End It
End It
Track Listings
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1. Neglect
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2. From the Womb...To the Tomb
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3. Dig It
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4. State of My Mind
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5. ...Life...
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End It,Neglect,We Bite,Heavy Metal,Rock
Average customer rating:
- Beautiful
- Awesome
- Excellent Music tracks from Movie
- Complete?
- Great Collection, Poor Packaging
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The Lord of the Rings: Fellowship of the Ring - The Complete Recordings
Howard Shore
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Lord of the Rings: The Two Towers - The Complete Recordings
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- The Lord of the Rings Sketchbook
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ASIN: B000BNI90O
Release Date: 2005-12-13 |
Tracks:
- Lord of the Rings: The Fellowship of the Ring/Prologue: One Ring ...
- Lord of the Rings: The Fellowship of the Ring/The Shire
- Lord of the Rings: The Fellowship of the Ring/Bag End (Featuring ...)
- Lord of the Rings: The Fellowship of the Ring/Very Old Friends
- Lord of the Rings: The Fellowship of the Ring/Flaming Red Hair
- Lord of the Rings: The Fellowship of the Ring/Farewell Dear Bilbo
- Lord of the Rings: The Fellowship of the Ring/Keep It Secret, Keep ...
- Lord of the Rings: The Fellowship of the Ring/A Conspiracy Unmasked
- Lord of the Rings: The Fellowship of the Ring/Three Is Company
- Lord of the Rings: The Fellowship of the Ring/The Passing of the Elves
- Lord of the Rings: The Fellowship of the Ring/Saruman the White
- Lord of the Rings: The Fellowship of the Ring/A Shortcut to Mushrooms
- Lord of the Rings: The Fellowship of the Ring/Strider
- Lord of the Rings: The Fellowship of the Ring/The Nazgul ...
Tracks:
- Lord of the Rings: The Fellowship of the Ring/Weathertop
- Lord of the Rings: The Fellowship of the Ring/The Caverns of Isengard
- Lord of the Rings: The Fellowship of the Ring/Give Up the Halfling
- Lord of the Rings: The Fellowship of the Ring/Orthanc
- Lord of the Rings: The Fellowship of the Ring/Rivendell
- Lord of the Rings: The Fellowship of the Ring/The Sword That Was ...
- Lord of the Rings: The Fellowship of the Ring/The Council of ...
- Lord of the Rings: The Fellowship of the Ring/The Great Eye
- Lord of the Rings: The Fellowship of the Ring/Gilraen's Memorial
- Lord of the Rings: The Fellowship of the Ring/The Pass of Caradhras
- Lord of the Rings: The Fellowship of the Ring/The Doors of Durin
- Lord of the Rings: The Fellowship of the Ring/Moria
- Lord of the Rings: The Fellowship of the Ring/Gollum
- Lord of the Rings: The Fellowship of the Ring/Balin's Tomb
Tracks:
- Khazad-Dum
- Caras Galadhon (featuring Lament for Gandalf, performed by Elizabeth Fraser)
- The Mirror of Galadriel
- The Fighting Uruk-hai
- Parth Galen
- The Departure of Boromir
- The Road Goes Ever On (part 1)
- May It Be (composed and performed by Enya)
- The Road Goes Ever On (part 2. featuring In Dreams, perfomed by Edward Ross)
- Lord of the Rings: The Fellowship of the Ring/Khazad-D
- Lord of the Rings: The Fellowship of the Ring/Caras Galadhon ...
- Lord of the Rings: The Fellowship of the Ring/The Mirror of Galadriel
- Lord of the Rings: The Fellowship of the Ring/The Fighting Uruk-Hai
- Lord of the Rings: The Fellowship of the Ring/Parth Galen
- Lord of the Rings: The Fellowship of the Ring/The Departure of Boromir
- Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...
- Lord of the Rings: The Fellowship of the Ring/May It Be
- Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...
Amazon.com
As fans of Peter Jackson's Lord of the Rings trilogy know, each film exists in two versions: the theatrical one and the extended one that appeared on DVD. This luxurious box set--which also comes with a detailed essay on the movie's musical themes--features the full extended score, so many cues not on the CDs of the individual movies are included. Granted, the majority of listeners will be perfectly happy with the shorter versions of the scores--it's a safe bet that most people can live without hearing, say, Ian McKellen's 35-second-long ditty "The Road Goes Ever On" at the beginning of "Bag End," or Viggo Mortensen's performance of his own composition, "The Song of Lúthien," within the track "The Nazgûl." But if you're a completist and/or a devotee of Howard Shore's pounding tympani and overwhelming choral compositions (featured particularly prominently on disc 3, a large chunk of which is devoted to a battle scene), then this set is a dream come true. Audiophiles should note that the fourth disc, a DVD, offers the score in Dolby Digital 5.1 Surround Sound. Fire up those speakers so the whole shire can hear. --Elisabeth Vincentelli
Album Description
An epic film score receives epic treatment with The Lord of the Rings: Fellowship of the Ring/Complete Recordings. Released for the first time on CD, the complete score for the first film in the Lord of the Rings trilogy contains more than 180 minutes of music on three CDs plus a DVD-Audio disc of the entire score in Surround Sound. Breathtaking and majestic, the 2001 Oscar and Grammy winning score compsted by Howard Shore also includes Enya's Oscar nominated "May It Be." For fans of any of The Lord of the Rings films, the Fellowship of the Ring/Complete Recordings is an essential experience.
Customer Reviews:
Beautiful.......2007-06-15
I picked up this set because I am both a LOTR fan, movies and books and I need music to help me work. There are some tracks that I skipped over, like the short little ditties in the bar, but many of the songs, such as the Elvish chants are easy to get lost in - its just too bad they don't last longer. The packaging really is well done, though the DVD disc was loose when I received it in the mail, but unharmed. I will have to wait until the price on the second set comes down a little more, but I can't wait for ROTK.
Awesome.......2007-06-12
This is by far the editon to get if you loved the lord of the rings soundtrack. It has every song on it from the extended edition. and the DVD-A version is very nice.
Excellent Music tracks from Movie.......2007-05-03
Brings the movie back as you listen to the full version of the track.
Complete?.......2007-04-07
This CD collection is wonderful; it has much of the material from the movie that was only included in the extended edition DVD, but it is far from complete. While it does have the complete version of "The Passing of the Elves" and two versions of "The Road Goes Ever On", many of the songs are highly incomplete and inferior to the originals. "Aniron," the theme for Aragorn and Arwen performed by Enya, is incomplete and the lyrics are hard to match to what is being sung. The sound quality for this song is even worse on the accompanying DVD, which is supposed to have all of the music in "superior sound". The song "Prophecy" is reduced to two barely-audible lines and "May It Be" is shortened and different than the original. $60 for this when there are more complete songs on the original soundtrack is ridiculous.
Great Collection, Poor Packaging.......2007-04-03
I realy can't add to what others have said about this set, the music is simply the best LOTR soundtrack collection out there! It is all here, and the contents of this set will make any LOTR fan happy and the music DVD is a great one disc addition if you want to hear the entire score in one sitting (to which I have done a number of times already).
My only complaint is the somewhat flimsy cardboard box that houses the contents of this musical treasure. Mine came damaged, and considering the price, I expected better packaging. This is a minor quabble on my part and NO, I havent returned it due to the fact that the music itself Is what I truly treasure, It just would have been nicer to have recieved it undamaged.
Music-5
Packaging-3
*for the record I had rated this Item 5 stars not the 3 stars that is showing at the top of my review*
Average customer rating:
- harem
- New to Sarah Brightman
- Stranger in Paradise - More Like Stranger in a Lost Cause
- No voice like hers in the world
- Brilliant Brightman, Her best CD.
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Harem
Sarah Brightman , and Frank Peterson
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
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- Eden (US Release - 16 tracks)
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ASIN: B00008W2QZ
Release Date: 2003-06-10 |
Tracks:
- Harem
- What A Wonderful World
- It's A Beautiful Day
- What You Never Know
- The Journey Home
- Free
- Mysterious Days
- The War Is Over
- Misere Mei
- Beautiful
- Arabian Nights
- Stranger In Paradise
- Until The End Of Time
- You Take My Breathe Away
Amazon.com
If one's notion of "world music" promises a touch of the exotic and indigenous, often overlooked is the fact that the influence of western pop music has seeped into every corner of the globe, creating a hybrid that's often more than merely the sum of its influences. Theater vet Brightman steps into that pan-cultural hall of mirrors here, wedding her fascination with the music and rhythms of the "forbidden places" (the title's Arabic meaning) of the Middle East to her own oft ethereal vocal charms and rock-solid sense of drama. And if the diva's equally sound crossover sensibilities (and that of longtime producer Frank Peterson) sometimes mire it in familiar world-beat pastiche, Brightman's charmed muse manages some transcendent moments nonetheless. Her musical borrowings (Borodin for the title track; Puccini's *Madame Butterfly* for "It's a Beautiful Day") are as compelling as her choice of collaborators: classical violin star Nigel Kennedy and Iraqi vocalist Kadim Al Sahir add compelling touches to the weary timeliness of "The War is Over." The musical influences range from Europe across the Mediterranean and as far East as the Indian roots of "Bollywood" composer A.R. Rahman's "The Journey Home" and Brightman's own "You Take My Breath Away" to evocative recastings of the emblematic standards "Stranger in Paradise" and Louis Armstrong's "What a Wonderful World," while ex-Killing Joke keyboardist Jaz Coleman provides the savory East-meets-West orchestrations that ensure Brightman's star turns the seamless foundations they deserve. --Jerry McCulley
Amazon.com
Sarah Brightman Photos
More from Sarah Brightman
Time to Say Goodbye |
Diva: The Singles Collection |
Eden |
Diva: The Video Collection |
Live from Las Vegas |
La Luna (Live in Concert) |
Customer Reviews:
harem .......2007-05-28
As usual a quick and effecient service ,especially for people who live abroad.Keep up the excellent work John Williams.
New to Sarah Brightman.......2007-03-12
I'm very new to Sarah brightman's music and I enjoy this CD. I think she has an amazing voice. Very talented young woman and this cd was very relaxing and joyful to listen to. I like to learn and heard more from Sarah Brightman.
Stranger in Paradise - More Like Stranger in a Lost Cause.......2006-12-30
I'm not throughly pleased with this album! This CD is only good if you know how to dance in a Middle-Easters fashion. About half of each track is dominated by all orchestrations and no Sarah. Plus, Pop-Sarah isn't really for me. I much prefer the Classical-Sarah. Some of the tracks are okay, like "Harem", "The Journey Home", "Beautiful", and "Stranger in Paradise". Really, this is a good CD for your collection, but I wouldn't listen to it on a 24/7 basis.
No voice like hers in the world.......2006-10-01
I own this cd. I saw her in person at the "Harem" concert. Never had I heard or seen any voice like this. What a performer, best concert I'd ever seen. Beautiful voice, I can never get enough of Sarah Brightman's music. It is so comforting at times. I have all her music and this cd makes you wonder, how can she top this? Thank you Sarah Brightman for giving us your beautiful gift of music.
Brilliant Brightman, Her best CD........2006-09-18
Sarah is just the best, she can hit any note and her individuality shines on this CD. She sings "The Journey Home" from the musical Bombay Dreams and her voice just soars. "Harem", "Mysterious Ways" and "You Take My Breah Away" are songs that take me to dreamland. Amazing! A master piece!
Average customer rating:
- my little one loves Chicken Little
- this is a great kids cd!!
- Great soundtrack for the children, especially if they liked the movie!
- Her favorite gift...
- Chicken Little Soundtrack
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Chicken Little
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Madagascar
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- Disney's Karaoke Series: Chicken Little
- Chicken Little
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ASIN: B000BBOVEY
Release Date: 2005-11-01 |
Tracks:
- Stir It Up - Patti Labelle
- One Little Slip - Barenaked Ladies
- Shake A Tail Feather - The Cheetah Girls
- All I Know - Five For Fighting
- Ain't No Mountain High Enough - Diana Ross
- It's The End Of The World As We Know It (And I Feel Fine) - R.E.M.
- We Are The Champions - Chicken Little
- Wannabe - Abby Mallard And Runt Of The Litter
- Don't Go Breaking My Heart - The Chicken Little Cast
- The Sky Is Falling - John Debney
- The Big Game - John Debney
- Dad Apologizes - John Debney
- Chase To Cornfield - John Debney
- Dodgeball - John Debney
- Driving With Dad - John Debney
Amazon.com
This soundtrack offers a pretty standard mix of new songs, old chestnuts, and excerpts from the score (here by John Debney). On the new tip, Joss Stone and Patti LaBelle engage in an overheated battle of the divas on CD opener "Stir It Up," a bouncy piece of fluff that sounds more like Aretha Franklin circa "Freeway of Love" than classic soul. Other originals include Barenaked Ladies' "One Little Slip" (this movie's answer to Counting Crows' "Accidentally in Love" from Shrek 2) and the Cheetah Girls' peppy-but-bland cover of "Shake Your Tail Feather." But the real highlights are the songs performed by the movie's vocal cast, which includes Joan Cusack, Garry Marshall, Zach Braff, Steve Zahn, and Amy Sedaris. Their group cover of Elton John and Kiki Dee's "Don¹t Go Breaking My Heart," for instance, sounds as if half of them were drunk in the recording studio (and this is meant as a compliment.) Braff's a cappella version of "We Are the Champions" is smashing and Cusack and Zahn's take on the Spice Girls' "Wannabe" is completely demented. The kids will laugh; their parents will laugh even harder for completely different reasons. --Elisabeth Vincentelli
Customer Reviews:
my little one loves Chicken Little.......2007-04-05
My husband bought the Chicken Little movie for our 3 year old (mostly to get us OFF the Cars movie that we all have memorized) and he fell in love with it! He likes to act out the scenes and loves the music. He loves this CD at night when he's going to bed. We all have to dance to One Little Slip (he knows all the words) and then we have to "shake our tail feathers" before he jumps in bed every night! I enjoy the cd too, so it's good for everyone!
this is a great kids cd!!.......2007-03-24
My daughter absolutely loves this cd. I could not find it anywhere until i looked on amazon, so thank you amazon!!
Great soundtrack for the children, especially if they liked the movie!.......2007-03-14
My son loved the movie Chicken Little, so we decided to purchase this for him to listen to on his discman. He loves the soundtrack as much as the movie, which made it an awesome investment(especially since the soundtrack has many good singers that aren't too hard on the ears for the adult crowdes either). My son was very happy with this item, and so was I.
Her favorite gift..........2006-12-23
I bought the CD to accompany the movie. My four year old watches the movie everyday. When I gave her the CD, after listening to it nightly, she takes it to bed with her everynight where I have to pry it out of her hands after she falls off to sleep. I don't get it, but she does...so it's worth what I paid for it.
Chicken Little Soundtrack.......2006-08-29
This is a great soundtrack from a variety of different artists. If your child loved the movie you will absolutely love this CD!!!
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
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- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- "Extremely catchy" by BJ
- Not the End of the World for This Band...
- It's OK
- Not really a kid, i just dont wanna get an acount....well actaully im 15 but...
- unbeliveable
|
Smile, It's the End of the World
Hawk Nelson
Manufacturer: Tooth & Nail Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
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Punk Revival
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Similar Items:
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ASIN: B000EOTF0S
Release Date: 2006-08-21 |
Tracks:
- The One Thing I Have Left
- The Show
- Bring 'Em Out
- Everything You Ever Wanted
- Something On My Mind
- Is Forever Enough
- Zero
- Nothing Left To Show
- Head On Collision
- Hello
- It's Over
- Fourteen
Customer Reviews:
"Extremely catchy" by BJ.......2007-03-29
As soon as I heard Hawk Nelson at the 2007 Winter Jam Tour in Mobile, AL, I knew I just HAD to get one of their CDs. A couple days later my dad picked up "Smile, It's The End of the World" for me, and since then my sister and I have been blasting this CD on her stereo almost daily! Every song is extremely catchy, especially "Everything You Ever Wanted", "Zero", and "Head On Collision". At times the band could start to "scream" instead of "sing", and some of the songs sound almost non-Christian, but the album is still better than average. When I say that some of the songs are almost "non-Christian", I mean that they turn into almost "love" songs. Also, this album ISN'T for adults or young children--I think only teens will enjoy this one.
However, all in all this CD is still one of my favorites--and Hawk Nelson seems like Stellar Kart's twin!!
Not the End of the World for This Band..........2007-02-26
From the first time I heard "Every Little Thing" from Hawk Nelson's first CD, I have loved this band. Fortunately and unfortunately, they have greatly matured from their first album to create Smile, It's the End of the World. While traces of their old style remain, this album sounds much different than their last one. While it is still as "unfocused" as their past work, this album is on a different side of the pop/rock spectrum. Fans of the old record might be appalled by the change of style, as was I, but will most likely be quickly converted. Every song has something to offer. Some are happy and poppy, others edgier, and some even throw in a little Gospel flare.
Overall, this is a CD that does what it does right. No matter the atmosphere of the song, it is communicated effectively, and ultimately catchy. No one who enjoys this genre should miss out on this one.
It's OK.......2007-02-02
This album has a light, fun sounding feel to it. It is intended to appeal to teenagers and seems to have a sound that they like.
It is rather meaningless lyrically. It is full of fluff and little meaningful content. Hawk Nelson is purported to be a Christian band, but I heard nothing in this album that would validate that. Some of the songs are boy-girl love songs. Some others are hard to tell what they are even about - mainly nonsense.
In spite of the fairly trivial nature of the lyrics, there is nothing offensive about them. This is not an album that parents would need to worry about being a bad influence on kids.
There is one song that sounds pretty good: 'Everything You Ever Wanted'. A couple of others are kind of catchy.
Overall, it is an ok album. It is not one that I particularly enjoy, but I'm sure it has some appeal for its intended audience.
Not really a kid, i just dont wanna get an acount....well actaully im 15 but..........2007-01-19
ok, whoever said that fall out boy is a poser band, you should do some research before you say something like that. Just so you know, they had THREE albums out before they got popular, and, ever think that maybe people listend to them when they "sucked"?? Just because the band got popular DOES NOT mean that they are posers, are people who were listening to them before From Under The Cork Tree, are gonna listen to Good Charlotte.. and why does it matter if someone likes Good Charlotte, or some other "poser"?? Oh, and i happen to know for an absolute fact that fall out boy is not in it for the money, although i know that they enjoy the money(Who wouldnt). Trust me, i KNOW that. Anyways, i really like this cd. There right up there with Panic! At The Disco and Cobra Starship in my favourites. I really like Bring Em Out. Oh, and one more thing: if you dont like a band, dont bash them in front of people you know love them. It's not a good idea =) BUY THIS CD!!!!!
unbeliveable.......2006-11-04
there are many songs and groupos that i like but this tops it!(aside from relient k) the songs are so amazing! great guitar playing and his voice fits the music...it's soooo cool! get it it is totally worth it!
Average customer rating:
- my opinion
- Wonderful, but not my first choice
- THE BEST recording of the BEST oratorio ever...
- Too bad there are so few recordings of Elijah
|
Mendelssohn: Elijah
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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- Mahler: Das Lied von der Erde
- Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
- Elijah: An Oratorio for Piano & Vocal Score
ASIN: B0002XV31A
Release Date: 2005-02-15 |
Tracks:
- Introduction: As God The Lord Of Israel Liveth
- Overture
- No.1 Help, Lord! Wilt Thou Quite Destroy Us?
- No.2: Lord! Bow Thine Ear To Our Prayer!
- No.3: Ye People, Rend Your Hearts
- No.4: If With All Your Hearts
- No.5: Yet Doth The Lord See It Not
- No.6: Elijah! Get Thee Hence
- No.7: For He Shall Give His Angels Charge Over Thee
- Recitative: Now Cherith's Brook Is Dried Up
- No.8: What Have I Do To Do With Thee?
- No.9: Blessed Are The Men Who Fear Him
- No.10: As God The Lord Of Sabaoth Liveth
- No.11: Baal, We Cry To Thee: Hear And Answer Us!
- No.12: Call Him Louder, For He Is A God!
- No.13: Call Him Louder! He Heareth Not!
- No.14: Lord God Of Abraham, Isaac And Israel!
- No.15: Cast Thy Burden Upon The Lord
- No.16: O Thou, Who Makest Thine Angels Spirits
- No.17: Is Not His Word Like A Fire?
- No.18: Woe Unto Them Who Forsake Him!
- No.19: O Man Of God, Help Thy People!
- No.20: Thanks Be To God!
Tracks:
- No.21: Hear Ye, Israel; Hear What The Lord Speaketh
- No.22: Be Not Afraid, Saith God The Lord
- No.23: The Lord Hath Exalted Thee
- No.24: Woe To Him, He Shall Perish
- No.25: Man Of God, Now Let My Words Be Precious
- No.26: It Is Enough; O Lord Now Take My Life
- No.27: See, Now He Sleepeth
- No.28: Lift Thine Eyes To The Mountains
- No.29: He, Watching Over Israel, Slumbers Not
- No.30: Arise, Elijah, For Thou Hast A Long Journey
- No.31: O Rest In The Lord
- No.32: He That Shall Endure To The End, Shall Be Saved
- No.33: Night Falleth Round Me, O Lord!
- No.34: Behold! God The Lord Passed By!
- No.35: Above Him Stood The Seraphim
- No.36: Go, Return Upon Thy Way
- No.37: For The Mountains Shall Depart
- No.38: Then Did Elijah The Prophet Break Forth
- No.39: Then Shall The Righteous Shine Forth
- No.40: Behold, God Hath Sent Elijah
- No.41: But The Lord, From The North Hath Raised One
- No.41a: O Come Everyone That Thirsteth
- No.42: And Then Shall Your Light Break Forth
Customer Reviews:
my opinion.......2007-08-01
This recording was reccomended somewhere as being even better than the newer version with Bryn Terfel and Renee Fleming - it really is tops, I think. Dietrich Fischer-Dieskau is as lyrical as ever. And the other soloists are also breathtaking.
Wonderful, but not my first choice.......2007-04-07
I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.
THE BEST recording of the BEST oratorio ever..........2006-08-15
Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.
That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.
All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.
Too bad there are so few recordings of Elijah.......2006-07-03
This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!
Average customer rating:
- Relive you movie experiences
|
The Ultimate Movie Music Collection
Erich Kunzel
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Compilations
| Classical
| Styles
| Music
General
| Pop
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
Orchestral Pop
| Easy Listening
| Pop
| Styles
| Music
Star Wars
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Similar Items:
- The Incredible Film Music Box
- Hollywood's Greatest Hits, Vol. 2
- Paramount 90th Anniversary Collection: Scores
- Simply the Best Movie Themes
- Hollywood's Greatest Hits, Vol. 1
ASIN: B000BFH26Y
Release Date: 2005-10-25 |
Tracks:
- The Imperial March: The Empire Strikes Back
- Main Theme: Jurassic Park
- Main Title: Shakespeare In Love
- Themes: Crouching Tiger, Hidden Dragon
- Main Title: The Last Of The Mohicans
- Theme: The Godfather
- Unchained Melody: Ghost
- Theme: Goldfinger
- We're Losing Him: Somewhere In Time
- Space Camp
- Opening And Closing Titles: Henry V
- Theme: The Thorn Birds
- Suite: Moonwalker
- The Time Of Your Life: A Bugs Life
Tracks:
- Batman Theme: Batman
- Bicycle Chase: E.T. The Extra Terrestrial
- Suite: Independance Day
- Love Theme: Romeo & Juliet
- Theme: Back To The Future
- End Credits: Contact
- Theme: Breakfast At Tiffany's
- Main Theme: Star Trek
- May It Be And Themes: Lord Of The Rings: The Fellowship Ring
- Love Theme: Cousins
- Sean's Theme: Minority Report
- I Will Wait From You: The Umbrellas Of Cherbourg
- Theme: Rocky
- The Sand Volcano: The Mummy
- The Raider's March: Raiders Of The Lost Ark
Tracks:
- Theme: Mission Impossible
- Casablanca Suite
- Book Of Days: Far And Away
- Love Theme: Superman
- Tara's Theme: Gone With The Wind
- Don't Mess With: Z
- Main Title: The Mask Of Zorro
- Finale: Victor / Victoria
- Carol Ann's Theme: Poltergeist
- Love Theme: Star Wars: Episode ll: Attack Of The Clones
- Main Theme: Willow
- Main Title: Star Trek ll: The Wrath Of Kahn
- MAin Theme: On Golden Pond
- Theme: A Summer Place
- Theme: Chariots Of Fire
Tracks:
- Iceberg!
- Back To Titanic
- Main Themes: Hook
- Theme: Pink Panther
- Lara's: Doctor Zhivago
- Theme: Love Story
- Right Stuff
- Theme: Jaws
- When You Believe: The Prince Of Egypt
- Smile: Modern Times
- The Apollo 13 Mission
- Re-Entry And Splashdown: Apollo 13
- Main Title: Beetlejuice
- War: Pearl Harbor
- Cavatina: The Deer Hunter
- Throne Room And End Title: Star Wars: Episode lV: A New Hope
Customer Reviews:
Relive you movie experiences.......2006-01-24
This collection of movie themes, will allow you to relive the chilling experiences from practically all (4 CDs)of the great movies. Great movies would not be great without great music. The Cincinnati Pop with Eric Kunzel are unbeatable recordings. Every minute is more beautiful and inspiring to the next. If you love Pops music, this is the begin all, end all.
Average customer rating:
- magnificent
- Lack of Cohesion
- a masterpiece
- An ever revealing power pop treasure trove
- Never heard one quite like this before.
|
Never Hear the End of It
Sloan
Manufacturer: Yep Roc Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Indie Rock
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
Canada
| North America
| International
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- Traffic and Weather
- New Magnetic Wonder
- A Sides Win: Singles 1992-2005 [Bonus DVD]
- Meet the Smithereens!
- The Good, the Bad & the Queen
ASIN: B000JJRXG6
Release Date: 2007-01-09 |
Tracks:
- Flying High Again
- Who Taught You To Live Like That?
- I've Gotta Try
- Everybody Wants You
- Listen To The Radio
- Fading Into Obscurity
- I Can't Sleep
- Someone I Can Be True With
- Right Or Wrong
- Something's Wrong
- Ana Lucia
- Before The End Of The Race
- Blackout
- I Understand
- You Know What It's About
- Golden Eyes
- Can't You Figure It Out?
- Set In Motion
- Love Is All Around
- Will I Belong?
- Ill Placed Trust
- Live The Life You're Dreaming Of
- Living With The Masses
- HFXNSHC
- People Think They Know Me
- I Know You
- Last Time In Love
- It's Not The End Of The World
- Light Years
- Another Way I Could Do It
From Amazon.ca
Never before has a Sloan record generated such extreme reviews by critics and fans. The band's eighth studio recording, Never Hear the End of It, contains a whopping 30 songs on one disc, ranging from 50 seconds to just over five minutes in length. The bulk of those tracks average roughly two-and-a-half minutes and bleed into each other--at times rather abruptly. As a result, the disc feels like an eccentric art-project; even the strongest tracks prove to be more of an appetizer, leaving listeners longing for a main course. Stylistically, there are no surprises. The group's music tends to fall into Sloan's two traditional categories: Beatles-esque stylings or '70s-influenced rock tunes. Noteworthy highlights include disc opener "Flying High Again" with its Crosby, Stills & Nash harmonies, and the blisteringly old-school punk rock pacing of "HFXNSHC." Fans of this disc compare Never's nonstop onslaught of songs to Liz Phair's Exile In Guyville or the Clash's Sandinista, while naysayers find the short, fast melodies insufficient in length and substance. Like all music, beauty is in the ear of the beholder, so expect Never Hear the End of It to be on many critics' Best or Worst lists at year's end. --Denise Sheppard
Customer Reviews:
magnificent.......2007-06-29
best album of 2007. I've been listening to the record for months, and it continues to energize and entertain me. Maybe because there are so many songs...dozens of listens later I'm still surprised. It has great songs, vocals, muscle and harmonies and it does what so many rock and roll albums fail to do - bring the listener that much closer to God. For me at least.
Lack of Cohesion.......2007-06-19
I've followed Sloan since their DGG years in the early nineties, and they're one of my favorite bands ever. Although Never Hear the End of It is a step up from Action Pact, it's nowhere near as good as Between the Bridges or One Chord to Another. In fact, I agree with the reviewer that this recording could have benefited from being the usual 10-12 tracks. There's a certain lack of cohesion between the first half of the record, which merely, meanders, and the second, where seems to find its voice. The beauty of Sloan was that they were able to create wonderfully dynamic albums on the efforts of multiple songwriters/singers with differing styles, but the past few albums seem to find them floundering to capture a "winning" formula that will catapult them into the indie circle (which is where they should already be--come on, they're five times as good as Arcade Fire will ever be).
a masterpiece.......2007-05-25
their finest hour...uh, hour+.
it rocks, lyrics are dense, singing is great, playing is great. however long the songs are they're completely realized and seem consistently to be at the highest of their (very) high level of quality.
amazing when superb bands get even better. but they do.
An ever revealing power pop treasure trove.......2007-05-23
Opening with the soaring, expansive harmonies of Flying High Again where each member takes a stab at the lead spot, and closing with the tight-as-a-deadbolt questioning desperation of If I Could Find A Way, Never Hear The End of It, the stunning current offering from Sloan, in many ways solidifies their position of in power pop's pantheon of revered artists that in many ways fulfills their promises of power pop greatness only hinted at in previous releases.
While not completely consistent, Never Hear The End of It, is a power pop treasure trove that reveals new gems with each listen. Right when you think you've identified your favorite songs from the CD, another listen will have you completely changing your mind with a line-up of new favorites.
There are so many "that should be played on the radio/that's a hit" type of songs that it makes your head spin while making you pine for the radio of yesteryear that would play such songs. Even the bonus track downloads that come with the digipack version are keepers that compliment the others very nicely. (Thank you Yep Roc for the downloads!)
Highlights for this listener include the 1-2-3 power pop knock out punch of the first three songs (Flying High Again, Who Taught You To Live Like That, and I Gotta Try), I Understand (a total pop masterpiece!), If I Could Find A Way, Last Time In Love, Right or Wrong, Can't You Figure It Out...there's just too many to mention. Even the average songs are not long enough to grate on your nerves-- if they do, more often than not, they end quickly enough so other songs that you do like rapidly take their places. What really makes this cd stand out from Sloan's others is not only the variety of material to listen to, but that every listener comes away with different favorites from it --there is literally something for almost everyone on this cd whether you are a powerpop, rock, or indie fan.
All members of Sloan seem to having lots of fun reveling in a new found sense of musical purpose and compositional maturity with a knack for great lyrical turns such as this lyric from I Gotta Try:
"The thing about imagination is that it takes most people every single day--to find that they have one. The things about identification is that it fools most people into giving their lives away".
Do not miss the tour for this record! After having seen Sloan on tour for this cd recently in San Diego, even with road weariness and with Andrew's and Chris' voices being nearly blown out, the show was a joyous, exuberant experience due to the caliber of songs on this cd (and a very well selected selection of older material). A little bit of everything was played from I Am The Cancer to Penpals to The Good In Everyone, to Money City Maniacs. Thankfully, a very liberal dose of songs from Never Hear The End Of It were spread throughout the set making this one of the best Sloan shows I've seen in a long time-scratch that-I mean one of the best shows I have seen in a long time.
Currently, I don't think I will be hearing the end of this cd--it is a very strong contender for my personal fave for album of the year--all the more remarkable considering that it's May!
Here's hoping that Sloan continue this trend...more please!!
Never heard one quite like this before........2007-04-22
I generally like my music to be either power-pop or catchy acoustic, rock 'n roll but not heavy metal, and do not like having to work hard to listen to it or absorb it. I was about 10 years old when the Beatles hit America in the 60's, and have heard a lot of music since. After a friend exposed me to "Try to Make It" off one of their recent albums, I have started to listen to Sloan only over the past couple of years, with my experience limited to a couple of collection-type CDs. There were a handful of songs I liked a great deal, a few fairly good ones, and a higher percentage I did not care for on this limited sample of Sloan's music I have in my collection. This CD changes all of that! This is an excellent CD that mixes pop, power pop, some acoustic stuff, a lot of great harmonies and production, and a great deal of variety from track to track due to the group having 4 distinct writers and singers. All of it is not good, but 80-90% of it is, and it is assembled and produced in a way that I have never heard for the entire length of the CD before. Though my favorite tracks are probably the two that open the CD and, especially, "Ill Placed Trust", a terrific power-pop rocker, there are well over a dozen other very good tracks of varying lengths and styles. All but perhaps 3 or 4 tracks are fairly good at worst, while most of the CD is comprised of very catchy or intriguing songs that make it a very enjoyable listen. The CD is best listened to as a whole, continuously, or in large chunks, just because you receive the full effect of the way the songs blend and flow as they interconnect. Like other reviewers, there are several tracks that are so good that I wish they were longer or more fully developed, but I feel that this CD is such a gift and joy of a listen that I can't complain too much. I'll definitely start exploring more of Sloan's full studio albums after hearing this one, because I'd like to hear more of this stuff!
Average customer rating:
- Awesome Set!
- Elmer Bernstein Film Music Collection
- Overall a strong Goldsmith sampler
- Jerry Goldsmith - 40 years of pleasure
- Almost the perfect compilation
|
Jerry Goldsmith: 40 Years of Film Music
Jerry Goldsmith
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
Star Trek
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Classical
| Styles
| Music
Similar Items:
- The Essential Elmer Bernstein Film Music Collection
- The Music of John Williams: 40 Years of Film Music
- Epics: The History of the World According to Hollywood
- John Barry: The Collection
- Paramount 90th Anniversary Collection: Scores
ASIN: B0009KIYDG
Release Date: 2005-08-09 |
Tracks:
- Blue Max, The
- Blue Max, The
- Blue Max, The
- Blue Max, The
- Blue Max, The
- The Man From U.N.C.L.E.: Doctor Kildare / Room 222 / Waltons, The / Barnaby Jones / Television Themes Medley
- In Harm's Way
- The Sandpebbles: Chinatown / Patch Of Blue, A / Poltergeist / Papillon / Wind And The Lion, The / Motion Pictures Medley
- Generals, The
- Tora! Tora! Tora!
- Wild Rovers, The
- Pursuit
- Wind And The Lion, The
Tracks:
- QB VII
- QB VII
- QB VII
- QB VII
- QB VII
- Waltons, The
- Papillon
- Police Story
- Omen, The
- Capricorn One
- Swarm, The
- Boys From Brazil, The
- , The (First) Great Train Robbery
- Alien
- Star Trek The Motion Picture
Tracks:
- Masada
- Poltergeist
- First Blood - Rambo II
- Twilight Zone: The Movie
- Under Fire
- Under Fire
- Under Fire
- Under Fire
- Gremlins
- Baby - Secret Of The Lost Legend
- Legend
- Lionheart
- Rambo III
- Total Recall
Tracks:
- Star Trek Voyager
- Basic Instinct
- Russia House, The
- Gremlins II
- Medicine Man
- Shadow, The
- Forever Young
- First Knight
- Powder
- Airforce One
- L.A. Confidential
- Mummy, The
- Haunting, The
Album Description
Jerry Goldsmith's death in 2004 marked the end of one of the greatest careers in film composing. This lavish 57 track 4 CD set traces the path of his astonishing achievements and includes recordings conducted by Goldsmith himself. Featuring The City Of Prague Philharmonic Orchestra, The Philharmonia Orchestra, The National Philharmonic Orchestra, and The Daniel Caine Orchestra. Includes over 280 minutes of music.
Customer Reviews:
Awesome Set!.......2007-07-01
I am a huge fan of Jerry Goldsmith. They did a great job preserving his vision. I can listen to this collection for hours. Great music!
Elmer Bernstein Film Music Collection.......2006-11-03
This is compilation of hit film music from one of the greatest composers in motion pictures. What is surprising though is the music not included like the Ghost And The Darkness, the 13th Warrior, Rudy and others. To be sure, 4 discs are not enough for a composure of this stature. THe recording, however, is an "engineering masterpiece" which makes the music even more enjoyable than when you first heard it at the movies. When are we ging to get the music that was omittd from this compilaton?
Overall a strong Goldsmith sampler.......2006-04-11
Okay, this is a CD review, so the focus is on music, but I've got to say this first: this has got to be a contender for the ugliest cover art ever. I mean, come on...instead of a tribute to the composer, the cover looks like someone spilled a glass of merlot over a NASA photo.
Fortunately, even an ugly cover will not ruin good music. And the good news is that I'd say about 75 percent of the music is good....and on a 4 cd set, that's a lot. Like other Silva compilations, the strength of this compilation is the variety. There are selections from the big releases (Star Trek, Omen, Rambo), but there is also a healthy dose of tracks from the smaller releases(Under Fire, Lionheart, The Swarm).
Two examples come to mind. Capricorn One and The Great Train Robbery are two movies that are not exactly household names today, but are dominated by two of Goldmith's finest main themes. The City of Prague Philharmonic come through with terrific renditions. And there are plenty of other strong performances...a few being concert versions conducted by Goldsmith himself. Suprisingly, "The Wind and the Lion" works, which is no small accomplishment given the ferentic original performance of "Raisuli Attacks".
It's not a complete success. A few of the performances fall flat, particularly some of the more inventive scores. Total Recall is just bad, mangling the performance with poor percussion and synthesizer choices to boot. Also a letdown is the Klingon Attack from the first Star Trek movie. The Prague Philhamonic attempt doesn't sound bad--it's just that once you've heard the original soundtrack's "blaster beam" with enough bass to rattle your teeth...well let's just say Silva's version is a little tinny in comparison.
But I shouldn't dwell on the negative. Overall, this is a strong sampler of Goldsmith's variety. There are plenty of quality performances here, and despite a few omissions (noticeably Planet of the Apes)this is a very good release from Silva.
Jerry Goldsmith - 40 years of pleasure.......2006-02-22
It was wonderful to hear Mr. Goldsmith's music that went all the way back to The Man from UNCLE, The Waltons, Dr Kildare, etc. And then to hear his music up to the present. The man was a genius!
Almost the perfect compilation.......2005-12-31
Age has its value.... This sweeping collection of compositions brings back so many great memories. This collection shows how significant Goldsmith was for both the movie screen and the small screen. With such a grand collection, every reader can be assured that at least one movie or TV program they like or remember had Goldsmith's contribution. It was an amazing life and the collection well worth having.
However, as sweepig as it is, there are a few holes in the selection. "First Contact", one of the sweetest and richest compositions from the Star Trek is absent. "The Ghost and the Darkness" is missing and the "Medicine Man" music should include the theme song. By dwelling on several selections from the Blue Max, these were squeezed out. Three full and important movie themes got the axe.
However, all but "The Ghost and the Darkness" are readily available and not overly expensive as is the "Ghost" CD. This is a must have for the TV and movie music fan.
Before there was Hans Solo there was Napolean Solo, before ER there was Dr. Kildare. Jerry Goldsmith IS Sci-Fi. "Resistance is futile.. you MUST assimilate this CD collection."
Average customer rating:
- Great Sampling Collection
- Six Decades of Film Music
- Excellent collection with fine performances
- "essential film scores from 1939 to 2004 ~ Incredible Music"
|
The Incredible Film Music Box
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
All Works by Herrmann
| Herrmann, Bernard
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mascagni
| Mascagni, Pietro
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mancini
| Mancini, Henry
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Nyman
| Nyman, Michael
| ( N )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Rota, Nino
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Strauss
| Strauss, Richard
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Vangelis
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Tone Poems
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
Star Wars
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Classic Big Band
| Swing Jazz
| Jazz
| Styles
| Music
Similar Items:
- Paramount 90th Anniversary Collection: Scores
- The Essential Elmer Bernstein Film Music Collection
- Epics: The History of the World According to Hollywood
- The Ultimate Movie Music Collection
- Jerry Goldsmith: 40 Years of Film Music
ASIN: B0007S687Y
Release Date: 2005-05-10 |
Tracks:
- Gone With The Wind: Overture
- Citizen Kane: Overture
- Casablanca: As Time Goes By
- It's A Wonderful Life: It's A Wonderful Life
- The Third Man: The Harry Lime Theme
- The Searchers: Suite
- The Bridge On The River Kwai: Colonel Bogey March
- Vertigo: Prelude
- Touch Of Evil: Main Title
- Ben-Hur: Parade Of The Charioteers
- North By Northwest: Prelude
- Psycho: Suite
- The Magnificent Seven: The Magnificent Seven
- Lawrence Of Arabia: Overture
Tracks:
- To Kill A Mockingbird: Suite
- The Great Escape: Main Title
- Doctor Zhivago: Main Title & Lara's Theme
- The Good, The Bad And The Ugly: The Good, The Bad And The Ugly
- Once Upon A Time In The West: Jill's Theme
- 2001: A Space Odyssey: Also Sprach Zarathustra
- Midnight Cowboy: Midnight Cowboy
- Get Carter: Main Title
- A Clockwork Orange: Ode To Joy
- The Godfather: Waltz & Love Theme
- Jaws: Jaws
- Rocky: Gonna Fly Now
- Taxi Driver: Suite
- Star Wars: Episode IV: A New Hope
Tracks:
- Superman: Main Theme
- Alien: End Title
- Raging Bull: Intermezzo From Cavalleria Rusticana
- Raiders Of The Lost Ark: Raiders March
- Blade Runner: End Titles
- E.T.: The Extraterrestrial: Adventures On Earth
- Once Upon A Time In America: Deborah's Theme
- Back To The Future: Main Theme
- Witness: Building The Barn
- Aliens: Main Title
- Cinema Paradiso: Cinema Paradiso
- Glory: Charging Frot Wagner
- Dances With Wolves: The John Dunbar Theme
- Unforgiven: Claudia's Theme
Tracks:
- The Piano: The Heart Asks Pleasure First
- Schindler's List: Main Theme
- Braveheart: End Credits
- Titanic: My Heart Will Go On
- Saving Private Ryan: Hymn To The Fallen
- American Beauty: Any Other Name
- Gladiator: Now We Are Free
- Lord Of The Rings: The Fellowship Of The Ring: The Fellowship
- The Girl With The Pearl Earring: Griet's Theme
- Pirates Of The Caribbean: The Curse Of The Black Pearl: Suite
- Harry Potter And The Prisoner Of Azkaban: Suite
- Lemony Snicket's A Series Of Unfortunate Events: The Letter That Never Came
- Finding Neverland: Impossible Opening
- The Incredibles: Overture
Customer Reviews:
Great Sampling Collection.......2007-07-29
Over the past thirty years, my father and I have been collecting film music on various formats--vinyl, tape, reel-to-reel, CD, recording it from the movie, even. This collection is a great starter for someone who wants to start owning movie music. Lots of big hitters, including Hermann, Barry, Conti, Mancini, and Goldsmith as well as some contemporary scores that are great, too. This is the type of collection I would make for a friend who asks "what scores should I start with?"
Six Decades of Film Music.......2007-05-13
This is film music for the classical music lover. The City of Prague Philharmonic Orchestra presents excellent arrangements of a number of classic film themes (although several pieces of the 56 film classics selected for this 4 CD set are not orchestral arrangements, but rather specialty arrangements). Besides great film composers such as John Williams, Elmer Bernstein, Ennio Morricone, and James Horner, classical composers such as Richard Strauss and Pietro Mascagni make an appearance. On several of the numbers the Crouch End Festival Chorus adds the human voice to the power of the full symphonic orchestra to create true movie magic. If you like the sound of a full symphony orchestra playing some of the most recognized themes ever written, you'll love these CDs.
Excellent collection with fine performances.......2007-03-28
Silva Screen Records, based in England, has been issuing some fine collections of film scores, more in one box than we have the right to expect. This four-CD box contains scores by many of the best writers, including Max Steiner, Bernard Herrmann, Dimitri Tomkin, Kenneth J. Alford (The Bridge on the River Kwai), Elmer Bernstein, Maurice Jarre, Ennio Marricone, John Barry, Nino Rota, John Williams, James Horner, and more. We can all think of additional film scores we wished were included, but then there's no way this collection could be all-inclusive. The City of Prague Philharmonic Orchestra, supplemented by Crouch End Festival Chorus on some numbers, does a very competent job...The liner notes give the basic information without any commentary, and as far as I can see, contain only one error. Am I wrong or are tracks 9 and 10 on the fourth CD mislabeled? Track 9, which runs 7:33, seems to have the excitement of "Pirates of the Caribbean" (which I did not see) and track 10, which runs 4:22, the more sedate "The Girl with the Pearl Earring (which I also did not see). Listings seem to have them reversed.
"essential film scores from 1939 to 2004 ~ Incredible Music".......2005-05-16
When I think of the "Golden Age" of Hollywood, many composers come to mind...you gave the usher your ticket in the theater and sat down, knowingly you were going to get your moneys worth...when the curtain opened and you heard those first few notes...you sat back, watched and listened as the film score and orchestra worked their magic...now we have the ultimate from Silva Screen Classics "The Incredible Film Music Box", featuring a four disc set of the essential film scores of the past 60 years...covering several decades from 1939 through and up to the present 2004
There are compilations and then there are "Compilations" beginning with a classic that even the youngsters today recognize "GONE WITH THE WIND" (1939) (Max Steiner), sweeping score that captures the tragic history of the South during the Civil War, one great cue after another, it doesn't get any better than this, nominated by the Academy for Best Original Score...and closing on Disc 4 with "THE INCREDIBLES" (2004) (Michael Giacchino), the big hit in computer animation from Walt Disney & Pixar that once again pit Super-Heroes against the forces of evil...our family of five Supers prove crime doesn't pay, but box-office receipts do...gotta love it!
Silva Screen Classics as usual, has put quality into this 4-CD-Set featuring The City Of Prague Philarmonic Orchestra and the Crouch End Festival Chorus conducted by Kenneth Alwyn, Bill Ashton, Paul Bateman, James Fitzpatrick, Mario Klemens, Derek Wadsworth, and Nic Raine. Recorded in "Dolby Surround" with the new technology of "HDCD", this is a "film-score-buffs" dream, one to treasure now and years to come.
Some selections are missing, but when you think of what Silva has included, it is impossible to please everyone...was happy to see "TOUCH OF EVIL" (1958) from composer Henry Mancini, as I feel this composer deserves all the recognition that has been overlooked recently in the music world...This collection is aimed directly at the "Serious Film Score" music fans and collectors...Silva is as always, perfect in every way...just the way we like 'em!
Total Time: 4-CD-Set ~ Silva America 1181 ~ (5/10/2005)
Music Info:
- Endless Nameless [Import]
- Eternal [Explicit Lyrics]
- Ever Dream [Import]
- Face Reality
- Fall from Grace
- Forever Mod: A Tribute to Rod Stewart
- Get [Live]
- Good Clean Fun
- Hate Songs in E Minor
- High Enough/Come Again [CD-single]
Music Info
music info
Recommended Music:
Something Happening [Import]
Beethoven/Saint-Saëns: Piano Concertos
Beethoven's Concertos 4 & 5
The Oscar Peterson Trio Plays [Import]
Aware Compilation, Vol. 2
Blues & Soul Power [Import]
American Heroes
Brahms: Symphony in Cm No1, Op68; Mozart: Symphony No41
All the Girls I Am
Best of the Big Bands
Angelic Music
Ananda: Bliss
Boogie Cops And Disco Pimps [Import]
Christian Music christian-music-05
Black Mountain