Just a Vision [CD-single] [Import]

Just a Vision [CD-single] [Import]

Just a Vision [CD-single] [Import]

Track Listings
 
1. Just A Vision (Original Mix)
2. 74th Avenue
3. Just A Vison (Marcus Intalex &St Files Remix)

Editorial Reviews
Product Description
Drum N Bass. Features the Highly Desirable 'just a Vision' Remix from Marcus Intalex plus 'life of Riley.'

Just a Vision,Solid State,Renegade Hardware
Bruckner: Symphony No. 9 (with the Documentation of the Finale Fragment) [Hybrid SACD]
Average customer rating: 4 out of 5 stars
  • Harnoncourt's Bruckner, a viable alternative to Karajan?
  • Depends what you consider good
  • Terrific performance!
  • Unconvincing performance; interesting commentary
  • Harnoncourt roars, but Wildner rages
 Bruckner: Symphony No. 9 (with the Documentation of the Finale Fragment) [Hybrid SACD]

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
Harnoncourt, NikolausHarnoncourt, Nikolaus | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
Vienna Philharmonic OrchestraVienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
All Works by BrucknerAll Works by Bruckner | Bruckner, Anton | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
Classical Instrumental MusicClassical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
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  1. Bruckner: Symphony No. 5 (with Excerpts from the Rehearsals) [Hybrid SACD]
  2. Bruckner: Symphony No. 9
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  5. Beethoven Symphony No. 6 "Pastorale" / Walter, Columbia Symphony (SACD)

ASIN: B0000AF1IG
Release Date: 2003-10-21

Tracks:

  1. Warum Hat Man Eigentlich 100 Jahre Lang Gedacht, E - Nikolaus Harnoncourt
  2. Finale. T. 1-278 - Wiener Philharmoniker
  3. Gegen Ende Eine Extreme Dissonanz In Den Trompeten - Nikolaus Harnoncourt
  4. Nach Dem Ende Der Durchfuhrung Folgt Eine Wilde Fu - Nikolaus Harnoncourt
  5. Finale. T. 279-342 - Wiener Philharmoniker
  6. Quasi En Schreckensbild Des Todes - Nikolaus Harnoncourt
  7. Finale. T. 343-478 - Wiener Philharmoniker
  8. Danach Fehlen 16 Takte; Dazu Ist Nichts Zu Erklare - Nikolaus Harnoncourt
  9. Finale. T. 479-510 - Lucke/Fehlender Partiturbog - Wiener Philharmoniker
  10. Why Did We Think For Over Hundred Years That Nothing... - Nikolaus Harnoncourt
  11. WAB 109: Finale. MM. 1-278 - Wiener Philharmoniker
  12. Extreme Dissonances In The Trumpets Towards The End - Nikolaus Harnoncourt
  13. At The End Of The Development A Wild Fugue Begins - Nikolaus Harnoncourt
  14. Finale. MM. 279-342 - Wiener Philharmoniker
  15. A Sudden Vision Of Death - Nikolaus Harnoncourt
  16. Finale. MM. 343-478 - Wiener Philharmoniker
  17. Then There Are Sixteen Bars Missing. We Will Just... - Nikolaus Harnoncourt
  18. Finale. MM. 479-510 - Gap/Missing Score Bifolio - Wiener Philharmoniker

Tracks:

  1. I. Satz. Feierlich; Misterioso - Wiener Philharmoniker
  2. Scherzo. Bewegt; Lebhaft - Trio. Schnell - Scherzo - Wiener Philharmoniker
  3. Adagio. Langsam; Feierlich - Wiener Philharmoniker

Customer Reviews:

5 out of 5 stars Harnoncourt's Bruckner, a viable alternative to Karajan?.......2006-03-19

Even Karajan's detractors, except for the most severe, generally concede that he was supreme in Bruckner. His various performances of the Ninth Sym. with the Berlin Phil. are commanding in their huge scope, yet Karajan was also capable of delicate phrasing and had an intuitive grasp of how to organize these gigantic, sprawling movements. No one has quite reached that magistreial level since. To his credit, Harnoncourt doesn't try to. This is, for him, a straightforward performance that relies on some qualities Karajan's Bruckner doesn't possess.

First of all, Harnoncourt has his own instincts about phrasing and organizing the music. Contrary to a reviewer below, he doesn't exploit extreme rubato or sudden tempo changes. There are some quirky moments where the tempo speeds up unexpectedly, but overall, Harnoncourt's timing of 58 min. is dead center among various recordings (as much as I admire Giulini, his 68 min. traversal drags). Harnoncourt favors brash outbursts from the brass, particularly in the Scherzo, my least favorite movement here. But his main intent is to keep Bruckner simple, to impose himself far less than Karajan did with his ultra-control. This Bruckner Ninth is a bit plain at times, but it always breathes.

As to the recorded sound, I have only heard the regular two-channel CD, which is quite clear; the Vienna Pphil. is placed a bit far back on a wide soundstage. I would have liked to hear the solo winds up closer, but that's a quibble. This Bruckner Ninth satisfied me as much as the great accounts by Walter, Klemperer, Giulini, and Boulez. I sitll feel more thrills from Karajan's analog reading from the Sixties, yet Harnoncourt provides a viable alternative in itnerpretation.

In theory it was an exciting notion to provide a free bonus CD containing Harnoncourt's defense of Bruckner's surviving sketches for a fourth movement, never completed. Could it really be that his ocntemporaries were wrong and that Bruckner left us pages of great music begging to be revived? Harnoncourt's talk is highly persuasive, but when the Vienna Phil. actually plays what survives of the finale, it proves as sorely disappointing as its reputation would lead one to believe.

2 out of 5 stars Depends what you consider good.......2004-06-14

Harnoncourt has done some great things for music in his career, but I would not consider this one of them. He achieves an "authentic" performing style from the Vienna Philharmonic with a thin string sound and little or no vibrato. So anyone expecting that sweet Vienna sound will be disappointed. But his conducting does not meet that goal of authenticity, because he varies tempos too much. It draws attention to itself and weakens the cohesiveness of the work as a whole.
There are other versions, many of which are mentioned by the other reviewers below (Giulini, Karajan, et al.), which communicate this great work more simply and effectively. They are also unique and full of interesting details (some attention to detail is good). In light of them, Harnoncourt's view is radically different. Experience has taught me that subtle differences in interpretation give pleasure with repeated listening. Radical differences are OK in a live performance (which this is), but do not stand the test of time. So I do not recommend this as a first recording to have of Bruckner's 9th.

5 out of 5 stars Terrific performance!.......2004-02-25

The symphony recording is damn good, and the extras are very interesting (to hear Harnoncourt speaking German and English, to hear the sketches of the last movement). In my mind, this ranks among the very best -- with Celibidache on EMI, Giulini on DG, Bernstein on DG, and don't forget the second movement of the Jochum on EMI.

3 out of 5 stars Unconvincing performance; interesting commentary.......2004-01-15

First off, I do not like the performance. Harnoncourt's tempi are erratic, particularly in the adagio (where he speeds up the second theme-group to the point he cheapens it).

Secondly, I found his commentary on the 4th movement "chunks" informative. They could easily have been printed in liner notes; instead, we have each of the chunks played twice, followed first by commentary German, then in English.

Thirdly, I see no reason why he should not have recorded the full movement as completed by someone -- by William Carragan (Chandos: Yoav Talmi, Oslo Philharmonic); by Nicola Samale & Giuseppe Mazzuca (Teldec: Inbal, Frankfurt Radio Symphony Orch [with the 5th Symphony]); or by Samale, Mazzuca, and John A Phillips (Camerata: Eichhorn, Linz Bruckner Orch). My first choice is the Carragan: though the Oslo band takes third place among those in these recordings, it is good enough and I find Carragan's completion the most convincing.*

(In January 1984 I went to New York and Carnegie Hall to hear the American Symphony Orchestra perform the premier of the 9th with Carragan's finale. The performance was reviewed the next day in the Times. I immediately wrote Joel Flegel, editor of Fanfare, asking if he knew whether a recording was planned. Joel was dubious and dismissive: "If that college professor really....")

As Carragan noted in his program notes for the ASO "premier," the finale includes the greatest of Bruckner's chorales. That magnificent theme cannot be understood or appreciated by hearing it only in Harnoncourt's chunks. It needs to be heard in context -- and that context can only be provided in a "performing version."

In my opinion, Harnoncourt does a disservice to Bruckner and to listeners by not offering a completed finale. There is certainly room for one in this two-disk set.

* But Carragan will either produce a new version or be superseded as pages not available to him have since been found -- and as still more come to light.

4 out of 5 stars Harnoncourt roars, but Wildner rages.......2004-01-05

As the other reviewers note, this release is essential for anyone interested in this work, for the workshop and documentation of the currently surviving material from the final movement of the symphony. Another important aspect of the release is the use of a new "critical edition" of the initial three movements of Bruckner's 9th, which contains a number of very evident modifications, particularly in orchestration. All the same, it is a concert recording, and, at least in the usual CD format, balances aren't always optimal, trumpets and trombones often too forward, at the expense of the Vienna Phil's strings and (especially) glorious horn section, and timpani are somewhat reticent, especially in the first movement. Harnoncourt also tends to push a bit hard, lacking the natural plasticity in tempo that marks the greatest performances of the first three movements of this work. The impression is one of roaring power, building and receding throughout. Of the 4th movement sketches, Harnoncourt plays exactly what survives, except he omits the 50-odd bars of three coda fragments that have turned up.

Just a few months ago, a recording of the 9th including a reconstruction/completion of the 4th movement, based on the same body of fragments and sketches (including the coda) and prepared by the same editors, was released on Naxos(8.555933-34). The orchestra is the New Philharmonia of Westphalia (Germany) and the conductor is Johannes Wildner. Now, finally, we can hear this work in a form tantalizingly close to the way Bruckner intended. Furthermore, unlike Harnoncourt's Vienna Phil performance, Wildner and his astonishiingly capable Westphalians present what I can only describe as a ferocious performance, with horns and timpani cutting through the fabric of the orchestra at key points, and effectively flexible tempos. It's a performance unlike any I've heard since Furtwangler's furious and terrifying recording made in Berlin during the darkest days of World War II. If you've gotten the Harnoncourt (or even if you haven't), you have to get the Wildner, too.

As an aside, these recordings render superfluous the 1986 Chandos recording by Yoav Talmi and the Oslo Phil of a 4-movement version of Bruckner's 9th. That documented a brave effort by William Carragan to reconstruct a finale. Unfortunately he had barely 3/4 of the body of sketches to work with that we have now, and nothing of the coda at all.
It's Just Like Heaven
Average customer rating: Not rated
    		It's Just Like Heaven
    Greater Vision
    Manufacturer: Brentwood
    ProductGroup: Music
    Binding: Audio CD

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    1. My Favorite Place
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    3. Faces
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    ASIN: B0009A3ZV2
    Release Date: 2005-05-17

    Tracks:

    1. It's Just Like Heaven
    2. Always Enough
    3. No Army Big Enough
    4. Nothing Is Impossible
    5. There Is a River
    6. He Is Mine
    7. Don't Try to Tell Me That God Is Dead
    8. I Stand in Awe
    9. Lay Them Down and Leave Them
    10. No One Cared So Much
    Give ME Just One Night (una Noche)
    Average customer rating: Not rated
      		Give ME Just One Night (una Noche)
      98 Degrees
      Manufacturer: Phantom Sound & Vision
      ProductGroup: Music
      Binding: Audio CD
      ASIN: B000BRHUBO
      Release Date: 2000-09-19

      Tracks:

      1. Give Me Just One Night (Una Noche) (Album Version)
      2. Give Me Just One Night (Una Noche) (Spanish Version)
      3. Give Me Just One Night (Una Noche) (Hex Hector Radio Edit)
      Digital Audio Check CD
      Average customer rating: Not rated
        		Digital Audio Check CD

        Manufacturer: Denon Records
        ProductGroup: Music
        Binding: Audio CD

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        Release Date: 1994-12-16

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        1. Announcement For Basic Checks: Channel: Left, Right
        2. Announcement For Basic Checks: Balance, Phase: Center, In Phase, Out Of Phase
        3. Test Signals For Basic Checks: 1001 Hz Sine Wave: - 16 dB, Left
        4. Test Signals For Basic Checks: 1001 Hz Sine Wave: - 16 dB, Right
        5. Silence: Emphasis On
        6. Silence: Emphasis Off
        7. Sweep Signals: Frequency Log Sweep 1 KHz, 5 Hz - 22.05 KHz: - 15 dB, L+R
        8. Sweep Signals: Level Sweep 1001 Hz, - 20 dB, - 60 - 0 dB, L+R
        9. Sweep Signals: Phase Sweep 401Hz, 0, 0 - 360: - 20 dB, Stereo
        10. White Noise: - 20 dB, L+R
        11. Source Material For Sound Quality Evaluation: Orchestra, Piano: - 60 dB, Stereo
        12. Source Material For Sound Quality Evaluation: Orchestra, Piano: - 40 dB, Stereo
        13. Source Material For Sound Quality Evaluation: Orchestra, Piano: - 20 dB, Sereo
        14. Source Material For Sound Quality Evaluation: Orchestra, Piano: - Normal, Stereo...
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        16. Ein Heldenieben Op.40: Der Held - Herbert Blomstedt/Staatskapelle Dresden
        17. Violin Concerto No.5 in A Major, KV.219 'Turkish': lll. Rondeau; Tempo Di Menuetto (Excerpt) - Jean-Jacques Kantorow/Leopold Hager/Netherlands Chamber Orchestra
        18. Horn Quintet In E-Flat Major, KV.407: lll. Rondo; Allegro - Norbert Hauptmann/Philharmonia Quartet Berlin
        19. Golliwog's Cakewalk - Jacques Rouvier
        20. Praeludium In G Major, BWV.568 - Jacques Van Oortmerssen
        21. Winterreise, Op.89 D.911: Der Lindenbaum - Hermann Prey/Philippe Bianconi
        22. Der Rosenkavalier, Op.59: Waltz (Excerpt) - Hans Vonk/Staatskapelle Dresden/Theo Adam
        23. Carmen-Fantasy (Excerpt) - Paganini Ensemble
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        Just Short of Living
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          Vision
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          Binding: Audio CD

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          14. Bonus Track 3
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          Just a Plot to Drive You Crazy
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            		Just a Plot to Drive You Crazy
            Gordon Haskell
            Manufacturer: Phantom Sound & Vision
            ProductGroup: Music
            Binding: Audio CD
            ASIN: B00000E20I
            Release Date: 1996-11-21
            (Just) Me & You
            Average customer rating: Not rated
              		(Just) Me & You
              New Vision
              Manufacturer: Blanc
              ProductGroup: Music
              Binding: Audio CD

              GeneralGeneral | Dance & DJ | Styles | Music
              ASIN: B00004SAN8
              Release Date: 2000-01-17

              Album Details

              Garage House with Male Vocals.
              River/Just Checkin
              Average customer rating: Not rated
                		River/Just Checkin
                Beautiful South
                Manufacturer: Phantom Sound & Vision
                ProductGroup: Music
                Binding: Audio CD
                ASIN: B000BRHZXM
                Release Date: 2001-12-08
                Just the Two of US CD 2/Single
                Average customer rating: 4.5 out of 5 stars
                • Information
                • Absoulutely Fantastic
                • wil smith is the hotest man in the world
                • This is a cool CD
                		 Just the Two of US CD 2/Single
                Will Smith
                Manufacturer: Phantom Sound & Vision
                ProductGroup: Music
                Binding: Audio CD

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                ASIN: B00000AGO7
                Release Date: 1998-07-28

                Tracks:

                1. Just The Two Of Us(Radio Edit)
                2. Just The Two Of Us(Love To Infinity's Classic Club Mix)
                3. Just The Two Of Us(Love To Infinity's Giant Club Mix)

                Album Description

                The third single from Smith's double platinum top 10 solodebut smash & a remake of Bill Withers' classic love song.Pt.1 features three mixes of 'Just The Two Of Us': RadioEdit, Love To Infinity's Classic Club Mix and Love ToInfinity's Giant Club Mix. Blue

                Customer Reviews:

                4 out of 5 stars Information.......1999-07-20

                I would like to know on wich CD album is the songs 'Just a Two of us'and 'Wild wild west' In fact, i would like to know the last album of Will Smith Thanks for your answer

                5 out of 5 stars Absoulutely Fantastic.......1999-07-11

                This song was one of the most soulful songs I have ever heard! It truly portrays the role a father should take in his son's life to make sure he grows up to be a worthy citizens.

                4 out of 5 stars wil smith is the hotest man in the world.......1999-07-06

                just the two of us is so cut him talking with his son made me want to cry

                5 out of 5 stars This is a cool CD.......1998-08-31

                This is a great CD. The song Just the two of us is a great song with great morals.
                (Just) Me & You
                Average customer rating: Not rated
                  		(Just) Me & You
                  New Vision
                  Manufacturer: Festi
                  ProductGroup: Music
                  Binding: Audio CD

                  GeneralGeneral | Dance & DJ | Styles | Music
                  ASIN: B00004TK9L
                  Release Date: 2000-03-30

                  Album Details

                  Features 6 Mixes.

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