The Ice in Me

The Ice in Me

The Ice in Me

Track Listings
 
1. Day One
2. Inverted Circle
3. Man Enough
4. Caught Inside
5. Nightmare Air
6. Calendar
7. Passive Equalizer
8. Setting the Traps
9. Man Enough
10. Balm
11. Shame Spiral
12. M
13. Coccoon Clo3

The Ice in Me,ENEMYMINE,Up.,Alternative Metal,Indie Rock,Pop,Post-Grunge,Rock
King Arthur
Average customer rating: 4.5 out of 5 stars
  • We Will Go Home
  • Good music
  • Want to hear Gladiator II?
  • King Arthur
  • Hans' Best
 King Arthur
Hans Zimmer
Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Kingdom of Heaven
  2. The Last Samurai
  3. Gladiator: Music from the Motion Picture
  4. Troy: Music From The Motion Picture (Score)
  5. Alexander

ASIN: B0002IQIWE
Release Date: 2004-07-27

Tracks:

  1. Tell Me Now (What You See)
  2. Woad To Ruin
  3. Do You Think I'm Saxon?
  4. Hold The Ice
  5. Another Brick In Hadrian's Wall
  6. Budget Meeting
  7. All Of Them!

Amazon.com

What are legends if not for reinventing -- and/or hyper-inflating into Hollywood summer fare? In retooling the Arthurian legend for the goth-beguiled video game age, mega-producer Jerry Bruckheimer did away with details small (the lady in the lake, sword in the stone, etc.) and large (this Arthur is actually Eastern European, by way of Rome). Composer Hans Zimmer picks up that gauntlet, producing an orchestral score bristling with massed brass, chorus and percussion -- if little of the indigenous mysticism that made his work on Gladiator/ so rewarding. What there is of that precious commodity is frontloaded via the song "Tell Me Know (What You See)," his evocative opening collaboration with Clannad's Moya Brennan. From there, Zimmer emphasized this version's Eastern conceits with a half-dozen suites of cues that thunder in the Russian classical tradition -- and all the melodic range of "Jingle Bells." Zimmer--not to mention Poledouris--has done it better, but fans of outsized orchestral Gothic moodfests may yet take this one to heart. --Jerry McCulley

Customer Reviews:

5 out of 5 stars We Will Go Home.......2007-07-13

Does this soundtrack include "We Will Go Home," the song Vorna sings to the men in the bar before they find out about their new mission?

4 out of 5 stars Good music.......2007-05-16

I'm a huge Hans Zimmer fan, his scores are rich and deep. This is not his best, but it's still a great listen.

2 out of 5 stars Want to hear Gladiator II?.......2007-04-12

In the end, this is the only relevant question; do you want to hear a more melodramatic version of Gladiator? More melodramatic, you ask?
And you better believe it, Hans Zimmer actually managed to blow up his sound from Gladiator even more, and I really didn't think this was possible, mainly because I thought it would sound utterly pathetic and over the top. And make no mistake, Zimmer's King Arthur is just that.

I am reviewing this score in retrospect, and it is truly fascinating to do that. When you look at other composers and make a little journey to their past, you usually find more creativity. The further back you go, the more original and fresh music you find. With Hans Zimmer, it's the opposite. With each year you go back, his scores just get more dreary, and that's saying alot because his latest works also don't really qualify as schoolbook examples for colourful scoring.

From Gladiator to Pirates Of The Caribbean 2, Hans Zimmer has yet to come forth with a truly fresh and unique score. Zimmer never, ever, not in a million years, escapes his usual box. And King Arthur is no exception whatsoever. From the get go, 20 horns are amassed and play a overly simplistic motif somewhere between a and A, the strings mush together in midrange, melodramatic chords, and dwell in the shallow realm of overbearing dullness.
I don't understand how an artist - and the art of film composing is severely underrated - can be content with repeating the same thing over and over. If I were Hans Zimmer, I would be embarassed by now to even write one more note for that droning bass.
To top it all off, Zimmer incorporates an Enyaesque voice that is easy on the ears, but in the end signifies nothing, does nothing and does all that with an amazing lack of substance.

That is, amongst others, the major difference between a serious film composer and Hans Zimmer: a good and skillful film composer takes an average film like King Arthur and makes it sound like something worthwhile. Hans Zimmer on the other hand embraces mediocrity and underlines it to create an even more average film.

5 out of 5 stars King Arthur.......2007-04-09

I recently purchased this particular soundtrack, and i would have to say it is awesome. Hans Zimmer is a master at what he does. The music suits the film and since I loved the film I had to get the soundtrack. I loved the song Tell Me Now by Moya Brennan, and Another Brick in Hadrians Wall is the best song im my opinion on the soundtrack. Overall I'm so glad I bought this soundtrack and I rate it up there with the likes of Gladiator, Pirates of the Carribean. Keep up the good work Hans

4 out of 5 stars Hans' Best.......2007-03-12

Hans Zimmer is a film composer with dozens and dozens of scores under his belt. Many who do not collect or even listen to film scores know his name. However, much if his film music sounds very similar and lacks a complex edge that other compose like John Williams, James Horner, and James Newton Howard deliver.

That said, King Arthur is Hans' most intriguing score to date. Backdraft and Gladiator (overrated) were very good, but this score is a departure from Hans' usual motifs. The only bad part for me(not related to the music itself) is that there are only seven tracks and each are very long. I like shorter tracks so I can pinpoint the themes or variations I want to lsiten to, but this is extremely minor. The music is great, and I reccommend you go enjoy Hans' best music yet.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Barbara Cook Sings Mostly Sondheim (Live at Carnegie Hall 2001)
Average customer rating: 4.5 out of 5 stars
  • Wow!
  • Everyone Should Whistle
  • An amazing intro to the body of work of a true master
  • Beautiful, moving concert
  • ... and I love Barbara Cook
 Barbara Cook Sings Mostly Sondheim (Live at Carnegie Hall 2001)

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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  1. Barbara Cook's Broadway!
  2. Barbara Cook at the Met with Special Guests
  3. Tribute
  4. It's Better with a Band
  5. The Champion Season: Live at the Cafe Carlyle

ASIN: B000059LFF
Release Date: 2001-05-08

Tracks:

  1. Everybody Says Don't
  2. I Wonder What Became of Me?
  3. The Eagle and Me
  4. I Had Myself a True Love
  5. Into the Woods / Giants in the Sky (Malcolm Gets)
  6. Another Hundred People / So Many People (Malcolm Gets)
  7. Let's Face the Music and Dance / The Song Is You (duet with Malcolm Gets)
  8. Happiness
  9. Loving You
  10. You Could Drive a Person Crazy
  11. Not A Day Goes By / Losing My Mind

Tracks:

  1. Buds Won't Bud
  2. I Got Lost in His Arms
  3. West Side Story Segment: Something's Coming / Tonight (Malcolm Gets)
  4. Move On (duet with Malcolm Gets)
  5. Medley: Hard Hearted Hannah / Waiting for the Robert E. Lee / San Francisco
  6. Ice Cream
  7. Send in the Clowns
  8. The Trolley Song
  9. Not While I'm Around (duet with Malcolm Gets)
  10. Anyone Can Whistle

Amazon.com's Best of 2001

Barbara Cook is one of today's most accomplished song stylists, and if you don't believe us, just listen to this live album. It's a master class in the art of singing. It documents an evening at Carnegie Hall during which Cook proved that she can dissect and extract the substance out of the simplest of lyrics. One of the best surprises is "You Could Drive a Person Crazy" (from Company), which is taken at an amiable trot and allows the singer to display its humor. Cook is not a swinging singer and uptempo is not her pace; give her a ballad, though, and she'll wring the last drop of emotion out of it. Her version of "Losing My Mind" (here paired with "Not a Day Goes By") is simply astonishing. The singer also performs songs that Sondheim has said he wished he had written, an awful lot of them by Harold Arlen. No complaints here. Guest Malcolm Gets solos on a few songs and duets with Cook on others, including "Let's Face the Music and Dance." This is classic material done masterfully by a classic singer. --Elisabeth Vincentelli

Customer Reviews:

5 out of 5 stars Wow!.......2004-02-20

Having read the other reviews there is little more for me to add. I have been a Barbara Cook fan for a longtime and for me, this is one of her best concerts ever. I do, however, prefer the DVD. As with some other reviewers, I do not want to hear Malcolm Gets (as much as I like him) when I want to listen to Barbara. Her flawless interpretation of music is a hard act to follow for any singer! I managed to see this concert 4 times over a year and a half. Each time I saw her the voice was stronger and more assured (I would not have thought that possible). I can't help but think we will have the pleasure of hearing Ms Cook for many years to come. For those people who enjoyed his CD I strongly recommend purchasing the DVD. Barabara's rendition of So Many People is breathtaking (literally, I don't think I breathed once during the entire song). If you ever have opportunity to see her live - go! She has an ability to make you feel as if every song she sings and every word she speaks is directed to you alone. She can take a large venue and make it feel as intimate as your own living room. Having had the pleasure of meeting her I can say she is as youthful and pleasurable in person as she is in her performance.

5 out of 5 stars Everyone Should Whistle.......2003-10-11

After being privileged to attend this concert, I had to own the CD. Once a lyric coloratura and the original Cunegonde in Bernstein's Candide, Ms. Cook has become (in her 70s) a true diva, blessed with a velvety, warm sound. Every note has meaning. Her high B-flat on "Ice Cream" is still the envy of any soprano today. Everyone should whistle after hearing the superb performances on this CD. Even better, though, is the experience of having been in the concert hall for the live performance. Brava, Ms. Cook!

5 out of 5 stars An amazing intro to the body of work of a true master.......2003-06-16

When I first bought tickets for the 'Mostly Sondheim' show on tour (in San Francisco) I figured it couldn't be too bad. Besides, I had only been exposed to a few of his songs (Anyone Can Whistle, Losing My Mind...) and had only seen "A Little Night Music". On the way out of the theater I immediately picked up this recording of the program. It is truly amazing. I immediately began listening to it and have barely put it down in the last few months. Furthermore, my Sondheim CD collection increased in size from an unflattering zero to five (and it's still growing)! This is an amazing introduction to the works of Stephen Sondheim, who is now my favorite modern musical composer). Buy this now if you don't already have it!

4 out of 5 stars Beautiful, moving concert.......2003-04-13

This is a wonderful CD set with a great selection of songs. I do want to express a slight reservation, however. Barbara Cook has been one of my favorite singers for a number of years and the way her voice defies time is extraordinary -- for her to be singing with such bright, beautiful tone in her mid-70s with no wobble or beat in the voice is an amazing achievment.

I do have to say that by 2001, when this concert was recorded, Cook seemed to have a lost a little bit of power and intensity in her singing. This is only natural for someone of her age. Her voice is still lovely, but you can sense her keeping it in reserve a bit. She's as expressive as ever, but compare the rendition of "I got lost in his arms" on this album to the one on her previous album recorded in 1999, "The Champion Season", and there's less urgency and vocal depth in her singing here. That said, the high B at the end of "Ice Cream" is sensational.

So, despite that caveat, this is, again, a wonderful album, a must for Cook fans, especially for the gorgeous renditions of songs I'd never thought I'd get to hear her perform: "Not a Day Goes By", "Happiness/Loving You", "San Francisco", etc. Buy it!

1 out of 5 stars ... and I love Barbara Cook.......2003-02-11

This recording is a disappointment for me. It is not her best work, and Malcolm Gets is uninspired. My biggest complaint however is the engineering of the recording. Throughout the speaking was to soft, the singing volumes uneven, and the applause deafening. I will be passing this CD on to friends, and will later donate it to my local library.
Kurt Weill: The Centennial
Average customer rating: 5 out of 5 stars
  • Kurt Weill: Re-discovery...
  • Incredible Live Album
 Kurt Weill: The Centennial
Kurt Weill , Brock Peters , Carole Cook , Charlotte Rae , Nancy Dussault , Norm Lewis , Peter Becker , Rod McKuen , Shirley Jones , Tim Curry , and Steve Orich
Manufacturer: Lml Music
ProductGroup: Music
Binding: Audio CD

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  5. Over The Rainbow: The Music Of Harold Arlen (1995 Benefit Concert Cast)

ASIN: B00005U8HM
Release Date: 2002-01-08

Tracks:

  1. Act 1: Pirate Jenny - Charlotte Rae
  2. Act 1: I'm A Stranger Here Myself - Jodi Stevens
  3. Act 1: Economics - Jane A. Johnston
  4. Act 1: Is It Him Or Is It Me? - Pam Dawber
  5. Act 1: Barbara Song - Linda Purl
  6. Act 1: Lullaby - Kathryn Skatula
  7. Act 1: That's Him - Nancy Dussault
  8. Act 1: Don't Look Now - Sharon Lawrence
  9. Act 1: Apple Jack - Norm Lewis
  10. Act 1: Speak Low - Sally Kellerman
  11. Act 1: September Song - Rod McKuen
  12. Act 1: Ice Cream Sextet - David Holladay

Tracks:

  1. Act 2: Wouldn't You Like To Be On Broadway? - David Holladay
  2. Act 2: What Good Would The Moon Be - Melissa Dye
  3. Act 2: It Never Was You - Hugh Panaro
  4. Act 2: We'll Go Away Together - Hugh Panaro
  5. Act 2: Tschaikowsky - Jack Noseworthy
  6. Act 2: The Saga Of Jenny - Carole Cook
  7. Act 2: Surabaya Johnny - Tim Curry
  8. Act 2: My Ship - Shirley Jones
  9. Act 2: Mack The Knife - Loretta Devine
  10. Act 2: Lost In The Stars - Brock Peters

Customer Reviews:

5 out of 5 stars Kurt Weill: Re-discovery..........2006-11-10

I am so impressed and pleased to have found this recording on Amazon.com. I am always amazed when I find these seemingly obscure recordings, and thrilled to know they exist. What a wonderful history of our musical world---and what a chance to hear interesting, challenging, and unusual performances from so many well-known people. The songs live on--the composer is 'new' again, and this recording becomes part of history re-discovered. Thank you Amazon.com for your continued professionalism and for having these recordings available.

5 out of 5 stars Incredible Live Album.......2002-02-10

This incredible concert (which i attended) benefitting The Actors' Fund of America, contains some absolute MUST performances for any Broadway collector.

For me, the highlights are HUGH PANARO ("It Never Was You"), NANCY DUSSAULT ("It's Him") and TIM CURRY singing "Surabaya Johnny" in German!

Loretta Divine, Brock Peters, they're all great!
King Me
Average customer rating: 4.5 out of 5 stars
  • Visqueen rocks out!
  • Power Pop is Alive and Well
  • booooooooooring
  • Yeah! Vasqueen Take the Sting out!
  • Sorry Seattle..
 King Me
Visqueen
Manufacturer: BlueDisguise Records
ProductGroup: Music
Binding: Audio CD

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  1. Sunset On Dateland
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ASIN: B000089SG7
Release Date: 2003-02-25

Tracks:

  1. Vaxxine
  2. Sailor
  3. Last to Know
  4. My House
  5. Zirconium Gun
  6. Mrs. Elder
  7. Red Blood Blue
  8. Buried Alive
  9. Omaha
  10. Lovely Guilty

Amazon.com

Imagine '60s London dolly birds Lulu or Petula Clark fronting a power-punk trio of the Ramones school and you get a good sense of where Visqueen is coming from. Seattleite Rachel Flotard, like the aforementioned '60s thrushes, knows the score, but she doesn't waste time keeping score. The compassion of "My House" (she volunteers her home as a place to stay "because you've found a friend in me") and "Last to Know" (in which she professes to be "sorry that you're losing your heart and your dreams") seem genuine and refreshing. The unaffected spunk of Flotard's hook-filled songs are powered by chugging riffs and high-octane support from former Fastbacks bassist Kim Warnick and drummer Ben Hooker. The catchy likes of the slashing "Vaxxine" ("Take the sting out of my heart") and the punny "Omaha" ("You and me are mutual like Omaha") signal the arrival of a band that's smart, tart, and open hearted. --Steven Stolder

Album Description

PRODUCED BY Barrett Jones (Foo Fighters, Nirvana, Melvins et al.)

Customer Reviews:

5 out of 5 stars Visqueen rocks out!.......2005-03-06

If you are too pretentious to enjoy good rock music, ::looks at negative reviews and coughs loudly:: then you probably shouldn't listen to this album.

If you like to rock out, if you like catchy melodies and harmonies, thought provoking lyrics, and just like to listen to GOOD music, then you should definitely listen to this cd.

I don't listen to corporate radio, and this is really the first time that I have been excited about a band in a very long time. Obviously it is hard to put the energy and vitality of a live show into a studio recording, but they do a very good job of it. For me, it is the type of CD that I liked the first time, but like it more and more every time I listen to it.

All of the tracks are really good and all could have easily been chosen as a single. I would recommend heading over to their official website, www.visqueenonline.com, and checking out the video for Mrs. Elder, a great song, and listening to the mp3s available here on Amazon.

5 out of 5 stars Power Pop is Alive and Well.......2004-09-30

From start to finish an excellent offering. Is it possible to wear out a CD? I'm going to find out with this disc. Also, don't miss them live. Rachel restored my faith in rock and roll.

1 out of 5 stars booooooooooring.......2004-05-04

simple really. bad.

do they have more than 1 riff?? amateur effort all round

5 out of 5 stars Yeah! Vasqueen Take the Sting out!.......2004-04-13

pardon me for retreating to an overused phrase, but:

This CD ROCKS!

Short Review - Great stuff, buy it now!

If you're not sure, check out the free downloads - they are very representative of the sound of this group.

Longer review:

If you like up-tempo get off your ass and rock music with fun lyrics, great hooks, great harmonies, jump out on the dance floor, flail-your-arm air guitar (or in my case, air bass), rock-out music, this is a CD for you.

buy this CD now, hopefully you'll encourgage the band to get back in the studio to record their 2nd cd - it'll make ME happy anyway!

The only thing I don't understand is why pop radio isn't all over this stuff, but hey, I grew up in the 60s when all the songs on the radio were 2:38, didn't cuss, didn't degrade anybody, talked about havin' fun and didn't require a phalanx of scantily clad dancers and microphones that sang the songs on their own :).

One thing I do think is Joey Ramone is smiling down on these guys from Rock'n'Roll heaven, knowing the music lives on...

2 out of 5 stars Sorry Seattle.........2004-01-29

I was disappointed with this purchase. "Vaxxine" got me excited for this disc, but sadly, the remaining songs don't compare to the fire of the lead track. Mid-way through the CD I find myself very bored by the uninspired chugga-chugga guitar riffs. On the brighter side, the vocal harmonies are a plus.
Romantic - Verdi: Highlights from "Rigoletto"
Average customer rating: Not rated
    		Romantic - Verdi: Highlights from "Rigoletto"

    Manufacturer: Intersound Records
    ProductGroup: Music
    Binding: Audio CD

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    All Bargain TitlesAll Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music
    ASIN: B000000BJP
    Release Date: 1996-09-17

    Tracks:

    1. Rigoletto: A woman is fickle - Jose Perez/Nuremberg SO and Chor
    2. Hlts from'Aida': Heavenly Aida - Jose Perez/Nuremberg SO and Chor
    3. Hlts from'Aida': Triumphal March - Jose Perez/Nuremberg SO and Chor
    4. Hlts from'Aida': Ballet Music - Jose Perez/Nuremberg SO and Chor
    5. The Troubadour: Gypsy Chor - Bavarian Festival Orch And Chor
    6. The Fallen Woman: It is strange, it is strange - Biserka Cveijc/Nuremberg SO
    7. The Force of Destiny: Peace, peace, my God - Leontyne Price/David Garvey
    8. Hlts from 'La Boheme': What a cold, little hand - Jose Perez/Nuremberg SO and Chor
    9. Hlts from 'La Boheme': They call me Mimi - Bozena Ruk-Focic/Slavis PO
    10. Hlts from 'La Boheme': When I go out in public - Nat Opr Orch
    11. Hlts from 'Turandot': No man shall sleep - Nat Opr Orch
    12. Hlts from 'Turandot': You, who are as cold as ice - Ljilijan Molnar-Talajic/Zagreb PO
    13. Hlts from 'Tosca': What subtle harmony - Jose Perez/Nuremberg SO and Chor
    14. Hlts from 'Tosca': And the stars would be shinning - Ricardo Casinelli/StateOpr Orch of Wurttemberg
    15. Hlts from 'Tosca': I have lived for art, I have lived for love - Bozena Ruk-Focic/Slavis PO
    16. Gianni Schicchi: Oh, my dear papa - Ljilijan Molnar-Talajic/Zagreb PO
    17. Hlts from 'Manon Lescaut': Crisantemi Theme - Nat Opr Orch
    18. Hlts from 'Manon Lescaut': In all this luxury - Bozena Ruk-Focic/Slavis PO
    A Salute to American Music
    Average customer rating: Not rated
      		A Salute to American Music

      Manufacturer: RCA
      ProductGroup: Music
      Binding: Audio CD

      All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by BernsteinAll Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by BlitzsteinAll Works by Blitzstein | Blitzstein, Marc | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Bolcom, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by EllingtonAll Works by Ellington | Ellington, Edward Duke | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
      Foster, StephenFoster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by GriffesAll Works by Griffes | Griffes, Charles T. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by MenottiAll Works by Menotti | Menotti, Gian Carlo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by PorterAll Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by StravinskyAll Works by Stravinsky | Stravinsky, Igor | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by ThomsonAll Works by Thomson | Thomson, Virgil | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by WeillAll Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
      Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Sacred & Religious | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      Hadley, JerryHadley, Jerry | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
      EnglishEnglish | Languages | Opera & Vocal | Styles | Music
      PsalmsPsalms | Vocal Non-Opera | Opera & Vocal | Styles | Music
      ASIN: B00000E6PJ
      Release Date: 1992-12-01
      The Broadway Years: Till There Was You
      Average customer rating: 4.5 out of 5 stars
      • A real good selection
      • good overview of her broadway career
      • A Broadway legend appreciated
      		 The Broadway Years: Till There Was You

      Manufacturer: Koch Records
      ProductGroup: Music
      Binding: Audio CD

      All Works by BernsteinAll Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
      Traditional Vocal PopTraditional Vocal Pop | Broadway & Vocalists | Styles | Music
      GeneralGeneral | Broadway & Vocalists | Styles | Music
      GeneralGeneral | Easy Listening | Pop | Styles | Music
      GeneralGeneral | Vocal Pop | Pop | Styles | Music
      Traditional PopTraditional Pop | Oldies | Pop | Styles | Music
      CDs $7 - $10CDs $7 - $10 | Traditional Vocal Pop | Broadway & Vocalists | Today's Deals in Music | Formats | Music
      All Bargain TitlesAll Bargain Titles | Traditional Vocal Pop | Broadway & Vocalists | Today's Deals in Music | Formats | Music
      Similar Items:
      1. Barbara Cook - Bell Telephone Hour Appearances 1960-1965
      2. Barbara Cook at the Met with Special Guests
      3. Barbara Cook - Live from London
      4. All I Ask of You
      5. The Disney Album

      ASIN: B000001SLS
      Release Date: 1995-06-20

      Tracks:

      1. He's Only Wonderful
      2. Here's To Your Illusions (From Flahooley)
      3. This Is All Very New To Me (From Plain And Fancy)
      4. Glitter And Be Gay (From Candide)
      5. Till There Was You (From Music Man)
      6. Getting To Know You
      7. Hello, Young Lovers (From The King And I)
      8. Magic Moment (From The Gay Life)
      9. Will He Like Me?
      10. Dear Friend
      11. Ice Cream
      12. Where's The Mate For Me?/Make Believe
      13. You Are Love (From Showboat)
      14. Who Are You Now?
      15. He Was Too Good To Me/Time Heals Everything
      16. Wait Till You See Him

      Customer Reviews:

      5 out of 5 stars A real good selection.......2006-04-27

      Even if I don't own this CD (stuff I have on 33 rpm), I had to approve the other critics here. To know Barbara Cook is to participate to the Great Broadway Era with one of its essential star performer.
      Cook was made for the stage and, following next, her live shows are quite impressive. Her voice can be tiny at times, but who doesn't get older?
      Just listen to Glitter and be Gay: a Bernstein masterpiece, but a Cook personal creation. (Only Sumi Jo made it as good on her Carnegie Hall show).
      All B'way fan should know Barbara Cook...

      4 out of 5 stars good overview of her broadway career.......2005-02-06

      Before Barbara Cook became a cabaret performer, she was a fantastic Broadway star. This out of print cd focuses on the songs from her revivals and original productions with the omission of The Glass Harp. It goes chronologically from the beginning of her career with the shows Candide, Plain and Fancy, and Flahooley. (Sadly they were flops.) Then it reaches The Music Man where she finally became a star. Her Till There was You is marvelous. The last three songs are from her 1975 At Carnegie Hall album. I wish that this was replaced with numbers from her shows. It doesn't quite fit in with the phase. I guess this cd wanted to be an outlook on her career in general. Barbara Cook had a clear warm soprano. If only her 1958 album Songs of Perfect Propriety could be released.

      5 out of 5 stars A Broadway legend appreciated.......1999-07-02

      Just to hear her voice intentionally break with emotion on "Dear Friend" will affect you deeply. This is a fine document of a great career and a stunning voice. You will treasure it.
      A Salute to American Music
      Average customer rating: Not rated
        		A Salute to American Music

        Manufacturer: RCA
        ProductGroup: Music
        Binding: Audio CD

        All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by BernsteinAll Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
        GeneralGeneral | Bolcom, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
        Foster, StephenFoster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by GriffesAll Works by Griffes | Griffes, Charles T. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by MenottiAll Works by Menotti | Menotti, Gian Carlo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by ThomsonAll Works by Thomson | Thomson, Virgil | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by WeillAll Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
        Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        GeneralGeneral | Sacred & Religious | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
        EnglishEnglish | Languages | Opera & Vocal | Styles | Music
        PsalmsPsalms | Vocal Non-Opera | Opera & Vocal | Styles | Music
        ASIN: B00000E6PK
        Release Date: 1992-12-01
        The Ice in Me
        Average customer rating: 4.5 out of 5 stars
        • ICe in me
        • What more could one ask for?
        		 The Ice in Me
        ENEMYMINE
        Manufacturer: Up.
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | Alternative Rock | Styles | Music
        Indie RockIndie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music
        Post GrungePost Grunge | American Alternative | Alternative Rock | Styles | Music
        GeneralGeneral | Rock | Styles | Music
        Alternative MetalAlternative Metal | Hard Rock & Metal | Styles | Music
        GeneralGeneral | Hard Rock & Metal | Styles | Music
        GeneralGeneral | Alternative Rock | Indie Music | Stores | Music
        GeneralGeneral | Rock | Indie Music | Stores | Music
        MetalMetal | Hard Rock & Metal | Rock | Indie Music | Stores | Music
        Similar Items:
        1. Enemymine

        ASIN: B00004Z413
        Release Date: 2000-10-17

        Tracks:

        1. Day One
        2. Inverted Circle
        3. Man Enough
        4. Caught Inside
        5. Nightmare Air
        6. Calendar
        7. Passive Equalizer
        8. Setting the Traps
        9. Man Enough
        10. The Balm
        11. Shame Spiral
        12. M
        13. Coccoon Clo3

        Customer Reviews:

        4 out of 5 stars ICe in me.......2002-06-28

        Kids...what can i say, buy this. Its fantastic what sounds a couple of dudes on bass can make. I also recommend godheadsilo...any albumn, but share the fantasy is my favorite. Its great to hear how one bass player and one drummer can make such an awesome sound. Thats my story and i'm stickin to it. Buy godhead silo before you buy this though.

        5 out of 5 stars What more could one ask for?.......2001-01-25

        This is killer. You should own it. I own a couple. Makes your brain jiggle in your skull over the headphones. Play it loud... play it very loud and you will not be dissapointed. I can't believe these guys can put out cuts like these. You must lose days off of the end of your life at one of their live shows.

        Music Info:

        1. The Iron Mask
        2. These Days [Box set] [Import]
        3. U.S.A. for M.O.D.
        4. Warpath
        5. White Pony [Enhanced] [Extra tracks]
        6. You Laugh EP [EP]
        7. 25 Years On [Box set]
        8. 8186 Live [Import]
        9. A Real Dead One
        10. A Real Live One [Live]

        Music Info

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