All Out War [EP]

All Out War [EP]

Track Listings

1. All Out War

2. Ecocide

3. Stand By

4. No Allegiance

Editorial Reviews
About the Artist
New York's ALL OUT WAR is a punishing display of the aggression of hardcore, crossed with the brutality of metal, while avoiding the shortcomings of both genres. To get a taste of All Out War's musical style, envision Slayer's "Reign In Blood" colliding head on with "Age of Quarrel" era Cro-Mags. The two styles are as different as they come, but ALL OUT WAR combines them to form a Crossover attack unmatched by today's standards. While so many bands are creating a diluted mixture of Metal and Hardcore, All Out War brings you their brand of Crossover in the tradition of bands like NUCLEAR ASSAULT, AGNOSTIC FRONT, S.O.D. and KREATOR. "Condemned To Suffer" will solidify ALL OUT WAR¹s position as one of the most brutal bands - period. With their trademark social commentary on such diverse subjects as the Holocaust, ecocide and the degradation of the hard music scene, one will be hard pressed not to feel the effects of this record. "Condemned To Suffer" is destined to be a Crossover classic it could be the album that brings the genre back to life.

Formed almost a decade ago, by vocalist Mike Score, All Out War established themselves as one of the most devastating units in the New York underground. All Out War has become a world-wide phenomenon, amazing crowds from the smallest clubs to major festivals, and playing with such diverse bands as Deicide, Agnostic Front, Napalm Death, Earth Crisis, Sick Of It All, Malevolent Creation, Most Precious Blood, S.O.D., Biohazard, Type O Negative, Cro-Mags, Madball and Hatebreed.

All Out War is comfortable in many circles. This five piece has not only crossed over and spit in the faces of the closed-minded, but has been accepted unconditionally both by the metal and hardcore crowds alike. This feat has been attempted countless times, but has rarely has anyone achieved the success of All Out War.

With two full-length records and numerous 7" and appearances on various compilations under their belts, All Out War has finally released their follow up to 1998's " For Those Who Where Crucified,² exactly five years later. Capturing the true flavor of the trademark All Out War sound, while somehow bringing forth the intensity felt at an All Out War live show, "Condemned To Suffer" will not disappoint. With positive press flooding the fanzine world, as well as features in well-known publications such as Terrorizer and Metal Maniacs and a Fall/Winter US tour, All Out War is ready to shed their cult hero status and finally get the recognition that they deserve. --This text refers to the Audio CD edition.

Product Description
The first Earth Crisis recordings. Buy this now. --This text refers to the Audio CD edition.

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Customer Reviews:

Uneven quality but great value.......2007-04-30

Brilliant Classics has found a niche with their extremely low-price multi-disc collections of the work of a single composer or performer. The Bach, Mozart and Chopin Complete Editions are legitimately considered to be artistic and economical triumphs. But the Masterworks series are more uneven. Currently available from Amazon France at about a buck per CD, they're still a bargain for those interested in quickly building a music library. But it's worth keeping a few things in mind. Unlike the Bach and Mozart Editions, these are not always historically informed performances. In this Mendelssohn set, the Hanover Band puts in a cameo (in Calm Sea and Prosperous Voyage), but most of the ensembles use modern instruments, techniques and proportions. This doesn't always work out, as in the case of the ponderously heavy recordings of the String Symphonies by an apparently full complement of Gewandhausorchester Leipzig strings (Mendelssohn likely wrote these early works for a much smaller group). The caliber of the performances varies too, ranging from good to poor, and from marquis musicians such as Dietrich Fischer-Dieskau to a few Dutch who-dats. The chamber musicians generally acquit themselves well (though the Octet recording is marred by an engineering flaw in the last movement, distortion, at least on my copy). But the symphonies suffer from some substandard performances, such as the Italian Symphony's live recording with not only audience noise but also ensemble flaws such as a distracting clarinet squeak in the first movement's recapitulation. Another strike is the lack of program notes. Brilliant's Complete Editions provide a booklet or CD-ROM with program notes, but here you'll need to do your own research.

Despite these shortcomings, this set is still good value (at least at Amazon France's current price of 31 Euros). And it's a fine way to become acquainted with Mendelssohn's music.

A superb collection of Mendelssohn.......2007-03-24

Let me preface this by saying that most of these works were not new to me - I own many other Mendelssohn CDs and have enjoyed his compositions for some time now. Also, this set is available much cheaper elsewhere, particularly from European retailers.
The symphonies are well-performed. 'Reformation' is an inspired live recording. The 12 string symphonies, written in Mendelssohn's youth, are also included. The concertos are exceptional - the violin concerto is as good as you'll find anywhere. The oratorios Elijah and Paulus are included, as well as the complete chamber works and a diverse assortment of choral works. The last few discs include the Lied ohne worte, the epic organ sonatas, and excellent renditions of A Midsummer Night's Dream and Fingal's Cave. While there are a few sketchy performances in the choral and chamber works, the performances and recordings are generally very solid, and the body of work couldn't be better.

Average customer rating:

Handel: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

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Vivaldi: The Masterworks (Box Set)
Haydn: The Masterworks [Box Set]
Mendelssohn: The Masterworks [Box Set]
Dvorák: The Masterworks [Box Set]
Schubert: The Masterworks [Box Set]

ASIN: B00062FLI8
Release Date: 2004-11-30

Average customer rating:

They're Back!
Back to the old school...

Assassins In The House Of God
All Out War
Manufacturer: Victory Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Hardcore | Hardcore & Punk | Alternative Rock | Styles | Music

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Lift The Curse
War of Aggression
Genesis
Condemned To Suffer
Commandment

ASIN: B000NA7FU0
Release Date: 2007-04-03

Tracks:

Curtain Call For The Crucified
Behind The Crescent And The Cross
FTK (Politics of Apathy)
Into The Arms Of Annihilation (Angels Of Genocide)
Glorified In Deceit
Bow To The Hypocrites (Drenched In Defeat)
Initada (Angels of Genocide)
Beyond Redemotion
When Your Gods Have Failed
Cursed In Damnation (And All Shall Suffer)

Customer Reviews:

They're Back!.......2007-06-17

Yes, they're back. The interesting thing about this band is that with every release, there's a line-up change to go along with it - But the All Out War sound remains. Sure, they're not much for variety. If you heard the first record, you've heard this one. But that's not really a bad thing 'cause if you liked the first one, then you're gonna like this one. Crushing!

Back to the old school..........2007-04-04

Let me tell you that I've been waiting very, very patiently for this album..."Condemned to Suffer" is probably my favorite album of the last decade, minus Kreator's "Enemy of God." That said, with this album, All Out War has gone back to the style of "For Those Who Were Crucified," which was decent, though I thought "Condemned" was a big improvement. "Assassins" is a solid album, though you might actually mistake it for "Crucified" if you don't know better. However, AOW is still the best hardcore band around (call it what you want), no question. It's worth the money. Definitely worth seeing live, too.

Average customer rating:

better than the original (possible spoilers)
"1962 plus the 2004 ~ Manchurian Candidate is a winner!"

The Manchurian Candidate
Rachel Portman
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

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The Human Stain (Score)
Hart's War (Score)
Oliver Twist
Benny & Joon: Music From The Original Motion Picture Soundtrack
Munich

ASIN: B0002VESQO
Release Date: 2004-09-14

Tracks:

Theme from the Manchurian Candidate [Jazz Version]
Queen of Diamonds
John Birch Lurch
Slightly Manchurian Blues
Summer Affair/Wiggin' Out in Central Park
Night in the Garden
Theme from the Manchurian Candidate (Main Title)
Mesopitamian Mambo
Fortunate Son [Instrumental]
Black Helicopters, Secret Laboratories, Mind Drugs... - Wyclef Jean
Sergeant Raymond Shaw
Deep Implant Behavior Modification - Wyclef Jean
"What If This Is All a Dream"
"I Am the Enemy, Major Marco"
Assasin Always Dies
"There Are Always Casualties in War"
Fortunate Son

Album Description

As a special bonus, selections of the David Amram score from the classic original film are included on this CD.

Customer Reviews:

better than the original (possible spoilers).......2005-12-06

In the last decade or so, remaking classic movies has been on the incline. Though older generations criticize remaking these films, the newer generations are happy to see them with the latest theatrical technology. The remake I am going to be reviewing is called "The Manchurian Candidate". In my opinion, the remake is superior to the original. Though the acting was great in the original, I am more of a fan of Denzel Washington and Meryl Streep.
The synopsis of the movie is this: Captain Bennett Marco (Denzel Washington) and Sgt. Raymond Shaw (Liev Schreiber) were part of a platoon of soldiers kidnapped and brainwashed in Desert Storm. Ten years later, Shaw, a "war hero", runs for vice president while Marco, label paranoid by the government, eventually remembers being kidnapped and discovers that Shaw's mother (Meryl Streep) played a big part in the brainwashing. Bennett must now convince Shaw that the brainwashing really happened. Washington does a superb job as the hero; he isn't the flashy, perfect hero that we usually see in movies these days. Schreiber also does an excellent job in this movie as well. His character is the innocent victim. He is a good person but is under the control of his evil, power-hungry mother. Streep steals the show though. Her character is so manipulative and evil that is was just great to watch. The director, Jonathan Demme, does an excellent job guiding this movie along. The camera work that he utilizes really adds to the suspense of the film.
Overall, I think that any fan of suspense movies should go out to see this film. It is very creepy in the beginning and then gets better as you figure out what is going on. The actors all give an excellent performance and are lead by a great director.

"1962 plus the 2004 ~ Manchurian Candidate is a winner!".......2004-10-06

Varese Records presents two versions of "The Manchurian Candidate", both are excellent films with a great cast, directors and score that will leave you with something to think about.

The first "Manchurian Candidate" (1962/126 mins), Director John Frankenheimer featuring Frank Sinatra, Laurence Harvey, Janet Leigh, Angela Lansbury, James Gregory, John McGiver and Leslie Parrish in a cult favorite of Cold War Intelligence mixed with a political assassination attempt ~ Harvey's portrayal as a brainwashed soldier is believably effective, his stepfather James Gregory (Senator Iselin) as the not to bright politician is a scene stealer ~ Harvey's domineering Mother played by Angela Lansbury is an Academy Award performance, when she's on screen her evil schemes cut right through you ~ with composer David Amram throwing cues at you "QUEEN OF DIAMONDS", "SLIGHTLY MANCHURIAN BLUES" and "MESOPOTAMAN MAMBO...but my pick from this score is "THEME FROM THE MANCHURIAN CANDIDATE, the jazz version is a sure-fire winner with over five minutes of great JAZZ!

Second score from "Manchurian Candidate" (2004/130 mins), Director Jonathan Demme featuring Denzel Washington, Meryl Streep, Liev Schrieber, Jon Voight and Kimberly Elise with an update of a classic thriller ~ Washington's facial and shifting eyes lends an intense factor to this remake, and it works ~ the score by Rachel Portman and Wyclef Jean with cues like "FORTUNATE SON" [instrumental], "MIND DRUGS", "DEEP IMPLANT BEHAVIOR MODIFICATION", "WHAT IF ALL THIS IS A DREAM?", "THERE ARE ALWAYS CASULATIES IN WAR" loaded with psychological-political themes and biting assassination spell-binding plots keeps you on the edge of your chair...presidential election mixed with mental illiness that Portman's score covers, as she crosses every "T" and dots all of the "I'z"...don't miss picking up this soundtrack...a must have for all "film-score-buffs" and collectors alike!

Total Time: 61:08 on 17 Tracks ~ Varese Records 66603 ~ (9/14/2004)

Average customer rating:

ISSUE RESOLVED ON THE EUPHRATES
Enjoiyable, but lacking, too.

Handel: Belshazzar

Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD

Minuets | Ballets & Dances | Classical | Styles | Music

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Samson
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Handel - Deborah / Y. Kenny · Gritton · Denley · Bowman · M. George · The King's Consort · King
Handel: Solomon

ASIN: B0001ZWGHY
Release Date: 2004-06-15

Tracks:

Overture
Vain, Fluctuating State Of Human Empire!
Thou, God Most High, And Thou Alone
The Fate Of Babylon, I Fear, Is Nigh
Lament Not Thus, Oh Queen, In Vain!
Behold, By Persia's Hero Made
Well May They Laugh/Oh Memory! Still Bitter To My Soul
Opprest With Never-Ceasing Grief
Dry Thoes Unavailing Tears
Be Comforted: Safe Though The Tyrant Seem/Methought, As On The Bank Of Deep Euphrates
Now, Tell Me, Gobrias
Behold The Monstrous Human Beast
Can You Then Think It Strange
Great God! Who, Yet But Darkly Known
My Friends, Be Confident
All Empires Upon God Depend
Oh Sacred Oracles Of Truth!
Rejoyce, My Countrymen
Sing, Oh Ye Heav'ns!

Tracks:

Let Festal Joy Triumphant Reign!
For You, My Friends
The Leafy Honours Of The Field
It Is The Custom, I May Say, The Law
Recall, Oh King! Thy Rash Command
They Tell You True
Oh Dearer Than My Life, Forebear!
By Slow Degrees The Wrath Of God
See, From His Post Euphrates Flies!
You See, My Friends, A Path
Amaz'd To Find The Foe So Near
To Arms, To Arms! No More Delay!
Ye Tutelar Gods Of Our Empire
Let The Deep Bowl Thy Praise Confess
Where Is The God Of Judah's Boasted Pow'r?
Call All My Wise Men

Tracks:

A Singony (Allegro Postillions)
Ye Sages! Welcome Always To Your King/Alas! Too Hard A Task The King Imposes
Oh Misery! - Oh Terror! - Hopeless Grief!
Oh King, Live For Ever!
No! To Thyself Thy Trifles Be
Yet, To Obey His Dread Command
Oh Sentence To Severe!
Oh God Of Truth! Oh Faithful Guide!
You, Gobrias, Lead Directly To The Palace
Oh Glorious Prince!
Alternate Hopes And Fears
Fain Would I Hope
Can The Black Aethiop Change His Skin?
My Hopes Revive
Bel Boweth Down!
I Thank, Thee, Sesach
A Martial Symphony
To Pow'e Immortal My First Thanks
Be It Thy Care, Good Gobrias
Great Victor, At Your Feet I Bow
Say, Venerable Prophet
Tell It Out Among The Heathen
Yes, I Will Build Thy City
I Will Magnify Thee

Customer Reviews:

ISSUE RESOLVED ON THE EUPHRATES.......2005-06-19

One question I might find among the more difficult in my life would be - which is my favourite Handel oratorio? I suspect that my answer would generally be 'the one I heard most recently', and that, as I write this, is Belshazzar. It is a magnificent thing, a heavenly thing. It has taken me longer than it should have to come to an appreciation of what makes Handel the phenomenon - as a genius, as an artist, as a craftsman - that he is, but I am comforted to reflect that no less a genius than Haydn, at the age of nearly 70 gaining a more thorough knowledge of Handel in performance, was driven to say that he felt a mere apprentice. In his sense of how to pace a dramatic narrative, in his instinct for how to use the human voice in song and above all in chorus, in the matchless flexibility and adroitness he displays at word-setting and in the audacity of his melodic and harmonic effects I can think of nobody who can approach Handel on his own terms.

Belshazzar was not a great success at the box-office, although this may have had more to do with difficulties in the casting than because it was deemed insufficiently biblical for oratorio, which seems to have been the fate of Hercules. It seems to me to be perfectly well described as oratorio in other ways too, with (for one thing) the extensive use of the chorus that we find in, say, Samson but not in Hercules. The one passage that cries out for visual effects is of course the apparition of the moving finger itself. Even here the composer can go a long way with sheer power of suggestion, by the strange unaccompanied violin figure creeping upwards and the frightened brevity of the vocal numbers. Otherwise for me Belshazzar is as much an oratorio as Samson is. It has the same librettist too, the crusty and formidable Jennens, who had also collaborated with Handel on Saul and on Messiah itself. Jennens' full text is not provided, but I think if you read the synopsis first and then follow the work from the headlines to each number you will have no difficulty in catching the words, so clear is the enunciation by soloists and chorus alike. As usual, Handel was driven to make alterations to the score for practical reasons. He had been a little concerned about its length, roughly 2 hours and 50 minutes in this performance, but where he wishes to be expansive he gives us full measure - two arias in Act I scene 4 take well over 7 minutes each. The liner-essay (a good one, by Anthony Hicks) goes into the issue of the version of the score used here, and I personally have no problem with it.

I have no faults to find with the performance in any way. Pinnock is an established specialist, the instruments are period instruments and vocal cadenzas at the end of the arias are kept minimal. Anthony Rolfe Johnson, James Bowman and David Wilson-Johnson are tried and trusted Handel singers and at their best here, and Nicolas Robertson and Richard Wistreich in the smaller parts are every bit as good. The part of Cyrus is a soprano part, taken by Catherine Robbin, and when I thought I heard just one touch of strain in `Destructive War' in the final scene she makes up for it instantly in her superb duet with Arleen Auger in the following number. Auger as Nitocris the mother of Belshazzar has the biggest part, and she covers herself with glory all the way through.

The recording is perfect, and when I saw an aria entitled `Destructive War, thy limits know' near the end I felt a sharp sense of irony in the year 2005. Cyrus, Handel, Jennens, you should all have been living at this hour.

Enjoiyable, but lacking, too........2004-08-16

This 3CD set of George Frederic Handel's (1685-1759) "Belshazzar", from Archiv Production, a division of Universal Music, is proof again that transfer from vinyl to tape to disc brings with it improvements in listening that make the purchase a worthwhile addition to anyone's listening library. Written in 1744, "Belshazzar" is an oratorio in the operatic style that is wonderful oratorio, but lacking the true depth one expects to hear in an opera. London opera audiences of Handel's day agreed, as both "Belshazzar" and Handel's other offering of the period in the same style, "Hercules", were not terribly successful. Instead of the scheduled 24 performances only 16 were given and Handel never offered a full season of oratorio again. The Libretto by Charles Jennens (1700-1773) is, as the production notes say, meant "not only to show the fall of Babylon but to show it as a fulfillment of divine prediction and to confirm the biblical testimony by reference to classical history." There's only one problem, as good a quality as the CDs are, it is not possible to follow the full libretto and the accompanying booklet includes no text, which is a shame. I think the listening experience would have been increased immeasurably if one was able to follow the text of what is being sung. Nonetheless the dramatic narrative is fluid and even, and the English Concert and Choir provide nice balance to the less full vocal passages, as in Disc 3s "Oh Glorious prince", cut 10. There is enough of this throughout to keep one's interest, but disappointing if what one expects is another ""Messiah".

Average customer rating:

Pulverizing Crossover Action
GET READY TO RAGE!!!!!!!!
You come into this world with nothing..
Must Have for Hardcore Lovers
Music for brutal murder...

For Those Who Were Crucified
All out War
Manufacturer: Victory Records
ProductGroup: Music
Binding: Audio CD

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Condemned To Suffer
Assassins In The House Of God
Friends Family Forever
Pray for Death
Five Deadly Venoms

ASIN: B00000AGA7
Release Date: 1998-10-13

Tracks:

Soaked In Torment
Burning Season
For Those Who Were Crucified
Resist
Claim Your Innocence
False Salvation
Redemption For The Innocent
Witness The End
Into The Flames Of Progression
After Autumn
Enemies Of Creation
Truth In The Age Of Lies
Apocalyptic Terror

Customer Reviews:

Pulverizing Crossover Action.......2006-01-26

Before "metalcore" gained a bigger audience, you've had your share of bands that instigated the genre before. All Out War is one of these bands. In tracks like "Claim Your Innocence", you can hear some thrash influence a la Slayer. Along with that, the riffage just pulverizes. Also, don't let the fact that it's on Victory records fool you. The label still has a lot of awesome bands IMO, amongst the others making the label commercial, but this was before Victory went commercial. If you're a fan of bands like Killswitch Engage (mostly old), Hatebreed, Cannae, Cataract, and whatever, then you need this CD! Also check out Nerve Gas Tragedy, the band featuring members of this band.

GET READY TO RAGE!!!!!!!!.......2005-12-14

One of the most flat out PISSED OFF album's EVER!!! EVER!!!

It must be said by a THRASH expert like myself that this is very much 98% thrash which is why it rule's so much!!

Not everey song is great..but it all blend's together to make one of the most ANGRY album's of all time's!!

Stick around for the end of the cd which has cover song's and a DEATH METAL song!!

Great artwork, POSER's BEWARE!!!!! WILL HURT YOU!!!

You come into this world with nothing.........2005-07-17

except for yourself. YOU LEAVE THIS WORLD WITH NOTHING EXCEPT FOR YOURSELF! The best,hardest,most brutal album EVER made. Mike Score is a pheonominal song writer and lyricist. Saying "nothing even comes close" is an insult. All Out War has re-invented the genre. GET ALL THREE ALBUMS NOW! And prepare to be awoken...

Must Have for Hardcore Lovers.......2003-08-06

All Out War makes some of the most brutal hardcore around and it really shines through on this release. It comes across as much more of a hardcore album than their debut, which was more metal-sounding. Everything is tight on this record and mike score's voice is as evil as ever. Buy it now or else...

Music for brutal murder..........2002-04-12

I love this CD- strictly for the hardcore. Everytime I listen to this CD, I want to go out and kill. All Out War dish out the heaviest of metal, and the hardest of the hardcore. Tight, precise, brutal, and crisply produced. The drums are recorded great, as is the bass, and the guitar onslaught. I'm not even a total hardocre head, as I listen to a wide range of music (Squarepusher, Miles Davis, Sonic Youth, Plunderphonics, et al.) but this CD simply kills.

Average customer rating:

ok
Metal may be king, but your TRIPPIN>>>>
How Much Screaming Can You Take?
Maybe the best hardcore album ever made...
Hard to Pin Down

Condemned To Suffer
All Out War
Manufacturer: Victory Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Hardcore | Hardcore & Punk | Alternative Rock | Styles | Music

Punk | Hardcore & Punk | Alternative Rock | Styles | Music

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For Those Who Were Crucified
Assassins In The House Of God
Pray for Death
Killafornia
As the Last Light Drains

ASIN: B0000DG015
Release Date: 2003-10-21

Tracks:

Straight Toward Extinction
Condemned to Suffer
Bleeding the Weak free
Heaven's Coming Down
Two-Thousand Years
From the Bottom
Destined to Burn
Pray for Salvation
Hypocrites of the Revolution
Vengeance for the Angels
Rise of the Anti-Christ
Gone Forever

Album Description

New York's ALL OUT WAR is a punishing display of the aggression of hardcore crossed with the brutality of metal while avoiding the shortcomings of both genres. To get a taste of ALL OUT WAR's musical style, envision Slayer's "Reign In Blood" colliding head on with "Age of Quarrel" era Cro-Mags. Two styles as different as they come, but ALL OUT WAR combines the two to form a Crossover attack unmatched by today's standards. While so many bands are creating a diluted mixture of Metal and Hardcore, ALL OUT WAR brings you their brand of Crossover in the tradition of bands like NUCLEAR ASSAULT, CRUMBSUCKERS, SUICIDAL TENDENCIES and S.O.D.. "Condemned To Suffer", their first record in five years, will once again solidify ALL OUT WAR's position as one of the most brutal bands - period. With their trademark social commentary on such diverse subjects as the Holocaust, ecocide and the degradation of the hard music scene, one will be hard pressed not to feel the effects of this record. "Condemned To Suffer" is destined to be a Crossover classic and the album that could very well bring the genre back to life.

Customer Reviews:

ok.......2006-03-20

ok cd, nothing significant about it either. Same ol brutal Metal that 1/2 a billion other bands are trying to do.

Metal may be king, but your TRIPPIN>>>>.......2005-07-17

You know, this disc transcendes the genre. It is SOOOO hard, yet Mike Scores vocals seem to be a bit crisper and more decipherable than their previous efforts. I LIKE an album that kicks your teeth down your throat and punches you in the gut like this one. If metal truly is king, than All Out War is the kings plunder. The new to All Out War crowd may want to start with (For those who were crucified). But if your want it hard, you got it here. Just know what your in for...

How Much Screaming Can You Take?.......2005-07-03

I bought this CD because it came with a sticker that said All Out War was similar to bands I started listening to in the 1980's, like Nuclear Assault. Was I in for a disappointment. Bands like Nuclear Assault were fast and heavy, but they also had a sense of dynamics in their sound. When you listened to a Nuclear Assault album, all of the songs sounded different. All of the songs on CONDEMNED TO SUFFER sound pretty much the same.

Musically, All Out War are similar to Slayer. Their vocalist - if you want to call him that - just screams at the top of his lungs on every songs. There's nothing dynamic in his approach. I was worn out after listening to six or seven songs.

True Crossover is C.O.C., D.R.I., the Crumbsuckers, the Cro-Mags, early Suicidal Tendencies, Sacrilege B.C., and S.O.D. All Out War doesn't come close to being anything like those bands.

Maybe the best hardcore album ever made..........2005-03-12

Call it "crossover," or whatever you want, but "Condemned to Suffer" is easily one of the best metal-influenced hardcore albums ever made, end of story. I've listened to it at least twice a week since it was released and it never gets old. It's brutal, but more importantly original. Buy it now!

Hard to Pin Down.......2004-11-03

This is definitely a brutal album. It's not the most brutal I've ever heard (see "Brutality is Law" by Severed Savior or "Dechristianize" by Vital Remains), but it does deliver a formidable aural assault that punishes the listener from the get-go and doesn't let up. If these guys are slotted into the genre of "metal-core," they certainly know their craft. They really slam the riffs and grooves home with unbridled ferocity and precision.

I say the album is hard to pin down because lyrically, it's all over the place. It comes off like a concept album akin to Cradle of Filth's "Damnation and a Day," although it's not nearly as sympathetic to The Devil character nor is it as poetic, for that matter. It's also isolated to the events of the book of Revelation, whereas "Damnation" covered the entire span of the world's biblical (and by that I mean MYTHICAL) past, present, and future. What makes it confusing are songs like "Two Thousand Years" which comes off like an indictment of religion and all the evil it has wrought in the world. But most of the other songs, such as "Rise of the Anti-Christ" seem to have a christian slant to them. Considering the imagery created by the lyrics and their throat-piercing delivery, it makes me wonder if these guys don't suffer from some sort of guilt-complex brought on by a strict baptist and/or catholic upbrining. And it's hard to nail down whether or not they're preaching, or simply trying to tell a story.

Depending on your beliefs, this cd might leave a bad taste in your mouth, you may love it, or as in my case, you may be left just scratching your head (after you've banged it, of course).

R.A.B. vol. 2 [CD & DVD] 28 Tracks Plus 6 Short political short films that you just have to see...

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R.A.B. vol. 2 [CD & DVD] 28 Tracks Plus 6 Short political short films that you just have to see...
Favorite Son - Green Day (unreleased) / Let Them Eat War - Bad Religion / Unity - Operation Ivy / Necrotism: Decanting the Insalubrious (Cyborg Midnight) Part 7 - The Lawrence Arms (unreleased) , We Got the Power - Dropkick Murphys (rare) / Drunken Lullabies - Flogging Molly / Doomsday Breach - Only Crime / Gas Chamber - Foo Fighters (rare) , Status Pools - Lagwagon (unreleased) / What You Say - Sugarcult / 7 Years Down - Rancid / Off With Your Head - Sleater-Kinney (rare) , Scream Out - The Unseen (unreleased) / Violins - Yellowcard (unreleased) / Like Sprewells on a Wheelchair - Dillinger Four (unreleased) / Chesterfield King live - Jawbreaker (unreleased) , Born Free live - Bouncing Souls (unreleased) / No Hope live - Mad Caddies (unreleased) / Kids Today - The Dwarves (unreleased) / Can't Wait to Quit - Sick of It All (rare) , Comforting Lie - No Doubt / State of Fear - Useless ID (unreleased) / I'm Thinking - Autopilot Off (unreleased) / My Star - The International Noise Conspiracy (unreleased) , and Time's Up - Donots (unreleased) / Kill the Night - Hot Water Music (unreleased) / You're Gonna Die - Thought Riot / Fields of Agony acoustic - No Use For a Name (unreleased)
ProductGroup: Music
Binding: Audio CD

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ASIN: B000QXKUWE

Music from the Time of Tilman Riemenschneider

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Music from 15th Century Germany

Music from the Time of Tilman Riemenschneider

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

Chansons | Vocal Non-Opera | Opera & Vocal | Styles | Music

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The Black Madonna

ASIN: B0006M4ST6
Release Date: 2005-01-18

Customer Reviews:

Music from 15th Century Germany.......2005-06-09

Some of this music is familiar - in fact six tracks are licensed - from a budget CPO disc by the Hedos ensemble. Though the emphasis here is more on Germany not so much the whole of Europe. I hadn't heard Il Curioso before but they strike me as similar to the Unicorn Ensemble also found on Naxos.

There are two similarly titled CDs

8.557138 Music from the Time of Tillman Riemenscheider
8.558145 ART AND MUSIC - Riemenscheider Music of His Time

The latter disc has an extra four tracks [30]-[33] sampled from relevant releases by the Oxford Camerata. It also has a chronology of Riemenscheider's life and photos of some of his sculptures. Unfortunately it has no sung texts. I cannot comment on whether 8.557138 also has no sung texts as I haven't seen it.

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