensitive arrangements with solos, etc. Instead, it was the same bunch of mandolin sounds which made for a very boring CD, in our opinion. A few vocals would have helped the monotony, too. Would not recommend.

Traditional Italian music.......2007-03-31

This is a great album of really very traditional Italian music. It is not anglicised but just like you hear when you go to Italian festas.

Italian dinner music.......2007-03-08

Excellent....Perfect! We recently had an Italian themed dinner party and needed just the right instrumental background/mood music. Mandolins from Italy was perfect. We also needed it FAST. Althought shipping was not cheap, we received it on time and made our party a hit.

WELL DONE!

Perfect for a themed party, or just background music!.......2007-02-03

Very cute! Romantic, uplifting, nostalgic background music for an Italian night with friends! Enjoy!

Just like my dad's music.......2007-01-09

I love this music. It takes me back to my childhood when my Dad played the mandolin and my uncle accompanied him on guitar. Some old Italian melodies and some new ones to sing along with. Very nice.

Average customer rating:

If you love beautiful voices...
If you want to know Corelli's art, this is the right CD
excellent gift
Greatest Tenor of This Century!
Ah... Franco :}

The Very Best of Franco Corelli

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Very Best of Beniamino Gigli
The Very Best of Giuseppe di Stefano
Carlo Bergonzi - The Sublime Voice ~ 40 Tracks from the Legendary Tenor
The Very Best of Nicolai Gedda
Franco Corelli: Corelli in Concert

ASIN: B00008V5VV
Release Date: 2003-04-22

Tracks:

A Te, O Cara
Meco All' Altar Di Venere... Me Protegge, Me Difende
Ah Si, Ben mio...De Quella Pira
Se Quel Guerrier Io Fossi!...Celeste Aida
Pur Ti Riveggo, Mia Dolce Aida
Intanto Amici... Viva Il Vino Spumeggiante
Mamma, Quel Vino E Generoso
Recitar!... Vesti La Giubba
No, Pagliaccio Non Son
Colpito Qui M'avete...Un Di All'azzuro Spazio
Credo A Una Possanza Arcana
Legray!... Andrea Chenier!...Si, Fui Soldato
Come Un Bel Di Di Maggio
Vicino A Te

Tracks:

Donna Non Vidi Mai
Recondita Armonia
E Lucevan Le Stelle
Non Piangere, Liu... Ah! Per L'ultima Volta!
Nessun Dorma
Favorita Del Re!... Spirto Gentil
Cielo E Mar
L'anima Ho Stanca
Non Lunge Della Torre... Bianca Al Par Di Neve Alpina
Ange Adorable
L'amour, L'amour.. Ah! Leve-Toi, Soleil!
O Nuit Divine!
C'est La! Salut! Tombeau!
Fronde Tenere... Ombra Mai Fu
Ave Maria
Domine Deus
Core 'Ngrato
Torna A Surriento

Customer Reviews:

If you love beautiful voices..........2007-04-30

and passionate singing, you won't be disappointed. While Corelli certainly had his flaws, they are minor in the larger picture of this unique, magnificent force of nature. Then get this set for your friend who thinks Andrea Bocelli is a great tenor.

If you want to know Corelli's art, this is the right CD.......2007-03-10

Franco Corelli had one of the powerful tenor voices of the twentieth century. Think Mario del Monaco with more beauty and grace; think Richard Tucker with a smoother voice. He had annoying touches in his singing, such as those "catches" here and there. But, with Tucker, he is, in my estimation, one of the two most powerful and attention riveting tenors in the past century. Other tenors were more artistic, provided better characterization (think Domingo, Gigli, Pavarotti, Gedda, Caruso, and some others).

But Corelli was a wonder of nature! Some samples: "Ah si, ben mio. . .Di quella pira." If there were an aria made for Corelli, this would be it. His big, rich, powerful voice fits this cut nicely. Not much subtlety here. In "Di quella pira," he hits the high notes in a stentorian manner. There are those mannerisms, but they are so easily forgiven, taking into account that rich, lustrous voice.

"Celeste Aida" is another representative cut. This is a powerful version. Also, note how he goes from forte to piano at the end of this aria. A powerful effect indeed.

Then, there are the twin arias from "Tosca." In "Recondita armonia," his rich voice is well manifest. He exhibits a smooth line in his singing. This is a powerful version of this well known aria. "E lucevan le stele" displays again that rich voice. At one point, he goes from forte to piano in a mesmerizing manner (Who'd have thought it?). His final "la vita" grabs one's attention.

Finally, "Nessun dorma." Well, smoothly, and powerfully sung. The final "vincero" is powerfully rendered, leaving goose bumps on the spine.

This is the very best of Franco Corelli. Those who want to get a sense of the vocal prowess of one of the most powerful tenors of the 20th century should attend to this double CD set.

excellent gift.......2007-02-09

I gave it to my father and he says Its an amazing cd.

Greatest Tenor of This Century!.......2007-02-03

Franco Corelli is the greatest tenor of this century. Although there are many fine tenors including Carlo Bergonzi - no tenor comes close to singing with the pure heart and animal magnetism of Franco Corelli. Surprisingly, he was also quite comfortable with bel canto, listen to the incredible "A te o'cara". I've heard "Nessun Dorma" sung by many excellent tenors and hands down, none can touch the sublime beauty of Corelli's version. This 2cd set of his greatest arias is a wonderful gift for any opera fan. "Recondita Armonia" is my personal favorite. His thrilling vocal beauty and intensity of performance is truly unforgettable.

Ah... Franco :}.......2007-01-10

Such a pleasing voice. I can't believe the clarity and perfection. He was well before my time and others have become more 'popular' since then, but for some reason his voice seems better than the more current singers. I do not know much about opera so I will have to rely only on my own ears. I happily recommend this double album. I like to have it playing on the 5 CD changer with other opera cds, mixing through them...it is a perfect saturday morning accompaniment. enjoy.

Mario del Monaco: Historical Recordings 1950 - 60

Average customer rating:

One of the biggest voices of the past 50 years
The Biggest Tenor Voice of the 20th century

Mario del Monaco: Historical Recordings 1950 - 60

Manufacturer: Gala
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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Mario del Monaco: Opera Arias
Beniamino Gigli: Historical Recordings 1927 - 1951
The Very Best of Franco Corelli
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Grandi Voci: Mario del Monaco

ASIN: B000001XLU
Release Date: 2000-06-06

Tracks:

'I pagliacci': Prologo
'I pagliacci': Vesti la giubba
'I pagliacci': No, pagliaccio non son!
'Il trovarore': Di quella pira
'Il trovarore': Mal reggendo
'Il trovarore': Ah, si ben mio
'Macbeth': Ah, la peterna mano
'Otello': Esultate
'Otello': Niun mi tema
'Otello': Morte di Otello
'Madama Butterfly': Addio fiorito asil
'Tosca': Recondita armonia
'Tosca': E lucevan le stelle
'Il tabarro': Hai ben raggione
'Il tabarro': Folle di gelosia
'Andrea Chenier': Un di all'azzuro spazio
'Andrea Chenier': Si fui soldato
'Andrea Chenier': Come un bel di maggio
'Les troyens': Aria di Enea
'Il Barbiere Di Siviglia': Largo al factotum
'Die Walkure': Monologue of Siegmund

Customer Reviews:

One of the biggest voices of the past 50 years.......2007-02-19

Mario del Monaco was not the most elegant tenor; he was not a great actor. But, man, did he have a big voice! He had one of the most powerful tenor voices of the past 50 years. We're talking Richard Tucker and Franco Corelli power here (and maybe even more at that).

Some examples. He sings "Largo al factotum" from Rossini's "Il Barbiere de Siviglia." He takes it at a fast pace. This work is normally sung by a baritone, but del Monaco makes it his own anyhow. He has fun with this aria and it shows.

For tenors, "Di quella pira" is a show off aria (from Verdi's "Il Trovatore"). The high C here is a splendid place to demonstrate one's voice. Del Monaco has the big voice for this; the high notes ring out. On the other hand, with the "shake" in this work, he is pretty rough and inelegant. But elegance was not del Monaco's forte; power was. His voice on the final notes sails above the orchestra and chorus.

Verdi's "Tosca" has two showstoppers for tenors: "E lucevan le stella" and "Recondita armonia." His version of the former is powerfully sung. Again, not elegant, no great characterization--but powerfully sung. A stentorian voice deployed to good effect. His singing of the words "la vita" catches one's attention. As for the latter, more of the same. If elegance you want, do not attend to Mario del Monaco. If you are intrigued with power, then he is someone you might wish to listen to.

"Vesti la giubba" was one of Caruso's most famous pieces. This aria, from Leoncavallo's "I Pagliacci," is one of the most well known works in the repertoire. Again, del Monaco's version is not graceful. His laughter works nicely; his voice is almost too much for this aria. Nonetheless, again, for those interested in the work of del Monaco, this is interesting to listen to.

All in all, a nice introduction to the work of Mario del Monaco. Personally, I find his power wondrous to listen to; on the other hand, I wish that there were a bit more elegance and subtlety. But the power of his voice is a natural wonder!

The Biggest Tenor Voice of the 20th century.......2005-08-01

Most music scholars and opera cognescentes credit the Italian from Florence Mario Del Monaco to have been blessed with the most powerful and biggest tenor voice in the 20th century. I wouldn't know about in all history, but for all I know, he could have indeed have the biggest tenor voice in history, since in the old days of opera -Baroque Era to the 19th century, purely lyric tenors with only some weight and power- like Caruso, were in vogue. When Monaco came along, he changed the course of tenor performances. He was singing in electrifying performances during the 50's- his career spanned the same time of Maria Callas' legendary performances. He even worked with Callas and Tebaldi in such operas as Norma and Andrea Chenier. Mario Del Monaco's most famous role was Verdi's Otello, still considered the greatest interpretation by any tenor of that role. This album finds him at his peak and he sings aria after aria in powerful, masculine, dynamic and beautiful voice, exemplifying the best way to sing in the Italian manner. Find out for yourself and put on this recording while listening to other tenors singing the same arias at the same time. I have tried it. Monaco's voice is far bigger and meatier than such celebrated tenors as Giuseppe Di Stefano, Franco Corelli, Jon Vickers, Placido Domingo and Luciano Pavoratti. Vickers had a big voice as well but even his voice is thinner next to the hefty voice of Del Monaco. Not only that but Del Monaco was the first real "star" tenor at a time when soprano divas were always the stars. He immersed himself in the roles he sang and brought to life for post-World War II audiences.

This well-documented album showcases Mario's versatility in various Italian operas. The only non-Italian aria here is the last one, Siegfried's Aria and Monologue from Wagner's Die Walkure. But mostly, he sang in Italian as only singers from Germany itself sung in the operas of Strauss and Wagner. Americans or Italian singers sticked to the much beloved Italian repertoire. Monaco shows off his muscular vocal chords in the classic tenor signature aria - Vesti La Giubba from I Pagliacci, made famous by Enrico Caruso. In this aria, Pagliacci, just learning that his lady love Nedda has been unfaithful, is naturally crushed but has to perform that night and adopts a "show must go on" attitude. "Laugh, clown, laugh" is his motto in that aria. Monaco makes that aria more intense than any other tenor that followed him. His Manrico is the perfect vehicle for his heroic bravado technique and his Di Quella Pira is hands down the finest interpretation. Included here are arias from Otello, including the passionate "Esultate!" which soars above a powerful orchestra. Also here are stirring arias from Andrea Chenier and even a delightful rendition of "Largo Al Factotum" from the comic Rossini masterpiece The Barber of Seville. Surprisingly, Monaco does not seem perfect for such a role, since it seems to be vocally beneath him. Del Monaco was too serious and heroic sounding that such comic roles as a barber appeared like an odd stray from the norm. But it also proves his versatility I guess. For me, Mario Del Monaco was at his best in such roles as Manrico from Trovatore, Radames from Aida, Cavaradossi from Tosca (included here) Don Jose in Carmen, which he sung opposite Regina Resnik, Calaf in Turandot and Siegfried as well as Otello. Get this album and hear for yourself the voice that dazzled audiences and the man who is still beloved and talked about by opera lovers to this day.

Average customer rating:

Famous Tenor Arias and Songs

Manufacturer: Ent. Media Partners
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Arias | Opera & Vocal | Styles | Music

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ASIN: B000002XBT
Release Date: 1997-10-24

The Golden Age of Singing: Vol. 3 1920-1930

Average customer rating:

Great Voices of the 1920s in Opera and Operetta.

The Golden Age of Singing: Vol. 3 1920-1930

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

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Prima Voce Treasury of Opera, Vol. 1

ASIN: B000058TFX
Release Date: 2001-03-06

Tracks:

Romeo Et Juliette: Je Veux Vivre Dans Ce Reve (Waltz Song) - Lucrezia Bori
Andrea Chenier: Un Di, All'azzuro Spazio - Beniamino Gigli
Die Tote Stadt: Gluck, Das Mir Verblieb - Maria Jeritza
Don Giovanni: Or Sai Chi L'onore - Frida Leider
I Puritani: Son Vergin Vezzosa - Amelita Galli-Curci
Carmen: La Fleur Que Tu M'avais Jetee - Richard Tauber
Die Entfuhrung Aus Dem Serail: Martern Aller Arten - Maria Ivogun
Cavalleria Rusticana: O Lola (Siciliana) - Aureliano Pertile
Don Sebastiano: Deserto In Terra Solo - Alfred Piccaver
Il Barbiere Di Siviglia: Una Voce Poco Fa - Toti Dal Monte
Benvenuto Cellini: De L'art Splendeur Immortelle - Giuseppe De Luca
La Boheme: Mimi E Una Civetta - Antonio Cortis
Die Schone Galathea: Trinklied - Lotte Schone
Rigoletto: Pari Siamo - Carlo Galeffi
Resurrection: Dieu De Grace - Mary Garden
Le Nozze Di Figaro: Voi Che Sapete? - Elisabeth Schumann
Don Quichotte: Death Scene - Feodor Chaliapin/Olive Kline
Marina: Brindis: 'A Beber' - Miguel Fleta/Emilio Sagi-Barba
Le Nozze Di Figaro: Porgi Amor - Lotte Lehmann

Tracks:

Pagliacci: No, Pagliaccio Non Son - Giovanni Martinelli/Grace Anthony
I Vespri Siciliani: O Patria...O Tu Palermo - Ezio Pinza
Aida: Nile Scene: O Patria Mia - Elisabeth Rethberg
Der Fliegende Hollander: Wie Aus Der Ferne - Friedrich Schorr
Les Pelerins De La Mecque: C'est Un Torrent Impetuex - Lucien Fugere
Il Trovatore: Il Balen Del Suo Sorriso - Apollo Granforte/Guglielmo Masini
Der Wildschutz: Wie Freundlich Strahlt - Gerhard Husch
Prince Igor: Jaroslavana's Aria - Nina Koshetz
Norma: Meco All'altar Di Venere - Giacomo Lauri-Volpi
Turandot: In Questa Reggia - EVA TURNER
Lohengrin: Einsan In Truben Tagen (Elsa's Dream) - Hina Spani
Werther: Va Laisse Couler - Ninon Vallin
Les Huguenots: Nobles Seigneurs - Sigrid Onegin
Bernice: Si Tra I Ceppi - Alexander Kipnis
Tannhauser: Inbrunst Im Herzen...Da Sah Ich Ihn - Lauritz Melchior
Otello: Ora E Per Sempre Addio - Renato Zanelli
Un Ballo In Maschera: Eri Tu - Lawrence Tibbett

Customer Reviews:

Great Voices of the 1920s in Opera and Operetta........2001-12-30

The Nimbus method of reprocessing historical recordings is particularly kind to singers who recorded by the acoustic process, before the advent of electric recording in 1925. In this third issue of their "Golden Age of Singing" series, Nimbus Records cover the years 1920-1930. About a dozen recordings from the pre-electric era are found here, including items by Galli-Curci and de Luca who featured in the second issue in this series. Other singers featuring again in this third series include Lotte Lehmann and Giovanni Martinelli, heard here in 1927 recordings.

Whatever criteria you use to assess anthologies of great singers, you will probably be well satisfied with this splendid issue. If you collect the works of particular singers, you will find not only representative but also rare items. I count the Pinza item as both. It shows him at his best, and has hitherto not found its ways into my CD collection. Occasionally items are not sung in their original language. Frida Leider's "Don Giovanni" aria sung in German in 1922 is preferred to her 1927 remake sung in Italian. Hina Spani sings Elsa's Dream in Italian. Some singers are recorded at the very end of their careers. Scottish soprano Mary Garden, Debussy's first Melisande, is heard in 1927 at her last recording session. Representing a miracle of good singing and longevity is Lucien Fugère recording a Gluck aria in 1928 at the age of 80. Tauber is heard near the beginning of his career in 1923. Youngest of all is the German baritone Gerhard Hüsch, aged 27.

I doubt that many who are considering purchase, every heard any of these singers. I happen to have heard two of them, when a very young man - Ninon Vallin and Elisabeth Schumann. To those who collect great voices on record, whether ever heard in performance or not, I restate that these Nimbus anthologies offer recreations of acoustic recordings that are well worth considering.

Und Immer Azzuro: Seine 20 Größen Erfolge 1962-1997
Average customer rating:
Und Immer Azzuro: Seine 20 Größen Erfolge 1962-1997
Adriano Celentano
Manufacturer: Bmg
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music
International | Imports | Stores | Music
Rock | Imports | Stores | Music
ASIN: B000026S56
Release Date: 1999-07-15

Tracks:

Ragazzo Della Via Gluck
Mondo in Mi 7a
Azzurro
Festa Sui Prati
Eravamo in 100.000
Soli
Giornata Nein
Coppia Pila del Mondo
Don't Play That Song (You Lied)
Stai Lontana da Me
Festa
Heya
Risencolinensinanciusol
Storia d'Amore
Buonasera Signorina

Average customer rating:

Great Tenor Arias

Manufacturer: Cbc
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Arias | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music
ASIN: B00005NBXX
Release Date: 2001-07-01

Tracks:

Carmen: La Fleur Que Tu M'avis Jetee
Le Cid: Ah! Tout Est Bien Fini - O Souverain! O Juge! O Pere
Turandot: Nessun Dorma
Andrea Chenier: Colpito Qui M'Avete - Un Di All' Azzuro Spazio
I Pagliacci: Vesti La Guibba
Otello: Niun Mi Tema
Werther: Pourquoi Me Reveiller
Romeo Et Juliet: L'Amour, L'Amour - Ah! Leve-Toi, Soleil!
Un Ballo In Maschera: Ma Se M'e Forza Perderti
La Boheme: Che Gelida Manina
Il Trovatore: Ah Si Ben Mio
Tosca: E Lucevan Le Stelle

Average customer rating:

A primer of great singing
Outstanding
A collection made with taste and savvy
One of the Great Bargains

Prima Voce Treasury of Opera, Vol. 1

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

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Opera & Vocal | Box Sets | Stores | Music

The Prima Voce Treasury of Opera, Vol. 2
The Golden Age of Singing, Volume One 1900 - 1910
The Golden Age of Singing: Vol. 3 1920-1930
The Golden Age of Singing, Vol. 4; 1930-1950
Golden Age of Singing Vol.2 (1910-20)

ASIN: B000042NZP
Release Date: 2000-02-15

Tracks:

Adriana Lecouvreur: Poveri Fiori - Claudia Muzio
L'Africaine: O Paradiso - Giacomo Lauri-Volpi
Aida: Se Quel Guerrier Io Fossi... Celeste Aida - Enrico Caruso
Aida: Ritorna Vincitor - Rosa Ponselle
Andrea Chenier: Un Di All'azzuro Spazio - Giovanni Martinelli
Andrea Chenier: La Mamma Morta - Claudia Muzio
Andrea Chenier: Come Un Bel Di Di Maggio - Giovanni Martinelli
L'Arlesiana: E La Solita Storia - Tito Schipa
Atalanta: Care Selve - Eide Norena
Attila: Dagli Immortali Vertici - Igor Gorin
Un Ballo In Maschera: Di Tu Se Fedele - Enrico Caruso/Metropolitan Opr Chor
Un Ballo In Maschera: Eri Tu, Che Macchiavi - Mattia Battistini
Un Ballo In Maschera: Saper Vorreste - Luisa Tetrazzini
Il Barbiere De Siviglia: Largo Al Factotum - Riccardo Stracciari
Il Barbiere De Siviglia: Se Il Mio Nome - Tito Schipa
Il Barbiere De Siviglia: Una Voce Poco Fa...Io Sono Docile - Conchita Supervia

Tracks:

La Belle Helene: Au Mont Ida Trois Deesses - Jussi Bjorling
La Boheme: Che Gelida Manina - Beniamino Gigli
La Boheme: Si, Mi Chiamano Mimi - Claudio Muzio
La Boheme: Donde Lieta Usci - Nellie Melba
Boris Godunov: Varlaam's Song - Feodor Chaliapin
Cagliostro In Wien: Zigeunerkind, Wie Glanzt Dein Haar - Lotte Schone
Le Cid: Enfant Cheri...Le Tambour-Major - Pol Plancon
Carmen: L'amour Est Un Oiseau Rebelle (Habanera) - Conchita Supervia
Carmen: Pres Des Remparts De Seville (Seguedille) - Conchita Supervia
Carmen: Chanson Du Toreador - Lawrence Tibbett/Metropolitan Opr House Chor
Carmen: La Fleur Que Tu M'avais Jetee - Giacomo Lauri-Volpi
Carmen: Je Dis Que Rien Ne M'epouvante (Micaela's Aria) - Eide Norena
Cavalleria Rusticana: O Lola, C'hai Di Latti La Cammisa (Siciliana) - Tito Schipa
Cavalleria Rusticana: Voi Lo Sapete - Claudia Muzio
Cavalleria Rusticana: Viva Il Vino Spumeggiante - Giacomo Lauri-Volpi
Cavalleria Rusticana: Addio Alla Madre - Enrico Caruso
La Cenerentola: Non Piu Mesta - Conchita Supervia

Tracks:

Les Contes D'Hoffmann: Les Oiseaux Dans La Charmille - Mabel Garrison
Le Coq D'Or: Hymne Au Soleil - Eide Norena
La Dame Blanche: Reverie De Georges Brown - David Devries
Dinorah: Ombra Leggiera - Amelita Galli-Curci
Dinorah: Ah! Mon Remords Te Venge - Pasquale Amato
Don Carlos: Ella Giammai M'amo - Ezio Pinza
Don Carlos: O Carlo, Ascolta - Mattia Battistini
Don Cesar De Bazan: A Seville, Belles Senoras (Sevillana) - Amelita Galli-Curci
Don Giovanni: Deh Vieni Alla Finestra - Ezio Pinza
Don Giovanni: Il Mio Tesoro - John McCormack
Don Pasquale: Sogno Soave E Casto - Tito Schipa
Don Pasquale: Quel Guardo Il Cavaliere - Amelita Galli-Curci
L'Elisir D'Amore: Quanto E Bella, Quanto E Cara - Beniamino Gigli
L'Elisir D'Amore: Una Furtiva Lagrima - Tito Schipa
Die Entfuhrung Aus Dem Serail: Wer Ein Liebchen Hat Gefunden - Alexander Kipnis
Die Entfuhrung Aus Dem Serail: Durch Zartlichkeit Und Schmeicheln - Eide Norena

Tracks:

Ernani: Come Rugiada Al Cespite - Giovanni Martinelli
Ernani: Ernani! Ernani, Involami - Rosa Ponselle
Ernani: Infelice! E Tu Credevi - Ezio Pinza
Ernani: O,De' Verd' Anni Miei - Giuseppe De Luca
Eugene Onegin: Letter Scene - Lotte Lehman
Eugene Onegin: Lontan, Lontan (Lenski's Aria) - Dmitri Smirnov
Faust: Salut! Demeure Chaste Et Pure - Giacomo Lauri-Volpi
Faust: Il Etait Un Roi De Thule - Conchita Supervia
Faust: Ah, Je Ris De Me Voir Si Belle (Jewel Song) - Eide Norena
La Favorita: A Tanto Amor - Mattia Battistini
La Favorita: O Mio Fernando - Sigrid Onegin
La Favorita: Spirito Gentil - Beniamino Gigli
La Figlia Del Reggimento: Convien Partir - Toti Dal Monte
Die Fledermaus: Mein Herr - Lotte Schone
Die Fledermaus: Czardas - Elisabeth Rethberg

Tracks:

La Forza Del Destino: Alzatevi...La Vergine Degli Angeli - Rosa Ponselle/Ezio Pinza
La Forza Del Destino: Solenne In Quest'ora - Beniamino Gigli/Giuseppe De Luca
La Forza Del Destino: Invano, Alvaro...Le Minaccie, I Fieri Accenti - Giovanni Martinelli/Giuseppe De Luca
La Forza Del Destino: Pace, Pace Mio Dio - Claudia Muzio
La Gioconda: Ah! Pescator Affonda L'esca - Titta Ruffo
La Gioconda: Cielo E Mar - Jussi Bjorling
La Gioconda: Suicidio - Rosa Ponselle
Grafin Mariza: Gruss Mir Wein Wien - Richard Tauber
Guillaume Tell: Sombre Foret (Cavatina) - Eide Norena
Les Huguenots: Une Dame Noble Et Sage - Mario Ivogun
Les Huguenots: Bianca Al Par - Giacomo Lauri-Volpi
Iris: Apri La Tua Finestra - Antonio Cortis
Jocelyn: Caches Dans Cet Asile (Berceuse) - Alma Gluck
Lakme: Ou Va La Jeune Hindoue (Bell Song) - Amelita Galli-Curci
Das Land Des Lachelns: Von Apfelbluten Einen Kranz - Richard Tauber

Tracks:

A Life For The Tsar: I Do Not Grieve For That - Antonina Nezhdanova
Linda Di Chamounix: O Luce Di Quest' Anima - Marcella Sembrich
Lodoletta: Flammen, Perdonami - Mafalda Favero
Lohengrin: Euch Luften, Die Meine Klagen - Kirsten Flagstad
Lohengrin: In Fernem Land - Miguel Fleta
Louise: Depuis Le Jour - Ninon Vallin
Lucia Di Lammermoor: Cruda Funesta Smania - Mariano Stabile
Lucia Di Lammermoor: Ardon Gl'incensi - Frieda Hempel
Lucia Di Lammermoor: Tu Che A Dio Spiegasti L'ali - John McCormack
Lucrezia Borgia: Il Segreto Per Esser Felici (Brindisi) - Ernestine Schumann-Heink
Luisa Miller: Quando Le Sere Al Placido - Giacomo Lauri-Volpi
Die Lustigen Weiber Von Windsor: Nun Eilt' Herbei - Maria Ivogun
Die Lustige Witwe: Lippen Schweigen (Ballsirenen-Walzer) - Richard Tauber
Madama Buterfly: Un Bel Di Vedremo - Rosa Ponselle
Manon: Il Sogno (En Fermant Les Yeux) - Jussi Bjorling
Manon: Obeissons, Qukkand Leur Voix Appelle (Gavotte) - Amelita Galli-Curci
Manon: Dispar, Vision - Tito Schipa

Amazon.com

This spectacular collection of more than 90 arias sung by 46 of the greatest singers of the century consists of recordings made between 1906 and 1943. Naturally, they are in far from high fidelity, but this is more charming than disturbing. And all the greats are here: from the tenors Enrico Caruso, Beniamino Gigli, John McCormack, and Jussi Bjoerlong, to the sopranos Rosa Ponselle, Amelita Galli-Curci, Claudia Muzio, and Kirsten Flagstad, to mezzos Conchita Supervia and Ernestine Schumann-Heink, to baritones Giuseppe de Luca and Mattia Battistini, and basses Ezio Pinza and Feodor Chaliapin--to mention a few. The six and a half hours of listening is a veritable primer in Grand Opera; a short synopsis of each selection is included. This set lives up to its name--it is indeed a treasury. --Robert Levine

Customer Reviews:

A primer of great singing.......2006-11-07

The Prima Voce Treasury of Opera Vol 1 contains arias and a few duets from operas A- M ( Adriana Lecouvreur- Manon)sung by singers of the first half of the 20th Century. Vol 2 continues with excerpts from operas M-Z ( Manon Lescaut - Die Zauberflote).All the tracks are taken from the Nimbus Prima Voce catalogue, using their controversial re-recording technique, which many people dislike for the over reverberant sound.Personally, I find the transfers more acceptable than the strident, edgy transfers of some other companies.

Opinion about any compilation of this sort is a personal matter. I find the choice of singers predictable and unimaginative and at times rather strange: Lauri-Volpi is not a representative Don Jose nor Faust for example.Overall though the standard of singing is very high.

The accompanying booklet contains well written potted biographies of the singers featured on the CDs.

This compilation is a very good primer of great singing from the past for someone starting out in this field but not for anyone who is already steeped in historic recordings, except perhaps to listen to in the car, which is what I bought it and Vol2 for.

Outstanding.......2001-09-12

As it happened, I bought Vol. 2 of this collection before Vol. 1, and everything I said in my review of Vol. 2 applies equally here. The breadth and depth of the operas and the singers are incredible, and the price for 6 CDs is an amazing bargain. The sound is remarkable, especially considering that some of the recordings are nearly 100 years old, though most are from the 20s and 30s. Highly recommended, whether you are new to opera or a seasoned veteran!

A collection made with taste and savvy.......2001-03-10

The English just know how to do things in good taste and I must say, the elements of this Prima Voce collection have been carefully selected and arranged. Arias are grouped so that you have two or three from the same opera together. This is a sensible arrangement and each singer selected for those particular arias is one who sings it very well and in a unique way. I had already been collecting single singer albums from Prima Voce when I discovered this Treasury compilation and wish now I had bought it first, because you get a good sampling of all the great singers in their catalog and will hear artists of whom you may not have been aware. From this Treasury collection you will hear singers that especially please your ear and then you might buy albums just of them. For me, this set confirmed those choices of favorites such as Claudia Muzio and Tito Schipa. Best of all, the six CDs make for a pleasing listening experience as a whole. I listen to them while I drive. There aren't any bad performances here and quite frankly there are few contemporary artists that can match or top these. It's a great way to establish an historical foundation for your recordings if you are building a collection of singers.

One of the Great Bargains.......2000-06-23

This is one of those rare bargains that one dreams about. I discovered it while browsing and I could not believe that one could have six disks for less than the normal cost of two. Nor is this an economy issue, transferred from what I assume is original pirate recordings along the lines of Gala and Opera d'Oro and even Myto. The transfers are clean and the collection is nonpareil. In all transfers I miss texts. But the music itself is glorious, the selection intelligent, and the artists the stars of the opera world. Unlike other collections arranged in chronological order, these use a simple alphabetic sequence of operas, so one can follow in one's own libretto or score more easily. The recordings appear to bridge the two world wars. If this is indeed volume one, I cannot wait for two.

Average customer rating:

THE Golden Voice of All Time!

42 Great Performances

Manufacturer: Prism
ProductGroup: Music
Binding: Audio CD

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

General | International | Styles | Music

General | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

General | Soundtracks | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

International | Imports | Stores | Music
ASIN: B00005J9JU
Release Date: 2001-01-01

Tracks:

Donna E Mobile [From Rigoleto]
Serenade: Vien Al Mio Grido d'Amor
Core 'Ngrato (Catari, (Catari)
Recondita Armonia
E Lucevan le Stelle
Parigi, O Cara
Love Duet: Vogliatemi Bene
O Soave Fanciulla
Parlami d'Amore Mariu
Una Furtiva Lagrima
Mamma Mia, Che Vo' Sap
Improvviso: Un Di All'azzuro Spazio
Vesti la Giubba
'A Vucchella
O Paradiso
Marechiare
Lolita
Mattinata
Spagnola
Torna a Surriento
O Sole Mio

Tracks:

Donkey Serenade
More Than You Know
Loveliest Night of the Year
I Love Thee (Ich Liebe Dich)
Kiss
Softly, As in a Morning Sunrise
Song of Songs
Granada
Without a Song
My Song, My Love
Diane
Thine Alone
Rosary
Ave Maria
Lord's Prayer
If
They Didn't Believe Me
Cosi Cosa
FuniculFuniculIn English]
Because
Be My Love

Customer Reviews:

THE Golden Voice of All Time!.......2005-02-01

I first became a fan of Mario Lanza as a child, (though I didn't know it then), hearing my mother play his music so often in the 1950's. I think something told me even then that his was a very special voice. As a young adult, I eventually matched that unmistakable voice with the handsome face, when his movies appeared on T.V. occasionally, and later still, I purchased my own copies of all 7 films and some of his recordings, which I still enjoy today. My latest acquisition is "42 Great Performances", which I originally bought because it had the most songs & arias I could find and at a great price!! I think it is still an excellent value, because it has 21 popular songs, in English (except Granada), and an equal number - 21 operatic arias, all in Italian - on this 2-disc CD set.

I think the low price of this beautiful collection may be, as I realized upon playing it the first time, that a few of the operatic arias on the first disc are presented out of order of the track list. This starts with #7 which says "A Stranger in My Arms", clearly out of place among the Italian arias, and in fact, is not there. So the next few are out of order, until #10 when one NOT listed is included, "Una Furtiva Lagrima", then after that they are all correct. There is no problem like this on the 2nd CD in the set. This wasn't a problem for us, as we would much rather have "Una Furtiva Lagrima" than that other unknown song!

The important thing is hearing Mario's supremely gorgeous voice, as he sings song after song in all their splendor. He has a very rich, warm baritone-tenor voice, or spinto tenor, with high notes that are up there with the best tenors of the world! His Italian diction is impeccable too, due to his background with the language growing up in Philadelphia. Even his Neopolitan dialect diction on those songs here is excellent, which is no easy feat. For example, Andrea Bocelli, who is from the area of Toscano (Tuscany) in Italy, really has quite a strong Toscano accent which distracts a bit when he sings Neopolitan songs. Mario Lanza is a natural in English, Italian & Neopolitan dialect.

Besides Mario's powerful tenor when singing operatic arias, I love his beautiful mezza-voce, which is both sweet and caressing. You'll hear this especially on Disc 2, in most of the popular songs & ballads, but also on Disc 1,(the Italian disc) when he sings such lovely songs as "A Vucchella", "Mattinata", and Parlami D'Amore, Mariu`", 3 of my FAVORITE Italian love songs. I also love "Cuore 'n Grato", "O Sole Mio", as well as all the opera highlights, in particular the three from La Boheme, Madama Butterfly, and I Pagliacci. Both discs have so much to enjoy, from religious songs like the "Lord's Prayer" and "Ave Maria" to wonderful love songs, like "If, "The Loveliest Night of the Year", "They Didn't Believe Me", and "Be My Love", one of Mario's biggest hits. There are too many to mention - I even grew fond of some of the lessor known songs like, "A Kiss" and "Thine Alone". There are even a couple lively fun songs - "Cosi Cosa" and "Funiculi-Funicula , interestingly sung in English! I do prefer the Italian versions though.

Mario has a very distinctive voice, both very powerful as well as tender, and the great versatility needed to sing equally well opera as well as these popular songs, as you will see. The other thing you should know is that many of the songs are from live recordings, so there is applause at the beginning & endings of many. But when you hear this album set, you'll know what the applause is all about!! Mario Lanza's voice is as relevant today as it was in his prime in the late 40's, and 50's. Because of his ease with both English and Italian, and the natural sound of his voice, it outshined even many big opera stars of the times, who didn't sing popular song as well. I highly recommend this set of Cds, and most other recordings of Mario Lanza you can find on Amazon or anywhere!

Average customer rating:

Sorry guys, wrong CD...
Viva Montagnana!!
ONE GOLD, TWO SILVERS AND ONE BRONZE

Four Golden Tenors of the Past

Manufacturer: Preiser Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music
ASIN: B00000BKBX
Release Date: 1998-07-04

Tracks:

Aida: Se Quel Guerrier Io Fossi...Celeste Aida - Giovanni Martinelli
Andrea Chenier: Un Di All'azzuro Spazio - Giovanni Martinelli
Andrea Chenier: Come Un Bel Di Di Maggio - Giovanni Martinelli
Fedora: Amor Ti Vieta Di Non Amar - Giovanni Martinelli
La Boheme: Che Gelida Manina - Giovanni Martinelli
Il Trovatore: Ah! Si, Ben Mio Coll'essere - Aureliano Pertile
Il Trovatore: Di Quella Pira - Aureliano Pertile
Luisa Miller: Quando Le Sere Al Placido - Aureliano Pertile
La Forza Del Destino: O Tu, Che In Seno Agli Angeli - Aureliano Pertile
I Pagliacci: Recitar...Vesti La Giubba - Aureliano Pertile
Lucia Di Lammermoor: Tombe Degli Avi Miei - Beniamino Gigli
La Traviata: De' Miei Bollenti Spiriti - Beniamino Gigli
L'Africana: O Paradiso! - Beniamino Gigli
La Gioconda: Cielo O Mar - Beniamino Gigli
Mefistofele: Dai Campi, Dai Prati - Beniamino Gigli
Norma: Meco All'altar Di Venere - Giacomo Lauri Volpi
Gli Ugonotti: Bianca Al Par Di Neve Alpina - Giacomo Lauri Volpi
Faust: Salut! Demeure Chaste Et Pure - Giacomo Lauri Volpi
Carmen: La Fleur Que Tu M'avais Jetee - Giacomo Lauri Volpi
Tosca: E Lucevan Le Stelle - Giacomo Lauri Volpi

Customer Reviews:

Sorry guys, wrong CD..........2006-09-26

The previous reviews for this item were, somehow, meant for another item! This item is "Four German Sopranos", not tenors! Pay attention! :)

Viva Montagnana!!.......2004-05-17

Four tenors, Four styles. So much has been said about Gigli, that I can`t really add anything new, other than that I find his singing, the more I hear it, mannered and selfconcious. His famous silvery mezza-voce to me sounds disconnected almost child-like. BUT! If he were to sing today, the world would proclaim him "the umpteenth Tenor!!" Lauri Volpi: Focussed, explosive, virile and almost always thrilling. Now the Montagnana-boys: Martinelli, "The big Bugle" as he was known in New York, is an acquired taste. He has a vibrato very typical of that time, fast and a little tight, and can sound a little bleaty. But listen again, and you`ll be rewarded. He can really spin a line, make the text tell and hits you right in the gut with his timbre. As further listening, I`d recommend the live Otello from the Met with Tibbett and Rethberg. Wonderful!! Now, to the most neglected of all great singers of all time. The most thrilling, visceral, even-voiced. He can carry the lightest pianissimo in any range and make it spin and spin and... He can sing so loudly he`ll pin you to your seat. The voice has presence and ring, what the italians call "squillo" that you can reach out and touch. The voice is focussed like a laser, yet never sounds tight. Even in full flight there`s always some in reserve. Pertile, of course. This is not a dozen-instrument. You`ll never mistake him (or any of the others, for that matter) with any other singer. From the first note I ever heard from him, I have been spellbound. Everything I ever wished I could do and be, he does with consumate ease. You owe it to yourself to hear his "quando le sere al placido" from Luisa Miller. He sings lines that never end, goes from piano to forte in the same phrase without altering the timbre or colour.... I could go on for days, but I think you get the message: Buy this, or any other CD with Pertile and prepare to fall for a singer who would sweep the decks anywhere in the world today. It`s your loss if you don`t!

ONE GOLD, TWO SILVERS AND ONE BRONZE.......2001-05-16

Here we have four Italian tenors of the golden age, who captured world attention in that glorious past for their vocal and interpretative capacity. Other names that come to mind are Caruso, Zenatello, Grassi, Anselmi, Schipa, Paoli, De Muro, Merli and Bonci.

The four tenors on this superb CD have a lot in common. Born within seven years apart, between 1885 and 1892, they (except Pertile) sang at the Met, the temple of operatic singing. All of them displayed mezza voce and heroic top notes on the stage.

This CD has collected and handed to posterity their prowess, when the tenors were in their late thirties and at their prime. Interestingly, one may draw vocal attributes from their performances and make comparisons.

Martinelli displayed a heroic and massive, Pertile, a sage but hard-driven, Gigli, an elegiac or turgid and Lauri-Volpi a robust, limpid and easily extended voice. The gold medal goes to Lauri-Volpi, the silver to Martinelli and Gigli, the bronze to Pertile.

I liked Martinelli in "Come un bel di di maggio"(Chenier) full of pathos, Pertile "Vesti la giubba" (Pagliacci) for great artistry, Gigli "Dai campi, dai prati" (Mefistofele) for inspired mysticism and Lauri-Volpi "Bianca al par di neve"(Les Huguenots) for unique mezza voce.

Lauri-Volpi gets top marks for "E lucevan le stelle"(Tosca) recorded in 1928, when he was at his artistic splendour. The painter Cavaradossi is not his conspiring and patriotic self. He is in prison, reminiscing Tosca's sweet hands, languid caresses and voluptuous appearance. Lauri-Volpi with an extraordinary, exquisite pianissimo sets up the mood before unleashing his despair with a powerful crescendo. It is an unsurpassed rendition of the great aria, as Puccini intended it.

Music Review:

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