Desert Sessions, Vols. 1 & 2
Desert Sessions, Vols. 1 & 2
Track Listings
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1. Preaching
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2. Girl Boy Tom
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3. Monkey in the Middle
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4. Girl Boy Tom
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5. Cowards Way Out
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6. Robotic Lunch [Alternate Version]
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7. Johnny the Boy
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8. Screamin' Eagle
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9. Cake (Who Shit on the ?)
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10. Man's Ruin Preach
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Desert Sessions, Vols. 1 & 2,Desert Sessions,Man's Ruin Records,90's,Alternative Pop/Rock,Hard Rock,Heavy Metal,Pop,Rock,Stoner Metal
Average customer rating:
- An amazing album heard by the privileged few...
- Easily the best of all the Desert Session Volumes
- 75% '70s biker movie, 25% porn soundtrack
- the best desert sessions
- Incredible listening music
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Desert Sessions, Vols. 1 & 2
Desert Sessions
Manufacturer: Man's Ruin
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Rock
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General
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| Rock
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General
| Hard Rock & Metal
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| Music
Hard Rock
| Hard Rock & Metal
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| Music
1990s
| By Decade
| Pop
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1990-1999
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| Miscellaneous
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General
| Blues
| Indie Music
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Similar Items:
- Desert Sessions Volume 7 & 8
- The Desert Sessions Volume 9 & 10
- Blues for the Red Sun
- Queens of the Stone Age/Beaver
- Era Vulgaris
ASIN: B00000487E
Release Date: 1998-02-24 |
Tracks:
- Preaching
- Girl Boy Tom
- Monkey In the Middle
- Girl Boy Tom
- Cowards Way Out
- Robotic Lunch (Alt. Version)
- Johnny The Boy
- Screamin' Eagle
- Cake (Who Shit On The ?)
- Man's Ruin Preach
Customer Reviews:
An amazing album heard by the privileged few..........2005-11-22
Desert sessions volume 1 (Instrumental driving music for felons) and volume 2 (status: ships commander butchered) are the results of a lost musicians desire to create a new era. Ex-Kyuss songwriter and one-time Screaming Trees guitarist Joshua Homme found himself at a junction, let Kyuss be his crowning moment or fight for a greater glory, Desert Sessions 1&2 was the first step towards the latter.
Assembling a band of brilliant underdog musicians and piling into a recording studio no-where out in the scorched Californian desert, Homme did what none of his past bands allowed him to do, collaborate and experiment. Featuring the mental inflictions of Brant Bjork, Dave Catching, Pete Stahl, Fred Drake and other like minded souls, the album creates a world never visited before, a planet in a David Lynch universe ravaged by psychedelic storms.
The album crackles into life with a grainy amen to Satan from a despairing worshipper [1; Preachin],With its completion, we're straight into a haunting rock marathon laced with eerie keys and nightmare guitar, steaming along to a frantic beat with a sinister undertow of minimalist bass [Track 2; Girl boy Tom]. A prog rock tribute follows with Dave Catchings love of antique synth sounding off to soaring melancholy guitar, reminiscent of Rick Wakemans broodiest moments [Track 3; Monkey in the middle). Track four [Girl boy Tom] acts as an extended reprise to 'Monkey in the middle', the three opening tracks playing like the soundtrack to a trilogy of shorts about a junkie going to a high only to come back down to find himself in a graffiti laden public restroom.
'Cowards way out' [Track 5] whilst not being to dissimilar to its album precursors, has more melodic guitar riffs and easier dynamics, with a sound that will be familiar to fans of 'Queens of the stone ages' self titled debut album. Down-beat Californian rock slowly builds to rapid drumming and trade mark Homme guitar warbling without becoming too excitable or breaking the albums atmosphere.
'Robotic lunch (alt. version)' [Track 6] is perhaps the most unusual (and slightly disappointing) musical jaunt on the album signifying the end of Volume 1, its odd romping pace and bending bass notes could be the accompaniment to any 1950's android flick.
Volume 2 leaps into force with sixties dance guitar and classic rock and roll drumming and also the first track to feature vocals, with Josh Homme's softly sung metal moans and some harmonious choir choruses (The sound of a proto 'Eagles of death metal'). 'Johnny the boy' [Track 7] shows a lighter touch to the album and makes for an unexpected (yet not unpleasant) break.
'Screamin' eagle' [Track 8] opens like a 'pink-floyd'esque power epic, with a reuse of vocal choruses and an infusion of grungy and stadium guitar working, blasting into roof-raising organ cumulating in a grinding sound off between the various instruments. Above all, this track remains a personal favourite of mine, a real wall of sound generated to great effect.
'Cake' is the 9th and last musical track of the desert session musical odyssey, it also stands as the longest recording at over 9minutes in length. Opening like a true death metal track, Pete Stahl's growling vocal dirge screams over a wailing guitar, this gives way to high keys and rhythmic percussion with the laid back sound of porn-groove rock. Moving into short riffs and stripped down jazz alike beats the album gently plays down to wrap itself up.
A familiar preacher ends the album with a chastising of the 'Mans ruin' label to the stripped down sound of blues guitar. Amen.
Whilst this album may not be to every ones tastes, it isn't as mainstream or accessible as Hommes other projects, it will be enjoyed by those who like their rock to have an unexplored edge. For me, this album is sheer brilliance, as a big fan of 'Queens of the stone age' 'Kyuss' and other more sinister rock bands, its unusual compositions and recipes for doom strike an instant chord within. The real tragedy is that 'Mans Ruin' records are now defunct and this album is no longer in press, but for those lucky few who get to hear this album, they will agree that it is a bizarre masterpiece. It is truly the sound of a distant future, echoing back to us from far away, and stands alone from the vastly different other desert sessions, my only sadness is that this is too unique, and I will never hear anything like this for a long, long time...
Easily the best of all the Desert Session Volumes.......2004-07-11
Such an amazing album...you can listen from it from Track 1 to Track 9 without the thought of skipping a track ever crossing your mind.
It'll probably be impossible to afford this album since it's out of print and copies usually go for $50-$80 dollars, so I suggest you just burn it or buy a burnt copy...because this is just one of those rare instances where the music that's ON the CD is more important than having the original case and booklet.
Its hard to pick a best track on this album since each song is just flawless...but here goes:
* Cowards Way Out
* Johnny the Boy
* Cake
I just wanna add this is probably the best "Driving music" album I've ever listened. I took a trip up to Maine from Long Island and I must've listen to all this album 4 times over.
75% '70s biker movie, 25% porn soundtrack.......2003-12-25
Addictive, grows on you, three stars when I got it, couple years latter it's five stars. Screamin' Eagle is one of fave songs of all time, and that long jam session at the end'll give you a boner. Good nacho accompaniment music.
the best desert sessions.......2003-09-01
This cd is great, and a must buy for any fan of kyuss/qotsa kind of music. My favorite tracks are cowards way out, johnny the boy, and cake(who sh*t on the?).
Incredible listening music.......2000-02-16
This is the best Dessert Sessions out of all of them. (Currently 6 volumes) Volume 6 is good also however this CD is a must. All types of listeners would appreciate. Check out Queens of the Stone Age also!
Average customer rating:
- Spacey desert rock ?
- An amazing album heard by the privileged few...
|
Desert Sessions, Vols. 1 & 2
Desert Sessions
Manufacturer: Man's Ruin Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
General
| Hard Rock & Metal
| Styles
| Music
Hard Rock
| Hard Rock & Metal
| Styles
| Music
1990s
| By Decade
| Pop
| Styles
| Music
1990-1999
| Decades
| Compilations
| Miscellaneous
| Styles
| Music
ASIN: B00004RI7O
Release Date: 1998-02-24 |
Tracks:
- Preaching
- Girl Boy Tom
- Monkey in the Middle
- Girl Boy Tom
- Cowards Way Out
- Robotic Lunch [Alternate Version]
- Johnny the Boy
- Screamin' Eagle
- Cake (Who Shit on the ?)
- Man's Ruin Preach
Customer Reviews:
Spacey desert rock ?.......2006-06-28
The above reviewer hit the nail right on the head - "sheer brilliance". With such a hefty price tag, I won't encourage BUYING it from amazon, but you might as well download it to see what all the fuss is about !! Thank god for torrent websites
An amazing album heard by the privileged few..........2005-05-02
Desert sessions volume 1 (Instrumental driving music for felons) and volume 2 (status: ships commander butchered) are the results of a lost musicians desire to create a new era. Ex-Kyuss songwriter and one-time Screaming Trees guitarist Joshua Homme found himself at a junction, let Kyuss be his crowning moment or fight for a greater glory, Desert Sessions 1&2 was the first step towards the latter.
Assembling a band of brilliant underdog musicians and piling into a recording studio no-where out in the scorched Californian desert, Homme did what none of his past bands allowed him to do, collaborate and experiment. Featuring the mental inflictions of Brant Bjork, Dave Catching, Pete Stahl, Fred Drake and other like minded souls, the album creates a world never visited before, a planet in a David Lynch universe ravaged by psychedelic storms.
The album crackles into life with a grainy amen to Satan from a despairing worshipper [1; Preachin],With its completion, we're straight into a haunting rock marathon laced with eerie keys and nightmare guitar, steaming along to a frantic beat with a sinister undertow of minimalist bass [Track 2; Girl boy Tom]. A prog rock tribute follows with Dave Catchings love of antique synth sounding off to soaring melancholy guitar, reminiscent of Rick Wakemans broodiest moments [Track 3; Monkey in the middle). Track four [Girl boy Tom] acts as an extended reprise to 'Monkey in the middle', the three opening tracks playing like the soundtrack to a trilogy of shorts about a junkie going to a high only to come back down to find himself in a graffiti laden public restroom.
'Cowards way out' [Track 5] whilst not being to dissimilar to its album precursors, has more melodic guitar riffs and easier dynamics, with a sound that will be familiar to fans of 'Queens of the stone ages' self titled debut album. Down-beat Californian rock slowly builds to rapid drumming and trade mark Homme guitar warbling without becoming too excitable or breaking the albums atmosphere.
'Robotic lunch (alt. version)' [Track 6] is perhaps the most unusual (and slightly disappointing) musical jaunt on the album signifying the end of Volume 1, its odd romping pace and bending bass notes could be the accompaniment to any 1950's android flick.
Volume 2 leaps into force with sixties dance guitar and classic rock and roll drumming and also the first track to feature vocals, with Josh Homme's softly sung metal moans and some harmonious choir choruses (The sound of a proto 'Eagles of death metal'). 'Johnny the boy' [Track 7] shows a lighter touch to the album and makes for an unexpected (yet not unpleasant) break.
'Screamin' eagle' [Track 8] opens like a 'pink-floyd'esque power epic, with a reuse of vocal choruses and an infusion of grungy and stadium guitar working, blasting into roof-raising organ cumulating in a grinding sound off between the various instruments. Above all, this track remains a personal favourite of mine, a real wall of sound generated to great effect.
'Cake' is the 9th and last musical track of the desert session musical odyssey, it also stands as the longest recording at over 9minutes in length. Opening like a true death metal track, Pete Stahl's growling vocal dirge screams over a wailing guitar, this gives way to high keys and rhythmic percussion with the laid back sound of porn-groove rock. Moving into short riffs and stripped down jazz alike beats the album gently plays down to wrap itself up.
A familiar preacher ends the album with a chastising of the 'Mans ruin' label to the stripped down sound of blues guitar. Amen.
Whilst this album may not be to every ones tastes, it isn't as mainstream or accessible as Hommes other projects, it will be enjoyed by those who like their rock to have an unexplored edge. For me, this album is sheer brilliance, as a big fan of 'Queens of the stone age' 'Kyuss' and other more sinister rock bands, its unusual compositions and recipes for doom strike an instant chord within. The real tragedy is that 'Mans Ruin' records are now defunct and this album is no longer in press, but for those lucky few who get to hear this album, they will agree that it is a bizarre masterpiece. It is truly the sound of a distant future, echoing back to us from far away, and stands alone from the vastly different other desert sessions, my only sadness is that this is too unique, and I will never hear anything like this for a long, long time...
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